21 - 39 of 39 Works by guitarstrings
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(And Betty-
Betty helped her realize that she’s more than capable of caring for others, of loving, if she would only dare to believe.
And she did, she does.
Cares and believes and hopes and loves more than she could have ever thought herself to be capable of before.)
or, the times Veronica conquers her fears with Betty's help.
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loving can heal, loving can mend your soul by guitarstrings
Fandoms: Riverdale (TV 2017)
17 Sep 2017
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It’s the sound of Betty’s heartbeat that pieces Veronica back together after yet another emotional roller coaster of a night.
They’re lying on the bed in Veronica’s bedroom, with her ear pressed against Betty’s chest as she listens to the steady, rhythmic beating of her heart, quiet and even and here.
The weight of her arm around Veronica and holding her close grounding and sure.
In which Veronica is sure Betty won't break her heart.
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A collection of drabbles and ficlets for Beronica.
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(Veronica’s footsteps are light, a gentle rhythm that wakes Betty easily. The soft thudding of her feet is something akin to music to Betty’s ears, and so is the rustling of the sheets before Veronica gets out of bed - a much better alternative as opposed to the loud blaring of their alarm, which jerks Betty into a state of wakefulness that she doesn’t appreciate at all.
It’s a song Betty has already memorized and replayed countless times in her head.)
or, bits and pieces of Betty and Veronica's life after graduating from high school.
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(Up until now, she’d been selfish, thinking the move was for her. Another shot at life, a chance to put her best foot forward.
But now she understands. Fate doesn’t take just one person into account, it takes both halves into it.
It didn’t bring just her to Pop’s that night they first met, it brought Betty there, too, and made sure she stayed there until Veronica walked in.
Ultimately, however, it was up to them what to make of it. To decide where they would lead things, and how they were going to get there.
And Veronica isn’t going to let this chance slip away.
She isn’t going to let Betty slip away.)
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(She thinks of the mornings they’ve been spending together atop the hill, the warmth of the sun on their faces and her head on Veronica’s lap as she runs her fingers through Betty’s hair.
Of hushed conversations and light laughter and Veronica’s brilliant, shining eyes.
Of how her heart beats strongly and surely for Veronica.)
In which Betty and Veronica spend the summer together.
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(She gets to wake up and sleep next to Veronica for countless more nights and mornings after that, a mess of tangled limbs and heartfelt smiles and gentle touches.
And each time, Betty falls even more in love with Veronica, feeling untouchable every time Veronica says she loves her back.
Like the universe can throw anything at her, and she’d be ready for it.
Veronica proves herself right, too. What they have is the exception to the rule of the universe’s list of miserable things to randomly throw at Betty in an attempt to wreck her.
And Betty sticks it to the universe. Hard.)
In which Betty acknowledges her feelings for Veronica and pines for her.
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"Suddenly, the ring in her pocket weighs heavier with each step that they take to the kitchen." Where Jessica proposes to Trish.
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“I’m not going to ask you to wait for me. But I’ll fight like hell not to run. Is that enough for you? Because that’s all I can promise you right now." Jessica gets injured after a fight, and as usual, Trish is the one to take care of her.
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"With a tired sigh, she scoops her daughter out of the crib and awkwardly rocks her back and forth, mumbling things she hopes would help calm her down." Where Jessica is left alone to take care of her and Trish's daughter, until Trish comes home.
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All Trish wants to do is top Jessica, but it proves to be difficult because of the super strength that her girlfriend possesses.
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"Jessica smiles and kisses Trish’s cheek and lips, the thought of a fresh start and beginning a new year already starting to become bearable to her as she skims Trish’s content and beautiful features." Where Jessica brings Trish flowers for New Year's Eve and they spend time together.
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Quinn and Rachel welcome the New Year with their daughter, Aly. Faberry fluff to start off the upcoming year!
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"Trish’s lips taste sweet in just the right amount, and she tastes like hope, gentleness, understanding and basically everything good in the world. There isn’t any bitterness, and kissing Trish never feels like something sharp is piercing her the walls of her mouth and tongue." Post-season 1 finale, Jessica compares kissing Trish to drinking alcohol.
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"Right now, like this, there is no moment of panic. There’s just… peace. A peace of mind she hasn’t experienced in forever." Post-season 1 finale. Jessica destroys and throws away the gun Simpson gave to Trish, and she explains why. Or yells, because she can't hold it in anymore. And because Trish believes that her initial explanation is bullshit.
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Quinn is reading a book when Rachel crawls into their bed after her morning walk. They talk a little about what Quinn is reading before Rachel falls asleep.
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"And as you look at her, as your chest rise and falls with every breath that you take, as you consider the possibility of writing more poems about her, for her, these words resound in your head and in your heart: You love her, you love her, you love her." Rachel writes a poem for Quinn for the first time.
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"Being with Quinn, being in love with Quinn changed her. And from the looks of it, it’s still changing her to become a better person." An exploration of Quinn and Rachel's relationship; Sequel to Pretty Eyes.
Series
- Part 2 of Pretty Eyes
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"She doesn't mind if she has to give Quinn bouquets of gardenias or single gardenias wrapped in a light green ribbon every single day if it means getting to have this-Quinn in her arms and in love with her, too." Quinn keeps the wrist corsage from junior prom, and the second time Rachel sees it is in her dorm, lying on her desk. After that, she musters the courage to ask Quinn out.
Series
- Part 1 of Pretty Eyes