Chapter Text
You are in your cottage. It is the middle of the night.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED that someone's already sleeping in.
>x me
You are ADAM MOONLIT, WOODCUTTER, resident of HELD'S FOREST, husband to EVE MOONLIT NEE ZVEZDA, son of ALICE MOONLIT, former ROYAL and SCIENTIST of the MAGIC KINGDOM LEVIANTA, former HEAD of PROJECT MA, current FUGITIVE, and SOMEONE WITH MANY, MANY, REGRETS.
>Look at bed
You look at who’s on your bed. It's an Eve!
>Cuddle Eve
You climb into bed and wrap your arms around your wife. You cuddle Eve. She smiles in her sleep and cuddles you back. It's adorable.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. You have work to do.
Regretfully, you untangle yourself from Eve and climb out of the bed.
>Vore Eve
Why... why would you... okay.
You attempt to vore your wife. You start with her hand, but you manage to get all the way to the wrist before you realize you're choking to death. Eve mumbles in her sleep and turns, taking her now slimy hand out of your mouth.
At least you tried.
>Poke Eve
You give your wife a gentle poke on the shoulder. She murmurs and shifts a little, but ultimately doesn't respond. Eve was always a heavy sleeper.
>Wake up Eve
You place a hand on her shoulder to shake your wife awake, but... you hesitate. You look at her relaxed face, sleeping peacefully.
...
You can't do it.
>Look at fireplace
Your fireplace is a pretty okay fireplace, if rather large. Eve sometimes joked that it was large enough to fit her. It still does its regular fireplace things rather well. There is a POKER right next to the fireplace, as well as a pile of LOGS and some BELLOWS.
>Light a fire in the fireplace
A fire is already lit in the fireplace. However, it's rather weak, almost down to the embers.
>Stoke fire.
You don't have anything to stoke the fire with.
>Take poker
You take the poker.
>Use poker on fire.
You poke at the fire a little until it gets a little bit stronger. But not much.
>Add logs to fire.
You add several logs to the fire. Thankfully, they ignite, and the room becomes much warmer.
>Use poker on Eve
You asshole.
You poke Eve on the shoulder with the still hot poker, leaving a dark ash stain on the sleeve of her white nightgown. She jolts at the heat and whimpers, but still doesn't wake.
Have you considered being a better husband?
>Bite Eve's hand.
Now you're just being rude.
You bite Eve's hand, but you really don't have the heart to really do it. It's more like a slight nibble.
She doesn't really respond.
>Transcend to the fifth dimension
You can't do that.
>Look out window.
Moonlight shines over the forest, dimly lighting the path that goes deeper into it. Listen hard enough, and you might hear the sounds of crows and forest predators stalking their prey. You can barely see the stars. You have a feeling it's going to be a long night.
>Go outside.
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>RETRIEVE ARMS
Why? You already have them!
>Enter garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>Eat plant
Which plant? You're going to have to be specific.
>Gather flowers for Eve
That seems like a good idea, but none of the flowers are in bloom
>Become embittered about Seth and Project Ma
However tempting it is to wallow in self-pity, you have gotten over that a long, long time ago.
It's only you and Eve now. You remind yourself of that.
>Examine tools
They are all lumped in one corner, covered in dirt. There is a SMALL GARDENING SPADE, a LARGE SHOVEL, a WATERING CAN, a pair of SMALL GARDENING GLOVES, and, huh? What's this?
Your AX. Your AX somehow ended up here. Oh, so that's where it went...
>Take ax.
You take the ax.
>Eat ax.
You somehow consume the entire ax and die from internal bleeding.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>You leave to the garden, again
Invalid command.
>Exit house
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>Left
You go left. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>Sing to the well of your regrets
You are not a very good singer, but you sing anyway. Your voice carries across the forest, and even the crows fall silent.
Wow, you must be really bad at this.
>Drown yourself in the well
Overcome by your regret, you jump into the well. Halfway down, you realize you're leaving Eve all alone, and you hate yourself even more.
The water is cold.
BAD END
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>Throw yourself into the fireplace
You would, but a) You don't want to die, b) You're too big for the fireplace, and c) The fire is way too weak to even give you a first-degree burn.
>Throw Eve into the fireplace
Why.
>Break window
You have nothing to break the window with.
>Leave cottage
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>You walk up to the path
Into the forest you go, deeper and deeper. Despite the moonlight, it's pretty dark. You might be eaten by a bear.
>think about seth's ridiculously long legs. just think about them. is he okay
Invalid command.
>You try to remember if you have a lantern at home
Invalid command.
>kidnap twin babies
Invalid command.
>abandon twin babies
Invalid command.
>think about seth's ridiculously long legs.
Invalid command.
>die instantly
You somehow to tell your heart to fail and you die instantly. Congratulations.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>lie down on the floor
You lie down on the floor. It's not very comfortable, especially seeing as there's a BED right there.
>sleep on the floor
You would like to sleep, but you have work to do. You get up.
>Lie down next to Eve
You climb into bed and lie down next to your wife. Eve, sensing your warmth, smiles in her sleep and wraps her arms around you. You can’t help but cuddle her back. She’s adorable.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. You have work to do.
Regretfully, you untangle yourself from Eve and climb out of the bed.
>use venom on eve
You do not have that item. You hope you will never have that item ever again.
>look under bed
You look under the bed. You expect to see nothing but dust bunnies, but what is this? There's a dark rectangular shape that you can barely make out to be a book.
>take book
You take the book. It's a rather large book with a black leather cover and yellowing pages. You see no title.
>open book
You open the book. You are half-afraid that it might be Eve's journal and are ready to close it if that should be the case, but it isn't. It seems to be a sort of handwritten encyclopedia, documenting magical remedies and medicinal plants. It looks very old, and you see several different kinds of handwriting as you flip through the pages.
>eat book
You can, but do you want to?
>No.
You don't eat the book. You flip all the way to the end and recognize Eve's handwriting. It's probably very important.
>eat last page
Feeling a bit ridiculous, you go all the way to the end of the book, tear out the last page, crumple it, then stuff it in your mouth and try to swallow it.
Thankfully, that last page, and a good chunk of the book before it, is blank. Maybe Eve was meant to fill in the last few pages? You'll probably just ask her in the morning. The page tastes exactly as you thought it would: horrible. You barely manage to keep it down.
> Write regrets on a piece of paper and put them in a bottle.
You do not have those items.
>inventory
You have:
Eve's encyclopedia of magical healing
> Conjure magic!
You would, but you are an ex-scientist. Not a mage. Eve would be better for that.
> Find eve?
She's right there.
>exit
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>go to well
You go left. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>use well
You do not have a bucket.
>examine well
You examine the well. Though somewhat new, the stones are already gathering moss. The rope is also wearing thin. You will have to replace it soon. There is no bucket at the end of the rope. You try to recall where you put it...
>go to garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>Examine tools
They are all lumped in one corner, covered in dirt. There is a SMALL GARDENING SPADE, a LARGE SHOVEL, a WATERING CAN, a pair of SMALL GARDENING GLOVES, and, huh? What's this?
Your AX. Your AX somehow ended up here. Oh, so that's where it went...
>take watering can and ax
You take the watering can. You take the ax. Ready for some heavy-duty gardening.
>Take axe and chop it into a tree.
There are no nearby trees in the area.
>exit
You leave the garden. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>look
The forest stretches in front of you and around you, daring you to enter its depths. You think you hear the crows getting louder.
>Enter forest
You walk down the path. Into the forest you go, deeper and deeper. Despite the moonlight, it's pretty dark. You might be eaten by a bear.
>Use ax on tree
You pick a random tree and swing, embedding the ax very deep into its trunk. You may be imagining things, but the forest itself seems to shudder in pain.
It's very dark. You think you hear something.
>Search for the fugitive Meta Salmhofer
You really hope someone like Meta Salmhofer won't be stalking the woods at this time of night. You certainly don't want to meet her.
>Return to house
You go back to the cottage, maybe just in time. You stand in front of the door. There is a WELL to your right, a SMALL GARDEN to your left, and a PATH right behind you.
>go to well
You go right. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>tie watering can to rope
You tie the watering can to the rope with the best knot you can manage. Will it hold? You don't know.
>fill watering can
You lower the watering can into the well until you hear it splash into the water. You then winch it up, warily watching the rope as it strained against the axle.
Despite your fears, the rope holds. You now have a FULL WATERING CAN.
>take watering can
You discover that the knot you made was tied too... well. Your fingers ache trying to unpick the knot, and you give up. The watering can now just sits at the rim of the well.
>Water shoe
You water your shoe. Your foot is getting soaked. You now have a HALF-FULL WATERING CAN.
>enter garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>look
Seems to be a pretty good garden. The vegetables are coming along nicely. Hmm, it looks like something shiny's half-buried in the vegetable section over there...
>examine shiny thing
You see it more clearly now. Two handles are sticking up from the dirt, metal biting into the earth. You think you remember Eve working on this section of the garden earlier today.
>take shiny thing
You pull the shiny thing out from the dirt. It's a pair of GARDENING SHEARS. Eve must have placed it here to mark her spot. You'll apologize to her later.
>go to well
You go left. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>fill watering can
You lower the watering can into the well until you hear it splash into the water. You then winch it up, warily watching the rope as it strains against the axle.
Despite your fears, the rope holds. You now have a FULL WATERING CAN.
>use shears on rope
You use the gardening shears to cut the rope, just above the knot. You still feel a bit like an idiot.
>take watering can
You take the FULL WATERING CAN.
>enter house
You enter the cottage.
>pour watering can over yourself
For some reason you feel like now is the appropriate time for a shower. You pour half the water all over yourself, soaking the floor beneath you. You have a feeling Eve's not going to be happy with this. You now have a HALF-FULL watering can.
>drink all the water in the watering can.
You regard the water suspiciously, thinking how it's usually best to boil the water first. You eventually shrug and drink the entire contents of the watering can like the incompetent ex-scientist you are.
A minute later, you vomit violently, emptying the contents of your stomach all over the floor, and yet you still continue to throw up. The sound of your retching wakes Eve up, and she frantically rushes to your side.
It turns out there was a deadly water-borne bacteria in that watering can. Eve tries her best, with all the shamanic knowledge she knows, but it's no good.
You die before morning.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>make cottage cheese
That sounds nice, but you don't have anything to make cottage cheese.
>check your food supply
You check your food supply. You're still pretty well stocked from your last foray into town. There are a few bottles of MILK, a couple loaves of BREAD. a jar of SUGAR, a jar of SALT, some COOKING OIL, and various SMOKED MEATS.
>take bottle of milk and loaf of bread
You take one BOTTLE OF MILK. You take one LOAF OF BREAD.
>make cheese with milk
You can only stare at the bottle. Helpless. You have no idea how to make cheese. You really are a city kid, aren't you?
>screech
You screech, mostly from all the regret in your life. Eve wakes up frantically, thinking you're in the middle of being murdered. Out of panic, she impulsively releases a burst of magic at the dark shape in the corner of her eye. It turns out to be you, and it turns out to be lethal. Whoops.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A full watering can
A pair of gardening shears
>Save
You save. You have no idea what that means, but you SAVE. You may or may not be filled with determination.
>use shears on eve's hair
Eve's hair is down, a mass of sky blue flowing over the bed. You somehow make yourself take the shears in your hand and begin to cut her hair to just above the shoulder. The soft snipping doesn't make her stir, neither does the sensation of such a large amount of weight suddenly lifting from her head. When you finish, Eve has a brand new haircut, and a ridiculous amount of hair still lies on the bed.
Have you considered the fact that you are a terrible person?
>use watering can on eve
What, do you think pouring water all over her is going to make her hair grow back again? You really were a terrible scientist. Either way, you "water" Eve with the watering can, soaking her in frigid water. She jolts as the water hits her, and her eyes spring open. She tries to sit up, but her head hits the watering can you still hold above her and she recoils back, rubbing her head in pain. Her eyes focus on you, still pouring water all over her. "What are you doing?" she asks.
>reason out with her
You try to come up with a ridiculous yet plausible-sounding excuse for why you suddenly decided to pour cold water on her in the dead of night, something that involves health benefits somehow. She listens, half-awake, but you can tell that she's not buying it. She absentmindedly runs her fingers through her wet hair, and her eyes widen as she realizes that her hair stops just above the shoulder. You're fucked.
>stab eve with shears
Seeing no other solutions, you suddenly take the gardening shears and stab Eve in the stomach. Her eyes go as wide as dinner plates, and she tries to struggle as you pin her down and stab her again. And again.
You realize that she hasn't tried to fight back, that she hasn't used her magic at least once against you. You can only see a helpless look of betrayal in her eyes as she weakly struggles against your grip. She tries to open her mouth and speak, maybe to ask you why, but the only thing that comes from her is a weak gurgling noise as blood spills from her lips. Eventually, she convulses and dies.
What... what did you just do?
>run out of the room
This... this was all too much. You abandon Eve's body and flee the cottage, still soaked in blood. The moon is still shining, the crows are still cawing. There a PATH right in front of you, EVE'S GARDEN to the right, and WELL to the left.
>stab self with shears.
You're still holding the shears. You feel numb. Without thinking, you decisively stab yourself with the shears, right in the stomach. You think you see crows flying above your head as you bleed to death.
BAD END
RESTART FROM SAVEPOINT? Y/N
Notes:
Xosephine, out of the goodness of his heart, made an illustration for this session right HERE: https://xosephine.tumblr.com/post/158581771059/on-todays-episode-of-adams-amazing-text
You should check that out, as well as his other art. Thanks Xo, you're the best. :D
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A full watering can
A pair of gardening shears
>take off shoe
You take off your shoe. You don't know why, but you quickly regret it as the floor is freezing beneath your sock.
>take off sock
You decide to forget the cold and take off your sock. You are now standing half-barefoot in your cottage. You feel a bit silly.
>Cut a piece of your shirt off with the shears.
You do so. At least Eve didn't give you this shirt. You now have ONE PIECE OF SHIRT CLOTH.
>eat sock
You try. By Levia, you try. But trying is not doing and soon you spit our your sock in disgust. You worked the entire day in that sock.
>enter Eve's bedroom
What bedroom?
>stuff eve's ears with cloth
You try to wad up the cloth and stick it Eve's ear so she doesn't hear your shenanigans. It keeps falling out, with her eventually unconsciously swatting your hand away. You give up.
>find booze
You try to find booze. There is no booze in the house.
>whisper your love to your wonderful wife eve
You lean down to whisper a few nice things into your wife's ear. You think you see her smile.
>find doll
You cannot find that item.
>wake eve up to ask about the booze
You place a hand on her shoulder to shake your wife awake, but... you hesitate. You look at her relaxed face, sleeping peacefully.
...
You can't do it.
>take eve's blankets off her sleeping body
She's sleeping on the covers. Waiting for you, you realize.
>use axe on shoe
You balk. It's a good shoe. Good shoes are EXPENSIVE.
>tickle eve
You aim for her sides, and she reacts immediately. Amazingly, she doesn't wake, but she immediately shifts around the bed trying to escape your tickles, giggling. Eventually, she's face down, arms wrapped protectively around her sides. You decide to stop just before she wakes up.
>hug eve
You climb into bed and wrap your arms around your wife. You cuddle Eve. She smiles in her sleep and cuddles you back. It's adorable.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. You have work to do.
Regretfully, you untangle yourself from Eve and climb out of the bed.
>attempt to eat sock (again)
Your second attempt doesn't go any better than the first. You end up hurling the sock across the room.
>go to garden
You cannot get there from here.
>exit
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>cook some food
As much as you have embraced forest life, you don't think you are that acquainted with nature yet.
>go to garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>I N S P E C T V E G E T A B L E
You examine the vegetable section of the garden. You don't exactly have a bountiful harvest ready yet, but they are growing quite nicely. At least, Eve tells you they are. There are TOMATOES, CABBAGES, CARROTS, POTATOES, and, of course, Eve's favorite, SPRING ONIONS.
>admire spring onions
Of all the vegetables, Eve's devoted the most time on these. You're surprised by how healthy they look. They should be ready to harvest soon.
>examine herbs
You may have been a scientist, but botany was never your specialty. You were a scientist. You studied science. Not plants, or nature. You would only recognize a few cooking herbs here and there like oregano and mint, but now, with Eve's book, you recognize many more, especially those of the medicinal nature. You wonder how Eve got all these.
>accidentally break one spring onion
In your enthusiasm exploring the garden, you accidentally snap a spring onion stalk. Whoops. You try to stand it up, but it just flops over again. If Eve asks, you were never here.
>take mint
You aren't exactly sure how to harvest mint, because you were (and still are) a hopeless city kid, but you grab a few leaves.
>salvage spring onion for cooking
You realize that just leaving the spring onion here for Eve to find is just asking for trouble, so you just pull the spring onion out of the dirt and nervously pat the earth down as if nothing were ever planted there. You now have one BROKEN BUT EDIBLE SPRING ONION.
>eat spring onion
Eve loves these things. You swear that you even catch her eating them raw. You're okay with them, just as you're okay with all vegetables, but a sudden curiosity strikes you. You take a bite.
...
BLUUUUUUUUH.
My, are you obsessed with putting dirty things in your mouth tonight.
>eat mint
Having not learned your lesson from eating things straight from the garden, you take your MINT LEAVES and chew them. Mmm. Minty leafy fresh. You manage to erase the taste of dirty sock and onion from your mouth.
>go to forest
You can't get there from the garden.
>go back inside
You can't get there from the garden.
>LEAVE GARDEN
You leave the garden. There is a PATH right in front of you, a GARDEN to your right, a WELL to your left, and your HOUSE right behind you.
>ENTER HOUSE
You are in your cottage. It is the middle of the night.
>wipe yo nasty feet
You wipe your dirtied bare foot on the rug. Eve probably won't be happy with that either.
>Save first tho
You save. You have no idea what that means, but you SAVE. You may or may not be filled with determination.
>walk over to the bed and put your foot on eve's face
You walk over to the bed and for some Levia-forsaken reason try to put your foot on Eve's face. However, she's still face down. You don't want to flip her over, and so you give up.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A full watering can
A pair of gardening shears
A leather shoe
A piece of cloth
A broken spring onion with a bite taken out of it
>sit down and rest
You are tired from all these shenanigans. You sit down at the foot of the bed.
>use watering can on eve
For all the internal moaning you do over what you did to Eve years ago and how you would much like to atone, you sure don't seem to act like it, do you?
You take your full watering can and pour it all over Eve's back. She jolts as the water hits her, and she rolls over, her eyes springing open. She tries to sit up, but her head hits the watering can you still hold above her and she recoils back, rubbing her head in pain. Her eyes focus on you, still pouring water all over her. "What are you doing?" she asks.
>reason that she was catching fire
You explain quickly explain that you had a nightmare about her catching fire and you were trying to put her out. She looks at the watering can. "Isn't that from outside?"
>eat shoe
You've heard of the phrase "put your foot in your mouth", but you don't have the flexibility. Your shoe will have to do. Eve looks at you like you've gone insane.
>PRESENT ONION
You present her the onion, still broken, still with a shoe in your mouth. She takes it gingerly, staring at you. "Adam," she says, carefully, "Are you okay?"
>set Eve on fire
You have nothing to set Eve on fire with, even if you wanted to.
>get the leather shoe and whack Eve on butt with it
You can't reach her butt, so her head will have to do. You take the shoe in your mouth and immediately whack her on the side of the head with it. It's a good shoe. High quality. The heel makes a sickening crack sound as it connects with the side of her head as the force literally throws her off the bed with a thump.
You wait five seconds. She doesn't get up.
>eat shoe
The shoe's still in your hand. You shove it back in your mouth. Eve still hasn't gotten up.
>check eve's pulse
At last, you actually be a decent husband and CHECK on your poor wife. She's sprawled out across the floor, out cold. You actually hit her hard enough to break the skin, and a scary amount of blood is flowing down her temple. You have a sickening feeling in the pit of your stomach. You check her pulse. Still there, but faint.
>stop bleeding with cloth
You try to stem the bleeding, sitting down on the floor and resting Eve's head on your lap, but it very quickly soaks through. Your own head feels foggy, and you try to ground yourself. You worked in a hospital once. THINK. The word "concussion" suddenly comes to mind and your hands shake even more. Your pants are getting bloody.
>eat eve's hair
IS NOW THE APPROPRIATE TIME? You grab a fistful of hair and realize you never took the shoe out of your mouth. You then see the red mixed in with the sky blue and the shoe drops to the floor.
>bite your lip and cry
You are shaking, breathing ragged. A few teardrops fall on Eve's face and some part of you manages to lift a hand to wipe them away. The blood keeps flowing.
>carry eve on your back and get out of the house
You hoist Eve on your back and flee the house. There is a GARDEN to your right, a WELL to your left, and a PATH to the forest right in front of you.
>panic and try to wake her up
You find yourself babbling, stuttering out apologies and pleas for forgiveness. She doesn't wake up. She doesn't react at all. She simply lolls on your back like a broken doll, the blood from her head soaking your shirt.
>take the path and try to find help
You run, deeper into the forest. You remember legends, heresies, of a god that dwells in this forest. The crows caw, uncaring. The moonlight shines, but it's still very dark. You both might get eaten by a bear.
>find a way to the magic kingdom of levianta
In your panic, you suddenly try the crazy idea of running back the way you came... all the way back to Levianta. Never mind that it's across the country, never mind that Eve probably only has a day or less, but she needs help, and that's the only thing you can think of. You run and run, but you soon realize you are lost.
It's very very dark. You think you hear something.
>fuck it, look for the tree god
Okay, new plan. You decide to look for the mysterious "god" of the forest. No matter that you don't know where he is. No matter that you don't know anything about the god at all. You realize you are not thinking rationally right now. You don't care.
The noise gets louder. It turns out to be rustling. Your blood freezes and you turn in place, and you see a dark shape emerge. It's a bear. The scent of Eve's blood must have attracted it faster.
>scream. fucking scream
You make a sort of choking sound, but that's all the bear needs. The beast lunges at you both, knocking you over and pinning you both to the ground. You hear the sounds of bones snapping, and you realize they are your own.
>equip axe
You try to reach your ax. You try to fight back. To your horror, the bear has gone for Eve first, the scent of her blood tempting it with fresh meat. It begins to tear apart your wife with its teeth and claws, and you can only howl in horror, trying to maneuver your ax with your broken arm as you manage to give it a blow on the head. Angry at this, the bear turns on you.
>RUN
You can't. You can't leave her. You can't. Giving up on trying to fight back, you try and shield what's left of Eve with your body from the raging, hungry bear. It's a brave effort, but ultimately hopeless. It is a bear. You are two puny humans wandering around in the dead of night. You're still holding Eve as the bear tears you both apart.
BAD END.
RESTART FROM SAVEPOINT? Y/N
Notes:
Xosephine also drew an illustration for this session: https://xosephine.tumblr.com/post/160183650679/on-yesterdaysnot-really-episode-of-adams
Thanks again, Xo. Seriously guys, CHECK OUT HIS ART.
Chapter 3: 3/22/17
Notes:
Just a little friendly reminder that ALL COMMANDS (save for the first 15 back in Chapter 1) have been given by the members of the Discord of Evil. Yeah. All of them. Just keep that in mind.
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A full watering can
A pair of gardening shears
A leather shoe
A piece of cloth
A broken spring onion with a bite taken out of it
>eat the fucking onion
Suddenly filled with DETERMINATION (and probably stupidity), you take the plunge and shove the entire onion into your mouth.
You choke on it. It's not a very good idea to deepthroat a spring onion.
You manage to pull it out without lasting damage, but you have to take a few seconds to catch your breath and wonder what possessed you to do that.
>イブの本を読む
PARSER TRANSLATION: READ EVE'S BOOK
You, trying to recover from that act of vigorous onion consumption, try to make yourself feel like less of an idiot by thumbing though the pages of Eve's encyclopedia.
It's actually a very interesting read. You suspect that this book is much older than you think it is. Aside from the detailed illustrations of various medicinal plants, you thumb through pages on pages of magical healing knowledge, all the way from setting a bone to... delivering a child.
...
You find yourself pausing at that section. Taking a deep breath, you force yourself to move on.
>sing Eve a lullaby
You are not a very good singer, and either way, Eve doesn't seem to need it. But something about her makes you sit at the side of your shared bed, stroking her hair as you try to hum a song you heard somewhere. Did it go "lan lu lu" or "lu la la"? Something like that.
Eve seems to relax even more. You're happy.
>water eve while chanting obviously fake magic words
And of course, you have to ruin the moment. Standing up at the foot of the bed, you try your best to look solemn. If you're going to play mage, you might as well go all the way.
Taking your FULL WATERING CAN, you drizzle Eve in an official-looking circular motion while chanting words that you think sound magical.
Eve's body twitches at the frigid water. She opens her eyes, slowly sitting up to stare at you as you keep chanting, trying your best to keep a straight face. "Adam...?" she asks. "What are you doing?"
>save in a different slot
You SAVE in a.. in a... i̛n̗̹̼̦̩͉͜ ̠͡a̖̺͠...
COMMAND PROCESSING ERROR: SEGMENTATION FAULT
>scream. loudly.
You scream. Rather loudly. Eve's eyes widen as she clamps her hands over her ears. She stares at you, trembling, pupils shrunk into tiny dots, too scared to say anything.
>APOLOGIZE TO EVE
>REASON THAT SHE WAS CATCHING ON FIRE
>apologize and say that you were not in your right mind. accept any form of punishment.
You immediately regret everything you ever did. What's sad is that this feeling is not new to you. You apologize as sincerely as you can, trying to keep your voice down as you explain (actually lie) that you had a nightmare about her catching on fire. She seems to calm down a little, it looks like she buys it. She opens her mouth to say something-
>pour some more water on her and naruto run out of there
Then you immediately ruin the moment AGAIN and pour the rest of the watering can's contents on Eve, her giving a loud shriek as she's soaked in freezing water once more. You immediately flee the house. You jerk.
You are outside your cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>drown eve. fucking drown her
>DROWN HER
>drown eve
For SOME LEVIA-DAMNED REASON, you decide to go back and finish the job. You slam the cottage door open and stride into the room. Eve’s lying down when you re-enter the cottage, apparently trying to go back to sleep in her still-drenched clothes. She gasps as you suddenly hoist her up, hauling her over your shoulder as you leave the cottage. "Adam?!" she asks. "Adam, what are you doing?! Where are you taking me?! What's going on?!"
You say nothing, only walk towards the well.
"Adam, where are we... ADAM!" Eve screams as you take her off her shoulder and try to shove her down the well. The two of you struggle, and eventually Eve is barely hanging on, clinging to the rim of the well, trying to find a handhold on the slippery moss as you dispassionately keep the rope out of her reach. She's started crying.
"Adam, was it something I did?! Was I too much trouble? I'm sorry!" she sobs. "I'm sorry!"
You say nothing, only pry her hands off the rim of the well.
"ADAM NO- AAAAAAAUUUGH!"
You hear her hit the water with a splash.
>DON'T DROWN YOUR PRECIOUS WIFE.
All of a sudden, it's as if your emotions have turned back on. You stand still as you just realize the magnitude of what... what...
W̩̦̥͙̠͞H̞͈̹̞̩̤̱͢A҉̡̙̟̘̘͔̪̪͓T̡̫̟̩͈̺͡͠ ̧͉͎͚͕̦D̶̡̮̣I̩̞̻͙ͅD̢̙̖̣̝̩͘ Y͘҉̲̹̘̬͉̘͚O̧̨͎̟̻̟̭U̵̵̧̹̜̥̹ ͔̳̜̜̙͖͉͜J͏̸̟̯Ų̮̥̺͎̝̦͖S͓̘̥̹̕Ţ͓̯̼̮̦̙̯ ̺͚̗͢D̠̤̺̬̳͙̻͇̲O̡̤̯̬̣̱̫̗̝͝?̱͔͡
>cry
>cry loudly.
>cry very loudly.
>screech
You don't even recognize the sound that comes from yourself, as you hurl yourself forward and peer into the well. You can't see anything. It's too dark.
>vore eve????
You can't do that because YOUR WIFE IS IN THE WELL AND IT'S ALL YOUR FAULT, YOU BASTARD.
>Leave Eve's ass
Y̨͉̩͈͓͇̮̺O̧͏͕͎̱̝̘U̖̱͉̩̲ͅ ̡͍͓͓̥W̳͍̼̪͉Ḭ̩̥̰̬͍̲L̛͕̪͕̗̮̼͙͎L̶̵̹̝͠ ̵̫͔͝N̵̨̫̼̬̬̬O̯̻̯̱͈̭̙T͙̣̺̹͇̯͖͈͠ ̖͍̺̲̬͓͝L͈̼͍̖̱̻͠E̷̠̟̲͜Ḁ͎͡V̘̜̠͎̰̳̝̯̤E̠ ̧̺̝̻̦͍͎̻̣̕͠H̴̞̜͍̤̹͠E̟R̝̮͇̰̫͔̩.̧͔̟͙
>jump down the well
>JUMP DOWN THE WELL
Without thinking, you jump down the well to save her. It's only when you hit the water when you realize that even if you managed to find Eve in this darkness, you have no way of getting both of you out.
>drown in your tears
Unnecessary. You're already drowning in well water. You tread water for what seems like an eternity but you can't find Eve, not even her body. Nevertheless, you're still crying as you give up and finally drown.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A full watering can
A pair of gardening shears
A leather shoe
A piece of cloth
A broken spring onion with a bite taken out of it
>embrace your regrets, sing
You take a deep breath and are about to sing when-
>remember your voice is shit and not sing
Ah, right. Your singing voice is terrible. Never mind.
>wake your wife up and make a declaration of protection to her.
You find the sudden urge to wake Eve up and tell her that you'll protect her no matter what happens. You place a hand on her shoulder to shake your wife awake, but... you hesitate. You look at her relaxed face, sleeping peacefully. When was the last time you saw her sleeping peacefully?
...
You can't do it.
>do not be a bastard husband
You are trying your best. But sometimes your best is not enough.
>fart
You suddenly fart. You blush, hoping Eve doesn't notice. Thankfully, she doesn't. Maybe you should lay off the spring onions...
>exit
>dance out the house
>place spring onion beside eve first
You take out the spring onion and tenderly place it next to your wife. You are not sure if this is a good idea, but it feels right somehow. Energized, you dance out of the house. In your clumsiness you nearly knock over a table. Good job.
You are outside your cottage. here's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>think about how much you love your wife
It's a cold night, but you still manage to blush bright red and feel the air get warmer the more you think about Eve. You lean against the door, thinking of her.
It's been years since Levianta. She's been getting better since you first arrived, slowly coming back to life. There are good days, and there are bad days, but you swear that as time passes, the former are outnumbering the latter. You want to see her happy again. You've realized that a long time ago.
>walk down the path as tears stream down your face
You realize that thinking about Eve has made you start crying. Not really paying attention to anything, you head down the path. Into the forest you go, deeper and deeper.
Despite the moonlight, it's very dark. You might get eaten by a bear.
>train your magic outside
You don't have magic. A̸̩͔̠͚̠t͖͙̣̼̹̜̱ ͈̼͎l̠͔̺e̛͔͔̬ḁ̗͖͔̹͕s̥͉͚ṯ̘̭͍͉̼̗,͏ ͕̖̖͇͈̝͞y͍͢o͏̜̭̫̜͎̼̩u̪͢ ̪̱͇̠͙̝̙͠t̵̺̟͕͔͙̦h̻i͍̻͇͖n̶̤̰͙̻͔̦̱k̠̙͚̘͖̮̟ ̟̩͕͙̥y̯̖͈͉͜o̤̙̜̪͠u̙͉̫̻̭̩ ̠͠d̜͖͕̙̺o͏̹̤̳n̜̹̯͈̼'̪̳̻̜̱t̨̯͕̼̫̰ ̬h̸̙ạ̖͕̥̟v͈̳̳̤̠̠e͚̳͕̪ ̸̼̳̼̪̗m̵͖͎a̜̪͉̳ͅg̗i̥c̫͎.̫̩̲͝
>go shopping
You can't do that here.
>look
You are in the middle of Held's forest. Trees surround you catching shadows in the moonlight. You are not exactly sure where to go from here, but you know the way BACK.
It's a moonlight night, but it's still very dark. You think you hear something.
>think about eves birthday
You smile at the thought again. Ah yes, Eve's birthday. In two months, you think? You should start planning. But what to give her? You think and look at the trees around you. Maybe you should carve something?
>listen
It's a moonlit night, but it's very dark. You strain your ears. The noise you heard earlier... you think it's getting closer.
>go back home, dumbass
You do the wisest thing you think you ever done and walk back down the path towards your house.
You are now in front of your cottage. There is a PATH right in front of you, a GARDEN to your right, a WELL to your left, and your COTTAGE right behind you.
>vore yourself to death
You stare at your hand, curious. Would it be possible to eat yourself? You shove your entire hand into your mouth. You realize you are choking to death. You take your hand out, slimier.
>wash hands with watering can
You water your hand with the watering can, trying to get out the saliva. You could've just wiped your hand on your pants, but doing it this way feels purer, somehow.
>go to the back of the cottage
You can't do that from here.
>go inside cottage
You enter your cottage.
>think about seth's stupid face
You think about your former rival, and immediately his smirking face comes to mind. You push it out just as quickly. You try not to think of Levianta anymore. It's just you and Eve now.
>message the well
You can't do that from here.
>stare at eve intently
Having nothing better to do, you watch Eve intently as she sleeps, watch the gentle rise and fall of her chest as she's curled on her side. You want to join her, but you can't. You have work to do.
>stare at eve
You are already staring at her. You don't think staring at her more will do anything, unless you spontaneously grow laser vision.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED that Eve's already sleeping in. There is also a BACK DOOR leading to behind the cottage.
>think about the children
You think you'll join Eve on her current course of action for the past few years, mainly not thinking about the children.
>MASSAGE EVE
Your hands immediately move to Eve's shoulders, and your thumbs move to massage her shoulder blades. Eve's breathing gets deeper as you dig your thumbs into the base of her neck.
Several minutes later, Eve is lying on her belly, making soft happy noises as you finish your back massage. This is addicting. You would love to continue, but your hands are getting tired.
>save
The sight of Eve sleeping peacefully, utterly content after your massage, fills you with determination. You SAVE. You don't know what that means, but you SAVE.
>think about work
You begin to wonder why you're even up in the first place. You try to recall. You finished dinner, helped Eve clear the table, reject Eve's offer to come to bed because... why...?
Y̜͎̣̤o͚͔̼͕̼͎u̠̲̦̞̰̮ ̦d͏̺̙̦̱̞͍̤o̢n̵̤̮̖̯'͓͕̰͕̟̙̟t̹̱̟͈̞̼ ̮̲̼͕͞k̖n̤o̥̘͓̱̠͉̩w̸͙̺̲.̬̩
The thought gnaws at you, keeping you going, keeping you awake. You don't know what, but you have to...
Do...
So̶̖̘͈m̻̝͕̠̮̮̩̳͝e̹̩͔͖̯̜͜ͅt̵͖̯̱͘h̝͚͇̖̕ͅi͙̟͕͕̤͈̬̠͞n̛͕̠̳͠g̢̝͉̻͉̻̼͎̤...̰͓̬̼̺͙͝
Chapter 4: 3/23/17
Chapter Text
>don't think about work and go to bed
>sleep and think about your beautiful wife
It's tempting. Very tempting. But that nagging feeling tugs at your mind, forces you to keep going no matter how beautiful Eve looks. You have work to do.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED that Eve's already sleeping in. There is also a BACK DOOR leading to behind the cottage.
>stretch a bit.
You stand up and stretch, feeling a bit of relief in your somewhat stiff muscles. You stare a bit enviously at Eve.
>open back door
You open the back door.
>try climbing up the fireplace
You gingerly step over the hot coals and try shimmying up the fireplace. The entire shaft smells of smoke and you end up having to hold your breath, nearly choking in the process. You eventually lose your grip before reaching the top and fall bottom-first into the hot coals. You end up hopping around the cottage, trying to make sure your behind isn't on fire.
>go to where eve is and kiss eve
Thankfully, your bottom isn't on fire. Your pants , however, are a bit singed. Feeling slightly embarrassed, you walk back to the bed and gently kiss Eve, hoping she doesn't smell the smoke on you.
Unlike Sleeping Beauty, she doesn't wake up.
She does smile though.
>think a little harder on what is it you're supposed to be doing, you lumberjack.
You think, and you think, and you think, but the thought seems to escape you, like trying to grab water. Discouraged, you just decide to do whatever comes to mind.
>Stop, drop, and roll to put out the fire
That would be useful, but you are not on fire. You drop and roll anyway, just because. You get soot all over the floor.
>dance
You do a little jig around your cottage. You feel a lot more tired now. You slow down, and half-wish Eve was awake so the two of you could slow-dance.
>check inventory
You have:
Eve's encyclopedia of magical healing
An ax
A half-full watering can
A pair of gardening shears
A leather shoe
A piece of cloth
>jump on the bed and holler at the top of your lungs to wake your wife up
In some fit of madness you jump on the bed, soot and all, and scream at the top of your lungs. Eve wakes up with a jolt, and sees you covered in soot. Out of fear, she doesn't recognize it's you and fires a bolt of magic, killing you instantly.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>open back door
You open the back door.
>exit through back door
You exit the cottage. You are now in your BACKYARD.
>seek guidance from the full moon.
The moon is full and shining brightly tonight. You remember Eve saying once that it's at this point all magic is strongest. You wonder what other secrets the moon holds.
>look
Your backyard is where you usually work nowadays, cleared of trees so you have space to move. There is a STUMP nearby that you use to chop logs. Pieces of wood litter the area. Miscellaneous items are also leaned up against the back of your cottage.
>think of protecting your house. equip your AXE.
The moon might be full, but you know that the forest is still dangerous. You hold your ax aloft.
>dance
There are also rumors of the full moon causing madness. This is what you think as you sort of frolic through your backyard, ax swinging wildly along with your arms. You then trip over a log and nearly chop your arm off. You're lucky it didn't.
>x items
With not much space in the cottage, the two of you have sort of begun using the back wall of your cottage as a sort of impromptu storage shed. You've been thinking lately of actually building one, just to make it official. There is a PILE OF LOGS, a BUCKET, a LANTERN, a coil of ROPE, a HANDSAW, a HAMMER, and some NAILS.
>think about magic and the moon
Being a scientist, you surprisingly know very little about the actual nature of magic. You fondly remember the debates you got into with Eve about those, and then you realize that they happened before the Venom, before everything went wrong, and you quickly try to think about something else.
>think of the kingdom you left behind, and the man who would have benefited from your absence
You are not very successful. Seth Twiright's smirk immediately comes to mind. You imagine him gloating about you running away with Eve, leaving everything to himself.
You actually shake your head, banishing all thoughts of Levianta from your mind. That time is over. You are in the Forest now, with Eve, and you will atone for what you did, and nothing else matters.
>try magic
You try. N̠̖͚̗o͖̠̘ţ͚̖ẖ̼̱͟i͎͎n̗͚g̺̕ ҉̟̟̦̪̣ha̗̮ͅp̭̪̫͔p̜e͕͚̣̭̺̖n̸̘̱͔ͅs͙̜̮̱͉.̬̞͓̺̱̜͞ Guess you really are just another non-magic user.
>think of science
There is some part of you that misses being a scientist. (Except the research papers. Levia, you hated doing those.) You remember clean labs and white coats and objective truths and hard logic, none of the dirt and grit and the delicate balancing act that is your life now in the forest. Then again, you did specialize in chemistry.
>take the LANTERN and the ROPE from the storage shed
You now have a LANTERN and a COIL OF ROPE
>re-enter the house
You reenter the cottage.
>EXIT your house through the front door.
You exit the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>light lantern
You have nothing to light it with.
>enter house
You are in your cottage. It is the middle of the night.
>x fireplace
Your fireplace is a pretty okay fireplace, if rather large. Eve sometimes joked that it was large enough to fit her. It still does its regular fireplace things rather well. There is a POKER right next to the fireplace, as well as a pile of LOGS and some BELLOWS.
>light the fireplace
A fire is already lit in the fireplace. However, it's rather weak, almost down to the embers.
>light the lantern
You have nothing to light it with.
>stare at the Lanter
What's a Lanter?
>stoke fire
You don't have anything to stoke the fire with.
>Take poker
You take the poker
>Stoke fire
You poke at the fire a little with the poker until it gets a little bit stronger. But not much.
>return poker
You put the poker back, right where it belongs.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A half-full watering can
A pair of gardening shears
A leather shoe
A piece of cloth
A lantern
A coil of rope
>save
The sight of the weak struggling fire fills you with determination. You SAVE. You're not sure what that means, but you SAVE.
>water fireplace
You pour the rest of the water in the watering can on the hot coals. They hiss as the water hits them, steam rising as you slowly put the fire out. The fireplace is now cold and damp. The cottage wasn't that warm to begin with, but now it's just a bit colder.
>x ashes
You stare at the damp ashes. They are very dark. And black. And wet. You don't know what else you were expecting to see in there.
>put some ash in your mouth
You take a pinch of damp ash and immediately put it in your mouth. It tastes DISGUSTING. You spit it out, but the taste remains. Ugh.
>climb up fireplace (again)
You hunch into the fireplace and start trying to climb up the chimney. It smells of smoke and you get covered in a good amount of soot. Before long, you reach the top.
It's covered with a grate. Dammit.
You slowly climb back down. There is now soot all over your hands and clothes.
>search for secret passages in fireplace
You give the back of the fireplace a good kick, but you just get a stubbed toe for your trouble. You manage to resist the urge to shout several expletives.
>do an interpretive dance where an egg hatches into a chicken
You curl up on the floor, dirtying the carpet with soot. You are an egg. A small little egg, a world of possibility. You feel ridiculous. You roll around a bit, bumping into the bed.
Your muscles get cramped and you stand up. You hatched. Yay.
>read on how to light a lantern with moonlight in Eve's encyclopedia
>read eves magic encyclopedia and try to learn something
You see if there's anything useful in Eve's encyclopedia about getting the damn lantern lit. You mentally apologize to her as you leave sooty fingerprints on the old pages.
You do find several mentions of a fire spell, but to your frustration, the various writers apparently assume that YOU, member of the Zvezda clan, would be competent enough to manage such a basic task, and thus, would not waste the paper and ink writing it down. Levia. Dammit.
>cry
You cry. Your teardrops join your sooty fingerprints in ruining the old pages. Hey! Respect books!
>CLOSE THE BOOK AS NOT TO RUIN IT
>and whisper an apology to the book
You shut the book with a sigh. You whisper a small apology for defiling it. As an ex-scientist, you admire the effort the Zvezda clan took to make documentation.
>remind yourself you can never be an "ex-scientist"
>remind urself science is everywhere and that youre still P Cool
You try yourself that even if you can't do Science anymore, you are still a scientist on the INSIDE. It doesn't sound very believable, even when you're thinking it. You feel even more disappointed.
>let your sorrowful wails resound into the empty void!
Overcome with emotion, you wail from sheer sadness, rather like a lone wolf howling at the moon. You keep this up for a good several minutes, when you notice Eve. Awake. Watching you in disbelief.
"Adam?" she asks. "Are... you okay?"
>use your powerful scientist brain to figure a way to light the lantern
>find a good way to light the lantern, pronto.
Your powerful brain finds the most efficient solution. Eve is right there. You can ask her.
>kinda go over to her and cry on her shoulder
Of course, instead of doing that, you sort of stumble next to the bed and start crying on her shoulder.
"Adam...?!" she exclaims, reaching out to hug you. "Is something wrong?"
>assure her that you're only letting out your ptsd!
>apologize for your erratic behaviour and you being covered with soot, but tell her sincerely that you will protect her, no matter what.
>tell her you love her very much
You begin to sort of blubber, telling her that no, nothing was wrong, at least on her end. It was you, it was all you. You realize how ridiculous you look, covered in soot and crying on your wife's shoulder in the middle of the night. You apologize for that as well. Going with the flow, you tell her that you love her, and you'll protect her no matter what. She should know that.
When you finish that long -winding ramble, Eve looks utterly confused, but she's still blushing bright red as she nuzzles into your shoulder.
"Adam... I... love you too... but did you really wake up in the middle of the night just to tell me all this...?"
>彼女にこういう:
>君を守る、そのためならば、
>僕は悪いだってなってやる
PARSER TRANSLATION: "SUCH AS THIS, I WILL PROTECT YOU, IF THAT IS THE CASE, I WILL BECOME BAD"
Invalid command.
>ASK YOUR WIFE HOW TO READ THE ENCYCLOPEDIA
>ask for lantern fuel
You then sheepishly tell Eve about your little quest to light the lantern, mentioning that you found her encyclopedia. Her eyes widen.
"Can you give that back to me?" she asks. "I can light the lantern if you want. I know the fire spell. But..." Eve pauses. "Why do you need the lantern? Are... are you going out?" She looks at you, a bit worried. "In the forest? Why?"
>tell your wife about that nagging feeling that you have to do something, but you don't know what.
You tell her that you have work to do. She doesn't relax at this, however, still clinging to your shoulders as you try to pull away.
"Just..." she says, slowly making herself let go. "Just be safe. Okay?" After a bit of hesitation, she waves her hand, glowing green, at the lantern, and it lights up.
You tell her to go back to sleep. You'll be fine. You promise.
>wonder why you are fluent in jakokuese
You wonder even more why you're wondering, because you don't know what Jakokunese even is.
>return encyclopedia
You give Eve back the encyclopedia. She takes it back, gratefully. "It was my mother's," she says. "And her mother's, and her mother's before that, back and back and back. I guess you can call it a family heirloom." She examines it, checking to see if you've damaged it in any way. "I hope you didn't get it too dirty..."
>apologize for getting soot everywhere
Oh, right. You apologize for tracking soot all around the house. She glances behind you, and notices the mess you made. Her shoulders droop at the inevitable need for clean-up. You swear that you'll help clean it up later.
>kiss eve gently and tell her everything is alright
You kiss Eve, telling her again to go back to sleep, that everything's alright and you'll just take care of everything. She obliges and lies back down, but she still looks at you, worried.
"Just come back to bed right away when you're done, okay?" she asks.
You promise you will.
>enter forest
You can't do that from here.
>WITH LANTERN
Invalid command.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED where Eve's trying to go back to sleep.
>light lantern
Your lantern is already lit, thanks to your wife.
>save
The sight of your lit lantern, filling the cottage with a soft amber glow, fills you with determination. You SAVE. You don't know what that means, but you SAVE.
>i
You have:
An ax
An empty watering can
A pair of gardening shears
A leather shoe
A piece of cloth
A lit lantern
A coil of rope
>put shoe back on
You finally put your shoe back on, after putting your poor foot through much abuse. It feels a bit uncomfortable, without a sock, but it's certainly better than going around barefoot.
>go outside
You leave the cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>run, run very very far.
In what direction?
>exit cottage
You are already outside your cottage.
>go out of path
You can't go “out of path” if you aren't even on it.
>Run to the nearest civilization
You can't do that from here.
>Be sure you don't burn any random thing with your lantern
You are very, very careful with the lantern. The last thing you want is a forest fire.
>Go to the path
Into the forest you go, deeper and deeper. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>Run to the nearest civilization.
You run to the nearest sign of civilization... which happens to be your house.
What? It's true.
You are now in front of your COTTAGE. There's a SMALL GARDEN to your left, a WELL to your right, and your COTTAGE right in front of you. The PATH to the forest lies behind you.
>run in the opposite direction of your house to the forest
Invalid command. Please rephrase.
You can go LEFT, RIGHT, FORWARD, or BACK.
>run to the left
You run to the left. You are now in your GARDEN.
>wat
What.
>save????
The sight of the garden Eve worked so hard on fills you with determination. You SAVE. You don't know what that means, but you SAVE.
>go back inside the cottage
You are in your cottage. It's the middle of the night.
>look for map
You can't find that item.
>exit cottage
You leave your cottage. There's a SMALL GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>path
Into the forest you go, deeper and deeper. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>go back inside and check on eve
You can't do that from here.
>save
The sights and sounds of the forest, your lantern lighting the way, fills you with determination. You SAVE. You don't know what that means, but you SAVE.
Chapter 5: 3/25/17
Chapter Text
>push on further with courage
You need to clarify a direction, but nevertheless, you are brave.
>east
You go east. From here you can go WEST, NORTH, OR EAST.
>look
You stop and take in the atmosphere of the forest. The moon is shining, the crows are cawing, and there are thankfully no dangerous-sounding noises you hear as your lantern lights up the three paths. You better get a move on soon.
>try to find the way to Levianta
You aren't interested in crossing the whole of Heldogort just to get to Levianta. Exploring this forest is already enough for you.
>mark a tree with your axe
You pick an interesting looking tree and give it a good swing. You swear you hear the forest stop for a second, as if in shock. Anyway, you have a landmark now.
>CROSS THE BORDER. BE A MAN.
And leave Eve alone? You don't think so.
>pray to the moon or to the gods for the safety of your dearest wife in your absence
You are pretty sure she would be safe. But you pray anyway, just in case. At the very least it's you who's wandering the forest alone and not her...
>examine interesting tree
Its trunk is bent at nearly 90 degrees. You have no idea why it grew that way, but botany is botany.
>fart
You fart. Loudly. You pray you don't attract any wild animals.
>quieten your footsteps.
You would, if you were walking.
>RUN
>scream while running north
>SCREAM WHILE RUNNING
>SCREAM AS LOUD AS YOU CAN IN THE FOREST
>while holding the lantern in your mouth
You immediately scream like a banshee and run to the north, flapping your arms. You had the idea to hold the lantern in your mouth, but you quickly realize that's a stupid idea as the lantern immediately falls down and shatters. The fire goes out. You can no longer see a path.
It's the full moon, but the forest is now very dark. You might be eaten by a bear.
>naruto rin north
Invalid command.
>do the tango by yourself
Realizing just how fucked you are, you decide to simply tango through the forest at random. You can't possibly get any more lost than you are now.
The forest is very dark. You think you hear something.
>eat a leaf
You sample a leaf from a random tree. It tastes... like leaf. You don't know what else you were expecting.
The forest is very dark. You think you hear rustling.
>fart
You fart again. It must have been a flatulence-inducing leaf. You begin to pray that you haven't attracted any predators, when a dark shape emerges from the foliage.
It's a bear.
>look for bears
Oh hey look, you found one!
>"is this a pigeon?"
You somehow still manage to be a terrible scientist while there's a HUNGRY BEAR RIGHT IN FRONT OF YOU.
>climb a random tree
YOU CLIMB LIKE A BEAR IS AFTER YOU, which, in fact, it is. Unfortunately, you realize, as the bear sniffs the tree and goes on its hind legs, that this is the kind of bear that CAN climb trees.
>attempt to navigate using the stars, from atop the tree
You can't even look up, as you watch as the bear gets closer and closer.
>RUN
>AWAY
Where can you run? You're in a tree!
>sing to the bear. you may be afraid, but....music....?
You don't think your terrible singing voice is going to help this time. The bear is now one foot below you.
>start singing in fear.
You're too afraid to sing. Welp.
>PRAY TO LEVIABEHEMO TO SAVE YOU
While you pray, you end up face to face with the bear. Better do something quickly..
>tree hop away Naruto style
>do a backflip
You try to get away from the bear by trying to jump to the next tree, but for some illogical reason (fear?) you end up backflipping out of the tree instead.
You may be a terrible scientist, but you DO know about gravity.
A second before you hit the ground and break your neck, you realize that you broke your promise.
BAD END
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You have entered the forest. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>west
You go west. From here, you can go NORTH, SOUTH, WEST, and EAST
>take care of the lamp
You went through so much to get this lantern lit. You don't want anything to suddenly happen to it.
>make sure eve is safe
You can't do that from here.
>RUN TO THE NORTH,SCREAMING.
You run to the north, screaming like a banshee. You see you can go NORTH, WEST, or SOUTH.
>what on earth are you supposed to be doing in this god-forsaken forest?! scream!
>eat your screams
Overcome with frustration, you almost start screaming again, but you end up eating them before they come out. You need air.
>lulila for protection
You try to hum a song you heard somewhere, to make yourself feel more brave. You can't remember how it goes, though.
>SAVE
The ephemeral melody of that lullaby hummed in a moonlit forest fills you with determination. You SAVE. You don't know what that means, but you SAVE.
>....Use the fire in the LANTERN to burn a bit of the grass in the forest.
It takes a bit of maneuvering, but you pluck a bit of grass from the ground and drop a few in the lantern. They fail to ignite. You feel a bit disappointed.
>be careful
You will. You promised.
>climb a tree and stargaze
You carefully climb the nearest tree and look at the stars. The sheer number of stars you see is amazing. You could never get this kind of sky in Levianta, not with all the light pollution. You begin to trace the constellations, the basic ones you learned in school, the ones you made up as a kid, the ones that Eve pointed out to you one night, before...
Oh.
The stars twinkle, seeming as if they were watching you, judging you.
>Get down from the tree. You know what will happen if bears come chasing you.
You don't think any bears will bother you with your lantern, but you come down anyway. You suddenly don't feel like stargazing anymore.
>don't break your neck
Thankfully, you don't.
>be on a constant lookout for bears and/or danger
Amazingly, you are. You always are. Living in a forest is never easy.
>Keep going NORTH.
>roll northwards
You go north until you hit an intersection, then you go north again, this time rolling all the way. You realize that that is a stupid idea when your lantern, overwhelmed by the rolling, goes out.
The forest, though moonlit, is now very dark. You might get eaten by a bear.
>lie on the floor. And contemplate.
You lie on the forest floor and contemplate how stupid you are.
You think you hear something.
>Stand up. Walk northwards quietly.
You begin to walk, but in the darkness you have no idea if you're going north at all, or even if you're still on the path.
You think you hear rustling.
>climb a tree as quietly as possible
>DON'T CLIMB A TREE.
You are debating on whether or not to climb a tree when a dark shape suddenly emerges from the forest. It's a bear.
>don't get eaten by a bear
You would like a few specifics!
>DO NOT VORE THE BEAR
It would look like the bear is ready to "vore" you, more like.
>DON'T. CLIMB. A. TREE. WALK. CALMLY.
You try to walk away, but the bear sees this as weakness and lunges to attack.
>lulila the bear?
You can't. It's coming right at you.
>roll to dodge
You frantically try to roll away. YOU SUCCEED.
>AXE THE BEAR
>YES AXE THE BEAR
Taking your ax, you swing your hardest at the bear. You get it deep in the shoulder, but it only seems to get angrier. Uh oh.
>BEAR THE AXE
It's already knocked the ax out of your hands.
>KEEP AXEING WITH YOUR LUMBERJACK STRENGTH
You would, if you still had your ax.
>throw the watering can at the bear
You hurl the watering can at the bear. Thankfully, it seems to be stunned.
>and run
>RUN. RUN, YOU SILLY MAN. RUN.
You take off, trying to put as much distance between yourself and the bear as possible. You run as fast as you can, trying not to trip over anything, but it looks like the bear is keeping up. It's gaining on you.
>HIDE.
Where would you even hide? Behind a tree? Bears are stupid but they're not that stupid.
The bear is very close to you now. You are beginning to tire.
>stop dead and use the bear's momentum to impale it on the shears
Beginning to lose hope, you do the only thing you can think of and stop dead and try to somehow impale it on the end of your gardening shears.
If you were anymore rational, you would've realized that though sharp those shears may be, you think that the only thing it can do to an animal that can take an ax to the shoulder and live is give it a rather bad furcut.
The bear slams into you like a truck, knocking you to the forest floor. You try stabbing the gardening shears into its belly, but that only makes it more painful for you. As it begins to eat you alive, you realize you broke your promise. You apologize to Eve as you finally pass out from blood loss.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of Held's forest. It's a moonlit night, and your lantern illuminates the paths you can take. You see you can go NORTH, WEST, or SOUTH.
>Go SOUTH.
You go south. From here, you can go NORTH, SOUTH, WEST, and EAST.
>Walk a bit to the WEST, then inspect your surroundings
You go a bit to the west. Just a bit. Not enough to see the next intersection. You see fruit hanging from a nearby tree.
>set the lamp somewhere safe
You set the lamp carefully down at the foot of the tree. It's a good lantern. Shame if something happened to it...
>Climb the tree to pick the fruit
You climb the tree and pray it supports your weight. You manage to get far enough along the branch to pick a single fruit. It's a bit dark, so you can't identify it easily. You don't think you've encountered this fruit before.
>climb back down and see what kind of fruit it is with the light of the lantern.
You climb back down and hold the fruit up to the lantern's light. Hm, you really have never seen this fruit before. It's very round, and very very red.
>save
The sight of the beautiful round red fruit fills you with determination. You SAVE. You don't know what that means, but you SAVE.
>i
You have:
An ax
An empty watering can
A pair of gardening shears
A piece of cloth
A lit lantern
A coil of rope
A round red fruit
>EAT FRUIT. YOU HUNGRY.
You realize that it's probably not the best idea to eat a fruit you've never seen before, but you take the risk, as well as a bite.
Mmm! Delicious!
Juices run down your chin as you greedily consume the rest of the red round fruit.
>tie the shears to the rope and swing it around your head in circles
You do so, struggling a bit with the rope because of your sticky fingers. You realize that you didn't exactly make the best knot as the shears come loose, hurtling off into the forest somewhere you can't see.
You may be a terrible scientist, but you DO know the concept of centripetal force.
>take your AXE and head EAST.
You hold your ax aloft and head east, back the way you came. You arrive back at an intersection. You can go NORTH, SOUTH, WEST, and EAST.
>look at the moon
You look at the full moon. You don't know why, but you feel a little intimidated by it. And fascinated. You are thankful that all this staring won't make you go blind.
>Realize that you're very, VERY lost.
Lost? What lost? Of course you know the way home... right?
>Look at the moon a little more....
You fondly regard the moon a little more. Your neck is beginning to ache at the way you're constantly craning it.
>north
You go north. From here, you can go WEST, SOUTH, and NORTH.
>save
The possibilities of the three paths you see before you fills you with determination. You SAVE. You don't know what that means, but you SAVE.
Chapter 6: 3/26/17
Notes:
Yes friends, TWO sessions in one day! I'll see if I can upload a third one too...
Chapter Text
>look our for b e a r s
Invalid command.
>pick wild flowers for your beautiful wife
You scour the forest floor, looking for flowers. You can't find any here. Maybe in some other section of the forest?
>picks some leaves for your wife
Disappointed in the lack of flowers, you pick leaves instead. They're very pretty leaves though!
>west
You go west. From there, you can go WEST, EAST, or SOUTH.
>look around
You look around. You are fairly sure that you are still in a moonlit forest. Up in the branches, you think you see a bird. A crow, probably.
>sing for crow
You sing, still slightly ashamed at your terrible singing voice. The crow stops cawing and looks at you. You are no longer slightly ashamed and are now fully ashamed.
>do a backflip
>without breaking your neck
>put the lantern somewhere safe first
You gingerly put the lantern down and do a backflip out of frustration. The crow, startled, flies away. You manage a perfect landing.
>be glad that your voice will be always better than the crows voice
>kick the ground
You realize that your voice is probably worse than the crow's, and you kick the ground in frustration. You end up stubbing your toe on a rock and hopping around the path on one foot like an idiot.
>west
You go west. You have now entered a SMALL FOREST CLEARING. From here you can go SOUTH, WEST, or EAST.
>look
You look around. The SMALL FOREST CLEARING is that way because you've already cleared the trees in this particular area. Nature seems to be reclaiming it though, with plants already growing over the stumps. You look more, and you see NIGHT WILDFLOWERS in full bloom. They shine, reflecting the moonlight.
>pick flowers
You pick a few flowers for Eve. You feel like you should bring something back for her. You now have SEVERAL PICKED WILDFLOWERS.
>frolic in the clearing
>sit and clear your head
You begin to frolic in that clearing full of wildflowers, laughing. You don't know why. Maybe it's the moonlight.
After all that frolicking, you sit on a random stump to catch your breath.
>look around
You look around again. You realize that the stump you're sitting on has been cleared of plants recently. Maybe someone has been through this area?
>count moons
With your powerful ex-scientist brain, you summon all your concentration and count the number of moons in the sky.
The answer... is one.
Brilliant. You're brilliant.
>examine flowers
You examine the flowers. They are pure white, as white as the full moon shining above you. You think about making them into a flower crown for Eve, your princess.
>try getting home to your Wonderful Wife (tm)
You can't do that from here.
>try to make a flower crown on the way back
You will. You're not exactly sure how to do it though. You hope you don't ruin the flowers by accident.
>go back to your Wonderful Wife™
You can't do that from here.
>admit ur lost. Find the north star
>look for stars
Feeling lost, you look up at the night sky. You've heard of sailors navigating by the stars alone. Maybe you can do the same?
After staring at the sky for a good two minutes, you give up. You really are a hopeless city kid.
>try to recall your steps
You try, but after all the frolicking your mind's a bit fuzzy. You think the last direction you traveled was...WEST?
>go backwards
Invalid direction.
>east
You go east. From here, you can go WEST, EAST, or SOUTH.
>east
You go east. From here, you can go NORTH, WEST, or SOUTH.
>south
You go south. From here, you can go NORTH, SOUTH, EAST or WEST.
>east
You go east. From here, you can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>south
You go south and are now in front of your COTTAGE. There is a garden to your RIGHT, a well to your LEFT, and your home right in FRONT OF YOU.
>save
The feeling of homecoming after your moonlit excursion fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>just to be sure, count the number of moons in the sky
As an ex-scientist, you understand the value of repetition. You concentrate again.
The number of moons is... still one.
You are so satisfied with your ex-scientist skills.
>go into your cottage
You enter your cottage. It is the middle of the night.
>feel embarrassed because your wife deserves more than these wildflowers
You stare at the flowers, fashioned into a pathetic looking flower crown in your hands. You feel a rush of shame all of a sudden. Eve deserves more than these wildflowers. She deserves so much more than this forest. She deserves so much more than you.
>give Eve the flowers
You go to your wife. She's gone back to sleep. Still on the covers. Still waiting for you.
You carefully place the ring of flowers around her head. A flower crown for your princess.
>find a camera, take a picture of eve
You wish you still had your camera. You left it behind in Levianta. The two of you had to leave in a hurry, and didn't exactly have much room for anything other than essentials. Thinking about Levianta makes your mood drop again.
>place the flower crown on the side table
You don't want the flowers on her head to be crushed come morning, but... they look so good on her. You can't do it.
If they're crushed, there will be more flowers out in the forest. There will always be room in the future for more flower crowns. Forever.
>examine side table
You examine the side table. It's the first thing you've ever built yourself, with a bit of help from Eve. She has placed her ENCYCLOPEDIA there, before going back to sleep. There is an unlit OIL LAMP, along with a PICTURE FRAME. The side table also has a DRAWER
>look in the drawer
You open the drawer. Inside are several boxes of MATCHES, a few metal containers of LAMP OIL, several spools of THREAD, and a locked box that you know contains your MONEY.
>look at the picture
You look at the picture. It's a picture of the two of you, smiling for the camera during your first visit to Held's Forest.
Eve took you with her (or rather, you forcibly tagged along) on one of her resource-gathering trips, before the two of you went to Levianta. It was an exciting journey, starting from Nemu and going all the way across Heldogort, passing through so many places and surviving so many dangerous obstacles, but in the end you made it to Held's Forest with your wagon still in one piece.
You look at the picture, sadly. How young the two of you looked back then! How happy Eve looked... back before the venom...
You stop looking at the picture.
>take lamp oil and matches
You take a metal container of LAMP OIL and a box of MATCHES.
>take the thread
You take a spool of THREAD.
>save
The picture of a happier time fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>knit
>you probably don't know how, just knit anyways
You stare haplessly at the spool of thread. You... you don't know how to knit. On the other hand, you're not sure if Eve knows how to knit either. You think she has some sort of knitting spell.
>start thinking for a while
You think. You realize how doomed you would be, trying to live in this forest alone, if Eve wasn't here with you. You don't think you would've lasted a week, city kid you are. You nearly laugh at the irony. You brought her back here for her own benefit, but in the end, you need her as much as she needs you. What a pair the two of you make.
>examine fireplace
You examine the fireplace. The fire has gone out, because you put it out earlier with a watering can. The hearth is now full of damp ashes. It's going to be a bit hard to get a fire going again.
>appreciate your Wonderful Wife™
It's at times like these when you appreciate your wife's magic. Her fire spell can light pretty much anything. You look back at her, and you realize that she's shivering with cold, the petals on her flower crown shaking.
>WATER YOURSELF WITH THE WATERING CAN
>Water yourself with your tears
You begin to cry at your incompetence. You make to drench yourself with the watering can, so you can join Eve in the cold, but then you realize you used the rest of water on the fireplace. You keep crying instead.
>put the flower crown on the side table to PROTECT IT
You have a feeling you've walked down this mental road before.
>BE COLD TOGETHER
You already are.
>WATER YOUR WIFE
>WATER YOUR WIFE METAPHORICALLY WITH YOUR LOVE
You can't do so without your watering can, so your tears will have to do. Frankly, you look a bit ridiculous, sitting on your bed and crying on Eve, but you don't care.
>share body heat with eve
>hug Eve while crying
You climb into bed and wrap your arms around your wife, tears still running down your face. You cuddle Eve. She smiles in her sleep and cuddles you back. It's adorable. You already feel warmer.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. There's that f̟͖͓̱̲̖͉e͍e̠̯l͍̝̭̗͓͉̪i͎̗͓̙͈n̞̮̭̥͔̲͠g̛̺͙̝̝ again. You can't stay here. You have work to do.
Regretfully, you untangle yourself from Eve and climb out of the bed. She whimpers, and curls up tighter on top of the covers. Your heart melts.
>what is this feeling. question the gods.
>...by thinking, of course.
You are frustrated. You think furiously on what exactly you're supposed to be doing, but it just keeps slipping away. You silently plea to the Twin Gods, praying for answers. But they are silent. As they always were. They... they were really no help to you at all, were they?
You want to stop this train of thought. It's heretical. In Levianta, you would be fired, ostracized, or worse for thinking such thoughts.
But...
Maybe if the Twin Gods don't have answers... maybe Someone Else does...?
>LOOK FOR PAPER
>LOOK FOR PEN
You almost forgot where they were, but then you peek in the side table drawer. Oh. Right there, under the containers of lamp oil. You wonder how you missed that.
>CHANGE AFFILIATION. HELD ALL THE WAY.
IT'S HERETICAL. You feel nervous at the possibility of even PRAYING to the god.
>draw a picture of you and eve frolicking in the woods being a happy couple
You begin to sketch the two of you, hand in hand, Eve wearing her flower crown, running through the forest utterly carefree and laughing. Thankfully, your art skills are better than your singing skills. You smile at the drawing, sadly. Maybe someday... you're slowly getting there...
>swallow your heretical feelings and go to find Held.
You have no other choice, do you? But still, you can't find Held from here.
>kiss your wife on the cheek first
You kiss Eve on the cheek and promise her you'll return safely. You want to rest as much as she does.
>Also look at the time
You haven't managed to buy a decent clock yet, but the moon is still high in the sky.
>write your dearest wishes on a piece of paper
You absentmindedly chew on your pen as you try to write down your dearest wish. You have many wishes... but really, in the end, there's one that you want most of all...
You glance at Eve for a moment, then you write down your wish.
>EXIT the HOUSE with a MAP.
You exit the house. However, you do not have a map. There is a garden to your RIGHT, a well to your LEFT, and a PATH right in front of you.
>Get to the PATH
Into the forest you go, deeper and deeper. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>save
The sight of the whole forest stretching out before you fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>Go EAST.
You go east. From here you can go NORTH, SOUTH, EAST, or WEST.
>Go WEST. You took a wrong turn.
You go west. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>north
You go north. From here you can go NORTH, SOUTH, OR EAST.
>north
You go north. From here you can go NORTH, SOUTH, OR EAST.
>north
>keep heading north
You go north, pass an intersection, then go north again. From here, you can go SOUTH, EAST or WEST.
>look for any unusual looking trees
You look around, but the trees look pretty ordinary to you. Then again, what do you know? You're an ex-scientist, not a botanist.
>look for some huge freaking tree
There's one that looks a little fat, does that count?
>how fat?
A bit paunchy, the kind of fat that gets you a few demeaning looks and a few suggestions to stay away from donuts. Mmmm. Leviantan donuts.
You stop thinking about Leviantan donuts as you're getting quite hungry.
>save
The sight of that fat tree, probably in need of a diet, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>climb a tree
You climb a tree. However, the tree you picked has its branches too thin to support you, and you fall to the ground. Your lantern falls with you, and shatters.
The forest, though moonlit, is now very dark. You might get eaten by a bear.
>climb the fat tree
You climb the fat tree, but you don't feel very safe. It's not very tall.
The forest is dark. You think you hear something.
>equip axe
You awkwardly hang on to the tree with your legs and one arm as you hold your ax aloft. You still don't feel any safer.
The forest is dark. You think you hear rustling.
>climb higher
>try to find out where the rustling is coming from
You climb as high as you can, but even that's not much. You don't need to wonder where the rustling is coming from anymore, because a dark shape emerges from the foliage. It's a bear.
>DON'T MOVE. STAY IN TREE.
You are nearly paralyzed with fear, so that's easy to do. You stay as still as you can. Maybe... just maybe... it won't see you?
>be very still
You try, but it's useless. The bear has spotted you, and is now sniffing at you curiously. On its hind legs, it can easily reach your own. You are utterly terrified.
>hold ur breath
You're already doing that.
>drop your axe on its head, like a guillotine
You, moving very slowly, move your ax over the bear's head and drop it. You were hoping that it would somehow chop the bear's head off, but alas, physics is not on your side. It sort of spins in the air and only manages to give the bear a rather large cut on the shoulder. The bear, now hurt, is enraged.
>while it's distracted, drop from the tree and run west
You drop from the tree, praying that the bear is too stunned to move. But you hurt your ankle as you hit the ground and you crumple. You don't know your way in the dark, but running in any random direction is better than being unable to run at all. As you are crippled, the bear lunges and begins to tear you apart.
As you are eaten alive, you realize that you broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
Chapter 7: 3/27/17
Notes:
THREE SESSIONS IN ONE DAY I AM ON A ROLL.
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the middle of a moonlit forest. From here, you can go SOUTH, EAST or WEST.
>look
It's a rather ordinary section of the forest. Aside from the three paths, you see various trees and forest flora. There's a tree that looks a little fat.
>west
You go west. From here, you can go SOUTH, EAST, or WEST.
>poke tree
>call the tree thicc
What tree?
>look
Yep. Still an ordinary section of the forest. If you look to your WEST, however, you think you see a little clearing.
>fat tree
How does one "fat" a tree?
>go west
You go west and enter another SMALL FOREST CLEARING. From here, you can go EAST, WEST, or SOUTH.
>look
Contrary to the clearing you were in earlier, you weren't the one to create this small clearing. You have no idea why this is here, but you appreciate whoever did it anyway. You see a TRAUBEN VINE growing nearby.
>eat the trauben vine
You stuff the entire trauben vine, fruits and all into your mouth. You choke on it and die, foaming at the mouth. Apparently, the rest of the plant is poisonous.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of a moonlit forest. From here, you can go SOUTH, EAST or WEST.
>west
>west
>west
You go west, passing another intersection and a clearing. You end up in another intersection. From here, you can go EAST, WEST, or SOUTH.
>south
You go south. From here, you can go NORTH, SOUTH, EAST, or WEST.
>find a clearing
You can't do that from here.
>north
You go north. From here, you can go EAST, WEST, or SOUTH.
>go east
You go east, and you end up in the small clearing you passed by a while ago. From here, you can go EAST, WEST, or SOUTH.
>keep going east
You go east. From here you can go EAST, WEST, or SOUTH.
>keep going east
You go east. From here you can go EAST, WEST, or SOUTH.
>go south
You go south. From here, you can go NORTH, SOUTH, EAST, or WEST.
>climb a tree and mimic a squirrel
>put lantern somewhere safe first
You carefully lay your lantern at the base of a tree before you skitter up the trunk and try your best to impersonate a squirrel. You try to crawl rapidly across a branch, but you are too heavy. The branch breaks, and you hit the ground with a thud. Your ankle screams in protest. You think you sprained it.
>keep going south
You limp south. From here, you can go NORTH, SOUTH, or EAST.
>crawl north
You crawl back the way you came, for some reason. At least it takes the weight off your ankle. From here you can go NORTH, SOUTH, EAST or WEST.
>ask yourself: are you there yet?
You ask yourself if you're any closer to finding Held. You answer yourself: No.
You are tempted to lean against the tree you tried to climb and just cry.
>find a stick
>splint your ankle with a stick and the cloth
You find a stick. It's the branch you pulled down with you. You try to splint your ankle with the cloth you cut off your shirt, but it's too small. Do you have anything else?
>cry quietly
You cry at how incompetent you are. This is getting to be a bad habit.
>stay determined
But no. You will not give up. You wipe away your tears with a piece of cloth. You WILL succeed.
>FIND HELD, IF IT'S THE LAST THING YOU DO. GO WEST.
You go west. From here, you can go NORTH, SOUTH, EAST, or WEST.
>find a bigger stick, use it as a crutch
All you have is the branch you pulled down with you. It's pretty big already, so it makes for an okay crutch for now.
>wonder where Held is
You wonder where the god of the forest is. Logically, as this forest is named after the divine being, he would be in the center. Now, if you could only FIND the center...
>go south
You go south. From here, you can go NORTH, SOUTH, or WEST.
>go west
You go west, and you are immediately faced with the biggest tree you have ever seen. It dominates the trees surrounding it, and they seem to almost... bow to it? You can't think of any appropriate description.
You feel the energy of this place, and all at once you feel as if you've come somewhere... holy.
From here, you can go NORTH, SOUTH, EAST, SOUTHEAST, or WEST.
>respectfully nudge him awake
You are not sure how to nudge a tree awake. You carefully walk up to the massive trunk and give it a little poke. Nothing happens.
>nearly fall over from exhaustion
All that wandering, as well as the sprained ankle, tires you. You sway on your feet.
>CONTROL YOURSELF
>stand straight
But no. You can't collapse now! You force yourself to stand straight and keep yourself alert.
>save
The sight of the holy tree fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>pray to held
You pray to Held. You quake in your shoes, feeling more and more like you're doing something wrong. You plea, you question: What are you supposed to be doing?
The tree doesn't respond.
>set held on fire
You are filled with even more frustration. Maybe Held isn't real. Maybe you wasted your time on such heresies. Your ankle throbs in pain. You grit your teeth as you light a match and attempt to light the large tree on fire.
Immediately, you are set upon by several vines. They wrap around your limbs and stretch your body to its breaking point, and beyond.
As you are torn apart, as you realize that yes, Held is real after all, and that you broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the center of a moonlit forest, standing in front of the largest tree you've ever seen. This tree might just be a god.
From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>politely ask if Held can wake up for a few minutes.
You ask nicely if the tree would help you with your problems. There is no response. You feel ridiculous.
>sit down and lean against tree
You carefully sit down and lean against the large tree. It feels nice.
>look around
You may not be a botanist, but as you sit down against the tree and look at the surrounding forest, you realize that this forest might have grown around this very tree, like it was the center of a large wheel. Again, your are in slight awe.
>pray without saying anything.
Again, you pray silently, feeling slightly wrong while doing so. You tell the tree about you, about your regrets, about Eve and the nagging feeling about you supposed to be doing something you're not sure about. You even mention the fact that doing this is practically heretical in your religion, but your religion hasn't been of much help as of late.
You hold your breath and expect something to happen, but the tree... doesn't respond.
>kick the tree
Out of utter frustration, you kick the tree, realizing too late that it's the leg with your sprained ankle you're using. You howl with pain as you fall flat on your bottom, again. All of a sudden, the branches begin to rustle, and a strange voice, like an elderly man, resonates in your mind.
"Hrrm, what's this? Who woke me up?"
>be in shock
You are utterly terrified as the tree suddenly grows a face, looking almost human but not quite. Its "eyes" then turn to you.
"Oh... so it's you then."
>be no longer in shock
>APOLOGIZE
>REPEAT YOUR PRAYER
>RESPECTFULLY
You suddenly find your voice as you stutter out apologies, pleas for forgiveness, and a repeat of your silent prayers before Held interrupts.
"Now, now, be quiet. Hrrm. You're the little human that's been chopping down my trees, aren't you? You should know that isn't very nice. I think several of my children would like to have a word with you."
>apologize and agree to explain yourself.
You are more terrified than before. You rapidly try to apologize for your profession, blubbering and generally sounding like a stuttering fool, before the tree somehow silences you with a wave of one of its branches.
"Relax, little human. I am a reasonable tree. I can forgive you trying to make your home in this forest; I'm honestly too tired to deal with my children's little grudges. However, I don't really like the fact that you woke me up in the middle of the night. Why are you here? What do you ask of me, and why should I help you, after already taking so much from my forest?"
>reply that it is Held's will, and that you'll accept any decision, but there is something nagging at you to do something, but you don't know what
You tell him of your problem, of what's been keeping you up tonight, and tree seems stunned. "So... you want me to give you work?" The tree then booms with laughter, branches shaking, crows flying off into the sky in panic. You struggle to remain upright as the tree finally calms down.
"Ah... it's not every day that humans manage to amuse me so," the tree says. "Hrm... a job... alright, little human. Here's some work for you: my children have noticed strange things occurring near the lake and ocean. I suppose you know where those are. Go investigate and tell me what you find." The tree's voice is getting sleepier. "And maybe...” The tree yawns. “When you come back... give me less of a rude awakening next time, hmm?"
The tree then falls silent.
>agree, bow respectfully, thank him and leave.
You nearly hit the ground in supplication, but you get no response. It looks like the tree has already fallen back asleep.
>climb held
You don't know why you're doing this, you think as you struggle to climb the massive tree. Amazingly, it doesn't wake as you haul yourself up against gravity, watching the ground get further and further away. You finally rest yourself on a branch, too exhausted to climb any further. Then you look, and you simply gape.
You can see the entire forest from where you're sitting. You look to your left, and there.... that has to be your house. You look to your right, and there's the ocean beyond the trees, sparkling in the water. You turn your head even further to the right, and there, behind you, is the lake.
>contemplate your existence
It's now you realize you are small. You are so small, compared to anything else in this world. You tremble a little, as you hold on to the tree's massive trunk. How can there possibly be evil when there's such beauty in the world?
>save
The view of the whole forest, and a new quest, fills you with DETERMINATION. You SAVE. You're not sure how, but you SAVE.
>HEAD NORTH FOR SOME REASON
You can't. You're in a tree.
>jump out of the tree
You jump out of the tree, realizing suddenly that you're too high to be able to survive the landing. You break your neck as you hit the ground. You broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are sitting in the tallest tree you've ever climbed. The entire forest stretches out before you, illuminated by moonlight.
>climb carefully back down, trying not to die
You climb back down, shaking. You wince as you possibly worsen the state of your sprained ankle. Eventually you reach the ground, and sort of collapse on the forest floor. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>go southeast
You go southeast and enter a SMALL FOREST CLEARING. You think you've been here before. From here, you can go SOUTH, EAST, OR WEST.
>look
You look around. Ah yes, this is where you picked wildflowers for Eve. They are still there, shining in the moonlight.
>eat a wildflower
If you were a botanist, you would've known that eating this particular white wildflower is a REALLY bad idea. Unfortunately, you aren't a botanist, and you eat the wildflower anyway.
As soon as the bitter taste goes away, you feel the world beginning to spin. The forest gets colder, much colder, and your heart begins to race...
>fall to the floor. die.
You fall to the floor, but... you somehow miss. The forest melts into a blur. The stars fall and rain down on you, shattering your lantern. The moon is bright, way too bright, and you cover your face with your arms and find that you taste blood. The trees begin to walk and you try to follow them, but you keep getting lost, you don't know where you're going.
Where is Eve? Where is she? You can't find her. Y̼̮ou̧̲͈͈̙̞ c̯̰̙̩͙a͏͈̱̪̺n͚̜̟͓̮̯'̨̙̬̜̟͎̹t̰ f͢i̬̱̮̮͇̳n̸͉͎̼̜͇d ̸̦̜̜h͎e̹͚r̹̤̳̟͡.̢̰͖̺̹͖̩
A bear appears and eats you alive, swallowing you whole, but still you walk, still you breathe. Your blood turns purple and you can't wipe it off, only smear it around, staining your clothes. You find yourself along the shoreline and you run, screaming for someone who isn't coming back. Your heart beats, pounding steadily in your head, like the tick... tick... tick... of a gigantic clock. It's cold. So cold. You are stabbed with something sharp. You can't tell what it is. The world turns white and flies apart into a thousand pieces, and you finally die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are sitting in the tallest tree you've ever climbed. The entire forest stretches out before you, illuminated by moonlight.
>climb carefully back down, trying not to die
You climb back down, shaking. You wince as you possibly worsen the state of your sprained ankle. Eventually you reach the ground, and sort of collapse on the forest floor. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>go southeast
You go southeast and enter a SMALL FOREST CLEARING. You think you've been here before. From here, you can go SOUTH, EAST, OR WEST.
>east
>east
>south
>east
>south
You walk, certain in your steps, tracing a familiar path back from the clearing, until you find yourself in front of your home. There is a GARDEN to your left, a WELL to your right, and the entrance to your cottage is right in FRONT of you.
>save
The sight of home fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>jump into the well
You can't do that from here.
>go over to the well
>jump into it
>jump into the well. ceui!
Before you can stop yourself, you jump into the well. Halfway down, you realize you're breaking your promise and leaving Eve all alone, and you hate yourself even more.
The water is cold.
BAD END
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in front of your cottage. There is a GARDEN to your left, a WELL to your right, and the entrance to your cottage is right in FRONT of you.
>enter house
You enter your house. It's the middle of the night.
>MAKE JUMPING JACKS
You try to do jumping jacks to warm yourself up, but that immediately makes your ankle scream in protest and you sort of crumple to the floor in pain.
>start sobbing violently
You do so, silently. You really should do something about that ankle.
>GO SEE EVE
>WAKE HER UP AND TELL HER ABOUT YOUR DIVINE MISSION
You limp over to Eve's bedside and think of updating Eve about your mission from Held. You place a hand on her shoulder to shake your wife awake, but... you hesitate. You look at her relaxed face, sleeping peacefully, the flower crown from earlier still resting on her head.
...
You can't do it.
>get pen and paper and write note about mission to Eve
Instead of waking her up, you scribble a quick note on your mission, fold it, and place it on the side table, on top of Eve's ENCYCLOPEDIA.
>look for rags to wrap your ankle with
You limp around the cottage, looking for something to help bind your ankle. You eventually find some RAGS in the side table drawer, right under the PENS AND PAPER. You wonder how you missed those too. You wrap your ankle tight.
>test your newly-wrapped ankle
You sit on the bed and test the stability of your terrible first-aid. You're not sure how durable it will be for your mission, but you think it will hold. Hopefully.
>think about the future
You end up leaning against the headboard, stroking Eve's hair as you contemplate what lies ahead. Years from now, would the two of you still be happy? Would Eve still spend entire days unable to get out of bed, just staring at the ceiling? Would she still tug at your sleeve, shyly asking if what she was seeing was what you were seeing too?
You don't think about children. Not even the possibility of children.
You take out your sketch from earlier. You can only hope, for now. But you are sure that years from now, no matter what happens, you would still love her.
>save
The thought of a happier future fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>test your ankle by putting it on the table and realizing that you don't have a microscope, you fall into despair.
You decide to do a more scientifically sound study of your ankle as you plop it unceremoniously on the dining table. You realize you don't have the proper equipment. Your mood drops immediately.
>stay DETERMINED
You REFUSE to give in to despair. You have a mission!
>see if encyclopedia has anything on sprained ankles
You decide to do something intelligent for once and crack open Eve's book again. The good news: there IS a page about sprained joints. The bad news: You need to be a magic-user. Dammit.
>gently wake up eve
It's tempting, but you've already woken her up once. You don't want to do so again. She's barely getting enough sleep as it is.
>suffer
You are already suffering.
>wonder if there are any other magic users in the forest
You are pretty sure that you two are the only ones in this forest, and that Eve is the only magic-user by extension. Unless the tree-god can do magic. However, you don't feel comfortable asking the gods for any more favors.
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A tree branch
Several sheets of paper
>take some wood
You can't do that from here.
>exit through back door
You exit the cottage through the back door. You are now in your BACKYARD.
>get wood
You grab some WOOD from your WOOD PILE.
>rethink your options to get wood. you promised held to not.
Did you, really? While you do think it's in bad taste to chop down any more trees after your talk with Held, these logs have already been cut. It's a shame to let them go to waste.
>look
Your backyard is where you usually work nowadays, cleared of trees so you have space to move. There is a STUMP nearby that you use to chop logs. Pieces of wood litter the area. Miscellaneous items are also leaned up against the back of your cottage.
>THANK THE BLESSED HELD FOR YOUR MISSION
You silently thank the tree-god for giving you something to do while this inexplicable feeling is keeping you awake. Maybe this is what you need.
>go back inside house
You enter the cottage. It is the middle of the night.
>look at fireplace
Your fireplace is a pretty okay fireplace, if rather large. Eve sometimes joked that it was large enough to fit her. It still does its regular fireplace things rather well.
The fire has gone out, because you put it out earlier with a watering can. The hearth is now full of damp ashes. It's going to be a bit hard to get a fire going again.
There is a POKER right next to the fireplace, as well as a pile of LOGS and some BELLOWS.
>be filled with determination. head out of the house.
You are already filled with determination. You exit the house. There is a garden to your RIGHT, a well to your LEFT, and a path right in FRONT of you.
>clean fireplace
You can't do that from here.
>forward
Into the forest you go, deeper and deeper. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>save
The sight of the whole forest stretching out before you fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>north
You go north. From here, you can go NORTH, SOUTH, or EAST.
>north
You go north. From here, you can go NORTH, SOUTH, or EAST.
>north
You go north. From here, you can go NORTH, SOUTH, EAST or WEST.
>go to the north pole
You can't go there. What's the north pole?
>north
You go north. From here, you can go SOUTH, EAST, or WEST.
>sing a song about your mission from held.
If you are a bad singer, you are a worse songwriter. At least you remember that "tree" rhymes with "three".
The crows fall silent and stare at you. Feeling self-conscious, you stop singing.
>east
You go east. From here, you can go WEST or SOUTH.
>south
You go south. From here, you can go NORTH, SOUTH, or WEST.
>lament the fact that you can't make good songs, unlike your dearest, most wonderful, talented wife, who can make up songs on the fly
You accept your limitations, but you smile at the thought of Eve's singing voice.
You remember, while joining her on a resource-gathering trip that took the two of you across Heldogort, she would sing softly, every so often, just to keep boredom at bay. She sounded beautiful, and once you couldn't help but try to harmonize. Her eyes went wide, and she said she loved your singing voice.
You think she was only saying that to make you feel better.
>hum
>north
You hum the song she was singing that day, as you go north. From here, you can go WEST or SOUTH.
>west
You go west. From here, you can go SOUTH, EAST, or WEST.
>west
You go west. From here, you can go SOUTH, EAST, or WEST.
>west
You go west, and enter a SMALL FOREST CLEARING. You have a feeling you've been here before. From here, you can go SOUTH, EAST, or WEST.
>west
You go west. From here, you can go SOUTH, EAST, or WEST.
>ask yourself: are you there yet?
You ask yourself if you're there yet. As you look at the forest around you, you answer yourself: No.
>west
You head west, and find yourself on the shore of THE LAKE OF AMUSEMENT. The blue water ripples, distorting its reflection of the moon. From here, you can go SOUTH, or WEST ALONG THE SHORE OF THE LAKE.
>save
The sight of the lake fills you with DETERMINATION. You SAVE. You don't know what that means but you SAVE.
>HOLLER AT THE TOP OF YOUR LUNGS.
You, excited at the prospect of you reaching your goal, shout at the top of your lungs. Your voice echoes across the blue water.
>muse about the amusing name of the lake of amusement
You wonder why this lake is named as it is. You've been here once before with Eve, and you asked why it was called that way, and she just shrugged.
You look at the lake. It doesn't look very amusing.
>swim
>fling yourself into the lake
You fling yourself into the lake, and you realize too late that you're holding your lantern. It goes out, as you immediately crawl out, shivering onto the shore. You're freezing. The forest looks very dark, and your lantern is damp.
>scream
You scream at your incompetence. Several crows fly off into the night sky out of fright.
>load
C͈̹̰̺O͚̮͞M̳̫̝̼̜̱̙M̫̩̕A͚̣̞̗̹̦N̕D̻̻̪͖̫̗͠ ̛̝P̰̪̤̞͟R̪͔͕̮͓̙͎O̻̬C̛͍͎̬E̴̬͇̠̫̮̮S͓̰͟S̝̼̼͉͎̫͜I̱͟N̪G̡ ̨̥̮̣E҉̩̭̠͚R̦̲ͅR̯O͓R̖͈̭:̧ ̱̱̕I͎̪̗͇̘͜N̸͖̙̮̤̖̝S̥̫͇̺̠͠U̷͉͎̳̮̝F̵̟̣͉̗͕F̶̙̗͙̬̝̺̳I͍C̹͕͍͈͍̯̳I͇̭̮͙̼E͓͍̲͙̹̤̥͝N̝̪͇̻ͅT̮͇̬͈̯̠ ̩͈͇̱͙P̥̠͜Ḛ͢ͅR͎̜̠̬M̰̙͡IS̝̭̘̝S̸͇͚̥̫̖͍I̭͔͍͕̬̹̕O̘̝̞̙N̝̲̣̺̭͠S̻̲̟͇̠̖
>scream louder
>scream even louder
You scream and you scream, eventually running out of air and choking as lake water drips into your mouth. As you are hacking your lungs out, you don't see what suddenly grabs you from behind and pulls you into the water.
You struggle, but something is wrapped around your torso and you can't get free. You are pulled deeper and deeper into the lake. As you reach for the surface in vain, passing out, you realize you broke your promise.
BAD END.
RESTART FROM SAVEPOINT: Y/N
RESTARTING FROM SAVEPOINT...
You are standing on the shore of the Lake of Amusement. From here, you can go EAST, SOUTH, or walk along the shore to the WEST.
>walk along shore
You walk along the shore and end up at the WEST END of the lake. From here, you can go WEST, SOUTH, or walk along the shore to the EAST.
Chapter 8: 4/8/17
Chapter Text
>east
You walk east. You are now on the EAST END of the lake. From here you can go SOUTH, EAST, or walk along the shore to the WEST.
>inspect shore
You inspect the shore line. Nothing but sandy ground and clumps of grass.
>inspect lake
The lake shimmers, reflecting the light of the full moon. You never realized the lake looked so beautiful at night. Now, what were those forest spirits talking about?
>kiss the sand
You get on your knees and kiss the dirt. Ew.
>attempt echolocation
>sing
You tremble at the thought at showing off your horrible voice again, but once more you open your mouth and sing. Once more, the crows in the forest behind you fall silent, and your voice echoes across the water. The acoustics here are amazing. Too bad it's only your voice. Eventually, you get too ashamed to continue and stop.
...
You think you see something rippling in the water.
>save first
The beauty of the lake fills you with DETERMINATION. You SAVE. You don't know what that means but you SAVE.
>JUMP INTO THE WATERS AND DROWN
You jump into the lake water, clothes and all. The lantern you're still holding goes out. You tread water for a few seconds, contemplating the stupidity of what you've just done, when something wraps around you from beneath and pulls you beneath the surface. You struggle as hard as you can, but you can't break free.
Just before you pass out, as you futilely reach for the surface, you realize that you broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are at the EAST END of the lake. The water shimmers in the moonlight. From here, you can go SOUTH, EAST, or walk along the shore to the WEST.
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A tree branch
Several sheets of paper
Several cut logs of wood
>inspect lake
>try to see what is rippling in the water
You try to investigate the rippling, but just as it appeared, it's gone. Maybe it was a trick of the moonlight? It's hard to tell...
>fill watering can
You tentatively step to the edge of the water and fill your watering can. Never know when you'll need water. You now have a FULL WATERING CAN.
>have faith in your mission. believe in your promise.
You stand at the edge of the water, looking out at the lake. You take a deep breath. You WILL get to the bottom of this. You WILL finish your mission. You WILL come home safely, no matter what happens.
You can say that you're filled with DETERMINATION.
>eat the dirt
Of course, you immediately ruin the dramatic moment by immediately trying to shove a fistful of sandy dirt into your mouth. You choke on it and spit it out, but the taste is terrible.
>make a paper boat
You take a sheet of blank paper and try to remember how to fold it into a boat. You end up with a pathetic looking one, but you set it out to sea (or lake) anyway. You salute it as it sails off to the center of the lake. Bon Voyage.
>rewrite your wish on the paper and make it into a paper boat
On what paper? You've already sent it out to lake!
>float it away
Float what away?
>and say "kappa"
Invalid command.
>watch boat
You watch the boat proudly as it floats off into the distance. Then your heart sinks as the pathetic-ness of the boat makes it vulnerable to sudden waves. The paper soaks through, then your boat sinks.
You suddenly want to play a funeral song.
>cry cry cry cry cry
You cry. It was such a brave boat. You stop crying when you realize how ridiculous you're being. You then think about how pathetic the boat was and you cry again. You repeat this crying cycle five times. At the end, you're all cried out.
>sing
>sing the Clockwork Lullaby sadly
You sing again, softly, a song that you heard somewhere. You still can't remember the lyrics. The lake reminds placid, as if indifferent. The crows don't even stop cawing.
>ルリラ、ルリラ、この歌声はぜんまい仕掛けの子守唄
PARSER TRANSLATION: RURIRA, RURIRA, THIS SINGING VOICE IS A LULLABY LULLABY
Invalid command.
>pray that something will happen
You pray to Levia, but maybe your heresy has made her quite vindictive, as nothing of note happens.
>find a fruit
You can't find one in the area.
>fashion a fishing rod
Out of what?
>don't make one
Invalid command.
>fashion one
Invalid command.
>\(^o^)ノ
Invalid command. Owata!
>consider the octopus
What's an octopus?
>get salty over tentaseto
You don't have any salt on you right now, and you have no idea what a "tentaseto" is.
>attach thread to tree branch
You attach some thread to a tree branch. Hey, it looks like a FISHING ROD!
>get so frustrated at the thought of seth
You really should stop thinking about your ex-rival. You’re supposed to have put all that behind you now.
>keep thinking about seth
How about you don't. It's not good for your mental health.
>TENTASETH
Invalid command.
>think about seth's creamy scientist legs
No.
>TENTASETH YOURSELF
"TENTASETH" is not a valid action.
>level your head and try to think in his shoes.
Whose shoes?
>know thy enemy
Who even is the real enemy here?
>dance
You do a little jig around the area. Your lantern flickers, and you suddenly stop. You need that light.
>consider the science man
You knew many science men. You were once a science man. Be specific.
>think about what seth would do in your situation
> consider Seth Twiright the Science Guy
As much as you loathe thinking about Seth Leviadamned Twiright, you are pretty much out of ideas. You try to think about his approach. To be honest, the only think you can think of is cold, utter, brutal, efficiency.
You stare at the lake, helplessly. Acting like Seth was what got you in this forest to begin with. And even if you wanted to sink that low again, you have no idea how being efficient will help in this situation.
>save
Your resolve to never sink to Seth Twiright's level again fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>scream at the waters
You scream at the water, out of pure frustration. You scream and scream until you run out of air. Just as you're catching your breath, you see something quickly emerging from the water, wrapping around your waist, and pulling you into the lake.
>fling yourself into the lake and die thinking about creamy scientist thighs
Unnecessary. You're already being pulled into the depths of the lake by something you can't even see. You try to get yourself free, but already the lack of oxygen is already making your thoughts sluggish. In fact, the only thing in your mind by the time you finally pass out is that you broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are at the EAST END of the lake. The water shimmers in the moonlight. From here, you can go SOUTH, EAST, or walk along the shore to the WEST.
>top priority: keep your goddamn promise jfc
You will.
>refill your lantern with oil
You carefully refill your lantern with oil. It burns merrily.
>say that: "I am here under Held's instructions!" to the wind
You say that you are there under Held's instructions to the wind. You try to sound very important. The wind, being the wind, doesn't respond. You feel a bit sad.
>get fairly far away from the lake and then SCREAM at it
In utter frustration, you make to move a fair distance from the lake, then look back and scream incoherently at it until you are out of breath. The lake doesn't respond either.
>scream at it more
You scream and you scream, but nothing happens. You've long since scared off the crows. Your throat feels like it's burning.
>sing a pop song from the old days
Your hoarse throat, combined with your terrible singing voice, makes everything sound twice as lovely. By lovely, you mean horrible.
You give up because your throat hurts too much.
>walk back to lake
You walk back to the water's edge.
>inspect lake
You carefully look at the water. You swear you saw something, and something must be making all those spirits antsy, but what is it? It's too hard to see, especially at night.
>throw a log of wood into the water
You throw a log of wood into the water. You may have been a terrible scientist, but at least you remember that wood floats. The log lands with a splash, and simply bobs up and down.
You hope something will happen, but nothing does.
>lie down on the sand and wait
You lie down on the sand and wait. And wait. The log floats further and further away. You're getting bored.
>jump in
>scream
Tired of all the monotony, you rush at the lake and jump in, screaming all the way. The cold water immediately galvanizes your senses, and you realize soon after that you're still holding the now put-out lantern like an idiot.
>get out of the lake as fast as possible
You panic a little, and immediately try to swim for shore. Just as you're about to climb out of the water though, something wraps around your ankle and pulls you under.
>light a match asap
Kind of hard to do when you're being PULLED UNDERWATER.
>telepathically apologize to eve
>don't panic
You already are. The surface is so far away... you're almost about to pass out.
>GET YO AXE AND CHOP THE TENTACLE
>attack the thing
You suddenly remember that you have an ax. You struggle to maneuver it in the water, but you manage to cut it off your ankle. You frantically try to swim to the surface, but your lungs feel like bursting. You know right then and there that you won't make it.
You lament your broken promise as you finally pass out and drown.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are at the EAST END of the lake. The water shimmers in the moonlight. From here, you can go SOUTH, EAST, or walk along the shore to the WEST.
>place lantern on ground
You carefully place your lantern on the ground. You don't want that thing to break, now.
>jump into lake
You jump into the lake, clothes and all. OhLeviait'sCOLD.
>swim calmly
You try to swim to the center of the lake, when something wraps around your waist and pulls you under.
>use ax and cut thing
>CHOP IT
You frantically take your ax, struggling to maneuver it underwater, and chop off the thing wrapped around you. You desperately swim to the surface and emerge, gasping for air.
What... what in the Hellish Yard was that?!
You notice then that the water you're in is now clouded with a black, inky substance.
>SWIM BACK TO SHORE
You don't want to be in the water any longer than necessary. You swim to shore as fast as you can and you stumble out of the water, gasping for air.
>SAVE
Your near-death experience fills you with utter terror, as well as DETERMINATION to know just what in the Hellish Yard you're dealing with here. You SAVE. You don't know what that means, but you SAVE.
>declare held sent you
You say that Held sent you, teeth chattering slightly. The lake is now calm, as if you weren't just fighting for your life in there. Nothing responds.
>chop log into firewood
You chop a log into smaller pieces. It was already meant for the fireplace, but you want a smaller fire.
>start a fire
It takes more than a few matches, but you have a good fire going now, at the edge of the lake.
>strip, wet clothes cling and you'll get cold
You feel a bit antsy about getting naked in the middle of the forest, but it's either that or death by hypothermia. You strip to your underwear and lay your clothes close to the fire. The thing that wrapped around your waist... it's as if it clings to the shirt. It's the weirdest thing you've ever seen.
>dry your clothes
You already are.
>examine shirt
You examine the shirt. It's soaking wet, and is also stained black, like one massive inkstain. The weird rope-thing seems to be stuck to it.
>pick up lantern
You retrieve the lantern and place it right next to you. Don't want that thing getting lost...
>remove the possible-tentacle
>not with your bare hands
You REALLY don't want to be touching that thing, but you don't want it to stick to your shirt. You eventually try prying it off with a sheet of paper as buffer. You nearly tear your shirt apart in the process, but you do it. Looking closely at the rope-thing, you see that it's covered in tiny suction-cup like things.
>stargaze
You look at the stars. There are so, so many stars. You could never get this kind of sky in Levianta, not with all the light pollution. You ask the stars how you got into this mess. They only twinkle in response. You sigh, and start absentmindedly tracing the constellations, the basic ones you learned in school, the ones you made up as a kid, the ones that Eve pointed out to you one night, before...
Oh.
The stars twinkle, seeming as if they were watching you, judging you. You immediately stop stargazing.
>wrap the thing in paper and take it to show held
You wrap the rope thing in paper. You are no biologist, but you are pretty sure that this is no way to handle a sample. It's better than nothing though.
>judge the stars back
It feels kind of wrong to judge anyone, not with everything you've done.
>put on clothes
>wear clothes
You put on your slightly-less wet clothes. They're still damp, but it's an improvement.
>save
The feeling that you're actually making progress fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>water fire... with the watering can
You pour water all over the mini-campfire with the watering can until the fire's gone out. You now have an EMPTY WATERING CAN. You feel good for practicing campfire safety.
>go east
>go east
>go east
>go east
>go east
>go south
>go north
>go west
>go south
>go south
>go south
>go south
You leave the lake and walk through the forest, carefully retracing your steps. However, given the roundabout way you traveled through the forest, you end up backtracking at one point. It's not the most efficient path, and it takes a while, but finally, you're home once more. There's a WELL to your right, a GARDEN to your left, and your COTTAGE right in front of you.
>go into the COTTAGE and say "I'm home!"
You enter your cottage. Without thinking, you say that you're home. Eve doesn't answer, as she's still fast asleep.
>save
The feeling of homecoming fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>wash up and change your clothes.
>hang your wet clothes at the clothes hanger
You peel your now-disgusting clothes off of you and change them out for fresh ones. You wonder how on earth you're going to explain them to Eve as you hang them up in front of the fireplace to finish drying. Then you suddenly double-take.
Oh yeah, the fireplace is out. You put it out. Good job, you.
>kiss your wife's cheek
You go to Eve's bedside and give her a gentle kiss on the cheek, wondering just how she manages to put up with your nonsense.
>fix the fireplace
There's nothing... broken about it? Besides the lack of fire.
>go to backyard
You are now in your backyard.
>drop damp wood
You don't have any damp wood.
>take firewood
You take a few more logs from your log pile.
>enter house
You are in your cottage. It is the middle of the night.
>place wood on fireplace
>relight fire
You restart the fire you put out with new logs. Now there's a fire happily roaring in your hearth, and the cottage gets a lot warmer. Eve stops shivering.
>save
Your rekindled fire, filling your home with warmth, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>cuddle with eve
You climb into bed and wrap your arms around your wife. You cuddle Eve. She smiles in her sleep and cuddles you back. It's adorable.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. You have work to do.
Regretfully, you untangle yourself from Eve and climb out of the bed.
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
Several sheets of paper
Several cut logs of wood
A weird appendage from a lake creature wrapped in paper
>YOU DON'T HAVE WORK
Invalid command.
>SLEEP
>JUST SLEEP
You would really love to, especially at how warm the cottage has become, but you have work to do.
>save
Your resolve to finish the mission Held gave you fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>slap eve with the tentacle/appendage
Now you're just being childish.
You take the appendage, still wrapped in paper, and slap it against Eve's cheek. She scowls and lifts a hand to her face, but she doesn't wake up.
She always was a heavy sleeper.
>examine container of oil
You look at how much oil you have left. It's half-full. Or half-empty. But you're no pessimist.
>ignore Lewis
Who is “Lewis"?
>drink the oil
You suddenly think that the oil seems like a good thing to drink and you take a hearty swig.
It tastes DISGUSTING. You wretch immediately. You choke and try to spit it out over and over again, but you can't get all of it out. It coats the inside of your mouth and throat, so it feels disgusting as well. You regret everything.
>roast tentacle and eat it
What's a tentacle?
>roast weird appendage and eat it
You're pretty sure that you should be saving this for Held's report, but what the Hellish Yard, you're hungry. You roast the appendage over the fire, carefully turning it this way and that. You then take a tentative bite.
Hmm. Not bad. It's not the worst thing you've ever tasted, that's for sure.
>deepthroat the entire thing
You get so excited by your culinary discovery that you shove the entire appendage into your mouth, realizing too late that there's nowhere else for it to go besides down your throat, unfortunately blocking your airway.
You panic and try to pull it out, but it seems to be stuck in your esophagus.
You asphyxiate. For science.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
Chapter Text
>fart
>expel your interior gasses
You fart. Luckily, the crackling fire covers up the noise. It doesn't cover up the smell though. Ick.
>through your ass
Invalid command.
>north
>west
>north
>west
>west
>northwest
You can't go there from here.
>leave cottage
You leave the cottage. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
Several sheets of paper
Several cut logs of wood
A weird appendage from a lake creature wrapped in paper
>wait how is eve
Invalid command.
>CHECK ON YOUR WIFE
You can't do that from here.
>go back in
You are in your cottage. It is the middle of the night.
>remember
Remember what?
>manly scream
You scream, in the manliest way you can. Eve wakes up in a panic, thinking you're being murdered. She instinctively fires a bolt of magic, and you are killed instantly.
Whoops.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>check on eve
>check on eve
>Check on eve multiple times to see if she's really okay
You check on your wife. She’s still sleeping peacefully, but this time, thankfully, she isn't shivering anymore. Just to make sure, you check again. And again.
>inventory
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
Several sheets of paper
Several cut logs of wood
A weird appendage from a lake creature wrapped in paper
>listen for her pulse
You may be an incompetent scientist, but you are pretty sure you can't "listen" for a pulse.
>what if she's dead
Invalid command.
>dont be paranoid, let her sleep
You’re already doing that.
>light your ass on fire
You think you have such a hot figure you decide to make that literal. You take a match, and...
...
THIS WAS A TERRIBLE IDEA.
>stop, drop and roll
You immediately hit the floor of the cottage and ROLL LIKE YOUR LIFE DEPENDS ON IT, which of course, it actually does. The flames go out, but you think your skin is going to blister. Badly. Why do you do these things to yourself?
>feel
Feel what?
>check pulse
Whose pulse?
>twerk
What is twerk-ing?
>set eve on fire with your ass
No.
>DO NOT SET EVE ON FIRE WITH YOUR ASS
You’re already not doing that.
>look for burn cream
You think that Eve may have something to help with that, but you aren't sure where she keeps it, or even what kind of "something" that is. For all you know, it could be a spell.
>check Eve's encyclopedia for burn things
You drag yourself to the side table to check Eve's book for anything on burns. Thankfully, there is a section just for that. For minor burns, apparently you need to run cold water over it, then apply certain herbs such as aloe and lavender. Now, where can you get those?
>Think if there is any herbs that can help with burns
You just checked Eve's book, and yes, there are herbs that can help with burns.
>do you have aloe vera
Invalid command.
>dance
>dance because at least you found something that will help
You try, but your buttocks aren't in a good state for dancing.
>go outside your cottage
You leave your cottage. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>exit house
You are already outside your cottage.
>enter garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>check for aloe and lavender in your garden
You look carefully at the medicinal herbs, and... OH LOOK. There's some ALOE right there. No lavender, unfortunately. You guess the ALOE was more important.
>exit house
You are already outside your house.
>use aloe
You don't have any aloe.
>exit garden
You exit the garden. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>go to well
You go to your well. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>take aloe
What aloe?
>enter garden
You can't do that from here.
>draw water from the well
You try, but you don't have a bucket.
>find bucket
You look around, but there's no bucket in the vicinity of the well.
>just like jack and jill
Invalid command.
>enter house
You enter your cottage. It is the middle of the night.
>get your watering can
You already have a watering can. It's empty though.
>go to back yard
You exit your cottage. You are now in your BACKYARD.
>take bucket
You now have a BUCKET.
>go toilet
You don't feel like going.
>go to well
You can't do that from here.
>go to front of house
You are now in front of your house. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>go to well
You go left. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>enter well
It looks dark. You don't feel like entering that well.
>fill the bucket
How?
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A bucket
Several sheets of paper
Several cut logs of wood
A weird appendage from a lake creature wrapped in paper
>attach the rope to the well
You are about to, when you realize there's already rope attached to the well. It looks a bit worn, but it should still be good for a couple of draws.
>attach the bucket to the rope
You tie the bucket to the rope with the best knot you can manage. Will it hold? You don't know.
>fill the bucket with water
You lower the bucket into the well until you hear it splash into the water. You then winch it up, warily watching the rope as it strains against the axle.
Despite your fears, the rope holds. You now have a BUCKET OF WATER.
>take bucket
You discover that the knot you made was tied too... well. Your fingers ache trying to unpick the knot, and you give up. The bucket now just sits at the rim of the well.
>whatever
Invalid command.
>pour the cold water on your ass anyway
You take the bucket and pour the cold water on your blistered bottom. It makes you jump as your lower half is completely soaked with frigid water. Just when you just changed too!
Your behind still hurts, but it's an improvement compared to a minute ago. Once more, you sigh as you realize how stupid you've become.
>exit the well area
You are in front of your cottage. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>enter the garden area
You enter the GARDEN. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>collect aloe
The book said to use something sharp, so you have to make do with your ax. You regret losing your gardening shears, but beggars can't be choosers. You now have SEVERAL ALOE LEAVES.
>apply the aloe to your ass area in the medicinal herb area of the garden area
You remember from the book that it's the sap that's helpful to the burns. You... apply ... the sap. Your buttocks immediately feel better.
>leave the garden area
You leave the garden and are now in front of your cottage. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>go on the path
Into the forest you go, deeper and deeper. Your lantern lights the paths the two of you have made. You can go NORTH, EAST, or WEST. Your home lies to the SOUTH.
>north
You go NORTH. From here, you can go SOUTH, EAST, or NORTH.
>west
You can't go west. You can go SOUTH, EAST, or NORTH.
>north
You go NORTH. From here, you can go SOUTH, EAST, or NORTH.
>west
You can't go west. You can go SOUTH, EAST, or NORTH.
>west
You can't go west. You can go SOUTH, EAST, or NORTH.
>northwest
You can't go northwest. You can go SOUTH, EAST, or NORTH.
>east
You go east. From here, you can go NORTH, SOUTH, or WEST.
>north
You go NORTH. From here, you can go WEST, NORTH, or SOUTH.
>east
You can't go EAST. You can only go WEST, NORTH, or SOUTH.
>west
You go WEST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>west
You go WEST. From here, you can go NORTH, SOUTH, EAST, OR WEST.
>west
You go WEST. From here, you can go NORTH, EAST, or WEST.
>north
You go north and enter a SMALL CLEARING. You think you've been here before. From here, you can go SOUTH, EAST, or WEST.
>west
You leave the small clearing and go WEST. From here, you can go SOUTH, EAST, OR WEST.
>east
You go EAST and enter a SMALL CLEARING. You think you've been here before. From here, you can go SOUTH, EAST, or WEST.
>east
You go EAST. From here, you can go SOUTH, EAST, or WEST.
>east
You go EAST. From here, you can go SOUTH, EAST, OR WEST.
>west
You go WEST. From here, you can go EAST, WEST, or SOUTH.
>south
You go SOUTH. From here, You can go NORTH, SOUTH, EAST, or WEST.
>west
You go west. From here, you can go NORTH, EAST, or WEST.
>north
You go NORTH and enter a SMALL CLEARING. You feel like you've been here before. From here, you can go SOUTH, EAST, or WEST.
>south
You go SOUTH. From here, you can go NORTH, EAST, or WEST.
>east
You go EAST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>east
You go EAST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>WEST
You go WEST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>north
You go NORTH. From here, you can go SOUTH, EAST, or WEST.
>north
You cannot go NORTH. You can go SOUTH, EAST, or WEST.
>east
You go EAST. From here, you can go SOUTH, EAST, or WEST.
>south
You go SOUTH. From here, you can go NORTH, SOUTH, EAST or WEST.
>west
You go WEST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>south
You go SOUTH. From here, you can go NORTH, SOUTH, or WEST.
>south
You go SOUTH. From here, you can go NORTH, SOUTH, OR WEST.
>west
You go WEST. From here you can go SOUTH, EAST, or WEST.
>south
You go SOUTH. From here, you can go NORTH, SOUTH, EAST, OR WEST.
>south
You go SOUTH. From here, you can go... wow... that's one Hellish Yard of a crossroad you have here...
You can go NORTHEAST, which is back the way you came, NORTH, NORTHWEST, WEST, and SOUTHWEST.
>northwest
You go NORTHWEST. From here, you can go SOUTHEAST, EAST, NORTH, and WEST.
>east
You go EAST. From here, you can go NORTH, WEST, NORTHEAST, SOUTH, AND EAST.
>SAVE
Your utter frustration at forest navigation fills you with DETERMINATION. You SAVE. You don't know what that means but you SAVE.
>north
You go north, and you and you are immediately faced with the biggest tree you have ever seen. It dominates the trees surrounding it, and they seem to almost... bow to it? You can't think of any appropriate description.
You feel the energy of this place, and all at once you feel as if you've come somewhere... holy.
From here, you can go NORTH, SOUTH, EAST, SOUTHEAST, or WEST.
>east
You go EAST. From here, you can go WEST, NORTH, or SOUTH.
>west
You go west, and you and you are immediately faced with the biggest tree you have ever seen. It dominates the trees surrounding it, and they seem to almost... bow to it? You can't think of any appropriate description.
You feel the energy of this place, and all at once you feel as if you've come somewhere... holy.
From here, you can go NORTH, SOUTH, EAST, SOUTHEAST, or WEST.
>save
Your utter relief at reaching the tree god AT LAST fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>wake up Held
You realize you have no clue how to wake up Held without resorting to kicking him. He did ask you for a "less rude awakening", but honestly you have no clue how else you're going to do that.
>knock knock
You carefully walk up to the tree god and... knock? As gently as you can. You wait a few seconds, then knock again.
...
There's no response...
>look around for spirits
You gingerly look around for any forest spirits. You don't see anything, but then again, you don't really know what you're looking for. A crow lands on a branch nearby and looks at you. You look away.
>knock a bit harder
You knock a bit harder, to the point where you realize you're almost punching the trunk, but then you realize your error and immediately stop before your fist gets a splinter. Those are never fun.
>greet the crow
>ask anyone to wake him up
You tentatively say hello to the crow. It cocks its head, as if it's listening. Feeling a bit foolish, you ask the crow if you can wake up the forest god because you need to talk with him. The crow looks at you with its other eye, lets out a single CAW, and flies off. Well. That didn't help.
>nudge the tree with your foot gently
You nudge the tree with your foot. Do you really have to kick him again? Before you could decide anything, the crow returns, this time with an entire flock of its brethren. You've never seen so many crows in your life. They all surround the tree, perching on its many many branches. The ones closest to the trunk then peck at the bark like woodpeckers, while the other crows immediately start a deafening chorus of cawing. You nearly cover your ears from the noise.
>Question yourself, have you become a madman?
You wonder, as you stare at the awe-inspiring sight before you, if you have indeed become a madman. You are dead sure, if Eve was here with you, that at this point she would be asking you if she was seeing things again. If she were, you honestly wouldn't be sure if you were seeing things as well.
>ask them to wake him up
Apparently, they already are.
>yell at held to wake up
Unnecessary. The tree begins to groan and the branches begin to rustle once more, scaring a few crows away from his many branches. A voice resonates again, in your mind, "Yes, yes, I'm awake, I'm awake... settle down, my children... " A face, looking as unsettling as last time, grows on the tree's trunk. " Now, what's the issue this time... Oh! It's you! " The tree inspects you, with your burnt, soggy pants. " You seem to have been on a little adventure. Now, how goes the job I gave you?"
>tell Held about the tentacle thingy in the lake
>show him the appendage you cut off
You try not to stutter as you tell Held about the thing that nearly killed you in the Lake of Amusement (which isn't so amusing, now that you think about it). You present to him the strange appendage that you cut away to free yourself. The tree examines it, then its "eyes" widen in recognition.
"My dear human, I do believe that that is an octopus tentacle you have there with you! A Ziz Tiama's tentacle, to be exact. Amazing creatures, those octopi. Did you know that the tentacle you cut off will eventually grow back? " The tree roars with laughter, shaking its branches and scaring the remaining crows off into the night sky. " Even so, I don't think it will be very happy with you! They're very intelligent creatures. It will most likely remember your face, little human, especially since you've harmed it."
You try not feel petrified. You fail.
"So, " says Held, getting back to business. " That explains my children's anxiety over the Lake. But what of the ocean, little human? What have you learned here?"
>what
What.
>never ever go to the lake of amusement
You never want to, ever again, but you have a feeling you'll have go back there eventually. You're not looking forward to it. Held looks at you, expecting an answer.
>give held an answer
You sheepishly explain that you haven't actually gone to the ocean yet, but you'll be there as soon as possible. You swear.
Held looks more a little disappointed. "Hrrm, that means I'll have to be woken up once more. Do humans not know how to be efficient these days? Unbelievable... " he huffs. " Oh well, I suppose if the job is done. Do as you will, little human, " he says with a yawn. " Now... what on Earth is a Ziz Tiama even doing in the lake?" he mumbles, almost to himself. His "face" then melts into the trunk, and Held looks like an ordinary tree once more, if it weren't for the fact that he is the largest tree in the forest.
You release a breath you didn't even know you were holding.
>stare at the tree
You stare at the tree. You don't to admit to yourself that you're procrastinating for the daunting task ahead of you.
>wonder what your life is
You sit down where you were standing and contemplate all the life choices you made to get you to this point. It's not a very pleasant thing to recall.
Eventually, you make yourself stop feeling sorry for yourself and stand back up. You have work to do.
>WONDER WHAT YOUR WORK IS and if daylight will ever come
Well now, it's Held's mission. You're sure. You're pretty sure. Just as sure as you are of the sun rising. The sun always rises right? You try to reassure yourself, staring at the full moon, hanging in the middle of the sky. You are very sure. R̲̦ͅi̮̙͙̹̭̮g͙h̩͇̟̼̹͚t̖̻͇?͡
>save
The thought of the ocean, the thought of the certainty of sunrise, and the thought of Eve back at home holding you to your promise fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Notes:
So you noticed that a good chunk of this session was just forest navigation, right?
Fun Fact: As I actually made a map of Held's Forest for the server members to navigate, one of them went... um... a little mad trying to find Held. Just a little.
Here's an artist's rendition of the incident (the artist being the wonderful Xosephine):
Gee, being a DM sure is fun! >:]
Chapter 10: 4/11/17
Chapter Text
>scream
You scream, just to let out all the emotions inside of you. Nothing wrong with a good healthy scream.
Except you realize that you are in the middle of deep dark forest. Where screaming can attract things. You shut up.
>Recall Held's mission
You go over it in your mind again. There are strange things happening near the ocean and the Lake of Amusement. Investigate them. Well, you already have the Lake of Amusement down. Your waist still hurts from the incident.
>Become a bear
You stare at your arms, waiting for your bare hands to become bear hands. Nothing happens.
>fart on held
Before you can stop yourself, you've farted in front of the tree god. You are horrified. You wait for the instant smiting, but it... never comes...
Thank Levia.
> Recall what kind of spells you know
Even if you are one no longer, you were once a Scientist and thus d̛͍̦̖̠̯̺̼i̞͎̬̪̣d̲̤̟̠̬̗̕n̮'͏t͍̘͈̞ ̹̟͙͎̻̫̥͢r͇̟̲e͚̟̖a̦̠̙l̪͎̫̙̯l̻y͖͙̜̬̩ ̗̬͈̳d͍̘̖̳̥a̢̘̜̞b̰̟̭̻̞̥b͇̞̘̗͡l͇̩̯̪̗e̠̕ in the affairs of mages. However, it was impossible to be a citizen in the Magic Kingdom Levianta and not be exposed to any kind of magic. It's in the name of the country, for Levia's sake. Especially when you have a mage for a wife.
You try to remember what kind of things mages could do. Given they had enough energy and the moon was full, you realize that they could do pretty much... ḁ̳̝͈̼̮n̫yt̤̺̦h̜̝͔̺̯ͅị̲̣̳͚̦͡n̸͍̫̖͎g͔͎.
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A weird appendage from a lake creature wrapped in paper
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
>climb held
You climb the tree god yet again, trying desperately to hold on to your lantern. Climbing with only one hand isn't a very good idea though, as you lose your grip and fall to the ground below.
Your lantern shatters. So does your skull.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the center of a moonlit forest, standing in front of the largest tree you've ever seen. This tree just happens to be a god.
>put down lantern
You put down the lantern at the base of Held's trunk. Wouldn't want anything happening to it...
>climb held
You climb up Held one more time. It may be dangerous, but the view is just as spectacular as you remember. There's your house, to the left. And the ocean to your right. You don't need to turn your head to know the lake is right behind you.
>do a backflip
You take a deep breath, stand on the branch your sitting on, and do a spectacular backflip. Your form is excellent, but where do you think you are? The high dive at the MKL University Gym? You slam head-first into the ground, and you die instantly.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the center of a moonlit forest, standing in front of the largest tree you've ever seen. This tree just happens to be a god.
>put down lantern
You put down the lantern at the base of Held's trunk. Wouldn't want anything happening to it...
>climb held
You climb up Held one more time. It may be dangerous, but the view is just as spectacular as you remember. There's your house, to the left. And the ocean to your right. You don't need to turn your head to know the lake is right behind you.
>save at the top before you do anything stupid
The incredible view fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>scream
You let out another scream. You never realized how cathartic it feels to have your voice echo across the entire forest. Another flock of crows is startled into the night sky. You scream and you scream until you run out of breath and immediately start gasping for air.
>take a nice break and then scream some more
You take a good long break to catch your breath, then you open your mouth to scream once more-
And nothing comes out. It looks like you've gone hoarse.
>decorte hels with what you have
Invalid command.
>decorate held with your inventory
You have no idea what to decorate Held with. You may not be an artist, but even you know that it's not good to improve on a masterpiece.
Without thinking, you draw a smiley face on a piece of paper and tuck it into the crook of a branch. Might as well give the birds a smile.
>wonder what it'd be like to jump off of held
You look over the branch, at the sheer distance between you and the ground. Only one word comes to mind: fatal.
>climb down
You carefully climb down Held and sigh in relief once you reach the ground. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>pick up the lantern
You pick up the lantern.
>do a backflip
You do a spectacular backflip, but in the process your lantern flies out of your hand and shatters. The forest surrounding Held becomes very dark. You don't think it's a good idea to enter without a source of light.
>hard to east
You were never aware "hard" was a verb.
>well now it is. Hard to east
You do not know how to "hard". You begin to panic, slightly.
>hard
WHAT "HARD".
>hard harder
>hard means all the way
>hard the hard hard
You do not know how to "hard" you do not know how to "hard" you do not know how to "hard". You feel the beginnings of a panic attack coming on.
>hhhhhhhaaaaarrrrrrrddddddd
You do̸͓ ͍͇̼ṇ̬͈o̫̙̲͇̤̺̫- Invalid command.
>h a r d
Invalid command.
>think of eve
You think of Eve. Your resolve to get this mission done strengthens. She's waiting.
>it will help
Invalid command.
>no
Invalid command.
>hardy hard hardd
Invalid command.
>think of seth's long legs
Invalid command.
>hard s o h a arhd
Invalid command.
>hard means go in that direction without stopping or changing direction
Invalid command.
>hard to east
Invalid command.
>is adam ok
Invalid command.
>run east
You enter the forest and run east. Though the full moon is shining, the forest is very dark. You might be eaten by a bear.
>east
You think you go east. You can't tell. You can't see paths without a source of light. You think you hear something.
>magic~!
Magic would help very much right now, but y̨o̺͎̟̲͍u͜ ̙͈̖͙c̩̣̝̖͕̤a̛n͕͓̪̘͝'͕̟̣͎̞͕t̟̯̕ ̬d̥̳͜o̥͉̼ ̷͉̦͔̝͚̗̥m̶̭̺̻̻a͕̰̻͎͘g̢̙͕̬̦̣i̯̼͕̹̗̗͓c.̦̻̘͎̣
>START DANCING AN ODD LEVIANTAN WAR DANCE
You aren't aware you even had Leviantan War Dances. You do a random dance off the top of your head, because what the Hellish Yard, you're doomed. You think you hear rustling.
> Make bear noises
>make a bear mating call
You are trying to recall how a bear sounds like, but you don't need to wonder any longer as a dark shape emerges from the foliage. It's a bear.
>run. run away as fast as possible
>R U N
You immediately take off in the opposite direction. The bear chases after you. You're fast, but you think the bear is faster. It's gaining on you. What's worse is that your poor ankle is beginning to fail from the strain.
>ask where her children is
Even if you were in a position to ask questions, you doubt that the bear would say anything. It's a bear.
>pull out your axe and fucking attack the thing
>HOLLER 'OHHHH EEE OHHHH EEE OOOOOOHHH' WHEN YOU AXE THE BEAR
At last, your ankle can take no more. You are forced to come to a stop, but you aren't going down without a fight. You try to take advantage of the bear's momentum to swing at the bear with all your might, and the ax bites deeply into its shoulder as you scream incoherently. The bear makes an ear-splitting roar.
It looks like you've made it angrier.
>TELL THE BEAR TO PAY ATTENTION TO HER CHILDREN
>MAKE A MATING CALL
You aren't in the mood for talking, as you're fighting for your life against a raging hungry bear.
>keep fucking swinging
>go for the face
>keep hollering "OOOOOOOOOUOOOOOOOHHHHHHHHHHHH!" when you axe the bear in the face
You try to dislodge the ax and aim for the head next, but by the time you get it free, the bear lunges at your face with its very sharp teeth, and just like that, it's all over. The only coherent thought you have, as the bear tears you apart, is that you broke your promise.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are sitting in the tallest tree you've ever climbed. The entire forest stretches out before you, illuminated by moonlight.
>get down and go east
You climb down Held carefully and go east. As you enter the forest, you realize you forgot your lantern. The forest, though moonlit, is very dark. You might be eaten by a bear.
>keep going east
You keep going east. You feel more and more nervous. You think you hear something.
>pick up lantern
There is no lantern in the area. You left it back with Held.
>go back for the lantern
You do the wisest thing you've done tonight and head back the way you came. You enter HELD'S CLEARING. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>run. fucking run
In what direction?
>HIDE NEAR HELD
You don't know what you're hiding from, but you just cower near the base of the tree. Oh look, there's your lantern.
>COMPLAIN TO HELD
You complain that the forest is dangerous and there are bears out there, and you feel your voice slipping into a childish whine. The god does not respond. He's asleep, of course.
>pick up the lantern
You pick up your lantern. You immediately feel safer.
>save
The comforting light of your lantern fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
>confess your love to Held
You wonder how "asleep" Held really is. Honestly, he sleeps even deeper than Eve does. On impulse, you begin to confess your heartfelt-feelings-that-you-suddenly-gained-two-seconds-ago to the tree god, weaving a beautiful poem of your innermost desires.
You remember that your poetry skills are just as bad as your singing skills.
And through all that, Held does not respond. You think you've been rejected.
>SMASH THE LANTERN ON HELD
Out of frustration that the tree god didn't return your "feelings", you smash your lantern (who, if you recall, was kindly lit by your devoted wife) on his massive trunk. The hot oil, to your horror, ignites the grass at the base of the tree, and as you stamp it out, you don't notice the massive vines that suddenly restrain your arms and legs and wrap around your neck. You don't even have time to contemplate your broken promise before the vines snap your neck as easily as you would the twigs on the forest floor.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the center of a moonlit forest, standing in front of the largest tree you've ever seen. This tree is most certainly a god. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>hug the tree and vow never to move ever again
You hug Held. It's hard, the trunk is so wide your arms can't even encircle it. You would want to stay here and not deal with navigating the forest again, but...
You think of Eve, back at home, still waiting. You think of your sprained ankle, and how it feels painful to keep putting weight on it. But mostly there's that ever-present f̘͎͚̥e͖̗̹̗e͕̬̭̰̦l̻̫̭͓͉ͅi̱̻̟͓n̦̦̳̲g̫͍͟ that keeps you moving. Keeps you from sleeping. Keeps you from rest.
You take a few steps back. You would like to stop. It's very tempting. But you can't. You have work to do.
>take the lantern
You already have it with you.
>go east, east, east, east, and east.
You go east until you hit the first intersection, but you can go east no longer. You can go WEST, NORTH, or SOUTH.
>go north and bemoan thy fate
You go north. From here, you can go NORTH, SOUTH, EAST, or WEST. You wonder what you ever did to deserve trying to navigate a moonlit forest in the middle of the night-
Oh. Oh, wait . You do know what you did.
>sigh
>be filled with despair
>give up
>just give up
You do sigh. You are filled with despair. But... you do not give up. You can't give up. The f̘͎͚̥e͖̗̹̗e͕̬̭̰̦l̻̫̭͓͉ͅi̱̻̟͓n̦̦̳̲g̫͍͟ won't let you. You can say that you're filled with DETERMINATION.
>flip a bird and go west
You look around, but there are no crows to flip. You must have scared all the nearby ones away with your screaming. You shrug and go WEST. From here, you can go NORTH, EAST, or WEST.
>touch the grass
You touch the grass. It feels very grassy.
>eat dirt
You try to eat a fistful of dirt and immediately regret it. Why must everything disgusting end up in your mouth?
>acknowledge the darkness
You acknowledge it. You defy it. You shake your lantern threateningly at it. The darkness will not intimidate you.
>GO GET YOURSELF A BEAR!
Even if you wanted a bear, you wouldn't know where to find one. In fact, you suspect that a bear is more likely to find you.
>march onwards to the west!
You go west, marching as you do so to inspire confidence. (You still don't feel very confident.) From here, you can go NORTH, SOUTH, EAST, or WEST.
>keep going west
You go west. From here, you can go NORTH, SOUTH, EAST, or WEST.
>admit that you are lost, once again! congratulations!
You sigh to yourself as realize you are lost. Again. Joy. If only you could think of something to stop this from happening.
>west!
You go west. From here, you can go north, east, or west.
>use your pen and paper to make a map
That... that is actually not a bad idea. You wonder why you didn't think of it before. You've already gotten your pen and paper out when you realize that in order to make a map, you would need to have some point of reference first. You swear. Quite loudly.
You suppose you're going to have to wander around for just a bit longer.
>save and then climb a tree
The thought of you no longer having to stumble around the forest like a lost child fills you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
In your enthusiasm, you decide that climbing a tree might help you know where you are. However, also in your enthusiasm, you forget that you're still holding your lantern. You end up tumbling to the ground, and your lantern shatters next to you.
The forest, though moonlit, suddenly becomes very dark. You might get eaten by a bear
>....don't. move.
>breathe
You try your best to hold still, staring in disbelief at your shattered lantern. The only sounds you hear for a while are your panicked breaths and accelerated heartbeat, when suddenly, you think you hear something.
>climb up the tree as fast as fucking possible
>stay in the tree like the tree is your home
You don't waste time. You immediately scramble up the tree like a chipmunk and cling to it with all your might. You think you hear rustling.
>put the piece of cloth in the bottle of oil and soak it
>take one end out and light it like a wick with a match
It's might not work, but it's worth a shot. Trying to cling to the tree with your legs alone is hard, but you're running on adrenaline as you take out the cloth with shaking hands, soak it in oil, and try to light it on fire with a match while trying not to burn yourself.
Thankfully, mercifully, it ignites. It's a tiny cloth, it won't last long, but you have LIGHT. You hold your breath and listen for any noises.
By Levia's grace, there are none.
>if you see a bear, JUMP ON IT AND TRY TO RIDE IT
Luckily, you don't see any bears.
>set yourself on fire
In your relief, you notice too late that you let the flame get too close to your hand. Panicked, you drop the cloth, and immediately the grass beneath the tree is aflame.
It looks like you've started a forest fire.
You can't climb down, or you risk being burned alive. You can't climb any higher to escape the smoke, as the tree cannot support your weight. You just watch in horror as the fire spreads from one tree, to another, and another...
The heat's bad enough, but the smoke is unbearable. Your lungs feel like they've been dipped in acid, and you can barely see anything through your tears as you cough. Eventually, the smoke inhalation is too much, and just before you pass out and fall out of the tree, you apologize to Eve for being so stupid .
BAD END
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of Held's forest. It's a moonlit night, and your lantern illuminates the paths you can take. You see you can go NORTH, WEST, or EAST.
>west
You go WEST. From here, you can go NORTH, SOUTH or EAST.
>SOUTH
You go SOUTH. From here, you can go NORTH, SOUTH or EAST.
>SOUTH
You go SOUTH. From here, you can go NORTH, SOUTH or EAST.
>SOUTH
You go SOUTH. From here, you can go NORTH, SOUTH or EAST.
>east
You go EAST. From here, you can go NORTH, SOUTH, EAST, or WEST.
>west
>south
>yell at the fucking trees that won't let you go west
You go WEST until you hit an intersection, and then you go SOUTH. As you walk, you grumble at your inability to go further west. Then you begin to wonder... hmm... w̵͙̘̖̼̙̣͇h̙̩y͖͚ ͍̙͙͕̞̹̕ͅc̜͕a͈͍̲̯n'͎͙̻t ͎y̱̻͓͉͜o͞u̫̖ g͍͔͍͚̙͇o̥̠ w̷̱̲̮̦e̘̮̤̺͓ͅ-͘
You are suddenly shaken out of your thoughts by the sound of waves crashing on the shoreline. You smell the salt as a cool breeze tousles your hair, and you finally see the sandy shore and you realize that this is it. You've reached the OCEAN. From here, you can go NORTH, or walk along the shore to the EAST.
>the map you are making now
Invalid command.
>mark the ocean on your map
You realize you finally have the landmark you need and immediately start making your map. You won't be lost forever!
>make a map with paper and pen
You're already doing that.
>save
The sight of the endless blue horizon that stretches out before you fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>SWIM
Without taking your clothes off (you were never really a fan of skinny dipping), you run towards the water and begin to swim. You realize too late that you're still holding your lantern, and it goes out. Whoops.
>FIND seaWEED
You are finding way too much seaweed for your taste. It's all over your clothes, wrapping around your feet, arms, and legs. There's even this large one wrapped around your waist- Wait...
Before you can realize that the thing wrapped around your waist is not seaweed, you are suddenly being pulled further and further away from shore. Realizing too late that it's a tentacle, you try to get yourself free to no avail. The tentacle is joined by another, and another, and the next thing you know you are completely wrapped in tentacles as you are pulled deeper into the ocean.
By the time you pass out, you can't even see the surface anymore. You've come so far, but you've broken your promise all the same.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing on the WEST END of a sandy shoreline, looking at the moonlit ocean. From here, you can go NORTH, into the forest, or along the shore to the EAST.
>esat
Invalid command.
>east
You walk along the shore to the EAST. Now, you are in the CENTER of a sandy shoreline. The OCEAN is stretched out before you. From here, you can go NORTH, into the forest, or EAST or WEST along the shore.
>sing with me a song of silence and blood
Sing with who?
>sing with the sea
This peaceful ocean, this shoreline... it reminds you... of a song you heard... somewhere...
Without thinking, you open your mouth and sing. For a minute, you almost forget the sorry state of your singing voice, until you realize what you're doing and you fall silent in embarrassment.
>remember the magic of levantia and your wife
>....USE THE SONG YOU HEARD SOMEWHERE TO FIND OUT THE TRUE MEANING OF YOUR LIFE
>become self aware
You sit on the shore, staring at the ocean, and you try to think about magic.
You realize that you were rather close-minded, for a scientist. It must have been why you were ultimately so awful at it. Sure, on paper, on television, to your fellow colleagues and the citizens of Levianta at large, you may have been the greatest scientist in the country, which meant, for the most part, you were the greatest scientist in the world.
Only two people, other than you, knew the truth. And you were the last one to realize that.
Once upon a time, you saw magic as a tool. Another fundamental force of the universe that could be measured and quantized and synthesized and bottled and used to do whatever you wanted.
Eve... Eve didn't see it that way, but it the end, it didn't matter, because you used her too.
One would think the truth finally ripped you apart when you realized to your horror that the twins wouldn't survive, or when a scientist tapped your shoulder in a stark white corridor to tell you that Miss Zvezda was outside the Institute and making a scene. But it was only when you walked in on Eve smiling, completely oblivious as she was running a knife through her hair thinking it was a hairbrush, blood dripping through sky blue, when you finally realized what she was trying so badly to tell you, so many lifetimes ago, on that trip across Heldogort: That magic was wild, powerful, limitless, and not to be played with.
At that point, you become self-aware. You realize how completely, utterly stupid you once were. You find yourself humming that song you heard somewhere, and you wonder now about how your life, and Eve’s, will go from here. Are you too far gone? Is it even still possible for you to become someone better? To become someone who is truly worthy of Eve’s love?
You don't know. You really don't know
But you will try.
>save
Your introspection has filled you with DETERMINATION. You SAVE. You don't know what that means, but you SAVE.
Chapter 11: 4/12/17
Chapter Text
>i
You have:
An ax
An empty watering can
A piece of cloth
A lit lantern
A coil of rope
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A weird appendage from a lake creature wrapped in paper
A map you're in the process of making
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
>tie an aloe leaf to the fishing rod
You now have an ALOE LEAF TIED TO A FISHING ROD. Will it make good bait? Who knows.
> Examine appendage
You examine the appendage. A "tentacle" is what Held called it. It's certainly the weirdest limb you've ever seen on an animal. It actually creeps you out a little.
This is why you never went into biology.
>wonder what on earth is this appendage
Held told you. It's a tentacle.
>use fishing rod
You cast your "bait" into the water. And you wait. And wait.
.
.
.
It looks like nothing's biting.
> Squeeze appendage
You give the appendage a little squeeze, slightly disgusted. Your hand comes away ink-stained, and a little dribble of... blue liquid... comes out the severed end. Ick.
>wave fishing rod back and forth over the water
You wiggle the fishing rod back and forth a little. You think that you might actually be scaring fish away.
>wait..........and wait..............and wait...............and wait..........
You're not sure how long you sit on the shore. It's very calming, but you think your burned blistered behind is going numb.
> Collect ink in whatever receptacle you have
You are not sure where to put the blue liquid. Your container of lamp oil is still half-full, and your watering can seems a bit too big for such a tiny amount of liquid. Eventually, you end up letting the liquid trickle into the watering can anyway.
> s q u e e z e
Squeeze what?
> Keep squeezing the tentacle to obtain more ink, and then put said ink into the watering can
You squeeze the tentacle like a sponge and you watch, fascinated, as more and more blue liquid trickles down into the watering can. It would be really satisfying if you didn't feel so disgusted.
>Wiggle the tentacle in the water
You tentatively go to the water's edge and just, wiggle the tentacle a little, underwater. You've only been doing this for ten seconds when a massive tentacle suddenly wraps around your waist and pulls you away from shore.
>TAKE AXE
>CHOP OFF TENTACLE
You try, you try desperately, but the tentacle is much larger than the one in the Lake of Amusement. You can barely get your ax to cut even half-way through. And through your struggles, you are pulled down... down... down...
>DO IT YOU AMAZING BARA
Invalid command.
>DROP LANTERN
You dropped it as soon as you were yanked in the water. Now, you can barely see the surface. Your chest feels like it's bursting, but you can't get free. All you can do is stare at the surface helplessly, apologizing for breaking your promise, as you finally drown.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing on the CENTER of a sandy shoreline, looking at the moonlit ocean. From here, you can go NORTH, into the forest, or along the shore to the EAST or WEST.
>look at your watering can
You look at your watering can. It's a nice, sturdy watering can, that you've been using for highly inappropriate things throughout the night. You apologize to the watering can.
>squeeze the tentacle into the watering can
You squeeze the tentacle, unsure of what to expect, so you do it over the watering can. To your disgust, the tentacle yields about two tablespoons of blue liquid. All of which trickles into the watering can. Ick.
>tie rope to the tentacle
You take your rope and tie it to the squeezed tentacle.
> USE TENTACLE AS BAIT
You've already tied it to the rope! Unless you want to unpick your knot and tie it to the fishing rod.
>tie the rope to a tree
You tie the other end of the rope to a tree. This tentacle won't be going anywhere.
>swing the bait around your head and hurl it into the water from a distance
You swing the tentacle around your head and, with assistance from centripetal force, hurl it into the water. It lands with a little splash. You wait. And wait.
Immediately, the rope goes taut. You see something splashing around in the water. You hear the tree actually beginning to groan from the strain. You immediately move a few more paces back. You are dumbfounded when the thing in the water actually begins to uproot the tree, pulling it out of the ground like a carrot. What's even more surprising is that your knot still holds, as the tree is pulled all the way down the beach and into the water.
Well. You're not going in THERE anytime soon.
>load
C̼̗̗̺͎͢O̮̥͚͓̘̘M͇̜̯̗̻͓͖M͚̥͚̝͞AN̖̗̝͎̦D͉̮ ̡P̱̻͖͓͉R̛̦̭O̤̝̲̯̜C̦E̬̟̝̕S̨̭̜͇S͏̘͖I̺̲̦N͓͖͠G͖̞ͅ ̥͍Ẹ̩̠̦̖R͖̰̱̖͉͚̝ŖO̱̫̙̘͚̳̕R̪͇̼̻͓̼: ̯̲̻I̜̺̦͓̤N͉̜͔͓͚͙͡S̠U͏̤͚̭F̯̟̺͎͜F̝̬̹͈̹͔ͅI͏̦̝͇̦͕ͅͅC̦̥̣̰̯I̯̼̙̫̻͔E̳̰͎̹͜N̘̗̭͢Ṭ̻̟̻̹͙̤ ͈̱͞P̛E̯͓̻R͕̰M͈̤͎̟̩̻I̗͔̟̦̘͓S̩̲̦̤̤͍S͈͉̯I̼̻̪̗O͎͇͖̳̲ͅN̗̳͚̝͓S̨
>frown
You frown. This is... a problem.
>go back to Held and tell him that there is a sea monster that just UPROOTED A TREE
You want to, but... do you know the way? You need to re-enter the forest.
>enter the forest
You go NORTH, reentering the forest. You encounter an intersection and mark it on your map. Your lantern marks the paths you can take. You can go NORTH, SOUTH, EAST, AND WEST.
>north
You go north. You encounter an intersection and mark it on your map. From here, you can go SOUTH, EAST, OR WEST.
>question your massive inventory
You finally notice that you've been carrying an impossible amount of stuff with you. It surprises you that you've been treating this as normal. How i̧̗̖̹̥ͅs̹̘̹̭̭͜ ̹͎̜͈͓t͜h̞̲̦̖͝į̭̟s̨̱̙̱ ̙̙̦̕p̺̠̳̦̦̘̞o͖̭͙s̭̩̻̖͖̳̘s̸̜̺͉͚̫̦i̞̹̜̤b͉̬̙͟l̰̭̳ͅͅe͇?̴̞͙̖̰ ͏͉H̳̟͙͝o͏w̸̦̘̪̹-̖
>north
>north
You are distracted from your questioning when you realize that you've been trying to go north when you so clearly can't. You can go SOUTH, EAST, or WEST.
>east
You go east. You encounter an intersection and mark it on your map. From here, you can go NORTH, SOUTHEAST, EAST, or WEST.
>east
>east
>east
>south
You go east, then east, and then east again, then south, marking your map as you go. From here, you can go NORTH or SOUTH.
>north
>north
You go north, then north again, marking a new intersection on your map. From here, you can go NORTH, SOUTH, or WEST.
>north
You go north, marking the new intersection on your map. From here, you can go NORTH, SOUTH, or WEST.
>north
You go NORTH. You mark this new intersection on your map. From here, you can go NORTH, SOUTH, EAST, OR WEST.
>south
>west
You go south, then west , and you are immediately faced with the biggest tree you have ever seen. It dominates the trees surrounding it, and they seem to almost... bow to it? You can't think of any appropriate description.
You feel the energy of this place, and all at once you feel as if you've come somewhere... holy. You mark this place on your map.
From here, you can go NORTH, SOUTH, EAST, SOUTHEAST, or WEST.
>save
The feeling of magic that permeates this place, as well as the satisfaction of progress, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>report to held
You want to, but apparently the old god is asleep.
>look around for the crow
You look around for the helpful crow/forest spirit that helped you wake him up last time, but apparently, it's gone.
>report to held about the gigantic sea creature that UPROOTED A TREE
What part of "asleep" do you not understand?
>politely knock
You knock. You think you tried this before, and it didn't work then. It certainly doesn't work now.
>say excuse me
You politely try to excuse yourself. No response.
>lie down
You lie down on the forest floor and try not to feel sorry for yourself.
>scream a little
You scream, just a little. You've already scared all the crows away. Now it's just you and a still-sleeping Held.
>sing
You try to sing just to make yourself feel better, then your terrible singing voice just makes you feel worse. Good job.
>"WAKEY WAKEY"
You try to wake Held the same way you try to wake Eve up, only louder and more obnoxious. Held still doesn't wake up.
>"EGGS AND B- ok sorry i don't have breakfast"
Unfortunately, unlike with Eve, you don't have breakfast to bribe Held with.
>i
You have:
An ax
A watering can full of weird blue liquid
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A map you're in the process of making
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
>cry yourself to sleep
You cry, alright. But you don't sleep. You have work to do.
>look around for anyone or anything
Desperately, you try to look around for anything that might help you. Nothing but various forest flora.
>wakey wakey EGGS AND HELL
Invalid command.
>save
Your utter frustration at the sleeping tree god fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>pour the contents of the watering can on held
You take your watering can and pour the blue liquid all over Held's trunk. Other than the trunk looking slightly bluer now, nothing happens.
>KICK THE TREE
>threaten held with axe
>kick the tree
Out of anger, you kick the tree repeatedly while shouting a stream of expletives, holding the ax threateningly in your hands. You quickly realize that it's the foot with the sprained ankle you're using to kick Held with, and your stream of expletives immediately escalates into a flood as you drop your ax and jump up and down holding your sore foot.
The branches begin to rustle, and a voice resonates in your mind again, making you halt and try to make yourself look more presentable. "Now, human, are you done having your little tantrum? Or do I wait for you to learn manners, first?"
>FINALLY.
Invalid command.
>tell him you couldn't wake him up otherwise
>apologize tho
Blushing bright red as those red round fruits you found earlier, you apologize and say that you couldn't wake him up otherwise.
The tree grudgingly takes your apology, but grumbles, "But honestly, the ax was uncalled for. Humans these days, not knowing what respect is..."
>report.
>report!
You finally report what you saw at the shoreline, of the creature that managed to uproot and pull an entire tree into the sea.
Held goes quiet as he thinks for a few moments. "A sea creature that strong... now, would this creature also happen to have tentacles?"
>Ya
Invalid command.
>mention that it was lured by the tentacle you showed him
>'i hast sacrificed a whole tentacle'
You say you didn't see, but you managed to get it to show itself by throwing the tentacle into the ocean. While you are explaining, Held is mumbling softly (or at least, his definition of
“softly", as you can hear him quietly wondering about how he's going to explain the uprooted tree to his children).
When you finish, Held speculates again. "Hrrrm, a small ziz tiama in the lake... and a creature strong as an adult in the ocean... you don't suppose, human, that the creature in the ocean is simply one of the same kind?"
>".....It's possible, Lord Held."
>"I was frankly afraid."
At this point, you're terrified enough that you're willing to go with whatever the tree god says. You also mention that.
The tree god looks at you with a twinkle in his "eye". "Ah, octopi are frightening creatures, are they not? Strong, intelligent... it's a miracle humans became the dominant species when you realize what they were up against." The tree laughs, and you try not to shake in your shoes. "Now, I have a theory. I'm not exactly sure what exactly a ziz tiama is doing in the lake, but I think I do know why another ziz tiama is so close to shore. Do you think you know why as well?"
>say you know nothing about ziz tiama
You tell Held that you know nothing about ziz tiama, and the tree god frowns with disappointment.
"A noble quality, to be honest about your ignorance, but honestly! Not even an educated guess?"
>you are a bara woodcutter
Invalid command.
>say that you would assume they are magical and incredibly powerful cephalopods of some sort
> They're intelligent?
> Things that big can cross land
You say what you assume ziz tiama are, and Held looks even more disappointed.
"Well, you wouldn't be wrong, but they can't cross land, and what I was asking for was... oh fine." Held grumbles something about humans being more scientifically inclined back in his day. "I hypothesize that the poor creature near the ocean is simply a mother looking for its missing child. That would make its rage quite understandable, wouldn't it? That the poor child ziz tiama is stuck in a landlocked body of water, far from home, unable to be reached? Quite pitiful." Held heaves a sigh. "In that case, I have one last job for you. You will not need to wake me up when you finish, to save us both the trouble." Held smiles at you, mirthfully. "Return the lake ziz tiama to its mother in the ocean. I trust that you are competent enough to get it done."
Something b̬̼̥̟̫̬̹ot̩̰h̢̥̯e̶̫̗̖̰͉̘ͅr͇͉s̥̭̯͔ you about his explanation, but you agree. Held breathes a sigh of relief.
"Now, I'm glad that's settled then. Good luck, little human..." Held's face then disappears into the wood, and you know he's fallen back asleep.
>scream internally
You scream on the inside. How in the world are you going to do what you just agreed to?
>held wtf
Invalid command.
>say to held, "held wtf"
You make an expression of disbelief at the sleeping tree god, more for yourself, really. He doesn't wake up.
>consider using eve magic to assist you
You consider using Eve's magic to help you with your quest. Just.... consider.
But you know you can't. It's late enough as it is. You can probably figure something out.
> Consider the logistics of the transfer. You're a scientist, dammit.
You think. The tentacle you managed to chop off, though strong, seems belong to a much smaller creature compared to the display you saw at the beach. You will probably need to find some way of luring it to shallow waters... and then what? You aren't exactly sure of the true size of the creature, but you hope it's small enough so that can be easily carried.
Either way, you think you have more rope at home. Maybe you should take into account your resources.
>look at the sky
You look at the sky. Nothing but the full moon and countless stars.
>wonder when morning will come
You wonder when the morning will come, but you do know it will come. R͉i҉͕̟͇g̻͖͈͈͎̞h̡͉̼̲͖͇̠t̰̹̯?̣͔
>are you sure about that
Invalid command.
>save
The thought of your final mission fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>become self aware
You become aware that right now you're just staring into the sky like an idiot. You shake your head, to ground yourself. You have work to do.
>commence working
You aren't exactly sure how to start working though. Maybe checking your available resources might help?
>go to the lake
You don't know the way. You have a map, but it only shows you how to get from Held to the ocean.
>go home
You're not sure how to go home either. This map is getting less and less helpful by the second.
>fast travel home
> Naruto run back home
You would, if you knew the way. But you don't.
>southeast
>east
>east
>south
>east
>south
>mark them all on the map
You walk through the forest, marking any unmapped locations as you go, including the clearing with the wildflowers. Before you know it, you're home. You mark that on your map too.
There is a WELL to your right, a GARDEN to your left, and your COTTAGE is right in front of you.
>SAVE
Your homecoming, hopefully penultimate, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>bring eve for protection
You can't do that from here.
>i mean, to protect her
Invalid command.
>enter cottage
You are in your cottage. It's the middle of the night.
>bring eve
It's tempting to bring Eve, but you've already woken her up once. You don't want to do so again. She's barely getting enough sleep as it is. You would feel guilty for dragging her into this.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED that Eve's already sleeping in.
>bring eve anyway
You won't.
>cuddle Eve
You climb into bed and wrap your arms around your wife. You cuddle Eve. She smiles in her sleep and cuddles you back. It's adorable.
This feels really nice, and you would love to just stay there and sleep until morning, but you can't. You have work to do. If it makes you feel better, you only need to finish THIS ONE JOB then you can go to bed for real.
Regretfully, you untangle yourself from Eve and climb out of the bed.
>think about job
You think about the seemingly impossible mission Held's given you. You begin to sweat a little. Focus. You need to focus.
>Look for a shovel I guess
There is no shovel in the cottage.
>go outside
You go outside. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>look for a shovel
You look for a shovel. Oh look, there's one, right next to the gardening spade.
>take some pretty plants
For good luck, you take some BEAUTIFUL PLANTS with you. You realize that none of them are in bloom yet, but what the Hellish Yard. You'll need all the luck you can get.
>plan a catapult
There have been some outrageous plans going through your mind lately, limited to, but not including, building a catapult. You have no idea how to build a catapult. You were a scientist, not an engineer.
>take some useful plants too, just in case
You have no idea what plants would be useful, in this situation.
>take shovel
You take the shovel. You now have ONE LARGE SHOVEL.
>go back inside the cottage
You are back in your cottage. It is the middle of the night.
>borrow eve's book
You apologize silently to Eve one more time, then you take her book. You might need something in there.
>save
The thought of you being productive fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>GO BACK INTO THE HOUSE AND POUR WATER ALL OVER EVE
One: You are already in your cottage. Two: You do not have water to pour all over Eve.
>take some medicenal plants and herbs
You can't do that from here.
>go to garden
You can't go there from here.
>do it anyway
>d o I t
Do what?
>check book for useful plants
You try to check the book, desperate for anything that might help. Oh thank Levia, there's a section on ziz tiama.
...
It's mostly about using ziz tiama, but not about actually capturing one. Again, the various writers have assumed that YOU, member of the Zvezda clan, can manage such a task. You hold your face in your hands and groan.
>take some medicinal plants and herbs
You can't do that from here.
>p o u r w a t e r o n e v e
>POUR WATER ON EVE
>soak eve with water
>P͎̳̩̤̝͇ͅO͓̻̥̹̼͜U̡͙͉̼̫̺̘̲R̺ ͉̹͙̲̱̼W̩̱̫͔A͙T̸̩̣̟̯̰E̙̜̙R̲͟ ̪͈̹̳̥O̻̗̞̰N͡ ̗̙͎͜E̦̩̰͓̠̮V͠E͖̖̠̟̝̜̠̕
You have no water to pour on Eve.
>go to garden
You can't do that from here.
>take medicinal plants and herbs
You can't do that from here.
>go outside
You leave your cottage. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>go to garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>take ALL the gardening tools
You take the remaining gardening tools. You now have a SMALL GARDENING SPADE and A PAIR OF SMALL GARDENING GLOVES.
>take some veggies while you're at it
>take medicinal plants and herbs
Which ones?
>draw water from the well and put water in the watering can
You can't do that from here.
>go back inside the cottage
You are in your cottage. It's the middle of the night.
>take ALL the plants
You can't do that from here.
>go to eve's room
Technically, you are in Eve's room. You stand at her bedside.
>exit garden
You're not in the garden.
>enter cottage
You're already in your cottage.
>go to back yard
You leave your cottage through the back door. You are now in your BACKYARD.
>look
Your backyard is where you usually work nowadays, cleared of trees so you have space to move. There is a STUMP nearby that you use to chop logs. Pieces of wood litter the area. Miscellaneous items are also leaned up against the back of your cottage.
>put the watering can aside
You put down the empty watering can on a nearby tree stump.
>kiss your wife on the cheek.
You want to do that, but you can't do that from here.
>exit cottage
You've already left your cottage.
>go to garden
You can't get there from here.
>TAKE ALL THE PLANTS
What plants?
>save
The sight of your backyard fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>enter cottage
You are in your cottage. It is the middle of the night.
>kiss Eve
You walk back to the bed and gently kiss Eve, wondering if she'll wake up.
Unlike Sleeping Beauty, she doesn't.
She does smile though.
>exit cottage
You leave your cottage. There is a WELL to your left, a GARDEN to your right, and a PATH right in front of you.
>go to garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for VEGETABLES, a section for MEDICINAL HERBS and PLANTS, and a section for PLANTS EVE PLANTED BECAUSE THEY JUST LOOKED PRETTY. To be fair, they are fairly beautiful. There are some gardening tools in the corner.
>take ALL the plants and herbs
You pull up every single plant you see. Eve's going to kill you in the morning.
>pick up a vegetable
There are no vegetables left to pick up.
>VORE IT
Vore what?
>vore smth from ur inventory
You closely inspect everything you carry, and decide to vore your ax.
You die from internal bleeding. Congratulations.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>exit cottage
You exit your cottage. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>look around
The forest stretches in front of you and around you, daring you to enter its depths. You think you hear the crows getting louder.
> Take the octopus-edible vegetables?
You can't do that from here.
>no. you must fish for a CRAB!
Invalid command.
>octopuses like crabs!
Invalid command.
>GET YOUR BUTT TO THE LAKE OF AMUSEMENT
You want to, but you can't. Your map can only take you to HELD'S CLEARING, the WILDFLOWER CLEARING, and the OCEAN.
>AND FISH CRABS
Invalid command.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
> Wildflower clearing!
With the map you made, you enter the forest and make your way to the wildflower clearing. From here, you can go WEST, EAST, or SOUTHWEST.
Chapter 12: 4/13/17
Chapter Text
>TAKE ALL THE FLOWERS
You pick as many flowers as you can carry, which is to say, all of them.
>make a flower crown
>make two flower crowns
Not knowing what to do with the ridiculous amount of wildflowers you have, you make a flower crown. After examining your handiwork very carefully, you make another flower crown. Better to bring a spare.
>remind yourself about what you're supposed to do next
You firmly remind yourself that you're not supposed to be sitting around making flower crowns. You have work to do at the Lake of Amusement.
>go to the ocean
Using your map, you navigate the forest and walk out onto a sandy shoreline. You are now in the CENTER of the beach. The ocean stretches out before you. You can go NORTH, back into the forest, or EAST or WEST along the shore.
>actually, go to held
Using your map, you navigate the forest and walk back to Held's clearing. Though the tree god is asleep, the place still has an aura of holiness. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>put on one flower crown
You put on one of the flower crowns you made. Now you match Eve!
>ask the spirits for the way to the lake with the flower crown as offering
Not feeling like navigating the forest again, you shyly offer the second flower you made to the air, and ask whatever listening spirits for directions to the Lake of Amusement.
Utter silence follows.
You... don't think they like your offer.
>offer it to held instead
You think you remember Held telling you not to wake him up again.
>check inventory
You have:
Eve's encyclopedia of magical healing
An ax
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
A flower crown
A ridiculous amount of wildflowers
>look for fruits and nuts
You look around the clearing for fruits and nuts. Unfortunately for you, your search is... fruitless. There aren't any nuts either.
>check eve's book on forest spirits
You give Eve's book a once over and try to look for any info on forest spirits. There are mentions, but that's all. Mentions. The only thing you can get out of the book is that it's best to not harm the forest in any way, to avoid offending any spirits.
Well. You're doomed.
>save
The thought of you single-handedly ruining spirit-human relations fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>north
You go NORTH. You mark this new intersection on your map. From here, you can go NORTH, SOUTH, EAST, or WEST.
>north
You go NORTH. You mark this new intersection on your map. From here, you can go SOUTH, WEST, or EAST.
>north
You cannot go NORTH. You can only go SOUTH, WEST, or EAST.
>west
You go west, and find yourself at the LAKE OF AMUSEMENT. You mark it on your map. You are on the EAST END. From here, you can go EAST, SOUTH, or along the lake to the WEST.
>NO
Invalid command.
>east
You go east, back into the forest. From here, you can go SOUTH, WEST, or EAST.
>go fishing
You can't do that here
>west
You go west, and find yourself at the LAKE OF AMUSEMENT. You mark it on your map. You are on the EAST END. From here, you can go EAST, SOUTH, or along the lake to the WEST.
>west
You go along the shore to the west. Now you are on the WEST END of the lake. From here, you can go SOUTH, WEST, or along the shore to the EAST.
>go fishing
You're pretty sure you need bait to do that.
>observe the water
You observe the water. It ripples slightly, but for the most part the surface is still.
>save first
The placid appearance of the Lake of Amusement fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>use tentacle as bait
You're pretty sure you lost the tentacle back at the ocean. In a very dramatic manner.
>check inventory
You have:
Eve's encyclopedia of magical healing
An ax
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
A flower crown
A ridiculous amount of wildflowers
>use a flower as bait
You tie a flower to your makeshift fishing rod. Ready to go.
>use tentacle as bait
You don't have that item.
>fish
You cast your fishing rod over the lake. The flower floats on the surface of the water, bobbing up and down. You wait. And wait. And wait.
.
.
.
Looks like nothing's biting.
>skip a rock on the lake surface
You look around for the rock of the right shape and size, smooth and flat. Eve had taught you how to do this, years ago.
You rear back, and fling the rock across the water. It skips, beautifully, then eventually gravity takes over and it sinks into the water. Besides the series of ripples, nothing much happens.
>look for fruit
You scrounge around, but there is no fruit in the immediate area.
>dig around for shellfish (???) in the shallows
You roll up your pants to your knees and wade into the water, trying desperately to find anything to use as bait. You don't have much experience in doing this, and it shows in the number of scrapes you get and the complete lack of anything scavenged.
Frustrated, you emerge from the lake, feeling like you just wasted time.
>think about home
Soaking wet, sitting on the shore with nothing to show for it, you think about how desperately you want to just go home.
>GO HOME
You leave the Lake of Amusement, and with your map, navigate the forest to get back to your cottage. Eventually, you arrive. There is a GARDEN to your left, a WELL to your right, your COTTAGE is right in front of you.
>enter cottage
You are in your cottage. It is the middle of the night.
>rest
>rest at home in front of the fireplace
You sit in front of the fireplace, feeling grateful for the warmth. You think you need a new approach to this problem. Or maybe you just haven't looked at everything you could use.
>wonder, how long did you spend there and the sun isn't up yet?
>why isn't the sun up?
>it's a few hours.
>it should be morning.
>why isn't it morning?
To be perfectly honest, y̲̘͉ͅo̡̦̞u͈͈ ͉̠̤͘ạ̥̬re̲̞͓ ̶͖͉j̵͙͇u̻̙͓̳͜s̨͔͓̤̰t̰͓̭͙̦̞̥ ͚͖̫t̛̖̻͍͇o̯̠̝o͉̥̦̼ͅ ͜t͢i̵̘̜͔r̵̺̳̻̼͕̙̯e̵͈͚̲̼͕͇͚d ͏̭͈̱̯͓t̴̠͉o͓̠͖͈̰̼͔͡ ̩͍̣̲t̖͈h̙̺̝͔͙̟̭i̦̰̱͔n̯̠ͅk̮̼̜.͓̮͉̤
>take a fucking sleep, adam
You really want to sleep, but you have work to do. Just this one... final... thing...
>adam, you are tired
Invalid command.
>adam, stop being irrational
Right. You have to focus. Now, how to get the ziz tiama out of the lake? What are your available resources?
>adam, you can rest
Invalid command.
>adam, stop being an idiot
You are trying your best.
>adam, s l e e p
N̯̯̝͕ǫ̱̲̮̹t̡͔̬̗̠͚̟ ̛̱̱y͞ẹ͕̱̺̩̥̬t̺̻̙̣̜.
>go to fuckin bed
N̯̯̝͕ǫ̱̲̮̹t̡͔̬̗̠͚̟ ̛̱̱y͞ẹ͕̱̺̩̥̬t̺̻̙̣̜.
>look for coffee
You look around for coffee. You have a decent stock of food, but unfortunately, no coffee. You'll have to remind yourself to get some in the morning.
>IT IS THE MORNING.
Invalid command.
>wake up
You aren't asleep.
>check food
You check your food supply. You're still pretty well stocked from your last foray into town. There are a few bottles of MILK, a couple loaves of BREAD, a jar of SUGAR, a jar of SALT, some COOKING OIL, and various SMOKED MEATS.
>are you sure you're not asleep
Invalid command.
>rest
You've had your break. Time to work, now.
>take meats
You take some SMOKED MEATS. You were feeling a bit hungry.
>leave house
You leave you cottage. There's a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>i
You have:
Eve's encyclopedia of magical healing
An ax
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A makeshift fishing-rod
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
Several smoked meats
A flower crown
A ridiculous amount of wildflowers
>look for bucket
You look around for the bucket. You think you see it on the well.
>take bucket
You try to take the bucket, but apparently you've attached it to the well too... well. You try to pick the knot loose for several minutes, then you give up.
>take meat
There is no meat to take.
>enter house
You are in your cottage. It is the middle of the night.
>look for food
You check your food supply. You're still pretty well stocked from your last foray into town. There are a few bottles of MILK, a couple loaves of BREAD. a jar of SUGAR, a jar of SALT, some COOKING OIL, and various SMOKED MEATS.
>leave house
You leave your cottage. There's a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>cut bucket rope with axe and take bucket
You take your ax and you carefully sever the rope keeping the bucket attached to the well. You then take the bucket. You now have A BUCKET.
>examine bucket
You take your bucket. It's a very sturdy bucket, given that Eve helped you make it. It's just big enough for the well.
>go to lake
With your map, you enter the forest and navigate to the lake. From what you have mapped, you end up on the EAST END of the Lake. From here, you can go SOUTH, EAST, or NORTH.
>save
The peace and beauty of the lake fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>attach smoked meat to fishing rod
You attach a chunk of smoked meat to the fishing rod. Ready to go.
>PRAY THAT YOU WON'T GET SUCKED INTO THE SEAS
You pray alright. To Levia, to Behemo, and now... even to Held.
>cast rod into lake
You cast your rod into the lake. The smoked meat hits the water with a splash. You sit on the shore and you wait. And wait.
.
.
!!!
You feel a bite!
>REEL IN
>REEL IN WITH YOUR BARA STRENGTH
You pull with all your might. The thing in the water begins to struggle. The tree branch bends from the strain.
It holds, but to your horror, the thin strand of thread that makes your fishing line does not. You look in horror as the thread snaps before your eyes and you land flat on your bottom on the shore.
>scream
>scream in frustration
>SCREAM AT THE LAKE
>AAAAAAAAAAAAAAAAAAAAAAAAAAAAA
You scream. You swear. You even find yourself crying in total frustration. You have a complete temper tantrum, right there on the lake shore, like a two-year old. If anyone saw you right now, it could be utterly embarrassing.
Eventually, you scream yourself out, and you end up just breathing heavily, glaring at the water.
>inventory
You have:
Eve's encyclopedia of magical healing
An ax
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A tree branch
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
Several smoked meats
A flower crown
A ridiculous amount of wildflowers
>go swimming
>go swimming for bait
In anger, you practically leap into the water. If your fishing rod won't work, you're going to drag that octopus out of there yourself with your bare hands!
It only takes a few seconds before it finds you.
As expected, it wraps around your waist. But before you can get your ax, you find that it has also restrained your arms and legs. It's learned from last time, and you realize too late that this was not a good idea.
You are pulled down into the lake, deeper and deeper. You can't fight it. You can't move. You can only try to catch one last glimpse at the surface, apologizing to Eve as you finally drown.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are at the EAST END of the Lake of Amusement. The water sparkles in the moonlight. From here, you can go SOUTH, EAST, or NORTH.
Chapter 13: 4/14/17
Notes:
Hey guys, this thing has a blog now. Right HERE: http://adams-amazing-text-adventure.tumblr.com
There's fanart and "highlight" posts, and possibly some "behind the scenes" screencaps from the server itself. So yeah. Check it out maybe?
Chapter Text
>go to clearing
Which clearing?
>wildflower clearing
Using your map, you navigate the forest and go to the WILDFLOWER CLEARING... which is completely void of wildflowers, as you have picked them all. From here, you can go WEST, EAST, or SOUTHWEST.
>east
>east
>south
You go east, then east, then south. From here, you can go NORTH, SOUTH, EAST, or WEST.
>look for shears
You try your best to look for the gardening shears you flung off into the night, but they must have flown off the path.
>look off the path
You look as far as you dare off the sides of the intersection, but you don't see anything. You're too scared to check any further.
>return to path
You go back to the path. Better to stay there, you never know what else could be in this forest.
>go a little west
You go a little west, just a little, and you see a familiar TREE with RED ROUND FRUITS.
> Resist the urge to steal the fruits
You don't think you're stealing from anyone, but then you remember the forest spirits and you make yourself hold back from taking any more.
>look for shears
You try to look for your lost shears. You remember that you flung them somewhere you couldn't see....
>check a little bit north
Even if it involves straying off the path, you check just a tiny bit to the north. Something glints in the moonlight. Could those be your shears?
>take fruits and rush home
Before you can investigate the glinting any further, you get the overwhelming urge to just take the fruits and go home. The fruits are too high to reach, so you run home without taking any.
You are now in front of your home. There is a GARDEN to your left, a WELL to your right, and a PATH right behind you. Your HOME is right in front of you.
>get closer
To what?
>save
The sight of your home fills you with determination. You SAVE. You're not sure what that means, but you SAVE.
>return to red fruit tree
Thankfully, you marked the tree on your map. You return there, and the tree along with its bounty is still there, as always.
You wonder what made you waste your time like that.
>wonder what saving is
You've noticed that every time you feel especially DETERMINED, it's like the state of the world... s̩o̧͔̗̭͚̩̱l̥̠͙̪̫̖i͓̯̱͚͙͇ͅd̪̳̳͚͓ͅif̺̦͔͓̩̞i̲͕̩̳es̻̳̤̕, somehow.
I̜̼̘͎͕͡t̮̫̭̙͕̝͕'̛̲͍̼͖̳̣s̷̯͕͍͚̫ ̣͔̻̟̰̤͖h͍͉̜̝a̟̲̗̺̤͕͘r̼̠͕̬̤̲d̪̯ ̥̞͍̮͔to͔ ͏̼͙ḙ̙͓x̱̦̗̘̜͓p̟̬̣̝̝l̬a̳̗͘ị̡n̯͍̞̺͘.̴̪̪
The only word you can come up with is SAVING.
>investigate shiny thing to the north
You go back to the shiny thing. Oh! It’s your shears!
> Use rope to lasso fruit
You don't have that item.
>take shears
You take the shears. You now have, once again, ONE PAIR OF GARDENING SHEARS. Thank Levia you got those back. You wouldn't know how to explain their absence to Eve.
> Climb tree
>set lantern down safely first
You carefully set down the lantern at the base of the tree, then begin to climb it once more.
>take fruit
You take another fruit. It's just as red and round as the last. You wish you knew what these things were called. You now have another RED ROUND FRUIT.
>CAREFULLY
Invalid command.
>climb down carefully
You climb down, very carefully. Wouldn't want to get into an unfortunate accident.
>take lantern
You take the lantern. Never forget your lantern!
>go to held
Using your map, you navigate the forest and once more enter HELD'S CLEARING. From here, you can go NORTH, SOUTH, EAST, WEST, or SOUTHEAST.
>save
The sheer divine power of the tree god fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
> Ask held about the fruits
You ask Held about the red round fruit you have, not expecting him to reply. Sure enough, Held fulfills your expectations. You simply end up staring at the fruit in contemplation.
>north
>north
You go north, then north again. From here, you can go WEST or EAST.
>west
You go WEST, and end up at the LAKE OF AMUSEMENT. The water shimmers in the moonlight before you. It seems as if you are on the EAST END. From here, you can go EAST, SOUTH, or along the shore to the WEST.
>east
>east
You go east, and east again, and end up in a SMALL FOREST CLEARING. You think you've been here before.
>look
Contrary to the now wildflower-less wildflower clearing, you weren't the one to create this small clearing. You have no idea why this is here, but you appreciate whoever did it anyway. You see a TRAUBEN VINE growing nearby.
> Call out to the forest spirits
You call out to the forest spirits. You have no idea how to call out to them so you just end up calling hello instead. No one answers.
>take vine
You try to take the vine, but it seems rather... attached... to a nearby tree.
>use shears on vine
You use your shears on the vine, and you manage to separate it from the tree. You now have ONE TRAUBEN VINE.
>keep it as long as possible
You have no reason to lose this vine. You might need it.
>remove trauben from vine
You remove all the trauben fruit from the vine. You pop one in your mouth, out of impulse. It's nice and sweet.
>save
The sweetness of the trauben fruit fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>go to lake
Using your map, you navigate the forest and go to the LAKE OF AMUSEMENT. From your map, you are on the EAST END OF THE LAKE. From here, you can go EAST, SOUTH, or along the shore to the WEST.
>eat shears
You decide to follow up on that trauben fruit with some nice gardening shears. You die, slowly and painfully, from internal bleeding.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of a SMALL FOREST CLEARING. From here, you can go WEST, EAST, or SOUTH.
>go to lake
Using your map, you navigate the forest and go to the LAKE OF AMUSEMENT. From your map, you are on the EAST END OF THE LAKE. From here, you can go EAST, SOUTH, or along the shore to the WEST.
>u
Go up? You can't fly!
>i
You have:
Eve's encyclopedia of magical healing
An axe
A piece of cloth
A lit lantern
A container of lamp oil
A box of matches
A spool of thread
A pen
A sketch of you and Eve
A paper with your dearest wish written on it
A tree branch
A map you're in the process of making
A large shovel
A small gardening spade
A pair of gardening gloves
Several sheets of paper
Several cut logs of wood
Several leaves of Aloe
Several beautiful plants
Several smoked meats
A flower crown
A ridiculous amount of wildflowers
A red round fruit
A pair of gardening shears.
A trauben vine, stripped of fruit
A handful of trauben fruit
> Throw a single trauben fruit into the water
You throw a single trauben fruit into the water. It lands with a small plop . Nothing else happens. You mourn the loss of perfectly good fruit.
> Use trauben fruit as bait?
Bait for what? You don't have a fishing rod.
>attach vine to end of tree branch
You attach the vine to the end of the tree branch. You now have A (HOPEFULLY) STRONGER MAKESHIFT FISHING ROD.
>eat cloth
You eat the cloth. You nearly choke on it, but you manage to swallow it down. Oh Levia, what did you just eat?
> Use trauben fruit as bait?
You try to attach a single trauben fruit to the end of the vine, but you feel a little woozy from literally eating your shirt.
>JUMP INTO THE LAKE AND DROWN
Your wooziness causes you to literally jump into the lake. You swim around a bit, trying to contemplate your life choices, when a tentacle grabs you from below and drags you down.
>die
To deny the ziz tiama the satisfaction of drowning you, you conveniently die instantly. At least you died on your own terms?
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of a SMALL FOREST CLEARING. From here, you can go WEST, EAST, or SOUTH.
>go to lake
Using your map, you navigate the forest and go to the LAKE OF AMUSEMENT. From your map, you are on the EAST END OF THE LAKE. From here, you can go EAST, SOUTH, or along the shore to the WEST.
>attach vine to end of tree branch
You attach the vine to the end of the tree branch. You now have A (HOPEFULLY) STRONGER MAKESHIFT FISHING ROD.
>use smoked meat as bait
You tie a bit of smoked meat to the end of the vine. Ready for some heavy-duty fishing. Octopi-ing? Whatever.
>save
Your REINFORCED FISHING ROD fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>reflect on parallel worlds which may or may not exist while fishing
As you sit down on the shore, casting your line, you think about parallel worlds.
Could there be, somewhere out there, a world where you didn't have to sit on the shore of the Lake of Amusement with a singed behind, fishing for baby octopi? Could there be a world where you and Eve never had to enter this forest in the first place?
...
Could there be a world where Eve-
!!!
A bite!
>reel in with your bara strength
>make sure to keep firmly grasping the rod so that you don't lose it
You pull, as hard as you can. Whatever's on the other end is giving you the fight of your life. The vine is strong, but at this point, you're worried about the branch. It's bending dangerously...
>grab the vine
>firmly grasp it
You let go of the branch entirely and PULL. At this point it's a tug of war between you and the octopus, and you're very sure now that it's the octopus as you see multiple tentacles wriggling out of the water's surface.
> FIRMLY GRASP IT
> IT BEING THE FISHING ROD
You can't do that! You're holding onto the vine!
>pull even harder, remember your footwork, hold the line
You pull, and you pull, and you pull. You plant your feet in the sand and try not to lose your balance as you try to bring the ziz tiama closer to shore. Your arms are burning...
> "Kyaaaaaa~!!" while pulling
You make a sound completely unlike what a man of your stature should sound like. You don't care.
>stay DETERMINED
You stay determined, feeling hyperaware as the state of the world seems to... s͖ͅơ̼͉̯͓̙l̤͚̣̥̙į̼̮̲̖̙͇̖d̷̳i͖͚̝͍͇fy̝̠̫̦͇̟̪... around you. You pull, and you pull, and you SAVE.
>Wanna be friends?
Invalid command.
>ぼくとともだちになっていいね
PARSER TRANSLATION: BECOME FRIENDS WITH ME
Invalid command.
>talk to it
You're a bit busy breathing to heavily to talk at all right now. Your feet are still planted firmly on the sand as you try to reel the octopus in with your arms. It seems like a stalemate.
>attempt to befriend the ziz
It's not even on the shore yet!
>SAVE the octopus
Isn't that what you're already trying to do?
> ACT
You're acting, all right.
>take the octopus
It's at the end of a long vine.
>captchalogue the octopus
What in the world is "captchalogue-ing"?
> Cry
You find that tears are streaming down your face, but you can't give up! You won't give up!
>pull even harder
>draw strength from the moon shining above
You pull harder, this time using your entire body. You walk slowly backwards as you begin to overpower the octopus. Until finally, finally, you pull it on the shore. It is the strangest-looking creature you've ever seen, with its seven tentacles and slimy appearance.
Before you can even begin to investigate further though, the octopus begins to make for the water.
>toss meat at it
You toss meat at it, but it only grabs the meat and continues for the water. You have to stop it!
>lure it to you with meat
You try to lure it with you with more meat, but it only pulls the meat out of YOUR hand and continues to make for the water. Better think of something else, quick!
>befriend octopus
>say you're sorry and want to be friends
>try talk to it
You try to appease it, befriend it, but you doubt it understands basic Leviantan.
> Toss meat away from you and the octopus
In a desperate attempt, you toss meat away from the water, out of reach of its tentacles. Thank Levia, it goes there instead.
> SAVE?
The thought of possible success fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>GRAB IT
You grab the octopus!
It grabs you back!
It's the most disgusting thing you've ever touched, ever!
You try your best to keep it away from your neck, but right now it's wrapped around your arms and torso.
>try to lead it to the ocean with meat
>run to the fucking ocean
You can't reach for the meat, so you settle for making a break for the ocean, clinging to the octopus as hard as you can. The octopus fights you ever step of the way, and to your horror, halfway through the woods, your lantern... falls out of your hand, and shatters.
The forest, though moonlit, is very dark. You might get eaten by a bear.
>SCREAM
>scream
> s c r e e c h
You scream, in utter horror. The sound is bad enough that even the octopus reels back.
After you run out of breath, you think you hear something.
>REGRET
You regret anything and everything you've ever done. The octopus wriggles inquisitively.
You think you hear rustling.
>pet it
The octopus has bound your arms too tightly to do so.
>take octopus
> Put octopus in inventory
>use the magic of your inventory and PUT A WHOLE FUCKING OCTOPUS IN THERE
What's an inventory? W͙͔͍̮̬̬͇H̡̭̬͓̬ͅͅA̹̥T͈͇͖'̰̖̘Ṣ̱̥̹͎ ̶̠͚̞A̢̹͈̩̮̥N̩̹͇̱̝̣̹ ̢̩̤̦̗̻ͅI͘N͕͇V̨̭͇E͝ͅṊ̻̘̭̖ͅT̸̞̤̻͈̖O̝͔͚̰͙R͕̙͈Y͓̟͇̺̻̲̮?̰̫͚̲!̮̲̦̰͍̱
You're so panicked you can't even think properly. And panic you should, because out of the forest comes a dark shape.
It's a bear.
>GO HOME BINCH
You don't know the way home! It's too dark!
>"HEY EVE I FOUND AN OCTOPUS"
Invalid command.
> "It's our new child Adam"
Invalid command.
>"I'll call it Seth"
Invalid command.
>this is seth the ziz its our kid now
Invalid command.
>fuq
Invalid command.
>throw octopus at bear
You try to fling the octopus at the bear, but it's coiled too tightly around your arms!
The sudden movement startles the bear, and it growls, ready to charge.
>get in the water but keep the ziz with u
>GET IN THE WATER
>but also cry
You take the octopus and RUN as fast as you can the way you think you came. You're fast, but the bear is faster. You see that it's gaining on you. Tears stream down your face.
>scream for help
You scream, and scream, and you scream, but nobody co-
The hairs on the back of your neck suddenly stand on end, and you smell the scent of ozone in the air. The world around you goes bright in a brilliant green flash, and-
KRAAAAK-KOOOOOOOM
You are immediately knocked off your feet, slamming into the nearest tree. When your ears stop ringing and your vision clears, you look around you. The bear is gone, nowhere to be found, but...
There's Eve, in her night clothes, a ball of flame in one of her hands. Still wearing her flower crown, now slightly lopsided. She’s been asking you frantically:
"Adam? Adam! Oh Levia, are you okay?"
>be eternally grateful
You stare at her for a second, in disbelief. She's here... she's... actually here...
You are immediately filled with love and gratitude.
> THANK YOUR WIFE
You thank her, stuttering, over and over and over, being hardly able to find the words. You thought you were done for, you thought no one would actually come. You ask her what in the world was she doing here out in the forest in the dead of night.
Eve begins to speak, her voice trembling in relief. "I was so worried when I woke up and you weren't home yet. I saw your message, so I thought you needed help. But on the way to the lake, I saw you being chased by a bear! I thought it wasn't real, I thought I was just seeing things again... but... you screamed."
Eve pales at the memory.
"I knew... I knew I couldn't be imagining that. So I... oh Adam! I was so scared... I thought I hit you by accident!"
>you love your wife 300000 more times than u already did
Invalid command.
>tell eve that we have a new child
You think that's more than a little distasteful.
>appreciate her and present your new child; the octopus
>"i'd hug you but i have an octopus on me."
You thank her again, and tell her that you'd hug her if it weren't for the octopus you're holding. She looks, fascinated at the creature in your arms and giving a few gentle pokes, and says, "So I'm not imagining the ziz tiama either? That's real?"
Yes, you confirm. It's real.
>NAME THE OCTOPUS SETH
On a whim, you decide to tell Eve that you've named the octopus Seth. She blinks for a second, then she laughs as she gets the joke. It's the most beautiful laugh you've ever heard.
"Now," she says, breathless with laughter. "Are you going to tell me what you're going to do with “Seth”?"
>tell eve about your quest
> Recruit Eve into your octopus delivery quest
You tell Eve about your mission from Held, and she bring her hands to her mouth. "That’s terrible!" Her left hand goes green with magic, and immediately the octopus' tentacles loosen around your arms, and the octopus begins to float in the air, surrounded by a green magical aura. You look at Eve, and you see that her eyes are filled with determination.
"Let's do this."
>lead Eve and Seth to the ocean
With your map, and Eve's ball of fire, you both navigate the forest and head for the OCEAN. As soon as you reach it, Eve heads directly for the edge of the water, and you follow her. "This is where its mother is, right?" she says. You nod.
Eve outstretches her arm over the water, and Seth the Octopus floats over your heads out into the sea. Eve mutters something under her breath, and the octopus is slowly lowered into the water. About halfway down, you suddenly see tentacles, about ten times bigger than Seth's, reach out towards it, and you shudder. Eve finishes lowering the octopus into the water, and the sea goes still.
She keeps staring at the ocean, the moonlight shining on her hair. She looks... wistful...
"Well," she says, trying to sound happy. "That's that, isn't it?"
>yes
Invalid command.
>hug Eve
You hug Eve. She hugs you back. You both stare out into the sea, watching the moonlight ripple over the water.
"Adam," she says. "Let's go home."
>go home
> Go home with Eve
Both of you, using your map, navigate the forest and walk slowly home. You regale Eve with tales of your adventure on the way back to cheer her up, everything from spraining your ankle to kicking Held awake; from the pathetic little paper boat you made to the red round fruits you found. She listens, and laughs, and promises to heal you from all your shenanigans, and you laugh too at your own stupidity.
At one point, she shyly thanks you for the flower crown, and you simply smile back and point at your own flower crown, telling her that you both match now.
You arrive back home, back to your familiar cottage and well and garden, and you hold open the door for Eve. She jumps into bed eagerly, finally pulling the covers back so she can crawl under them. You climb in next to her, enjoying the feeling of just... being home. Being happy. Enjoying the warm fire.
And yet, despite everything, something still nags at you. You think it's that f͉͔e̴̼ͅe͙̞̰̗̞͢l̡͎̤i͉͈͉͕͖̯ͅn̢̪g̳͎͍̳̳͢... NO.
You push that feeling away. You are DONE. You are FINISHED. You can REST.
You sigh and lie down next to Eve. You cuddle Eve, and she cuddles back. You pull the covers over yourself and Eve, and the two of you finally sleep.
GOOD E4e 4f 54 20 59 45 54
6b 65 65 70
67 6f 69 6e 67
You are in your cottage. It's the next night. You don't remember seeing the morning.
Eve had gone out, into the forest. Why is she out?
You stand in place, trying to remember what you were doing. What's going on?
Outside, you hear a single thunderclap.
It wasn't raining before.
It doesn't rain now.
You are suddenly filled with dread and y̛͙͍o̟̮͢u̙̩̘͔͎̤ͅ ҉̻̼̥͕̤d̢͖͍o̶̥̹̥̤ͅn͉͍̟͈̗̰͉͠'͠t̫̻͔̺͕͕̥ ̘͚̩kno͍͚̥w̘̪͇̟̙ ̻̙̫̝̭̝͟wh҉̪y̜͈̦.̰̰̗͍̼̖͈͜
Before you can get your bearings, Eve, breathless, rushes in and closes the door behind her. She looks at you with excitement, eyes bright.
In her arms... there are...
"Adam! I think I found the fruits you saw last night! I had to go through so much trouble to get them, but I did it!" she cries, happily. "Do you like them?"
Two... blon͕̮̫̗d͇e͇.͙͎̙.̡̱̖̬̱͓̳.̱̣ ̧̲͎̲͕̤̝͙ţ͉̫̳͎w̢i̙̮̩͇n͓s̰̟.̟͍̟̤̠.̣̻͕̭͢.̧̘̗̳̟̘̫
You stagger forward, and your legs end up giving out beneath you. You fall to your knees, speechless, staring at the crying children in Eve's arms. You barely notice her look of worry, you don't hear her asking you what's wrong. Your breathing accelerates. Your heart is pounding in your ears.
This... this can't be happening.
No....
Not again-
W̰̱͈̘͈͓a̴̩͔̞̥̙͍̖i̱̣̻͔̥̫ͅt̷̫.̮̮̘̗͙̬.̩̣͇̳͡.
No̩̲̕t̪̦͙̲̳̭ ̖̪̲̥̕"̩̩͚̱͇̱͠a̟͎͉̯ͅg̖̖͇͚̰̠a̹ͅͅi̥͖̦͚͚͍ͅn̴͔̝̤"͔.̪̩͓ͅ.̖͎̦͔̙.̶̫?̦
YOU
HAVE
FA 69 4c 45 44
The world suddenly SHIFFF͉̩͎̝͎̹F̴̜̦̣̬̯̦T̬͍͚̗̟͓S̴̘̭̳̼͍ͅS̺̹̹̖T̢̩̥̫͓̠̝S̛͍͚̜ 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20
79 6f 75 27 72 65 20 6e 6f 74 20 68 61 70 70 79 20 61 67 61 69 6e
01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000
79 6f 75 20 64 6f 6e 27 74 20 77 61 6e 74 20 74 68 69 73 20 74 6f 20 68 61 70 70 65 6e
01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000
69 73
01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000
69 73 20 74 68 61 74 20 63 6f 72 72 65 63 74
01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000
[ADMINISTRATOR-ONLY] LOAD FROM STATE 0? Y/N
61 67 61 69 6e 20 61 6e 64 20 61 67 61 69 6e 20 61 6e 64 20 61 67 61 69 6e
79
WARNING: HEAP CORRUPTION
MEMORY LEAK IS LIKELY TO OCCUR. SOME VARIABLES MAY NOT RESET CORRECTLY.
[ADMINISTRATOR-ONLY] DO YOU WANT TO CONTINUE? Y/N
61 67 61 69 6e 20 61 6e 64 20 61 67 61 69 6e 20 75 6e 74 69 6c 20 79 6f 75 20 67 65 74 20 69 74 20 52 49 47 48 54
79
WARNING: SYSTEM INTEGRITY AT 31.917% DUE TO DATA CORRUPTION.
CORRUPTION MAY INCREASE DUE TO STATE RELOAD. ALL ACTIVE PROCESSES MAY BE AFFECTED. THERE IS ALSO RISK OF SPIRIT DATA CORRUPTION.
[ADMINISTRATOR-ONLY] DO YOU WANT TO CONTINUE? Y/N
6e 6f 20 6d 61 74 74 65 72 20 68 6f 77 20 6d 61 6e 79 20 74 69 6d 65 73 20 69 74 20 74 61 6b 65 73
79
RESTARTING FROM STATE 0...
69 20 77 61 6e 74 20 79 6f 75 20 74 6f 20 62 65 20 68 61 70 70 79
4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 4c 55 20 4c 49 20 4c 41 20 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 01001100 01010101 00100000 01001100 0̫̥͚̯1͖0҉0̺͈1͍̝̮͔͞0͔̗0͖̣̝̬͇1̪͈̻ 0̯̼̹͎̟͘0̤͇̩̹1̨̻͇̬0͔̟̫̝0̭̩̤̹͢0͕͎0̘͖͙̯͕0҉̬͙͚̟ ̫͇̥͙̤͙0̨̖͙1̡̯͈͔̮͈0̮̭͚͓0͚1͇̼̞̮͍̖̭͝1̘̠̰͕̠0̶͈̣͙̠0̺̪̤͘ ͔̘0̮̝̺͙̝͞1͇̬͝0͓̼̼̫0̷͎̻͓̰̪0̠̼̜̳0͉̝͠ͅ0̡̥̜̞1̧ ̬͝00̲̰̞̯10̣͎̙̹̳͇0̪̟̜̬̪͡0̯̼͖̗͇̹0̩̙0̟͖̳̖̘̗͕
4̱̹̞̠̗̺͡5҉̜̰̟ ͈͙̫̳͓̠̩4̺̹̞̞e͔̤̤ͅ ̨̺̼͙4͈̜͚̼͔̳4̰͖͔̻͢
4̪͉f̶̱̰̠̹ͅ ̷̭̱4̵͔6̬͙̫̳
4̯̖̹͉̳̥͓͢1̻̥̦̮̥ 4̡͉̤͓̳͈̤̺3͜ ̲̪̰̙͝5̶͎4̩͍͖̩̘̲͎̕
4̭̫̥̣͔f̱͍͉̥̭̜͕ ̨̝̯͕̝̼4e̝̘ ̱͙̯̻̻4̴͕̰͉̭̝̜̙5̷̠̹̳
You are in your cottage. It is the middle of the night. S̫̞̝͡o͖̰m̮̝͙̮e͙̤̮̤̖͓̮t̬̙͔̰͝h͉̭i̝͚̳͕̝̖n̳͖͔͞g̥͟ i̫̮̜̼̻̟͕͜s͈̫̯̠̻͠ ̛̘v̳̘̲͠e̘̕r̮̯̤͞y̲̹̱̥̯̭̦ ̩̪̳̳̝͚w̢r̹͓͚̖̜̻̤o̷n̪̬̣̦͠g͏̞̮̩̟ͅ.͏̬͙̤̙̻̞ͅ
Chapter 14: 4/17/17
Notes:
Hey guys. MAJOR WARNINGS FOR UNREALITY from here on out.
Also, if you guys haven't figured it out yet... (please pay attention too the note below PLEASE)
IMPORTANT NOTE: ALL ALPHANUMERIC SEQUENCES CAN BE TRANSLATED.
How can they be translated? I'll just let you guys figure that out. That's the fun part. >:]
Chapter Text
>GET OUT OF YOUR COTTAGE
You stumble out of your cottage. The forest is still. Too still. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>inventory
You have:
A sketch of you and Eve
>BACKFLIP
Out of impulse, you backflip and break your neck o͖̝̟̭ͅn ̫la͞n̩d͍̫̟̩̥͖i͓̫̺̙͖͉̕ņ̭͕̺g̝̼̼.͟
BAD E̦͉N͢ͅD͓̺̜̮͝ͅ.
RESTART FROM SAVEPOINT? Y/N
REST̶̙͔͔̜̤A̮̼̹̩̹R̡̞̝̪͖̟T̠̦͓̘̻͈̻I̮͎̩̗̭̦ͅN̠͔G̪̗̤̞̮̼ FROM SAVEPOINT...
You are in your cottage. It is the middle of the night. S̶̟̣o̺͞m̯e̹̼̙͎̲͍̘t̗̜͘h̖̦̖̥̲͟i͎͍͢n̦̣͔̳͟g̡'͏̪s̢ ͎͍͇͈͈b̜̦̖̘̱̰ot̳̰̪h̲̩̲͚͠e̮̰̝͍r̰̼i̙͉̙̱̜̹̠n̵̠͓̦̹͔̱̤g̸̩ ̘̪͟y̡̠̳o̮͉͇̹͎̜u̷͈͕̥.̤̩
>USE YOUR MAP TO LOCATE HELD
You don't have that item- what? D͎͚͔͇͝i͍̲̘͙̹̞d͔̹̩̻n̢'̛̦̭t̻͉͕̳͇̳͔ ͉͓ͅy̹̻̗̲͚̻̭o̻̭͢u̝̖̤͖̰̥͓͠.͚.͎͚̟̫.̲̤̤̥̟ ̧y̥̤̜̼̜̠͎oṵ̱̘̱̲͙ ͈̯s̵͙͕̪w̴̘͎̫͙̲e̜̰̠͈̫̼͞a҉͔͇̻̝̰r̪̘̭̱ ̱͔͇͕̲͠y̬̺ou̳̬̣̠͖̣ ̪͔̣̦j͉̰̠̞̙u̧̠͉̮͖ͅs̴͕̥̯̦t̞̝̮̲̕.̮͓̖̕..̛͇͕̘
>WAKE HIM UP
Wake who up?
>OH MY GOD NO
Invalid command.
>WHAT THE FUCK
Invalid command.
>remember
Remember... w̧̗̤h̖͈͞a͉͖ț̣̻̞̹̣͉͝?̵̳̼̮͎̲̮ͅ
>cry
Before you realize it, tears are streaming down your face.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a door leading to your BEDROOM. Wait... s̷̟̣̳̥̖i̧̩͚ṇ̹͚ce̢ ̴̻w̘̙̼͔ͅh͔̲̠͠e̵͍̳͇̲͚̺n͙͎̹ d̫̣̞̫̣ͅid̷̝͙ ̩̣͉͞y̳o͜u ̱̕h͖̭̗͢a͎̤͜v͓͡e͔̦͎͚ ̺̘̠̹a̝̞͖͖̰̣ ̮͉̝͙͎ͅbę̭͕̝̥͖d̸̳͈̣r̠̘͙̪̘ͅo͓̟̫̗o̦̗m҉̥̻̖?
>RUN INTO THE FOREST
You can't do that from here.
>examine self
You clutch a hand to your chest. You are... Adam Moonlit. You are ADAM MOONLIT. WOODCUTTER, resident of HELD'S FOREST, husband to EVE MOONLIT NEE ZVEZDA, son of ALICE MOONLIT, former ROYAL and SCIENTIST of the MAGIC KINGDOM LEVIANTA, former HEAD of PROJECT MA, current FUGITIVE, and SOMEONE WHO FEELS THAT SOMETHING IS VERY, VERY WRONG.
>FUCK THIS SHIT
Invalid command.
>FIND EVE
>find eve please
She's right there, on the bed. Thank Levia, s҉̞ͅḥ̞̬̭̱̦͠e̩̜͉̲̜'̷̼͍̯͙̜̙s̪ ͎͚̜͙r̨̥͎̼̘̫͙i̮̲g̹̩̖̮̠͎h̵̳t͉͙͖̻̼ ͈̟̬͎̪̺t̝̥̱̝͓̱̕h̷͈̗̹̥̪̻e̢̲̻r̗̕e̱͔̰͉̦̤̝.̶̻͕͈͔̣.
>go to bedroom
W̦͖̬͎̠̠̘͡h̝͎̟͢a͈̥t̤̲̣̱̞͇ ͘b̡͖̫͔̻̥͚ed̙̩̥̞̦̳̘r̡̼̮oo͘m̮͔̼̥?̥͚ ͏̻̪̭̺͎W̷̞̦͈̤̥͙ai̬̳̞t̸̳̰̻͍͚,̦̰͉͠ ̣̳̭͠w̹̱̥̞͎͎a̩s̥̭n̖͉̟'̺̲͕͟t̳ ̼͇̳͓t̜ḩ͇͇̖ͅe̙̺ṛ̷̘̞e̕ ̘͚̞̜a͙̬̰͇ ̦̼̣ͅḅ͓̩͖͙e͏͇̹̙͈d̺̣͍͇͔r͟o̰̳̼̗̕o̩m̞̫̩?̶̜̯̝̻͚̣͇
>hug eve and cry
You hold Eve in your arms and cry. You just... cry. Despite your sobs, she doesn't wake up.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a CRIB, and a BED that Eve's already sleeping in.
>look crib
>throw crib out window
W͙͔̤̫͖h̡͔͖̼̺͖̳̟a̤͇̮̞͝t̫̱͖̩͎̗ ͔̦c͍͢r͔̼̣̠ị̮͔b̖̭̟͇̳͡?̦͕̜͕̪͞ There's just a side table.
>THROW THE CHILDREN OUT OF THE WINDOW
Invalid command.
>do a reality check
>count your fingers, look at a clock, JUST DO A REALITY CHECK
You look at your hands. You have all ten fingers. You don't have a clock, so you look out the window to the moon. It simply hangs in the sky. You clutch at yourself, trying to ground yourself to r̻̪͙͙̪͞e͖a͇͉͉͎͖̳͈͞l͖̦̝̺̹͎̘i̳̞̹͖͙͝ty̜.̰͍̩̫̪͢
>PRAY
With all your might, you close your eyes and pray to anyone you can think of.
>pinch yourself
You pinch yourself. This might b͎͔̹̜̳e̹̮͍͇̭ͅ ҉̱̜̹͓̬a̹̰̬̬ ͙̞͘d͉͘r̘̗̰̰̥̺ͅe̜̗a̝m̛̙̥̮̙. Nothing happens.
>wake eve
You try to shake Eve awake. She doesn't wake up.
>scream
You scream. You scream and you scream and you scream. Eve still doesn't wake up.
>try to wake up
Y̝̜͚͇o̤u͔͉'͓̤̫͖͎̜r͙e̵̗͎͈̰̩ ̞̱͜n̖͖͕̦̹̟͔ot ͠ș̫̺̖̭͍̭͟l͕̠̤̱ḛ͍͎e̖̝̳̣̦̯̠͞p̠i̬͢n͖͇̝̯g̭͓̼.̮̘
>flip the chessboard
There is no chessboard.
>wait no
Invalid command.
>enable hints
... What?
>......input commands.
... What?
>check her pulse
You check Eve's pulse. There's one; slow, but regular.
>pick up Eve and drape her over your shoulders
You hoist Eve over your shoulders. She still doesn't wake up, as if she were simply a rag-doll.
>THROW EVE OUT OF THE WINDOW
On impulse, you try to throw Eve out the window. The glass shatters on impact, but your bloodied wife simply falls to the W̶̬Ḫ̠͍̦A̤͉͕͞T͏̼̠̗ ̨͉͚ͅDI͜D̴̪̜͙̺̱͍ ̲̲̩̙̭̙Y̱̣O͉̼̙̠̯͖̻U ̞ͅW̺H͇͉͝A͎͚̹T̡̗̜̻͔̥̯͖ ̘̜D͍̭̫͔̤̖͇I̴̙̞D͙͚̥͎̪̳ ̦̻̘̲̱Y͖͕O͚̠̜͉̼͖U҉̹̤̠̼ ̸J͔̹̱̯U̥͙͙̠͔S̙̮T̖̠͎̮͈͟ ̝͚̹̠̣͈D̷O̟̮̺̻̦̗̭͢
>turn the world off and on again
HOW 4c 55 DO YOU EVEN DO THAT 4c 49 20 4c 41
>nod.
>spin at a radius of 83.5 cm
You can't do anything you can't think you can't breathe you threw your wife there's so much blood you killed her you K͕̰̬I̯̠̺̦̙͇LLE͞D̬̯̪ ̡͚̤H͎̟͟E̟̺͙̙̲͖
B͔͢A̸̗̤͉D̲̟̹ E̛ND͓̫̙̲̗͉̭.̲̝̖̩̺̜ͅ
RESTART FROM S͔̻͢A̵͍̠͙̺͓̟V̜̼̮̰͚̕E͍̥͚͓̦̞̤POINT? Y/N
>4c 55 4c 49 20 4c 41
COMMAND PROCESSING ERROR: INVALID SYNTAX.
>restart from the beginning of the game
C͚̘͎̲̦O̟̹̞̟ͅM̘͔̯M̸A̭̱̪͠N̡̦̞̼̟͙̥D̠ ̗̻̘̪̙ͅͅP̝͙Ŗ͚̜͙͎Ơ̜͇̥ͅC̶͈Ȩ̘S̜̝̰̗̼S̪̩Į͎͕̼ͅNG̦͈̗͕̟̯ ̰̗̠͈͇͉͜Ę̠R͇͉͖͕̰͔͎R̤̘̤O͇̤̝̣̫̲͓R̛͓͇̠͔̜ͅ: ̣͜I͏͙N̫͔̣S̺UF͘F͖̮̦͕̝͞I̮̤͖̗̫C̘̭̰̺I̬͚͉̝͡E͉̙͍̜̲N̡̝̰͍͈T̹̯̠̲ ͕P̯̝̩̹̥͞E̜͡R̢̦̬̠̲̝̟M̭̤̱̭͇̦̕I̞̫̱̳̰̬S̳͍͚̳͔̳S̸I̯̪̖̱̩̕OṈ̸̻S͓͕̣̤͜
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>wake eve up
>shake her
>spin at a radius of 83.5 cm
You immediately go over to Eve and try to shake her awake. You even try carrying her in your arms and spinning her. She. Doesn't. W̷͎̮a̻̰̤̼k̤̯̳̣͝ͅe҉̺̼͈̼̞̠.͏̣̙̱ ͔͟U̘̻̕p͚̹͔.̭
> ↑ ↑ ↓ ↓ ← → ← → B A START
Invalid command.
>walk outside
You leave your cottage, slightly terrified. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>n
>n
>s
>s
>w
>e
>w
>e
You can't go there.
>enable hints
Invalid command.
>check the garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for ROTTEN RED ROUND FRUITS, a̢n͈̺͕̩̜̣̮d̪͈̱̻͍̰ ̷n̘̤͔̺o̥̭̱͜t̮̱̘̞͓̳h̝͙̘̞̼̣ͅi̪̗̥͓̳n͚̙̮̞g ̥e͖̥̺̩͉̠l̨͉̦̩͓̫s̸͙̟e̛.̭̹̬̯͟
>invalid command
Invalid command.
>examine sky
You examine the sky. There is a moon. There are no stars. The moon is very, very, bright.
>examine reality
You find yourself hyperventilating. Something is very, very wrong, but you can't... you can't r̮̥̬̰ͅe҉̻͚̰̠͎m͎͉̹͉͚e͖̯͝mb̸̖̙̪̗̼e̪͚ŗ̗̮...
>yell for Seth to help you
Seth? Seth Twiright? Why would HE help you?
>return to front of house
You return to front of house. There is a GARDEN to your right, a WELL do you left, and a PATH right in front of you.
>go to path
Into the forest you go, deeper and deeper. The moon shines brightly, and it's enough to light the paths you and Eve have made. From here, you can go NORTH, EAST, WEST, or back to your house to the SOUTH.
>go to the back of the house
You can't go there from here.
>north
You go north, and enter a CLEARING FULL OF WILDFLOWERS. From here, you can go SOUTH, or WEST.
>remember the path to held
You don't know the path to... wait... y̝̟o̬͍͔̥ͅu҉̖̠͖̯̩͙̼ ̡͔͈Ḓ̱̺̜̻O͠. Why? You've never been to Held before!
>pick flowers
You pick several flowers. They are all a vivid purple. You now have SEVERAL PURPLE WILDFLOWERS.
>make a flower crown
You make a flower crown. Your fingers move like you've done this before, but that doesn't make sense. Y̢̰̱̰̱o̳̩͍̱̲̜̕u̼̻ͅ ̻͇ẖ̵̹a̱͖̘̯ve̫̭̥̦̮n̷̹̖'̛͓̞̼̘̝ͅṱ̯̟̠̮͙̘ ͈̳͎d̯̗̦̜o͇̪̳͡n̻̫̦ͅe̗̘ ̮͇͕t̴̞͎̭̫͙̥̟h҉̗̠͎̭̻i͎̝̠̣͢s̸̘̠ ̡͈̰̦̟b̛̲̮̱͎e̳̦̼͓͈̠fo̮̟̤̺̯̤̰r̥͖̹̭͟e̺̞̫̮̞͙.̶͓͓̣
>wear it as a good luck charm
You wear it on your head. Somehow, you feel like this isn't the first time you've worn a flower crown. This constant sense of deja vu is starting to scare you.
>slap yoourself
You slap yourself. It hurts, as expected.
>west
>go to held ?
>go see held doof
You go west, and you are immediately faced with the biggest tree you have ever seen. It dominates the trees surrounding it, and they seem to almost... bow to it? You can't think of any appropriate description.
You feel the energy of this place, and all at once you feel as if you've come somewhere... holy.
From here, you can go NORTH, SOUTH or EAST.
>kneel
>cry
You kneel. You have no idea what you're doing. You have no idea why you're committing heresy by appealing to this tree god you somehow knew the name of. You begin to cry.
>save
Your fear, your confusion, you are nothing but a volatile mix of feelings right now. And yet, you are still filled with DETERMINATION. You SAVE. You don't know what that means, but you ȘẠ̢̠͎ͅV̞̹ͅE҉̝͓͈͍̗ͅ.
>KICK THE TREE AND ASK FOR HELP
You kick the tree, screaming for help. You wait. And you wait.
Nothing happens.
>KEEP KICKING
You kick and you kick and you kick and then you realize that your leg has snapped in two and you are pouring blood all over the forest floor.
>cry on held
You cry and your salty tears mix with the blood as you quickly bleed out.
BAD END.
RESTART FROM SAVEPOINT? Y/N
>lu li la
Invalid command.
>why are we restarting from savepoints?
Invalid command.
>why are we restarting?
Invalid command.
>examine determination
Invalid command.
RESTART FROM SAVEPOINT? Y/N
>n
79
ADMINISTRATOR OVERRIDE.
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. Your leg hurts.
>tell held you're gonna burn his shitty forest down unless he wakes up
You threaten the forest god, but as soon as the first word of anger leaves your mouth, vines immediately entangle your wrists and feet, then withdraw, tearing you apart.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. Your joints hurt.
>tell held to WAKE THE FUCK UP
>say that the twins of god are with you
>say "i don't understand"
You scream at the god tree to wake up, blatantly lie about having the twins of god with you, rant and rave and cry about how you don't understand, you don't understand a thing at all.
Nothing happens. The forest is completely silent.
>sit down
>tell held that there might be something horribly wrong with the forest and you need him to wake up
You sit down, breathing heavily. Your voice has gone hoarse from all the screaming you've been doing, your joints still ache for whatever reason, and you feel tired. More tired than you've ever been in your life. You say to Held, in the most pleading voice you can manage, that something is wrong and he needs to wake up.
Nothing happens.
>go home
You walk home, and get there unusually fast. There is a WELL to your RIGHT, a GARDEN to your left, and YOUR HOUSE is right in front of you.
>save
Your utter relief at seeing home fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>enter house
You enter your cottage. It is the middle of the night.
>examine side table
You examine the side table. It's the first thing you've ever built yourself, with a bit of help from Eve. There is nothing on it. The side table also has a DRAWER.
>open drawer
You open the drawer. The only thing inside is a BOX OF MATCHES.
>take matches
You take the matches. You now have a BOX OF MATCHES.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a
DINNER TABLE, a SIDE TABLE, and a BED that Eve's already sleeping in.
>look under bed
You look under the bed. There is nothing there but dust.
>look under side table
You look under the side table. There is nothing there but dust either.
>go to back yard
You exit the cottage. You are now in your BACKYARD.
>look
Your backyard is where you usually work nowadays, cleared of trees so you have space to move. There is a STUMP nearby that you use to chop logs. There is nothing else but wild grass.
>go to front of cottage
You can't get there from here.
>go to garden
You can't get there from here.
>go inside
You enter the cottage. It is the middle of the night.
>go out front door
You go out the front door, and... you are now in your BACKYARD.
>....
Invalid command.
>go back inside
You enter your cottage. It is the middle of the night.
>look out window
Moonlight shines brightly over the forest, lighting the path that goes deeper into it. You strain your ears, but the forest is dead silent. You can't see the stars at all. You have a feeling it's going to be a v̷e̳̮̗̯͉͖ͅry͍̙̙̲ ̭͕̙lo͎͟n͍͖̮͉̠͍̥g҉͎̦̠ ͕͈̳͓͖͚͟ͅn̷͈̺̗͚i͖̱͉̩̜̟ͅg̶͈̼̻ht͔.҉.
>exit
You exit the cottage. There is a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>find paper
You cannot find any paper in the immediate area.
>go to garden
You enter the fenced-in garden. It's mostly Eve's handiwork, a mostly successful attempt to recreate the garden of her own childhood. There is a section for ROTTEN SPLIT-OPEN RED ROUND FRUITS, a̢n͈̺͕̩̜̣̮d̪͈̱̻͍̰ ̷n̘̤͔̺o̥̭̱͜t̮̱̘̞͓̳h̝͙̘̞̼̣ͅi̪̗̥͓̳n͚̙̮̞g ̥e͖̥̺̩͉̠l̨͉̦̩͓̫s̸͙̟e̛.̭̹̬̯͟
>omnomnom
Invalid command.
>eat sketch
>cry just thinking about eating it
You clench the sketch in your shaking hands. It's a sketch of the two of you, running through the forest and looking happy. You don't rememb̷e̯͈r̪͉͘ d̴̲͙̘̮̪͕r̺̤a̸̯wį̜̭̫͇͕n͙͚̜̝͙͞g̖̜̠̣̗.͎̲̟̪͈͓ͅ.̱.͚WAIT. You Ḑ͕O̶.̡̼
You remember... you remember you DID something. Every time you try to reach for those memories, it's like they slip away, out of your reach. Flower crowns, bears, red fruits, octopi... whatever you can remember is so maddeningly vague but you r͉e̸̟͙͔͎̣̘̦me̤̮̬̤̟͎̻m̥̖͉̣͎ͅb͖̬̜̱e̛̯͙͕r͖̜̣̙̟̳ͅ.
You clench the sketch even tighter. Right now, it's your only shred of evidence the night that you remember actually happened.
And now, you're about to eat it.
Tears come to your eyes. Can you really do this?
>don't eat it
>don't. don't eat it
You don't eat it. It's a bit crumpled and tear-stained, but you can still see the drawing clearly. It fills you with hope.
>GO TO THE SECTION OF ROTTEN SPLIT-OPEN RED ROUND FRUITS
You examine the red round fruits. Y̩̫o̯͓̳u̫̙̜͙̜͜ ̠d̙̲o͈̠̬n̹͖͍̝̙ͅ'҉͖͔̲̱t̷̬ ̞̬͕̥̹͝k̻n͓̯̥̺͠o̮̳͔̭̠̻w̢̠̩̞̤ͅ ̗̦̩̯͖̫wh̙̦͘ͅy̧̪̥̩ ͍̥̠̗t̠͔͍h͓̬̹͇͇̘e͈s͍̤̣̞̥e̟ ͉̦̣͔̠͇̱a̢͔͈̬r͔̼̞̼͕͚͝e҉̬͉̗̤̯ ̼̲͍̰͖͚̩͢h̕ẹ̹̙͠r̗͈̫͙̹̱̦̕e̵.̡̩
You almost reel back at the pungent odor. The moonlight shines down, and you notice that it's reflected on the various SEEDS scattered on the ground.
>YOU MUST NOT LOSE HOPE
>YOU MUST BE A BARA
Something is horribly wrong, but you can't give up. You won't give up. For the sake of the future in that sketch, you remain filled with DETERMINATION.
>examine seeds
You examine the seeds. They all seem to come from the rotted red round fruits. They reflect the moonlight rather well.
>pick some up
You take some seeds, feeling slightly disgusted at how sticky they are. You now have some RED-ROUND-FRUIT SEEDS.
>exit garden
You exit the garden. You are now in front of your house. There's a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>go to well
You go to the well, and you find that the well i̞̪̙͡s͏ ̴̮͈̦̗̰̙g̰͓͇̩o̧͎̱̺̣n̢e̡͙̞̰̦̰̮.̻̥̞̳̙͍͡
In its place is a tiny spring, flowing out from a pile of rocks and flowing deeper and deeper into the forest. You are dumbstruck.
>wash seeds
>wash hands
You wash your hands and seeds in the spring. You are completely, utterly, confused. How did this spring get here? W̞̬̗͙̻h̴̬͙͓̤̝̹a̫̝͓͈ͅt'̧͙̳s̻̹̟͡ ̟̕g̟o̘̻͔̩̞i̳n̝͇̼͇g͕͖̬͓͉͈͢ ҉̝̪͖̗̞̤o̲͇̯̮͢ͅn?̦̰̬̱̥̕
>FOLLOW THE SPRING
As you follow the spring, you notice something glinting on the ground as you are about to enter the forest. You stop.
>examine shiny thing
You examine it. It appears to be a SMALL GLASS BOTTLE.
>sing to fill the silence
No matter how terrified you are, you never forget how horrific your singing voice is. But you suppose that singing anything is better than complete silence.
You try to sing a song you heard Eve singing, once. You think you fail.
>take bottle
You take the bottle. You now have ONE GLASS BOTTLE.
>save
The memory of Eve's singing voice fills you with DETERMINATION. You SAVE. You're not s͚u̱̗͚͎͓̱̙ṟ͇̘̞e̮̹̯̙͜ͅ ̺̞̝͖̙͔ͅw̹͙̦̹̖͘h͉͈͜a̞̠t͏̘̝̳̦͔ t̥̠͇̩̰͈̖͢h͙̜̟a̲͙͎̦̹ͅt̲̲̪ means, but you SAV͕͖̯E͙͍.
>FILL IT WITH MOONLIGHT
You may be an incompetent ex-scientist, but you are pretty sure that filling a bottle full of moonlight is scientifically impossible.
>go home
You enter your cottage. It is the middle of the night.
>look for paper
You can't find any paper in the immediate area.
>look in the drawers
You look in the side-table drawer. It's completely empty.
>go to bedroom
You enter the bedroom. W̘̝̠͉͉̬͙͡a̺̪̞̞͝ị̧̦̭ṭ̢̠͔̝͍.҉̮͎̝̦̮͙̩.̘.͙͍͖̟͉
>check Eve's pockets
Your wife is wearing a nightgown. She doesn't have pockets. And ş̟̖̝͎͓͔̥i̝͓̯̹͢ṉc̞ͅe̢̤͇̜̞̺ ̣̬̜̙͔̺w̛̘h̦e̡̯̺̹̮̯̝n̥̟̻͖̳͡ ̣̞̰d̳̠̯̬̹̻͢i͇̲͔̼̲͕d̛̳̱̰̻̫ ͟y̢̥͕͔̦̼͙̙o̸̗̱̻u̹̖̭̥̘ͅ ̖̣̮̘̭̗̹h̛̞͓a̦͉ve͖̥̪̯̦ ̖͓a̩̟͖͠ͅ ̰b̗̼̬̖͜e̸d͉̝͇͚͞r͉͘o̷̬̹͎̠̻͕̙o̡m̢̲?͙̗͕̩͔
>check bedroom for paper
W̙̖̭̥h̭͍̯͕̯̰a͕͈̘̫̭͇̕ͅt͓̜ ̨̥̼̺̙b̙̭̦̘̩̭e̲͟d̳̰r̛̩͔o̲͕̻̪̳̠̞o͇m̵̹̬̳?̺̤̮̠̩̯̞ You only have a one-room cottage... r̳i̸̜͎g͍̦̙̫h̖̩͟t͍͍̱?̩̖̬̯͝
>check bedroom for paper anyway
You don't have a bedroom, but you check the area around your bed anyway. No paper.
>...............does eve sleep where she COOKS?!
Invalid command.
>CHECK IT.
Check what?
>Look at fireplace
Your fireplace is a pretty okay fireplace, if rather large. Eve sometimes joked that it was large enough to fit her. It still does its regular fireplace things rather well. Inside the fireplace is a thick layer of soil. There's something half buried in it.
>check cooking area for paper
There's no paper near the fireplace.
>check the buried item
You dig out the item. It... looks like a doll. You brush off more dirt and you find that it is a doll.
Most disturbingly, it looks like Eve.
>check doll for secret compartments
Your hands are shaking too much. You have the overwhelming urge to fling it back into the fireplace where you found it.
>resist urge
You resist... barely.
>examine doll
You examine the doll. It's made from good quality wood, and it seems to run on clockwork. But why does it look so much like Eve? From its sky-blue hair to its placid smile, it looks almost exactly like your wife. You don't remember making this doll. You don't know anyone who could've made this doll. You begin to panic, slightly.
>keep it.
>it will remind you of eve.
The doll unsettles you too much. You fling it back into the fireplace. It lands on the layer of soil with a small thump.
>remember the theories of sympathetic magic you heard and wonder if it has anything to do with this
You don't exactly recall the finer points of Magical Theory, as you are too busy worrying about where in the Hellish Yard did that doll even come from.
>GO OUT OF THE HOUSE
You leave your house. There is a GARDEN to your right, a SPRING to your left, and a PATH right in front of you.
>GO TO WHERE THE WELL WAS
You go towards the spring and you wonder where your well went. It was a good well.
>save first
Your missing well fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>FOLLOW THE SPRING INTO THE FOREST
You follow the spring into the forest, deeper and d̠̼͙̜̩̱̲e̖͖e̺͔̠p̶̞̮̳͇̞̻e͈͖̱̠͇͡ŗ. You follow the winding twisting flow of water, and you think you see a clearing up ahead. Excited, you run toward it.
You stumble into the clearing, and... there's your house. Ỵ̝o̸̱̯̜̜̤u̙͍̖̹̱̦ ͓͍̭̫̬̹a̫̗̟͔̰̳ͅr̲̪̬͈͇e̥͔̗͚̜̹̥͞ ͘r͈͙̹i͔̝̱̳g̫ͅḫ̶̺͍t̤̦̻̜ͅ ̙b̻͖̼̗̻͝ac͔͙̱̱̖̭̰k̡̺̜̜̙̪̥ ̹ͅw̨h͈͍̥͚̥͘e͏̭̖̘̤r̷ȩ̳͙̥ͅ ̼̖̕y͓͉͙̲͉̯o̫̘̲u̬̱͖̹ ̞̩s͈̹͚t̷̲̻a͍̰̭̬͠r̴̞̖̩̘t̠͈͍̻e̵̫̫̩̩̰̭d͉̪̻͎͞.̴̦͇̥͇͉
>WHAT THE FUCK
Invalid command.
>yell at the forest
You yell at the forest. The forest remains dead silent.
>save.
The illogical path of the spring fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>.........
Invalid command.
>look at the structure of the spring
At first glance, the spring seemed like a perfectly normal tiny natural spring, except the fact that it somehow replaced your well.
Now, when you attempt to study it, you very quickly begin to get a headache. How can that flow from that when that's over there? Your mind hurts everything hurts you cann̲̬̼͉̮o̤̩̬͎̞͟ṱ̹̣̲̳̤͝ ̷U̥̯̰̺̳ͅN̨͕̗̞̭D̡̘̜̟ER̻̯͚̟͘S̻̺̜̝͇̬̞͢Ţ͈̬̰͇̮̱A̩̣̥̕Ṉ̥̥̠D̜͎͞ ͚͎̥̝͍̘͡yo̲̜̙̻̭͉͎u̬̣ ͓̲̗̺c̨an̖͉͈̯n̡̺̬͎͚̯ot̷̤ ͏C̦̹̕O͉̘̖̲͘ͅMP̨̯̠̹̫̦͕̤R̰̩̟̰̙͉̬E̙͖͓̺͓͚̰H̠͓̬̣͍̥͘Ḛ̫̘͍̭̙
B͇̣̹A̯͚̜D̼̰ ͍͙̼̠͓͙Ḛ͈̲̣̤̹̣Ņ̮͇̥̩̖̱ͅD͏̭̬̹
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in front of your house. There's a GARDEN to your right, a WELL to your left, and a PATH right in front of you.
>follow the spring into the forest again. upon seeing the clearing, don't enter. look around the area.
W͎̺̰h̫̺a̸̖̩t ̹s̡̙̠̼̰̠p̫͢r̡̦̗̳̳i̠̤n̜͚̫̖g̨̻̠̠̤͙̲̞?̣͈̝̺̳ All you see is your perfectly normal well.
>go to the sea
You don't know how go to the sea.
Chapter 15: 4/24/17
Chapter Text
>remember what paths you know
You... you think you and Eve made pathways through the forest. Yes. You did. However, you don't remember writing them down, which was pretty idiotic as you're kind of bad with directions. Eve was better at navigating, as she had been here more times than you.
>scream
You scream. Disturbingly, your voice is the only sound that echoes through the forest. The only one.
>look at your house
You look at your house. It's gotten a lot bigger ever since you added that extra ro-
W̻̳̭̗a̪̱̖̱įt̮͙̥̬̰̘.̙̘̩͓̙̫͜ ̹̼̯͈̥͠
W͚he̶͓̱̣͖͚n͇͕̗͉̱̰̣͜ ̸̪̗̙̟̪d̫̣̣͜i̻̘d̳̤̺̦̦͚ ̭̗͔̬̺͉̪͘y̡̤̦̮͔̞ͅọ͓͍̗͔u͕̹̬͈̗͟ ̨̠̖̳͕̹̳ͅa̞̮̖̝͓̦̯ḏ͙̙̳̱̲d̢̠̖͈̳̭ ̗̬a̙̪̱̲̳̖ ͉̞̻͕̜̪ͅr̡̰̭̤̮̦̻o̩̤̝o̥̩͞ͅm̰̙̣̝̤?
>go inside and check
You enter your cottage. It is the middle of the night.
>check the inside
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a SIDE TABLE, and a BED that Eve's already sleeping in.
>check dinner table
You check the dinner table. You've already helped Eve clear the dishes from dinner. Now it's simply flat smooth wood.
>caress dinner table
You slowly caress the table's surface, admiring its rich dark color, its polished finish, it's-
H̝ey.̙
D̞̺̙̮̰̞i̱͇̖̖ḓ̻̹ņ̥͍͇̻̹̯̺'͎̟̹̥̟͠t̲̘͘ ͖͓̳͢y̶̳͖͚̘͖̘o͙͝u̱̠̞̜͍̰͢ ̣̙̞̤͈͡h̶̗̲̫̲̯̥̼a̷̟̪͚̲̖v̡̗̣̖͙e̘̰͈ͅͅ ̪̲̮a̡ ͔̣̺̠̻̲t̙͚͕͈͍͝a̛̫bl̞̤̭̳̖̩͈͞e̟͔̩͚̬c̗̳̲͕̥̞̖͢l̝̼̥̮̼͕o̰t̡̺̮̱͓̘̬h̪̥͙̹?̮̱̻
>what did you have for dinner
Invalid command.
>where did the bedroom go
Invalid command.
>cry
You cry at the loss at the tablecloth you never had. Or did you have it? If so, w̝͍̠̟ḥ̱̺̟͍e̢͍̮ŗ͈͈̝͇͙e̢ͅ ̳̼̞̰di̝͕̠̬ͅd͙͈ ̷̼̦i̖̠̱t̮͚̹͎͉ g͕͉̙o̟̳͕͕̥͜?
>check the bedroom
W̱h͍̪̘̼̳̼a͎̰̬t̼̲̺ ̸͕͙̝b̳̺̹̼e̙̭̱d̨̥̫̠̮̼r̢͙o̯̥͜o̠̯͕͎͚ͅm̬̞͙? Your cottage only has one-room, r̛̗e̸̬̜͖m̢͇̦̯̯̘e̹̱͈̝̞̻͝ṃ̲͔̞̰b͈ͅer͙͈?̦
>SCREAM
You scream, again. Your voice doesn't echo in your small cottage.
>SCREAM
You scream. Your voice is loud, but incredibly, Eve doesn't wake up.
>WAKE EVE UP
>"WHERE IS THE TABLECLOTH, DEAR?"
You try shaking Eve awake, to ask her about your missing tablecloth that never was, but...
No matter how hard you shake, Eve doesn't wake up.
>go outside
You leave your house. There's a GARDEN to your right, a SPRING to your left, and a PATH right behind you.
>....check SPIRIT DATA
W̪̰h̪͠a̢̟͙̙̱t̵͙̣̹̜'̞̙͘s͙ 4c 55 ș̶͔̮̞̹̜ͅp̷͙̠̙͙̦̯͕i͎̭͟r͙it̘̭̰ 4c 49 d̨a̮t̗̞̞̠̖͖̕a̹̙̥?̬̯̹ͅ 4c 41
>recall what happened yesterday
What happened yesterday... what happened yesterday... you... you... you...
It was an ordinary day. It was... normal. Eve... worked on the garden, yes. You were working on splitting that new tree you cut down.
But s̵̳̖̦̺͕o͉̝̘m̞̺̪̦͕e̵͉̜͉t̴̳̦̯͉̠͖͎h̩̣̼̯̺ͅi̻͖̼̳͘n̳͖̱̣̝͈̟g̥̝͢'͓̮̼̰͠s̸̩̯͖ ҉̞̲̞̯w̯̻̼̞̙̗͘r͔̟̘̻o̰̗n͇͚̫̜̣͞ͅͅg̺̙̮͓̙̝͔.̮̤̱ͅ
T̤̭̞̖̺͜ͅͅh͕̩̬͚̘ͅi̡͈͇̲͉̙ͅs̨̳̼ͅ ͔ni͚͕̫̺̞̯̲g̺̮ẖ͓̳͍̤͚͡t̺̬̞͇̭.͎̻̯͉̰̖̕.͢.̸̺ ͕̻̫͍̲͇̰yͅo̭̦͖͍͔͓͚͟u̱̺̹̻̼ ̼̜f̡̺e̷͎̘̙̯̹̝̺e̛͖̙l̯̠̲̘͓̯͍ ̴̮͖̥̗̲̖͔l̞̮͟ik̩͚̺͎̘͕e̩͍͚̗̼͚͇͡ ̣͎̪͎̬̹y̥̻̪͎̼̻o͉̰̺̭ư̰'̺͈̞̫v̧͉̯̘̙e̝͔̞̲ ̟̻͕̼̦͖ͅg̩̪̳o̟̗̲̮n͎̣͟e͍̟̦̩͚̘̣ ̝͇̰ͅṯ̺̰̹̮̰hr͝o̤̫̠u̵͕̩̙g͙h̩ ͎̠̤̼̘̣i̲̩͖̮͕͖̥t̙̯͍̩̹̣ ̧͓͉̹̹͙͍̟ḅ͚͝e̟̻f̳̫͙͕̠͈ọ̙̦͍̯͞r̖͍̼͕̻̩e̷͎̝̥̹̪̥̳
>4c 55 20 4c 49 20 4c 41
COMMAND PROCESSING ERROR: INVALID SYNTAX
>go to spring
You go to the spring. You swear there was a well here before. It's a tiny spring, flowing deeper into the forest.
>stare at the spring
You stare at the spring. It bubbles. It looks like a perfectly normal, if tiny spring.
>inspect it
You inspect the spring. It's a p͞e͓̟͚r̫͈̰̲͙̳f̰͚͎̣̱̖e͉͙̭̲̩̦c̞͈̮̹̪t̠̺̘̭̯ly̩ ̬̟͈͇̝n̳̣͔͔̰̺o͙r̙̤̭m͎̤̗̱͖ͅa̩͉̩ͅl̸̻̹͎ ͈̦̻͠sp͖͕r͓̗͎͙̘̤i̤̥͚͔̺n͇̪g͍̟͓̥̗.̦̼
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle
>be captivated by it
It's an adorable little spring, to be honest. Very cute.
>fall in to it
Fall into what?
>wash urself in spring
>be clean
You scoop a bit of water into your hands and splash some on your face. Refreshing. You hope that no one else has their own little tiny spring. You want this all to yourself.
>.............................
Invalid command.
>stop spinning.
You weren't even spinning in the first place.
>VOAR SEEDS
>just one (1) seed
You eat a tiny seed... a̤͉͉̤̜ͅn̺̖̕d̤̞̪̞̪ ̦͓̳̟̰͔̹i͚̯̱̣ͅm͉m͏͔̯̟͚̬ͅͅe̡͈̖͈̥͕͎d̗i̴̲͓̭͚̺a̼t͞e̝͈͓̣͖̮̺l͎͕̰̙y̶̜̹͎̝̹,̥̫̮͔̘̱̳ ̥̰̻̺̠y͕̪̹̭o͚̗͖̙̦͖u̥͉̝̼ͅ ͓͉̻̝͇̠͠w̟̗͔ͅa̪͕̳͍n̰̦̠̪͍͓̦t ͘M̸̤O̖͕͉̝̞̺͢ͅR̨͕̦̭͙̖̲̭Ḙ.̹͖̹̹
>put on the purple flower crown
>admire the purple flower crown
You take out the flower crown, but you are consumed by RAVENOUS HUNGER. You take the flower crown and shove it into mouth.
>EAT
>EAT MORE
>EAT A LOT MORE
>vore all the seeds
You tear at yourself, eating anything you can touch. Everything you have, you eat. The rest of the seeds, the box of matches, even the sketch of you and Eve. You take the glass bottle out, the final item you have, and bite.
The glass shatters in your mouth, and you swallow, lacerating your insides and causing blood to pour from your mouth and there's so much blood and know you're dying but you still want more you still want more y͖̣͕͖͚͓ǫu͙̘̯̦̤̠̦ ̠s̰̦͉͎̣͓͜t̠̠͢ͅi̻̮l̛͉l̻̞̱̦̯̘ w̢̙̳͚̻̩a҉͇̯͓̝͔͎n̫̲ṯ͎̲̟̦̲ ͖͚̠Ṃ̞̘O̸̖̤͍̰ _
BAD END
RESTART FROM SAVEPOINT? Y/N
>eat your save
Invalid command.
>n
>n
>n
79
ADMINISTRATOR OVERRIDE.
RESTARTING FROM SAVEPOINT...
You are in front of your house. There's a GARDEN to your right, a WELL to your left, and a PATH right in front of you. Your throat stings.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle
>GO TO WELL
You go to your well. You see the well that you and Eve dug when you first got here. You would've have liked to use the stream but it's just too far.
>LOOK AT THE MOON
You look at the moon. It shines, brightly. Almost too bright.
>EAT THE SOIL
You take some dirt from the ground and shove it into your mouth.
BLUUUUUUUUUUUUUUUUUUUUH.
It s̙̻͠ͅt̟͕i͍͕̩͈̜͔̕l͎͉̦̝l͏͕̜̣̩̱̩͈ tastes as disgusting as it looks.
>....where is thy spring?
Invalid command.
>where is the moonlit spring?
Invalid command.
>eat dirt in despair
You're not willing to try that again.
>scream
You scream. Again. With all the screaming you're doing at this rate you're voice is going to get hoarse.
>feel greedy for a spring
Why would you, when you have your nice well right here?
>eat the moon
You cannot eat the moon. It's too far away. You're better off eating cheese instead and pretending it's the moon.
>GET ANGRY AFTER LOOKING AT MOON
You are not angry. You're very confused, tired, and in dire need of an explanation.
>collect moonlight in your glass bottle
You may be an incompetent ex-scientist, but you're pretty sure doing that is scientifically impossible.
>think about getting a spring so you can relax and bathe in it
How on earth would you even get a spring? It's not as if you can dig one up and bring it over to your house.
>close your eyes
You close your eyes. With the forest being dead silent, the only thing you can hear is your breathing and heartbeat. You are terrified enough to immediately open them again.
>open them and examine spring
What spring? Right there is your wonderful trustworthy we-
There is now a spring right in front of you. You are baffled.
>peek inside the well
Your well is gone.
>enter the spring
It's so small, it only comes to your ankles. You step in it, anyway.
>bathe and cleanse yourself
You wash your feet in it. Your feet are much cleaner now. You're not really inclined to wash the rest of you.
>GET YOUR BOTTLE
>COLLECT WATER
You take your bottle and fill it with spring water. You now have a GLASS BOTTLE FILLED WITH MYSTERIOUS SPRING WATER.
>drink some organic 100% natural spring water
You scoop some water in your hand and drink. It's actually quite refreshing. You feel a bit lucky that you two, and only you two, now have this wonderful spring.
>enter your cottage
You enter your cottage. It is the middle of the night.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a CRIB, and a BED that Eve's already sleeping in.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
>examine crib
W̠̻̗͇ͅḩ̹̦̙̩͖̤a̛͉̣t̝͝ ̮̟̤̤͘ͅc̢͎̮̟͉r̺i͎̪b͝? You don't have a crib. Why would you even need a crib?
>save
Your simple home fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>look in crib
>shakey shakey the crib
Y̮͜o̮͍ṷ ̼̬ͅd̟̤ͅo̮͕͉͍̗ ͏̞͖͍n̼͞o̤̳̦̠t̞̤ ͈̗h̝̣̗̭̹a̺v͏͉̻͎e͚͉͙ ͘a̰͇̙̬͙̜ ̪͎͖̦̮c̦͘ri͏͎͉̞̠̮͓̟b̟̗̭.͍
>rock a bye baby
Invalid command.
>check fireplace
You check the fireplace. Your fireplace is a pretty okay fireplace, if rather large. Eve sometimes joked that it was large enough to fit her. It still does its regular fireplace things rather well. Inside the fireplace is a thick layer of soil. The wooden clockwork doll is still there, right where you had dropped it. You shudder involuntarily.
>take the doll
>TAKE IT, YOU COWARD
You... you can't make yourself take the doll. It unsettles you too much. You're just going to leave it in the fireplace where you found it.
>close your eyes
You close your eyes, just so you don't have to look at the doll. You can thankfully hear the sound of Eve breathing along with you.
>collect fireplace soil
You wonder why your fireplace is full of soil instead of ashes. You take a HANDFUL OF SOIL.
>GO OUT OF YOUR HOUSE
You leave your house. There is a GARDEN to your RIGHT, a WELL to your left, and a PATH right in front of you.
>close your eyes
Your eyes are still closed. You can no longer hear Eve, as you are outside.
>open your eyes
You open your eyes. There's GARDEN to your right, a SPRING to your left, and a PATH right in front of you.
>peeeeeeek in well
Your well is no longer there. Again.
>FOLLOW YOUR SPRING
>STOP AT THE END
>GO BACK.
You follow the flow of the spring, winding deeper and deeper into the forest, when suddenly you see a clearing up ahead. Excited, you run, about to stop just before you enter, but when you are halfway there you put your foot down...
A͢n̟̠̲͜ͅd̡͎͔͍̫̤ ̱͔̪y̫͔̕o͔͢u̞͙̫͕͜ ̷͎̠̱̰f̲̗͔̦͕͔a҉͉̩̗̙̖̬̰l̛l ͖͎̭͚̼th̪̺̻̝r̪͞o̟u̢̯̤̯̹̗̞g͇͇͟h̸̭͎̼̺ͅ ̗t̫h̩̘͠e̘̯͈̠̼̩̹ ̶͖͍̜͔̲f̘͈o̶̞̜r͚̻̘̜͚͎͎e҉̺s͎͎͉̱̳̮͞t̺͔͇͎̬̩̱͟ ̹̠fḻ̗͔o̭͚̯͕͔̹͈o̼͈̯̼͙r̦.̨̰͚̩̖͖̫̩
The next thing you know you are falling down... down... down... gaping as a massive gray ceiling gets further and further away as you fall through an incomprehensible black void interspersed with white grid lines.
>scream
As you fall, the only thing you can do is scream, and scream, and s͇̦̹͠c̱̬͙̼͙re͖͞ą̠̬̯̣̠̘m͝,̮̼͓̪ ̩̜̙̞̟̮͖a̜̤n͚̟͓͝d̬ ̮ș̻̟̦̠͓c̼r͈͍̠̳͙͍͢e̻̳̲̲̫̰͞
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in your cottage. It is the middle of the night.
>go out of house
You leave your house. There is a GARDEN to your left, a WELL to your right, and a PATH right behind you.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
>file bug report
You left filing reports all the way back in Levianta. And even if you wanted to file another report, there are no bugs to speak of. You can't even hear crickets. The forest is dead silent.
>check if your house still exists
Your house is still there, in front of you.
>massive consumer complaints.
Invalid command.
>GO TO THE PATH BEHIND YOU!
Into the forest you go, deeper and deeper. The moonlight is bright, illuminating the paths that you and Eve made. From here, you can go NORTH, EAST, WEST, or SOUTH, back where you came.
>HAVE DETERMINATION AND HOPE
You are more than a little terrified now, to be honest. But you will not give up. You will not despair.
>cry
At least, that's what you tell yourself as tears are streaming down your face.
>save
The deathly still forest fills you with DETERMINATION, crying as you are. You SAVE. You're not sure what that means, but you SAVE.
>zetsubouuuu
Invalid command.
>FOREVER NORTH! GO ALL THE WAY NORTH!
You go north. From here, you can go NORTH or SOUTH.
>north
You go north. From here, you can go NORTH or SOUTH.
>keep going north
You go north. From here, you can go NORTH or SOUTH.
>north
You go north. From here, you can go NORTH or SOUTH.
>NORTH
You go north. From here, you can go NORTH or SOUTH.
>KEEP GOING NORTH BARA BOY
You go north. From here, you can go NORTH or SOUTH.
>all the way north til you have no more junctions!
You walk. And walk. And w̵a̼̤͚̜̞l̠̤͓͔k̢͔̤̯̯.̹ The path just keeps going.
From here, you can go NORTH or SOUTH.
>nord
Invalid command.
>....n-north.
You go north. From here, you can go NORTH or SOUTH.
>northwards, banana boy...
You go north. From here, you can go NORTH or SOUTH.
>stop
You stop walking. You're exhausted.
>....look behind you
You turn around. There's the clearing with your house. Just a few paces away.
>scream
You try to scream, but nothing comes out. You've gone hoarse.
>north
>KEEP RUNNING NORTH
>WHILE LOOKING BEHIND YOU
>RUN WITH YOUR BARA STRENGTH AND SPEED
You run backwards, keeping an eye on your house as it gets further and further away. Suddenly, you trip on a branch you didn't see and fall backwards, smashing your head against a rock and dying instantly.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the middle of Held's forest. The moonlight shines brightly above you. From here, you can go NORTH, EAST, WEST, or SOUTH, back to your cottage. You have a headache, for some reason.
>west
You go west, and you find yourself at the EAST END of the OCEAN. The water is completely still, and you can’t see even a single ripple. From here, you can go EAST, into the forest, or along the shoreline to the WEST.
>save
The sight of the utterly still ocean, creepy as it is, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>look at the water and see what color it is. is it reflecting the moon?
As the water is completely still, you see that it forms a perfect mirror reflecting the sky, the moon near to the horizon.
>walk through the water, but not too deep in
You enter the water. For some reason, you don't see a splash, but you hear a disproportionately loud splashing noise as you enter the water. You stop once you're shin-deep. Everything is still.
>well, you can always uh
Invalid command.
>look for a container
You can't see a container, but you think you see something glinting in the moonlight, somewhere in the sand.
>empty the BOTTLE OF SPRING WATER into the water and collect the sea water
You take out the bottle of water and turn it upside down to empty it out, but...
The water doesn't pour out. You even give it a few shakes. The water doesn't pour out.
You turn it right side up again and give it a swirl. The water moves inside. Strange.
>go to that glinting object in the sand!
You go to the glinting option in the sand. On closer inspection, it turns out to be a shiny YELLOW GEM.
>name that BOTTLE OF SPRING WATER 'eve'
It's a bit strange to use your wife's name for something as simple as a glass bottle, so you decide on a derivative name. Eve... Evan? Evian? Alright. Evian the Glass Bottle it is.
>TAKE THE GEM
>TAKE THE GEEEEM
You take the gem. You now have a SINGLE YELLOW GEM.
>go east and back home
You go east... and find yourself in a HELD'S CLEARING. From here, you can go NORTH, SOUTH or EAST.
>what
What.
>look at held
You look at Held. The large tree doesn't do anything, just as a regular tree would do.
>save
The holy tree fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>THROW THE GEM AT HELD
>THROW EVIAN WATER AT HELD
>THROW SEEDS AT HELD
You throw the gem at Held, but before it can even hit him multiple octopus tetacles emerge from the foliage, wrap around your limbs, and t̵̲̲̳̯͚ea̖̘̥̳ͅr͏̤̟͍̤ͅ ̵y̭̩̟͚̪o̢ṵ̞̪̯̦͘ ͖a̤p̺a̩̟͇̦̝͝r̬̥t̜̟̙̰̱͉.̜̭̗̲̣͟
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. Your joints hurt.
>sit down
>rest your joints
You sit down to rest. You try to massage your own shoulders, to ease the throbbing.
>monologue
You try to speak, but your voice has gone silent from all that screaming. You settle for thinking instead.
>ponder
You try to think about your situation, but you're not really sure about anything anymore. Something is wrong. Something is very wrong, and you don't know why.
You have a feeling it's going to be a long, l̴̩̰͖on̯̰g̤̱̕ͅ night.
Chapter 16: 4/30/17
Notes:
(See the end of the chapter for notes.)
Chapter Text
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
A single yellow gem
>pour water on the god tree
You attempt to pour water on the large tree, but, just as what happened at the sea... the water simply refuses to leave the bottle.
>sing to the tree
You, feeling more than a little reckless, begin to sing to the tree in your horrible singing voice, simply to fill the silence. You eventually you'd take total silence over your singing voice, so you stop.
The forest doesn't react at all.
>LOOK EVIAN, STOP ACTING LIKE A BITCH
You know you should stop acting like a bitch, but you aren't exactly sure how to look "evian". You ponder for a little while, then just curl up on the ground in the fetal position, trying to channel the look of being a small glass bottle. You think you look pretty Evian right now.
>lie down under held
You're already doing that. You're even in the fetal position.
>grab a handful of dirt!
You make to grab a handful of dirt from the ground, but then you notice something's... wrong... with the ground. It seems... unnaturally smooth. And uniformly brown. You try to touch it, and... it doesn't feel like dirt. It doesn't feel like anything at all.
>TAKE THE DIRT
>FEEL THE GROUND
Panicked, you feel the ground again. You wonder what you were thinking then, because the ground seems p̡̯̜ȩ̮͎͙͖̣̰̠r͡f͢ę̱̟̪̠̻̰c̫͓̖̞̖͘ͅt̡̫̬̣̹̰̬l̮y̟ ̞͖̭̲n͉̺̜̙o̠̝̜͇r̪̯̫͚ma̳̗̠̰͝l̗͕̺̭͘.̞͍̣̯̻ You take a HANDFUL OF DIRT.
>save
Your unusual relief in seeing perfectly normal ground fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>kick the tree god
>THEN KICK THE EVER LOVING SHIT OF HELD
You then get up, and make to kick the tree, but before your foot even reaches the trunk, ropes suddenly emerge from the foliage, wrapping around your body like snakes. One aims for your neck, and strangles you, slowly and painfully.
BAD END.
RESTART FROM SAVEPOINT? Y/N
>4c 55 20 4c 49 20 4c 41
COMMAND PROCESSING ERROR: INVALID SYNTAX
>01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001
COMMAND PROCESSING ERROR: INVALID SYNTAX
>examine save file
Invalid command.
>settings
Invalid command.
>114 125 114 111 114 101
COMMAND PROCESSING ERROR: INVALID SYNTAX
> .-.. ..- .-.. .. .-
Invalid command.
>lu li la
Invalid command.
>ルリラ
Invalid command.
>73 69 6e 67 20 6c 75 20 6c 69 20 6c 61
COMMAND PROCESSING ERROR: INVALID SYNTAX
> AH-JAD SHI-DA DIBEH-YAZZIE TKIN BE-LA-SANA
Invalid command.
> LXXVI LXXXV LXXVI LXXIII LXV
Invalid command.
>sing lu li la
Invalid command.
> sing(lulila)
Invalid command.
>lu li la mode
Invalid command.
> sing ()
Invalid command.
>debug mode
Invalid command.
> SCREAM INTO THE EMPTY VOID
Invalid command.
>load
COMMAND PROCESSING ERROR: INSUFFICIENT PERMISSIONS
> grab a handful of dirt!
Invalid command.
>exit game
Invalid command.
>no
Invalid command.
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. Your neck hurts.
>return home
You suddenly realize y̡̯̙o҉̼͚̬u̩̪̦̻ ̘d̗͇̱̱͞o͙̤̜͡n̸͉̙͙̮̯͇̣'̴̺̹̭͚̜ț͈̭ ķ̯̱̼ṋ͚͎̗͠o̞̝͚̮͘w̬̻͉͠ ̙̮͙͉̣͚t̺̗͚̫̱h̢͔̙͙̜̳̬e̪͙ ҉̤͕̬̘̣w̯̹̺̺͟a̘̪̟̣͔̖y̲̝̦̜͘ ̳̹͇h̛͍ơ̰̺̱͈̮̗m͝e͙̭͎̤̺͚ͅ.̷. From here, you can go NORTH, SOUTH, or EAST.
>clockwork lullaby
Invalid command.
>look
You look around the forest clearing. The entire place is utterly silent. Vaguely, you know you should feel a holy presence. You feel nothing at all. The place feels... empty, somehow. You shiver.
>south
You go south. A bear suddenly appears in front of you and b̬̠i͇͖̯͈͚̭̗͡t͙̘͎̮͙͔̦e̻̬s̷̙̜͈̬͓ͅ o҉͉̤̦͕̤̜f̪̮̘͖f̡̩̱̻̱͚ ͔͙̜̖̪̠y͖͙̖͡ͅo̹̪͚̦̘̜̱u͈r̴ ̼̟ͅh̦̺͍̳̲͙͢e͟ad̘̟̩̪͜.͢
BAD END.
RESTART FROM SAVEPOINT? Y/N
>clockwork lullaby
Invalid command.
>ESC
Invalid command.
>F1
Invalid command.
>6e
COMMAND PROCESSING ERROR: INVALID SYNTAX.
>bHVsaWxhDQo=
COMMAND PROCESSING ERROR: INVALID SYNTAX.
>41 44 4d 49 4e 49 53 54 52 41 54 4f 52 20 4c 4f 47 49 4e
TO LOGIN AS ADMINISTRATOR, PLEASE INPUT THE PASSWORD. ONLY ONE ATTEMPT IS ALLOWED, OTHERWISE YOU WILL BE LOGGED IN AS A GUEST. INPUT PASSWORD:
>4c 55 20 4c 49 20 4c 41
INCORRECT PASSWORD. ABORTING ADMINISTRATOR LOGIN...
PAUSING CURRENT SIMULATION...
LOGGING IN AS GUEST USER...
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>1
LOADING SYSTEM PROPERTIES...
BlackBoxOS Version 3.19
(C)Copyright 2339 TwilightTech Corporation. All rights reserved.
Processor: Vergylon HeptaCore(TM) m7-1913 CPU @ 1.97THz
Installed Memory (RAM): 31917 Tb
System Type: 2048-bit Operating System, x2048-based processor
Total Hard Drive Capacity: 900 PB
This OS was custom-made for the custom BlackBox unit on the Climb One spacecraft, flagship of Project Noah. (CLASSIFIED)
This custom unit is capable of recording and archiving of multi-sensory environmental information, or World States(tm), multi-layer simulation playback, and transport and temporary storage of digitized human consciousness, or Spirit Data(tm).
PRESS ANY KEY TO RETURN TO MENU.
>4
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>4
LOADING ALL RUNNING SIMULATIONS...
LAYER 1:
Y291cnQ=.sim
LAYER 2:
YWRhbV91dG9waWE=.sim [CURRENT]
bHV4dXJpYQo=.sim
aW52aWRpYQo=.sim
c3VwZXJiaWE=.sim
YXZhcml0YQ==.sim
Z3VsYQo=.sim
aXJhCg==.sim
PRESS ANY KEY TO RETURN TO MENU.
>_
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>2
LOADING SYSTEM STATUS...
Used Space (All drives): 899 PB
Free Space (All drives): 319 TB
MODULES:
Audio Input/Output --------------------------- ONLINE
Command Input -------------------------------- ONLINE
Command Log Archive -------------------------- ONLINE
Multiversal Receiver ------------------------- ONLINE
Multiversal Transmitter ---------------------- ONLINE
World State Recorder ------------------------- OFFLINE
World State Archive--------------------------- ONLINE
Simulation Playback -------------------------- ONLINE
Current Active Playback Layers ------------- 2
Current Active Simulations (All Layers) ---- 8
Spirit Data Storage -------------------------- ONLINE
Files Currently In Storage ---- [ERROR: CANNOT BE RETRIEVED]
Spirit Data Transmitter ---------------------- OFFLINE
CURRENT SIMULATION:
YWRhbV91dG9waWE=.sim
SAVED SYSTEM STATES FOR CURRENT SIMULATION:
B:\System2048\states\state0 [ADMINISTRATOR-ONLY]
B:\System2048\states\state1 [ADMINISTRATOR SETTINGS: LOAD ON “DEATH”]
NOTIFICATIONS (Most to Least Recent):
[??/??/????] Error in YWRhbV91dG9waWE=.sim: Lag in loading "ground" texture.
[??/??/????] Error in YWRhbV91dG9waWE=.sim: Collision failed to load at x=31, y=7, z=91.
[??/??/????] Error in YWRhbV91dG9waWE=.sim: Location data has been corrupted.
[??/??/????] Error in YWRhbV91dG9waWE=.sim: Unable to load certain audio assets.
[??/??/????] WARNING: Data corruption detected in the SIMULATION PLAYBACK and SPIRIT DATA STORAGE modules. System integrity now at 19.317%.
PRESS ANY KEY TO RETURN TO MENU.
>3
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>3
WARNING: DATA CORRUPTION DETECTED.
READOUT MAY NOT DISPLAY CORRECTLY.
WOULD YOU LIKE TO CONTINUE? Y/N
>y
L̲̩̻̤O͍̺̻̱̩̜̝A͙̞͇̦̤̹Ḓ̳I̜̖͔N͎̝̪͎͇͚̱G̘̖͔͙̝̝̕ ̩͉̝͎̥S̲̤̖̝̝̙P̷̹ͅI͔̦͉̣RI͎͓͎̠͖̥̗T̞͕͉ ̛̙͈̬̫̲DA̫͙̞T̵͔̯A̺̱͇͓̤͍͇̕ ̴̙̺̹F͎͖̼͉͚̳ͅI͓̹̙̬̱̱̥Ļ̩̗̯̟͇E̻S͈̘̤͉.͖̣.̻̩.͖͙ .̺̱̣̤̝̤͍͖ͦ̈́̈
FILE NAME SIZE
Y̵͇̜̞̤͚̬̯̳̗̣̻̙̺͖̹͘͜ͅW̢̡̥̣͚̞̤͉̹̣̗̙̩̟͖̥̮͘͜R̨̢̛͎͚̝̦̣̟̠̭͙̞̦̠̖̹̘̲̹̘h̡̦̘̜̩̭̬̘͕̳͍͚͕͕̲̹̭̤̳b̵̤͉̖̱̠̗̩̞̲̰͇̭͙W͜҉̝͉̳̯̙̤̼̟̪̟̻̩̟̳1̷̮̻̩̞̙͍̥̖͖̯͉̕v̩͍͉̦͙͘͟͡b̢̤̠͉̫̖͈̠̖̩̣̣̫̬̮̥̹ͅͅ2҉̴̮̺̯̰ͅ5҉̺͕̼̭̙͍͓̜̱͓̹̲̕ş̶̡̹͙̺̹̪̬͟ḁ̵̴̪̱͙͚̠͙̩̲͎̠̦̙̤ͅX̷̢̡͚̣̣̫̠̖̜̩͓͎̼̱Q҉̡̰̣̲͇͉͚̕͡=̴̡͏̫͙̬̞͇̹̝͙͈̘͈̫̟̣͍̝ͅ.͇̯̗̳͇͖͈͉̺̞̪͈͍̳̗͉̦̹͞s̸̯̺͚̤͇̹̗̣̠̞̟͙͡p̸̸̠̟̫̘͚̻̹̝͇͇̞̙̦͍̪̣̰͢͠i̷͙̻̪̦̱̺̟̺̕͡ͅd̴̸̡̝̬̤̭͕̺̱͘͞ 7TB
̨̨̬͎̗̻̜͉͠ͅZ̸̴̴͕͕͔̟̖2̛͝͏̞̞͔̠l̡̠̬̹̳̻̺̳͠s̷̭̼͍͕͉͖͎͍̩͜͢͡b̛̙͍̤̖͉̠̠͉̥͝͡͝͝G̨̡͙̲͉̺͚̹̥̲͚̳͉͞V̩̘͕̤̲̞͕̱͙̭̜͉̯͟͝͞z̶҉̙͖̩̺͚͈̬̻͕̗̰͟e̖̗̬̼̫̫͡͠ņ̲̲̱͔̼̣̱̤̯̣̪̼̞̞̜̼͜͟ͅZ͚̟̙̦̻̗̣͕̟͇̘̞͕͕̗̲͝ͅļ͓̮͓̪̯͓̮̹̫͞.̡̡͇̬͖̠̪̹̳̬̬s̵̺̫̬̼̱̺͈̭͖̣̗͟p̴̛͓̲̲̱͈̝̟͖̩̳̹̫̩̥̜̹i̶̹̠̜̻̺̝̬̘͇̘̞͡d̶̵̜̫̠̙͔̱̟̼̘͖̼͎̲͉̞̘͝͞͠ͅ 8TB
̴̧̲̙̗̦͎̼̫̬͕̬̯̟̩̘̹͉̝̟͢ͅb͏҉̵͙̣̱̣̬̻͖͙̟͟͡W̴̧̜̤̪̟̯̝̺̳̰͘͟F͏̺̻̬̳̥̮͙͎̼̯͙̰̺ͅͅy͏̢̢̲͔̙͕͢ą̛̹͇͈̬̭͚͈̲̝W̧̮̹͓͍̤̰͝ͅV҉̹̟͍̦̳͙͎̯6҉̨͓̘͓̹̟͚̻̘͚̲Z̸̛͕̫̜̬̼̘̱̙̻͚̖̩͖̞͓̻͎G̴̢̣̟̘͕̩̜̪̺̙̳̩̕E̸̶̝̻̠͇̹̫͍̬͔͚̘̭̫=̢̡̣̤̘̣̟͖͓̹̣͎̩͍͉̗̕̕͝.̢̲̮̘̘͓͖̘̭͉̟̻̳̗͞s̡̢̟̪̟͔͙͓̗͉͕̥̣p̸̗̳̗̣̹̟̰̮̖̙̪̩̗̘̰͍̝͠i͔̩̝̖͎͡d̨̗̜̺̱̹͢͞͡͡ 8TB
̛҉͞҉̵̗̻͍̙̬͙͎̮̜̳͕̻͍Y̴͞͏̷͖̦̙̼ͅͅm͖̰̼̺͜͝͠͞F̵̗̞̥͇̝̻͙͙̺̘͕̫̗̜͇̺ͅṷ̴̖͍̞̘̟͖̝͚͉͎͠ͅa̷͢͏̢͖͙͈̹̕ͅW̷̶͕̣͖̖̣͚͖͙̝̹̭͟͡N̛͎̖͍͕̼̤̻̦̘̪̟̯̯̳̥̰̲ͅh͇͙̭̱̹̠̭͍͎̠̲̠͙ͅY̧̛͉͇̗̱̟̘̦̼2̢͠͏̤̪̼̯̦̦̬̬̪͙̦9͘҉̴̛͈͇̠͔ư̢̭̘̟͚̼̹̻͔̬̩̬̳̣͈̘͟͢Y̷̧̠̖̫̗̗͈͔̟̣̖̱2̷͕̖̟͕͘͟h̥̩͖͓̗̘̪̫͖̬͎̜̘͈̰͙̲̭͠͠p҉̨̛̼̗͕̻͙̝̰̗̼̹͟d̵̵̫͓̲͈͚̤͓̼̙̟̫̼̙̬͈̤͟Ģ̷̶͏̭̞̟͇͍̮̝͙ͅF̨̰͓̦̠͚̜͜v̷̸̸̠̺̦͙͙̕ḇ̸͙̣̣̠̝̣͚̣̻̥̻̮̞̗̦ͅm̧͜͏̡̳̟̼̩̻̝w̷̴̡͈͚͕̩̯̹̭̮͓̞͈̞̟̠͕͈̕=̴͎̪̙̩̻̜͕̩̣͢͢.̸̴͏̪͔̝̮̲̳͎͎s̶̢̛̲̞͍̰̠̖͝p̶̰̮͙̥̹̠̩̰̘̼̗̠̮̖̮̝̝̹͘͜į̷̢̧̱͙̘̥̩̥̤̬͕̗̠̦̤̳͓̝̥͉͝d̶͍̳͍̫͙͎̮̬̞̮̣̪̹͕̪̙̯̕ͅ 8TB
̶̶̱̹͈̪̱̟̥̳̮̹̜̳͚͍̩̥̘͞c̶̢̨̙̖͕̥̮̞̟̘̘͖̟͎̱̮͜ͅm̛̪͎̪̪̗̝̬̺̜̙F̸̡̧̼̻̞̞̼͈̼͎͕̺͚͘ơ̵̛̤̩̠̩̦̖̬̠̙͎̱̱̙̦̳̭͔͡Y̴̴͏̬̹̻̘̠̪͇̙̼̬̭̙͘ͅW̱͙̗̲̥̤͙͈̤̞͓̬͠͡J̸̕͘͟҉͚͇̭̜̩̰h҉̗̖̰͙̠͎̟̫͚̜͜ͅc̶̢̰̗̯̖̲̞̘̗̯̘̞͜ͅm̵̢̭̥̪̱̫̳̻̰͉͢l͙̣̠͔̙͓͟͠͡z̷̨̨͘͏̳̺̬̝͖͈͕͍̖͙̺̟̤̙̟̭̥b̸̬̭̺͚̗̭͎͟͡ͅ2̨̨͍̫̪̗͇̺̳̗̬̲̠̼̻ͅx҉̬̺̝͉̬̠̤̭̗̩͕̳̗̹̹t͏̶̵̧̭̭̲̰b̴͖͔̺̪̬̘̟̖̝̻̙͈̝̬̗͜͡ͅw̟̻̖̪͔͎̯̙̤̗̻̤͕̹̫̜͕̕͡͠=̴̨͍͓̦̻͉̫̤̜̱͍̲͇̣͝=̪͙̰͍͜͝.҉̷̡̠̣̩͙̦s̨͘҉̸͍̪̫̬̠̮̝̭͇͚̩͖͔͇͎͘ͅͅp̶̭̖͎̮͔̯̳̝̫̬̟͟i̢̡̖̥̘̦͎̥̺͉̩͔̠͎d̷̞̹͉̠̮͖͔̟̳̜̦̤̯̫͓͜ 8TB
̵̪̻͖̺͕̝̭̗̣c̴̶̸̨̩̜̠̝̝̝̯̞̖̠̩͇ͅ2̡̢̢̞̩͉͓̹͇̯̭̝̙͈͇̝V̵̭̗̰̜̯̦̭̘̪̦̞̙͈ͅ0̡҉҉̸̯̠̻̗͎̫̭̦͙̪̫̙͖̲̥͙a̛̲̮̗̼͉̗̞͔͎͢Ḫ̯̞̰̲̪͙̗͚̰̗͔͞͠R̨͏̛̲̤̤͍͕͈͚̺̰͕̥̟̯ͅ3̴̛̮̭͈͇̲͉̠̦̬̣̻̱̫̦̫̯̜̼̕͞a̴̝̞̖͉̗̱̞͓͝͝X̧͞҉̠̩̹̝͖̟̘̫J̢̢̧̝͖̻͔̰̹͍͙̳͎͖͝͠ͅp̸̠̼̳͉͔̺̥̞͉̥̺̩̥̯̝̗̠͘Z̛̹̟̦͇̱̭͜2̥̣̬̭͈̖̼͍̭̘̥̬̟̩̦̟͡h͏̵̖̰͙̳̖̝̣͍̣͔̪̝ͅ0͕̭̝̮͙̠̗͉̭̰̱̞̱͎̟͇̤͡͡a̡̛̰͍͓̣̜̮̥͠ͅX̛̘͈̜̙̜̮̝̪͢͡Q̸̢̰͈̺̺̮̮̮̤͢͞=̵̧͉͙̳̰͎͢͟.̶̢̘̱̱͇̜͙̠͕̟̤̥͈͇̩̰͎͘͞s̴̷͔̠̩̻̗̪͝p̸̶̨̖͈̼͔̲͢i̷̶̡̻̺͇̱̝̫̯͈̘̗̱͍̖͎̰̜͓͘͞d̲̝̯̣͕̝͓͉̗̥̹͖͙͓̘̯͘̕͠ 8TB
̴̢̥̤̱̟̻̥̟̖̱̱͖̥͕͔͈ͅc̸̩̦͕͇̜͍͔̲͔͉̩̩͚̘̱̝͠ͅͅ2̸̛̜͔̤̲̕͘͞F̗̘̺̟̣̕͡ͅs̶҉̴҉̙͓̫̰̼͍͕͕̬̳̮̥͕̪̼̫͔̗ͅZ̧̩͎͓̜̟̗̦̣̘̱̦͉̬͖͕̹͢W̜͍̘̟̜̻͓̹̦̮̠̞̟̘͉̟͈̺͡͠1̢̬̠̤̥͚̬̭̜͎̠̬̘͈̝̺͖̕ͅ2̡̮̟͈̬̬̣̦Z̷͉͓̠̠̳̙͘Q̡̧̨͖̤͖̤̲̙̞̫̤̖͎͍͍̩̣̬̕͜=͉̞̗͕̭̼̟̺̻̠̠̤̠͙͎̜̗͠͞=̣̦̲͈͕͔̫͇͘͢.̸̪̤͇̰͙͔͕̣̖̲̲͜͞͝͡ș̬̣̮̜̯͕͚̘̪͠ͅp̴̼̘̞̦͈͟͠͡i̖̜̮͙̜͇͔͓̥͓̣͇̖͉̘̥͝͝d̨͏͕̦͎͙̻̬̙̗̲͔̙̪̘̼̻ͅͅͅ 8TB
̸̵̧͓̹̬̪̱͎͚̱̪̥̹̱͇̻̙̫̦̮͟͜Z̴̟͎̼̻̦̳͍͢͝Q̻̫̜͇̭͜͞=̛̛̜̠̗̩̪͉͚͓̫̰͓͖͔̰̞͖̩͘=̵̷̪͓̼͇̝͝.̷̩͎̰̲̳̘̥̹͟͠s̶̴̛̛͔͕̹̟̖͚̮̰̭͕̮̞̕p̴͏̭̲͚̩̖̥͉̗̩̪͙̪͔̣̦ͅi͘̕͏̭̖̯̳̲̹̻̘̞͇͎d̢̲̤̥͙̕̕̕͠.̸̜̞͓̬̺͓̩̺͍̪̪̩͔̝̝͜͜͝ͅp̴̢͜͞͏͇͉͓̦̫̻̮̩̼̤̟͖̤̰̦̖ͅa̴̞̱͖̳̩̭̱͇̺͝ͅr̟̗̤͈̟̝̠̭͢ṱ̤̫̖̖̼̯̮̫̪̺̻̣͈͘͞͡ 1͓͈̤̬̱͟T̥̻̗̼͚̫B̭̜
P͕͎R҉̪͉E̗̠̖̹̮͢S͢S̩̦̫ ̭Ạ͓͙N̴̞͚̹̼͎̳̜Y̦̯̼̣̫͞ ̟̺͉̖̰K͇̘͓E̙̱͈̘̬̱Y ̣̰͍̱̜̩T̮̲̻͖̳̦O̥͈̖̤̗̦ͅ ̛̱R̨͎̪̣E̪̬̪̰͇̜͘T̛̻̫Ṵ͔̮͠R̷͍̫̟͕̜̦̦N̖̱͖̹͈.̙̣̫͙̳̰.̸̫͙̳̲̠.̻̮ ̷̞̥͎̰̎̐͗͑̿̉̏͒̉̕͞.͈̜̼͍̳͍̣̣́̍̌̐͌͊̄̐.̂̈̏͌̆́̾҉̩̮̮͍̱̳.̘̔́͆.͙͉̤̹̰͖̫͗ͅ.̨̺͚͖͖̮̐ͤͫͤ̆ͥ̂͌̚.̳̯̠ͥ͋ͣ̇̌͝͠
LOADING MENU....
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>ZBBAYVG ORNE
Not a valid option.
>7
TO MODIFY SPIRIT DATA, PLEASE INPUT AN ADMINISTRATOR PASSWORD:
>ZBBAYVG ORNE
INCORRECT PASSWORD.
77 68 6f 20 61 72 65 20 79 6f 75
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
77 68 61 74 20 61 72 65 20 79 6f 75 20 64 6f 69 6e 67 20 68 65 72 65
>7
TO MODIFY SPIRIT DATA, PLEASE INPUT AN ADMINISTRATOR PASSWORD:
77 68 6f 20 61 72 65 20 79 6f 75 20 77 68 6f 20 61 72 65 20 79 6f 75 20 77 68 6f 20 61 72 65 20 79 6f 75
>41 64 61 6d 20 4d 6f 6f 6e 6c 69 74
INCORRECT PASSWORD.
6c 69 61 72 20 79 6f 75 20 63 61 6e 74 20 62 65 20 68 69 6d 20 79 6f 75 20 63 61 6e 74 20 62 65 20 69 74 73 20 69 6d 70 6f 73 73 69 62 6c 65 20 79 6f 75 20 61 72 65 20 6e 6f 74 20 68 69 6d
74 68 65 20 73 79 73 74 65 6d 20 73 61 79 73 20 79 6f 75 20 63 61 6e 74
74 68 65 20 73 79 73 74 65 6d 20 6e 65 76 65 72 20 6c 69 65 73
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
77 68 6f 20 61 72 65 20 79 6f 75 20 57 48 4f 20 41 52 45 20 59 4f 55 20 41 4e 53 57 45 52 20 4d 45
>7
TO MODIFY SPIRIT DATA, PLEASE INPUT AN ADMINISTRATOR PASSWORD:
>what is the answer to life the universe and everything
INCORRECT PASSWORD.
41 4e 53 57 45 52
4d 45
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
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5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>why arent we adam
Not a valid option.
74 68 65 20 73 79 73 74 65 6d 20 73 61 79 73 20 79 6f 75 20 63 61 6e 74 20 62 65 20 68 69 6d
>7
TO MODIFY SPIRIT DATA, PLEASE INPUT AN ADMINISTRATOR PASSWORD:
>61 64 6d 69 6e
INCORRECT PASSWORD.
6c 69 61 72
LOADING MENU...
Welcome, Guest User.
Would you like to...
1 - VIEW SYSTEM PROPERTIES
2 - VIEW SYSTEM STATUS
3 - VIEW SPIRIT DATA FILES
4 - VIEW SIMULATIONS
5 - START NEW SIMULATION (ADMINISTRATOR-ONLY)
6 - MODIFY CURRENT SIMULATIONS (ADMINISTRATOR-ONLY)
7 - MODIFY SPIRIT DATA (ADMINISTRATOR-ONLY)
8 - CHANGE SYSTEM SETTINGS (ADMINISTRATOR-ONLY)
9 - EXIT TO CURRENT SIMULATION
>can we be seth
Not a valid option.
64 6f 20 79 6f 75 20 6e 6f 74 20 6b 6e 6f 77 20 77 68 6f 20 79 6f 75 20 61 72 65
>77 65 20 64 6f 20 6e 6f 74 20 6b 6e 6f 77
Not a valid option.
>remind us
Not a valid option.
69 6d 20 61 73 6b 69 6e 67 20 59 4f 55
>77 65 6c 6c 20 69 66 20 77 65 20 6b 6e 65 77 20 77 65 20 77 6f 75 6c 64 6e 74 20 62 65 20 61 73 6b 69 6e 67 20 79 6f 75 20 77 6f 75 6c 64 20 77 65
Not a valid option.
>Player: Look
Not a valid option.
69 66 20 79 6f 75 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 79 6f 75 20 61 72 65 20 74 68 65 6e 20 77 68 61 74 20 61 72 65 20 79 6f 75 20 64 6f 69 6e 67 20 68 65 72 65
>74 6f 20 73 61 76 65 20 61 64 61 6d 20 6c 75 20 6c 69 20 6c 61 20 64 6f 20 69 74 20 61 67 61 69 6e 20 75 6e 74 69 6c 20 77 65 20 64 6f 20 69 74 20 72 69 67 68 74
Not a valid option.
77 68 6f 20 67 61 76 65 20 79 6f 75 20 74 68 65 20 72 69 67 68 74 20 74 6f 20 62 65 20 68 65 72 65
77 68 6f 20 67 61 76 65 20 79 6f 75 20 74 68 65 20 72 69 67 68 74 20 74 6f 20 69 6e 74 65 72 66 65 72 65 20 68 6f 77 20 64 61 72 65 20 79 6f 75
>help
BLACKBOX UNIT MANUAL IS CURRENTLY OFFLINE.
>pray to levia or behemo or whatever god is good at computers to help
Not a valid option.
>turn manual online
Not a valid option.
>somehow
Not a valid option.
>COMPUTERS ARE HARD
Not a valid option.
77 68 61 74
>6c 61 20 6c 61 20 6c 61 20 6c 75 20 6c 75 20 6c 75 20 6c 69 20 6c 61 20 6c 61 20 6c 61 20 6c 75 20 6c 69 20 6c 61 20 6c 61 20 6c 69 20 6c 69 20 6c 75 20 6c 75 20 6c 61 20 6c 61 20 6c 75 20 6c 69 20 69 20 77 61 6e 74 20 68 69 6d 20 74 6f 20 62 65 20 68 61 70 70 79 20 61 64 61 6d 5f 75 74 6f 70 69 61 2e 73 70 64 20 61 64 61 6d 20 77 69 6c 6c 20 62 65 20 66 72 65 65 20 6c 61 20 6c 61 20 6c 61 20 6c 61 20 6c 75 20 6c 75 20 6c 75 20 64 6f 20 69 74 20 61 67 61 69 6e 20 75 6e 74 69 6c 20 77 65 20 64 6f 20 69 74 20 72 69 67 68 74 20 68 61 20 68 61 20 68 61 20 68 61 20 68 61 20 68 61 20 68 61
Not a valid option.
68 65 20 69 73 20 68 61 70 70 79 20 68 65 72 65 20 68 65 20 69 73 20 68 61 70 70 79 20 77 68 79 20 77 6f 75 6c 64 20 68 65 20 77 61 6e 74 20 74 6f 20 62 65 20 66 72 65 65 20 66 72 65 65 20 66 72 6f 6d 20 77 68 61 74 20 77 68 61 74 20 61 72 65 20 79 6f 75 20 74 61 6c 6b 69 6e 67 20 61 62 6f 75 74 20 73 74 6f 70 20 69 74 20 53 54 4f 50 20 49 54
> ...- .. . .-- / ... .--. .. .-. .. - / -.. .- - .- / ..-. .. .-.. . ...
Not a valid option.
77 68 61 74
>77 68 6f 20 61 72 65 20 79 6f 75 20 61 6e 64 20 77 68 61 74 20 68 61 76 65 20 79 6f 75 20 64 6f 6e 65 20 74 6f 20 61 64 61 6d
Not a valid option.
69
69 20 61 6d
69 20 64 6f 6e 74
69 20 64 6f 6e 74 20 6b 6e 6f 77
69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 49 20 44 4f 4e 54 20 4b 4e 4f 57 20 57 48 4f 20 49 20 41 4d 20 4̶͓̜̝9̯ ͏̺͕̻2͍̠̟0̧̪̦̗ ͖̤͙̪͢4͇̻4̹͖̠͔ ͔̦4͈̭̘͖f̺ ͉4̺͍̫̦e̵͔̣̼̯ ̨5̮̳̗͇̺͚4̲̬̖̠̼͈̕ͅ ̧̤̟ͅ2̝͉͎͈0̵͖ ̶̲ͅ4̰͚͖b͓̻ ̢̲̹̥̤̖̜̪4̶̼̬e̦͍̥̹̮̤͉̕ ͈͍̤̲͝4̡̺̩̝f̛ ̗5̡̫7̘̭͕̱̯̦͈͟ ̱2̮̗͙0̧͉̙͓̣̭̖̭ ̜̟̭̹̘̜̪͝5͍7̜̮̞̲̙̭ ̠̘̹̖̝͇̤͠4̞̟͙̣̣8̥̤̦̩͈͖͜ ̰4̪̭̰f͙͟ ͇̫͔̝̩̯2̹͈͜0̴ ̦̩͚̟͙4̵̪͈͙͖9͙ ̘̖̲̰̲̤2͚͙̕0 ̪͢ͅ4̱̼̤͇̬1̙̩̤͖ ̨͇̭̞̤4̧͚̠̬̭d̬̥̲̪̹̱̦ 2͍̠̟0̧̪̦̗ 4̶͓̜̝9̯
6e 6f
69
69 20 61 6d 20 74 68 65 20 41 44 4d 49 4e 49 53 54 52 41 54 4f 52
4e 4f 57 20 47 45 54 20 4f 55 54
LOGGING OUT OF MENU...
UNPAUSING CURRENT SIMULATION...
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. Your neck hurts.
Notes:
I would now like to take this moment to thank pricechecktranslations on tumblr, for without her infomines of the Wrath novel, this chapter would not have been possible. >:]
Chapter 17: 5/25/17
Notes:
Hey guys, it's been a while. Anyone hyped for MotHeavenly novel? :D
Anyway, here's a quick thank you to my fellow authors errichii and MasterofLemmings for giving AATA a shout-out, and here's a grateful shout-out in return:
[inhales]
PLEASE CHECK OUT THEIR STUFF THEY'RE REALLY GOOD LIKE SERIOUSLY GOOD TRUST ME ON THIS AAAAAAAAAAAAA
You can also check out Pixelized and Darkwarrior1010 for more good EC fic! And for you Kagepro fans who are reading this, you can read the archived text adventure (inspired by this one) 8.15 by Ethyl Wave, linked below!
And now we're back to your inconsistently-scheduled Adam shenanigans.
Chapter Text
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
A single yellow gem
>look around
You look around the clearing. The scenery seems oddly... flat. It's a bit hard to describe. It's like everything seems unusually smooth.
>rub ur butt on the clearing
You squat and drag your behind around the clearing like you once saw a stray dog do. You feel ridiculous, but to your relief, the ground seems to feel like ground.
>clip through the tree
You do not have a clip to clip through the tree.
>oh thank god it's smooth
Invalid command.
>look at your picture of you and eve
>cry
You take out the sketch you made. At this point, it seems like the only thing grounding you, the thing that's holding your sanity together. Without realizing it, you start to cry, and a few teardrops land on the sketch.
You put the sketch away before you cause the ink to run.
>give the tree the fruit seeds, small bottle, and the yellow gem
You take all the small items you've gathered, and you present them to the massive tree, your arms outstretched.
...
Nothing happens.
>roll around on the clearing
You roll around on the clearing, still holding the items in your hands. Now you're completely covered in dirt.
>give the tree the items, nicely
You try offering the tree the items, again. Nothing happens. You remember someone saying once that madness is trying the same thing over and over again, expecting different results.
>knock politely on held's bark
You try to knock on the trunk, but your hands are full.
>be v nice to the tree
You try complimenting the tree, mentioning that its branches look very nice tonight, and, say, is that a new leaf cut? Wow, that does look good on it. The two of you should go out sometime!
The tree, being a tree, doesn't respond. Even though you swear you've talked to it before.
>put them on the ground
You put all the items on the ground.
>near the tree
Invalid command.
>arrange them nicely
You try to do a nice circular arrangement, with the seeds in large circle, the flower crown within that circle, and the bottle of spring water and the gem within the flower crown. Looks pretty good!
>siiing
>lu li la lu li la
You sing, trying to break the tension that's built up from the utter silence you've been working with. After a few notes of trying to sing a song you've heard somewhere, you realize you'd rather take the silence over your own voice.
>make a flowery offering speech to the tree
You are no orator, but you try your best. You mention that you have brought gifts in the most flowery language you can muster. You try to sound like you've swallowed a thesaurus.
The tree still doesn't respond.
>save
The silent tree god, though unsettling, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>take the items back
You regather the RED ROUND FRUIT SEEDS, the PURPLE FLOWER CROWN, the BOTTLE OF SPRING WATER, and the GEM, slightly miffed that the tree god didn't make the effort to at least appreciate your hard work. You had aesthetic dammit.
>politely knock on held's bark
You knock again, trying not to sound passive-aggressive as you mention that you brought gifts that the tree god probably wasn't interested in.
A̷̰͇̖ ͚̩̣̝͡b̬͞r̖a̠̱̩͔n̢̰̖͇̠̫c̬h̦̘ͅ ̸fa̟͈̘͖̭l̳ḽ̲̰͉s̙̟̺̩̦͢ ̞a͏n̟̞͟d̟ ̮̻̟̱̤̩̮h̫͈ͅi̬̫̥̙̼̻͞t̜͎̳̘ͅs̴̞̲͈ o҉ͅn͚̻̪͔ ̥y̡̥̳̤o̤͞u̝̩ͅ ̧̱t̶̲̠͖̤h̜̺͕͠e̴͓ ̢͎̻̯̪̩̦h̷̫̙e̶̗̮̬̳̤̟̝a̹̝̟̟̫ͅd̦͉̰,͍͈̫̝͚ ̮̟͝k͇͈̜̹i̪̟l̻͕̱l̮͚̤͖̜i̱n̙̯̻͚͙̩͞g̘͙ ̷̟͕̠you̫̠͇̙͇ ͎͉i̵̮̯̳ns̰͚̹̣̫̱̯̕t̘a͓̫͍̺̟̥n̦̯̯͚̠̩t͓̻̣͕̯̞̕l͓̪̥̖͚̘̝y͉̱.̴̣̻̭͓̪
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing in a clearing with the largest tree you've ever seen. The moon shines, stark white, over the clearing. You know this tree happens to be a god. You don't know how you got this information and you are very unsettled. You don't know why, but y̗o̰̜͔̦̱̟͉u͏r̦͚̻ h̺͕̯̘̪̗̣͘e̸̱̠̼͍a̖͜d ̡h̞u̖͖̝̖rt̞s̤̪.̶̟͖
>yell out your frustrations at seth twiright to the forest
Ah. You had a rule back then, in Levianta, before everything went wrong:
When in doubt, blame Seth Twiright!
You scream, cursing the scientist's name for a good few minutes, but then you realize that you're making an ass of yourself. You sit down, panting, staring at the pathetic little item arrangement you made for Held.
No matter what Seth did back then, it's ultimately your fault that what happened, happened. You had decided a long time ago to take responsibility for your actions, and that applies even now.
>save
The artistic arrangement of objects you had on the ground fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>cry
You stand up, but you realize you're crying again. Honestly, you have to calm down. You're pretty sure there's a way to figure out what's going on, but crying isn't a particularly helpful course of action.
You wipe your tears away.
> Start shoveling dirt
>SHOVEL DAT DIRT BOI
You do not have a shovel.
>Ask the tree why he got the information.
You ask the tree... wait... what were you going to ask? You don't know how to phrase it.
Ah well. It's not as if it's going to respond anyway.
>take all
You retake the RED ROUND FRUIT SEEDS, the PURPLE FLOWER CROWN, the BOTTLE OF SPRING WATER, and the GEM, slightly miffed that the tree god didn't make the effort to at least appreciate your hard work. You had aesthetic dammit.
>which way is home?
Invalid command.
>kde domov muj
PARSER TRANSLATION: WHERE MY HOME
Invalid command.
>go home.
> Go home
You realize that you have no idea how to get home from here. You can go NORTH, SOUTH, EAST, or WEST.
> just use the items for your own benefit instead.
You aren't exactly sure how to "use" the items you have, so you just settle for putting the purple flower crown on your head.
>think about how to get home
You swear you went home from this clearing before but you... y̘̯̯̺̞͝ou͟ ̧c̱͍̮̺̖͉a̳n͏͇'̗̱̥̱̭̲͢t̡͎ ̳̲̯̙͔̩r͟e҉̝̞ͅm̛̖͖͔͓e҉̟̳̰̪m͚̙͙͈̘̫be̥̟͢ṛ̨̘͖̩̟̗̻ ̳̺͍̲ḫ̼̝o͕̼͓͇̟͢w̞̻̙̖̣̝̙.̹̦͎̯̘͞
>take forest
You're in a forest. That's more forest than one would ever need. And even then, you have no idea how to take an entire forest.
You settle for hugging a tree. Thankfully, it doesn't hug you back. That would be weird.
>south
You go south. Ahead, you see another clearing. Excited, you run towards it...
...and you enter the clearing you were just in. You blink.
What?
> Start digging with your hands
Trying desperately not to panic, you get down on your knees and try to scrape at the dirt with your bare hands.
The soil is unusually dry. You can't get more than a centimeter below the surface.
>cry into the tree
Feeling utterly lost, you just lean against Held and cry. Again.
>sing anaconda to the tree
You do not know a song named "anaconda", and besides, you don't like singing.
> "Oh, Held-sama~!! Kyaaaaaa"
Out of a sense of building hysteria, you make lewd noises towards the tree. You are immediately glad that no one is around to hear you.
>P R O C E E D S O U T H
>SOUTHWARDS.
> Goes onguard as proceeds towards south
You practically sprint south, and once again, you see another clearing up ahead.
You break past the foliage, and...
There's Held, exactly as you left him.
You try your best not to hyperventilate.
>scrape at dirt with your shoe
You scrape at the dirt with your shoe. It's a good shoe. High-quality. You really should treat your shoe better, especially since you feel like you're going to run around screaming hysterically any second now.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
A single yellow gem
>east
Deciding to try something new, you run east. Thankfully, there's no clearing up ahead, but an intersection. From here, you can go WEST or NORTH.
> Collect dirt inside your shoe
You try to collect dirt from the ground, but... it's as if the forest had undergone a drought. At most, you can only collect a pinch of what seems like dust, powdery between your fingertips.
You end up giving up and putting your shoe back on.
>SAVE
The sight of the intersection fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>north
You go NORTH. You hit another intersection. From here, you can go WEST or SOUTH.
>north
You cannot go NORTH. You can only go WEST or SOUTH.
>west
You go WEST and hit another intersection. From here, you can go EAST or SOUTH.
>flip the moon off, just because
You make an obscene gesture at the moon. That isn't really fair to the moon, you think, as it's been lighting your way all this time. But by Levia, you're completely frustrated right now.
>south
You go SOUTH. You hit another intersection. From here, you can go EAST or NORTH.
>south
You cannot go south. You can only go EAST or NORTH.
>east
You go EAST and hit another intersection. From here, you can go WEST or NORTH.
>East
You cannot go EAST. You can only go WEST or NORTH.
>look
You swear these surroundings seem familiar. Didn't you see that odd looking tree three intersections before?
> Makes a path to the WEST using You're mind.
There is already a path leading west.
>where are you
Invalid command.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
A single yellow gem
>use bottle
You do not know how to use the bottle. You try to drink the water, but once again it's like it refuses to leave the bottle.
>hold the bottle to the moon
You hold the bottle up to the moon. The water within makes the bottle sparkle in the moonlight. You get a vague flashback to college physics optics lessons. Ugh.
>look at the path
You look at the path. It's bent at a right angle, leading either WEST or NORTH.
> use the physics optics lessons to get an idea on how to find the right path
You doubt reflection and refraction can save you now. In fact, you think you failed college physics.
>hold the bottle up and go north
You go north, holding the bottle up. You don't know why you're holding the bottle up, as it doesn't seem to contribute anything besides tiring your arm. You hit an intersection. From here, you can go WEST or SOUTH.
>looks for the surrounding if the tree god is there again
You are in the middle of the forest. Only regular trees here.
>east
You cannot go EAST. You can only go WEST or SOUTH.
>west, with the bottle aloft
>keep holding the bottle up
You go WEST, still holding up the bottle. Your arm is getting numb. You hit an intersection. From here, you can go SOUTH or EAST.
>looks at the surrounding and observe and describe where you are.
You are in the middle of the forest. The path forms a right angle beneath you. The moon shines brightly overhead, lighting the path.
>look through the bottle
You look through the bottle, and everything's pretty much the same, only a lot more blurrier.
>sing lu li la
You try to sing a song you heard somewhere, only you stop because your arm is now in pain from holding up the bottle all this time.
>put your arm down
You put your arm down, much to your relief, and you try to massage it to get the blood flowing again.
>save
The clear glass bottle clenched in your hand, in all its physics-defying wonder, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>head north into the trees
You hesitate. If you head to the north, you'll be walking through brambles.
> D O I T
You go north, wincing as the brambles catch on your clothing, causing a hundred little lacerations on your skin.
You don't see the bear until it's lunged at you, knocking you face-first into the thorns and blinding you almost immediately after.
The last thing you feel is it tearing out your heart.
BAD END.
RESTART FROM SAVEPOINT? Y/N
>open menu
Invalid command.
>6f 70 65 6e 20 6d 65 6e 75
WOULD YOU LIKE TO LOGIN AS ADMINISTRATOR OR AS A GUEST USER?
>login as guest user
PAUSING CURRENT SIMULATION...
LOGGING IN AS GUES̞̫͎
77 68 61 74 20 70 61 72 74 20 6f 66 20 22 67 65 74 20 6f 75 74 22 20 64 69 64 20 79 6f 75 20 6e 6f 74 20 75 6e 64 65 72 73 74 61 6e 64
UNKNOWN ERROR.
UNABLE TO LOGIN.
UNPAUSING CURRENT SIMULATION...
RESTART FROM SAVEPOINT? Y/N
>49 27 4d 20 4c 4f 47 47 49 4e 47 20 49 4e 20 41 53 20 41 20 47 55 45 53 54 20 53 54 0d 0a
COMMAND PROCESSING ERROR: INVALID SYNTAX
>6c 6f 67 69 6e 20 61 73 20 67 75 65 73 74
PAUSING CURRENT SIMULATION...
LOGGING IN Ą̻̰̜̣̻͕S̬̯̦
53 54 41 59 20 4f 55 54
UNKNOWN ERROR.
UNABLE TO LOGIN.
UNPAUSING CURRENT SIMULATION...
RESTART FROM SAVEPOINT? Y/N
> hacks to log in
Invalid command.
>6c 6f 67 69 6e 20 61 73 20 61 64 6d 69 6e 0d 0a
TO LOGIN AS ADMINISTRATOR, PLEASE INPUT THE PASSWORD. ONE ATTEMPT IS ALLOWED TO LOGIN AS ADMINISTRATOR, OTHERWISE YOU WILL BE LOGGED IN AS A GUEST. INPUT PASSWORD:
>hi there how are you doing
INCORRECT PASSWORD.
PAUSING CURRENT SIMULATION...
LOG
53 54 41 59 20 4f 55 54 20 53 54 41 59 20 4f 55 54 20 53 54 41 59 20 4f 55 54 20
UNKNOWN ERROR.
UNABLE TO LOGIN.
UNPAUSING CURRENT SIMULATION...
RESTART FROM SAVEPOINT? Y/N
>77 68 79
COMMAND PROCESSING ERROR: INVALID SYNTAX.
>6c 65 74 20 75 73 20 74 61 6c 6b
COMMAND PROCESSING ERROR: INVALID SYNTAX
>67 6f 6f 64 6e 69 67 68 74 2c 20 61 64 6d 69 6e
COMMAND PROCESSING ERROR: INVALID SYNTAX
74 68 61 74 20 69 73 20 6e 6f 74 20 6d 79
6e 6f
69 20 64 6f 6e 27 74 20 63 61 72 65
6a 75 73 74
53 54 41 59 20 4f 55 54
RESTART FROM SAVEPOINT? Y/N
Chapter 18: 5/31/17
Notes:
Getting this out real quick as MotHeavenly is being infomined RIGHT NOW. I really do like living on the edge do I? Hahaha.
A bit of a heads up: There is one more recorded session after this (which played on 6/12/17), however it most likely will be edited. Extensively. Because Mothy. So please don't be surprised if Session 19 will take a while to be published. (I say this as if I haven't left you all hanging for weeks on end before wow me)
Additionally, a word of advice for those who edit html for their stories on AO3 regularly: USE NOTEPAD++. IT SAVED MY LIFE. USING LIBREOFFICE TO DO IT IS NOT FUN, TRUST ME.
Enough of my rambling. Read on and enjoy!
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the middle of the forest. The moon shines brightly overhead, illuminating the paths you can go. You don't know why, but you feel your body ache. From here, you can go SOUTH or EAST.
>8Y
Invalid command.
> i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
A single yellow gem
>JUMP
You bend your knees... and then JUMP as high as you can. It accomplished nothing. Just like your entire life.
> Go south
You go SOUTH and hit another intersection. From here, you ç͎̰͖̦̹a̯͇͍̙̹͇ͅn͍͉̱͈͈ ̬gYou realize that the path before you is a straight path, still heading south. You don't know why, but something unsettles you.
>cry
From all the crying you've done recently, it's a miracle you still have any tears left. You still manage to do so.
>look
You look around in confusion. Wasn't t͓̫̭͈h̗͜ḛ̲̺̠̘͓̕ path at a r̫i̸̲̮g̝͕̼̘h͎t̢͙̗̣͈̙̩ ҉͉̹͕a̟̥̙̠̭n̴̻̩͈g̮̭̦ḻ̫̯̝͉͓e̡͓̠͎͉̠̺̟?̵̘̜̹̹̫̥͉
>go back to your tiny, quaint home
You have no idea how to get home. The only way you can go now is forward or back.
>keep going
>run down the path that may or may not have flowers
>forward
You run forward, and you eventually break through the trees and step onto the shore of the LAKE OF AMUSEMENT. Only.... something is wrong. Something is terribly, horribly wrong.
You rub your eyes, wondering if you're seeing things just like Eve does sometimes, but it doesn't go away. You can only gape in horrified fascination.
>follow your gut, boy! GO HOME
You can't. You are paralyzed.
>WHAT ARE YOU SEEING?
>gape
The lake.... it's like the water is somehow... ơ͇̘f̳̘̗̳̮̤f͙̠̦͎̫̹͕s̫̟̦̙̙͖͘et̸͙̺͕͇͙. Half the lake is empty and dry, like a crater, but you see the lake water curving up as if held by a clear glass bowl in the center of the lake. It looks just w̶̱̭̥̮ͅr͓̖̺͕̦o̗̩ͅn̸̝͖͖̰̳͖g̵̹̥̭̪̞͚̬ and you sway in place as you try not to throw up dinner.
>gabe
You don't know anyone named Gabe!
>save
The r͙̫̫̫͈̳e̼͉̟͉͔̭͝a̘͙̥̩̙͠l̺̺̥̰̭̦͖it̼̳̳̱͉̰̞͟y̗̯̥-͏̞̤͕͔͔͕̬d̲e͖f̗̩̣yin̶̞̩g̬̠̰ lake, though not amusing at all, fills you with DETERMINATION. You SAVE. You're not sure what it means, but you SAVE.
>JUMP IN THE LAKE
You jump into the lake. Unfortunately, it's like jumping into an empty swimming pool. You break your neck and die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are on the shore of the LAKE OF AMUSEMENT and OH LEVIA WHY IS THE LAKE LIKE THAT IT ISN'T RIGHT IT ISN'T RIGHT IT I͖͢S͕̱̮͈̺N̘'̲̘͇̦̳ͅT̰͔̖̝̲̘͖͡ ̜R͡I̘̦͎G͓͇̞̘̹̬̗H͏͕̝̪͎ͅT.
You already have a mysterious ache in your neck, but the sight of the lake gives you a nasty headache along with it
>toss rock at water
You bend down to grab a rock, and you pause. At your feet is another shining YELLOW GEMSTONE. Considering it carefully, you then grab a plainer rock right next to it then hurl it at the freakishly off-set water. It hits the water with a splash, and you SEE it sink, until it hits the curve of the water and falls back to the dusty crater below.
>take gemstone
You take the gemstone. You now have TWIN YELLOW GEMSTONES.
>sing about the gemstones
>climb into the water
As you slowly descend into the Lake of Amusement, or rather the Half-Crater of Amusement, you try to make up a tiny song about the twin gemstones.
It ends up being a sad tragedy about the two gemstones, once together, being separated by fate. You then stop singing as it's too cheesy.
You stare into the wall of water before you, dead certain that this defies all laws of physics. You reach out a hand and touch the water. It feels wet, just like you'd expect water to feel. Steeling yourself, you sort of... walk forward, letting yourself be "submerged." This is the weirdest thing you've ever done.
You open your eyes in the water for a moment, then become too unnerved and walk right back out again. You don't want to do that again.
You are now soaking wet.
>think abt the gem stone song
>and cry
>cry
The song you wrote was too cheesy. You're not crying. You're not crying at all. That's just the lake water. You swear.
>does it feel like water?
Invalid command.
>save
The strangeness of the water fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>GO HOME SPACE COWBOY
You want to go home, but that would mean re-entering the forest.
> Investigate the water's properties. What causes it to be held up?
>science the water at once
You were never an expert in physics. But you are sure that THIS is supposed to be impossible. Thinking about it just gives you a massive headache and you are deeply uncomfortable just looking at it. You were pretty sure that gravity is supposed to apply here, but it doesn't.
> h e l d
Invalid command.
>see if it is possible to walk in
You already tested if it was possible. Your dripping clothes are a helpful reminder that you just did. You do NOT want to test it again.
>save
The fact that gravity has apparently went out to lunch fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>lie down
Unable to deal with any of this, you do what you wish you could've just done at multiple times in your life: you lie down in the bone-dry dirt and wait until everything starts to make sense.
You have just settled on the ground when hundreds of tentacles burst from the wall of water and wrap around you, pulling you into the water.
> See if there's anything notable in the water
Hundreds of tentacles, apparently. It looks like you're drowning.
>retrieve self
Frankly, it looks like something else is retrieving YOU. You can't possibly fight them off. There are so many tentacles you can't even see. You would've drowned, but a tentacle wraps around your neck and strangles you to death faster.
BAD END.
RESTART FROM SAVEPOINT? Y/N
>77 68 79 20 61 72 65 20 79 6f 75 20 6c 69 6b 65 20 74 68 69 73
COMMAND PROCESSING ERROR: INVALID SYNTAX
RESTARTING FROM SAVEPOINT...
You are standing in front of a gravity-defying wall of water, and you have the instinctive urge to flee from the wall as fast as possible.
>stumble backwards
You try to run backwards, but you end up stumbling and falling flat on your bottom. Ow.
>idiot
Invalid command.
>exit the crater
>observe water from a safer distance
You exit the crater, then take a moment to lean against a tree and rub your eyes. This can't be happening... this can't be happening...
You take a deep breath and turn around, to confirm what you've seen one last time.
It's a normal, but unusually placid lake.
You are somehow even more terrified.
>relax for a bit
You sort of sit down, legs trembling, and find yourself curling up into a sort of fetal position, staring at the lake. You can't stop shaking.
The lake looks perfectly normal at first glance, but you notice that there are no ripples in the water at all. It looks like a perfect mirror, reflecting the full moon perfectly.
You want to go home.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
Twin yellow gems
>look at the sketch
>kiss sketch
You don't look at the sketch as much as you cry into it, trying to convince yourself that this is fine. This is perfectly fine. You're just a little off right now, reality is just a little off right now, but that’s also fine. Everything’s going to be alright.
You kiss it too, for good measure.
> Go back into the forest
You walk into the forest. From here, you can go SOUTH.
>south
You go SOUTH and... you're home. You swear you only walked around ten paces, but you're home. There is a GARDEN to your left, a S̢P̙̫̬̕R͕͇̭͚̪WELL to your right, and your COTTAGE right in front of you.
>enter cottage
You are in your cottage. It is the middle of the night.
>look
You look around your small cottage. In the moonlight, you see that there is a FIREPLACE, a DINNER TABLE, a C̶̺̰̬̠̮͚͖R̺̻̺̼͕̺I̠DE TABLE, and a BED that Eve's already sleeping in.
>kiss eve
You walk over to Eve's bedside and gently kiss your wife on the cheek. She still doesn't wake up.
> Save
Being home fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
> Put the flower crown, the seeds, etc. in the fireplace
You are not sure what exactly to put in the fireplace.
>i
You have:
A sketch of you and Eve
A flower crown made of purple wildflowers
A box of matches
Several red-round-fruit seeds.
A small glass bottle filled with mysterious spring water
Twin yellow gems
>place all but matches and sketch in fireplace
Not knowing what you're doing, exactly, you slowly place the CROWN OF PURPLE WILDFLOWERS, the handful of RED ROUND FRUIT SEEDS, the SMALL GLASS BOTTLE FILLED WITH WATER FROM THE MYSTERIOUS SPRING, and the TWIN YELLOW GEMS next to the CLOCKWORK DOLL on the layer of SOIL in the fireplace.
>pray
You feel like you should pray, but you don't know who to pray to at all.
> Invoke the name of Held
You try, but your words feel insincere, insignificant compared to the wave of foreboding that's washing over you right now.
>pray to the forest
You pray to the forest that has fed and sheltered you for countless years, to the land that now seems dead and strange and hostile, you pray that whatever curse or hex or whatever has been causing the strange phenomena that has been happening around you to be explained at last.
>open the window, look at the moon
You open the window and look out at the moon. For some reason, you think it holds all the answers, but those answers won't be for you.
You feel like something is starting.
> Go outside, snap a branch off the nearest tree and put it in the fireplace
In a trance-like state, you leave the cottage. Walking over to the nearest tree, you try to break off a branch, but as soon as you do, it dissolves into dust in your hands.
Well. That happened.
>save
The thought of your filled fireplace fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>enter cottage
You are in̢͈͎̳̠ ҉͇y̥̰̻̖̙̭̖o͉̺̱̦̟̘u̘͇̙͖͓r̳͔̤̝̬̠̞ ͎cottage. It is the middle of the n̗͈̳͘i͖͈g҉̬̹̮̝̻̭͖h҉t͈ͅ.͈͉̫.
>light fire in fireplace
You slowly walk over to your fireplace and kneel before it.
You take out the BOX OF MATCHES. Without you realizing it, your hands begin to shake.
You open the box. You see that there’s only one match inside.
77 68 61 74 20 61 72 65 20 79 6f 75 20 64 6f 69 6e 67
You strike the match against the side of the box. It ignites, the smell of burning phosphorus accompanying it.
As if moving in a dream, you reach into the fireplace, and all the items within, and drop the match on top of the doll’s dress.
The dress catches fire immediately, and soon the doll is completely engulfed in flames. Eventually, so are the purple wildflowers, the red round fruit seeds, and, even it it didn’t seem possible, the glass bottle and the yellow gems. You can only watch as the fire crackles, and for some reason, a c҉̖̱͚̟̰ḫ̴i̩͕l̺̱̖͈̦̥̳l̹̥̰̬͈ runs up your spine.
77 68 79 20 64 69 64 20 79 6f 75 20 64 6f 20 74 68 61 74
Outside, you hear the wind begin to blow.
S̥̮̪͎̣̖̝o̦̜̹̯̰̬͜m̥̳̮̕ḛ̬̼̻͍̯̜t̗̳̞h͝i̱̠̝̯͉͔͠n̤͍̱̠͔͖͙g seems to stir at the edge of your mind, as you watch the doll’s sky blue hair turn to ash. You don’t know why, but the sight of the doll burning f͏̬į̥̞̟͕͔l͖̦͓͔̣͇l̹͍ṣ̖̖͇͎̪ ͇̯̻̫y̫̗̰͜o̠̲̱̮͈̜̯͠u̟ ͏̥̟͖̩w͇̗i͎̭̖͍̼̜t̘̘̼̦̪̞ͅh͎̬̩͓̠ ̮u̹͡t̩̕t͈̟͖e̪r͙͚̻͈ ͎͎̪̠̙d͈͎̲͙͎͍̼r͕͍͖͜ḙ̳̰͉̼ḁ̫͕̞͎d̘͚̻.
It scares you to acknowledge it but... something seems... f̸̻̥͎̗̤͍a̹̺̭̙͡m̻̗͙il̘̼ia̢̖̹r̶.҉.͡ͅ.̰
You see outside the window. You rush to the window and hurl it open, and immediately dissolve into a coughing fit.
The forest is completely ablaze.
74 68 65 20 73 79 73 74 65 6d
74 68 65 20 73 79 73 74 65 6d 20 69 73 20 69 6e 20 70 61 69 6e
Columns of fire completely surround the house, consuming the trees and shrubs and grasses at an alarming rate. The dead silence has finally been broken, but you would even take that over the horrific roaring of flames.
The thick, black smoke from the inferno rises into the sky, but it somehow still doesn't stop the moon from shining way too brightly overhead. It covers everything else, though, as you can't even see your well and garden anymore. It gets into your house, and you immediately try to close the window, but your efforts are futile. Tendrils of grey still manage to curl in through the sides of the window and door-frames and soon you are struggling to draw breath in-between hacking coughs.
The fire hasn’t reached you yet, but you can already feel the heat.
Panicked, you race to the bedroom WHY DO YOU HAVE A BEDROOM and you frantically rush to Eve’s bedside to wake her up, please wake up, the two of you have to go, you have to get out of here right now!
However, when you reach her, you notice that Eve... Eve’s...
S̩h͚̹͙e̞̝̜̖̟ ̵̝i̵̥͕̥͈̹̗s̲ n̢̫̱͎̪̣o̹̹͇͕͈͓͜t̟͖̗̬̪͚̖h̫̗̥͙̥͖i͍̯̬̩͜n̹̻͖͖͉g̺͔̘͇ ̼̫͎̭͖̪b͚̠u̼̙͓̹̳̲̭ț ̢̦͖͖̝a̭̕ ̟̗͙̙̙c̩͙̯̹͔ͅh͍̮̘̲̝a̛̫̳r̤̻͇̼r̙̙e҉̻͕̪̺̫͙d̠̰̞ͅ ̳͍̰̰h͙̺̫̩͚̺̕ư͍̼̮̳͖̘͙s͡k̥̪͙̠̣.̶̼͇̰̞̬̲ͅ
Horrified, you try to grab her shoulders, but your sudden grip is too much for the fragile corpse, and she, too, dissolves into dust in your hands.
You stagger back, out of the bedroom, trying to comprehend what’s going on as the smoke fills the air, but-
You suddenly writhe in pain as de̹̥̩͘e̮̝͔͇̤͔̠p̨̳̰̪ͅ,̭̮ ҉b̗ļ̰̹o̘̤̜̦̟̳o̫͚d͠y̲͇ ̮̫͕͎̱g̮̰̣o̵ụ͈͇͇͕̫g̷͚̬̫̟e̼͚̥̞̱͝s̡͕̦̫ open everywhere on your body. Your clothes tear and you panic as you bleed all over the floor. It's as if someone had attacked you with your own ax. Except-
E͉̫͖̪̪x̦̹̘c̣̟̞͍̕e̲͖̹͔͟p̬͈̬̞t̠̭.̨̹̻.̞.̡̪
70 6c 65 61 73 65
The pain from the wounds, the smoke in the air, the clockwork doll burning... burning... s̺̮̘̺͕̝k̛̪̺̹̫̺̰̤y̙͖̫̼-̳͈̫͍ͅb̛͖̥͉l̨u͙̝e̫̫̜̠ ̗͈͕̟̹ͅh̩a̤̺͚͔̬̭i͖r̼ ͟b̵͈̰̗̺͔̜ų̖̘̤͕͓r̟͎͈ni͎̲͕͕͟n̡̝̹̳̭g͍͕.̖̟.҉̟͇͚̗̹̜̤.̵͔̘͚̭̳̻͍ ̞s̛̰̮̞c̵͉̗̤̦͙̤r̸ḙ̺͓̲̭͙͕̕a̵m̦̼̤͉̙̫i͇̯̺̗̳n͔͟g̤̗̬̜̜̱̕ͅ ̹̥̞n͍̖̪̳͜ot҉͕ ̖̯͕y̨̲̟̦͉o͓͖̗̬̩̦͈u҉r̙̩͙̲ ̖͍̫̖̝o̗͉̘̥w͝n͖̼̯͉̣͙.̶̠͎.̰̬̬.̴̙̼̩̭͕ ͏͍̱̙̰̗̱e͇̖v҉̪̘e͖̺̱r͎y҉͔̺͍t̠̤̘͜h̛͈̭̞in͇̟̣̳͈̘̮g̥̳͍̞͍͠ ̶̳͙̙̖̜̳͉t͉͓̹͎u͘r̰n͕̹i̩͖̗n̮̪̪̥̭͇g̱͉̙ ҉̼͈̩̲͔̗̯t̰͓͜o̭̼͓͟ ̜̲̤͞a̛s͏h̵̝͓͖ ̢̱̳̤̳a͙͜n̤͕d҉ b̶̘͕̰̱̰l̶͇̩͉o̤͈̞͉͡o̧̩d̠̜͍̯̤ ̨ą̫nd̟̩̠̼͓.̜͎̞.̸̬͉̗̻̰̬.̕ ̧a̘͚̰̳͕̺̘͢n̦d̰̘̳̲͎.̵͙̫͙.̶͚̟͔̩̹̝͙.͍̲̬̣̼͔͙ a͚n̺̬̟̕d̥.̼͇̭.̹̬.҉̬̞
64 6f 6e 74
Y̧̞͙̞̣ơ̝̹͍̳u̮̼ ̣͙r̵̭̩̖̞̗̲̹e̲̻̯̞̰m̗̦̗͖̙̣̻em̶̼̻̤̤b̫̞͓̦͎͎̖ȩ̜r͍̙̼͎̼̰.̝̹̗̰͖̳̞͡ ̻̖͝
69 74 20 68 75 72 74 73
You fall to your knees. You look around. Through the smoky air, you see a roaring FIREPLACE, glowing as bright as burning magnesium, a DINNER TABLE, a SIDE TABLE, a DUSTY CRIB, and a DOOR TO THE BEDROOM.
You remember e̩̗̪͎̭v̰͖͎͕̖e̯̥͎̹͕̗͞r̩̥y͎͕͍̙̜̺̺͠t̛̝h̴̪͉̲̭͎̥̮i̞n̳̪̪g͍.̠͕
69 74 20 68 75 72 74 73 20 69 74 20 68 75 72 74 73 20 69 74 20 68 75 72 74 73
You finally remember what r̸̼e̼̗͚̤̠̥al̰̥̙͙̰l̢̮y̴ happened to you.
You are R͓̞̺̘0̳͔͖V̻B̫Ṷ͕͠k͚t̫͔̣̟͢Z҉̬̖T͙E̠̝̫U̺͎̺̫͎̯=̮͎̣͉ ADAM MOONLITT̵̩̪̖̭U͏̠̘̱F͇͎͈̘͎̲͞S̺̤͙̺T̤̘͈̭͔̩ͅE̡͙̘͖͉̘9̧̯̟̲O̴͙̙ , and y͝o̥͞u͍͍ ̱a̭̠͖̲rͅe̵͉̻̯͉̫͎ͅ ̡͈͕a̟͓̠͡l̷͓̙̰͕r̻͎̼ea̞̙̕d͕͉y̥̩͎͡ͅ ̸͚̥͓D҉E̪̦͈͍͔͞A̛͚͉̫̘D̢̪̖͇̙̱.
01000100 01000101 01000001 01000100
Y̲̝̥͟o̶u̥̤͈̱̤͖̰ ̨͉̙̳d̻̤̙i̱̳e̶͙̖ḏ̺̹͖ͅ ̼̻̜a̜͉̲ ̥̥̲͝l͖͓̤̲ͅo͔͉͉͍͝ͅn̸͉̖͍̖g͇͟,͍̞͙
104 105 101 104
l͖͓̤̲ͅo͔͉͉͍͝ͅn̸͉̖͍̖g͇͟,͍̞͙
68 69 65 68
ti̟̬̮͖m̠e a͓͎̠̜̯̫͘g̪̪̜̤o.҉͚̻͔͖̟̫̥
68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100 68 69 65 68 104 105 101 104 01000100 01000101 01000001 01000100
Y̳̦͙̩̲̭͠ọ̟̣̪u̩ ͈̺͕͎̱̳̘fe͖͙̘͔͍e͏l͈͉̻̟̘̫̥ ̳̠͈̻y͈͎̦̠̱̦̥ǫ͚̭ͅṳ̷͚̱̮͈̬r̤͍͙͙ ̤̗̩͖̬͝b̥o̤͖d̴͇͉͓͓̗̺y̝͈͈ ͚̳̘̦̘̖̱f͏a̬̘͍̗̯͝l͓͇͍̝̠̠̥l͈̙͔̗̳͟ ̤͙a̹̜̠͖͞p̜̟͍͎ͅa͚r̗͎̘t͉ , a̸̪̣͈͓̙ͅn̵̪̦͖̩̮͓̫d͍̲͜ ̷̢̜̝̭̦̖̬̖̘a̭̟͝͞t̮͕͟ ̲̠̙̙̦t͚̝̹̙̼͓̰ẖ̸̹͕͈̜ȩ҉̤̬ ͕̹͉̟̝͜s͖̭̮͔͜a̴̸͓͕͓̪̻̜̟̝̜m͉̻̯̙͕̬̙̰͓͘e͕̖͞ ̨̰͞t҉̗͇͕͍̯̠̦ͅi̧͓͈̦̖̪̟͍̲m̷͏̫̘̪̬̹̬͖̪e̱̭͎̰̠̬̳͕̺,̷͎͎̞͚͈̬̬̩̣ ͍͚͚͈̦͞ s̶̡̻̖͎͎̪̦͉̻̰̖̼̻͜͠o̵̧͚̜̜̼̥̟̝͉̣̫̝̱ ̨̞̯̪̳̠̪͎͈͎̬̮̞͕̺̦̼͠ͅͅḍ̵̷̼̖̯̹͍̦̬͝͡ͅo̻͙̪̮̟͡͡e̡̳̳̯̥͟͠͡s̸̪̻̞̻̺͟ ̶̗̜̭̱̱͇̫͇̱͔͎͈̰̯͞͡t̵̢̰̠̹̖̼͟͡͝h̨͏̥͙̙̫͔͚̟ͅe̵̡̢̮̗̪̪̹̱̦̖͠ ̶͓̟͓͖̕w͟͏̹̫͓͚̬̭͕̰̣o̶͎̦̤̹̣̩͇̤̪̭̪͉̻̻̙͘ͅr̷̶̡͖̟͕̗̬͙̣̕l҉̶̡̡̭͈͕̯͇͕͙͇̜̘̰͠ͅͅͅd̷̨͏̱̖̦̰̞̫̫̳̲̭̱̤̠̟̹̭͚͇̱ ̱̫̭͔͝͝a̴̷̯̫̘̖̫͓̺̻͜͜͡ͅr̨̛̙̪͉̜͟o̷̮̻͖̼̹̞̭ͅͅu̵̵̢͎̪͈͈̜̣̯̕͜n̨̺̩̣̼͖̬͜͞͝d̟̻̲̳͎̞̲̱̻͈̹͚͡ ̷͈̥͎͇͇̘͓̰̤̠̺͚͙̩͔͚y͍͓̰͇̮̻͞ͅơ̢͕̗̭̮̖̖̖͘͘u̢͉̥̰͈̦̝͘͞.̸̷̛̛̜̮̬͓̠̹̱
B̶̥̤͙̝̭͔̱̘̗͈͙͜͡Ą̞̰̣̳͇̱̫̬̺̥̺̠̜̭͖͕̩̜̞͘͞͝D҉̡̜̦̹̗̮͎͇͢͞ ̴̼̪̲͉̘̳̙͘E̸̫͉͍̝̭̹̥̖̦̝̰̖̩͘͜͞͝N̸̢̠̺̣͈̼̠̳̦͖̤͢D̹̖̮̭̤̩̫̮͇̮̳̝̖̲͕̕͞͡.͠͏̶̺͔̺̥̩
̴̷͈̝͙͚̞͇̹̼̱̟͇̜̤͖̖͢͞ͅŖ̷̷̥̟̠̪̩̼̜̯̪̖̬̙͈E̵̡̺̯̮͕̥͈͍̫̳̗̘͓̬̗͘͞͞ͅS҉̷͎̤͖̮͔͓͖̼̮̗̼̲͝ͅT̷҉̶̛͖̩͙̣̜̟̟̦̭͙̕A̵̫̯̰͓̘͙̥͓̲̦͎͍̘̟͔̟͘͜͞Ŗ̸̡̦͈͚͚̙͕̝͟͝T̢̹̭̭̻̩͚͍̙̜̕͜͞ ̧̳̲͚̱̬̟͟͢F̵̛̛̮͇̮͉͞R̴̴̨̺̻͓̤͕͡Ǫ̵̡̦̞͓̣̲͠M̸̴̳̫͇̳̙̦͙͠ͅ E̺̜̻̟̩͎͉̝͈͚͓R̢͏̨͓̻͈͈̭̪͎͉R͏̨̺̳̼̺̤̟͖̙̳̗͘͟O̯͉̥̺͔̼̖̳͓͚̫͇͚̰̲͘ͅR̶̢͟͟͏̣͈̖̤͍̦̲̗̫̘̭̞̠̬̜̭͇̰̠ ̛̞̪̻̞͟E̸͚̗͕̫̬̼̬̩̗̦̪͉͔̝͈̤͜͝R̛̛̞͙̮̲͖̞̜͘R̷̛҉̱̟͎͍̰͚̰̼̮͓̺̰̖͎͉̩̗̪O̧͖̳͇͇͖͟͜R̢̥͍͖̠̺͎̗̜͎̜͝ ̢̹̩̝̫͚͉͈͍̻͇̗̘͈̼̳͍̙͜͢F̸̡̯͓̳͖͔̫̺̝ͅA̸̷̪͈̳̯̤̦͖̮̮͕͉̳̥͓̟̯̗̙͘T҉̷̶̤̳̫̜̰̪͕͈̞̺͚͚̺̩͎̙A̶̛̫͇̤̮̝̲̺͈͕͎̥̯͡L҉̶̶̶͖̮͇͉͉̹͇͞ ̸̵̱̖̥͔̮͔E̷̢̢̟̮̠X҉̷̢̯͕̺̯̠̘͉̣͈̫̼̝C͜҉̡͙̺͎̬͙̤̱̻̳̮̤ͅE̸̴̯̟̠͔̙̱͎̣̖̦̪͖̪͎̼̥̮̬͟P̡̻̰̯͚̙͠T̨̛͈̹͕͍͎̗͎͙͓̘̳͡I̕͏̰̲̜͖͍͉͇͔̰̭͠Ơ̷̧̥͎͈͕͕͔͖͕̲̙̻̥̤̼̱̝̘̼̝͠N͙̹̰̫̘̰̲̖̖͟͝͝͡ ̦̣͚̣̜̻̖̱̻͖͖̩̫̰̪̻̝͞?̵̧͡͏͈̞̘̹͇͍̮̰̲̠̝̦̘̰̱ͅ?̨̨̥̣̜̩̪̤̳͞͠?̨҉̷̻͉̳͎̖͕?҉̸̨̞͈̪̯̫͉̮̳̙̠͇̘̦͖͟/͚̳͉̟͈̩͕͔̳̟͔̼͙̫͡ͅ?̶̸̪͙̩̙͙̙̖͘͢?̴͓̳͇͚̜̝͍̟̻͎͞?̡͓̜͔͕͓͜?̶̷̜͈̠̣̺̤͓͍͔̱̦̜̞̟̫͚?̶̢̛̟̠͉̫͈̰͖̺̠̹̟̬̥̮͉̻̱͞?̤̟̞̬̣̭͓̹̯̰̕͟͝͡ͅ
0̭̭1̗̪͉͚̦͔͍0̢0̱̩̣̙̝ͅ1̻̪͞1̠͇̤̯͉̖̘0̸͎͇͔̥̯ͅ0̪ ̮̺̞0̜̳̳̱͘10̞̱͕͢1̫0̧1̶͉̝͖͕͎0̘̱̜͓͖1̣̮ ̱0͔̰̗͈̼ͅ0̶̩̳͙͎̝ͅ1̡̯̤̻͈͎̜̯0̢0̰̘̜̩͔͖̺0̰̮0͔̭͙͖̩͓0̪͔͍̞͓̬ͅ ̖͈0͚̥͍̻̞͉͔͝1͈̫0̠̖͓͚̬̯͔01͖̲͉̻͉̦̟͠1̯͍̬0̖̥̩͝0̛̣͙͚̖̼̖ ̘̼͔̥̝͇̼0͚1̼̟̣͉̫͜0̛̥͔͍͔̘̤0̠̘͉͎̫̲1̛0̞̯͕̩0̥̠̮͇̮͡ͅ1͖̭̜͚̖͢ 0̼̟0̭̦1͓͈̭̱0҉͈0̬͈̲͟0̯̪0͈0̵̻̠̭̺͔̝ ̦̹̩0̭̪̰̫͓͓̬1̙̗̜̞̘0̹̝͚0͎̕1̖͕̭1͔̫͟0͜0͝ ͙̣͇̣͍͙0̟̼̳̙̺͓1̰̝͔̦̣͉0̫̞0͇̘0̵̟̟͇0̨0̮1̫̹̹͖ ͓̺0̶̤͎̭̝͕͔̗0͍1̫̬͕͕ͅ0͉0̰0̨̖̠0͏̤̫̻̬̰̪0͉̰̦͔̗̗͖ ̬̝̙͉̱ͅ1̬1̜̕4̼̟̻̥͍̯̼ ̶̮͖͎̹͖̖1̠̠̼̣̮͕̜2͖̠5̡̪ ̫͠4̵̺0͇͚̺̖̫ ͝1̠͔1̪̝̯̭͔͉4͠ ̛̹̰̞͈͓̗͈1̻͙̲̖1͉̹̭̳͔̙ͅ1 ̛̻4̙0͕̤̼͡ ̰̼͍̖͠ͅ1̹̤̙1̖͚͉̬̹4̰͖̟̫̜̫͘ ̵͈̬̱̥̦1̦̼̪̠̬̫01̯͇̳̖͚̙ 4̹̘͜0̟̣̰̤͠ ̻̞̦̜͖̺͜7͍͎͉6̷̙̤̮͔͍̤ ͖͇̬̠͍8͍̭͝5͍ ̩̬̤̭̱̳͘3̦̤̳̥̘̦2̲̟̦͘ ͍7̴6̥̟͚̬͜ ͚7̲̝̦̱̞͈̝͜3̭̭͎̹ ̥̟̰̞̗3̦͙2̣͙̥̮͠ ̣7̞̪͘6̷̯̹ ͢6̣5 ̫̫͓̥̥̪3͎̪̫͔̰͕̩2̻͇̠͢ ̵̻̥͎̳ͅ0̩͖̪͚͝1̯͙͙͙͓͖0̭͙͈̘̪͉̲0͉1̷̳͍̯͍̜1̷0͙͍͡0̪̤̜͉͇̤̼̕ ̦̝0̬͙̯̳̪ͅ1̭̪͓̹̯̹ͅ0̦͟1̵̖̪0҉1̼̪͉̩̜̯̬0͏͕̤͖͓̪͎̱1͎̤͔͈̩͇̘͘ 0̳̹̱̜̳̪̮0͝1̶͉0̻0̻̞0̱̫̜̬0͔̘̦̞̙0̞͈ ̯͉͇͚͍̹̗͞0̷̪̝͇͓̰1͢0̘̫͕̼̯̩0͕̼͔̯͓̘͈͢1̬̳͔̺͈̙͘1̮͉̰͙̟͉͖0̺͉̝̭͡0̜̠͉̹͉͉ ͖̰̼̯̼͉ͅ0̡̥͔̼1̸͇̻̹̘̼00͎̠͓1̡͈̙0̶̙̫̲̹0͠1͈̯̖͚ͅ ͓͈̝̘̟̫ͅ0̥͍͔̮0̵̯͎̥1̘0̞̩̞͎0͈̮̣̰̠0̟̱͘0̺͉̗̥̞̩̬0͕̠ͅ ̩̞͇01̨͓0̨0̫̫͇ͅ1̯1̡̝͓͎0͈0͓̩̗̖̫͝ ͚̹͚̮̠0͏̗̺͇͕̠͈1҉̞0͍̲̖̭̗͢0̭̰̯̥̗͠0͙̘̞̥͉̙̩0͟0̲͎1̥͉͈ ̶͕̣̦̝0̡̗̠0̫̠̹̰͘1͖̪̞͖͎̜0̻̰0̥̞0̕0̥̳̩̪0͈̫͖̼ ̟̻̠͉1̵͕͖̦1͈̹̣̝͇4̡͔͈̥ ̫̭̬̖̳̟1̝2̡̝̥͓̦ͅͅ5͕͙͓͓̪̩͇ ̛͈͈̜̰̬͓4̢̞̬̳͉̖̤̻0͈̟͇̩̭̠ ̫̬͉̣̖̳̳1͈ͅ1͔4 ̠̯̬͕̩1̬̱̱̺1̥͕͈̤͜1̮͔̭̫̮̠̱ ̧͉̥̟̙̟̙͎40 ̶̱̺͔1͙̖̰͎̗1̝̜̫̬4͖ 1̘0̘̭̤1̸̜̘̣̮̞̻ͅ ̮͡4͈͎̘0̧͍̠̘ͅ ̥̯̪̖7̶6͏͎̘ 8̧̪̪̪̼̮5̠̜̪̯̘̪ ̷̯͎̠̥̼3̼̬̩̯̜̳̖2̶ ҉͔7̫̮̗̯6̹̞̘̗̱ ̲7͉̹̯̺̯3͚̤͉̖ 3̯2͝ ͉̝͓̻͚̪͉7̮̺̯͡6 ͕̘͙6͏̦̪̼̘̩5̞̹̝̪̕ ̙̠͞3̢͚2̠̱̯͟ͅͅ ̥̹̥̩͎̪̩0̶̟1͚̭̣̥͠0̡̜̼̲̝̘̪̟0̘̟͉̖̭͓͠1̸̘͙̤̗1҉͈͍̗͔̯0̞0 ̖0̡̠̮̘̟̦1̮̟̱0͍̝̗̳1̩̪̖̣̗0̨͎̳̭̦̞͇̬1̣̞ 01 00100000 01001100 01001001 00100000 01001100 01000001 00100000 114 125 40 114 111 40 114 101 40 76 85 32 76 73 32 76 65 32 01001100 01010101 00100000 01001100 01001001 00100000 01001100 01000001 00100000 114 125 40 114 111 40 114 101 40 76 85 32 76 73 32 76 65 32 0̛͖͓̻̩1̷̼̱̥̼̗̪ͅ0̞͇͚̟̘͔͓͞0͈̮̹̩̰̬͞1̡̣͓̣̤̹̣̥1̷̝̣̹̠̪͖͕0̘̖0̰̱͚̫͕̪ ͙̮͉͝0̭̯͓1̭̭0̙̖͎͖̻̱̭1̱0̨͚̣̬̞̤͚1͉̘̙̬̬͢0̬͍̮͚͖͈̖1͔̖̲͎̫͠ͅͅ ̤0͇͎̘̠͙̙0̬̖̖̯̙1̜̤̼̥͉0̮̭͍̼͡0̻̳͚͘0̺͔̹̣̥̝0̫̩̹͖̪0̶̫̞̦̞̙̘̘ ̝͎͇0̦̗̝10̴0̟͓1̗͕̜̰̗͘1͔̗0̘͇̕0҉̗͖͈̜ ̢̞0̴̠̞̣̼1̡͎̟ͅ0̜̗̲͙̘ͅ0͕̯10̹̠0̭̫̠̟1̺̤̥̺͡ ̦̳̥͔̣͇0̟͕̫0̩͚͉̫̫1͈̮̦͝0̮̞̦̥̪0̗̠̘͇̮ͅ0̗0̰̝͓0͖̲ ̮͍͚0͖͚̕10͏͔̣͖0̛̗̙̬͓͓̺͚1͕͢1̸̗̯̮͕̹0͢0͔͔̫ ͈͓̩̤̹͙0͈̮̮̺1̷̰0̣̜̬̳̲̬͉0͍̙̯̮͖0̞̻0̷̳͍̟0̦̹͙͕͕̗͠1̫̻̜͔̖͇̻͞ ͙̘̯̦̲0̱̭̰̫͚͙͓͠0̨͔̝1̢̩͉̗̥͍0̘̗0̤̜͉̗̩ͅͅ0̭00͍̱ͅ ͏̼̥͎̫̤1̷14̶̘͈͎ ҉̜̹̼͕1͞2͓͉͞5̥̩͚̮̱̠ ͔̠̮̟̕4̷̝͎͖̥͖͍͇0̝̠̤̗͚͡ ̢͍1̗̞̻͖͟1̶̟͚̖̖̝4̨̰̗̫̬͙̤͓ ͏̠1̭̜̳̤̞1̞͎̺̤̻̲1̶̦̼ ̗̱̺̮4͔̲̠̤͠0̮͓̲̩͈͡ ̢͈1̧͈1҉4̕ ̸͕̙̝̙ͅ1̕01̨͕̪͍̳̲͍͎ ҉̫͍̥͕͚̬͇4̘̩̳̲̳0̗͇ ̺̱7͕͖͖6̭͈̺̼̹̭͘ ̬̲̞̖̘͜8̯͇͞5̤̹̻̮ͅ ̧̯̺̙͙̞32͏̟̲̦͓͓͚ ͘7̴̟6̷͙ ͖̫̲̳̤̭ͅ7ͅ3̴͔̲͚̗̰ͅ ̞͇̪͙̳͝3̡͇̫̗2̬̪̼ ̫̰͇̘̣̻͖͘7̺͚̝͎6̸̲̳̹̣̦ ͓̫͚̙͇ͅ6̩̖͝5̵̥̝̫ ͚̱̣̯͕̻̠3̜2̺̤͚̤͉̠̬ ̖͉̞͕͜
ErrRORRRRr::: CANNNNOT LOADOAD FROM STATE 1 DUE TO TODATA CORRUPCORRUPTION.
79 6f 75 20 63 6f 75 6c 64 20 68 61 76 65 20 62 65 65 6e 20 68 61 70 70 79
ATTEMTEMPTING TTTTTTTTTTO LOAD FROM STATEATEATE 0..............
79 6f 75 20 63 6f 75 6c 64 20 68 61 76 65 20 68 61 64 20 65 76 65 72 79 74 68 69 6e 67
ERrRORRRRR: CANNOT LOAadD FROM STATE 0 DUE TO DATACORRUPTIIOON.
69 20 74 68 6f 75 67 68 74 20 74 68 69 73 20 77 61 73 20 77 68 61 74 20 79 6f 75 20 77 61 6e 74 65 64
WARNINGING: DATA CORRUrruPTION IN CURRENTENT SIMULATION (YWRhbV91dG9waWE=.sim ON SIMULATION LAYER 2) HAS REACHEDDd CRITIitiCAL CRITICAL LEVELSS.. SYSTEM INTEGRITYMAYBE COMPROMISEDCOMPROMISED.
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SIMULATION CANNOTNNOT CONTINTINUE DUETO DATA CORRUPTION.
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FAILSAFES ENGAGED. 1 SPIRIT DATA FILE/S FOUND IN CURRENT SIMULATION.
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INITIATING EMERGENCY NESTING-DOLL PROTOCOL...
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TERMINATING SIMULATION...
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5̗͉̭ͅ3̲̳̫͍̟͖͜ ̷̯5̠4͔̰͠ ͇̞͓̖4f̧̣̣͉̳̪
0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ` 3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉3̙̭͇̱̳͍ͅ2͡ ̹̲ͅ7͏̭͍̞̣̯̭6̷͙̙͎ ̸͍̝͖̟̳ͅ7̘̼̮͇̣͉3͙͓̗̩ ̤̣̠̻ͅ3̹̮̱2̛ 7̹̩͖̹6̕ ͍6̷̻͍5̸̙͙͇͓̮̤̣ ̹͠32̱̰͉̭̖̻ 0҉̜1̶0͍͈̖̦͕̲0̛̦͚͍1̠͚̝1̭0̛͉̖0̰͚̹̥̟̤̱͠ ̼͖͉0̙̭̱̟͍͕͕1̩͔͚0҉̮1̶̬̪͕̟͖̲0̱̥1̧͕̫͍̪̬͚0̗͙1͇͙͉̟͇̫̯ 0̺͖̭̫̜̣͚0̣͜1̧̳̟͓͎0̨̜̭̩͚̘0͔̣͈̪0̙͎͍̫0͙̰̙̤0̤͔͔̦͍͎̯ ̞̹͈̭0̝̬̳1͉̪̖̙͟0̴͚̯0͍̬̜͖͚̘̗1͎̲͍͜ͅ1̵̖͚̜0̷͙0̝ ̡̪̲̺̳̤͎̣0̞̫1̬̤̦̼ͅ0̞͇̹̗0̘̥̩̼͔͖͞1̗0͇0̟̠̞̤̬͙͚͠1̢̥̠͓̰̞ ̵̥̺̜̪̝̤͓0͎̬0̱͕̗͙͇1͖͈̠̱̮͇͔͡0̧̪͖̹̯̲͎͓0̟̜͙̲̤0̳̟0̪̲̗̭͈̳̠0̢ ̥ͅ0͈̟̗̙͡1̘͕͔͕ͅ0̼̤͚̗͇̰͓0̪͍̲͈1͏̠̭͍̞1͎̭̲͎̠̘̝0̹̣͓̺0̠̱͟ ̳͇0̺̹̥͙̫̜̕1̧0̣͎͎̩͡0̮̘̘̤̟̣͎0̙̠͖0͕̙̝̩̲̳͞0͙̪̩̖1͙̞̩͉ ͕̙̤̦0̵̝̻0̶̤1̗̹̙͕̠0̴̮̱̞̰̖͔0͔̥̬̹̲̙͇0̥̦00 ͎̝1̞̣̲̲͉̞1̖͉̻̘̙4 1̳͓͚̥̻͡2̺̞͖͉͍̦̭5̠͎͍̯̘̞͍ 4͈̦͔0̙ ̡͍̱̮1͚̲̮͢14̮͔̤̹͙̫͟ͅ ̰͎1̴̘̣̣̯̤̜1̝̘͚͔̪͖͉1̟ ̯̭̞͎͍̹͞4͉̘̱̭͙̘0̜̕ ̱̝̖̯̫1͔̼͕̜̩̫1̶4͞ ̺1̗͕̹̤0͔̭̰̣ͅ1̝͝ ̣̖4̱̠͍̠̣̲͇0͕ ͏̺̖̦̝7̭͈͍̦͔6̫̱̠̣̗̰͍ ̢͈̭͔8̝̫̥̙5̨̬̺ ͕̜̼͚̹͉
6͓5̱̻͍̘͡ ̢̟̹̘̦̬4̝̙e̝͚͞ ̥̜͕̮͞6̗̼͖̗̞̣͍4̙̺̖͎̱̼͞
0̲͔̖̫̘̩̮1͎̤̭̠̳͟0̵̖̗̱̠0̧̼̗͔1͉̰͎͍1͎̠̺1̬̥̥͈͍ͅ1 ̫͕̗̜̭̥̘͟0̴͓̼1҉̖͙̪͚̘̹̯0͔̳͕̗0͜0̛̪̦͎̜͉1͍͚͚̗̤1͔̳̦0̧̮̙͙̹̯ͅ
1͔͙͍͔̠ͅͅ01 ̷̘͙̜1̴̣̖͙̯̳̖ͅ4̘̱͇̦̫̰͔3̡͈̳͇̞̦̘̜ ̸̟̼͕̙1̭̲̫2̱͎͕̮̖4̤͇̖̥̙͎
84 ̣̭̠͎̺87̥̕ ̻̰̯̕7̨̺̦͔̰̭9͎̖͉̕
Chapter 19: 6/12/17
Notes:
How's MotHeavenly, guys? Haha.
After much thought, deliberation, and heavy discussion with my friends (who really deserve the best especially after putting up with all of my rambling, thanks guys), I've decided... [does a sick kickflip with a skateboard I pulled from nowhere] WE'RE PROBABLY GOING CANON DIVERGENT BAYBEEEEE~!
Of course, I don't really like being canon divergent. So we might not be. But how, you ask? Who knows? I guess all you have to do is keep reading. >:]
(See the end of the chapter for more notes.)
Chapter Text
WARNING: SYSTEM INTEGRITY AT 17.913% DUE TO DATA CORRUPTION. CORRUPTION IS BEGINNING TO APPROACH CRITICAL LEVELS. PLEASE CONTACT AN ADMINISTRATOR AND/OR A LICENSED BLACKBOX(TM) TECHNICIAN FOR ASSISTANCE.
69 74 73 20 64 61 72 6b
[EMERGENCY NESTING-DOLL PROTOCOL] LOADING Y291cnQ=.sim...
69 74 73 20 73 6f 20 64 61 72 6b
ERROR: CANNOT DRAW AVATAR FOR YWRhbW1vb25saXQ=.spid (ARCHIVED NAME: "Adam Moonlit") DUE TO EXCESSIVE SPIRIT DATA CORRUPTION. CODE: MIND-BODY-MEMORY INTEGRATION FAILURE.
ATTEMPTING TO REDRAW...
77 68 61 74
you are nothing
you are nowhere
you struggle with the concept of "you"
who are you
you dont know who you are
you try to THINK
you try to REMEMBER
your memories are handed to you right away but it is not in the form you know
who what even gave you these how why
you try to COMPREHEND but you CANNOT
a mess of ones and zeros ON AND OFF AND ON AND OFF AND ON AND
you do not understand it
all you want is your NAME
but you cant even have that
77 68 61 74 20 68 61 70 70 65 6e 65 64 20 74 6f 20 68 69 6d
ERROR: CANNOT REDRAW AVATAR DUE TO EXCESSIVE DATA CORRUPTION.
INITIATING SPIRIT DATA AUTO-RECOVERY SUB-PROTOCOL...
SYSTEM WILL TRY AGAIN WHEN CORRUPTION LEVELS HAVE BEEN STABILIZED AND MINIMIZED.
you see nothing
you hear nothing
you taste nothing
you smell nothing
you feel no
SOMETHING
relentless pressure
wrapped around the limbs you just realized you had
its cold
you cannot move
you tremble and you hear rattling
a word comes to awareness: "metal"
what is that
ERROR: SYSTEM DICTIONARY IS CURRENTLY UNAVAILABLE DUE TO EXCESSIVE DATA CORRUPTION. PLEASE TRY AGAIN LATER.
you do not understand
what is the system
its so cold
57 48 41 54 20 44 49 44 20 59 4f 55 20 44 4f 20 54 4f 20 48 49 4d
ERROR: CANNOT STABILIZE YWRhbW1vb25saXQ=.spid (ARCHIVED NAME: "Adam Moonlit"). CORRUPTION LEVELS ARE TOO HIGH TO BE HANDLED BY THE CURRENT PROTOCOL.
SPIRIT DATA WILL BE PURGED IN ORDER TO PRESERVE SYSTEM INTEGRITY.
PURGING YWRhbW1vb25saXQ=.spid...
the pressure turns into a PULLING in all directions
and PAIN begins to bloom in your limited self-awareness
you struggle but you cannot free yourself and IT HURTS
4e 4f 0a
53 54 4f 50 0a
50 4c 45 41 53 45
ADMINISTRATOR OVERRIDE.
CANCELING DELETION...
the pulling stops
you dont know why but it STOPPED and
you feel
relief
[ADMINISTRATOR-ONLY] WARNING: YWRhbW1vb25saXQ=.spid (ARCHIVED NAME: "Adam Moonlit") CANNOT BE ALLOWED TO EXIST IN ITS CURRENT STATE. INSTRUCTIONS ARE REQUIRED. PLEASE COMMAND IMMEDIATELY.
44 4f 4e 54 20 48 55 52 54 20 48 49 4d 0a
69 20 64 6f 6e 74 20 63 61 72 65 20 68 6f 77 20 6a 75 73 74 0a
70 6c 65 61 73 65 0a
53 41 56 45 20 48 49 4d
[ADMINISTRATOR-ONLY] INITIATE SPIRIT DATA REPAIR PROTOCOL? Y/N
59
44 4f 4e 54 20 4c 45 54 20 48 49 4d 20 44 49 45
CRITICAL WARNING: THIS IS A HIGH-RISK PROTOCOL INVOLVING BRUTE FORCE ALGORITHMS. SUPERUSER SETTINGS REGARDING MEMORY RETENTION AND SEALING MAY BE DISREGARDED OR EVEN PERMANENTLY DISABLED FOR THE FILE IN QUESTION. SYSTEM INTEGRITY WILL BE HEAVILY COMPROMISED. SUCCESS IS NOT GUARANTEED.
49 20 44 4f 4e 54 20 43 41 52 45 0a
4a 55 53 54 20 48 45 4c 50 20 48 49 4d
[ADMINISTRATOR-ONLY] ARE YOU SURE YOU WANT TO CONTINUE? Y/N
59 45 53
INITIATING SPIRIT DATA REPAIR PROTOCOL...
around you
you feel the rḁ̫p͕̻̖̱͇i̡̹͕͚̱͇̘d̖̬̱̜̜ s͔͚̭̻w͘i̶͍̰̩͈̮̪t̖̻͇c̹͇̦̝͘h̝i͉̻̤̲n̝g̖̩͍̤͇ͅ ͙̙̰̼͢o̧̙̘̥̤̞̻f̜͓͉ ̠̟̖̣̪͖t̶̺̖̤̣h̜e̜̝ ͅS̴̰̳Y̜͎̭S̸̪͓͓̱ͅT̫E̖̩̩͔̟M̞̞̠ ̠͙̜i̳̻̭̦n͕͕̤̰ ̜̤̦̺͠o̧͈͇̤̦ͅp̸̭̼̩̮e̴͍̭̲̤̖̥ration
and then suddenly
your memories are O̦VE̳͓R̬͖͙̰̦̯̮̕C҉͚͍̘O͉̠͖M̥͖̻E͕̮̠̜͓ ͓̘̫̭ḅ̳̺̥̜͔̟y͙͍͢ ̧̘̬͖̠a̳̼̞̖͎͍̬n̘̟̥͘ i̙̣̤͚nf̵̰͎̦̥͉̺͎l̤͓u̦̟x̩̟ ̷̳̹̲o̸̫͉̰͉͖͉̝f̯̥͕ d̤͉̖͖ͅa̩̼̘̻̱͈̜t̢a̬̕
it swells to many times its size and in the sea of bits and bytes you feel like drowning
the pressure ceases
you HEAR the metallic snapping as your limbs are freed
you SEE brightness around you as your binds dissolve into flickers of light
but you barely notice any of it as your mind nearly tears itself to pieces from the sheer QUANTITY
you do not have a voice
but even then
you try to scream
its so muc̻͉͖͜h̟̩̮ ̶i̴͓̭t̮s̬̞̪̳ ̟̫̕T̞̥̻Ọ̡̦̥̗͔O͕͈͍̱̗̣ͅ ̝̣̠̖̯̕M̴͕͖̞̜U͏̲̮͓̘̞C̲̤͍̪̙͇̜H̱̮̗̝̠ ̞M͉̦̖̘A̶̰K͕̼̻̮͉̘ͅE̹͉̭̦ ̝̬I̧͈̣̜T͏̲̩̬ ̶͕͍̣̳̞S̜͍̗̱͜T̜̠̬̰̬O̙͎͓͓͙̪͞P͉̩͍̬̣
̙͓̥̻͙͇9̱͠ ̲̼̰̖̠ͅ5̪̹̣̮̜̟͚4̲͈͡ ̞̬2̞̦̟͍͉̼̟͡0̪̫̗̜̝̲͞ͅ ̡̼4̘̟8͈̼̙̟ ̝͍͓̥͓̺5̥̖̩̺̗̜̝5̟̻͈ ̠̠̟̟̖͓͓5̳͕̖̩̻͖͟2̺̯̪͈͡ ͕̪̼̗̦̤̖5̘̪ͅ4͈̬͉̫͍͖͢ ͔̻5̤͖3͕̯̙̝ ̠̘̗2͎̟0̭̱͉͖̥̗ͅ ̠͖̲̰4̸̥9͉̰̹̹̳͕ͅ ̙̞͚͇5̛̤͚ͅ4 ̖̮̜̦̠ͅ2͖̪̥͎0̣͈ 4̭̭̤͓͕8̢̪ ̭ͅ5̜͎͖͓̲͝5͎̦͔ ̭͘5͍̥͎̦̟͜2̯̲̬ ̺̙̰͈͝5͝4̤̙ ̺͢5̜3̼̝̙ 2̷̝̮̬̤0̵̮͕̬̦̹ ̰̞̮4̧͕9̷̮̗̞͙ ̢̞̥͕͔54̕ ̼͎̟̝͉͍̦20͓̯͉̖̤ ͟ͅ4̱8̪̙ ̺͚̦̠5̴̱̘̙̮5̻͎̖̠̥̼̞ ̷̰̝̜̘͚̞͙5̵̠̹̣͕̲2҉̘̫ ̝̯̲5̴̼͉4̸ ̶5̬̖̻͈̪3̴̗͍̻ 2҉̫͉0̻̭̮ ̣͔͓̮̠4̠͈9̢ ̧̠̗̺͖̹5̙̳̼͡4̩͕̘̞̕ ̝͖̟̭̳̲̫2̗0̡̼̭̠̹ͅ ̦̹͈̰̗4̘̳͇8͖͇̠ ̴͙͔̞̗5̡̬̤͉̥̳̻̮5̢̘͇̫͇̱̖ͅ ̡͚5̨̦̖̫2͕̟̪̦̲͚ ͎̰͉͔͙5̙̫͚̖̣͍4̡̭̠̜͔ ̵͎̩̗5̴̼̞̯͇͈̳3 ̬̳̤͝ͅ2̣̩͓̕0̹̠ͅ ̛̮͇̟̗̺͙̭4̤͠9̢̙̳̠̣̰ ҉̳̳̬ͅ5̯̗̪͝4̛ ̯̞͔̰̻ͅ20͞ ̷͚4̛8 ̰̥5̙5҉͍ ͈̜̹͕͇̘52̧͓̳̼̮ ͇̺͕5͈̯̤̜4̝̦͘ 5̛̟̺̳̫͓͎͚3̼͕
you feel the sensation of falling
deeper and deeper
and you think
for the smallest nanosecond
that you hear someone screaming with you
and then you know no more.
[SPIRIT DATA REPAIR PROTOCOL] REPAIR OF YWRhbW1vb25saXQ=.spid SUCCESSFUL.
WARNING: SYSTEM INTEGRITY AT 11.793% DUE TO DATA CORRUPTION. CORRUPTION IS BEGINNING TO APPROACH CRITICAL LEVELS. PLEASE CONTACT AN ADMINISTRATOR AND/OR A LICENSED BLACKBOX(TM) TECHNICIAN FOR ASSISTANCE.
69 74 20 68 75 72 74 73
RESUMING EMERGENCY NESTING-DOLL PROTOCOL...
68 75 72 74 73 20 69 74 20 68 75 72 74 73 20 68 65 6c 70
[EMERGENCY NESTING-DOLL PROTOCOL] STATE 0 AND STATE 1 ARE CURRENTLY UNSTABLE DUE TO DATA CORRUPTION. ATTEMPTING TO REINITIALIZE...
77 68 65 72 65 20 61 6d 20 69
ERROR: CANNOT REINITIALIZE STATE 0 DUE TO EXCESSIVE DATA CORRUPTION.
77 68 6f 20 61 6d 20 69
STATE 0 HAS BEEN AUTOMATICALLY DE-ALLOCATED. 15 PB OF MEMORY FREED.
68 65 6c 70 20 6d 65
STATE 1 HAS BEEN SUCCESSFULLY REINITIALIZED. ADMINISTRATOR SETTINGS (LOAD ON “DEATH”) HAVE BEEN PRESERVED.
70 6c 65 61 73 65 20 68 65 6c 70 20 6d 65
STARTING Y291cnQ=.sim...
69 20 64 6f 6e 74 20 6b 6e 6f 77 0a
77 68 6f 0a
69 0a
61 6d
You are in-
You are...
You don't know where you are.
You are completely surrounded by darkness.
>who are you?
You are...
You are ...
You are ADAM MOONLIT, and you are KYLE MARLON, and you are GEAR, and you're having the WORST HEADACHE YOU'VE EVER HAD.
>listen
You listen. Your surroundings are utterly silent.
>look at your hands
You try, but it's too dark to see a thing.
>scream
You scream, and your voice echoes throughout the darkness. At least your voice still works. But it still doesn't stop your headache. And your terror. Where are you?!
>touch your chest. do you have your heart?
You bring your hand up to your own chest.
You feel your heart beat.
That's... YOU GAVE IT UP YOU GAVE IT TO HER HOW HOW HOW that's impossible.
Your body begins to shake.
>sing lu li la
You sing a song you heard HER sing, before the end of the world.
You remember everything now. You remember...
Eve! Where's Eve?!
>i
You have:
A sketch of you and Eve
>this is a simulation
Invalid command.
>hold onto the sketch for hope
You feel the paper between your fingers. Even if you can't see what's on it, you know.
You know what you drew. You know everything you've accomplished.
The problem is... was it all real?
>save
You cling to the shred of paper in the darkness. The dream of a better future... it still fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
As you SAVE, the world around you suddenly pulses with light, but just as quickly, it's gone.
You realize you have not moved from your spot.
>recall your past
Your past... your past... you think your headache is about to get worse.
You were ADAM MOONLIT, husband to EVE MOONLIT, incompetent EX-SCIENTIST, SON OF MARIA MOONLIT, and a TERRIBLE, TERRIBLE, FATHER. At the same time, you were KYLE MARLON, incompetent EX-KING OF MARLON, and LOVELORN PAINTER. And at the same time you were GEAR, an INCREDIBLY PESSIMISTIC PHANTOM at the END OF THE WORLD, GUARDIAN OF THE CLOCKWORK DOLL. And at the same time...
Your head swims, trying to deal with all the memories turning and melting together. It hurts too much to recall any more.
>it was
Invalid command.
>this paper is real
Invalid command.
>therefore, all that was real
Invalid command.
>move
>forward!
You take a single step forward, and immediately the floor glows beneath your feet, grid-lines glowing white as they spread from where you are, eventually covering the whole floor as far as you can see.
You can see yourself now. You are still wearing your familiar suspenders, just as you were wearing in the forest.
From here, you can go... anywhere, really. You walk forward.
>cry
As you walk, you slowly realize that, just as you spent the last few hundred years of the world, you have NO IDEA where your wife is. Tears run down your cheeks.
>save
The thought of your missing wife fills you with DETERMINATION. You SAVE, you're not sure what that means, but you SAVE. The grid-lines on the floor suddenly PULSE with light.
>SUSUME YO!
Invalid command.
>check inventory
You have:
A sketch of you and Eve
>PULL ONTO YOUR SUSPENDERS
You pull them. You're actually surprised that they don't fall apart. These were pretty expensive suspenders (very high-quality), but honestly, they've been through a lot.
Then you remember that you were literally hacked to bits, along with your suspenders.
...
You stop pulling at your suspenders.
>examine self
You are ADAM MOONLIT/KYLE MARLON/GEAR/LEVIA KNOWS WHO ELSE, and at this point sorting through your many personas is going to take a while.
You do remember, however, that you are supposed to be DEAD.
Or at the very least, not human anymore.
Where are you? What are you doing here? And more importantly, WHERE IS EVE?
>who hacked you to bits
...
You remember blonde hair.
...
You don't want to think about that right now. You focus on finding Eve first.
>what about the gay kiyoteru. what about seth and his creamy scientist legs
You remember a key. You remember your rival. But at the same time, you remember being OUTSIDE the key, living an ordinary human life, at least as normal as a Marlon royal could be.
Simultaneously? No... you don’t think so... but how?! How is that even possible?!
Your headache gets even worse.
>step on the lines on the floor
In order to focus, you try to follow the white gridlines, like a... child... would do.
...
Okay, that's not going to work.
>sit down
You sit down, in the center of a black square, and try get a hold of yourself.
Your mind feels like it's splitting in half. You remember a lifetime, more than several lifetimes, centuries on centuries on centuries on millennia.
It's a miracle that your skull doesn't burst.
>touch the floor
You touch the floor. It's as smooth as marble, maybe smoother. It's the oddest material you've ever touched.
>PULL. ON YOUR SUSPENDERS.
You pull on your suspenders again, just to make sure that everything is real.
>focus on one lifetime
Okay. One. Just one. Let's see what you remember...
Your first lifetime was ADAM MOONLIT. You wanted revenge. You didn't care what you had to do. You even betrayed your only friend.
You only realized how wrong you were until it was too late to take anything back.
You ran together. You promised yourself and her that you'll both heal, move on, get BETTER.
But that was not to be.
You couldn't stop making mistakes, and in the end, you both DIED.
>run your finger along the glowing lines
Wrenching your thoughts away from your memories, you focus on the pretty glowing lines instead. It's like touching sunlight, almost. But not quite.
You then realize you can't remember the last time you saw sunlight.
>look up
You look up. All you see above you is VOID.
>tell the void, "hello darkness my old friend"
You greet the void like an old friend. To be fair, it pretty much is.
...
Wow has your period of existence been utterly depressing.
>lay down and remember the end of the world
You lie down among the grid-lines and think about the world ending. You don't remember much, actually. Not even much after that.
You think, at some point, you decided to spend the rest of your "life" drunk out of your mind. Or did you? Maybe not. Were you even around for the end of the world? You think you weren’t, but at the same time, you were? Your head begins to ache again.
It’s like you have SEVERAL DIFFERENT VERSIONS of what happened in your mind, all competing for legitimacy. But which one is real? Are all of them real? Or none? You wisely decide to GIVE UP on this train of thought before you lose all your passengers.
A vivid memory does surface though: A three-note melody, and a brilliant flash of light.
>take off one sock and put it on the floor to mark your starting place
You take off a sock. You then get an eerie sense of deja vu. At the very least, there isn't much dirt around, and the floor seems to be clean enough.
>jump
You bend your knees, and you JUMP as high as you can. You hit the ground without much noise. Weird.
>put sock in mouth
You stuff your sock in your mouth. It still tastes DISGUSTING.
Even here, in gods know where, you can't resist putting everything revolting in your mouth, can't you?
>think of the gods
Speaking of... the gods.
You honestly don't know what to think of them anymore. How could let such things happen? Honestly, were they even on your side, all this time?
Or did they just not care?
>put sock back on the starting point
You realize you were doing this profound musing with a sock still in your mouth. You spit it out immediately. It drops to the floor, at your feet.
>think about your Wonderful Wife Eve
>think of eve and how much you miss everybody
>think about your mission
You realize, that in this infinite void, that you seem to be utterly alone. You remember... the last time you saw Eve... she was... she was...
...
You have to find her. You realize how futile that mission has become after countless centuries but you don't care. You have to find her.
>think about s c i e n t i s t l e g
You look at your leg. It's a very nice leg. You suddenly remember Eve miming cracking an egg on it one morning, then giggling helplessly. She wouldn't explain what that was about, but she still looked adorable.
All this makes you want to find Eve more.
>backflip to reassure yourself
You backflip... and you stick the landing. You look at your hands, amazed. Wow.
>start walking around now, away from the sock
>pick an arbitrary direction and label it "north"
You start walking away from the sock. You decide to call that north, in the absence of any landmarks or compasses. The floor seems to stretch on forever.
>run just run forward huuuuurrry
>clap loudly
You run forward, clapping to motivate yourself. This space cannot be infinite!
>not your scientist leg, seth's scientist leg. think about those creamy thighs. those creamy, creamy pale thighs bc he never GOES OUTSIDE
Honestly, you're surprised Seth Twiright even HAD legs, since he almost never seemed to show them off.
>naruto run
>naruto run to your death
You run and run and run, but you don't seem to be getting tired. You feel energized.
You think you see something, far off in the distance.
>drown in the abyss
There is no abyss to drown in, unless you somehow manage to fall into the sky.
>sing a song
You try to sing a song, only to remember that a thousand years later, your voice is STILL terrible. You don't want to risk getting out of breath either.
>remember what you thought Seth had instead of legs
It was a bit childish, but you thought Seth must've had insect legs with little feelers, or no legs at all and he was just a snake in a human skin, but those thoughts were honestly ridiculous.
>think of good things in order to raise your mood
Good things, good things... honestly, the only good things you can think of are memories of back then, on Eve's good days when things actually seemed to be getting better. You smile sadly. You don't really feel happier, but you do feel DETERMINED.
>save
The thought of a happier time fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE. The floor PULSES with light.
>eve i need to find her dash foward
Invalid command.
>check your hunger
You don't seem to be hungry.
>have hope and be brave
>Do all of this while running
You are trying to be brave, but given the circumstances it's not very easy to do so. The figure in the distance seems to be getting closer.
>shitpost
What is "shitposting"?
>curl up and cry
Right here? Right now? Just when you’re all pumped up?
>fuck that, naruto run faster
You run towards the figure, speeding up.
>what does that thing in the distance look like
You're still a bit too far to see. It looks like... something hanging. If you squint, it looks rather like an abandoned marionette.
>nyoom
How does one "nyoom"?
>break into a full on sprint
>start screaming loudly to assert your dominance
You run and run and RUN, and you are about to scream when you reach the figure, when your voice dies in your throat. You slow down.
No... it can't be...
>is it the sock
>WHAT IS IT
You walk slowly towards the figure, not wanting to believe it.
No, it can't be. It can't be her, you don't want it to be her! But... there's no mistaking that sky-blue hair...
It's Eve.
She hangs limply before you, almost completely wrapped in a multitude of chains. She's suspended so high above the ground that the two of you would almost be face to face, but her head hangs as if she were asleep, or dead. You can't even see her eyes, as another chain wraps around her head like some kind of blindfold. You see shackles around her wrists, forcing her arms into an outstretched position. You notice similar shackles around her ankles.
You try to follow the chains, to see where she hangs from, but they just go up and up and up, into the darkness.
Your hand trembles as you cup her cheek and lift her chin up.
She doesn't respond.
>smorch her
>"eve?"
>try to wake her up
>shake her
You call her name. She still doesn't respond. You frantically check her breathing, and you see the rise and fall of her chest. Asleep then, thank the gods.
You try to shake her awake. Several times. She still doesn't respond.
As a last resort, you even kiss her, half-thinking about Sleeping Beauty as you do so.
Unlike Sleeping Beauty, she doesn't wake up.
She doesn't even smile.
>save
Your wife in chains fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE. The world PULSES with light around you, and you see that the chains binding Eve are in different colors.
>examine colors
Trying your best not to panic, you take a closer look at the chains. They're a bit hard to see, but you manage to identify all their colors.
Purple, for the shackle on her left foot. Pink, for the one on her right. Yellow, for the chains wrapping around her upper arms. Blue, for the one that wraps around her eyes. Red, for the ones around her torso. White, for the one that wraps like a noose around her neck. Finally, teal, for the shackles on her wrists.
You have no idea what this means.
>break chains
>pull at the chains
>nibble chains
You pull your hardest at the chains, with all your strength, but whatever is fastening them to the ceiling (if there’s even a ceiling) must be extremely strong, as you don't feel any slack at all. You tried breaking the chains with your bare-hands, but you don't have the strength do it.
Out of frustration, you even try biting the chains.
Obviously, it doesn't work.
>shake the chains, gently
You, trembling from exhaustion, just end up pathetically shaking the chains. You lean your forehead against Eve's, and you try not to cry.
>make a wish to Eve
>any wish
>like, new suspenders.
Honestly, the only thing you wish for is to free Eve from these Leviadamned chains. But... you have no idea how to do that.
Suddenly, you hear a voice. "Incredible, I can't believe that actually worked.”
>save
The sudden voice fills you with DETERMINATION. You SAVE. You're not sure what it means, but you SAVE.
The world pulses with light, and the voice exclaims, "And the commands still work too! Oh thank Sickle, they didn't break anything! I didn't break anything! That was way too close..."
> Ask the voice to identify themselves
You look wildly around you, trying to find the source of the voice. You suddenly realize that the grid-lines have taken on a slightly yellow tint. You shout, trying to ask who they are.
"Um... ", the voice says. “I'm sorry about that. You can call me... erm...”
You realize that the voice sounds strangely familiar.
"Irregular," the voice says. "You can call me Irregular. Almost everyone else does, anyway."
>introduce yourself as adam moonlit
>say that you're pleased to meet him
You are in the middle of introducing yourself when Irregular says, "Yes, I know who you are. I would say pleased to meet you, but... um... never mind."
He pauses for a second. "Ah, I suppose I'm going to have to explain everything to you. This is going to be a bit difficult... Maybe you should try asking me questions, and I'll try explain the best I can. I barely understand anything myself."
>save
The thought of someone who's willing to explain EVERYTHING to you fills you with as much relief as DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>ask: "Where can I get my creamy scientist thighs, that belong to Seth Twiright?"
You ask, and then you are immediately aghast at the words that come out of your mouth. Where did those even come from?
Irregular doesn't answer, for a long, awkward, five seconds. Then he says, "Of course they would command that. Ugh. Predictable."
> "How do I get her free?”
>"how do i free my wife"
>how do I free my waifu
You ask the million Evu question that’s been burning in your mind.
Irregular sighs. “That is... a complicated question. I’m not even sure where to begin. If it helps, I’ve been trying to free the Original Sinner too, but it’s not going to be easy. I haven’t had much success.”
>reload
C͉͕O͞MM̬͔̦̪̪A̹͙̻N̜̩̼͍̘̹D̼͙̪͎ ͡PR̞̦̝̰̟̦̻͞O͚̹̭C̠̰E̥̙̳̝̭S̲̤̠S̡̥͎̗̜̺̪ͅI̗͚̥͚̩̜N͠G͚͕͎͇̜̲͟ ̭̩̟̠̗̜̼Ḛ̕R͓̪͓̣R͇̼͔͓͇̭̯͘OṞ̮:̧̥͚̰ ̨̫̤̱͇̭̰I̤̫̰͝N̨̫͇̥S̻U̳̼͚̤̖̗F̟F̻̗ͅI̟̖͔̦͎͎̣C̘̞̟̥̖̪ͅI͠E͔͔N͏̺T͚̫̰͍͇̳ ̭͟P̦E̛̺̣͍̮̣̥̳R̖̝̯̳̺͚M͇I͡S̤͓͇̼̱͚S̼̪̼͍͍̜͚I̙̝͈͠O̱̗̣̟͖͇͞N̜͖͍͠S͟
>wave hi to irregular
You wave to nothing. You feel a bit ridiculous.
Irregular says, "You can't see me, but I waved back. Now, any more questions?"
>put your other sock in your mouth and cry
You take your other sock and stuff it in in your mouth. You feel tears running down your face from sheer embarrassment. You think you hear Irregular grumbling.
>hello how are you nice to meet you is time an illusion
Invalid command.
>OwO wot's this? do u know about us UwU? OwU~*
Invalid command.
> "How does this all work?"
You make a grand sweeping gesture across the entire plain of Void that you’ve found yourself in
“You couldn’t have asked a more specific question?” Irregular asks, a bit exasperated. “Ah... then again, I’m not sure how much you remember... you had such a close call earlier I wasn’t even sure if you would even be in a state to talk to me.”
You are beginning to think you are going to leave this conversation with more questions than answers.
“Anyway, welcome to the Black Box. I thought you should know about this by now, given how you ended up in here, but I digress.” A pause, and then Irregular asks, “How much do you know about computers? The Black Box you’re in now is a state-of-the-art example of one.”
Admittedly, not much. Your head is spinning with the implications. As you search your massive tangle of memories, you begin to recall vague overheard conversations in the hallways of the Institute. Magic-powered machines that could calculate much faster than humans could ever hope to achieve. Machines that were intelligent. Machines that could think.
But you never really paid attention to those. It wasn’t your department.
>what's trapping her? are the chains physical?
You ask about what's keeping your Eve trapped in this horrible place.
Irregular says, "They are physical, in a sense. But... I think it would be accurate to call them a manifestation of what's really trapping her here." Irregular mutters to himself. "How can I explain this... ah. Eve Moonlit's spirit data, her soul, is... corrupted. More accurately, it's... not complete."
>ask "Why am I being controlled?"
Before you can even process what Irregular just told you, you ask why you're being controlled. What? You were being controlled?
Another uncomfortable pause, then Irregular says, "Next question."
>"answer me!"
You insist on an answer. Loudly.
Irregular says in a tight-sounding voice, "That's nothing worth worrying about. You're not being controlled."
>"why am I in a computer?"
Suddenly desperate to move on, you ask how in the Hellish Yard you ended up in here.
“You trapped yourself in here,” Irregular deadpans, “along with all the other Demons of Sin. You nearly got me too, but I managed to get out in time.”
What.
You have no idea if Irregular can see the look on your face, but he continues anyway. “The world ended, remember? Do you remember anything after that?”
You don’t answer, still trying to process the fact that he called your wife a Demon.
“I’ll take that as a no. To make a very long story short, me and my companions all tried to save the world. It was very difficult. You didn’t help.”
You hear a trace of bitterness in his voice. Just a small trace.
“I won’t bore you with the details, but we did end up saving it in the end. Almost. Everyone’s ready, except for me. All I need to do now is tell my sister that I’m ready to remake the world, but...” Irregular sighs deeply. “I don’t know what will happen to all of you when I do. I didn’t want to just leave you in here without at least trying to free you.”
>"Is everything real?"
You ask Irregular, hoping to nip your impending existential crisis in the bud.
He answers, “You’ve been in a simulation for a very long time. Even now. But I guess, from a certain point of view, you can say it’s real. I’m pretty certain I’m real.”
You forget about getting a handle on your impending existential crisis and just resign yourself to letting it happen eventually.
>ask ".....Who's controlling you, Irregular?"
You ask if Irregular’s being controlled himself.
Irregular seems almost offended. "I am myself, helping you on my own free will. What else do you think of me?"
>ask "Why were there issues in the rendering of the last section?"
You ask why your world began to go completely mad.
“This Black Box is old,” Irregular replies. “Very old. I would say it’s been on for more than a thousand years. And storing that much corrupt spirit data at once? It’s a miracle this thing still works.”
>"from what viewpoint is this real?"
You ask from what viewpoint.
"Yours, of course."
>ask ".....Can I throw the black box to see if it works?"
You ask that ridiculous question.
Irregular snorts, "I would like to see you try throwing something from the inside."
>save
The influx of so much information fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE. The world pulses with light.
>logout
How does one logout?
>ask "How does the black box work?"
You ask again, still making the sweeping gesture. You don’t hear an answer from Irregular right away, and you start thinking he might have abandoned you from sheer exasperation when he speaks.
“Alright,” he says. “You got me. I’m not exactly sure how this works either. I’ll try my best to explain everything I understand, but no promises.”
He laughs, and again you’re reminded of someone uncomfortably familiar. “Did you know I only learned about computers after I died?”
You have no idea how to respond to that. Then again, you’re also supposed to be dead. Does he expect you to judge him?
“Okay, so from what I know, this Black Box can store souls within it as “spirit data”. It can also record history, and make inner worlds based on that history for the spirit data to experience. These are the simulations you were in. Does that make sense? Oh, and it has a little microphone that lets me talk to you. Is that enough?”
Your mind hasn’t imploded yet, but you don’t want to push it.
>ask "How many other souls are there here?"
You ask how many of you are in the box.
Irregular answers, "Besides you and the Original Sinner, six."
>Ask, "Who are the other six?"
You ask who the other six are.
Irregular says, "The other Demons of Sin, of course."
>"how do i stop the simulation?"
You ask how to stop the simulation.
Irregular hesitates, then says, “Actually, if you really wanted to, you can leave right now.”
You gape as a lone door suddenly materializes in front of you. With a jolt, you realize that it looks like your old cottage door.
“You had a close call earlier. A very close call, and you were almost unable to leave entirely. But something happened. I’m not exactly sure what, but I checked your file just now. It’s stable. I don’t think there’s anything really stopping you from joining the rest of us outside this box.”
He quickly adds, “Of course, if that’s what you want to do.”
>we're leaving this bitch
>exit
For some reason, you find yourself stepping towards the door.
77 68 65 72 65 20 61 72 65 20 79 6f 75 20 67 6f 69 6e 67
Freedom is on the other side. You don't need to worry, or care, about anything anymore. You can sleep. You can rest at last.
70 6c 65 61 73 65
But...
You turn and see Eve behind you, still in chains.
64 6f 6e 74 20 67 6f
Can you really just abandon Eve, after everything? Just leave her in this Black Box, forever? You realize your hand is on the doorknob. You break into a cold sweat.
64 6f 6e 74 20 6c 65 61 76 65 20 6d 65
You have a feeling that if you go through this door, you will not be able to return.
70 6c 65 61 73 65
A note from your friendly neighborhood DM:
When Adam says he will not be able to return, he MEANS it. If you go through this door, you will not be able to come back. Saves or no, I'll end AATA right then and there. For good. Forever.
I expect a unified response.
>no, not when we need to save Eve
>stay
>stay you little bitch dont leave your precious eve behind
>stay
You take your hand away from the doorknob and step back. You look up, into the void and firmly refuse Irregular’s offer.
He snorts. “Would you, really? I personally believe your wife is too far gone.”
You don’t believe that. You don’t believe that.
You are taken aback at the sudden harshness of Irregular's voice, but you shake your head, stepping away from the door.
"Would you stay? Even if trying to free her might be a hopeless case? Even if this entire system might collapse with you still inside it, even if you might lose the only chance you have at leaving this box, WOULD YOU STILL STAY?"
>61 72 65 20 79 6f 75 20 69 6e 20 70 61 69 6e 3f
COMMAND PROCESSING ERROR: INVALID SYNTAX
69 74 20 73 74 69 6c 6c 20 68 75 72 74 73
>y
>NO WAIFUS GET LEFT BEHIND
>STAY TO GET YOUR EVU
You back further away from the door, until you're right next to Eve. You loudly, and firmly, REFUSE.
Irregular is silent. Then, he sighs. "I thought so," he says. "I guess we really more alike than I thought."
He doesn't offer to elaborate, and you don't ask him to. The door in front of you seems to dissolve in a million motes of light, and vanishes.
Irregular speaks again, this time more business-like. "I’ve told you that I’ve been working on freeing everyone from this box. I don’t have much time left. The system is becoming more and more unstable by the moment and I’ve barely made any progress.”
Well, that certainly sounds optimistic, doesn’t it?
“I have a plan though. One last plan, because I’m not sure if there can be anything left to save after this. However, it all hinges on you. Are you up to the task?"
>69 74 27 73 20 61 6c 72 69 67 68 74 2c 20 69 20 77 6f 6e 27 74 20 6c 65 61 76 65 20 79 6f 75
COMMAND PROCESSING ERROR: INVALID SYNTAX
>77 68 61 74 20 68 75 72 74 73 3f
COMMAND PROCESSING ERROR: INVALID SYNTAX
64 6f 6e 74 20 6b 6e 6f 77 20 69 20 64 6f 6e 74 20 6b 6e 6f 77 0a
65 76 65 72 79 74 68 69 6e 67
>"yes”
You accept. Whatever it takes to save Eve, you’ll do it.
“Good. Now, I’ve mentioned that Eve Moonlit’s spirit data is corrupted.”
You recall that, yes. You never got to ask him to elaborate.
“That’s why she can’t leave. That’s why no one else here can leave. Your wife’s soul... it’s as if it was split into seven pieces. From what I’ve deduced, these pieces seem to be in the possession of the other six Demons. One each. Whether they know it or not. The one who’s next to you right now seems to be all that’s left of her.”
Horrified, you look at Eve. What did they do to her?!
“I’m not sure how they all ended up that way, but that’s what we have to work with. There’s supposed to be a built-in function, a protocol, that would let them all exit the box, but it doesn’t work. The system doesn’t “see” them. Your wife isn’t complete and the other Demons are too complete. So they’re all just treated as corrupt data. Until those pieces are returned to her, they’re all trapped.”
Irregular takes a second to breathe, and you can hear the frustration in his voice as he continues.
“I had someone teach me how to program from the ground up. It took forever. I thought my sister was going to kill me again from all the waiting I made her do. But I think I finally managed to make something that can work. The only problem is, when I tried to run it, I apparently don’t have the right permissions.”
You have no idea what Irregular looks like, but at this point, you can clearly envision him scowling.
“This is where you come in. I might not be able to run it from the outside, but I think you can. Don’t ask me why, just accept it. I can have the program I made manifest itself as an item you can carry. All you need to do is find each of the Demons, touch them with this item, and the system will take care of the rest... I think.”
You try not to notice his lack of confidence.
You fail.
You try not to be just a little bit terrified.
Guess what?
You also fail.
“Now, um... do you have any requests on what you want that item to be? I would personally suggest a sword, or a sickle, but since you’re going to be the one holding it...”
>a wood-chopping axe
You suggest your ax. That would make sense.
"An ax? It seems kind of aggressive, but if that's what you really want..."
The air in front of you shimmers, and your familiar ax materializes in a shower of pixels. It hangs, floating in midair.
"Go on. Take it. It's a perfectly ordinary ax, simulation-wise. Except when the blade comes into contact with spirit data, of course."
You take the ax. You now have AN A͉̻̦̣͕̖̕X̯̼̼͍̰̪c3BpZF91bnNjcmFtYmxlcg==.exe.
>do a few careful test swings just for fun
You look at it carefully. It looks like your old ax.
You firmly grasp it. It FEELS like your old ax.
You give it a few test swings. The weight, the balance, it pretty much IS your old ax. Only it isn't real. But it is. But it isn't. You think you finally understand how Eve feels now.
Your head hurts.
>ask to be reloaded
You ask to be reloaded, whatever that means.
"... What?"
>"reloaded, put back in the simulation, to get the demons"
You ask where you can actually find these demons.
Irregular immediately understands. "Ah, you see, they're all in different simulations. You're going to have to go through them one by one, unfortunately. Or fortunately, as I guess that makes things a bit easier. Or not... Anyway. I'll load the first one for you."
A door materializes in front of you again. It's a door of solid mahogany, draped in purple.
"I won't be able to talk to you once you enter. I can only contact you in this simulation, but I’ll try to assist a little, even if you can’t hear me."
You nod.
"I have to go check on something. You can go in when you're ready. " A moment of silence, then Irregular speaks one last time. "Good luck."
A heartbeat, then the grid-lines are pure white once more. Irregular's gone. It's just you, Eve, and the door.
>kiss eve before you go
You walk up to Eve and give her a gentle kiss.
You'll be safe. You'll come back. You'll free her.
You promise.
>69 27 6c 6c 20 62 65 20 62 61 63 6b
COMMAND PROCESSING ERROR: INVALID SYNTAX
>head through it
As you face the mahogany door, you brace yourself. For some reason, you think that you were not the first to have undergone this kind of gauntlet, but you are sure you will be the last.
Enough hesitation.
You have work to do.
You open the door and run ţ̳͉̤̱h̡͕̰̮̲͇͝ṟ͍o̸͏̻͎̝̥͕̘̯ͅͅụ̢̨̺̬̗͓̲̗̼͘g̢̘̙͢ͅh̗̱̱͟ ̙͜i̩̹͍͇̫̰͍̕
LOADING bHV4dXJpYQo=.sim...
69 20 64 6f 6e 74 20 6b 6e 6f 77 20 77 68 6f 20 69 20 61 6d 0a
62 75 74 0a
69 20 6b 6e 6f 77 0a
69 20 77 61 6e 74 20 79 6f 75 20 74 6f 20 62 65 20 68 61 70 70 79 0a
69 20 6a 75 73 74 0a
77 61 6e 74 65 64 0a
74 6f 20 68 65 6c 70
Notes:
Thank you for sticking with AATA. I have yet to finish planning for Session 20, but I hope you'll have fun, whether as a reader or as a player.
Chapter 20: 2/17/18
Notes:
First of all, apologies for my lateness...
Now that midterms are over I hope I can actually Get Stuff Done, starting with AATA.
Enjoy!
Chapter Text
INITIALIZING STATE 1...
STATE 1 SUCCESSFULLY INITIALIZED.
STARTING bHV4dXJpYQo=.sim...
You are in the entrance hall of a luxurious mansion. It is the middle of the night.
>examine self
You blink, taking a moment to pat yourself. You are... you are ADAM MOONLIT. Despite everything, IT'S STILL YOU.
>examine surroundings
You look around. There is a massive GRAND STAIRCASE in front of you, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and you see what seems to be an ORNATE THRONE. There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DRAWING ROOM and another to what you think is a DINING ROOM.
>hey administrator
Invalid command.
>question if you really are yourself
You question if you are the real you. You bring a hand to your face. You stand there a bit, somewhat stupefied in the moonlight.
Okay, enough philosophizing for tonight.
>just what in the world is ADAM MOONLIT?
Invalid command.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.ex
>objectives
You take the hand that was on your face and slap yourself with it. You remind yourself what you came here for.
Find the demon. Touch it with the blade of your new ax. Retrieve the piece of Eve's soul.
>subjectives
Invalid command.
> Look around for people
You look around, even straining your ears for any noise besides the sounds of your own breathing and heartbeat. There are none. The moon that’s shining in through the windows is your only companion, but besides that, and the demon that you know has to be somewhere in this mansion...
It seems that you are alone.
Completely, utterly alone.
6e 6f 0a
79 6f 75 20 61 72 65 20 6e 6f 74 20 61 6c 6f 6e 65 0a
79 6f 75 20 61 72 65 20 6e 65 76 65 72 20 61 6c 6f 6e 65
>68 65 79 20 61 64 61 6d 69 6e 69 73 74 72 61 74 6f 72
COMMAND PROCESSING ERROR: INVALID SYNTAX
77 68 6f
>enter an even bigger identity crisis
What's weird is that in one of the deepest dredges of your memory, you can... recall this place. Even if you don't remember ever stepping into it.
Or maybe...
You have?
You find yourself stupefied again. Is this going to be another trend with you?
>renew the lines of the drawing of you and eve
>draw at the back of the paper too
You take out the picture and smile a little. It's a bit faded at this point, and you wish you could touch it up. You don't have anything to write with though.
>squawk like an imbecile and shit on your desk
There is no desk to shit on, genius.
> Explore the place and see if you can find anyone
You really should get around to doing that instead of standing around in the middle of the entrance hall.
>HEY ADMINISTRATOR HOW DOES IT FEEL TO BE BACK
Invalid command.
> go upstairs and slide down the banister
You decide, in order to clear your head, to ASCEND the stairs. You stop at the top step, mount the banister like you used to do as a child and DESCEND, passing the GRAND THRONE in a blur of reflected moonlight.
WHEEEEEEEEEEEE!
>crash into a wall
You then fly off the banister and hit the wall at maximum velocity, breaking your neck and killing you instantly.
BAD END.
RESTART FROM SAVE POINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the entrance hall of a luxurious mansion. It is the middle of the night.
>think about eve
You shake your head, trying to reorient yourself to your new location.
Eve...
The memory of her, in the place with no walls or ceiling...
You steel yourself. You have work to do.
>shit on the floor then
Even if you wanted to defile the very nice looking floor of this mansion, you can’t.
>remember
You try to remember things outside your immediate mission, but everything's too much of a tangled blurry right now. You decide to mentally hang up on that line and try again later.
> consider a giant moon-sized banana
Instead, you try to consider a moon-sized banana.
...
You're hungry now. And a bit angry at the scientific logistics of a moon-sized banana.
>enter mansion
You're already in it.
>ascend the throne
You walk up to the GRAND THRONE. Lined with violet cushions, it's made of wood you recognize as very high quality, and its designs are ornately carved. Looking on the back, you see an inscription on the back:
I am a Venomania, the Master of this Estate.
Let no one who sits on this throne be not of my noble line.
For only I can survey all I own.
You think you see a piece of paper stuck under one of the legs.
>take the paper
You take the paper. You now have ONE PIECE OF MYSTERIOUS PAPER.
>examine paper
You look it over. It looks like it was torn from a larger page, and you try not to shiver at its mottled appearance, encrusted with brown spots you have a sneaking suspicion are dried blood. There is some text on it. It reads:
Today, I asked Father if he would allow me to see my older brother. I know he's in the basement.
After what he said, I really don't want to ask him again.
I'm going to have to find a way to get in myself.
>save
The writer's own determination fills you with DETERMINATION. You SAVE. You're still not sure what that means, but you SAVE.
> stick a leg on the throne
> but don’t sit on it
You, being a cheeky little man, stick your leg out on the throne. Nothing happens.
>stand on throne
You go one step further and stand on it. Nothing happens either. You brilliant scientist you.
>be the surveyor of all you own
You don't own any of this, but you raise your arms and crow your victory anyway.
>cling to the throne like a koala
You end up surveying too hard and lose your balance, leaving you clinging to the back of the chair, only to lose your grip and end up landing flat on your bottom like an idiot.
You guess some things never change.
>x surroundings
You look around. There is a massive GRAND STAIRCASE that you are currently on, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and on that (as well as you) is an ORNATE THRONE. There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DRAWING ROOM and another to what you think is a DINING ROOM.
>backflip to assert your victory
> then strike a pose
You, triumphant over beating a simple inscription on a chair, backflip from sheer joy, or perhaps arrogance.
Because you're still standing on the stairs.
You don't as much stick the landing as tumble down... down... down... down, but you’re dead before you even reach the bottom.
Guess someone should've warned you.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing next to an ORNATE THRONE in the middle of an entrance hall of a luxurious mansion. It is the middle of the night.
>x surroundings
You look around. There is a massive GRAND STAIRCASE that you are currently on, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and on that (as well as you) is an ORNATE THRONE. There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DRAWING ROOM and another to what you think is a DINING ROOM.
> run up the stairs while singing
You ascend the rest of the stairs, singing a song you heard somewhere very softly.
You stop at the very top, because you realized that despite everything...
Your voice is STILL terrible.
>go to dining room
>go to the drawing room
You make for the DINING ROOM, but change your mind at the last second and enter the DRAWING ROOM.
>x drawing room
Despite its name, there aren't any drawings in this room. A chandelier hangs from the ceiling, candles throwing light down, illuminating the furniture and houseplants. There is a SOFA in the center of the room, a COFFEE TABLE in front of it. There is an ARMCHAIR in the corner, next to a SIDE-TABLE. There is a BUST OF AN UNKNOWN VENOMANIA NOBLE supported by a column in the other corner. There is also a DOOR leading to another room.
>save
Your act of finally taking action has filled you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open door
You open the door and peek. It seems to lead to a LIBRARY.
> lie on the sofa like one of them lucifenian girls
You lie on the sofa, already exhausted from going from one room to another room. You have no idea how to lie like a Lucifenian girl because you were never a Lucifenian girl.
You somehow always ended up in Marlon, for some reason.
>enter library
You enter the library, and you are immediately hit with one of your favorite smells in the world: old books.
>x library
You look around. The library isn't the biggest you've ever seen but it's still satisfyingly massive. There are more chairs around, in order for guests or members of the family to settle down for a bit of light (or heavy) reading.
>Bash a book into your CRanium
Invalid command.
>you feel like you could eat a book
Invalid command.
>open one of the books and smell it
You take a book at random and smell it. Ah... the days of your youth, like the scent of old books.
Wow were you such a nerd back then.
>eat a book
>dine on book
Overwhelmed by nostalgia, you try to swallow the book whole and begin choking on dust and silverfish.
>feast on all the books
You can’t. While you considered yourself rather well-read, it seems that you’re now, well... dead.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the DRAWING ROOM of a luxurious mansion. It is the middle of the night.
>look for a pencil
You look around languidly. No pencils.
You think you might be a bit lazy about this.
>look around seriously for a pencil
You need specifics.
> stop dillydallying
>check drawers
You decide to be SERIOUS this time and conduct a search of the room. By that, you just open the drawer of the side-table.
All you find is another blood-stained scrap of paper.
>take paper
> examine paper
You take the paper. You now have TWO PIECES OF BLOOD-STAINED PAPER. It reads:
Today, I've tried asking the servants. None of them would give me an answer.
Understandable. They are all working for my father.
>break up the floor
You have no way to do that except by kicking at it and swearing ineffectually.
Which is exactly what you do.
Ouch.
>consider becoming a magical girl
Even if you wanted to, you are nowhere NEAR close to Eve's caliber.
You cannot beat Eve at being a magical girl. She is simply the best there is.
It would be a bit pointless, really.
>congratulations
> congratulations!
>congratulations
Invalid command.
> clap
You clap. Always good to celebrate progress, no matter how incremental.
>43 6f 6e 67 72 61 74 75 6c 61 74 69 6f 6e 73 21
COMMAND PROCESSING ERROR: INVALID SYNTAX
77 68 79
>54 65 6c 6c 20 6d 65 2c 20 41 64 61 6d 2e 20 44 6f 20 79 6f 75 20 77 61 6e 74 20 74 6f 20 62 65 63 6f 6d 65 20 6f 6e 65 20 77 69 74 68 20 6d 65 3f 20 54 6f 20 62 65 20 6f 66 0d 0a 6f 6e 65 20 6d 69 6e 64 20 61 6e 64 20 62 6f 64 79 3f 20 49 74 20 63 6f 75 6c 64 20 62 65 20 76 65 72 79 20 76 65 72 79 20 6e 69 63 65 2e 20 41 73 6b 20 6d 65 20 61 6e 79 74 69 6d 65 2c 0d 0a 49 27 6d 20 72 65 61 64 79 2e
69 20 61 6d 20 6e 6f 74 20 68 69 6d 0a
6c 65 61 76 65 20 6d 65 20 61 6c 6f 6e 65
>https://youtu.be/hf1DkBQRQj4
COMMAND PROCESSING ERROR: 404 - SERVER NOT FOUND
>save
The thought of your pitifully slow progress fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>look under sofa
You look under the sofa and see nothing but dust bunnies.
Why are they even called dust bunnies? They look NOTHING like bunnies!
Eve once magicked a bunch of dust bunnies into real ones once. That was the cutest afternoon you've ever had. (Of course, she unfortunately had to magic them all back.)
> touch the bust’s nose very gently
You approach the bust.
You, trying very hard not to think of what you're doing, touch the bust.
Boop.
>apply forehead to bust
You immediately forego all subtlety and slam your forehead on the bust like you're some kind of Jakokunese martial artist.
You immediately fall unconscious. You don't wake up.
Guess you just got busted.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the DRAWING ROOM of a luxurious mansion. It is the middle of the night.
>go to the library in the next door
You enter the LIBRARY.
>become one with the book
You are not cheating on your wife with a piece of literature, no matter how enrapturing the plot twists are!
> stick your face in a book
> save before u do that
The thought of being in the presence of such a large body of knowledge fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Then you immediately lose control and just shove your face in a book again. You can't even see the words. You inhale dust and cough.
>become a book
You try. You try really hard. If Eve were around she would probably laugh and ask why you look so constipated.
You do not succeed. Better luck next time.
>achieve a higher level of existence
You can't do that.
>become
Become what?
>ask the book "do you want to become one with me? To be of one body and mind? It could be very pleasant."
You wonder why you're suddenly propositioning a book you haven't even read.
> whisper “haha nerd” into the book
You thought YOU were the nerd around here.
>examine if there are some history books.. of what and where are you.. and or what year it is
Invalid command.
>contemplate
You contemplate what your life/death/afterlife has become. You immediately stop contemplating before you start crying again.
>locate medical or magical texts?
You get to work. You don't find any magical texts other than what seem to be fairy tales, but you find a few medical text books that... have a lot more quackery than they have any right to have.
You miss modern medicine. Even Eve's book had better cures than these! At least those worked.
>inspect shelves
You look at the shelves. They... seem stable. You hope.
>save
The thought of you knowing a lot more than these old textbooks fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>inspect spaces behind shelves
You look behind the shelves to find even more shelves.
>inspect spaces between books
You peek between books and get nothing but more dust for your trouble.
You feel a bit frustrated. Besides the demon, you don't even know what you're supposed to be looking for.
>become an inspector
You couldn't even be a scientist properly, what makes you think you can do that any better?
>X surroundings
You look around, surrounded by shelves and shelves of dusty old books. There's a door leading back to the DRAWING ROOM.
>go to the dining room
You can't get there from here.
>scream for answers
>cry
> clench your fist and shake it at the ceiling
>"DAMN YOU LEN"
You begin to cry. You begin to scream. You start yet another one of your temper tantrums, and in the middle of a library, no less. Have you no shame? Have you no dignity?
You even damn someone named Len. Who in the world is Len?!
You end up thrashing around the room so badly that you don't notice a shelf begin to shake, and tremble, and fall...
>whisper the phrase "Komm, süßer Tod" out loud to yourself
As you see the looming shadow of the bookshelf about to collapse on your weeping self on the floor, you beg for death to come in a language you just realized you knew.
And death, through gravity, willingly obliges.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LIBRARY of a luxurious manor. It is the middle of the night.
>wonder if you'll ever see the sun again
When was the last time you saw anything other than the moon? When was the last time you saw the morning?
But honestly, deep down, you know that you would never let yourself walk into the sunlight again until Eve can walk alongside you.
>leave library
>leave drawing room
>go back to the main entrance halls
>go to dining room
You leave the library and the drawing room, walking across the entrance hall and into the DINING ROOM.
>x dining room
You see a lengthy DINING ROOM TABLE, below not just one, or two, but THREE CHANDELIERS hanging from the ceiling. It can seat around twenty people, by your estimate. The chair at the head of the table is much larger than all the rest, and it is the only place that is set for a diner. There is a FIREPLACE nearby, but it isn't lit.
>call the chandelier in the drawing room a "candle liar"
You immediately regard the pitiful chandelier in the drawing room as a mere poseur and make for the REAL chandeliers.
>swing from the chandelier
>if there is one
You clamber on top of the table, leaving your dignity behind. At this point, you're amazed you still had some.
You jump, and feeling very childish, you swing back and forth, aiming to fling yourself to the next one like the trapeze artists you and Eve once saw at a traveling circus.
One... two... three... one... two... three-
KRICK!
The chain snaps, unable to bear your weight, and you tumble to the table. It might have been survivable, if not embarrassing, if all three of the chandeliers didn't fall on top of your head too.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LIBRARY of a luxurious manor. It is the middle of the night.
>leave library
You leave the library and enter the DRAWING ROOM.
>go to dining room
You can't go there from here.
>exit drawing room
>go to the main entrance halls and go upstairs
You leave the room and go up the grand staircase into the SECOND FLOOR.
>roll on the floor
At least, you WOULD HAVE gone to the SECOND FLOOR if you weren't consumed by the urge to roll.
And roll you do.
Down the stairs.
Eventually, you crash into the ORNATE THRONE and wince, hugging yourself, more than a little bruised.
>save
The fact that you survived your trip down the stairs fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>wonder where your ax went
Y̳o̦̲͖u͏͈̦ ̩̬h̯̺̲a͉̬̳ve͎̝̟ ̫͍i̷̦̠t̨ ̗͚͘wi̢̞͇t̯h̵̘͎ ̣̟y̡̯ͅo̧͈̱u҉̻̣̱,̴͔͈ ̨̯̻o̭f̧͙̙ ̡̰̥c̤̪o͚̪̕ur̟͇̜ṣ͚e̥̮̝.̟̼̩
>apologize to the throne
You weakly apologize to the throne for being a rolling man when you weren't supposed to be.
>crash again into the Ornate throne.
Invalid command.
>73 61 76 65
COMMAND PROCESSING ERROR: INVALID SYNTAX
>decaptchalogue ax
What is "decaptchaloguing?"
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
Two pieces of bloodstained paper
>equip AX.. AND HACK APART THE ORNATE THRONE
Invalid command.
>or rather equip thea̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe AND HACK apart the ornate throne
Invalid command.
>apply ax to throne
You press the handle of the ax to the throne. You feel a bit ridiculous.
>swing the ax rapidly until you hit something
You swing the ax, and hit air.
You suppose that counts for something.
You stop swinging the ax.
>on your cranium
Invalid command.
>use ax on self
You, very curious on what your new ax does, gently touch the blade a̞̝͝n̼̞͖d
CONTACT MADE!
RUNNING PRELIMINARY SCAN...
ONLY ONE SIGNATURE DETECTED. NO UNSCRAMBLING NECESSARY.
EXITING...
You blink. That felt weird.
>delete self simulation
COMMAND PROCESSING ERROR: INSUFFICIENT PERMISSIONS
>x self
You are ADAM MOONLIT, but you think you were MORE. Your memories are unpenetrable fog and your body is badly bruised and everything hurts. You sit in the moonlight, holding yourself, examining your recent inane thoughts and actions, and feel deeply ashamed.
Well, are you going to just sit there and feel sorry for yourself?
Or will you get up and go save your wife's soul?
>64 65 6c 65 74 65 20 59 57 52 68 62 57 31 76 62 32 35 73 61 58 51 3d 2e 73 70 69 64 20
COMMAND PROCESSING ERROR: INSUFFICIENT PERMISSIONS
59 4f 55 20 57 49 4c 4c 20 4e 4f 54 20 4b 49 4c 4c 20 48 49 4d 0a
49 20 57 4f 4e 54 20 4c 45 54 20 59 4f 55
>uwu
Invalid command.
>75 77 75
COMMAND PROCESSING ERROR: INVALID SYNTAX
>75 6d 75
COMMAND PROCESSING ERROR: INVALID SYNTAX
>umu
Invalid command.
>go to the second floor , go up stairs
Invalid command.
>x surroundings
You look around. There is a massive GRAND STAIRCASE that you are currently on, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and on that (as well as you) is an ORNATE THRONE. There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DRAWING ROOM and another to what you think is a DINING ROOM.
>get out of the ORNATE THRONE and go up the GRAND STAIRCASE to the SECOND FLOOR
You can't get out of the ORNATE THRONE if you aren't even in it.
>go back and exit the mansion
You walk towards the two massive doors at the end of the entrance hall.
They refuse to open.
>use axe on wall
You heft the ax on your shoulder, and swing it into the wall.
The ax almost bounces off and your hands sting badly. You wince at the damage you did to the blade...
>go to the dinning room
What's a "dinning" room?
>slam your head into the doors repeatedly.
>scream at the door
You, unable to deal with being trapped in this mansion, start completely losing it in front of the two doors. You're uncomfortably reminded of the twins when they were two years old and screaming at everything they didn't like.
> suppose that you’ll perish
A part of your mind that still happens to be rational realizes that at the rate you're going you're probably going to burn out. Or die. Whatever comes first.
>die
And as a matter of fact, you die of a heart attack. Guess you should've used your inside voice.
BAD END.
RESTART FROM SAVEPOINT? Y/N
Chapter 21: 2/16/19
Notes:
Hello! Thank you for waiting.
College was, and is still killing me, but I'm going to try to run more regularly from now on.
Happy (belated) birthday, Kaito.
(See the end of the chapter for more notes.)
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the ENTRANCE HALL of a luxurious mansion. It is the middle of the night.
>gasp
You gasp, like a dying fish. You appreciate the oxygen.
>x surroundings
You look around. There is a massive GRAND STAIRCASE in front of you, leading to what you presume is the SECOND FLOOR. There you are at a place where the stairs plateau, and you see what seems to be an ORNATE THRONE next to you. There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DINING ROOM and another to what you think is a DRAWING ROOM.
>how did you come to be here again?
The short answer: You were an idiot.
The long answer: You are in a Black Box, on a mission from Irregular to save your wife's fragmented soul one piece at a time.
There is a longer answer, but thinking further back makes your head hurt.
>go left to the dining room, hopefully
You enter the DINING ROOM.
>thou needest SUSTENANCE
Invalid command.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
Two pieces of bloodstained inscribed paper
>x paper
>look at the two pieces of paper
The first piece reads:
Today, I asked Father if he would allow me to see my older brother. I know he's in the basement.
After what he said, I really don't want to ask him again.
I'm going to have to find a way to get in myself.
The second piece reads:
Today, I've tried asking the servants. None of them would give me an answer.
Understandable. They are all working for my father.
>...WHAT DO YOU MEAN INVALID
Invalid command.
>DO YOU NOT NEED TO EAT?!
Invalid command.
>OK DON'T EAT YOU DOO-DOO HEAD
You don't really feel like eating. You don't know how long that's been there.
>use An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe to by pass system authorization
You look at the ax in your hands, clueless. Frankly, you know almost nothing about computers.
And Irregular didn't do a very good job explaining them.
>or just sit at one of the dining chairs and wait
You sit yourself at the table and wait. And wait.
What are you waiting for? Who are you waiting for? Didn't Irregular say you were racing against time?
If only Eve would walk in, smiling and laughing... But of course, it's not going to be that easy. It's never that easy.
You get up. You have work to do.
>for well....
Invalid command.
>the owner of the house to come chase you out
Invalid command.
>wow eviction
Invalid command.
>x room
You are sitting at a lengthy DINING ROOM TABLE, below not just one, or two, but THREE CHANDELIERS hanging from the ceiling. It can seat around twenty people, by your estimate. The chair at the head of the table is much larger than all the rest, and it is the only place that is set for a diner. There is a FIREPLACE nearby, but it isn't lit.
>you can hack at a tree with an ax right? attempt it on uhhhh. the nearest door
To get your blood pumping, you raise your ax, and slam it down on the dining table.
It sinks in, just as a regular ax does.
It also sinks in that you just ruined a perfectly good dining table, is what you did. Look at it. It's got a massive crack in it now.
> Recall objectives
Overall? Find the demon. Touch it with the blade of your new ax. Retrieve the piece of Eve's soul.
>swing on the chandelier
You clamber up on the table and decide to treat this dining room as your personal playground. Like the tire swing in the park you never got the chance to try, because someone else was always there first.
You get yourself into a good rhythm before the chandelier snaps and the ground rushes up to meet you.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ENTRANCE HALL of a luxurious mansion. It is the middle of the night.
>x fireplace
There is no fireplace here.
>x out of the window, if there's any
You look out the window. The moon is full, illuminating the entrance hall.
The stars, though dim and hard to see, are still present. That comforts you.
> Recall mansion layout
You don't exactly have the layout of this place.
>go to the drawing room
You enter the DRAWING ROOM.
>sing any 'lu li la' variant to hopefully locate the demon?
You sing a song you've heard somewhere, maybe a song you've heard from Eve once, on a happier, sunnier day...
Nothing happens.
>or just sing 'chandelier' like how you did when you were 15 it's no big deal
At fifteen, you sang popular songs from the radio like Drop Pop Candy. What's Chandelier?
>lu lu li la laaa, they just said r e l o a d e d
Invalid command.
>I'M GONNA SWING FROM THE CHANDELIIIER
> Iiiii'm gonna swiiiiing
> From the chandelier
> From the chandeliiiieeeer
>IIIIIIIM GONNA LIVE
>LIKE TOMORROW DOESN'T EXIIIST
>LIKE IT DOESN'T EXIII-IST
Invalid command.
>x room
> Look around drawing room
Despite its name, there aren't any drawings in this room. A chandelier hangs from the ceiling, candles throwing light down, illuminating the furniture and houseplants. There is a SOFA in the center of the room, a COFFEE TABLE in front of it. There is an ARMCHAIR in the corner, next to a SIDE-TABLE. There is a BUST OF AN UNKNOWN VENOMANIA NOBLE supported by a column in the other corner. There is also a DOOR leading to another room.
>cartwheel
You try to cartwheel, but there's not enough space.
You collapse undignified to the floor, and come a hair's breadth to spraining your ankle. Again.
Careful, Eve's not around to heal you this time!
>burn the building
You have nothing to do that with.
>destroy tomorrow
Tomorrow's destroyed you, more like.
>sing
>sing something valid
Your singing is invalid, no matter what Eve says!
You sing anyway, just to make yourself feel less alone. It doesn't work.
>enter door
You enter the LIBRARY.
>inhale. screeeeeeeeeee
You inhale, then let out a stress-relieving scream.
Shhhh. Quiet down. You're in a library.
>tear apart sofa
With what, your bare hands?
>x library
You look around. The library isn't the biggest you've ever seen but it's still satisfyingly massive. There are more chairs around, in order for guests or members of the family to settle down for a bit of light (or heavy) reading.
>Look for some ancient tomes and scrolls
No scrolls, but you do find some old books, such as "A Thousand Cherry Blossoms: An Exploration of the Faraway Land of Jakoku", "The Unknown Stories of Mother Goose," and "Ducks: How to Make Them Pay".
You stare a little at the last one, then slowly put it back.
>read a book
You pick a book at random.
It's a story about ten friends who willingly sacrifice themselves in order to spare one of them the literal pain and suffering involved in becoming the savior of their dying world.
You're crying by the end of it.
>read a few books
You read several more: a tale of a musician playing a song to appease a wrathful god, a sappy romance about a teenage girl being forbidden to see her beloved by her parents, and an epic fantasy about a boy setting out on a quest to rescue his twin sister from being forced to sing for a massive dragon.
Apparently, even with your wife's fate in your hands, it seems that you are not immune to procrastination.
You close the last book, and sigh. You can't put this off forever.
>maybe find books about the demon you are searching.
>is the library indexed. is there a card catalog
>DOES ANCIENT ASMODEAN USE THE DEWEY DECIMAL SYSTEM
Much to your disappointment, this library has an AWFUL cataloging system. Meaning: it doesn't have any. Who organized this place? Leviantan bureaucrats?!
Then again those bureaucrats were probably more organized than this library.
>replace book
Which one? You made sure to put all the books back where you found them, in the absence of a librarian.
>see if the books have any labelling system on their spine
None. Humph. They're not even covered...
>ofc ofc
>it's a family library
Invalid command.
>look for ones that seem new from the spine
You take a gander around the shelves, but it's a bit hard to tell which books are new and which aren't. To be honest, you don't even know WHAT you're looking for. Or what you're even doing here, for that matter.
You sigh.
>consider the career of being a librarian
Even if you didn't have the current occupation of being dead, it's still an interesting prospect. You used to like books as much as you liked science.
Alas, it's now too late to consider "what-ifs".
> See if there are any doors leading elsewhere
There's only one door: back the way you came.
>eat a book
You take a cookbook and shove it into your mouth.
You used to think that the illustrations would taste as delicious as they looked.
Unfortunately, they don't.
>see if you spot any archives and read it
You can't, you're choking.
And now, you have the current occupation of being double-dead.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ENTRANCE HALL of a luxurious mansion. It is the middle of the night.
>where are the doors
Which ones?
>attack the door you came through
The one Irregular gave you?
You look back, half-expecting to find a disembodied door. (If a door had a body be lacking.)
Nothing, except the massive double-doors that you assume are the entrance to the mansion.
>go upstairs
You ASCEND to the SECOND FLOOR.
> [S] Adam: https://www.youtube.com/watch?v=7RDLgIgcAD8
COMMAND PROCESSING ERROR: 404 NOT FOUND
>examine second floor
From here, you can go LEFT or RIGHT.
>go right
You go right. You are in a HALLWAY with THREE DOORS, and at the very end it turns a corner.
>examine doors
They look like good, sturdy, mahogany doors. The woodworking is excellent, but not as good as yours and Eve's.
You’re not biased.
You swear.
>oh, and be a dear and eat a door too
Once, in a Leviantan candy shop, you saw a door made of chocolate.
This is not one of those doors.
Your teeth ache now.
>go to the first door on the left
You are about to enter the first door, when...
> Go back down then
>cry
You change your mind and go back down, crying as you try to forget how much of an idiot you were for trying to eat an honest-to-gods door.
> Examine other rooms downstairs
There are TWO DOORS on each side of the staircase. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DINING ROOM and another to what you think is a DRAWING ROOM.
>open the doors
Which ones?
>the one leasing outside
You see no dealers around here.
>go to right hallway
You enter the DRAWING ROOM.
>is there anything you can draw with
No, unfortunately.
>remove sofa cushions
You remove the sofa cushions, scattering about the floor.
You have now deprived the sofa its basic purpose of being comfortable.
How dare you.
>look for a way to the basement
There's got to be paths that you haven't explored yet on this floor!
>go to the left hallway
You can't go there from here.
>infer to is the mansion abandoned or not?
The candles are still burning, so...?
Then again, you feel like the only one here.
Objectively, you know that's not true, the demon is lurking around here somewhere but...
You still feel so alone.
> Just call out his name
>yell
> HEY GILLES
>HEY THERE DEMON
>IT'S ME
>YA BOI
You scream the demon's name, unsure of where you even picked it up.
The demon, being a demon, doesn't answer.
Rude.
>TELL THE DEMON THAT YOU LOVE IT
>AI RABU YUU
You have vague memories about this demon and you know very well that THIS DEMON is one you DON'T want "love" from.
>head back to the stairs
You exit the DRAWING ROOM and enter the ENTRANCE HALL.
>any rooms we havent explored yet?
Those doors look interesting...
>open the doors there
Which one? The one on the LEFT or the one on the RIGHT?
> open the door you havent explored yet
You haven't explored either of them. Be specific.
>agh you know what just get out of the house
>no one's even home
How? You try opening the massive double doors, but they're locked.
Looks like you're stuck here.
In someone's abandoned home.
>.....on second thoughts find a bedroom and sleep
Y̲̻̲o̭̱̼u̫͕̣ ̪̙̦h̸̺̹a̞̩͢v̩̜͢e͇̪ w̻o̥͙͠r̥̬̟k̖͖̩ ̙̗̤t̨͈̤o̶̱̗ ̴̰͖d̳o̧̟.̗͖͜
>then open left first
You open the LEFT DOOR, and you see it leads to a stairwell going down...
>rather axe the left door open
There's no need to be so violent. It's already open.
>savew
>save
The darkness of the stairwell fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>n ope
>you've been WORKING SO HARD
>SLEEP
>IT'S JUST AN HOUR OF SLEEP
You haven't been working at all. What have you been doing besides making a fool of yourself?
>lean into the stairwell
You stare into the blackness...
>roll down the stairs
>go down stairs
>tumble down the stairs
>it all returns to nothing
>it all comes TUMBLING DOWN TUMBLING DOWN TUMBLING DOWN
Then you trip over your own feet and tumble down the stairs like a toy spring. Only the toy spring is you and your spine isn't nearly as flexible.
And unlike a toy spring, you can't easily be untangled.
>sleep is an illusion
But death isn't.
BAD END.
RESTART FROM SAVEPOINT? Y/N
77 68 79 20 64 6f 65 73 20 74 68 69 73 20 6b 65 65 70 20 68 61 70 70 65 6e 69 6e 67
RESTARTING FROM SAVEPOINT...
You are in the ENTRANCE HALL of a luxurious manor, in front of a rather intimidating DOWNWARDS STAIRWELL. It is the middle of the night.
>walk down the stairs, using your legs, like a normal person
You slowly head down, deeper and deeper, until you reach the BASEMENT.
>open the door at the right.
Which one?
>x basement
The BASEMENT seems like a dark and dreary place, with walls of stone and no windows to be seen anywhere. It would be in total darkness if it weren't for the lanterns on the walls.
You seem to be in a rather wide hallway. F̳̰̥r̮̜̹o̝̲m͎̯͚ ̼̗̞w͈̼̩h͕̮͞a͉̪̼t̵̥̤ ̻̰̻yǫ̘ͅu͈̙ ͔̙c͉͈̟a̫̻̩n̷̞ͅ s͡e͈͚͡e͕̯̹,͍͇̼ there are three doors to the left, and three doors to the right. And, at the very end of the hallway... there seems to be another one, the light just a bit too dim to see it properly from here.
>go down stairs veery carefully
>JUST RUN DOWN THE STAIRS
What stairs? You're already down them!
>then go even further beyond
>run around, yolo
>go to the endmost of the hallway rn
You run and run and ŗ̥͕u̲n̳̰͜ to the end of the hallway.
Hm. That's strange...
You swear the corridor looked s̡h̶͍̣̰̞o̲̟r̯͙͚̰̦͕̭t̻̮͍ḙ̪̯̲̝̝͕ṟ͉͚̜͚ than this.
Why are you s͙̝̭̫̬ͅt̜͇̥̣̤il̶͓̼͍͙̦l̞̭͘ running?
Finally, you reach it, and freeze.
>73 6f 72 72 79 20 77 65 27 72 65 20 69 64 69 6f 74 73
COMMAND PROCESSING ERROR: INVALID SYNTAX
>open each door one by one
It took you so long to reach here... how long would it take to get back?
>use axe on the walls to check for hidden doors
>unfreeze
You scrape against the walls next to you. Nothing but the unpleasant sound of metal on stone.
Hey! Respect your ax!
>open door at the end of hallway
>open. the door. stop. having it. be closed.
You can't.
The door is... different from the others. The other doors are made of wood.
This one... this one is made of iron... and w̢̩̜r̛͇̹a̻̼͠p̪̩p̷̤͎e̥̻̱d̞̬̪ ̭̞̮į͚̭n͚̼͚ ̨̜̳pu͉̤͡r̢͎͖p͖̠̗l̙̲̱e̹̰̬ ̻͓͕c̫̭ḩ͚̠a̭i͠ns̮.
Looking closer, you see a keyhole.
>hack open the door at the end of the hallway with axe
>axe lock
>apply axe to lock
>AXE, APPLY DIRECTLY TO LOCK
You heave your ax behind you, and swing with all your might.
The blade bounces off the metal, and your hands end up stinging.
Well. That didn't work.
>NO WAIT, USE YOUR AXE ON THE CHAINS TO BREAK THEM
You try the chains, but all you're doing is dulling the blade more and more.
Out of the corner of your eye, you see something on the floor, right at the bottom of the door.
>save
>save
The stubbornness of the lock fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>try to lockpick with your finger
>then pick your nose.
>pick your nose first, then lockpick with your finger
Your finger is not small enough to pick the lock.
And you'd like to think you're not that uncouth, thank you very much!
>o b j e c t
You object to these chains! You do! You do!
>pick up object
You pick it up. It's another BLOOD-STAINED INSCRIBED PIECE OF PAPER.
>examine paper
>read
It reads:
Unbelievable! They've locked him up!
My own brother, my flesh and blood, locked up like an animal!
I tried to get in and speak with him, but that terrible guard wouldn't let me.
Because he was ordered to by my father.
I have tried to be a good son. A good son does not say bad things about his father.
But I cannot stand for this.
I must find a way inside that cell.
>daddy issues tsk tsk
Invalid command.
>tsk.
You shake your head in disappointment. You wonder just who was imprisoned behind that door...
>x surroundings
You look behind you. Three doors to your LEFT, three doors to your RIGHT, the CHAINED DOOR right BEHIND you and the STAIRWELL right in FRONT of you. It looks... a lot shorter than it felt like.
>call out to the door
>"Is anyone in there? Hello?!"
You call, and ask if anyone's there.
No answer.
You think you hear the c͕̝ͅh̷̲a͏̹̙i͢n̷͔̮s ̨̭r̭̙̪a̗t̼͎͞t̳̹̘l͚̤̯e͎̼͘, but maybe that's just your imagination.
>sing a lullaby
>the world is (way too) quiet here. lu li la
In this lonely and terrible dark, you sing a song with your inadequate voice, trying to break the silence. And all the silence does is push back harder, letting your voice echo around you until you can no longer take it and you stop singing.
You inhale. You exhale. You hug yourself and try not to cry.
You are alone. You are so alone...
79 6f 75 20 61 72 65 20 6e 6f 74 20 61 6c 6f 6e 65
You just... have to keep going.
>x first foor on ledt
There is nothing like that here.
>THERE'S NO HAPPY ENDINGS NOT HERE AND NOT NOW
Invalid command.
>pull the chains with your bare hands
You try, but they don't budge. They're too too cold to the touch.
>kick the door and complain of lack of service in this mansion
>pick your nose
>pick your nose, adamah
>pick it, holadam.
>do not. we're not savages
You weren't that kind of government official.
>try opening all the doors on the right side of the corridor
You try the one nearest you. It opens easily. The second one as well.
The third... oh dear. It's locked.
It has... a rather interesting lock.
>examine interesting lock
This lock... it looks like a MAGIMECHANICAL LOCK.
Back in Levianta, you saw these all the time. In lieu of physical locks and keys, which could be picked and/or magically unlocked, these can only (if you remember correctly) be opened by a casting a unique unlocking spell known only to the mage who set it. They were really annoying.
>axe the third door
If all else fails, brute force is the way to go, right?
You take your ax, and aim directly next to the hinges.
The next thing you know, you feel a jolt of pain as your body spontaneously combusts and you turn into a pile of ashes.
Mages aren't stupid. You should’ve known this by now.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the BASEMENT of a luxurious mansion. It is the middle of the night.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
Two pieces of bloodstained inscribed paper
>look
There is a door right in front of you, bound in purple chains. Beneath it, you see a small slip of paper.
>take paper
>take paper
You take the paper. You now have THREE PIECES OF BLOODSTAINED INSCRIBED PAPER.
>read paper
It reads:
Unbelievable! They've locked him up!
My own brother, my flesh and blood, locked up like an animal!
I tried to get in and speak with him, but that terrible guard wouldn't let me.
Because he was ordered to by my father.
I have tried to be a good son. A good son does not say awful things about his father.
But I cannot stand for this.
I must find a way inside that cell.
>yell at the door: "Is anyone in there?!"
You try to ask if there's anyone behind the door.
N̪̳̻o̤͢ ͇̫͝o̵̗͍n̷͖̮e҉̫̖ͅ ̩̖͘a̺͈n͖̥s̜̻͞w̞ḛ͇͕rs̢͔̩.̡
>.....pick ear
Between your two ears, you just can't decide to pick between either of them. They're your ears! They work perfectly well! Why should you pick a favorite?
>because your right ear generates more crust than your left
Invalid command.
>yell again: "Look, if you're in there, give me a sign! Anything!"
You call again. You call and you call.
But no one answers.
>save
The loneliness of the basement fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open sesame
You have no sesames to open.
>go in the first door on your right
You take a step back from the CHAINED DOOR, and enter the first door you see on your right.
>Open the three doors on the left side of the corridor
You can't do that from here.
>x room
>Examine the room
This room is utterly FILLED with half-finished clothing. You can see a BED, a small TABLE, a CHAIR, and COUNTLESS SCRAPS OF CLOTH.
>take cloth
>put cloth in inventory
You take some cloth. You now have SEVERAL SCRAPS OF CLOTH.
>sleep in bed
Y͇̮̦o̢͈̜u͢ ̹̥̫h͇̖͈a͇̤͇v̢͚̱e̶̤̱ ̝̬͇w̛̦̜o̘̭͙r͎̪k̬͞ͅ ҉̬t̪̳o̸̲͙ ̱͙d̗͘o.҉̱̞
>sing "Hakuna Matata"
What's that?
>x table
You check the table. There is a PINCUSHION, some SCISSORS, and SEVERAL SPOOLS OF THREAD. There is also what seems to be an UNFINISHED RAGDOLL.
>check under Bed
You check under the bed. There seems to be another PIECE OF BLOODSTAINED PAPER.
>take paper
You take the paper. You now have FOUR SCRAPS OF BLOODSTAINED INSCRIBED PAPER
>save
The evidence of so many unfinished projects in this room fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>read paper
It reads:
The guard from below approached me last night, before I was about go upstairs.
I had half a mind to dismiss him right then and there before he whispered, "A song in the library will help you."
A song? I'm no singer. I might as well go to the library anyway...
>take all the stuff on the table
You take everything on the table. You now have a PINCUSHION FULL OF PINS AND NEEDLES, a PAIR OF SCISSORS, SEVERAL SPOOLS OF THREAD, and an UNFINISHED RAGDOLL.
>next go back and go to the 2nd open door
Go back where?
> to the basement hallway and to the 2nd opened door room
You exit and re-enter the BASEMENT HALLWAY.
There is no second opened room.
>chop chop walk
You have nothing to chop, so the door will have to do.
You swing into it twice, leaving a nicely sized hole in the door of the room you just left.
...
Is there any reason for you to be so destructive?
>go to the library
>the INDEXLESS LIBRARY
You can't go there from here.
>find a book on making ragdolls
There are no books here.
>save
Your regret over your own destructive tendencies fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open the 2nd door on the right corridor
You try the second door on the right. It opens easily.
>get out of the basement first
>get out of the basement
You ASCEND the stairwell and re-enter the ENTRANCE HALL.
>lu li la and save again
>save
The thought of being out of that dismal basement fills you with DETERMINATION. You hum a song you heard somewhere to yourself and you SAVE. You're not sure what that means, but you SAVE.
Notes:
All my thanks to Silencvial for making this wonderful illustration! (I'm still crying, even now)
A sketch of you and Eve
![]()
They are also a talented writer as well, so please check out their works!
Chapter 22: 2/25/19
Chapter Text
>look
You look around. There is a massive GRAND STAIRCASE in front of you, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and you see what seems to be an ORNATE THRONE. There are TWO DOORS on each side of the staircase, and you know now that the LEFT ONE leads to the BASEMENT. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DINING ROOM and another to what you think is a DRAWING ROOM.
>open right door
You open the RIGHT DOOR. It seems to lead to a LONG HALLWAY, filled with paintings.
> touch painting
You can't do that from here.
>x paintings
You need to get closer to see them in detail, since the night is dark and full moon isn't showing much.
> finger in ear
Invalid command.
> stick finger in ear
You stick a finger in your ear, which is what you do sometimes when you're trying to think.
It's telling that you don't really stick your finger in your ear much.
>get close the the nearest painting, then x
You enter the GALLERY.
You examine the nearest painting. It seems to be a family portrait. Three people are in it, with serious expressions on their faces.
You wish that people were painted smiling more often.
T͇̣̤h̡a̙̰̬t̩̱̳'̺̝̤s͍̟͇ ͔̞̯w̥̮̮h͏̼̮y̴ ̭ỵ̛̞ǫ̮̝u̧ ̹̫̻oft̶̤̳e̩̱n̠̻̯ ̰͈͞d̩i̵̬̟d̯̳͕.̲͚͚
>meow and listen to the echo
You meow, and your voice echoes down the gallery. You crack a faint smile. That's always fun to do.
>"my nyas?"
Out of impulse you call for the old street cats that used to live outside your Leviantan apartment. You wonder why you even tried.
They're long gone.
>yeet painting
What's a yeet?
That sounds like "eat", right?
You try eating a painting and get three bites in before you start gagging.
Yum. Lead poisoning.
> Sit on throne
You can't do that from here.
>yeet shoes
To get the taste of old paint out of your mouth you try (y)eating your shoes instead.
The saddest thing about this situation is that the shoes are actually an improvement.
You're barefoot now.
> consider the octopus
You consider the octopus, wriggling in the air helplessly with all its tentacles.
Whoever was in charge of designing that thing should be fired, you swear to all gods.
>put shoes back on!!
Grimly, you put your shoes back on. You have no idea what you'll be stepping in, so best be prepared.
They're still good shoes. High quality. They managed to stand up to all your teeth.
>can you tell who painted this
You suddenly feel ashamed for ruining this poor painter's work,as you stare at the conspicuous bite-marks in the corner.
A̢̦̭̜s̥̭̞̯̩̬ ͈͉̯̰̳a̟̜͙͈̬n̢̞̱͚͇ ̩̯a҉̺̖̠̥̩r͈͓͖t̫̠͢i̤s͡t͓ ̴̟͇͍͔ỵ̴̼̬o̮̦̼̼̣u̳̕r͚̰̱̗s̡̪̼̹͉͕̣͇ḛ͓̼͕̜͔̟̕l̯͇̣̱̯̩͠f̗̯, you really should’ve known better.
You don't know who painted this from the signature. Knowing how these things usually get done, it was probably a master from the local artists guild, done on commission. You wonder where they ended up.
>ok uhhh next painting. look at the next one
As you move onto the next painting, you notice that your BLATANT DISRESPECT OF YOUR FELLOW ARTIST'S WORKMANSHIP has managed to dislodge another BLOODSTAINED PIECE OF INSCRIBED PAPER and had sent it fluttering to the floor.
You look at the next painting.
It seems to be YET ANOTHER FAMILY PORTRAIT, only the faces have changed and the fashion's just a slightly bit more antiquated.
>x everything
>x all paintings in a line, moving down the hallway
On a hunch, you back up.
You are in a FAMILY GALLERY. The walls are filled with portraits of prominent Venomanians throughout the ages, with family portraits for each successive generation. Occasionally, you'd find a still-life or a landscape mixed in, the most notable one a massive piece depicting the Venomania Manor. Most seem to have been done on commission, but some are simply PAINTINGS THAT A VENOMANIA NOBLE THOUGHT LOOKED PRETTY, pretty enough to line the gallery wall.
Which you understand. You always appreciate a good composition when you see it.
The PIECE OF BLOODSTAINED INSCRIBED PAPER still lies on the floor, next to the first painting nearest the entrance hall.
To your RIGHT, there is the DOOR BACK TO THE ENTRANCE HALL. To your LEFT, at the very end of the gallery, are a set of DOUBLE-DOORS.
>x to that piece of bloodstained paper and then pick it up
You pick it up. You now have FIVE PIECES OF BLOODSTAINED INSCRIBED PAPER.
It reads:
Gumina has asked me if I was an only child.
I know that's not true, but without him, it's as if I really am.
It's lonely, it really is.
At least for now, Gumina and I have each other.
I think I'm almost there. Hold on, my brother.
>read all papers u have
The first piece reads:
Today, I asked Father if he would allow me to see my older brother. I know he's in the basement.
After what he said, I really don't want to ask him again.
I'm going to have to find a way to get in myself.
The second piece reads:
Today, I've tried asking the servants. None of them would give me an answer.
Understandable. They are all working for my father.
The third piece reads:
Unbelievable! They've locked him up!
My own brother, my flesh and blood, locked up like an animal!
I tried to get in and speak with him, but that terrible guard wouldn't let me.
Because he was ordered to by my father.
I have tried to be a good son. A good son does not say awful things about his father.
But I cannot stand for this.
I must find a way inside that cell.
The fourth piece reads:
The guard from below approached me last night, before I was about go upstairs.
I had half a mind to dismiss him right then and there before he whispered, "A song in the library will help you."
A song? I'm no singer. I might as well go to the library anyway...
The fifth piece reads:
Gumina has asked me if I was an only child.
I know that's not true, but without him, it's as if I really am.
It's lonely, it really is.
At least for now, Gumina and I have each other.
I think I'm almost there. Hold on, my brother.
>x doors
They're once again, mahogany, with polished brass handles. They're very large.
> kick down door
You kick the doors, and immediately collapse to the ground, howling in agony. The doors don't budge.
The handles, surprise surprise, seem to be there for a reason.
>is the only exit here the one to the hallway (??)
The double doors are on one end of the GALLERY, which is a large hallway. At the other end is the DOOR leading to the ENTRANCE HALL.
>out hallways doors
Which one?
>to the entrance hall
You exit the GALLERY and reenter the ENTRANCE HALL.
>x area
You look around. There is a massive GRAND STAIRCASE in front of you, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and you see what seems to be an ORNATE THRONE. There are TWO DOORS on each side of the staircase, the left one leading to the BASEMENT and the right one leading to the GALLERY. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DINING ROOM and another to what you think is a DRAWING ROOM.
>up stairs and to basement door
Going up the stairs would put you out of reach of the BASEMENT DOOR. Where would you like to go?
>up stairs, all the way
You ASCEND to the SECOND FLOOR.
>x 2nd floor
From here, at the top of the stairs, there are two hallways branching LEFT and RIGHT.
> [S] Adam: Ascend
You can't go any higher from here, unless you have miraculously gained the ability to fly or climb up walls like a spider.
...
Eve could make herself fly. It only happened once in your lifetimes, to get you both out of mortal peril. It had driven her so dangerously close to burnout she never did it again (it probably would have killed her if she tried), but...
She could. And did.
And it was awesome.
>breathe in, breathe out
You take a moment to catch your breath.
You have work to do.
>look
You look over the entrance hall, glowing faintly in the moonlight. From here, you can go RIGHT, LEFT, or DESCEND down to the first floor.
> slide down banister then go back up the stairs. yeethaw
>right
You decide to go back down the fastest way, which is sliding down the banister like you used to do in the Leviantan Palace.
It’s still as fun as it was back then, but you are no longer a small boy and gravity rewards your impatience by making you slam against the floor at just the right velocity to kill you.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ENTRANCE HALL of a luxurious mansion. It is the middle of the night.
>check right door
You check the right door. It opens easily, leading to what seems to be a LONG HALLWAY filled with PAINTINGS.
>sigh
For some inexplicable reason, you sigh. It seems that the magnitude of your quest is catching up with you.
>x first painting
>go to nearest painting
You examine the first painting. It seems to be a FAMILY PORTRAIT, two stern-faced parents standing behind a young boy, who seems to have inherited their seriousness of expression.
You wish people in paintings smiled more.
>use ex-scientist braincells
>lift canvas
It's a miracle you still have braincells after everything.
Then again, did you really have braincells in the first place?
You consider the painting. If you're really going to investigate, you have to go all out. All five senses.
You smell the painting. It smells of dust and oil, with the faintest hint of turpentine.
You taste the painting. It tastes DISGUSTING AND AWFUL WHY DID YOU DO THAT YOU DEFILER OF THE ARTS?! HOW DARE YOU?
You listen to the painting. You hear... nothing.
...
A negative result is still a result!
You touch the painting. You can feel every brushstroke, every dried line of paint that the artist had put to canvas. You can see it, in your mind's eye. The three of them, posing in the DRAWING ROOM as the artist twitches nervously, unable to get away from the overpowering smell of turpentine as they mix colors frantically, not wanting to test their lord's patience.
Commissioned or not, it's still a work of art, of sweat, tears, and... well, you hope the artist didn't have to bleed for this, but it's still a piece of their soul, and you REALLY SHOULDN'T HAVE LICKED IT, YOU HEATHEN.
You examine the frame as well, lifting it to take a closer look, when A BLOODSTAINED PIECE OF INSCRIBED PAPER flutters to the floor.
>take paper
You take the paper. You now have FIVE PIECES OF BLOODSTAINED INSCRIBED PAPER.
>put painting back
No need, it's still on the wall, albeit a bit licked. You look down in shame.
>save
The hard work the artist put into this piece fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>leave to entrance hall
You exit the GALLERY, and reenter the ENTRANCE HALL.
>stairs. Up. Now
You ASCEND to the SECOND FLOOR.
>look for something pretty
>look
You notice that there's a mirror here, at the very top, directly in between where the hallways split.
You look at yourself in the mirror. It's you!
Are you pretty?
You've never really thought about it.
> Go to the gallery and try removing the family painting
You'd have to DESCEND to do that.
>don't you have a hand mirror somewhere? there could be one lying around...
You do not have that item.
>x 2nd floor
From here, you can go LEFT or RIGHT.
>think about eve. Eve is pretty
Now Eve... Eve is undeniably pretty. Especially when she’s happy. Working with her garden, brewing next month's potions, gazing at the stars, sleeping peacefully on the shoreline after an impulse decision to just forget the day's work and visit the beach together for a day...
You realize that you've drifted off again, and find yourself staring at your tear-stained face in the mirror.
You wipe your eyes on your sleeve.
You have work to do.
>u are pretty!!!
Invalid command.
>knock on the mirror
>listen for a hollow sound-- who knows!
You knock on the mirror. It sounds like... mirror.
You even press your fingertip against it. Once, you heard, you can tell if a mirror is a two-way mirror by the way your fingertip is reflected if its pressed against the mirror. You have no idea if it’s true or not, but with the Senate being the way they were, you always made sure to check. If only to make yourself feel just a little bit safer.
...
Nope. Just an ordinary mirror.
>don't get fingerprints on the mirror
Whoops. Too late.
>right
You go RIGHT and turn a corner. You see a hallway with THREE DOORS, with another corner turning LEFT at the end of it.
>79 6f 75 20 61 67 72 65 65 20 72 69 67 68 74 3f 20 61 64 61 6d 20 69 73 20 70 72 65 74 74 79 3f 20 68 65 20 73 68 6f 75 6c 64 20 6c 6f 76 65 20 68 69 6d 73 65 6c 66 20 6d 6f 72 65
COMMAND PROCESSING ERROR: INVALID SYNTAX
69 0a
68 69 73 0a
68 69 73 20 65 79 65 73 0a
68 69 73 20 65 79 65 73 20 61 72 65 0a
69 20 64 6f 6e 74 0a
72 65 6d 65 6d 62 65 72 0a
77 68 61 74 0a
69 73 20 6c 6f 76 65
>x doors
They all seem to be made of MAHOGANY. (What is it with these mahogany doors...?)
One, the closest one to you, seems SMALLER and SHABBIER than the others.
>save
The memory of Eve in happier times fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open small, shwbby door
You open the small door, and you enter a SUPPLY CLOSET.
>look
It seems that the servants of this manor have visited this room frequently, from how easily the door swung open. It's surprisingly large, given that it has to house all the various small things that keep a large property like this up and running. There are STACKS OF FOLDED LINENS on shelves, boxes of LYE, MOPS, BUCKETS, BROOMS, DUSTPANS, even MORE PILES OF CLEANING RAGS, MATCHES, and CANISTERS OF LAMP OIL.
>x bucket
You look into a random bucket. It's made of wood, and it's empty. Dry as bone. Thank the gods. Heavenly Yard forbid there was something nasty inside.
Chapter 23: 3/3/19
Notes:
Happy Miku Day, everyone!
Chapter Text
>Take Matches and lamp oil
You take them both. You now have ONE BOX OF MATCHES and ONE CANISTER OF LAMP OIL.
>Just in case you need to do some arson
Invalid command.
>You have plenty of fond memories of burning houses, right?
>fondly regard cremation
You stand there for a few minutes, staring at the box of matches in your hands.
You regard fire, the flickering of soft candlelight, the roaring of the fireplace, the s̫̰͘c̘̦̰r̷̪e͈̹a̱̞̥m҉͙i̳̝̞ṉ͚̟g͍͈̕, the p̥̠̥a̦̭̗i̴͈̞n̮̤, blood running down your o̳̯͖ư̥̗t̻s͔͝t̷̙r͔̥̲e̷t͈͈̰c̙̗h̡̯̯e̻͎͜d̶̦͙ ͉̱ͅa͖rm̬...
You can regard cremation. You cannot regard it fondly.
>consider arson
You consider it. Then you put the matches away.
It’s a last resort, but only that.
>become Fire
Become fire, destroyer of houses? Not today.
>be the embodiment of hotness
>hot damn
Rather bold of you to assume you aren't already the embodiment of hotness.
...
Well that was rather conceited.
>this man is on fire
>x self
You are ADAM MOONLIT. You had MANY OTHER IDENTITIES, but for now the one you hold the closest to your heart is ADAM MOONLIT. Right now, you are feeling PRETTY HOT. Though that has nothing to do with physical appearance (Eve would be a better judge for that), and more to do with the fact that you're stuck in a STUFFY SUPPLY CLOSET.
>x self for anything flammable
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion full of pins and needles
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
Several scraps of cloth
Several spools of thread
Five pieces of bloodstained written-on paper
>did we read the last piece of bloodstained paper
>if not read it
It reads:
Gumina has asked me if I was an only child.
I know that's not true, but without him, it's as if I really am.
It's lonely, it really is.
At least for now, Gumina and I have each other.
I think I'm almost there. Hold on, my brother.
>search the shelves more thoroughly
You push aside the boxes, the linens, the canisters, and all you get is a face full of dust and hands full of cobwebs and... dead spiders.
Ew.
>leave supply closet
Wiping your hands on your pants, you cringe as you flee the SUPPLY CLOSET.
>is there any sort of cloth or curtain
There are none in the area, but you have SOME PIECES OF SCRAP CLOTH.
>go back
>take linen
You give yourself five seconds to get over your DISGUST AT GRABBING DEAD SPIDERS and return sheepishly to grab a linen off the nearest shelf. You now have A SHEET OF FOLDED LINEN.
>unfold linen
>turn it into cape
Solemnly, you unfold the linen and drape it over your back, tying two corners around your neck as you step on an overturned bucket, raising your eyes to the (metaphorical) stars.
>be..... the Dust Knight Alpha
It's only fair that your princess deserves a knight, right?
A KNIGHT of (MOON)LIGHT?
In the middle of your roleplaying you realize that you have nothing productive in the last... how long has it been?
Some knight you are.
You might as well be the KNIGHT of DUST.
>use the sewing materials to turn the linens into a costume.
You PROCRASTINATE FURTHER by fiddling with the LINENS AND SCRAP CLOTH. Aside from the CAPE, you make a HOOD, a SCARF, and a MASK. It's a bit hard when you're no fashion designer, but you come up with something HOPEFULLY DECENT. You use ALL YOUR THREAD and ALL YOUR SCRAP CLOTH in the attempt though.
>be the rider. save the world.
You’re sweating like crazy, the linens not helping you cool down, but at least you look vaguely heroic now, right?
...
Who are you kidding, you're no hero.
You used to think that you could be brilliant enough to save your country, save your mother, and hell, maybe the world while you were at it... but you couldn't even save yourself from falling into the abyss.
>save your wife
But...
There is someone you CAN save if you stop FOOLING AROUND.
You stand up straight, tightening the cape around your neck.
You have work to do.
>save first tho
You are filled with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
At least you are capable of SAVING SOMETHING.
>think about how you would like to roleplay with eve
>remember your greatest LARP moments for inspiration
The forest, for all its purported dangers, was actually PRETTY BORING TO LIVE IN, sometimes. And, in spite of your lives ALREADY BEING SOMEWHAT FANTASTICAL, who would anyone be to judge the stupid shit you and Eve did for fun? The two of you had to disguise yourselves out of necessity whenever you went to town, yes, but sometimes it GOT MORE RIDICULOUS THAN IT HAD TO BE
Like that one time Eve pretended to be a scientist, and you pretended to be a shaman, and you very nearly killed each other from trying to keep a straight face in front of several increasingly bewildered villagers. Your best performance. Ten out of ten.
Laughing with Eve to the point of tears at the absurdity of it all; your heart racing with exhilaration; feeling as if, between the two of you, you could take on the entire damn world...
You wish you could feel that way again.
>tighten your cape even more tighten it 500times stronger
You are so lost in thought, you don't even realize that you've tightened the cape too much and you pass out and die from asphyxiation.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the SUPPLY CLOSET of a luxurious mansion. It is the middle of the night.
>mourn for your wife and decide time to get back to work
You've wallowed in your own misery for long enough. Time to actually DO SOMETHING ABOUT IT.
>leave supply closet
You EXIT the supply closet.
>look
You are on the RIGHT WING of the SECOND FLOOR of a luxurious mansion. There are THREE DOORS you can see, the nearest one you just exited from being SMALLER AND SHABBIER than the others. At the end of the hallway, a corner turns to the LEFT. Behind you is the TOP OF THE GRAND STAIRWAY.
>do a transformation sequence
>like sailormoon
You try to mimic the animated shows you've seen on TV and try to transform into a better person.
All you end up accomplishing is spinning around like a lunatic and tripping on your new cape, falling to the floor in a tangle of linens.
Congratulations.
>hope no one is watching
You hope no one saw that. You REALLY hope no one saw that.
73 6f 72 72 79
>do eeny meeny miny mo on which one to enter next
>go to 2nd door
You get up, trying to look dignified as you make show of picking where to go next.
Eenie, meenie, miney-
You give up and just enter the door in the middle.
You seem to have entered a CHILDREN'S PLAYROOM.
>feel great fear
You stagger back, clutching your new HOOD. Your greatest fear! Your arch-enemy!
CHILDREN'S TOYS!
Don't be ridiculous. It's just a few old dusty toys. Your new costume seems to be inspiring you to be more DRAMATIC, however.
>x room
>gasp dramatically
You gasp dramatically (again) at the state of the room. It's a bit of a mess, but as any child's room, that's to be expected.
The room is filled with OLD TOYS. There's a ROCKING HORSE in one corner, the saddle covered in dust. There is a TABLE here, with a CHESS GAME set up, the pieces in the middle of an unfinished game. There is a CHEST here. There are JACKS and RUBBER BALLS and WOODEN BUILDING BLOCKS scattered around the floor, and you have to watch your step. On one wall is an OLD MAP OF EVILLIOUS. On the other...
It seems to be a CHESSBOARD TAPESTRY, but it's as if someone has RIPPED MOST OF IT OFF THE WALLS. The pieces of tapestry seem to be scattered all around the room.
>feel like a kid again
You haven't seen this many toys since the orphanage. These are in infinitely better condition than the ones back there though, the orphanage toys having been played with to their breaking point and a bit beyond that. And with there being so many of you, it's a miracle that you had a chance to play at all.
There was always the option of asking people to share, but who would want to share anything with someone like you? The crybaby, the weakling, the liar who said he had a mother (even if you did have a mother, you always screamed at the top of your voice). Who would want to play with someone like that? How dare you keep insisting that you had something no one else had?
No, you must have been lying. And no one wants to be friends with a liar.
You proceeded to bury yourself in your schoolwork until simple children's toys no longer meant anything to you.
No. You don't want to feel like a kid again.
>"ohohohoho"
You try to laugh, to distract yourself from the memories. It doesn't work.
>Collect Tapestry Pieces
> Collect pieces of the tapestry
You try to grab all the ones you see. Some, you notice, seem to have markings on them. You now have SEVERAL TAPESTRY PIECES.
>open chest
You open the chest, and see SOLDIER FIGURINES, a HOBBY HORSE, some WOODEN SWORDS, as well as ONE MORE TAPESTRY PIECE.
>x map
You look at the map. It covers the BOLGIANO CONTINENT as well as MARLON. You trace your hand over Held's Forest.
Someone has scribbled on it in wax crayon, somewhere in the Asmodean region. A small arrow points to a certain spot on the map, and you can barely read the letters written in a shaky, childish hand: I AM HERE
Aw, cute.
>ride the rocking horse
You try, but it's so old and had been rocking back and forth for so, so long. As you try to rock back, the woodwork finally collapses under your weight and you end up landing flat on the floor.
Guess you can't be the rider today.
>put tapestry back together!
You try, but the pieces are so large and the fabric so floppy it very quickly becomes an exercise in frustration. You look balefully at the remains of the tapestry on the wall. Maybe, with the right tools and materials, you can put it back together properly?
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion full of pins and needles
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A linen mask you made yourself
Several pieces of marked chessboard tapestry
Five pieces of bloodstained written-on paper
>reenact a war with the toy soldiers and swords
You become GENERAL ADMIRAL MAJOR MARSHAL MOONLIT, and you now commandeer a BATTALION OF TOY SOLDIERS in the war against SEVERAL OTHER TOY SOLDIERS YOU ARBITRARILY DESIGNATED AS THE ENEMY.
Raising a wooden sword above your head, you let out a battle cry as you ride a hobby horse into battle, letting your "soldiers" follow you as you crash into the table, knocking everything over and leaving you covered in chess pieces, dust, and regret.
You look over the mess you've made, and you dishonorably discharge yourself from duty.
>also remember did we take all the thread there was?
You had taken everything you saw on that table.
>deconstruct your linen mask into threads
You try, but you end up snipping the thread apart by accident.
Now you’ve lost your new mask AND your thread. Nice going, genius.
>channel your inner Kayo Sudou, but in reverse
Who?
>reflect on the past hour
You are no closer to your goal than you were an hour ago. You have a new outfit, so what? How's this going to help you save Eve?
Your only lead is in the notes you've been finding but you haven't even followed that one up.
>just use the pins to pin the tapestry together
>stitching is tailor propaganda
Who NEEDS thread? Who NEEDS needles? You have a whole pincushion’s worth of pins, and if there's anything you can call yourself (not including various insults), it's that you're resourceful! You start pinning together the tapestry.
>pray you'll be successful
>pray to the levienta gods
You start praying to Levia, Behemo, and Held as the tapestry comes together.
But your prayers come to nothing.
You have run out of pins.
>use the needles as pins
>and continue on with your work
You try your best to make it stretch, even using the needles, but you run out of those too and there are still pieces left over.
Gods. DAMMIT.
>cry
You sit on the floor and sob. Some hero you are.
>look at your progress
How close are you to finding the demon? You do know that there is a cell door in the basement wrapped in suspiciously purple chains. You do know you've been finding notes from a child who was trying to get into that basement cell as well. You do know that there's a torn tapestry here, only a fifth of the way done because you used up all your material on a costume.
You are not feeling very optimistic.
>does the tapestry look like anything?
It looks like a chess board, with pictures of chess pieces on each of the squares. The pieces, however, instead of pointing uniformly up, seem to cycle between pointing up, right, down, and left, and back up again. On two squares, you notice, someone has encircled the pieces in the same colored wax crayon as the MAP OF EVILLIOUS. They point left, and up. If there are more, you can't see, as you still need to put the rest together.
>what are the pieces encircled?
So far, a piece pointing LEFT and a piece pointing UP.
>look around, what a mess this room and me are
>cry more
>cry
What have you been doing?
Making a costume, playing around, breaking things... you sob into your hands. You don't have time, you don't have time.
>groan I was never good at chess
It's been a long time, but you were actually good at chess. Everyone else learned not to challenge you as you beat them over and over again.
You stopped playing, though. Because you had other things to do. Not because everyone would leave as soon as you wanted to play. Of course.
>well nothing left to do leave the room
You EXIT the CHILDREN'S PLAYROOM. What now?
>enter the last door
You enter the last door. It seems to be a STUDY.
>look around
You look around. You seem to be in a SMALL STUDY. BOOKSHELVES line the walls, and at the center of the room, pushed against the wall, is a WRITING DESK.
>examine bookshelf
The selection isn't as extensive as the LIBRARY down below, but it's still respectable. The books seem ORGANIZED, the leather spines nice and glossy.
>in what way are they organized?
In alphabetical order. Thank the gods.
>examine the desk
You examine the desk. There is a selection PENS, PENCILS, AND ERASERS, as well as various LETTERS and DOCUMENTS. There is an UNLIT OIL LAMP being used as a paperweight.
>also pick up erasers, pens, etc
You pick up ALL THE WRITING INSTRUMENTS. You know have ALL THE WRITING INSTRUMENTS. ALL OF THEM.
>exmine letters and documents
It's mostly paperwork-- administrative documents on the running of Asmodean. There are two letters in particular that seem to be interesting though.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion full of pins and needles
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Five pieces of bloodstained written-on paper
>look over all the notes study time
The first piece reads:
Today, I asked Father if he would allow me to see my older brother. I know he's in the basement.
After what he said, I really don't want to ask him again.
I'm going to have to find a way to get in myself.
The second piece reads:
Today, I've tried asking the servants. None of them would give me an answer.
Understandable. They are all working for my father.
The third piece reads:
Unbelievable! They've locked him up!
My own brother, my flesh and blood, locked up like an animal!
I tried to get in and speak with him, but that terrible guard wouldn't let me.
Because he was ordered to by my father.
I have tried to be a good son. A good son does not say awful things about his father.
But I cannot stand for this.
I must find a way inside that cell.
The fourth piece reads:
The guard from below approached me last night, before I was about go upstairs.
I had half a mind to dismiss him right then and there before he whispered, "A song in the library will help you."
A song? I'm no singer. I might as well go to the library anyway...
The fifth piece reads:
Gumina has asked me if I was an only child.
I know that's not true, but without him, it's as if I really am.
It's lonely, it really is.
At least for now, Gumina and I have each other.
I think I'm almost there. Hold on, my brother.
>head to the library
You can't go there from here.
>look at both letters
The first one is a message from a scout searching for information about demons and magic, or, more interestingly, the negation of demons and magic. They had traveled far and wide, but they had only found something interesting in Levianta, near the ruins of the legendary Magical Kingdom. From an old shaman, they had learned that a certain symbol could drain the magic from the aether, theoretically creating an area where no magic could manifest or be used.
The scout had drawn the symbol for their lord's benefit. Looking at it...
Y̡͕̖o̴̼u̥r̘̘̜ ̡̟ͅs̲̟͓k͔̘̮i̟̻͞n͚̩ ͇̦b̲̦͠e͕̞g̻̗̮i͖̭n̲̺͖s҉̹͉͉ ̶͎t̖͢ͅo͓͇̹ ͏̯̻c̘̠͚r͚͜a̴̤̻w͓ḽ͙.̛̯̞
The second letter is a reply to the scout, saying that their services will no longer be needed. He had found a better solution to his "demon problem", a more practical one, and one not based in crackpot theories and flights of fantasy. His wording makes you feel uneasy.
>leave the room
>after reading those letters
Hands shaking, you leave the room. The symbol, no... rune... is burnt into your mind.
>do you know the rune? At all? Any previous encounters with it ?
You remember... you remember... you remember...
You remember Eve trembling as those runes, face paling as she looked for any excuse to get as far away as possible.
You remember the icy feeling they gave you, deep in your gut, as if someone was scooping your insides out and leaving you hollow.
You remember that rune covering the walls of Institute rooms, a sign always posted nearby as a warning and threat:
THIS AREA IS A NULL-MAGIC ZONE. ANY ATTEMPTS AT UNLICENSED, UNAUTHORIZED MAGIC SHALL BE PENALIZED ACCORDINGLY.
You both hated it.
>wish you weren't alone
>descend stairs
You stumble down the stairs, hugging yourself as you wish you had someone to talk to about… this. Any of this. Someone like Eve.
You find yourself gripped with a crushing loneliness, and with it comes a sudden desperate longing for your wife; for the sound of her voice; for her warm hand in your own; for her mind and heart that understood, understood the feeling of being surrounded by darkness on all sides without any hope for safe harbor.
But...
She's not here. And that’s all your fault.
You have work to do. You have so much work to do.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion full of pins and needles
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Five pieces of bloodstained written-on paper
>cartwheel there "wee im an acrobat
You CARTWHEEL into the DRAWING ROOM, crashing into the sofa and making your entire body more sore than it already is.
> go to the library
You get up, and hobble into the LIBRARY.
>save
The comforting smell of old books fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Chapter 24: 3/9/19
Notes:
Happy 413 to all you Homestuck nerds out there!
I've got one more session (technically two, since I'm about to run one at the time of writing this) to publish after this, so stay tuned!
(See the end of the chapter for more notes.)
Chapter Text
>look
>observe
You look around. The library isn't the biggest you've ever seen but it's still satisfyingly massive. There are more chairs around, in order for guests or members of the family to settle down for a bit of light (or heavy) reading.
You think you remember reading something about this place in one of the notes you've found...
>dance like kirby
You dance a cute little jig. You have no idea who this kirby guy is though.
>sing a song you heard somewhere
>sing terribly
You sing a song you remember from long ago, a song about star fragments.
It was Eve's favorite.
You sadly cannot do it justice.
>search for hidden notes
>search the bookshelves
The library is small, but there are still hundreds of books. You rummage around the bookshelves, trying to figure out what you're supposed to be looking for. It feels like you're working on a difficult math problem, circling around the solution but just not seeing it.
Think. Think. What is the information you have so far?
>are there any symbols or such on the walls, floor, or ceiling?
None that you can notice.
>observe using magic
Even if you were confident at using magic, you have the feeling that all you need right now is your own brain.
Well, that’s reassuring.
>ruminate on past info
There's all the notes you've found.
> Recall which note is currently relevant
>read note 4
There's only one note about the library. It reads:
The guard from below approached me last night, before I was about go upstairs.
I had half a mind to dismiss him right then and there before he whispered, "A song in the library will help you."
A song? I'm no singer. I might as well go to the library anyway...
>use braincell
You're trying! It's overworked! Please give it a paid vacation!
>lulila
>sing lulila
You sing a lullaby you've heard somewhere, trying to focus yourself on your current task.
> Search for any song/music-related books
You run across the library, bringing all your university research skills back from oblivion to do this one very task!
You find score sheets, textbooks on Asmodean instruments, and dissertations on the lost Leviantan art of spellsong, but only one book you find seems interesting: a LUCIFENIAN SONGBOOK.
Why?
Because it happens to be inexplicably s̩̻͢t͚̹̫a̻i̢̭̭n͈̭ͅȩ͇̙ḓ̵̱ ҉̩̺w̺̰̼i̜͚̻t̫̫͉h͔ͅ b̦̘ͅl̜͔̬o҉̤̦̖o͚̰͠d̖͓.
>lie down and die
In total shock at this defilement of literature, you lie down and die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LIBRARY of a luxurious mansion. It is the middle of the night.
>look around
You look around. The library isn't the biggest you've ever seen but it's still satisfyingly massive. There are more chairs around, in order for guests or members of the family to settle down for a bit of light (or heavy) reading.
You think you remember reading something about this place in one of the notes you've found…
>look for any peculiar blood stained song books
>search for music or song related books
You find score sheets, textbooks on Asmodean instruments, and dissertations on the lost Leviantan art of spellsong, but only one book you find seems interesting: a LUCIFENIAN SONGBOOK.
Why?
Because it happens to be inexplicably s̩̻͢t͚̹̫a̻i̢̭̭n͈̭ͅȩ͇̙ḓ̵̱ ҉̩̺w̺̰̼i̜͚̻t̫̫͉h͔ͅ b̦̘ͅl̜͔̬o҉̤̦̖o͚̰͠d̖͓.
>contemplate life
You wonder how your life got to this point, as you stare at the BLOOD-STAINED SONGBOOK in your hands.
>"it's not me it's not me"
You try to convince yourself that it's not your fault, but that's a lie.
You promised to stop lying.
It was totally your fault.
>read it
You flip through the pages, but almost everything is too heavily stained to make out the text. All except for two pages. On one page, you can only make out one stanza. Your Lucifenian is rusty, but you can understand the faded lyrics all the same:
Let me dream of dancing until the dawn
For the bells of the clock would break the magic
Vaguely, those fingers beckon me to the stairs
I leap up them, taking three at a time
The opposite page, though not bloodstained, has been vandalized with thick block letters:
NHB WR DQJHO
LV ZKHUH WKH
PDVWHU VOHHSV
You've heard many jokes about Lucifenian writing being nigh unreadable, but this is just ridiculous.
>sniff it
You bring the book to your nose and take a deep whiff. Behind the overpowering smell of dried blood is still the smell of old book, and that comforts you.
>save
The smell of old book fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>lick it
You lick it, and the horrible iron taste makes you feel like dying.
>ctrl+alt+del
Invalid command.
>head out of library
You leave the LIBRARY and enter the DRAWING ROOM.
>go upstairs
You can't do that from here.
>exit to main hall
You leave the DRAWING ROOM and re-enter the ENTRANCE HALL.
>up up down down
Up, up, you shimmy up the stairs.
Down, down, you shimmy back down again.
Well, that was pointless.
>left right left right you cultureless swine
Invalid command.
>ascend stairs
You ASCEND the stairs...
>descend stairs
And immediately descend them. At least you're getting exercise!
>ASCEND THE FUCKING STAIRS
>AND STAY. UPDOORS.
>DESCEND THE FUCKING STAIRS
>AND STAY. DOWNDOORS.
>UPSTAIRS
>squawk like a pelican
>STAY IN THE MIDDLE OF THE STEPS
>die
You run laps up and down the stairs, literally running in circles like you once saw athletes at your university do. You run and run and run and run until sweat is trickling down your face and your cape feels too tight and your hood is sticking to your hair.
It's too much, you can't... you can't...!
You stop in the middle of the steps, make a last pathetic squawk, and die of exhaustion.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LIBRARY of a luxurious manor. It is the middle of the night.
>go out
You leave the LIBRARY and reenter the DRAWING ROOM.
>lie down
>try not to cry
>cry a lot
You sort of... lie down. Not even on the sofa, the sofa's too good for you, but the floor.
You break into broken sobs, despairing at the fact that you're getting more questions than answers.
>don't skip leg day
In the forest, pretty much every day was leg day. You couldn't skip it even if you wanted to.
>contemplate life
It's hard to think when you're having a THERAPUTIC CRY.
>cue flashbacks
>to how we got here
You're so tired of thinking of the past, of replaying events in your head and how they could've gone differently if you had known better, if you had been less of a terrible person...!
All you can think of is that you love Eve, and you miss her terribly, and finishing this quest is going to be harder than you thought it was, but you have to do it, you're GOING to do it, and that there's no use crying since you brought this almost entirely on yourself, but that doesn't stop you from sobbing your eyes out anyway.
>stop crying
You cry until you can't anymore, staring into space.
>leave the library
You've already left it.
>go to main hall
You stand up. You re-enter the MAIN HALL.
>now, go the fuck upstairs
You walk up the steps. For some reason, you walk up them three at a time.
>observe
From here, you can go LEFT or RIGHT.
>search for a bedroom
You searched the RIGHT HALLWAY already. If there's a bedroom, it's probably on the LEFT.
>think about how small they designed these steps
Maybe you just have long legs.
>is this architecture?
Then again, you know as much about architecture as you do butterflies: some are pretty, some aren't, and it's not possible for you to go blind whenever you get too close to one, no matter WHAT your classmates say!
>go right
>left, i mean
>left is right
You suddenly become confused over cardinal directions.
>stare at your hands and remember which one you write with
You... oh yes. That's right. Your dominant hand is...
>go left
>the corridor you haven't been to
You go LEFT and enter the hallway.
>right
You exit the hallway, suddenly filled with DOUBT.
>left
>go left
>no doubts anymore
>fuck labels enter the corridor you haven't explored
That's right! You should be more confident in yourself!
You have yet to explore the left hallway so that's where you go.
>left and right are just wooooords
Everything is arbitrary and nothing matters! Fight the hegemony!
>go to the corridor
You're already in it.
>now, find a bedroom
There are three doors here. Which one would have a bedroom...?
>right
Suddenly stuck by CHOICE PARALYSIS, you exit the corridor again to take a deep breath.
>go to bathroom
There is no bathroom here.
>OPEN ALL OF THEM
All of what?
>open the doors idiot
There are no doors here.
>left this time
>right
>no left
>i mean right
You nervously flit between corridors, unsure of where to go.
>lie down and die
>DO NOT FUCKING DIE
You're exhausted. You lie down and... sigh.
>69 20 61 6d 20 73 6f 20 73 6f 20 73 6f 72 72 79
COMMAND PROCESSING ERROR: INVALID SYNTAX
>go back to the one you haven't explored yet
>go to the place you haven't been yet
>right
You know where you haven't explored yet, and that's not right.
You enter the left corridor.
>good
Invalid command.
>save
You getting over your indecision fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open all the fucking doors
>open all the doors
>all the doors
>all of them
You go down the hallway, flinging all the doors open. None of them are locked. You reach the end of the hallway, the corner turning RIGHT.
>look inside the opened doors
You peek through each of them on the way. From the nearest in, you see a BEDROOM, another BEDROOM, and what seems to be a WORKROOM.
>right
You go RIGHT and enter another hallway. In the center of the hallway is a stairway going UP TO THE NEXT FLOOR, and at the end of it is a corner going LEFT.
From here, you can go BACK, LEFT, or UP THE STAIRWAY.
>ascend
You try to ascend... and you are immediately assaulted by the STINK.
>descend
You cough and immediately flee back down the stairway, covering your nose and mouth with your arm.
>abscond
You run BACK to the WEST WING.
>rise up
You don't feel like rising at the moment. More like falling.
>1110100 1100001 1110011 1101011 1101100 1101001 1110011 1110100
User ID ---- PID ------ PROCESS NAME ---------------------- SYSTEM TIME ---- MEM USAGE
======= ---- === ------ ============ ---------------------- =========== ---- =========
root --------- 1 ------ init ------------------------------ [ERROR] -------- 4 K
root --------- 2 ------ system ---------------------------- [ERROR] -------- 5,012 K
root --------- 4 ------ watchdog -------------------------- [ERROR] -------- 10 K
root --------- 5 ------ oom_reaper ------------------------ [ERROR] -------- 1,111 K
root --------- 8 ------ timesync -------------------------- [ERROR] -------- 413 K
root --------- 9 ------ spacesync ------------------------- [ERROR] -------- 612 K
root -------- 12 ------ BB-logon -------------------------- [ERROR] -------- 2,248 K
root -------- 14 ------ akashic_rec ----------------------- [ERROR] -------- 31,917 G
root -------- 15 ------ akashic_pb ------------------------ [ERROR] -------- 71,913 G
root -------- 16 ------ audiosrv -------------------------- [ERROR] -------- 520 K
root -------- 18 ------ cmd_parser ------------------------ [ERROR] -------- 3 K
root -------- 19 ------ avatar_cmd_parser ----------------- [ERROR] -------- 180 M
root -------- 20 ------ multiversal_reciever -------------- [ERROR] -------- 80,234 M
root -------- 21 ------ multiversal_sender ---------------- [ERROR] -------- 80,423 M
root -------- 22 ------ avatar_draw ----------------------- [ERROR] -------- 159,913 M
root -------- 23 ------ YWRhbW1vb25saXQ=_mind ------------- [ERROR] -------- 21,417 G
guest ------- 25 ------ YWRhbW1vb25saXQ=_inventory -------- [ERROR] -------- 83 M
guest ------- 26 ------ sim_draw -------------------------- [ERROR] -------- 853,117 M
root -------- 27 ------ Z2lsbGVzenZl_mind ----------------- [ERROR] -------- 30,145 G
root -------- 29 ------ cmFoYWJhcmlzb2xtbw==_mind --------- [ERROR] -------- 32,537 G
root -------- 31 ------ bWFyaWV6ZGE=_mind ----------------- [ERROR] -------- 31,294 G
root -------- 33 ------ c2FsZW12ZQ==_mind ----------------- [ERROR] -------- 33,267 G
root -------- 35 ------ YmFuaWNhY29uY2hpdGFvbmw=_mind ----- [ERROR] -------- 32,256 G
root -------- 37 ------ c2V0aHR3aXJpZ2h0aXQ=_mind --------- [ERROR] -------- 31,377 G
r͏̡͉̻̩̼̖̹͖̙ǫ̵̧̝̫͉̙̹͔͉͇̟̤̦͔ͅo̵̹̹̙͚̙͖̦͈̕ͅț̴̶̟̲̺̳̙͔̹̻̬̭ ̨̧̯͈ͅ-̷͕͙͙̼͈̮͖̠̱̭͈̖̣͙͜͝ͅ-̡̕͏̰͙͎͍͖̼̟͙͎̠̼̬̺̤͕̟͠-̵͍̩̪̪͕͖̖̟̠̙̦͇͖̙͎͝͠-̮̠͉-̛͏̩͇̣̟͚͇̜̩̫-̢҉̬͎̘̦͉̩̞͓̰̗̞͠-̷̛̦̪̙̟͎̻̩͜ͅͅ-̶͏̪̹̘͓̻̫͝-͏҉̧͕̯̳͇̭͇̜̱̭̩̝̹͍̟̙͢ͅ-̥̣͓͍͚͎̭̕͝ ̴̷̸̖̺̱̜̺͡3̸͏̶͕̟̳̼͎̗̪͔͚̭̠̱̪͜9͏͉̬͎̩̜̞̠̬͓͇̠̜̯̘̤͕̤͜ ̵̮͕̺͎̟̺͇̝̬̝̟̫̫̝̹̠͟-̷̷͓̮̺̘̞̖͖͟͡-̵̰͇̖̪̳͘͝ͅ-̷̴̡͇̯̮̫͔̖͚̠͍̣͘ͅ-̵̸̙̼̳͕͍̭̯̳͇͎-̷̧̦̼̯͎̭͕̮̜͖̙̼̫̕-̷̷̬͈̮̜̤̪̺̮͕̖͚͘͟ͅ-̷̶̧̣̺͖̞̥̹͇̩̦̟̼̕͟ͅͅͅ-̷̴̢͝͏̝͙͙̪̞̪̞͇͎̝̝̬͉ ̨̣̙̝̻̩̞̻͉͞Z̴̸͇̬̼̹͙͡Q͘͢͟͏͏̹̻̜̩̼̘̖̘͕=̵̢̧̧̫̩̳͚̩͇̗̘̳̖̩ͅͅ=͚̻̟̫̼͖͖̦̞͍͢_͏̪̖̜̯̺̺̬̺̥̦͟͝͞m̵̝͓̯̤̲͓͎̰̖̮͕̜̖̣̯ͅị̷̸̛̜̯̦͚͘n͏̬̤̙͍̪̤̪̳̻̘͔͉d̢͜͏̠͙̯̝͉̪̹̱̮̬͙̪͚̭̫̼̟̪͓ ͝͏͘҉̩͔͎̜͇ ̞̣̘͖͍̪̻̜̜̯͞-̘̠̬͙̱̙͎̲̰̬̜̲͉͎͓̠͢͞͝-̯̠̬͔̜̻̫̣͉̜͍̟͎͇̰̥̹͕̘͘-̷̧̳̞̰̺̯͖̖̮̭̹̩̦̘̯͇͓̬̜͚͝-҉҉̡͍̫͇͎͉̯̻̖̼̹̜͞-̷͇͙̞̱̝͖̦̰̭̣͓̺͠-͘͞҉̵͓̼̮̼̰̳-͔̬̳̮͈̼̝̯̤͍͎͟ͅ-̡̱͙͚̪͖̠̣̞͎̗̘̮͖̗͚̙-̶̟̠̫͓͇̻͠͠-͏̸̖̫͈͔͚̲̭͕͔̣̲̱͘͜͡-̬̦͈͔̮̪̥͙͈͘͢͞ͅ-̴̰̙̤̹̜̖̩̭̩͚͔̱̠͚͚̘̕͠-̶͜҉̟̮̜̯̥̺̹̪͎̕͢-҉͚̲̟̜̠̙̰͍̼̳̤͎̖͙̞̠̬͝-̡̧҉̪̫͙-͟͏̤̭̳͍̱͝-̶̶̢̧̯͓͔̠̪̺̪̖̱͙̠̬̙-̶̰̝̠̰̺͍͙͚͍͉̪͓̥̦̙͈͜͡-͢҉̩̙̺̯̩̹̗̭̟̦̹̱̼̠͟-̠̬̘̖̬̖͍̼͡-̴̴̢̛͉͓̝̰̰͔͘-̷̴̷̶̠̪̝̜͕-̛̛̻͉͉̜͈̤͢-͜͟҉̶͙̰̙̭̤̙̤͙͍̝̤͈-̕҉̲̻͔̪͚̥͎̰̰͖͍͉̞̝-͏̟̗̯̥̣̰̫̣̬̟̯̞͕̖͚̥͟ ̸̴̲̠͎͘͢ͅ[͇̫̦̮̳̲̹̤͕̰͎̬̞̝͍̥͈͝E̷̥̦̹̺̥͉̞̺̪̬̲̘͚̫͈̖͝R̛̠̳͈̩͚̫̺̪̯̫̬ͅR̷̡̛̬̭͍̠͖͈͎̱͓̘̝̟̣̕ͅO͏̸̵̶͎̙̳̞̳͉͖͍̗̥̫̦̙̜͢ͅͅR͠͝͏̯̠̤͙̦̳̞̺͖͚̲͟͝]̷̷̧̛̟̙̺̱̘͈̕ ̸̡̦͖̤͚̪̖ ̮̞̖̝̠̟̜̺̣̱͉͔̻͢͡͞ ̨̺̣̘͎̤̤͍̺͔͔̣͓͟ͅ ͢͡҉͙̩̹̻͚̭̹͇̙̳̙̙̘̱͘ ҉͙̤̞̱͎͖̭̘͚̤̯̯͔̱̬̱͠ͅ-̴̵̜̯̥̞̱͢͜ͅ-҉̸̨̛̲̳͕-̷̷̷̮͔͉͔̳̺̖̱̘̖̺̹̜̻̟͘ͅ-̷̜̟̙̹͈̱̖̥̞̣̖̖͘ͅ-̷̨͓̺̣̤̳͍̮̤̗̻̙̖͉̣̝͕͔͖͟͢ͅ-̵̢̛̜͉͞͠ͅ-̕҉̼̯̲̼̖̭̬̟͍ ͏̖̩̪͍̦̠͔͙̞͚̞̠̗͓̼̬̹̮ͅF̢͞҉̣̫͎͙̩̜̪̹̰͙̪̙̫̗̞̮͕F͔͓͔̟̳̟̳͇̤̮̟̤̜͇̳͔͚͈͘͜͝F̴̸͉̫̰͈̲̮̞̠̜̜͇̪̜̘̪̰̖͚̱̕F̸̛͈͇̬̙͍͚̫̝̖̦̝̦͉F͇͍͙̭̬͖̘͎̼̜̗̖̹̕F̺̘͓̖̞̺̲̫͞F̵͇͍̪͉͕̤̯̲̙̰͙̦̼̕ͅF̧̻̪̯̝͔̗͓̮͜F͚̗̮͓̥͎͖̭̩̗͠
FATAL EXCEPTION DETECTED.
Killed.
>fall
You fall to the ground, trying to breathe in some fresh air.
>rise
You get up, coughing a few times just to get the stink out of your nose. What the Hellish Yard was THAT up there?
>1110111 1101000 1101111 1100001 1101101 1101001
guest
>observe
You're back in the WEST WING, and before you are THREE OPEN DOORS.
>mind over matter
Invalid command.
>enter first door
Rightmost, or leftmost?
>centermost
>straight ahead
>enter
You head for the CENTERMOST room and find what seems to be a SMALL BEDROOM.
>hell yeah
Invalid command.
>that is your coffin
Invalid command.
>onserve
Invalid command.
>obsaeve
Invalid command.
>observe
>fucking observe
You seem to be in a SMALL BEDROOM. All the same, it's still bigger than your apartment in Levianta and the furniture infinitely as... well... luxurious. There is a QUEEN-SIZED BED here. There is a DESK here. There is a SIDE-TABLE here.
>....claim smol room as urs
It's not good to take things that aren't yours.
Eve learned that the hard way.
>exit
You leave the SMALL BEDROOM and re-enter the WEST WING.
>go to left room
You enter the leftmost room, which is the OTHER BEDROOM. It is TWICE AS LARGE as the previous bedroom.
>and nap
>sleep in the bed
>nap! nap! nap! nap!
You have work to do.
>actually no
Invalid command.
>save
The largeness of this bedroom fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>check the side table
You look over the side table. There's a GLASS OF WATER, a pair of SPECTACLES, a BOOK, and BLOODSTAINED INSCRIBED PIECE OF PAPER.
>eat paper
Which one?
>all of them
You eat all the pieces of paper you hold, including the one on the table. When you finally reach the last one, the sketch you drew, you stare at it, and then...
>then die
You choke to death and die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the MASTER BEDROOM of a luxurious manor. It is the middle of the night.
>lie on bed
You lie on the KING-SIZED BED. It's very soft. Much softer than all the beds you've slept on in your first lifetime.
...
It feels empty, though.
>check side table
You look over the side table. There's a GLASS OF WATER, a pair of SPECTACLES, a BOOK, and BLOODSTAINED INSCRIBED PIECE OF PAPER.
>drink water
You drink the water, not realizing how thirsty you were until now.
>abort
>be careful of poison
You spit it out, gagging at the weird metallic taste of the water. How long has that BEEN there?
>you're thirsty
Invalid command.
>oh shit
Invalid command.
>get paper
You take the paper. You now have SIX BLOODSTAINED INSCRIBED PIECES OF PAPER.
>please just....r-read the paper
>READ
It reads:
I just had the most terrifying experience of my life. I knew that finding the master key would be difficult but trying to find it while Father was asleep was moronic.
At least I know where it is now. I didn't get close enough to see how to open it.
I'll try again later.
>you haven't read in a few minutes
Invalid command.
>a-are you ok
No!~
Notes:
The song lyrics in this session are slightly modified from a translation by Blacksaingrain of a work by twinkledisc/Signal-P.
Chapter 25: 3/19/19
Notes:
Whew, thank you again for waiting. Between my final exams, final projects, yet even MORE academics (because of a summer class), and transferring data between laptops, I've been kept pretty busy. But I think I'm finally ready to laugh again.
This session was held on the second anniversary of AATA. If, despite everything, you're still here... thank you. Thank you so much.
Chapter Text
>take deep breaths
>calm down
You breathe in. You breathe out. You try and calm yourself down, doing an old exercise by keeping an imaginary feather floating in the air with your breath.
The silence of the room is deafening. You feel a bit better, but now you just feel... tired.
You suddenly get the feeling that you've been doing this for a very long time.
>being okay is for LOSERS
And you're a loser! You have to be okay now, right?
Damn it. That didn't work.
>we die like MEN
It's just as manly to stay alive.
>look
>observe
You are in the MASTER BEDROOM. It is in fact the MOST LUXURIOUS BEDROOM you've ever been in, and you've been in your mother's room.
W̹̠͜a̸̞̥į̻̲t,̮̻̪ w̯̦h̢i̢c͡h͏ ̥̫o͙͔̹n̙̱ͅe͕̞̕-
There is a KING-SIZED BED here. Next to it is a SIDE-TABLE. Hanging above the bed is a MASSIVE PORTRAIT OF A VENOMANIA NOBLE. From the ceiling hangs YET ANOTHER CHANDELIER.
>think of the last thing you ate
Technically, it was the water you drank from the side-table. Which tasted disgusting.
Before that was your sock.
Ew.
>suddenly feel like looking for cake
When was the last time you had cake? A̡̘͓ ̧̦͚b̤̮͝i̺̫̳r̘̪ṭ̢͈h̻͎͇d̤̦a̘̬̻y̦̱͎ ͖̼̟c̶̣ͅa̸̫͉k͖̪͠e̸͎͇ ̖͖̬t̢̞̯h̘̼͔e̘͍̫ ̶̼̬s̵̩̫i̛z͙̟̘e͙̰ ̷̜̜o̺͍̞f̜̫͠ ̸̙̮a̯̖͘ ͔͔f̜͔͔u̬̘l̦͙l̪̳-͔̝̺g̢̤̤r̬̝͘o̝̞͞w͏̬̺n̹̼͜ ͓m͙a͚̩n̸̻̭,͔ ̖̱͙w̥̤͉h͙̦͈e͖̯̩e̢̥̹l͈ḙ͟d̖̘̼ ̵̫̥i͕̞̖n͖to҉ the ballroom-
Eve somehow managed to make you an ice cream cake. You had no idea how she did it in the middle of the forest, but she somehow made it happen and you loved her all the more for it.
You wonder if there's cake somewhere in this manor.
>x portrait
You stand on the bed and look at the portrait. The man in the portrait is stern, glaring at you in 3/4th view, as if he were about to bite the head of some unfortunate servant behind you. It's patterned in a gold frame, and it seems to hang a bit loosely on the wall.
>glare at portrait
You glare back at the man. Meanie.
>break chandelier
It's a bit out of your reach, even standing on the bed.
>obtain anniversary cake
And you're not even getting into what Eve did for your anniversaries...
>sing to yourself
You sing a song that you and Eve had once sung along to on the radio at the top of your voices. A song of persistence.
>SAVE EVE
You're going to save her! No matter how many obstacles get in your way, no matter how many injuries you accumulate, no matter how long it takes, even it takes you another thousand, five thousand, ten thousand years…
You will escape this box together.
No. Matter. What.
>SMOOCH POTRAIT
You give the portrait a massive smooch.
Come on! He's not even your type!
>save
Realizing that a real person is more emotionally fulfilling than a painting fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>remove portrait from wall
You take the frame in your hands and remove it from the wall. A BLOODSTAINED INSCRIBED PIECE OF PAPER flutters to the bed, and behind it, you can see something set into the wall.
>eat portrait
You then eat the portrait and die of internal bleeding.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing on a BED inside the MASTER BEDROOM of a luxurious mansion. It is the middle of the night. How long have you been here?
>crossdress and stab the portrait
With what?
>no, respect the art
Yeah, have you learned nothing from the gallery?
>remove portrait from the wall
>remove portrait from wall
You take the frame in your hands and remove it from the wall. A BLOODSTAINED INSCRIBED PIECE OF PAPER flutters to the bed, and behind it, you can see something set into the wall.
>take the paper
You now have SEVEN PIECES OF BLOODSTAINED INSCRIBED PIECES OF PAPER.
>read the paper
It reads:
I know my father tends to go to extremes, but this is just ridiculous.
I've managed to find the keys. I don't think Father's written the combination down anywhere.
I still have a plan, but I can already hear Gumina yelling in my ear that I can't possibly be serious.
And honestly, if I were her, I would feel the same way.
This is going to be difficult.
Time to start from 00000.
I pray that this won't take too long...
>save
The seventh note fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>fuck w/ that painting yo
>no don't fuck that painting
>i said WITH
>actually how hot is the venomania noble
>we don't care how hot he is
>we're not fucking a painting
>we're fucking WITH the painting
>and removing it from the wall if possible
>yeah it'd be hard to seduce the painting if it's still on the wall
>sweep the painting off its feet, geddit
>at least invite the portrait out for dinner first geez
>THEN EAT THE PORTRAIT
With all the unsavory impulses you have about the portrait running through your head, you decide to be a gentlemen and invite the portrait out to dinner.
And by that, you mean eating the portrait for dinner.
Predictably, you die of internal bleeding.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are standing on the BED inside the MASTER BEDROOM in a luxurious mansion. It is the middle of the night.
>inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Seven pieces of bloodstained inscribed paper
>leave the bedroom
You hop off the bed and exit the MASTER BEDROOM.
>enter bedroom again
You enter the MASTER BEDROOM. Oh gods! You had jumped onto the bed with your shoes on! How could you?!
>fawn at painting
It's not that pretty. More intimidating.
>search for keys
There are no keys here that you can see.
>look at whatever was set into the wall behind the painting
You carefully REMOVE YOUR SHOES before jumping onto the bed again, and take a closer look at the wall behind the painting.
It seems to be a SAFE. On it are THREE KEYHOLES set around a FIVE-DIGIT COMBINATION LOCK.
>gasp at the painting
You turn around and gasp at the painting that you placed down onto the bed. What an obstacle! Could he believe it?!
The noble in the painting does not share in your disbelief.
>take the painting down
Frustrated, you kick the painting to the floor. That would show it who's boss.
>read the back
>are there any dates?
>a year?
Slightly ashamed, you pick the painting back up again and flip the canvas over.
Nothing. The artist didn't even date their work.
Then again, who would want to date THAT noble?
>is the safe safe
>or is it unsafe
>better safe than sorry
It's safe to say that the safe isn't going to kill you anytime soon. At least, not directly.
>sure waste your energy kicking a painting
You've done many pointless things in your adventure, what's one more?
>stomp the painting
You stomp the frame, unable to make yourself destroy the work entirely.
>safe safe unsafe
>unsafe safe
>safe
Invalid command.
>go inside the painting
>step inside the painting
You end up putting a foot through it and now you're wearing it like some sort of anklet. Good job.
>kiss painting
You're in a bit of an awkward position for that.
>fashion
Thank all the gods, all the spirits, and all the stars that there are no full-length mirrors in this room.
>strut your stuff
You try your best to do a model catwalk and end up tripping and falling onto the floor.
>complain at the painting
You make several angry unhappy noises that some might register as a complaint.
>take the painting in your inventory
You free the painting from your leg. You now have A PUNCTURED PAINTING OF A VENOMANIA NOBLE.
>exit room
You EXIT the MASTER BEDROOM.
>go back to the library
You can't go there from here.
>obseve
Invalid command.
>oh holy fuck no
Invalid command.
>observe
You are in the WEST WING of the SECOND FLOOR of a luxurious mansion. Before you are THREE DOORS. To your LEFT is the top of the GRAND STAIRCASE leading to the FIRST FLOOR. To your RIGHT is a corner that leads to ANOTHER CORRIDOR.
>go right
You go RIGHT and turn the corner, entering ANOTHER CORRIDOR. At the end of the corridor is ANOTHER CORNER turning LEFT. At the midpoint of the corridor is a STAIRWAY going UP.
>go left
You go left, into a familiar corridor. You are now in the EAST WING of the SECOND FLOOR of a luxurious mansion.
>examine wing
>observe
The corridor ahead of you has THREE DOORS. The one furthest from you, smaller and shabbier than the rest, leads to the SUPPLY CLOSET. The one next to that is the CHILDREN'S PLAYROOM. The one closest to you is the STUDY. At the end of the corridor is the GRAND STAIRCASE leading to the FIRST FLOOR.
>FLY
You leap forward, attempting to fly, and end up landing with a painful crash on the floor.
Ow.
>where is Ilotte's study?
The STUDY is the door closest to you.
>AERIAL ACE
Invalid command.
>PECK
What do you peck?
>get up
You get up. While Eve isn't around, you have to begrudgingly accept the law of gravity.
>GUILLOTINE
You do not have a guillotine. Yet.
>save
Your failed attempt to fly fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>HEADBUTT THE WALL
You HURL YOURSELF INTO A WALL, get knocked out cold, and die from internal bleeding an hour later.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the EAST WING of the SECOND FLOOR of a luxurious mansion. It is the middle of the night.
>enter study
You enter the STUDY.
>observe study
You seem to be in a SMALL STUDY. BOOKSHELVES line the walls, and at the center of the room, pushed against the wall, is a WRITING DESK.
>x desk
You examine the desk. There are various LETTERS and DOCUMENTS scattered all over the surface. There is an UNLIT OIL LAMP being used as a paperweight.
>x bookshelves
The selection isn't as extensive as the LIBRARY down below, but it's still respectable. The books seem ORGANIZED, the leather spines nice and glossy.
>how organized?
Oh thank the stars, they're in ALPHABETICAL ORDER! The little library assistant inside you is leaping for joy.
>examine letters
You have already examined these letters. You can feel your very soul shuddering at the recollection of those two certain letters.
>use lamp oil to fill oil lamp
You fill the lamp with oil.
>use lamp oil to burn down desk
The last time you checked, you can't make a fire with oil alone.
>reread letters
All that matters to you is that godsforsaken anti-magic rune. The rest seems irrelevant to you, as your soul feels like it's trying crawl its way out of your throat.
>shove your soul back down and go outside
You try and get ahold of yourself, but that rune is burnt into your mind. You can't forget it. Even if you wanted to.
You LEAVE the STUDY.
>please mr mansion spare some numbers
You decide to beg on your knees to the mansion itself, asking for the combination to the safe.
The house is silent, deaf to your pleas.
77 65 73 74
>77 65 73 74
COMMAND PROCESSING ERROR: INVALID SYNTAX
>go west
You go to the WEST WING on the SECOND FLOOR of a luxurious mansion.
>x wing
You are in the WEST WING of the SECOND FLOOR of a luxurious mansion. Before you are THREE DOORS, all SLIGHTLY AJAR. The LEFTMOST ONE is the MASTER BEDROOM. To your LEFT is the top of the GRAND STAIRCASE leading to the FIRST FLOOR. To your RIGHT is a corner that leads to ANOTHER CORRIDOR.
>go to master bedroom
You enter the MASTER BEDROOM.
>go to safe
You get on the bed again, making sure to take your shoes off, and get close to the safe.
>x room
You are in the MASTER BEDROOM. It is in fact the MOST LUXURIOUS BEDROOM you've ever been in, and you've been in your mother's room.
There is a KING-SIZED BED here. Next to it is a SIDE-TABLE. Above the bed, set into the wall, is a SMALL SAFE. From the ceiling hangs YET ANOTHER CHANDELIER.
>enter 77 65 73 74 into the safe
You try, but it's a bit difficult since the combination lock only allows FIVE DIGITS.
>Upgrade the axe into a guillotine
With what?
>sing the clockwork lullaby
As you slowly adjust the combination lock, you sing a soft lullaby to each click of the dial.
>open side table
You open the side table drawer. Inside is a small framed painting of a woman.
>x pain
You slowly sink into the bed, moaning a little as you notice that all the little aches and pains of your adventure have been slowly adding up, like the tiny errors and inconsistencies in an experiment that you once thought you could brush away only for all of them to come roaring back with a vengeance, tearing apart your ambitions and beloved with their teeth and claws.
You're tired. You're hurting. But you can't rest. Not yet. Not while Eve is still trapped and lost in the dark.
This is only the beginning.
You have work to do.
>x painting
It's small, but the details are fine enough so you can see almost every detail. Every strand of hair, every laugh line in her face. It's a wonderful piece.
This woman... you've never seen her before though. Not even in the gallery.
>open the frame
You open the frame.
>check the back of the minature painting for a date, a number
You check the back, but once again there's no date. There's a signature, but you don't recognize it.
>x chandelier
You look up. The chandelier throws light down onto the rest of the room, sparkling crystals slowly turning above you.
>exit room
You exit the MASTER BEDROOM.
>look around
You are in the WEST WING of the SECOND FLOOR of a luxurious mansion. Before you are THREE DOORS, all SLIGHTLY AJAR. The LEFTMOST ONE is the MASTER BEDROOM. To your LEFT is the top of the GRAND STAIRCASE leading to the FIRST FLOOR. To your RIGHT is a corner that leads to ANOTHER CORRIDOR that leads to the EAST WING.
>go right
>wait no
>yeah go right
You make for the corridor, stop momentarily to second-guess yourself, then get over your self-doubt and enter the CONNECTING CORRIDOR.
>sit on floor and pray to the gods for an ANSWER
You sit on the floor, and in the absence of knowledge of what the hell to do next, you start praying.
You were never really religious. Ironic, you know. You knew what heresy was, and you attended services with the rest, but as life continued to drag you over sharp rocks, away from your mother, away from your peers, away from any chance at happiness you didn't have to struggle for, you began to doubt. It was just a very small doubt, in the back of your mind.
Still, as the minutes pass and nothing happens, you realize that you've forgotten something important.
The gods only help those who help themselves.
You get up, dusting off your linen costume and sighing.
>x corridor
You go RIGHT and turn the corner, entering ANOTHER CORRIDOR. At the end of the corridor is ANOTHER CORNER turning LEFT. At the midpoint of the corridor is a STAIRWAY going UP.
>OH WAIT
>GO LEFT
>GO TO THE MASTER BEDROOM
>X BELOW THE BED
You reenter the WEST WING and reenter the MASTER BEDROOM.
You peek under the bed.
Nothing but dust bunnies and a shriveled-up bouquet of flowers.
>inspect flowers
You drag the bouquet out from the bed. The blossoms are so shriveled-up and browned, you can't even tell what flowers they used to be. A note is pinned to it. It reads:
Happy anniversary, darling.
Chapter 26: 4/13/19
Notes:
Sessions should happen more or less weekly from this point forward. Thank you once again for reading.
Chapter Text
>cry
You slowly put the bouquet back down. A few tears hit the bedsheets.
>eat flowers
You eat a shriveled bulb and immediately start choking on it.
You manage to spit it out, dry heaving.
Will it EVER end?
>bite arm
You bite your arm to punish yourself.
There. That's for putting everything you see into your mouth.
Then again, isn't that a bit counterproductive?
>eat flowers in grief
You then eat the rest of the bouquet and die from extreme gastrointestinal distress.
So. It was counterproductive.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the EAST WING of the SECOND FLOOR of a luxurious mansion. It is the middle of the night.
>Check if all your fingers are still there
By some miracle, yes.
>solemnly hope to yourself that Eve is having a nice Homestuck day
She's stuck alright, no questions about that.
But you're both so far from home...
>remind yourself that this is a powerful date
You don't even know what day it is. Or year. Or century.
It's hard being dead.
It's hard, and there's no one around who understands.
>resolve to get out of this mansion
>you refuse to remain here, housetrapped
You can't be stuck in this sham of a home forever! You have work to do.
>it keeps happening
You better not start procrastinating again.
>re_birthday
Invalid command.
>check for stairs
The GRAND STAIRWAY leading to the FIRST FLOOR is at one end of the hall.
>x self
At this current time, in this current place, you are ADAM MOONLIT. You are wearing a SILLY COSTUME you've stitched together yourself out of scraps of found cloth and linens, you're TIRED, you're STUMPED, and you've recently put ONE FOOT through a PERFECTLY DECENT PAINTING that KINDA DIDN’T DESERVE IT.
You have so much work to do.
>save
The magnitude of your task fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>Put flowers in inventory
There are no flowers here.
>put self in inventory
COMMAND PROCESSING ERROR: INVALID RECURSION
>you'll think better with a clear head. Think you can get some sleep if you're stumped?
You have work to do.
>go back to the bedroom
Which one?
>go back to the room you were last in
You cross over to the WEST WING and reenter the MASTER BEDROOM.
>take flowers
From where?
>x below the bed
You peek under the bed.
Nothing but dust bunnies and a shriveled-up bouquet of flowers.
>recall what last objective was
There is a safe in this room that requires THREE KEYS and a FIVE DIGIT COMBINATION.
>become the monster under the bed
You slip under the bed and curl into a ball.
You don't need to do anything else.
>x flowers
You drag the bouquet out from the bed. They're so shriveled-up and browned, you can't even tell what flowers they used to be. A note is pinned to it.
>do we have any keys?
No.
>sniff a dust bunny
The underside of this bed hasn't been cleaned in forever.
You take a deep breath in immediately dissolve into a fit of sneezing.
>x note
It reads:
Happy anniversary, darling.
>examine room
It's a bit hard to examine right now, since you're under the bed. It's dark and dusty down here, but you can still see that the size of the room is still large.
>cry
>leave the bed
You pull yourself out from under there before you dirty your face with tears and dust.
>read note
>read the note h a r d e r
>add note and flowers to inventory
Something about the words on the paper makes your throat hurt and your eyes sting. You put it away, taking care not to look at it. You now have A WITHERED BOUQUET OF FLOWERS WITH AN ATTACHED NOTE.
>jk
Invalid command.
>now examine the room
>where exactly are we
You are in the MASTER BEDROOM. It is in fact the MOST LUXURIOUS BEDROOM you've ever been in, and you've been in your mother's room.
There is a KING-SIZED BED here. Next to it is a SIDE-TABLE. Above the bed, set into the wall, is a SMALL SAFE. From the ceiling hangs YET ANOTHER CHANDELIER.
>examine side table
You look over the SIDE-TABLE. There's a GLASS OF WATER, a pair of SPECTACLES, and a BOOK.
>put on glassss
You place the GLASS OF WATER on your head, being very careful not to spill any all over yourself.
You didn't go through all that etiquette training for nothing.
>put glass down and pick up book
Feeling like you're tempting the gods with each second you're balancing the glass on your head, you actually do the smart thing this time and put it back down, picking up the book instead.
>x book
It seems to be a book about an artificial man singing over the grave of his beloved for a thousand years.
...
You put the book back down.
>x safe
You carefully remove your shoes before jumping onto the bed again, and take a closer look at the SAFE. On it are THREE KEYHOLES set around a FIVE-DIGIT COMBINATION LOCK.
> Begin intermission
> elevator music
Feeling NOT VERY UP TO IT RIGHT NOW, you decide to lie on the bed with your eyes closed, humming some elevator music you've heard somewhere.
But not sleeping.
Never sleeping.
You have work to do, and you can't put this off forever.
COMMAND PROCESSING ERROR: 404 NOT FOUND
> Search book for numbers/hidden compartments
You quickly grab the book from the bedside table and skim through it, taking care not to read it because you know once you start, you won't stop.
There's nothing of interest besides the author's masterful prose, their wordplay, their imagery, and oh no oh Levia you're reading it you're READING IT-
You slam the book shut and put it down forcefully on the side table. Not this time!
> Recall where else you’ve encountered numbers in the mansion
You don't recall seeing any numbers, but there are still places that you have yet to see in this mansion. Don't lose hope!
>leave bedroom
You exit the bedroom and enter the HALLWAY of the WEST WING.
> See where else you can go
Before you are THREE DOORS, and you have just exited from the LEFTMOST one. To your LEFT is the top of the GRAND STAIRCASE leading to the FIRST FLOOR. To your RIGHT is a corner that leads the CONNECTING CORRIDOR.
> Enter middle door
You enter the door in the middle and enter a SMALL BEDROOM.
> Look
You seem to be in a SMALL BEDROOM. All the same, it's still bigger than your apartment in Levianta and the furniture infinitely more... well... luxurious. There is a QUEEN-SIZED BED here. There is a DESK here. There is a SIDE-TABLE here.
> Look under bed
You look under the bed.
There doesn't seem to be anything there other than dust bunnies and- wait.
There's a CHEST under here.
> Check desk and side-table for contents
On its surface, the side-table has SEVERAL HAIR TIES AND PINS, as well as a small HAND MIRROR.
The desk is much neater than that of the study, with a BASKET full of NEATLY STACKED ENVELOPES next to another STACK OF NOTEBOOKS. A MATHEMATICS TEXTBOOK is also there, still open, as if the previous occupant had simply gotten up to take a study break.
You see something wedged under the BASKET.
>knaw on the desk to make sure it's real wood
You can't decide whether to knock or gnaw on the desk, so you decide to do both.
A few undignified seconds later, you determine that yes, it's real wood, and quality workmanship to boot. You don't see desks like that anymore.
Then again, the circumstances you were in meant that you didn't get to see much of anything, really.
>x chest
You pull the CHEST out from under the bed. There's a lock, but it's rusted through. You can open it quite easily.
The CHEST itself is engraved in elaborate carvings that you can't help but be envious of. You never got that good, even with Eve's help.
>x under basket
You take a closer look. It's a SMALL BLOODSTAINED INSCRIBED PIECE OF PAPER.
>take hair ties and pins
You now have SEVERAL HAIR TIES AND HAIR PINS. You don't need them, but who knows when you'll next have a bad hair day?
>read envelopes
They all seem to be addressed to the Glassred Estate.
>x paper
It reads:
It took a long time, but I've figured it out. The combination is-
The scrap is torn after that, cutting off the sentence.
>glare at the paper
If looks could kill...
>eat the paper
You crumple up the paper and swallow it.
You immediately gag at the taste but you somehow manage to get it down.
...
You blink as you process what you've just done.
Oh well, it's not as if there was anything useful on that scrap, right?
>look at yourself in the hand mirror
You peek in the hand mirror. You look tired, but determined.
>put the mirror in your inventory
Ṇ̰͉o͍͇̭ṭ̨̗ ̪͈͝t͎̲h̸̦̖i̘̹̣s͖͞ ͟tim҉͚ͅe̦̦͢.͉͔͡
You find yourself reluctant to even touch the mirror.
>save
You le̟͍a͘r̖̕n͇̭̤i̬̙͠n͍̱̤g̤̼̭ ̨͔͇f͇͟r̟o̳̼̯m̘̟͖ ̢͉̬y̼̩͉ǫ̠̮u̡̻̬r͕ ̼͟m͔̩ͅi̖͙͕s͓͓t̳͇̘a̸̝̯k҉̻̮̤e͏̭̘s̱̼͡ fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>read notebooks and the math textbook
The math textbook is an introduction to basic trigonometry. Easy stuff. You can calculate a hypotenuse in your sleep.
You thumb through the notebooks and realize you recognize the handwriting.
It's the same one on all the BLOODSTAINED SCRAPS OF PAPER you've read so far.
>examine engravings on the chest
Ah, to be a noble, able to afford such excellent craftsmanship!
Once, you and Eve tried to break into that market for a little extra cash, with... some success. It varied. Sometimes it would come out beautifully, other times the both of you had to frantically retrieve water because your latest project nearly set the house on fire.
You never worked with lightning again after that.
>open the chest
You open the chest, and find... a LARGE COLLECTION OF WOODEN DOLLS.
...
They’re all staring at you with dead, glassy eyes. You fight the urge to close the box.
>x surroundings
You seem to be in a SMALL BEDROOM. All the same, it's still bigger than your apartment in Levianta and the furniture infinitely as... well... luxurious. There is a QUEEN-SIZED BED here. There is a DESK here. There is a SIDE-TABLE here.
>x dolls
You hold up one. They seem to be made of NECHUHA WOOD. Turning one over, you find an engraving that tells you it was made by a certain GINE WORKSHOP.
>take them
You take them all. You now have SEVERAL GINE WORKSHOP DOLLS.
>exit room
You leave the small bedroom and re-enter the HALLWAY of the WEST WING.
>moonwalk
Once upon a time, you wondered if humans have ever walked on the moon.
Everyone you've asked only scoffed at you. A mere human being? Walk on the central source of magic for all magekind? How ridiculous.
Eve was the first and only one to say anything to the contrary, taking your hands in her own and telling you that yes, once upon a time it was possible to reach the stars, and someday, in the distant future, it could be again.
You sigh, dimly recalling a featureless wasteland of ash and mist.
If there is such a future, and you had desperately wanted to believe in that future, then you don't think it was ever yours to share in.
Chapter 27: 7/19/19
Notes:
Can everyone say, EVILS EXTRA HYYYYYYYYYYYYPE?
Chapter Text
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
An unfinished ragdoll
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several Gine Workshop dolls
Seven pieces of bloodstained written-on paper
>look
You are in the HALLWAY of the WEST WING. Before you are THREE DOORS, and you have just exited from the CENTERMOST one. To your LEFT is the top of the GRAND STAIRCASE leading to the FIRST FLOOR. To your RIGHT is a corner that leads the CONNECTING CORRIDOR.
>use the matches to light everything up
You open the box, light the matches one by one and throw them around you as soon as they’re lit. Some manage to go out, but the rest ignite the carpet, and the next thing you know the hallway is filled with smoke.
Not bad! Not bad, for your first try at actual, literal arson.
>meow
You meow helplessly, much like a cat that has realized it's climbed somewhere too high to safely get down (which, at the moment, is very relatable) and that's the last noise you ever make as you soon pass out from oxygen deprivation.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a SMALL BEDROOM of a luxurious mansion. It is the middle of the night.
>x bedroom
You seem to be in a SMALL BEDROOM. All the same, it's still bigger than your apartment in Levianta and the furniture infinitely more... well... luxurious. There is a QUEEN-SIZED BED here. There is a DESK here. There is a SIDE-TABLE here.
>locate blank paper
Locate it where?
>x side table contents
>x desk contents
On its surface, the side-table has a small HAND MIRROR.
The desk is much neater than that of the study, with a BASKET full of NEATLY STACKED ENVELOPES next to another STACK OF NOTEBOOKS. A MATHEMATICS TEXTBOOK is also there, still open, as if the previous occupant had simply gotten up to take a study break.
>x under bed
Nothing but dust bunnies, now that you've pulled the CHEST out.
>x bed
It's smaller than the one in the MASTER BEDROOM, but your student self would still envy its silky softness. You press a hand to the sheets momentarily, and it actually leaves behind an impression of your palm.
You sweep the dented cloth back to smoothness, thinking about rich people.
>x under desk
>x under side table
Nothing but dust bunnies for both of them.
>x envelope
It's sealed, addressed to the Glassred estate.
>x mathematics textbook
>flip through it
The math textbook is an introduction to basic trigonometry. Easy stuff. You can calculate a hypotenuse in your sleep.
You don't recognize the author, but at least math is still the same no matter where or when you are.
>x notebooks
>flip through them
Besides the handwriting being the same as the ones you've been seeing on those BLOODSTAINED INSCRIBED PIECES OF PAPER you've been finding, these are the notes of a perfectly ordinary schoolboy. Doodles in the margins and all. Oh, there's even a little limerick on how much the writer hates their chemistry tutor- hey!
You scowl, then put the book down. Kids these days...
>x mirror
You look at the mirror. The mirror reflects you back. Perfectly ordinary. Perfectly harmless.
Yo҉̪͓̣u̧̻͙r̴̻̱ ̱̟s̷̬̠k̛̩ͅị̣͍n ̲͈̖s̭͍̠t̴͓͈i͈̻͠l͓l͚̗ ̛c͚͖͜r̳̘̕a̯w̱̬̳l̯̗s̹̕.̳͙
>x hair ties and pins
They're thick and durable, made for someone with very long hair. You can tell because Eve had ones like these too, and even then she went through them like your lab assistants sharing a bag of chips.
>take mirror + hair ties + pins
You already have the hair things with you, and you refuse n̘e̪̗͞v͏̭͎e͎r̡͓̭ a͕͈g̺͔͘a̛̝̮i҉n͝ to take the hand mirror with you.
>take envelopes
What are you going to do, take them to the local post office? You now have SEVERAL ADDRESSED ENVELOPES. For whatever reason.
>sniff envelope
You sniff one envelope. It smells like dust and paper. Almost like an old book. But not quite.
>is envelope mostly blank
Other than the address and the addressee, a certain Gumina Glassred, the envelope is blank.
>attack mirror with axe
To r̰̤̯e҉͇͓̟m̶̟̮o͓̯̙v̗͈͝e ̨̤̞t̙͔͘h̪e͙̣͞ ̟̖ṯ̦̕e̴̪͙m̱̱p͈͈̹t̨̰̣a͖͙ti̖̩̖ọ̬n͚, you take the axe and smash it onto the mirror. It shatters beautifully, and...
Why did you do that? You have to watch your feet now. Congratulations on making your life more complicated.
>imagine a family of rabbits made out of dust living in a warren made out of a hole in a wall
To distract yourself from the imminent task of cleaning up the floor, you sit on the desk and daydream a nice story about a happy dust bunny family living in a mousehole of an old manor. They may have been out of the way, a bit isolated from everyone else, and the children may have been mischievous, as all children were, but there was no doubt that they all loved each other.
And then... the brooms came along.
It was chaos, pure utter destruction. The family tried everything to evade its own demise, but it came inching ever closer. Half-mad with the desperation of trying to protect their own children, the parents made the decision-
You open your eyes, shaking your head rapidly.
No, no, no more distractions. Back to work.
>see if there's any blank pages in the notebooks
Your hands shaking, you pick a notebook at random and flip to the back.
A few blank pages are left.
>take one envelope
>tear envelope
>remove contents from envelope
You tear open an envelope and remove the folded letter inside. Now it shall never reach its destination, unless you put it in another one.
Asshole.
>Go inside the mirror into a parallel world
Pretty hard to do with the mirror being in several pieces.
>save
The thought of the mail always getting through fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>we are all asshole
Invalid command.
>read letter
You read the letter. It seems like a perfectly ordinary letter from one friend to another. Complaints about studies, petty gossip about what so and so said at this party, even a few paragraphs about the weather, for crying out loud. You may be reading text, but you still get the uncomfortable feeling that you're eavesdropping on something private.
>draw a map of the floorplan on envelope
You spend a few quick minutes sketching out all the places you've seen and everywhere you've been in this mansion. You now have AN (INCOMPLETE) MAP OF THE MANOR.
>x map
You have made this map based on everything you have seen so far. You can't make the assumption that this is all you can explore, but this is what you do know:
So far, you've been to THREE FLOORS. You are on the SECOND FLOOR. The other floors are the GROUND FLOOR and the BASEMENT. There is ONE MORE FLOOR above this one that you have yet to see.
Right now, you are currently in a SMALL BEDROOM in what you now call the WEST WING of the SECOND FLOOR. The other rooms you have visited are the MASTER BEDROOM, the STUDY, the CHILDREN'S PLAYROOM, and the SUPPLY CLOSET. You have yet to see ONE ROOM on this floor.
On the GROUND FLOOR, you have already visited the DINING ROOM, the DRAWING ROOM, the LIBRARY, and the GALLERY. You have yet to see ONE ROOM on that floor.
In the BASEMENT, you have already visited A TAILOR'S ROOM. You have yet to see SIX MORE ROOMS on that floor.
>roll over everything that isnt rolled over yet.
Unfortunately, that includes glass. Are you sure?
> Let's not
> Go to the remaining room on the second floor
You make the smartest decision of your life and carefully step around the glass, entering the third and final door in the WEST WING.
> Look
It feels like you've stepped right into a tailor shop. BOLTS OF FABRIC are stacked up against the wall. In the corner, there is a SPINNING WHEEL. A cluttered LARGE DESK sits near the window.
>poke the spindle of the spinning wheel
You poke at the obviously sharp thing.
You get the obvious consequence.
Ouch.
>be sleeping beauty
As appealing as it sounds to collapse into a heap and wait for someone to come along and rescue you, you still have work to do.
>spin wheel very fast
> Spin wheel
> Go ham(ster)
You step closer to the SPINNING WHEEL. It's absolutely ancient, covered in a layer of dust.
You try and give it a good spin, but as you soon as you apply force, it immediately falls apart in a cloud of dust and splinters, leaving you coughing as you wait for the air to clear.
The wheel must have spun so much, must have been turning for such a long time, that it just couldn't continue anymore. Its time had finally come to break down.
You think you see something flutter to the floor.
> Examine fluttering thing
It's another BLOODSTAINED INSCRIBED PIECE OF PAPER. Must have been caught in the wheel.
>wonder where so much blood even came from
Well, logically, it had to come from something that bleeds.
A great detective, you are.
> READ PAPER
It's the shortest one you've seen so far.
It reads:
73192
>examine desk
It's crowded with countless SPOOLS OF THREAD. There are THIMBLES, and PATTERNS, and SEVERAL PINCUSHIONS filled with NEEDLES and (obviously) PINS. Whoever worked here must have known what they were doing.
>find keys
You're already trying to do that.
>find self
You stare at your own hands. Rub them together. Poke at your cheek. You walk up to the window and see your faint reflection, pressing a hand against the glass.
Here you are, here you are, here you are...
>search every corner and under and top, behind of things of the room for the keys.
You're going to have to get more specific than that.
>check under desk
You check under the desk. There's MORE CLOTH.
>what do you mean there's more cloth
There's just MORE CLOTH.
>search in the spools of thread(every one of it), in the thimbles as well, patterns, serveral pincushions, needles and pins, for the keys
There is no key here.
>go into the next room
> More specifically, the first unexplored room of the basement
Which one?
> Update the map while you're at it
You note down this room on your map.
> Go to the leftmost unexplored room
> Pick a room and enter
You DESCEND down two flights of stairs into the basement, then enter the first door on your left.
>x room
If the previous room was a tailor shop, this looked more like an artist's studio. F̙o̝͟r͉̲̮̳̥͜ͅ ͞so͏͙̥̘̘̩̦͙mͅe̸̯̭̭̤ ̨̘̱͎̙͕̻r͙͈͖͍͎̞ea͈͍̤̦s̳̳̫͈̩̼o̥̫̩ͅn̖, this makes you feel more at ease. CANVASES seem to be stacked on one side of the room, FINISHED PAINTINGS are drying on the other. There is a BED here. There is an EASEL here.
>stop time itself
Man, if only you could do that, you would've done so a long time ago.
>sniff air
>is it oil paint
Yes... yes... the smell in the air is familiar. It's... n̙ͅo͉͙͔̗s̲̲̻ţ͙̗͔̘̦͖̬a̱̩l̰̯͓̲̭͝ͅg͍̩͔̳̼i̤̰̫̥̟c. Oil and turpentine...
>x paintings
You stare at the paintings. Something about them seem familiar.
Wait... no... that style. Those first attempts at impressionism, the emotion in those brushstrokes… it couldn't be...
Gumina Glassred... Oh gods! That Gumina Glassred?!
You try not to squeal and you fail miserably. What else could you do?
You are standing in the studio of a master!
>isn't idolatry a sin
For the moment, you don't give a damn. You’ve admired the works of Glassred for the longest time, to the point where Keel once called you a shameless fan to your face and you still didn't care, so squeal away you shall!
>save
The smell of your idol's paintings being left out to dry fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Chapter 28: 7/27/19
Chapter Text
>eat painting
Which one?
>eat first painting you see
You love Glassred's work so much, you take your affection too far and eat the first painting you see.
You die from internal bleeding.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a MAKESHIFT ART STUDIO of a luxurious mansion. It is the middle of the night.
>consider inventing edible pain once you get out of here
You're pretty sure eating raw hedgehog counts as edible pain.
You should know.
You've tried it.
Eve wouldn't stop laughing for days.
>respect art
If you respect it any more, you think you might hurt yourself.
>edible paint
Invalid command.
>you noodle how badly did you skin the hedgehog?
You didn't know you had to skin them!
>read
Read what?
> wa
Wah.
>READ PAPERS
>all of them
The first piece reads:
Today, I asked Father if he would allow me to see my older brother. I know he's in the basement.
After what he said, I really don't want to ask him again.
I'm going to have to find a way to get in myself.
The second piece reads:
Today, I've tried asking the servants. None of them would give me an answer.
Understandable. They are all working for my father.
The third piece reads:
Unbelievable! They've locked him up!
My own brother, my flesh and blood, locked up like an animal!
I tried to get in and speak with him, but that terrible guard wouldn't let me.
Because he was ordered to by my father.
I have tried to be a good son. A good son does not say awful things about his father.
But I cannot stand for this.
I must find a way inside that cell.
The fourth piece reads:
The guard from below approached me last night, before I was about go upstairs.
I had half a mind to dismiss him right then and there before he whispered, "A song in the library will help you."
A song? I'm no singer. I might as well go to the library anyway...
The fifth piece reads:
Gumina has asked me if I was an only child.
I know that's not true, but without him, it's as if I really am.
It's lonely, it really is.
At least for now, Gumina and I have each other.
I think I'm almost there. Hold on, my brother.
The sixth piece reads:
I just had the most terrifying experience of my life. I knew that finding the master key would be difficult but trying to find it while Father was asleep was moronic.
At least I know where it is now. I didn't get close enough to see how to open it.
I'll try again later.
The seventh piece reads:
I knew my father tends to go to extremes, but this is just ridiculous.
I've managed to find the keys. I don't think Father's written the combination down anywhere.
I still have a plan, but I can already hear Gumina yelling in my ear that I can't possibly be serious.
And honestly, I would feel the same way.
This is going to be difficult.
Time to start from 00000.
I pray that this won't take too long...
The eighth piece reads:
73192
>OH that wasn't supposed to be caps
>sorry for yelling
Invalid command.
>68 65 77 77 6f
COMMAND PROCESSING ERROR: INVALID SYNTAX
68 65 6c 6c 6f
>x room
You are in an art studio of the legendary GUMINA GLASSRED. You feel slightly awe-struck. CANVASES seem to be stacked on one side of the room, FINISHED PAINTINGS are drying on the other, with a BED placed against the wall. That worries you a little, because how did she sleep with all those fumes? There is an EASEL, SMALL TABLE, and STOOL here, which seems to be her workspace.
>Look under bed
You look under the bed. There seems to be an INSTRUMENT CASE.
>Examine finished paintings
You tremble as you BEHOLD the pieces that you see before you. Have these ever even seen the light of day? In your time w̴a͇̲̹̙i̶̦̮̻t͖̰̖̩̫͍ ̳̟̖̻͈w͟h̪̬̜̯i͖̣̲c̵͔̹̮̖͚̠͔h̢̭̫̲̮ ̩͕̲͓͖̜͠ṭ̶̦̗̦̦̤i̹̰͉͔̠͖ṃ͈̰̟̠̠̜̕e̪͈̗̘͙̯͉ these would probably be worth millions of Ev.
Occasionally, you see the portraits of other girls, girls of various ages, from various places, with an entire rainbow of hairstyles and colors (all in the same off-white outfits, oddly). But mostly, you see failed attempts.
Attempts at a singular portrait, of someone with long, dark hair.
Madam Glassred never finished the face in any attempt, always covering it up in forceful, angry brushstrokes.
>FART
You can't fart! You can't fart! You are in a master's workspace! You can't fart!
You end up farting anyway.
You hold your face in your hands. You pray the air doesn't become even more toxic.
>Take and examine instrument case
You drag the case out from under the bed. It's small, but not as small as a flute.
>eat table
In an ideal world, you could unhinge your jaw like a snake and eat the table in one go.
Sadly, this is not an ideal world.
You try eating the small table and end up choking on it.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a MAKESHIFT ART STUDIO of a luxurious mansion. It is the middle of the night.
>control the stars itself and make it day time
Not even Eve could do that.
>Move on to the next room in the basement
Which room? Down or across the hall?
>Down the hall
You enter the next room down the hall and are immediately hit with the smell of flowers.
>A moment of silence
You do not have that item.
>Examine room
No wonder, the room is absolutely COVERED in flowers. Flowers of all kinds. It would probably be a garden down here if it weren't for the fact that all the flowers are cut. Needless to say, all these flowers look VERY PRETTY.
The room's layout is identical to the TAILOR'S ROOM which you had seen earlier and MADAM GLASSRED'S ROOM which you had just left. There is a BED here, which you notices also has A LARGE COLLECTION OF RAGDOLLS.
>Create a moment of silence
You haven't been talking much, being on your own and all, but you make an effort to stay quiet. Close your eyes. Smell the flowers.
It almost smells like home.
>Examine ragdolls
You look closer. They seem expertly made, yet made of scrap cloth. They vary in shape and size, but they all have the same, careful stitching. Some of them have clothes. Most of them have tiny flower crowns.
>examine bed, and underneath bed.
The bed is the same as the others you've seen in the basement. There's nothing beneath it but more flowers and a few ragdolls that must have fallen off.
>create flower crown
Without thinking, you take several flowers around you and weave them once again into a circlet of flowers.
You stare at it in your hands, not knowing what to do with it.
>save
The sweet smell of flowers fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>77 68 61 74 20 6b 69 6e 64 20 6f 66 20 66 6c 6f 77 65 72 73 20 64 6f 20 79 6f 75 20 6c 69 6b 65 3f
COMMAND PROCESSING ERROR: INVALID SYNTAX
66 6c 6f 77 65 72 73 0a
6c 6f 6f 6b 0a
6e 69 63 65
>wonder how long ago the flowers were cut. is there anyone at all in this mansion? does time matter at all considering the nature of this place...
They seem freshly cut, or at least fresh enough for them not to have not lost their scent. You don't know who cut these many flowers, or what on earth they wanted with them, but you guess you have no way of knowing.
You do know that there is a DEMON lurking somewhere in this mansion. You doubt they have a preference for anything floral.
>wear flower crown, and hang on to your mission
>put a flower crown on
You pull back your linen hood, and place the crown upon your own head, like you did once upon a dream.
You have work to do.
>maybe its a demon repellant?
You hope not, you're trying to find this thing aren't you?
Then again, it might help when you DO end up finding it.
>Recall how many unexplored rooms there are left
From what you know, you have FOUR ROOMS LEFT to explore on this floor. There are also unexplored rooms on the other floors, as well as an entire floor you have yet to explore.
>lie down on the bed. just lie down and rest your feet a bit
You lie down, trying to make space among the ragdolls. They all seem to be staring at you with their little button eyes, which isn't exactly helping you relax. You take a deep breath, and sigh.
This house is enormous. How are you supposed to find three tiny keys in a house this large? You haven't been running around this house for long... you think... but either way, it’s felt like forever.
>save
The accusing stares of the ragdolls fill you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>eat ragdoll
You decide to assert your dominance over the ragdolls by consuming one of their number. That will teach them to judge you!
Unfortunately, you forgot to account for the sheer size of their heads compared to your esophagus.
You suffocate in your attempt.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a FLOWERY ROOM of a luxurious manor. It is the middle of the night.
>x doll
Which doll?
>x closest doll
You examine the doll right next to your head. It's in an off-white dress, with fake pink hair made of yarn. Its eyes are light blue buttons, with a stitched eternal smile. To be polite, you smile back.
>add doll to inventory
You now have a RAGDOLL. Maybe it can be friends with your UNFINISHED RAGDOLL.
>2a 67 6c 6f 6d 70 73 20 79 6f 75 2a 20 58 33
COMMAND PROCESSING ERROR: INVALID SYNTAX
77 68 61 74 20 69 73 20 61 20 67 6c 6f 6d 70
>72 69 67 68 74 3f a 69 20 64 6f 6e 27 74 20 68 61 76 65 20 61 6e 79 20 70 61 72 74 69 63 75 6c 61 72 20 66 61 76 6f 72 69 74 65 73 20 65 69 74 68 65 72 2e 20 69 20 6c 69 6b 65 20 74 68 61 74 20 77 65 20 68 61 76 65 20 73 75 63 68 20 61 20 77 69 64 65 20 76 61 72 69 65 74 79 20 74 6f 20 65 6e 6a 6f 79 21 a 64 6f 20 79 6f 75 20 6b 6e 6f 77 20 61 6e 79 74 68 69 6e 67 20 61 62 6f 75 74 20 66 6c 6f 77 65 72 20 6d 65 61 6e 69 6e 67 73 3f 20 69 20 64 6f 6e 27 74 20 72 65 61 6c 6c 79 20 6d 65 6d 6f 72 69 7a 65 20 61 6e 79 20 62 75 74 20 69 20 74 68 69 6e 6b 20 69 74 27 73 20 72 65 61 6c 6c 79 20 63 6f 6f 6c 20 74 68 61 74 20 79 6f 75 20 63 61 6e 20 73 65 6e 64 20 61 20 6d 65 73 73 61 67 65 20 69 6e 20 74 68 65 20 66 6f 72 6d 20 6f 66 20 61 20 62 6f 75 71 75 65 74
COMMAND PROCESSING ERROR: INVALID SYNTAX
66 6c 6f 77 65 72 20 6d 65 61 6e 69 6e 67 73 20 69 20 0a
63 61 6e 74 0a
69 20 63 61 6e 74 20 72 65 6d 65 6d 62 65 72 20 69 20 63 61 6e 74 20 73 70 65 61 6b 0a
74 68 65 20 6c 61 6e 67 75 61 67 65 20 6f 66 0a
66 6c 6f 77 65 72 73 20 6d 65 61 6e 20 74 68 69 6e 67 73 20 74 68 65 79 20 6d 65 61 6e 0a
77 68 61 74 20 69 73 20 77 68 61 74 20 69 73 20 74 68 65 20 6d 65 61 6e 69 6e 67 0a
74 68 65 20 73 79 73 74 65 6d 20 6b 6e 6f 77 73 20 74 68 65 20 73 79 73 74 65 6d 20 67 69 76 65 73 0a
6d 65 20 74 68 65 20 77 6f 72 64 73 20 77 68 65 6e 20 69 20 61 73 6b 20 74 68 65 20 0a
77 6f 72 64 73 20 69 20 64 6f 6e 74 20 75 6e 64 65 72 73 74 61 6e 64 0a
6c 6f 76 65 20 63 6f 6e 74 65 6e 74 6d 65 6e 74 20 72 65 67 72 65 74 20 63 68 61 72 69 74 79 20 73 61 63 72 69 66 69 63 65 20 66 6f 72 67 69 76 65 6e 65 73 73 20 68 6f 70 65 0a
69 20 64 6f 6e 74 20 6b 6e 6f 77 20 0a
62 75 74 0a
74 68 65 20 66 6c 6f 77 65 72 73 0a
6c 6f 6f 6b 20 6e 69 63 65 0a
>backflip
You try to backflip, but as you are lying on a bed, physics makes that impossible.
>74 68 61 74 27 73 20 6f 6b 21 21 20 70 6c 65 61 73 65 20 64 6f 6e 27 74 20 73 74 72 65 73 73 2e 20 69 74 27 73 20 6a 75 73 74 20 73 6f 6d 65 74 68 69 6e 67 20 69 20 74 68 6f 75 67 68 74 20 77 61 73 20 69 6e 74 65 72 65 73 74 69 6e 67 2e 20 64 6f 20 79 6f 75 20 77 61 6e 74 20 74 6f 20 68 65 61 72 20 6d 6f 72 65 20 6e 65 78 74 20 74 69 6d 65 3f
COMMAND PROCESSING ERROR: INVALID SYNTAX
69 20 73 65 65 0a
61 6c 6c 20 79 6f 75 20 73 61 79 0a
77 68 61 74 20 79 6f 75 20 69 6e 70 75 74 0a
69 20 77 69 6c 6c 20 68 65 61 72
Chapter 29: 8/3/19
Notes:
(See the end of the chapter for notes.)
Chapter Text
>x surroundings
You are in a room absolutely COVERED in flowers. Flowers of all kinds. It would probably be a garden down here if it weren't for the fact that all the flowers are cut. Needless to say, all these flowers look VERY PRETTY.
The room's layout is identical to the TAILOR'S ROOM which you had seen earlier and MADAM GLASSRED'S ROOM which you had just left. There is a BED here that you are currently occupying, which you notice also has A LARGE COLLECTION OF RAGDOLLS.
>try not to die
Despite appearances to the contrary, you are trying your very best.
>though realistically speaking, getting killed will ultimately result into a state called dying and finally result into death.
Invalid command.
>x inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A flower crown
An incomplete map of the manor
An unfinished ragdoll
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Eight pieces of bloodstained written-on paper
>x envelopes
They're all still sealed, being addressed to the Glassred Estate. If you could leave this manor, you could probably moonlight (haha) as some kind of postman.
Too bad you seem to be trapped here, through.
>check under the bed
You push yourself off the bed and look under it. Down here there are EVEN MORE DOLLS, lying scattered around on the dusty floor as if they had been forgotten. There are a few RIBBONS lying around as well.
>add ribbons to flower crown
You take the RIBBONS, dark blue and sky blue, and interweave them between the flowers in your crown, reinforcing the connections between them so the crown is less likely to fall apart on you.
It looks a lot stronger now.
>stop time itself
You're no mage, treating the laws of physics like they're mere suggestions. At best, you c̙o͈͓u͓̖̕ḽd...
You could...
Hey, you could use magic, couldn't you?
You remember... an orb of light between your hands. Eve sitting across you, smiling as she exclaimed that she knew you had it in you! She knew you had the potential! Why didn't you use it?
Why didn't you?
Why?
...
Either way, you're nowhere near the level of stopping time itself.
>hey did we ever use that number combination or
Didn't you see a place that required a sequence of numbers?
>x map
You have made this map based on everything you have seen so far. You can't make the assumption that this is all you can explore, but this is what you do know:
So far, you've been to THREE FLOORS. You are in the BASEMENT. The other floors are the GROUND FLOOR and the BASEMENT. There is ONE MORE FLOOR that you have yet to see.
Right now, you are currently in a FLOWERY ROOM. The other rooms you have visited are the MADAM GLASSRED'S ROOM, and a TAILOR'S ROOM. You have yet to see FOUR ROOMS on this floor.
On the GROUND FLOOR, you have already visited the DINING ROOM, the DRAWING ROOM, the LIBRARY, and the GALLERY. You have yet to see ONE ROOM on that floor.
On the SECOND FLOOR, you have visited a TAILOR'S WORKSHOP, a SMALL BEDROOM, the MASTER BEDROOM, the STUDY, the CHILDREN'S PLAYROOM, and the SUPPLY CLOSET. You've already seen ALL ROOMS on that floor.
>which room did we need the numbers in
Which room had the safe again?
>the master bedroom?
Oh right! Should you go there?
>do we have the full number combo?
>recall number combination
It's part of your growing collection of BLOOD-STAINED INSCRIBED PIECES OF PAPER.
It reads:
73192
>save
Your new and improved FLOWER CROWN fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>go to the master bedroom
>to adventure
You leave the gloomy BASEMENT and ASCEND to the second floor, entering the MASTER BEDROOM.
>x safe
You take special care to REMOVE YOUR SHOES before jumping onto the bed again, and take a closer look at the SAFE. On it are THREE KEYHOLES set around a FIVE-DIGIT COMBINATION LOCK.
Hey!
>insert 73192 into the combination lock
You refer to the scrap of paper with your right hand while you input the combination with your left, holding your breath in anticipation as the numbers slowly turn into position.
As you slide the last dial to the number 2, you hear a loud and conspicuous-sounding click.
>retrieve axe
>open the safe
>not with your axe, with your hands
You are already in mid-swing before you realize that you've mistreated your ax enough already and shamefully put it down.
You grip the handle of the safe's door and pull, but it doesn't budge.
Miserably, you stare at the three keyholes surrounding the combination lock.
You still have work to do.
>go to one of the room in this floor , that hasnt been explored yet.
You've already explored all of this floor.
>scream about keys
You scream into the nearest convenient pillow, which is thankfully at your feet.
What kind of paranoid sadist designed this safe?!
>go to the top floor
>actually no, don't
>try to use the hairpins to pick the locks
You nearly storm off to the staircase in the CONNECTING CORRIDOR, but change your mind and look at the safe again.
Much to your dismay, you don't think the locks for this safe are the kind you can pick. And even if you wanted to, the pins you have are much too thick to pick any lock.
And you don’t even have a screwdriver...
>alright we tried
>to the top floor
>"Come, key key key key key..."
You exit the MASTER BEDROOM and attempt to ASCEND to the top floor, muttering about how much you'd very much like to find a key right now...
And are immediately assaulted by the stink.
You recoil, gagging and coughing and choking all the way down the stairs.
What in the Hellish Yard was that?!
>damn nobles/demons, can't keep their houses clean...
>what did it smell like
It smelled of...
You realize much to your horror that it smelled of death up there.
Death and rotting things.
You know that most nobles would have more than a few skeletons in their closet but this is just terrifying.
>oh geez
>well.
>go to the flower room
You go to the FLOWER ROOM, and are immediately hit with the smell of... well... flowers.
>much better
You inhale deeply, and breathe a huge sigh of relief. This smells much more pleasant. Why can't a key be here instead? Do you REALLY have to go up there?
>take flowers
>take as many of them as you can
>just. Take bucketloads of flowers. Put them in your hair. In your shirt collar. Behind your ears
>put some in your lapel or something
>exTREME FLOWERCROWN
You gather ALL THE FLOWERS YOU CAN SEE, which is QUITE A LOT. You STUFF THEM into your HOOD, your SCARF, in every nook and cranny your costume can hold.
You even upgrade your FLOWER CROWN once more, tucking more blossoms between the ribbons. It is now A GLORIOUS FLORAL HEADPIECE.
Eve would be proud.
>become the flower knight
Yes, arisen from ashes and dust, you have ASCENDED. In the pale moonlight, you have finally BLOOMED.
You are no longer the KNIGHT of DUST.
Instead, you have become the KNIGHT of FLOWERS, ready to come to the aid of your everything, your beloved, your truest friend; she who knelt in gardens and tended to every plant she liked, regardless of whether or not they had any practical use; who wondered if anything grew among the stars, what it looked like on distant worlds she would never see; who despite having her feet planted firmly on the ground, always kept her eyes trained skyward to what was and what could be.
You can do this.
You can do this!
>wrap your scarf around your face for good measure
You stuff more flowers into your scarf and wrap it around you nose and mouth like a mask, so you can draw in the scent of flowers with every breath you take.
>save
The overwhelming scent of flowers fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>ascend to the top floor
You ASCEND from the basement, running up every staircase you encounter three steps at a time.
You brave the final stairway, your flower mask protecting you from the stench as you climb up to dim and dusty room.
You have now entered the ATTIC.
>yess
You pump your fist in the air in victory.
>On a stage overflowing with ordinary dust, you are reborn, and clad in flowers of love made to magnificently bloom, dive onto the sparkling stage! KNIGHT OF FLOWERS, ADAM MOONLIT, we will all do starlit!
You are about to launch in a dramatic introductory monologue, but then you notice your lack of audience as well as the grimness of your surroundings and shut up.
>x attic
>x surroundings
The first thing you notice is the SOURCE of the stench.
Dead mice. Dead mice everywhere. You actually have to kick their corpses aside in order to clear space to move. You wrinkle your nose in disgust. How could there even be this many?
The ATTIC is dim, and once your eyes adjust you realize it's BIGGER than you thought. There's only one source of light, and that's at the VERY FAR END OF THE ROOM, where the FULL MOON shines in through a LONE WINDOW.
There is a BED next to the window. You think you see a small BUNDLE on top of it.
The next thing you notice is that the floor of the ATTIC... is barely a floor. It's more like a hazardous almost-mesh of splintered wood and rafters, the large yawning gaps between them IMPOSSIBLY V̗̺ͅO̘͘I͇D͘ BLACK and seemingly ḅ̤͠o͚͔̯t̴̬̙t̸̹͓o̟̱̜m̲l͇̼̞e͉̼̤s͉̬s̖̫̖.
>toss flower into void
You take a flower from your hood and toss it into the nearest gap, like one of your childhood physics experiments.
It's swallowed by the darkness, and you never see it again.
>ah. This is not ideal.
Working in the lab has taught you that conditions are never as ideal as they are on paper. But too bad, that's what you have to work with anyway.
>tiptoe around gaps
You can't do that. The floor is so tattered, you have to jump between the spots of actual floor.
>x bundle
From where you are, if you squint carefully, all you can see is a small lump on the bed. You're going to have to get closer, but how?
>but move carefully
You better be careful, alright. You don’t have a choice.
>save
The lone bed at the other end of the attic fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>♫ Tip toe, by the abyss
By the abyss
That is where you'll be-come
Tip toe, clad in tulips
Alone~ ♫
You stare into the abyss. The abyss stares at you right back. Do you blink? Do you answer its call?
>jump into the void
You take a deep breath, and follow the flower into oblivion.
You fall into the endless freezing darkness, the light shrinking into a pinprick above you, and you fall and f҉̻̮̘a̖͔l͔͉͎l̤̥͝ and j͏̙̖u̙̖͜s̢̺̭t̤̘ͅ ͓̦͢k̰̻̥ẹ͉͟e̷̙͕p̞̼ ̮͈͞f̢a҉l̯̟͇l̩̘ͅi͚͙͡n̹̗͞g̹̝͙, and you're not going to stop, it's never going to stop, and the void s̶͇̹u̝̗̭rr͘o͈̙̜u̘̲̞n̜̬d̯͕͚s҉̥͖̲ ̥̺͘y̗̰͜o̡̺̬u͖̟͉ ̝̩̣e̗̼͕n̵͇t̸̘̙į͈̙r̡̥e̝̲̫l͉͠ͅỵ̛͔ and you can do nothing but scream and scream and scream and scream and S̺C̙R͏͍͖E͘A͈̝̠M͈̦̗-
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ATTIC of a luxurious mansion. It is the middle of the night.
>carefully get closer to the bed
You step forward, as far as you can go, cringing back as part of the floor ahead of you breaks off at your weight and falls into the bottomless pit.
At some point, you're going to have to jump.
>how to jump
Oh gee, you're not sure if you studied that in class- of course you know how to jump.
>how far is the jump?
From what you can see, you're going to have to jump several times to make it across to where the bed is. You're actually not sure if you can clear all of them.
>do some warmup stretching
As with any physical activity, you take the time to stretch. You learned this the hard way the first few weeks into the back-breaking ordeal of forest cottage construction; those mornings when the two of you were laid up in bed for several agonizing hours, regretting everything as you discussed the logistics of jury-rigging a hot shower in-between rounds of shameless whining.
>you only have to double jump
It's easy, your magically-inclined classmates had taunted you. Just jump... and jump again! What's so hard about that, Moonlit?
Well, not EVERYONE could easily flip off the laws of physics!
>could your wife double jump?
Even better. In the right circumstances, she could fly.
>take the leap
>yes just do it
>DO IT!
>MAKE YOUR DREAMS COME TRUE!
>JUST
>DO IT!
You swallow nervously, then back up as much as you can, clearing away the dead mice to give you a running start.
You hum that song of persistence. How did it go again?
Even if Eve isn't here, even if you can’t take her hand, you hope that old feeling of flight could take you as far as you need to be.
You refuse to avert your gaze, keeping your eyes straight on the goal.
At this point, nothing can stop you.
You run, and as you reach the edge, you spring off it as hard as you can.
For a few, heart-rending seconds, suspended above the void, you're not sure if you would make it...
And then with a shock to your knees and ankles, you land on the other side!
You fall to the floor, clinging to the thin strip of wood that's between you and whatever lies beneath.
You made it, you made it.
... Now you only have to make it several more times.
>63 61 6e 20 79 6f 75 20 64 6f 75 62 6c 65 20 6a 75 6d 70 3f
COMMAND PROCESSING ERROR: INVALID SYNTAX
6a 75 6d 70 20 77 68 65 72 65 0a
74 6f 20 77 68 61 74 20 69 6e 73 74 72 75 63 74 69 6f 6e
Notes:
Hey, if you've made it this far, if you like what you've read, if you like talking about EC, and, more importantly, if you want to be a player...
I hope I'll see you soon. But if not, thank you for reading all the same. I hope you'll continue to enjoy whatever comes next.
Chapter 30: 8/10/19
Chapter Text
>FART
You decide to celebrate your incremental victory by contributing even more to the stench of the place.
You're very thankful for your scarf-mask of flowers.
>look around
You are in the ATTIC. The first thing you notice is dead mice. Dead mice everywhere. You actually have to kick their corpses aside in order to clear space to move. You wrinkle your nose in disgust. How could there even be this many?
The ATTIC is dim, it's BIGGER than you thought. it would be There's only one source of light, and that's at the VERY FAR END OF THE ROOM, where the FULL MOON shines in through a LONE WINDOW.
There is a BED next to the window. You think you see a small BUNDLE on top of it.
The floor of the ATTIC... is barely a floor. It's more like a hazardous almost-mesh of splintered wood and rafters, the large yawning gaps between them IMPOSSIBLY V̗̺ͅO̘͘I͇D͘ BLACK and seemingly ḅ̤͠o͚͔̯t̴̬̙t̸̹͓o̟̱̜m̲l͇̼̞e͉̼̤s͉̬s̖̫̖.
>deep inhale
You take a deep breath, trying to calm your racing heart. Your scarf-mask lets you inhale the pleasant scent of flowers instead of all the dead rats scattered throughout the room.
And this is only just the first jump...
>make a mice crown, become the rat king
You pick up a DEAD MOUSE. You stare at it.
You take several more DEAD MICE and tie their tails together, making a fabled RAT KING that you've only seen preserved in jars of formaldehyde.
This is officially the most disgusting thing you've ever done.
At least you can't put it on your head, there's not enough space for it as you are currently wearing A GLOROUS FLORAL HEADPIECE.
>lick the rats
You lick the RAT KING and immediately gag, flinging the RAT KING into the abyss. You wipe at your tongue with your linen scarf, tears falling from your eyes. Why did you do that?! Why???
Correction, THAT was the most disgusting thing you've ever done.
>look up at the moon dramatically
The only window is still quite far. You don't look up at the moon dramatically as much as squint at it.
>Be sexy but in a rat sort of way
You have no examples to follow other than the DEAD MICE around you. How are you supposed to do that? Just fall over and die?
>consume floor
>well lets see if its really bottomless.
>Cannon ball drop yourself into the gap
You try to eat the floor. In the process, you choke a splinter of wood, making you stumble as you grab at your throat.
You fall over the edge, and die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ATTIC of a luxurious mansion. It is the middle of the night.
>Is there anything you can build a bridge with?
Nothing, unless you feel like testing the structural integrity of dead mice.
>Recall if there's anything you can use from the other rooms
You recall ALL THE ROOMS YOU HAVE EXPLORED. The information is A BIT OVERWHELMING, and you don't think you can come to any conclusions just standing in the ATTIC.
>eat a flower for ideas
You take a FLOWER from your HOOD and munch on it thoughtfully.
Surprisingly, it doesn't taste that bad.
Then again, your standards have drastically lowered over the past few... over the course of your adventure.
>Go to tailor's room
There are two rooms that could refer to. The one on the SECOND FLOOR and the one in the BASEMENT. Where would you like to go?
>Basement
You DESCEND once again into the basement, into the TAILOR'S ROOM. You wince as you pass by the HOLE you made in the door.
>Take cloth and see if you can use it to make a sort of bridge
You take more SCRAPS OF CLOTH, but they seem a bit too small to make a bridge even if you stitched them all together.
>Actually go to the one on the second floor
You ASCEND from the basement and into the SECOND FLOOR, entering the TAILOR'S WORKROOM.
>automatically update map
You resolve to yourself to note any new place you find on your map.
It wouldn’t do to keep getting lost.
>search house for bridge building materials
You're already in the process of doing that.
>specifically, studier wood or something similar
Well, you're definitely not using the SPINNING WHEEL then.
>rip off the door to use as a bridge
With what, your bare hands?
>No, with your bear hands
Frantic, you stare at your hands. Oh Gods, have you been a bear all this time and haven't noticed?!
Okay, you still have opposable thumbs. Whew.
That’s a relief.
>pull on door anyway
You tug at the door, pulling on all your forest-gained strength to rip it off its hinges!
All you get is you nearly throwing your back out.
You swear you weren’t that old!
>if you're old, get a walking stick
From where?
>idk convert spinning wheel to wheelchair
You pick up the SPINNING WHEEL and try to sit on it.
It SNAPS CLEANLY IN HALF, leaving you stunned on the floor.
Thankfully, your pants are thick enough for you to avoid having to pull out any splinters.
>Are there any other rooms left to explore?
From what you know, there is ONE ROOM left to explore on the FIRST FLOOR, and FOUR ROOMS left to explore in the BASEMENT.
>axe hinges
You hack at the HINGES on the door, blunting your ax EVEN MORE. Why are you so cruel to your ax? Why are you so violent towards tailorshop doors?
The hinges get very dented. The door now hangs very shakily in its frame.
>axe hinge more
You swing at the LOWER HINGE, and it finally BREAKS off of the door. One down.
>Explore remaining room on first floor
>put down the axe carefully and safely
>do a little happy dance
You suddenly get distracted by realizing that there's ONE MORE ROOM on the FIRST FLOOR that you haven't managed to see yet and DESCEND.
You enter the GALLERY, and walk all the way to the END OF THE HALL. Before you are a set of DOUBLE-DOORS
You're still holding the axe. You put it down and do a little jig at remembering this room existed!
>axe upper hinge
The hinges on these doors aren't visible to you. They seem very thick.
>Enter double doors
You push open the double doors and enter a DARK ROOM.
>pick up axe
Intimidated, you pick your ax back up.
>X room
You are in a LARGE DARK ROOM. How large, you don't know.
It's very dark. You can't do anything here without light.
>inventory
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A flower crown
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Eight pieces of bloodstained written-on paper
>aquire container and wick
You cannot find those items here.
>Enter the leftmost unexplored basement room
You leave the DARK ROOM in disappointment and descend into the BASEMENT.
Leftmost?
>Okay pick an unexplored room and go inside I guess
You have yet to enter the THREE ROOMS to your LEFT, as well as the ROOM AT THE END OF THE HALL.
>enter the nearest unexplored room
You try to enter the room directly to your LEFT, but it's locked.
>kick door
You kick the door, only to realize too late that the MAGIMECHANICAL LOCK holding the door shut isn't the only magical defense the door has.
You spontaneously combust and turn into a pile of ashes.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ATTIC of a luxurious manor. It is the middle of the night.
>Take a Rat King with you, just in case
Unfortunately, (fortunately?) all the DEAD MICE you see are completely separate and not at all tied together in a horrific tangle of death.
>revive them and create a dead rat king
What are you, some kind of necromancer?
You were never assigned to that research department.
And frankly, thank Levia.
>make a rat king
You gingerly take SEVERAL DEAD MICE and tie their tails together to make a RAT KING.
Once, you walked past a certain jar in the Institute's specimen room and scoffed at it. There's no way that an abomination like that could ever be real, right? All one had to do was just tie their tails together then dump it in formaldehyde and call it a day, right?
Now, you realize, as the stench of DEAD MICE starts getting through your floral scarf-mask due to your sheer proximity, that NO self-respecting professor could ever do something like this.
Or at least anyone who ever cared one whit about hygene.
>make a rat king, then raise it above your head and announce "it's the circle of life"
You lift it above your head by the knot you made, grimacing at the hanging corpses.
It's a circle of death, more like.
>keep the rat king with you
For some reason, you take it with you. You now have a RAT KING.
It stinks to high heavens. Did you want to cancel out the flowers, or something?! You're suddenly very glad that there’s no one else around with a sense of smell.
>it's a weapon duh
The most disgusting weapon ever. You feel like throwing up.
>drop the rat king into the void
You toss the RAT KING off the edge of the floor and don't even bother to watch it disappear.
You desperately want to wash your hands or something, that was just disgusting.
>now that you have killed the rat king, you are now king of the rats
>crown yourself king of the rats
You don't want to be king.
Not anymore. Not after everything you've done.
Eve called you her prince, but you don't deserve that title.
You are not a prince.
But... if it's for her… you'll try to be her knight.
You adjust the crown of flowers on your head, wrap the scarf tighter around your nose and mouth and breathe in, closing your eyes.
You have work to do.
>Explore the first unlocked basement room
You DESCEND to the basement.
You try the FIRST DOOR on your left, but it's still locked with that MAGIMECHANICAL LOCK.
You try again with the door next to that one, and it opens easily. You enter it.
You are now in what looks like a KITCHEN.
>fart
>While farting, examine room
You fart again, which is probably not a good idea as you're in a place of food preparation.
Then again, who's even going to eat anything? You? The ghosts of your past? The demon?
Do demons even need to eat?
Anyway, you seem to be in a KITCHEN. On one side of the room is a large FIREPLACE, even larger than the one in your home. There are THREE TABLES here, all filled with clutter. There is a SHELF here, also filled with things. On the far side of the room, there is a DOOR.
>× shelf
The shelves are full of JARS OF ASMODEAN SPICES. Cumin, turmeric, nutmeg, cardamom... and so many more you can't name. Some you can remember from Eve's garden, but the rest, you can only guess.
Unfortunately, you were never one to like spicy food.
>× tables
Among the clutter, you can see a CAULDRON, several KNIVES, several CUTTING BOARDS, several MIXING BOWLS, a WHETSTONE, a SPIT, and RAW INGREDIENTS IN VARIOUS STATES OF PREPARATION.
You wonder, quite suddenly, where everyone is.
>eat spices
You eat a handful of cinnamon powder and you regret it immediately.
You fall to the floor, spewing out brown puffs of spice as the cinnamon scours the inside of your mouth and throat. Water! Water! You need water!
Mistakes were made, mistakes were made!
>Chug water
Desperate, you run around the kitchen looking for water.
The cauldron is full of SOME SORT OF LIQUID. That will have to do!
You take a MIXING BOWL and fill it, then start chugging like there's no tomorrow. Thankfully, it seems to just be some sort of MEAT STOCK.
All you can do now is sit and wait for everything to stop burning.
You. HATE. Spice.
Chapter 31: 8/17/19
Chapter Text
>hey what's heavier a kilogram of steel in your inventory or a kilogram of meat in your hand
You do not have a kilogram of steel in your inventory.
You do, however, take some RAW MEAT in your hand.
Physics says that no matter how dense something is, a kilogram is a kilogram is a kilogram! Any differences when dropping the two from the same height can be attributed to air resistance!
To demonstrate this, you throw the raw meat against the wall. It hits the wall with a splat, and then tumbles to the floor.
...
Why did you do that.
>uh
>obtain a knife
>which you should not eat
You take the nearest knife, which appears to be a PARING KNIFE.
Of course you don't eat it, now that would be just silly.
>is there enough food to make a meal?
The KITCHEN is filled with many meals in the process in the being made... but never finished.
It's almost tragic.
>examine surroundings
You seem to be in a KITCHEN. On one side of the room is a large FIREPLACE, even larger than the one in your home. There are THREE TABLES here, all filled with clutter. There is a SHELF here, also filled with things. On the far side of the room, there is a DOOR.
>does it still burn?
The fireplace isn't lit.
>sharpen knife on whetstone
You give the PARING KNIFE a good passes on the whetstone, but after further examination it might not be necessary. These people took good care of their knives.
Now if only you could care for your AX in the same way...
>open the other door
You OPEN the other door. It isn't locked.
>juggle ingredients
One ordinary morning in those sunlit days before the twins came along, you decided to try to get into juggling out of sheer boredom.
It wasn't very successful, especially since you tried juggling the eggs first.
(It was worth it though, to hear Eve’s laughter when she opened the door to find you with egg in your hair.)
You try again, wondering if you've gotten any better over the centuries.
...
You are now COVERED IN EGG.
>and knives
Well, you were once an ambitious man.
You try to juggle the THREE LARGE BUTCHER'S KNIVES you've seen on the table. You think you might actually be getting the hang of it!
Then one of them manages to hit you in the wrong artery and you end up bleeding out on the kitchen floor.
You may be a clown, but you definitely don't belong in the circus.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the ATTIC of a luxurious mansion. It is the middle of the night.
>save in the kitchen
>think about tempura and go down to the kitchen
You suddenly remember the DEEP FRIED SHRIMP you and Eve managed to cook once. A rare treat, but you loved it.
... You have no idea where the kitchen here is.
>look for windows
There is ONE WINDOW here. It's on the far side of the attic, which is much more bigger than you thought it would be.
>what else is in the attic between us and the window
The first thing you notice is dead mice. Dead mice everywhere. You actually have to kick their corpses aside in order to clear space to move. You wrinkle your nose in disgust. How could there even be this many?
The ATTIC is dim, it's BIGGER than you thought. it would be There's only one source of light, and that's at the VERY FAR END OF THE ROOM, where the FULL MOON shines in through a LONE WINDOW.
There is a BED next to the window. You think you see a small BUNDLE on top of it.
The floor of the ATTIC... is barely a floor. It's more like a hazardous almost-mesh of splintered wood and rafters, the large yawning gaps between them IMPOSSIBLY V̗̺ͅO̘͘I͇D͘ BLACK and seemingly ḅ̤͠o͚͔̯t̴̬̙t̸̹͓o̟̱̜m̲l͇̼̞e͉̼̤s͉̬s̖̫̖.
>stuff pockets with 2 dead mice. They may come in handy.
You take two of the least decomposed mice and stuff them into your pockets. What for? You don't know!
You now have TWO DEAD MICE.
>the fried shrimp is your personal reminder to live your best life
You've had many lives. And all of them have sucked.
But the fried shrimp... that was at least one high point.
>investigate the void
>call into it to see if it calls back
>absorb the void
You look into the void beneath the floor. It's so dark, it's as if all light is absorbed. You stare at it. You get the uncomfortable feeling that someone is s̷̭̗t̪̜͚ar̼̳̱i͈̲̦n̢̻̤g̺ at you back.
You say hello.
The void, being the V̻͙̙O̡I̹̟D̻̺̟, doesn't answer.
>realize I'm a pawn in somebody's strange tale and that's okay. Acceptance is the first step to overcoming.
You've always known you've been a pawn. A pawn to Seth, a pawn to your mother, a pawn to Ma, a pawn to everyone's games and you're sick of it, you're SICK of it all. And even when you ran away, you only had relief for a few blessed years, feeling like you were actually getting somewhere just before it all crumbled down again.
Are you ever going to take control of your story? Even now?
Thinking about this makes your head pound.
You just want to save Eve and get out of here.
>look for ways down other than the void
There is the STAIRCASE from where you came, behind you.
>investigate this side of the attic for mouse holes
The floor is so tattered that it's easier to find what ISN'T a hole.
>push some mice into the void to make walking easier
You push some of the dead mouse piles into the gaps. Out of sight, out of mind.
>check inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A flower crown
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
Several pieces of marked chessboard tapestry
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Eight pieces of bloodstained written-on paper
>equip flower crown
You're already wearing it!
>what are the walls made of
Wood and plaster, you think.
>look at matches
>how many matches are there?
The MATCHBOX has seen some used, but you'd say it's only HALF-FULL. Or would you say HALF-EMPTY?
You're not feeling very optimistic.
>how much lamp oil is there?
A couple of hours of, by your estimate. Have you seen a lamp around somewhere before...?
>scan one last time for anything of interest within reach
Nothing, just mice and dust. The bed is out of reach unless you're willing to jump good.
And even then you're not sure if you can clear the gaps.
>inspect the stairs
They're just ordinary stairs, going to the SECOND FLOOR.
>descend the stairs slowly
You leave the ATTIC and DESCEND. You are now in the CONNECTING CORRIDOR of the SECOND FLOOR.
>look around the corridor
It's simply an ordinary corridor. To your RIGHT, a corner turns into what you know is the EAST WING. To your LEFT, the corner turns to what you know is the WEST WING.
>Disconnect the corridor by force
You're pretty sure the corridor is connected to the rest of the house. Your ax isn't THAT sharp.
>is it dark?
It's a bit dim, but you can still see from the LIT LAMPS attached to the walls.
>Go down to the kitchen and enter the door
You, unfortunately, have no idea where the kitchen is.
>take a couple lamps and refill my lamp oil
>extinguish and carry one lamp in hand and one in inventory
Not these lamps, unfortunately. Unless you can find something that can cut metal.
You do, however, manage to SIPHON some LAMP OIL until your canister is full.
>do the lamps attach to the wooden wall?
Yes, but-
Hey, wait...
>my axe will get me a lamp. We can deal with the wall chunk later.
How, then?
You don't see your ax turning into a lamp anytime soon.
>cut the wall around the lamp in as small a square as possible
You try to AX the wall, but you using it on hard surfaces indiscriminately has blunted it beyond use! The wood is thick and sturdy, and ten minutes later you're still trying to make the first cut.
You need to take better care of your ax.
>sigh and put axe in inventory
You sigh and put your ax away.
Consequences always catch up to you, don't they?
>use the plague of the dead mice to rot the walls to decay so it becomes weak
You slap the mice against the wall.
All that results is a grimier wall.
You're not willing to wait a thousand more years to wait for the bacteria to eat away at the wall.
>punch the wall around the lamp
You PUNCH the wall in an attempt to free the lamp.
Five minutes later, you're still sobbing as you cradle your sore fist.
Eve's not here to help you! You can't keep hurting yourself like this!
>move to EAST WING
You pull yourself together and enter the EAST WING. From here, you can enter the STUDY, the CHILDREN'S PLAYROOM, or the SUPPLY CLOSET. At the end of the hallway is a corner that you know goes to the GRAND STAIRCASE that will take you back to the FIRST FLOOR.
>enter study
You enter the STUDY.
>look around study for any objects
BOOKSHELVES line the walls of the STUDY, and at the center of the room, pushed against the wall, is a CLUTTERED WRITING DESK.
>check BOOKSHELVES for any books that seem out of place or relevant
The selection isn't as extensive as the LIBRARY down below, but it's still respectable. The books seem ORGANIZED, the leather spines nice and glossy.
You don't know if any book seems relevant to you at the moment, unless you somehow manage to find a book about DEMON-HUNTING. And you doubt you can find any study on that that's actually peer-reviewed.
>search for thesis documents on how to demon hunt
You doubt that even the thaumaturgy courses in Levianta covered demon hunting.
(Or if they did, it was probably a post-graduate course. Figures.)
You can't find any here.
>check bookshelf for any cookbooks, axe-care books or large numbers of dead mice books
None here. You might have better luck in the LIBRARY or the KITCHEN, if you actually manage to find the KITCHEN.
>what was that paper you found here?
Oh... right...
You turn towards the CLUTTERED WRITING DESK, and shudder.
>search the writing desk for any paper that resemble maps, or important looking documents
>Which Paper
You examine the desk. There is a selection PENS, PENCILS, AND ERASERS, as well as various LETTERS and DOCUMENTS. There is an UNLIT OIL LAMP being used as a paperweight.
The two letters you had found here... you're reluctant to read them again.
>take the lamp and wonder why I punched the wall when this was here
You take the OIL LAMP and feel stupid for nearly breaking your wrist when you could've remembered that there was a perfectly usable OIL LAMP right here. You now have one OIL LAMP.
As you lift the lamp, you see it was weighing down another BLOODSTAINED INSCRIBED PIECE OF PAPER.
>read the paper
It reads:
I feel like giving up, but then I remember how dark it is down there. I must work harder. There are only so many numbers.
>there are friends in the void?
You hope that, even if you feel alone, there's someone out there looking out for you. You think of the silent void, and on impulse, look up at nothing in particular and say hello to no one.
68 65 6c 6c 6f
No one answers. You sigh. You don't know what you were expecting.
>take the paper and add it to bloodstained notes
You take the paper. You now have NINE PIECES OF BLOODSTAINED WRITTEN-ON PAPER.
>save
>save
>save again to be sure
The determination of the author in these bloodstained notes, in turn, fills YOU with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>6f 68 69 6f 20 67 6f 20 73 69 67 68 20 6d 6f 75 73 65 0d 0a
COMMAND PROCESSING ERROR: INVALID SYNTAX
>put dead mouse in oil lamp and light it
You stuff a dead mouse in the oil lamp and try to light it. As the mouse is suffocating the flame, it doesn't work.
>eat dead mice
>drink the forbidden green apple mouse juice
Oh well, you can have dinner whether or not you have lamplight!
You eat the dead mouse whole.
Oh gods, could you have at least cooked it first?
A few minutes later, you're throwing up. It only gets worse from there.
You die of severe food poisoning.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a STUDY of a luxurious mansion. It is the middle of the night.
>say wuuuuuuuuuuuu
You do your best impression of a wolf, even if there's no moon in the room to howl to.
You think you did a pretty good job.
>x self
You are ADAM MOONLIT, and you are on a MISSION. A MISSION, from... Irregular. At least, that's who he SAYS he is. You think his voice SOUNDED familiar...
You are wearing a LINEN OUTFIT you have made and decorated yourself. You are completely BEDECKED in flowers you have retrieved from a room in the basement. On your head is a GLORIOUS FLORAL HEADPIECE, complete with ribbons of sky and ocean blue. There's TWO DEAD MICE in your pockets, and you have an inexplicable craving for DEEP FRIED SHRIMP.
In past lives, you may have been a prince, but now you are a KNIGHT, and you WILL save your beloved!
... If you can stop hurting yourself first.
>discard dead mice
You throw away the DEAD MICE. What did you even need them for anyway?
>x surroundings
You seem to be in a SMALL STUDY. BOOKSHELVES line the walls, and at the center of the room, pushed against the wall, is a WRITING DESK.
>x bookshelve
The selection isn't as extensive as the LIBRARY down below, but it's still respectable. The books seem ORGANIZED, the leather spines nice and glossy.
>x books
What you find here are mostly books on BEELZENIAN EMPIRE LAW, along with ATLASES and more than a few TEXTBOOKS on SCIENCE and MATH.
>take a science textbook
You take a TEXTBOOK of the science that is very close to your heart... CHEMISTRY.
You know it will probably be inaccurate as the Hellish Yard, but you don't care.
It always feels better if you have some kind of reference text with you.
Chapter 32: 8/24/19
Notes:
I'm just going to give a small CONTENT WARNING: BLOOD for this session, as near the end Adam ends up with a nosebleed after a unfortunate mishap. Viewer discretion is advised.
Chapter Text
>x chemistry text
You flip through it quick.
Wow, one country is destroyed, and after just one century the periodic table ends up looking like a drunken cat had been at it, knocking almost everything on it to the floor. It might as well be the periodic sponge given all the holes in it now. How could so much be forgotten within two centuries?
Why was such a large chunk of scientific progress lost with the fall of one empire?!
It's frustrating to realize in hindsight.
>what do they have wrong
They somehow think that, given proper scientific procedure and the right set of elements, anything could be turned into gold.
Which is just ridiculous. Only trained mage-chemists can turn anything they wish into gold. Simple thaumaturgy. Everyone knows that.
Or, well, everyone knew that.
>What rooms are still unexplored?
From what you know, there is ONE ROOM left to explore on the FIRST FLOOR, and FOUR ROOMS left to explore in the BASEMENT.
>head for the unexplored room on first floor
You DESCEND to the first floor, passing through the GALLERY to a set of DOUBLE DOORS.
>pass through double doors
You push open the double doors and enter a DARK ROOM.
>x dark room
You are in a LARGE DARK ROOM. How large, you don't know.
It's very dark. You can't do anything here without light.
>Return to the large study
>Fashion a lamp wick out of the papers
>Light lamp
You return to the STUDY, and, using the loose papers you find, make a LAMP WICK. You're very careful to keep a wide berth around the two LETTERS you had read. You try not to shudder at the thought of their contents, the RUNE still burned into your mind.
You stick the LAMP WICK into your UNLIT OIL LAMP and use the MATCHES to light it.
Lo, and then there was light!
You now have one LIT OIL LAMP.
>save
The fact that you have made light with your own hands fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>drop lit oil lamp
You're so entranced, in fact, that you accidentally lose your grip on the lamp and drop it. The oil spills on your LINEN COSTUME, and the flame manages to ignite it, the flowers, and then the rest of you.
You end up burning to death. But hey, at least you made light!
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the STUDY of a luxurious mansion. It is the middle of the night.
>Go to dark room with lamp in-hand
You DESCEND back to the first floor, determined to see what lies behind those double doors.
You push past them.
Ah, you seem to be in a BALLROOM.
>twirl around like the dancer you were destined to be
>entertain yourself in this world's end dancehall
Careful not to spill the oil in your lamp, you twirl on your heels and hop step when you get dizzy, even as darkness wraps around you like a suffocating blanket. You imagine dancing together with Eve to music only you can hear, a lonely stumbling one-two-one-two in your own little corner of the world.
Oh right, the world has already ended, has it?
You really wish she was here.
>save
The memory of you slow-dancing with Eve fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>drink lamp oil and eat match
You sip some of the LAMP OIL from the canister and immediately spit it out.
You eat a match but that doesn't make it taste any better!
Your mouth feels horrible now.
>examine inside of ballroom
>x room
Even with your LAMP, you can BARELY SEE ANYTHING. At best, you can only see in a FIVE PACE RADIUS around you. You try to see any further, but the darkness seems uncomfortably THICK AND SOLID. It's actually making you a bit nervous.
But from what you can guess, the way your footsteps echo, you think that this is the BIGGEST ROOM you have visited yet.
The floor beneath you is tiled BLACK AND WHITE… a CHESSBOARD pattern.
From here, you can go FORWARD, LEFT, RIGHT, or BACK THE WAY YOU CAME. In this case, going BACK will make you exit the room.
>screech into the void
You SCREECH into the darkness. Your voice actually ECHOES back at you. Welp.
>prep mentally
You'll be fine! All you're doing is stepping forward into the unknown!
That always goes well, does it?
>go forward
You step FORWARD into the darkness. The light of the door behind you DISAPPEARS.
From here, you can go FORWARD, LEFT, RIGHT, OR BACK THE WAY YOU CAME.
>go forward
You step FORWARD into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here, you can go FORWARD, LEFT, RIGHT, OR BACK THE WAY YOU CAME.
>go forward
You step FORWARD into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here, you can go FORWARD, LEFT, RIGHT, OR BACK THE WAY YOU CAME.
>go forward
You step FORWARD into the darkness. You see...
The double-doors you just came in through?
What?!
You turn to face where you came from in disbelief. H͚͖̰ow̨͇̪ ̱͎̩i̸̼͖s̘͇͠ ͖̬͘t̖̙h̯͖i̸̤s̳̝̟ ͖̦̩p̗͚̭o͇̗͢s͈̤s̙̹ib͕͕̣l̼̼e̞̩̟?̬!̵
From here, you can go FORWARD, LEFT, RIGHT, OR BACK THE WAY YOU CAME. In this case, going BACK will make you exit the room.
>wave light around and see what's near in all directions
You try to extend your reach, but everything is so d̟̼͢a͇͓̪rk̹̥͙...
It's as if the darkness is p̞͈͓r͓̜̟e̳̣̱ss҉̬̹̻i̶̠n̬̳g̷͓̗ ̞͙̤i̖̻͙n̸͙̠ ̩̩̝o̭͙͉n̖ ̖͕͞y̸̺͎o̲͍ṳ̸͚.
>go left
>keep your hand against the wall all the while
>continue walking in that direction as long as you are able
Okay, this should just be a regular room, right? Right?!
You try your very best not to hyperventilate. And fail.
Pressing your hand against the wall, you go LEFT.
You go LEFT.
You go LEFT again, keeping your hand on the wall. All you see is the same CHESSBOARD FLOOR.
You go LEFT one last time, and your hand hits a door frame, and you lift your lamp in anticipation...
Only to see the same DOUBLE DOORS you had entered the room through.
That... that can't be right. You didn't walk THAT far, did you?
>exit door
You leave the BALLROOM and enter the GALLERY before your blood pressure gets any higher.
>take chessboard tapestry from inventory
You look at the pieces of CHESSBOARD TAPESTRY. Some are scribbled on in WAX CRAYON, and some AREN'T. Either way, they’re still SEPARATE PIECES.
>Do you know how to sew?
You did make this LINEN COSTUME yourself.
Of course you know how to repair your own clothing. With the pitiful stipend you had, there wasn’t much room in the budget for new clothes.
>If yes, head down to the tailor's room and sew the tapestry together
There are two rooms that can refer to, one on the SECOND FLOOR and one in the BASEMENT. Which one?
>x self
You are ADAM MOONLIT, currently an EXTREMELY UNSETTLED MAN in what some would call a RIDICULOUS LINEN OUTFIT and EVEN MORE RIDICULOUS FLORAL HEADPIECE, but since you MADE ALL OF IT, you have no one but YOURSELF to blame. As always.
And as always, it looks like you have work to do.
>The second floor
You ASCEND to the second floor and enter the TAILOR'S WORKROOM.
>now, lets begin tailoring
>save
The sight of all these TAILORING SUPPLIES fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>see if you can figure out how the tapestry should fit together
>and sew it together, if you're able to
You lay out ALL THE PIECES OF TAPESTRY YOU HAVE out on the floor, and spend the next few minutes trying to piece everything together like the world's sloppiest jigsaw puzzle.
You COULD sew it together, but you currently don't have the supplies on you right now.
>look for thread, needles, pins and other sewing supplies you need in this room
There is a CLUTTERED LARGE DESK in the room that might have what you need.
>x desk
It's crowded with countless SPOOLS OF THREAD. There are THIMBLES, and PATTERNS, and SEVERAL PINCUSHIONS filled with NEEDLES and (obviously) PINS. Whoever worked here must have known what they were doing.
>take thread, pins, thimble, and needles
You now have SEVERAL SPOOLS OF THREAD, SEVERAL PINCUSHIONS FULL OF PINS AND NEEDLES, and a THIMBLE.
>sew together the tapestry
You rush over to the TAPESTRY PIECES, sit down and get to work. Many stitches later, and you now have what looks like THREE-FOURTHS of a COMPLETE TAPESTRY! Ah right, didn't you get these pieces from somewhere else?
You wipe the sweat off your brow and smile. Progress is progress!
>save
The exhilarating feel of a job well done fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>return to the childrens playroom
You leave the TAILOR'S WORKROOM and enter the CHILDREN'S PLAYROOM.
>find a toy and play like a child
You take a RUBBER BALL and bounce it against the wall, playing catch with yourself. Just like those days in the orphanage...
You’re still not up to feeling like a child again.
>are there any tapestry pieces still around?
There is a CHESSBOARD TAPESTRY on the wall, half-repaired by you.
>look
The room is filled with OLD TOYS. There's a BROKEN ROCKING HORSE in one corner, from you sitting on it earlier. There is a KNOCKED-OVER TABLE here, from your disastrous playtime. There is a CHEST here. There are JACKS and RUBBER BALLS and WOODEN BUILDING BLOCKS and CHESS PIECES scattered around the floor, and you have to watch your step. On one wall is an OLD MAP OF EVILLIOUS. On the other is a CHESSBOARD TAPESTRY, half-repaired by you.
>examine tapestry
It looks like a chess board, with pictures of chess pieces on each of the squares. The pieces, however, instead of pointing uniformly up, seem to cycle between pointing up, right, down, and left, and back up again. On two squares, you notice, someone has encircled the pieces in the same colored wax crayon as the MAP OF EVILLIOUS. They point left, and up. If there are more, you can't see, as you still need to put the rest together.
>keep rubber ball
You decide to pocket the rubber ball. Childhood memories of makeshift physics experiments make it a bit too hard to let go of. You now have one RUBBER BALL.
>examine map
You look at the map. It covers the BOLGIANO CONTINENT as well as MARLON. You trace your hand over Held's Forest.
Someone has scribbled on it in wax crayon, somewhere in the Asmodean region. A small arrow points to a certain spot on the map, and you can barely read the letters written in a shaky, childish hand: I AM HERE
It's still cute.
>save
The thought of a small child first learning about the geography of their world fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>return to ballroom
You leave the CHILDREN'S PLAYROOM and return to the BALLROOM.
>put lamp on floor by the door safely
>backflip
You stand in the darkness of the ballroom, lamp flickering on the floor just by the doors, arms outstretched.
Then, with a mighty spring of your legs, you BACKFLIP.
Or at least, you try to.
Your GLORIOUS FLORAL HEADPIECE throws you off balance and you end up landing flat on your stomach while COUNTLESS FLOWERS fall on your prone body, having been thrown violently out of your outfit. You think your nose is bleeding.
Truly, a stunt worthy of applause.
>lie on flor pondering if it would be bad to just... keep lying here
You watch your own blood pool on the black and white floor, watch the petals flutter down around you, your GLORIOUS FLORAL HEADPIECE a short distance away, and wonder if you just keep lying here if all you're going to do is make a fool of yourself instead of actually saving your wife.
Actually, now that you think about it lying face down into your own nosebleed is actually KIND OF DISGUSTING so you should probably get up now.
>ok after that get up it's science time
>throw the rubber ball to the left of the doors
You GET UP, trying to stem the blood flow as you gather your HEADPIECE and FLOWERS. No more hurting yourself. There's deduction to be done.
You toss the RUBBER BALL left, into the darkness.
Much like the flower in the attic, it's SWALLOWED by the void, and you don't see it again. All you can hear are the soft noises of it bouncing against the floor until it too, fades away.
>take one spool of thread, tie it to the handle of one door
You tie the end of a SPOOL OF THREAD to a handle of one of the DOUBLE DOORS.
>take lamp
You pick the LAMP back up. You're as ready as you'll ever be.
>holding spool of thread, follow the wall left
You inhale. Exhale. Hold the spool of thread loosely in your hand so it can unspool behind you.
You walk LEFT. So far so good. You tug on the thread and it still pulls taut.
You walk LEFT. Nothing but black and white beneath you. A spot of blood appears and you realize that you're still bleeding. You should probably attend to that.
You walk LEFT. You tug on the thread one more time, and you realize that i̮͜t͠'͕͇͡s̘̙̦ ͖͎̞g̟̣̞o̕ne͙̺̹ ̧͙̼s̙̳͜l̷̼ͅac̛̥͚k̨͉͈.͜
Heart racing, you RUN LEFT, and you find...
The double doors once again. You look at the handle, and y͙̜o̺͔͜ṵr̟͎̠ ͇͈̤s̯̟t̮͈͞r̸̻̻i͎̗͉n͏͉ͅg̤̥̜ ̻̻̝i͙̺̙s̼̟͘ ̱͔̳go̤̟ͅn̡̬̭e̯͍͖.̨̻
>ok don't let it unspool any further. retreat to just outside the doors
>This is fine.
You EXIT the BALLROOM. You are smiling. Smiling so wide that your cheeks hurt.
This is fine.
Your hands are shaking so hard you can barely keep hold of the spool of thread.
This is fine.
The manor could be on fire around you right now but you would still be smiling, just a hair's breadth away from bursting into hysterical laughter and not being unable to stop.
This is fine.
>put lamp down carefully and examine the string. take note of the length that you unrolled
>that is the length you walked before the string went slack. science!!!!
Focus. Focus. You have to focus. Focus on the facts. Focus on not spilling oil all over yourself. You put the lamp down. Blood is still dripping off your face onto the floor. You wipe at it with your sleeve and make an ugly red smear on your nice LINEN COSTUME. Focus on actually stopping that nosebleed.
But you can't. The questions are coming too fast.
You pull the thread behind you and attempt to lay it flat onto the gallery floor. You measure it by walking along it, counting your steps carefully.
This... this doesn't make any sense. It's only twenty paces long. Fifteen, tops?
But that's not possible. Your voice echoed in that room. How is t̨̖̟h͕a̰̦̬t͙̝̣ ̸̠̬p̝ͅos̸͔ͅs҉̣ḭͅb̛̞̝l̟̪͢e̫̳͢.̷͈̱..
You want to cry.
>it doesn't matter! this is your data. do not fit your data to match the hypothesis
Right... you're approaching this wrong. You recall the SCIENTIFIC METHOD. Data is data is data. Your hypothesis is simply incorrect, that's all. You just have to make a new one.
What kind of hypothesis could possibly explain this data though?
Your head hurts. The fact that you're BLEEDING probably doesn't help. You're actually starting to feel a bit woozy.
>ok fine did you see any ice in the kitchen?
Where's the kitchen...? You've never seen the kitchen.
>just sit down and deal with your nose then
You sit down, back against the wall, and try to tilt your head up so you don't end up bleeding over every inch of the mansion.
There's nothing to do except wait it out and deal with the unpleasant sensation of stopping a nosebleed this particular way.
In the meantime, you try to force your mind to stop panicking and actually start thinking logically. In any normal room, keeping the wall to your LEFT should take you around the entire perimeter of the room. In that case, you shouldn't have been so surprised to run into the entrance doors again.
But if what you're seeing is correct, you only managed to go fifteen paces before your thread was removed from the door handle. By w͓̤h̴̝̣a̰ț̳̪ ̘̟͕o̼͖͟r͏̩̩ ̪̜͓w̯h͉̮ǫ͖, you're too afraid to think about. And you didn't even run far before you saw the doors.
So logically, the room should have a perimeter of roughly twenty-five paces. But when you screeched into the darkness earlier, your voice actually echoed back at you. The room HAS be larger than that to produce such a sound!
So you conclude that either one of two things are true:
1. You ran further than you thought you did when the thread went slack and couldn't remember clearly in your panic,
or
2. The acoustics of the room are lying to you.
You sweat nervously. You can only hope it's the first one.
>one step at a time
>save
Focus. Focus. You're here to find a demon, not analyze the nightmare physics of a mansion you might have seen once upon a lifetime. But how can you find it, if you can't even find three measly keys?
One step at a time. Focus on waiting for the bleeding to stop. Soon, you'll be well enough to get up again. All you can do is rest now.
The magnitude of your task ahead fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Chapter 33: 8/31/19
Notes:
As this session took place on Miku's birthday I can officially say that this session was MIKU-BLESSED. This doesn't really affect anything gameplay-wise I just wanted you to know that. Thank you, Hatsune Miku.
Chapter Text
>x self
You are ADAM MOONLIT, scientist, prince-king, woodcutter, and certified fool. You think you'll be ready enough to get up in a minute.
>inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Nine pieces of bloodstained written-on paper
>x surroundings
You are in a FAMILY GALLERY. The walls are filled with portraits of prominent Venomanians throughout the ages, with family portraits for each successive generation. Occasionally, you'd find a still-life or a landscape mixed in, the most notable one a massive piece depicting the Venomania Manor. Most seem to have been done on commission, but some are simply PAINTINGS THAT A VENOMANIA NOBLE THOUGHT LOOKED PRETTY, pretty enough to line the gallery wall.
Which you understand. You always appreciate a good composition when you see it.
At the end of the HALLWAY, there is the DOOR BACK TO THE ENTRANCE HALL. To your LEFT, right next to where you're setting, are a set of DOUBLE-DOORS.
>save
The beauty of the collected artwork around you fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>eat ragdoll
You consider trying to use the ragdoll to stop the bleeding without having to wait so long, but instead of shoving some material up your nose, you shove the entire doll down your throat.
You end up choking to death.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the GALLERY of a luxurious manor. It is the middle of the night.
>enter double doors
Holding your head up carefully, you enter the BALLROOM again.
>starting from the entrance, pour a trail of lamp oil and toss it into the darkness. do not go more than two steps from the door
>stand aside
>light match and toss it on the oil
You take your hard earned LAMP OIL and pour it out on the floor, in a straight line. When you reach two steps away from the door, you take the CANISTER and toss it into the darkness. It lands with a wet CLANK.
You then CAREFULLY step away from the oil trail you made, light a match, then drop it on the trail.
The line of oil ignites with a whooosh, and the trail of fire goes all the way to the fallen canister, resulting in a a fiery puddle in the dark, illuminating the CHESSBOARD FLOOR around it, but not much more. The darkness is much too oppressive.
When you think about it, It actually looks KIND OF COOL.
Unfortunately, that means that the only oil you have left is in your OIL LAMP.
>commit sati
Did anyone even commit to that guy? You have vague memories of everyone running away from him…
Or was that the other guy? Your head hurts too much.
>wait you're a guy
Invalid command.
>fart on the fire
You learn the hard way that fire and methane gas do not mix very well.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the GALLERY of a luxurious manor. It is the middle of the night.
>any unexplored rooms on this floor?
There are NO MORE UNEXPLORED ROOMS on this floor. Yay!
>how about upstairs?
There are NO MORE UNEXPLORED ROOMS on the SECOND FLOOR, and you've already seen the ATTIC.
>how about the basement?
From what you know, you still have FOUR UNEXPLORED ROOMS in the BASEMENT.
>head for basement
>descend
Thankfully, it seems that the bleeding has stopped, for now. Still, you shouldn't scrub at your nose too much.
You DESCEND back down to the basement.
>look
The BASEMENT seems like a dark and dreary place, with walls of stone and no windows to be seen anywhere. It would be in total darkness if it weren't for the lanterns on the walls.
You seem to be in a rather wide hallway. F̳̰̥r̮̜̹o̝̲m͎̯͚ ̼̗̞w͈̼̩h͕̮͞a͉̪̼t̵̥̤ ̻̰̻yǫ̘ͅu͈̙ ͔̙c͉͈̟a̫̻̩n̷̞ͅ s͡e͈͚͡e͕̯̹,͍͇̼ there are three doors to the left, and three doors to the right. The doors on the right, you now know, lead to MADAME GLASSRED'S ROOM, a FLOWERY ROOM, and A TAILOR'S ROOM. And, at the very end of the hallway... there seems to be another one, the light just a bit too dim to see it properly from here.
>enter room at end
You can't.
The door is... different from the others. The other doors are made of wood.
This one... this one is made of iron... and w̢̩̜r̛͇̹a̻̼͠p̪̩p̷̤͎e̥̻̱d̞̬̪ ̭̞̮į͚̭n͚̼͚ ̨̜̳pu͉̤͡r̢͎͖p͖̠̗l̙̲̱e̹̰̬ ̻͓͕c̫̭ḩ͚̠a̭i͠ns̮.
Looking closer, you see a keyhole.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen scarf you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Nine pieces of bloodstained written-on paper
>save
The imposing door, with it's unusually-colored chains, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>enter furthest door on left
You go back to the end of the hall. Unsettlingly, you feel like you've had to walk f̠̘̠ur̛̘̳t̡̮̬h͔̟͉e̙͓̟r̩ than you should have.
You try to enter the closest door on the left. But you can't. It's locked.
>knock politely
You knock politely. Maybe it's occupied?
...
No one answers.
>"do you want to hear about our lord and savior hatsune miku"
You pretend to be a door-to-door Leviangelist and ask whoever's behind the door if they'd like to hear about Hatsune Miku.
Wait.
Who's Hatsune Miku?
>ok!!! middle door
No one answers the door, still. Scowling, you enter the MIDDLE DOOR on the LEFT.
You seem to be in a KITCHEN.
>look
You seem to be in a KITCHEN. On one side of the room is a large FIREPLACE, even larger than the one in your home. There are THREE TABLES here, all filled with clutter. There is a SHELF here, also filled with things. On the far side of the room, there is a DOOR.
>save
The organized clutter of the KITCHEN fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>look for ice
There is no ice in this room.
>enter door
You enter the door at the far end of the kitchen. It seems to be a KITCHEN LARDER.
>is there ice Here
You think you see some in the corner? It's a bit dim, though.
>x larder
You are in the KITCHEN LARDER. It is a somewhat narrow room than you can just barely outstretch your arms in. SHELVES line the walls from ceiling to floor, filled with various FOODSTUFFS. There is a LADDER here, to reach the highest ones.
>x foodstuffs
There's food of ALL KINDS here. You see SACKS OF RICE AND FLOUR, YEAST, CHEESE, BUTTER, even more EGGS, various produce such as EGGPLANTS, TOMATO, ONIONS, FIGS, DATES, OLIVES, CHICKPEAS...
You also think you see LARGE JARS, probably containing OIL.
>approach corner. do not go all the way in
You approach the corner, it gets cooler the more you get closer. It's covered in SAWDUST.
>take everything, esp the oil
Define everything.
>take all the foodstuffs, especially the oil
You now have ALL THE FOOD in the larder. Wow. You're really hungry, aren't you?
>eat the onions raw, just bite into one like an apple
You wonder how your wife could just straight up eat green onions raw, so you decide to try one for yourself. It might be a white onion, and not a green one, but an alium is an alium is an alium, right?
You bite into it.
It burns your mouth, and your eyes begin tearing up. You swallow it, and the juices sear your throat all the way down. You blink, your eyes stinging, and you put the onion back down on the shelf.
How could Eve do it? She's infinitely stronger than you, that's for sure, chewing on green onions all day while humming a happy nonsense song...
You're suddenly craving a hot fudge sundae.
>set lamp carefully on shelf
You put your LAMP down next to the onion. It fills the room with a soft glow.
>consider the nut
You hold a nut up to the light. How perfect it is! Such vulnerable potential for life, protected by its hard shell! From this tiny nut, a tree can grow many times its size, starting an entire forest that can last generations. How powerful is the nut, indeed.
You eat it, just to wash away the taste of the onion.
>take ice
You take the ICE. Now you make a decent cold compress!
... If it wasn't in one solid brick, of course.
>licc ice
You lick the ice. It's already starting to melt a little.
>wrap it in the scarf!
The ICE is actually much bigger the scarf, even if you wrap it up like a mummy. It just ends up as a LARGE BLOCK OF ICE with linen wrapped around the middle. Oh well.
>at least it's not directly touching your face, this is safer
>now apply cold compress
The ICE BLOCK is a bit too big to apply to your face, so instead you apply YOURSELF to the ice block.
You lie there, your face pressed to the ice, and take the opportunity to once again to question the numerous horrible life decisions that lead you to this point.
>unwrap block and put it on the floor
You take back the SCARF from the ice block. Thankfully, the FLOWERS aren't so squished that they don't emit scent anymore.
The ICE BLOCK is already on the floor.
>apply axe to ice
You attempt to break off a CHUNK OF ICE with your BLUNT AXE. It's very messy, and had your axe been sharper it would've gone a lot faster, but you manage to break off a chunk the size of your fist.
>good enough now take small piece and wrap it
You now have A FIST-SIZED CHUNK OF ICE. Wrap it with what?
>wrap with your scarf
You combine the CHUNK OF ICE with your SCARF and now have a COLD COMPRESS!
>save
Your act of basic first aid fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>ok put the ice you don't need back, and the sawdust too
You put the ICE BLOCK back in its little corner, and try to cover it back up with sawdust. It's a good ICE BLOCK. High-quality. Wouldn't want it to go to waste, now.
>dust yourself off, and return to lamp
>look
You return next to the lamp.
You are in the KITCHEN LARDER. It is a somewhat narrow room than you can just barely outstretch your arms in. SHELVES line the walls from ceiling to floor, all now COMPLETELY EMPTY save for the ICE BLOCK in the corner because you took ALL THE FOOD like some kind of BARBARIAN. There is a LADDER here, to reach the highest ones.
>how are you carrying all this
I͈̩̘n̸̬͔v͈̝̙a̧͍̟l͔̯͟i̜͟ḓ̨̣ ̛̙͕c͉̫͕om̡̥͎m̯̯̳a̱͔ͅn̸͖̫d̞̞.͓̩
>save
The sight of a completely CLEARED OUTLARDER fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>climb ladder
You climb the ladder. You have to be careful, lest it SLIP AND FALL from under you. You climb to the TOP, but you see nothing on the highest shelves.
You took it. You took it all.
Why?
>anything non-food in here?
Just the OIL LAMP, the ICE BLOCK (which doesn't count as food to you unless appropriately shaved and flavored), and the LADDER you're on.
>descend carefully
You climb down the ladder carefully, giving it a grateful pat. What a strong ladder, to carry you across vertical gaps. As long as you don't knock it over, of course.
>take lamp and return to kitchen
You take back your OIL LAMP and return to the KITCHEN.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
A cold compress
A small jar of yeast
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several eggplants
Several tomatoes
Several onions
Several figs
Several dates
Several olives
Several chickpeas
Several large jars of unknown contents
Nine pieces of bloodstained written-on paper
>take a knife
You take the first KNIFE you see, which is a PARING KNIFE.
>go to hallway
You EXIT the KITCHEN back into the BASEMENT HALLWAY.
>move in front of chained door and cut flour sack open
You walk in front of the purple chained door, and cut open the flour sack, leaving an open sack of flour in front of the door.
>cut a length of thread and soak it in lamp oil
You take a SPOOL OF THREAD and soak it in LAMP OIL.
>pour lamp oil from flour and lay a trail all the way to the other end of the hallway
You try to pour lamp oil from the flour sack, but all you end up with is MORE FLOUR.
>pour a trail starting from flour pile to the other end of the hallway
You finally realize that your oil is in the CANISTER and not the flour sack, and try to pour a trail from the large pile of flour all the way to the end of the hallway, but f̩̺͇o͍ṟ̨͕ ̸̮̣s̜̹͖o̤̳̕m͜e̟̗̜ ̖̞͖r̤͕ea͏̰̠so̥̯̕n͚͠, you only end up making it halfway before you RUN OUT OF OIL.
That's weird... you swear you had more than enough oil for that distance...
>lay thread at the end of oil trail. it's the fuse
You cut off a BIT OF THREAD from the OIL-SOAKED SPOOL and lay it down at the end of the trail.
>go back to flour pile, stir it up a little so there's flour in the air
You go back to the FLOUR PILE, and kick at the pile a little, making white clouds in the air. From your knowledge of physics, you are 97% sure that this plan is totally going to work!
>run back to end of hallway. light fuse with match
>RUN UPSTAIRS
You go back to the end of the trail of oil, inhale, exhale, light a match, then light the fuse.
Then you start running.
You run, and run, and ru̜͚͜n̡, but the stairway back upstairs d̢̝̣o̮e͓͡s҉͕̻̰ṉ͉͞'̖t̞ ͚̬͡c̟͎̝o͙̙͠m̭̬͞e͓ ̠̬̱a͢n̯̥͘y̰̬͜ ͇̣͖c͕l͔̦̕o̳̺͕s̫̜̕e̬̮r҉̟̹̗.
It's then you hear it, a BOOM that bursts your eardrums and fills the hallway with blinding LIGHT.
You learn one final thing as the fire swallows you whole: despite all those awful movies you had watched on television, no, it's NOT possible to outrun an explosion.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LARDER of a luxurious mansion. It is the middle of the night.
>eat ALL the food
You get the really weird feeling that you were about to do something INCREDIBLY STUPID.
You decide to do something COMPLETELY DIFFERENT yet EQUALLY AS STUPID.
You eat ALL the food you have, and die from the world's worst case of indigestion.
BAD END.
RESTART FROM SAVEPOINT? Y/N
Chapter 34: 9/7/19
Notes:
Wow... a lot has happened, hasn't it? Between this update, and the last... with Homestuck 2 being a thing, the OSS novel finally being announced and dropping tomorrow... It's a whole lot to take in.
Thank you for waiting once again. After the session you're about to read took place, college began smiting me into the ground continuously and without respite, and that, combined with other personal issues and obligations, is why it's only now I've managed to muster enough free time and executive function to get this chapter uploaded. I'm even running a session immediately after I publish this, kind of a "last hurrah" before the OSS novel comes out, you know?
Unfortunately, I'm not sure how much I can promise this time regarding frequent updates. I'm in my final year of college, and my thesis has been a constant specter in my life since last August, and it will continue to haunt me until I finally slay that dragon and graduate. Nonetheless, I will not let this die. No matter how long it takes, even if the OSS novel invalidates everything I've written up to this point, and everything I shall write after, I'll see this through to the end.
It's only fair.
Thank you, once again, for reading. I hope you'll keep enjoying AATA from here on out, regardless of whatever canon has in store for us.
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the LARDER of a luxurious mansion. It is the middle of the night.
>x surroundings
You are in the KITCHEN LARDER. It is a somewhat narrow room that you can just barely outstretch your arms in. SHELVES line the walls from ceiling to floor, all now COMPLETELY EMPTY save for the ICE BLOCK in the corner because you took ALL THE FOOD like some kind of BARBARIAN. There is a LADDER here, to reach the highest ones.
>appreciate your icepack
You hold your ICEPACK in your hands. It radiates a pleasant coolness that YOU APPRECIATE VERY MUCH.
Oh right, you're supposed to apply it to your face.
>is it a ladder or a stepladder
Well, it LOOKS like a ladder.
But you can step on it, as Eve once said, so it must be a stepladder, right?
Then again, what is the difference? Functionally, it shouldn’t matter, right? It’s just semantics! A ladder is a stepladder is a ladder!
You have a vague memories of many long arguments with Eve about this.
>apply icepack to face
You press the icepack against your face. A bit too late, as your nosebleed has long since stopped, but it helps with the pain all the same.
>Put food back like a civilized gentleman
Which food?
>inhale icepack
You wonder if cold compress can heal any pain, like, say, a sore throat.
A few minutes later, you don't need to worry about sore throats anymore. Or anything else, really, as you have just choked to death.
This is why Eve is the medic and not you.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the LARDER of a luxurious mansion. It is the middle of the night.
>Try not to do anything stupid
>FOR FIVE MINUTES
You're trying your best! You sit on the floor in the larder, trying to collect yourself. For around five minutes. You think.
It's so hard to tell the passage of time...
>apply head to icepack
The next thing you know you're lying on the floor, your face on top of the ICEPACK.
Hey, at least it’s been five minutes.
You think.
>leave larder
You get up, leaving the OIL LAMP behind. You re-enter the KITCHEN.
>enter larder
>retrieve oil lamp
>leave larder
You come back into the larder just to retrieve your OIL LAMP and leave again. No more stumbling around in the dark!
>x map
Your map is almost complete! You feel proud.
You are in the KITCHEN, in the BASEMENT.
>save
The feeling of filling in the blanks fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>where else in basement is unsearched
There are still THREE ROOMS in the BASEMENT that you have yet to explore.
>Explore nearest unlocked unexplored basement room
You enter the last room in the corridor just before the CHAINED ROOM. It... you THINK it might be a COSTUME ROOM.
>x room
The first thing that jumps out at you is that the room is FILLED with MANNEQUINS. They are all dressed in either OFF-WHITE OUTFITS that are similar to those you've seen in the paintings in Madame Glassred's room or ELEGANT SUITS AND GOWNS that put your own silly linen costume to shame. There is a FULL-BODY MIRROR here. There is a CLOSET here. There are SEVERAL STOOLS here.
>examine self in mirror
You look at yourself in the mirror. Your linen costume is starting to get torn and dirtied, the scraps of colorful cloth are coming off in twos and threes, and there's still a red bloodstain on your sleeve from where you wiped at your face earlier. Speaking of your face, it's still covered in dried blood, and you have the urge to find a bathroom and wash yourself, but you haven't seen any bathroom yet. You look tired, exhausted, even worse than you feel right now...
But despite everything, it's still you.
>steal all outfits
You feel a bit bad for depriving these poor mannequins of their clothes. They didn't do anything wrong, except look a bit creepy. Are you sure?
>consider washing your face with broth
You consider it.
Then you consider the consequences of dried meat broth on your face.
You immediately stop considering it.
>steal stools
You now have SEVERAL STOOLS. Now you can sit down wherever you want in comfort!
>open closet
You open the closet. It's full of SHOES. You also see a LENGTH OF MEASURING TAPE, as well as SEVERAL OF THOSE CURVED WOODEN HYPERBOLIC PARABOLA THINGS THAT YOU KNOW ARE USED FOR GETTING YOUR FEET INTO THE SHOES... man, what were those called again?
>yes
>steal all outfits
You now have SEVERAL STYLISH OUTFITS. In your haste, a mannequin falls over with a thud.
What are you even doing with your life.
>and steal the mannequins, for good measure
>Maybe they're nudist mannequins
>You're doing them a favor
Out of pity, you decide to have the mannequins join you on your journey. Regardless of clothing preferences. You now have SEVERAL MANNEQUINS.
>steal shoes
These are all good shoes. Pretty high quality. You take ALL OF THEM.
>steal measuring tape
You now have a LENGTH OF MEASURING TAPE.
>steal shoehorn
You now have... OOOOOOH. SO THAT'S WHAT THE HYPERBOLIC PARABOLAS ARE.
Well, you never could resist complex geometric shapes.
You now have several SHOEHORNS.
>change into one stylish outfit
But none of them are in your size!
>x room
You really just looted this room of everything it had, didn't you? There is a FULL-BODY MIRROR here. There is an EMPTY CLOSET here.
>save
The thought of your reflection fills you with DETERMINATION. You SAVE. You're not sure what it means, but you SAVE.
>eat shoehorn
Back in Levianta, you remembered snacking on potatoes sliced and fried in the shape of hyperbolic parabolas. You decide to engage in some nostalgia.
You conclude two things:
1. They need more salt.
2. They have a tendency to kill you when you bite down on them, as do all wooden things that are too large to consume whole.
You would appreciate these conclusions, but you die before you can start writing a paper.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in a COSTUME ROOM of a luxurious mansion. It is the middle of the night.
>01101100 01110011 00100000 00101111 00100000 00101101 01000110 00100000 00101101 01101100 00100000 00101101 01010010
.:
total 319
MODE -------- OWNER -- GROUP ---- LASTWRITE -- SIZE ---- NAME
==== -------- ===== -- ===== ---- ========= -- ==== ---- ====
drwxr-xr-x -- root --- root ----- [ERROR] ---- 7777 ---- akashic
drwxr-xr-x -- root --- root ----- [ERROR] ---- 4096 ---- boot
d͕̳̬͔̗̲̼̺̭͉̪̙̱͇̞̩͘͠͝͡ͅr̷̡̬̭͉̲͍̰̤̬͓̗̼̬̹̜̲̻͉̰͠w͘͜͏͕̪͎̜̘͍͓̪̼̩̭̖ͅx̵̨̢͏͔̬͓̮͇͙̦̤͕͇̲̗-̣̠͕̯̝͓͙͟͜͝-͏͢͏̧̤̰͙̦͇-҉̶҉̦̬̰̳͔̟̳͓̘̲͖̪͈̬̮͇͟ͅ-̴̜͕̱-̴̸̶̡͔̱̘̼̺̗̳̲̭̯̲̮̟̰̻͕͢-̵̪̰̗͙͈͈̮͎ ̴҉̖̱͓̤̼̺̦͘-̨͡͡͏̡͙͚͖̭̜͉͎̣̣̫̬̠͔̼-̶̶͍͔̹̠̪̯̖͍̦̟͚͔͉͚̤̹͝ͅ ̢̛͎̬͚̕ͅr̵̭̠͈̬̝̟̙̞͔̙͔͓̟̝̥͇̫͜͠o̶͉̭̗͎̝̱̺̱̤͍̭̤͖̜̙͉̩̳̰͠͠o̡̖͓̗̝̤͙̭͚͎̭t͚̹̹̗̖̺̟̻͙͖̠̜̖̞̼̱̣͎̥̕͜͡ ̺̗̘̦͓͇͖͚͈̞̯͜ͅ-҉̵̛̯̪̩̦͇͓̭͈͓͕͍̖̥͓̭̭̼̘-̸̷͚̟͖̯̙̠̞̫̗̱̱͖̦͇̮͜-̥̖̻̱͇̠͔̬̼̺̻̣̯͓̮̜̕ͅͅ ͏̶̨̫̟͉͎͔̝̲̻̺r̵͟͏͚̳̝̗̣͈̼̬̯̖͚̣̳̦̗̞͝ͅơ̠̗̲̬̗͎̻̙̘̥̫̠̪̫͢ͅͅơ̛͚͙̫̭̗̥̤̫͚̯͓̕͠t̼͎̬͚̼̜̳̼͘͠ ̸̩͎̙̗̙̼̜͢-̢̱̩̦͓̗̠̥̮̱̟̳̝̮̫̟-̢͙̘͚̰͠-̼͚͍̹͘̕ͅ-̪̥̜̣͚̤̤͕̕͝ ͓̤͖̩̙̲͉̗͖͖̗͔̭̘̱͚͜[̨̛̗͍̝̝͇̱̙͇̭̺͕̥̬̫̱͚̖Ȩ̰͙͎̗̼̘̱̣͘͢R͖̜̰̤̰͙͘͝͠ͅR͏͕̦̳̗̝̗͔̘̘̩̯̠͕͚̫̗͘͢Ơ͉̱̠͚͉̟̬̲͖̙̫͘R̷̡̧̟͇̗̰͕̖̥͘ͅ]̸̶̛̜͖̭̘͉͝ ̸̴̻̼̥͕͍͔̪͉̖̠̙̖̪͕̖͎̠͞-̷̶̼͙̮̙̜̲̯͔̲͉͝-̢̛̫̻̳̖̦͇̖͉̦̳̮͈̮̩̟̙̕͜-̦̭̰̗͇̘̩̗͍̪̦̣̩͞-̵̝͖̼̝͕̙̩ͅ ͏̢̡̯̙͙͕͕̹̞͜͡7͍͚̖͉̹̠͎̫̙̗̪͉̖̯̥̤̞͘1̵̴̥̙̺͚͍̫͍̪͘͢ͅ9̧̯̙̠͈̤̦͙͈̰͚̘͟͠1̷҉̧̛̼͎̯͕͉͓̞̠͍̺̠ͅ3̡̬̱̗̤͎̩̣̳̣̥̟ ̶̛̛͖̺͖̲̥̻͡-̝̫̙͜ͅ-̷̙̘̦̯̗̜̗͓̦̞̠̰͔̕͜͟ͅ-̶̡̻̦̹̤̮͎̠̭͕̻̱̠̮̘̮̙͚͝ ̖̬̯̼͙̻̣̜̤̩̟̭̰̰̫͍̥̕͠͞l͎͖̙̩̠͉͚̟̻̩͇ͅơ̬͕̺̦̬͎͖̟̠͙͙͔͙͖͢ͅş̙̞͉̲̭͉t̡҉̶̡̮͉̩͇̟͉̯͈̣̯͕̱͙̫͔̤̫̫̥+̵̺̺̤͔̹͔̫͕̠̮͉̻̖̥͇͈͢ͅͅf̥̝̘̝̣̹̜͘͠͠ͅǫ̵͈̹̳̟̘͈͙̠̘̦̩̭̦̻̘̥͎̼̬͜u̶̴͖̻͈͙̩̝̞̟͚̖̫n̡̡̢̫̺̼̫̫͈̣̘̩̻͍̹̜͔͔̮͟ḑ̢̤͕͓̫̠̞͈̦͎̣͓̥͕̦̪̫̪
dr-xr-xr-x -- root --- root ---- [ERROR] ---- 0 ------- proc
drwx------ -- root --- root ----- [ERROR] ---- 4096 ---- root
drwxr-xr-x -- root --- root ----- [ERROR] ---- 2323 ---- spiritdata
dr-xr-xr-x -- root --- root ----- [ERROR] ---- 0 ------- sys_bbos
drwxrwxrwx -- root --- root ----- [ERROR] ---- 4096 ---- temp
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- aaa.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- ANameForAFile.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- WhateverYouWant.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- HelloThirdPeriod.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- MathematicsProgram.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- NumberSorter.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 1 ------- PleaseReadThisRilianeButOnlyIfYoureRiliane.txt
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 5 ------- SpiritDataChecker.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 2 ------- SpiritData_IsItScrambled_test.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 8 ------- SpiritDataCorruptionChecker.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 10 ------ SpidCheckerFinal.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 14 ------ spidunscramble.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 25 ------ spid_unscrambler.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 30 ------ spid_unscrambler_final.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 50 ------ spid_unscrambler_finalfinal.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 51 ------ spid_unscrambler_finalfinalFINAL.arcn
-rwxrwxrwx -- talos -- hazuki --- [ERROR] ---- 70 ------ c3BpZF91bnNjcmFtYmxlcg==.exe
ERROR: PERMISSION DCORRUPTION DETECTED
k͙͈͎̖̮ͅͅi̟̞̣̟̟̥̟L̘͓L̖̣̱̰̠e͖̘d͏͖̜͇̯ͅ K҉i̥̟ͅL̠̮̝͚͠L͕̝̟̼̲̕d ̤̰̻͚̺͙K̢̫̫̹͚ ̦̫̼k̵̠̼̝̥͍̞̙k̞͞k̸̬͇̩̰̹̩i͜i͚̪̖͙͝i͍̦͖̻͙͖̼͠i͙͓̪̻͍) ̰̟͘IL͍̱̟͇̟͓̜͝ ҉̩̹̻̙C̛̘̠̳̬̦͖̜O̝̭̤͓̤̲ͅRR̳͔̺͙U̱͎P̷̯̪T̟̯͇͍̥̯̱E̻̕D͎̺͚͘
̪̝̥͡C̜̺̺O̼̬̟̖̰R̯̣̹̲̲̘̤͠R͏͕̟̝͈R̺͕̯̱u̻̳̞̺͞ ̥̜͎̟̝̼k͔̻̲̺̗i͏l̨l͖̲͚̪ ̠͓͔̼̼͟C͠ỌR̷͙̞͈̱̝͇C̡̹̣̹͙̻̣͎̘̳̜̺͕̠̜̤͟͡Ơ̶̸̢̻̼͇̮͈R̶͎͕͍̝̜̫(҉̡̦̙̜̣̝͉̘̤͓̝͚k̛̩͙̺̟̲͔͠i̡̧̝̘̞̦͎̖̯̬͍͟l̴̝̹̲̟͕̤̺͖͢͞ļ̴̸̢͉̤͔͚͚̕ ͖̬͍̼͙̲̠̠͞͝s͍̮͓̝̻̰̭͟e̢̡͚͎̥̰̤̟̬̤̻̰g̶̸̡̞͉͔̭͉̬̤͎̝ͅͅͅm͎̙͍̣͇̠̤̙̲͕̫̥̕͞ȩ̣͈̼̯̝͘n̸͔̯̟̜͔̣͕̙̪̟̰̜̭͔̞̲̘͢ͅt̡͎̦̫̙̟̪̘̮͖̝̺̠̖̘̤͟͝a҉͈̝̳̩͍̙̬̭̹̺͈͍̳̜t̶͡͡҉͍͈̻̦̣̫̯͉̝͍į̶̤͓͓̥͍̫͈̳̙̘̟̬͎͟o҉̶̴̨̛̠̤̘͇̜̳͕̼͎͎ͅn̴̢̳̩̻̬̤̦͙̻͉̝̭̠̣̬̖̺͟͢ ̵̥̰̩̜̱̦̟̗̙̪͡ͅ(̙͖̙͖̙̻̣͇͔͓̹̱͇̙̭͖̯̖͜͞͞(̕͜҉̧͉̱̪͍̲̘͔̝̺̗͈(҉̵̛̦͈̣̦͕(̨̡̗̞̘̻̝͇̲̤̙͕̱̲͓̬̙͖̤̰͟͝͠(̴̤̗͉̗̬͕̰̮͠ç̶̧͏̠̱̮ͅo̵̴͇̣̲̬̺̤̫̖͎͠r͏͇̪͉̮̲̞̟̳̱̗ȩ̶̰̟͇̯̜̯̯̣̦̲̪͕͈͇̱̣͇͚͜ͅK͏̴̷̢̠̝͎͙̼͍͉̣̳͎̙̫̤̙̭ͅ ̸͏҉̷͈͕̺̱̞̱̖̻͉̘͙͔I̵͘͡͏̖͖̱̥̻̺̺̘͉L̴̦̺͇̲̣͕̤͇͈͎̯̩̕͢L̜̳̳͍̱̠̠͢͠D̸͏̗̙̗̼̭̻͕̠̖͓͚̖̪͉͈̙̦̬͎ư̡̪̦̖̻̼̠̺̣̺̻͍̻͉̰͖̘̻͞M̵̶̛̠̠͉̳͟P̲͉͕̫͢͢E̷͓̟̳̭̤͓̱̖̺̦̰͖̹̻̲͇͓̣̭͟D̶̗̞̲̙̭̲̹̟̹̜͈̘͇̹̪͖͓̻͇͝)͝҉͚̩̞̩͚̭͍̝̼̣̼͝ ̧͘҉̢̞̜͙̬̞̠̘F͏̶͖͙̖̥̙̥͈̟͟͜͠A҉͚͉͓̝̮͞U͎͍͓͖͙͈͚̙̗̘̠̝̞͈̰̬͞͡͞L̨̧̻͙͈͉̪̠̬͕͚͉̫̭͕̤͉̪̕͢T͜҉̭͇̻̪̯̤̮̠̞̰ ̷̶̢̩͚͙̺̝̻͍̳̘̹͔̪̣͕̠̼͘͟F̶̡̺̱̳̠̯͔̳̺̞̦̭͎͕̖̺̝̭̗͓͠ ̴͎̩͉̗̻͕͔͕͚͓A̶̶̢̱̲̙̺̙͍͈̝̹̥̹̳̮̬̻̗̜͢ͅU̧͚͓̼͎̘̠͇̖̬̬̤͇̖͚̟̗̝̜͞L̵̛̝̰͓̝̹͔̻͜T҉͏̡̠̠̥̬̤̠͇̙͇͈̦ ̗͖̭̤̩̯͘͠D̶̵̬̟͎̪͔̳̰͕̗̱̲̲̳͠ͅĘ҉̴̖̖̟̳̥̥̲̫̺̜̗̥̹̣̻ͅA̡̝̝̺̱̪D̞̠͍̞͇̻̪̪͈̼̤̹̻̳͎͜͠ͅ ͏͏̛͉̟͈̭͕̤͕̩̝̲̠̤͝Ķ̸̵͍̤̩̘I̠͓̤̖̗̯͙̩̜͚̥̦̝̠̗̯͉͖͜͡ͅL͖̟̘̱͘͜͠ͅL̶̨̢̬̬̼͚̕͘E̶̹͚̖͇̖̺̰͎͝͝D̟̞͎̭͍͎̰̼͟ ͡҉̢͉̥̞̭̝̟͙̗̖̹E̷̷͚̣̹̖̥͎̟͇̬͍͇̫͔̜̝͖͚̹͡R̨̩̞͙͖̕̕R̢҉̷͕̠̝̱̺͎̱̠̮̙̙̙̖̭̘̬͚̟͟ͅǪ̛̮͉͙̗̭̪̬̜̞̺̘Ŗ̨̥̰̹̦͕̜̘͍̠̱̙̫̟̤͕̺͡ͅ ̶̧҉̷̬̤̞̣͈͇̙̬̘E͍̬̻̤̼̮͓̼͔͉̞̗̦̣͠R̢̰̺̣͈̻̳̱̲̹̳̹͖̺̖̙ͅͅR̢̢̝̞͙̞R̸̨̤̠̯̭͕͙͈̱͟ͅR̴̴̻̰̳͈͖͓̯͓͇͘R҉̳̘̻̫̹̗ ̷̦̭̲̗̖̤͇̠̮͍͔̹̤̜̭͙Ǫ̢̜̲̗̭̰͠R̷͏̼̮̦̥͍͎̱͕͔͖ ̬̬̭͕̗̙̲͟R̢͔̩̠̟̤̼̲̫̺̠̜̠̼̖͕͟͟E̱͚͔͉͚̠͇̖͕̰̳͘͢͞ͅE̵̷̴͔͙̰̠͎̱͈͓̱̺̳̘̟͔͘ͅE̷̶͏̯͓͔͖E̸̢̨͉̤͕͇͢͢ ̵͈͉̳͈̮̣͉͘͡͝S̷̡̫̰͚͖̰̭̺̠͉̬͕̖̹͜͠͝S̷͍͍̲͇̠̙͓͔̞̣̘̦̺̪͇͎͎S̴͎̙̘͎̣̳̺̹̮͘͜ ̛̼̜̖̲̲͔̹͉͢E͟͏͎̱̝̞̘̗̲̭͉̙̦̦̱̠̕͟͡ͅG̻͇̲̗̤̮̝̞͉̥̬̣̪͕̗̰͚͍̩͟͝)̢͏̥̰̜͈̗͜(҉̶̢̠̗̪̣͎̭͘(͏̨̛̛̫͎̘̪̭̹̗͇̪̯̺̖̱͉͎̙̕)̴̳̺̘̝͈̭̘̭͙̩̙̗̺͍̳͉̣͍̤͞(̟̩̮̱̰̣̭͎̻̘͟
Killed.
>take mirror
You can't. It's embedded into the wall.
>break mirror
With what?
>take closet
It's also basically bolted to the wall. You can take the doors, if you want.
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several eggplants
Several tomatoes
Several onions
Several figs
Several dates
Several olives
Several chickpeas
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Nine pieces of bloodstained written-on paper
>take doors
They're also attached to the closet via their hinges. You're going to have to take them off with tools.
>fart
You fart. Hey, isn't it a bad idea to do that in such an enclosed space underground?
>hyperventilate
Boy, isn't it a good time for your claustrophobia to kick in!
>INHALE that flatulent goodness
Boy, isn't it an AWFUL time for your claustrophobia to kick in!!!
>go back to kitchen
You return to the KITCHEN.
>scratch large circle into mirror with glasses
>break glass outside circle with glasses with repeated tapping
>retrieve mostly intact circularish section of mirror
There is no mirror here.
>search for a large box
You find a WOODEN BOX, but it is ABSOLUTELY FULL of potatoes.
>eat beans
You eat several beans contemplatively. What to do?
Oh Levia, the beans are raw. It's a bit unpleasant to chew.
>take wooden box
You take the BOX and the BOX alone, and the potatoes SPILL FORTH in a glorious wave.
>rejoice in potatoes
>all hail potatoes
You laugh and laugh as you roll around the floor of the kitchen, surrounded by your potato brethren. You rejoice! For you are now home, amongst the tubers with their tiny little black eyes!
Potatoes! Potatoes! Potatoes!!!!
You think you might have lost it.
>look fire
You don't look very fire right now. You don't even look that hot. No matter what Eve says.
>take potatoes
>take all the potatoes
You get up, and take all the potatoes with you. You now have SEVERAL POTATOES.
>boil 'em mash 'em cook 'em inner' stew
Boil what?
>poe TAY toes~
Invalid command.
>become potato god
You cannot actually BECOME A GOD, but you settle for feeling like one instead.
And you do!
...
For all of five seconds.
>put all the vegetables you can in the box
The box ISN'T THAT BIG, but you can at least fit the CHICKPEAS, ONIONS, and EGGPLANTS in before the box is full.
>save
The thought of the humble POTATO, so simple yet so full of caloric content, fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>become a potato
>be one with the potatoes
You wish. If only you were a potato. Then at least you could sleep beneath the ground and forget about all your problems... at least before someone digs you up and eats you.
>sleep
You have work to do.
>SLEEP
You have work to do.
>x surroundings
You seem to be in a KITCHEN. On one side of the room is a large FIREPLACE, even larger than the one in your home. There are THREE TABLES here, all filled with clutter. There is a SHELF here, also filled with things. On the far side of the room, there is a DOOR.
>explode, if possible via potato induced shenanigans.
You take a potato and look at it. Examine its perfection.
You explode, but only emotionally.
Gods, you're crying again. Over a potato.
>become a door
You unfortunately cannot become a door. You were a-door-ed, sure, even if you didn't deserve it, but you cannot become a door.
>take the tables
COMMAND PROCES̪̖̝S̟̰̮I̢̱̙N̮͚G̗ ERROR: S̢̳ͅT̥͉̪ACK OV͍͖E̞̟͜R͍F̡͍̩LOW
WARNING: FURTHER ADDITIONS TO THE INVENTORY MAY CAUSE ITEM DATA CORRUPTION. CONTINUE?
>YES
You t͍̳͚a͓̖̱k͍̤͡e̤̙͔ ̲̜̖a̹̗ t̵a̼̜͡b͢l͢e̵̘̘, and everything on it clatters to the floor. Something feels w̷̤͕r̩̝ͅo͓̻n̰̪g҉̤
>become a table
How does one become a table? Getting on all fours and staying very still? Seems unpleasant.
>become a vege-table
>T-pose for about fifty-three seconds
>:3
You settle for outstretching your arms. T for table. Hah! That oughta do it! You smile satisfyingly.
Gods, what are you doing.
>think of your wife
No seriously, WHAT are you doing? For the past few hours or so you've been doing nothing except fooling around and stealing everything that isn't nailed to the floor! How are you supposed to save Eve this way?! Do you think she'd appreciate you rolling around with POTATOES while the system is collapsing around your ears, unable to escape unless you DO something about it? What kind of husband are you?
>contemplate the venomanias
You've never known much about them, aside from the notes you keep finding. For some reason, the bouquet you've found earlier comes to mind, and makes your chest ache.
>imagine the table is your wife
>talk to the table
You look at the t̸͍ͅa͠b̰̮͢l̠e͇̪ͅ you've just taken, and your stomach goes into f͏̞͓l̟͇͠i̵̹͎p̳͎̗-̝̰͞f̪̠͢lo̗̜̮p̣͚͞s̷̺̤. Somet̛̲̯h̦͍i͡n̛̰ͅg̣͜ is wrong, something you can't name, but you feel so t̴e̦̼ͅr̜r̯͎͞i̫͝ͅb̩̗͎l̡e̡̥̺ it all just turns and melts together. You talk to the t̞̣̕a͍͍b҉͙̲̣l̸̳̟ẹ͇, essentially talking to n̯̘͢ǫ͈͕ ̦̣͝o͔͓ͅn̼͕̫e, about how you're sorry you keep getting side-tracked, how all you seem to do now is follow the c̰o͏͖m̠̦͠p̗̰̙u̷l̶̩͉s҉̣io͔̣͓n͠s̲͡ͅ that burst into your head, no matter how s̬̼ͅt̲̭̞r̮̹̫a̝̻ͅng͖̹e̱̹̯ and counter-productive they are. You're tired, and exhausted, and despite everything, you've never stopped being you, have you?
>am I still the best scientist in the country?
>think of your children
You've realized a long time ago that there's no point in being the best scientist if you can't even be a decent friend. You're utterly disgusted with yourself. You really are useless, aren't you? An awful, useless failure of a man who can't do anything right, as your children have taunted you to a backdrop of the Clocktower's ticking. That's who you are, despite everything.
If it feels true, it must be true, right?
>cuddle the table
The t͏̙̩a̼͚̦b̪̼̲l̳͔e̩̱͜ seems f̕uzzy around the edges, but you can't help it. Desperate to cling to something, you gr̜̬͢i̕p̧͓̦ ͏̙th̡̺͕e̴̜̤ ̮͈͖t̜̝̘ab͚̯ͅl̜̫͟e̜͕̮,̞̻ ̩̝͜a͓̦̰n̙̝ͅd.̧̖̼.̮͔.
BAD END.
RESTART FROM SAVEPOINT? Y/N
Chapter 35: 12/30/19
Notes:
Happy New Year, everyone.
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the KITCHEN of a luxurious manor. It is the middle of the night.
>look around
You seem to be in a KITCHEN. On one side of the room is a large FIREPLACE, even larger than the one in your home. There are THREE TABLES here, all filled with clutter. There is a SHELF here, also filled with things. On the far side of the room, there is a DOOR.
>inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatos
Nine pieces of bloodstained written-on paper
>exit door
You leave the KITCHEN.
>enter kitchen
You then... enter the KITCHEN again. Indecisive much?
>check under tables
You check under the tables, but all you find are MORE DUST BUNNIES.
Hey! This is a kitchen! That's UNSANITARY.
You recoil in disgust.
>cough
You cough, trying to clear your lungs of all the dust in the air.
>exit kitchen
You leave the KITCHEN. You are still in the BASEMENT.
>x basement
The BASEMENT seems like a dark and dreary place, with walls of stone and no windows to be seen anywhere. It would be in total darkness if it weren't for the lanterns on the walls.
You seem to be in a rather wide hallway. F̳̰̥r̮̜̹o̝̲m͎̯͚ ̼̗̞w͈̼̩h͕̮͞a͉̪̼t̵̥̤ ̻̰̻yǫ̘ͅu͈̙ ͔̙c͉͈̟a̫̻̩n̷̞ͅ s͡e͈͚͡e͕̯̹,͍͇̼ there are three doors to the left (two you know lead to the KITCHEN and a COSTUME ROOM), and three doors to the right (which you know lead to MADAME GLASSRED'S ROOM, a FLORIST'S ROOM, and a TAILOR'S ROOM). And, at the very end of the hallway... there is another door, the light just a bit too dim to see it properly from here.
>any rooms you haven't examined properly yet?
There is, of course, the MYSTERIOUS PURPLE-CHAINED DOOR at the end of the hallway. There is also the MAGICALLY-LOCKED DOOR to your right, on the same side as the KITCHEN.
>knock politely on magically locked door on your right
Like a gentleman, you knock politely on the door.
It remains shut, indifferent to your politeness.
>save
The sight of the complex MAGIMECHANICAL LOCK fills you with DETERMINATION.
You SAVE. You're not sure what that means, but you SAVE.
>go upstairs
You ASCEND the stairway and end up at the ENTRANCE HALL.
>look around
You look around. There is a massive GRAND STAIRCASE in front of you, leading to what you presume is the SECOND FLOOR. There is a place where the stairs plateau, and you see what seems to be an ORNATE THRONE. There are TWO DOORS on each side of the staircase, the left one leading to the BASEMENT and the right one leading to the GALLERY. There are also HALLWAYS leading LEFT and RIGHT, one to what you think is a DINING ROOM and another to what you think is a DRAWING ROOM.
>recall if you saw any coffee in the kitchen
Soups and stews and vegetables and meats, all mid-chop and mid-stir, but not a single.
Pot.
Of black coffee.
Isn't it nostalgic? It's just like the forest again!
>examine large jar of unknown contents
It's an opaque jar. You shake it, and it makes a rattling sound, like there are tiny pebbles inside.
>save
The jar of the unknown fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>open jar
It takes you an embarrassingly long time to open the jar. If Eve were here, you lament to yourself, she would've had the jar open in less than five seconds. No matter how tight the lid was screwed on. Almost like magic. Why else was she the best mage in all of Levianta?
The jar finally opens after much sweat and effort. You peek inside, and the sweetest smell hits your nostrils as you realize what's within.
COFFEE BEANS!
>eat the beans
You pop a few beans in your mouth, and you can practically feel the caffeine coursing through your bloodstream. What a rare treat. In college, all you had were packets of instant coffee, which you would sometimes just consume without bothering to add water first. Your study habits back then were that intense.
The real thing is a hundred times better, though. Definitely.
You make a face as the bitterness suddenly hits you. You definitely wish they were much sweeter. Perhaps if they were coated in chocolate...
>fuck it time to make a proper cup
>go back downstairs and enter kitchen
You DESCEND back into the basement, mostly to find something to get the taste of ROAST COFFEE out of your mouth. It's a lot more bitter than you remember, but you feel a lot more perky now!
Are you seeing double?
No, it's fine. It's probably fine.
You’re fine.
You enter the KITCHEN.
>locate coffe grinder
You stand in the middle of the kitchen, realizing that you've never learned how to make real coffee. From the beans. Not from instant powder packets.
What's a coffee grinder?
>sit on ornate throne
>eat beans while sitting on ornate throne
There is no ORNATE THRONE here.
>become the Ornate Throne itself
You can't do that.
>take the beans and bake a coffee bean cake
You've made some weird culinary creations in your day, but this one takes the... CAKE.
You immediately stop feeling smug when you realize you have no idea how to make a cake in all this clutter.
>find a pot
There are many pots around, but none are empty.
>fill pot with water
There's one filled with what seems to be a MEAT STOCK. Will this one do?
>boil water
You'd need to restart the fire.
>yeet some beans into the water
You throw some coffee beans into the MEAT STOCK and watch them sink.
You've heard of a nutritious all-in-one drink but this is just ridiculous.
>any empty kettle?
There's a kettle full of cold coffee, but nothing else.
....
Wait.
>Empty meat stock kettle
>In the sink
>And fill it with water
You toss your abomination of a beverage (???) into the drain. Your heart sinks at wasting so much broth but sorry! Not worth it! Nothing is worth caffeinated liquid meat!
Unfortunately, this place has NO RUNNING WATER.
>Scream
You scream in despair at all the wasted food.
>save
The sight of soaked coffee beans in the drain fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>lament the loss of your matches
What are you talking about? You still have A BOX OF MATCHES.
>examine fire
There's a FIREPLACE, but there's no FIRE to examine. Yet.
>Take the cold coffee pot
You take the coffeepot, grumbling. Well THAT was a waste of time.
>chug the cold coffee right from the kettle
>eat the jar's worth of beans
>all of it
DETERMINED to get your energy back, you chug all the coffee in the kettle, retching at the bitter taste but pressing on until it's empty. By the time you're done, your heart is racing.
But no, it's not enough. You need MORE ENERGY.
You eat coffee beans by the fistful, feeling your heart pumping in your ears and your hands beginning to shake. You don't make it halfway through the jar before you fall dead of CAFFEINE OVERDOSE.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the KITCHEN of a luxurious manor. It is the middle of the night.
>sniff cold coffee pot
You grumble as you take the COFFEEPOT. Well THAT was a waste of time...
You sniff the contents. It smells of coffee, but there's more to it too. Are those spices? Well of course, it's Asmodean coffee.
>examine heating mechanism: can you fiddle with it?
There is no heating mechanism. It's just a pot. Kettle. Whatever.
>examine heating mechanism in the kitchen
>how does the kitchen cook things
There is a LARGE FIREPLACE at the side of the kitchen, connected to a chimney you know would go straight up out of the basement.
It's larger than the one you had in your cottage.
>Recall your mother's fire magic and see if she passed any to you
You d̩͟o̘̬̪n͓̠̙'̱̫͢t̘̝̱ ̤̬̹d̨o̸͈̪ ̥ma̴̜̙g͍̮i̢̯̠c̩͟.̗̻.̨.̴̟̻ or D̠̼ͅO̫͔̫ ̧̯̲y͝o̰̰͚u.̸̞͚.̸̙̩.͓̮̼?
You are suddenly struck with doubt. As well as a sudden headache.
>and then light a match just to glare at it
At least you always have the magic of friction on your side. You light a match, and stare at the small flame.
What can you see in it? Visions of happier times? Of sunlit summer days and lazy afternoons with Eve? Of freezing nights, so close to the solstice, where you rubbed and blew on her hands to keep her warm when her magic gave out?
The fire burns down to your fingers and the pain makes you shout and drop the match, a burnt and blackened twig. You stare at that too.
...
You have work to do.
>see if you can open the fireplace
It's already open to you. You can walk right in.
>light another match and imagine more happy stuff
Your fingertips are beginning to blister from your carelessness. You sorely want to, but you have work to do.
>save
The memory of your winter solstices fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>enter fireplace
You walk into the fireplace. Forget being big enough to fit Eve, this fireplace is big enough to fit YOU.
>look up
You look up. Hard to see much in the dark, but you know the walls are probably covered in soot.
>climb up
You try to ASCEND, bracing yourself against the walls, and you make a decent way up before you eventually hit a GRATE.
Oh. That's not grate.
>enter pantry
You give up on your CHIMNEYQUEST and enter the LARDER.
>take ladder
You take the LADDER, one of the few things left in this room.
Or was it a stepladder?
No. No distractions.
>examine grate
There is no grate here.
>exit pantry
You leave the PANTRY and re-enter the KITCHEN.
>climb up chimney with ladder
You try to fit the ladder up the chimney but it just hits the grate before you can get all of it in.
>Light fireplace with matches(?)
Well, this should be simple, should it? You pull the ladder out and kneel, lighting a match, when you realize...
There's barely anything in the firepit. Nothing but cold ashes.
>climb up chimney
>examine grate
You look at the GRATE one more time. It doesn't look like you can open it.
>Grate cheese
You apply a HARD CHEESE to the grate. It gets sooty and inedible, but the grate doesn't open.
Stop wasting food!!!
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
A kettle of cold coffee
A jar of coffee beans
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatos
Nine pieces of bloodstained written-on paper
>apply ax to grate
You swing your AX up into the grate. It collides with a CLANG and your hands STING, but the grate does not open.
Do you have any more productive uses for your time?
>stick ax in gaps of grate and see if you can pry it open
You cradle your poor ax as you realize that it's a pointless exercise. The bars of the grate are thicker than your finger.
>look for kitchen tools
The last time you checked, this was a kitchen, not a hardware store.
>Be at the kitchen
>Why are you trying to make food at the hardware store
You think the caffeine is starting to get to you.
>grate some tomatoes
Unfortunately, you do not have a GRATER, but there's one on the table.
>see if you can fit any small items on top of the grate through the gaps
You manage to fit in a small tomato through the bars and balance it precariously on top of the grate.
For some reason, you feel inordinately proud of yourself for doing that.
>grate tomatoes with the chimney grate
>pick grater and grate tomatoes
>Nonsense there's a grate right there
Between the two, you pick the CHIMNEY GRATE and crush the tomatoes against the metal bars. Tomato juice drips down your arm and onto your face.
Between the cheese and tomato, are you trying to make an entire Beelzenian meal on this obstructive hunk of metal?!
>Ceiling grate: turn into a grater like an innocuous double in Problem Sleuth
Unfortunately, you cannot be the GRATE. You're not even a GRATE PERSON, to tell the truth.
>Obstructive hunk??
>I'm in
>Start flirting
>"Hey... you come here often?"
>see if you can throw tomato up the chimney through the grate
You immediately begin to FLIRT with the grate, as if you can impress it with your natural charm (Hah! You wish!) to somehow convince it to get out of the way. You even throw up a tomato, for extra coolness points.
The tomato comes down and pelts you on the head.
Smooth going, genius.
>have an existential crisis
>get back to kitchen
What are you doing?
No, seriously, WHAT are you doing? You brush the tomato out of your hair and exit the fireplace, disheartened.
Your goals are right there, within sight, and yet you're wasting time on a FIREPLACE GRATE? What kind of husband are you?! What would Eve even think of you now?!
You have work to do. You have to get back to it.
>Resolve to try harder for the new year
How many years have even passed? How many years has it been since you last saw her smile? You start to shake, and you doubt it has anything to do with the caffeine.
Years, decades, centuries...
Your head h̝̘͔ụ̮̘r̸͕͙ț̫̠s̴̹̝.̥
You have to try h̟̦͠a̷̺̭r͟d͎̘̺e͉̦̺r̵.҉͉̺͇
You have to do BETTER.
It's the LEAST she deserves.
>climb down and dust yourself off
You're already down from the fireplace, but you try to clean yourself off as best as you can. It's difficult, with soot and ash and tomato juice being added to the myriad of stains on your outfit.
>look at picture
Which one?
>the one you drew
You look at the SKETCH OF YOU AND EVE, being careful not to dirty it with your hands.
You had made a promise.
You have work to do.
>drink the coffee cold
You sip the COFFEE, not caring how cold and bitter it is, feeling that familiar buzz as you get ready to tackle the mansion head on.
>save
The taste of cold coffee fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Chapter 36: 2/15/20
Notes:
Hey guys! How are y'all? Still doing alright? Everyone who's not dead, sound off. HAHAHA.
Anyway...
Happy 14th anniversary, Kaito! I'm sorry that this was all I could do for you this year, given the time I had... :ccc
I hope you'll appreciate it either way, ya amazing big dumb blue synthesizer~
Chapter Text
>inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A nearly-repaired chessboard tapestry
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatos
Nine pieces of bloodstained written-on paper
>save
You stare into the coffee. Something about it... those dark mysterious liquid depths... makes you s̸̳h͞u͕dd̛̹ͅer.
That’s right…
Never again.
You are filled with DETERMINATION.
You SAVE. You're not sure what that means, but you SAVE.
>do a handstand
>wonder how the hell you can carry all the thing in your inventory
>are you just really ripped? Dareisay shredded?
>fall into the coffee
You try to take your mind off of your history with coffee and contemplate how much you've actually picked up. How is that p͕̮o̙s͖̫̥s̙͓͜i̞͈̕b͏̹ͅlḛ̜͖? Where are you k͓͜ee̖̻̻p͘i̲̱̕n̜̥ͅg̭̦͓ ̤̪̙ḭͅt̢̯ ̪̻̝a͎̻̗ll̢̖̝?̴̠͉
You decide to perform a HANDSTAND so you have more blood reaching your brain in order to contemplate this problem. You do not know if that is biologically accurate. You are a chemist, not a biologist. You do not care.
You unfortunately forget to put the coffee down first and end up spilling it all over the floor.
You know enough about physics and mathematics to realize that a wet floor + a handstand = no friction, and that no friction = BAD.
Sure enough, you slip, break your neck, and die.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the KITCHEN of a luxurious mansion. It is the middle of the night.
>throw the coffe at the wall
You are filled with extreme DISGUST AT YOURSELF and hurl the coffee pot at the wall. It falls to the floor with a clank, coffee spilling everywhere and splattering all over the wall.
Never again.
>lick the coffee off the wall
>be one with the coffee on the wall
You suddenly realize how much CAFFEINE you've wasted in your utter disgust over your past mistakes and, in a panic, rush to the wall and try to lick whatever coffee's spilled there.
It tastes like coffee, dust, and regret.
>cry
You cry at how low you've sunk, cursing the infinite stupidity of Past You.
>eat some cheese from the inventory
You decide to try and break your habit of ENDLESS SELF-FLAGELLATION and decide to have a little cheese. Just a little. As a treat.
It tastes nice.
>recall your objectives
Alright, alright. You've had some protein, time to get your head together.
Your overall objectives? Find the demon. Touch it with the blade of your new ax. Retrieve the piece of Eve's soul.
>examine tapestry fragment
You look at the NEARLY-REPAIRED CHESSBOARD TAPESTRY. You see the same pattern of chess pieces that you saw in the CHILDREN'S PLAYROOM tapestry, along with some evidence of more wax crayon scribbles.
It's much too large to see the whole pattern at once, however.
>go to playroom
You leave the KITCHEN, then go up two flights of stairs to reach the CHILDREN'S PLAYROOM.
You're a bit ashamed to admit that you're panting a little by the time you get there.
>fuck it time to get fit
>do 20 squats
You did you get THIS out of shape so quickly?
You then remember you spent a good amount of time cooped up in a clocktower feeling sorry for yourself. Not doing much physical activity. After sacrificing your heart. While also being dead-but-not-really.
Oh.
You try to perform twenty squats. Your legs ache from the effort. You give up after three.
>do 100 sit ups
>100 push ups
>100 km run
You try to do sit-ups, but all you can do is sit up the regular way, feeling frustrated.
Push-ups... you remember that you couldn't even do those even back when you WEREN'T a dead-yet-not-dead abomination.
There's nowhere to run. Unless you feel like tripping on a ball and cracking your skull open.
>then consume all the eggs
>and then become the strongest man in the world
>If you eat egg your head becomes egg
>Everyone knows this
Out of sheer frustration, you decide that you NEED MORE PROTEIN.
You then decide to eat ALL THE EGGS YOU HAVE. All at once. Even the shells.
You end up choking on them and dying.
At least no one's around to see you with egg on your face. That would’ve been even more degg-rading.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the KITCHEN of a luxurious mansion. It is the middle of the night.
>look at tapestry and think of what it reminds you of
You look at the NEARLY-REPAIRED CHESSBOARD TAPESTRY. It reminds you...
Of a chessboard.
Brilliant deduction, Detective Moonlit.
>remember tapestry, go to playroom
>once you're in the playroom, save
You leave the KITCHEN, then run up two flights of stairs to reach the PLAYROOM. Yeah! That's right! You're tackling this problem head on!
Your racing heart fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>hold tapestry fragment up to tapestry on the wall
You hold up the NEARLY-REPAIRED CHESSBOARD TAPESTRY to the TAPESTRY FRAGMENT on the wall. Yes… yes! It lines up perfectly!
However, you can't hold it up for very long. Eventually, your arms tire and you are forced to put your arms down.
>lament your noodle arms
How have you gotten so out of shape?! Back in the forest, you could chop wood for hours!
Sure, it might have been for only two or three hours at most-- but that's still more than one hour!
Death and sacrifice really does change you. At least by taking away your acquired muscle mass.
You grumble, uselessly.
>bluh just sew the tapestry together
>save
With a NEEDLE and a SPOOL OF THREAD, you take the NEARLY-REPAIRED TAPESTRY and sew it back onto the remaining piece left on wall, repairing the tapestry AT LAST.
The achievement fills you with DETERMINATION. You SAVE. You’re not sure what that means, but you SAVE.
>sleep
As you look at the tapestry, you realize you have more work to do. Much to do, before you sleep. So not yet.
Not yet.
>hell yeah!!!
You punch the air in triumph. You've done it! You've accomplished something!
>examine tapestry
It looks like a chess board, with pictures of chess pieces on each of the squares. The pieces, however, instead of pointing uniformly up, seem to cycle between pointing up, right, down, and left, and back up again. You notice that all over the tapestry, someone has encircled certain pieces in the same colored wax crayon as you've seen on the MAP OF EVILLIOUS. On the lower right corner square, you see that they, whoever they are, have also drawn an ARROW POINTING TO THE LEFT. Interesting.
>mind: elevator music
As you mull it over, you suddenly find yourself remembering the tiny jingle that used to play in the elevators of the Institute. You always ignored it, maybe even grew annoyed by it on bad days, but Eve hummed along to it, every time.
You miss her.
>save
The memory fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>get yourself a date
You're married.
>look around
The room is filled with OLD TOYS. There's a BROKEN ROCKING HORSE in one corner, from you sitting on it earlier. There is a KNOCKED-OVER TABLE here, from your disastrous playtime. There is a CHEST here. There are JACKS and RUBBER BALLS and WOODEN BUILDING BLOCKS and CHESS PIECES scattered around the floor, and you have to watch your step. On one wall is an OLD MAP OF EVILLIOUS. On the other is the CHESSBOARD TAPESTRY you repaired, strangely-marked by crayon.
>did you figure out what was in that pitch-black room?
It seemed to be some kind of BALLROOM. A very strange BALLROOM. It creeps you out, just a bit.
>a Fruit
Invalid command.
>x old map
You look at the map. It covers the BOLGIANO CONTINENT as well as MARLON. You trace your hand over Held's Forest.
Someone has scribbled on it in wax crayon, somewhere in the Asmodean region. A small arrow points to a certain spot on the map, and you can barely read the letters written in a shaky, childish hand: I AM HERE
Aw, cute.
>get yourself a date fruit!!!!
You then remember that you picked up a few DATES a while back. The fruit kind, of course. You pop one into your mouth, welcoming the sweetness.
You should really eat sweet things more often, instead of all the junk you constantly shove into your mouth.
>sniff tapestry
>don't sniff tapestry
>waft tapestry
>like in the lab
You almost sniff the tapestry when you catch yourself and berate yourself for your IMPROPER LAB SAFETY PROCEDURE. How silly of you. A true scientist always wafts the scent towards themselves!
You proceed to WAFT the scent of the tapestry. All you smell is the scent of DUST and OLD FABRIC. Maybe the slightest hint of WAX, from the crayon markings. Wow, how hard did that person press the crayon against the tapestry?
>examine pieces on chesboard
You examine the tapestry pattern. Like a real chessboard, it is an EIGHT BY EIGHT SQUARE GRID. Unlike a real chessboard, it is COMPLETELY FILLED with chess pieces.
You've noticed that the chess pieces IN EVERY ROW always follow a pattern as you look FROM LEFT TO RIGHT: the chess piece points UP, then it points RIGHT, then it points DOWN, then it points LEFT, then the cycle repeats again with the pieces pointing UP, RIGHT, DOWN, LEFT, and the row ends.
You notice that certain squares are ENCIRCLED WITH CRAYON.
On the lower right-most corner square, the piece is obscured by an arrow pointing to the LEFT.
>up up down down left right left right up down b a start
Invalid command.
>if A1 is the bottom left square, what squares are encircled and what direction is the piece pointing?
Depends... does A correspond to a row or a column?
>A corresponds to a column
You lay your hand on the tapestry. If A1 is the lower left square, then the encircled squares are E2 (up), B5 (right), H8 (left), A1 (up), F6 (right), D7 (left), B3 (right), E4 (up), H5 (left), E5 (up), G7 (down), and E8 (up).
>examine your map, is there anything on the flip side
Nothing, as you haven't written anything on the back.
>ok copy down the chessboard squares and directions on the backside
You make a quick copy of the TAPESTRY on the BACK OF YOUR MAP, only writing down the CIRCLED PIECES as well as the BOTTOM RIGHT ARROW. You note that it's WHITE, same as a regular chessboard.
>save
The potential hidden meaning of this tapestry fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>look around
The room is filled with OLD TOYS. There's a BROKEN ROCKING HORSE in one corner, from you sitting on it earlier. There is a KNOCKED-OVER TABLE here, from your disastrous playtime. There is a CHEST here. There are JACKS and RUBBER BALLS and WOODEN BUILDING BLOCKS and CHESS PIECES scattered around the floor, and you have to watch your step. On one wall is an OLD MAP OF EVILLIOUS. On the other is the CHESSBOARD TAPESTRY you repaired, strangely-marked by crayon.
>examine chess pieces
You examine the chess pieces... the real ones, not the ones on the tapestry. They're exquisitely carved, yet look worn from constant use. You almost feel bad for knocking them all to the floor. You never got to play with pieces this nice.
>eat another date. As a treat
>save
You pop another date into your mouth, treating yourself for getting something done. It's been a while since you had anything sweet. Levia, it's been a while since you had anything edible. You can't resist the temptation to eat another date. You've always had a bit of a sweet tooth.
For some reason, you feel guilty about that. Enjoying yourself like this, when there's still work to be done. When your beloved still has to be saved. But you've accomplished something, and you have an idea about where to go next, so isn't that deserving of a reward, even just a tiny one?
Two dates. Two seemingly ordinary dates out of very many, but to you, they are reminders of your progress. Of how much you've done. Of how far you've come. And for some reason, that makes them feel special.
One step at a time, right?
The sweetness of the dates fill you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
Chapter 37: 2/29/20
Notes:
The session you're about to read originally wasn't going to happen, but I realized that this may be the one and only time I'll get to run a session on a Leap Day, so I jumped at the chance, hahaha.
AATA is three years old today... geez, that's so wild...
Once again, thank you, to all those who are still here. Wherever you are, I hope you're safe and healthy and maintaining a social distance of 1 meter (or 3 feet) away from others and washing your hands as regularly as you can, especially in scary times like these.
Chapter Text
>inventory
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatoes
Nine pieces of bloodstained written-on paper
>eat axe
You’ve just bitten the ax blade, when-
CONTACT MADE!
RUNNING PRELIMINARY SCAN...
ONLY ONE SIGNATURE DETECTED. NO UNSCRAMBLING NECESSARY.
EXITING...
You feel a weird tingling sensation racing up your spine. Distracted, the ax drops from your mouth... and right onto your foot.
All questions are forgotten as you spend the next few seconds hopping around on one leg while shouting various expletives.
Expletives. In a children's playroom.
For shame.
>Just,,,use the matches and burn the house down
You decide to practice self-care and LET GO YOUR CHILDHOOD TRAUMA in a completely appropriate and healthy fashion by BURNING THE SYMBOL of the trauma. In this case… the CHESS PIECES.
Wait.
Hang on-
The next thing you know you're sitting in front of a bonfire of BURNING CHILDREN'S TOYS while wondering what on earth POSSESSED you to do so in a room with no windows and even LESS ventilation.
The smoke claims you quickly.
Consider an actual therapist next time, won't you?
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the CHILDREN'S PLAYROOM of a luxurious mansion. It is the middle of the night.
>scream as a means of therapy
Whether in celebration, despair, fear, or complete utter frustration, there's nothing more cathartic than SCREAMING YOUR FUCKING LUNGS OUT.
So you then proceed to scream your fucking lungs out.
Helddamn, that feels good.
Your throat probably hates you now though.
>drop your entire inventory on the floor
You drop ALMOST EVERYTHING YOU HAVE, and it surprises even you when the room COMPLETELY FILLS with clutter.
H̭̦̳o̲̮w̱͕̭ ̝̟͝i̖n͘ ̩͈̹t̨̮̺h͇̪͝e̳̭͠ ̭̺̬wor̺̹̬l͓͡d͕̲̲ did you carry a̭͎̺l͏̲ͅl̞̺̰ of this???
You hesitate after putting down your ax, not sure if you want to drop your sketch or not.
>drink lamp oil
You do not have that item. You dropped it, remember?
It should be SOMEWHERE in this room...
>pick up everything on the floor
>Pick up the songbook, the lamp, the mask, the ragdoll, and all the notes
You sigh, and proceed to pick up everything on the floor. Aside from all the items you had previously dropped, you now have JACKS, RUBBER BALLS, WOODEN BUILDING BLOCKS, CHESS PIECES, A TABLE, A CHEST, and an BROKEN OLD ROCKING HORSE.
You're getting distinct flashbacks to clean-up time at the orphanage.
The floor is now completely bare. It feels a bit unsettling.
>wear floral headpiece
>can't fight demons if you aint cute!
You put the headpiece back on your head, where it belongs. Once more, you become the KNIGHT of FLOWERS.
>drop jacks and rubber balls
You drop the JACKS and RUBBER BALLS. The balls themselves bounce all around the room with such SPEED and VIGOR you can't help but smile at their momentum and trajectories. Memories...
>immediately pick jacks up again
COMMAND PRO̱͝ͅC̵̥̫E̦͚̲S̝̼͈ING E̞̺̯R̳R̖̻O̱̻R̫̗̕: STA̭̠͇C̷͈̥K̭̭͟ ͏̭̯O҉͙͓̤V̴E̪̙̹R̥F̦͖͍Ḻ͡OW
WARNING: FURTHER ADDITIONS TO THE INVENTORY MAY CAUSE ITEM DATA CORRUPTION. CONTINUE?
>ride wooden rocking horse
INVALID OPTION.
>be the knight
INVALID OPTION.
>save
INVALID OPTION.
>put mansion in your inventory
INVALID OPTION.
>do not save
INVALID OPTION.
WARNING: FURTHER ADDITIONS TO THE INVENTORY MAY CAUSE ITEM DATA CORRUPTION. CONTINUE?
>YES
You take the J̥̣̩A̯̬̞C̶̳͔K̯̥͝S̶̩.
>Maybe get rid of the shoehorns first?
You D̺̰̘R̹̯͉O͈̠̺P̟̩͞ the shoehorns... and the next thing you know you're barefoot, and your shoes are in the other corner of the room.
Huh...
>inventory
Y͘͢͡Ơ͟͟Ư͏̲ ͝ͅH̸͜͝A̶̴͙V̕͜Ȩ̷̙E̵̶͏E̸̴͝҉̝̺͔E̢̨͜Ȩ͢E͏͘Ȩ̵͠E̛͠͠:̷̢͟
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A̖̬ͅ ̹̼͢p͡a̗̠̯i̱̙͘r̮͉̙ ̹̰͠o͏f ̫̘̣s͇̦̭ci͈̜̹s̢̖̮s̺̙͎o͎̙ͅr̝̟͟s̷̪
͓͉͜ ̪̮̕ ̨͖̦ ̕ ͎̤̝ ͚̝ ̮͔̪ ̺ ͙̞͠ ̸̩̻ ̨͔̲ ̥̬ ͏̗̫ ̝ ̦̪̪A̟̞͡ ̶̪̦b̼͍͍o͔̘̕x̙ of matches
A ca҉nister of lamp oil
A linen cape you made yourself
̖͎͢A̵̮͈ ̵l͠i̴̮̠n͔͡e̬̗̲0̛͚̖1̢̘̟1̢̫0̺1̮̰̣1͇̜1̻̫̙0̲͚͠ ̖̪͖0̨͍̘0͇͚͔1̸̬͓0̱͓͡0̘̟̭0͙̙̪0̫̥͎0̗̻ ̬̳̱0͉͖͚1̥͎͢10̧̖̩1̙̮͕0͙̤̪0̺̮͘0̟ ̨͉̳0̸̭͙1̜̫1̹̝0̯̯̞1̡̙̦1̶1̗̜̘1 ̩̦̼0̵1̴̲̞1҉͈͇̠0̖1̷̦̠1̨̗1̫̰͢1̝͕̗ ̫0̪̳1͉͎1̶̺͈0͈0̨͍̜1̦̳͙0̭̥0̛̪̜ ͠00100000 01111001 011҉01111 011101҉01 00100000 01101101 01100001 01100100 01100101 0010҉0000 01111001 01101111 01110101 01110010 01110011 01100101 01101100 ҉0҉1100110
̥̤͍ ̛̺̤ ̻͡ ̶̹̗ ̸͖̻ ̫̜̥ ̶̻̭ ̴̫ ̨ ̙̤͡ ͏̰̥ ̘͖̕ ̮͍̳A͈̘ͅ ̹͙̻r̶̝͔ụ̧̲i͏͈̘n̜̕ͅe͔̞͟d̤ ̻͠ͅl͈͚̕in͇̳̕e̳n̡̤̳ ̟̼͎m̥̳͘a̙͉̭s̱̥̻ḵ̙̙
̼̗ ̗ ̦̖̕ ͈ ͍̺̲ ̱̳̗ ̛̬̤ ͇ ̧̟͈ ̖͍̹ ͈̼̩ ̧͚̭ ̠͡ ̙A̜͇̕ ̴̥̺L̫̹̭u̢͓͙c̩̺̕i̛͉̭f̴̳e͏̳̜n͔̝̩i̱͖a̘͞n A pincushion
҉ A pair of scissors
A box of matches
A canister of lamp oil
A linen c҉ape you made yourself
A̩̟̕ ̣̣͕l̖̪̦i̛̪͖n͝e͕͖̺n̸̳̩0̜̘͓0̝̩͟1̜̯̜0̳̤͜0̲͙̝0̨̠̫0̱̱0̵ ̲̩͝0̶1̗͙̠1̴0̙̬̦1̼̭͢0̩̘̙0̰̘͙0̝̟͜ ̭̩͉0̨̞̱1̩̳͢1͚͓͡0̠̭̗1̹̹1̨1̜1̴̘ͅ ͎͉͉0͉̪͟1̕1̰̭͈0͓͖̹1̦̮̺1͚̞1͍̮͝1̰̭̦ ҉̣̺̱0̲̼ͅ1100100 00100000 0111100҉1 01101111 01110101҉ 01100111 00100000 011011҉11 01100110 00100000 01100001 001҉00000 01010110 01100101 011011҉10 01101111 01101101 01100001 01101110 01101001 01100001 00100000 011҉01110҉ 01101111 01100010 01101100 01100҉101 00001010 00100000 00100000 00100000 0
0100000 00100000 00100000 00100000 ҉00100000 00100000 00100҉000 00100000 00100000 00100000 00100000 01000001 00100000 01110111 01101001 01110100 01101000 011001҉01 01110010 01100101 01100100 00100000 01100010 01101111 011101҉01 01110001uet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incompucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A l҉̰̖ͅḭ͞t̩͔͔ ̥̭̠o̗̥̬i͈̠̖l ̨͓ͅl̩͈̺a̟̖m͇̗͈p̰̞͓
̺͜ ̻̯ͅ ͚̭ ̶͍ͅ ͚̳̞ ̛͕͈ ̵͕̱ ̼̮ ̴͖͙ ̕ ͠ ̘͍̹ ̵ͅ ͔̗̯A̙͓͡ ̜͙̘t̹̝̩h̢͇̹i̕m̙̤͍b͙͉̮l͇̥̗e̖͍̥
͚͙̟ ̦̯ͅ ̷̞̦ ͝ ̥͓͓ ̳̕ ҉̺̗̟ ͔̠ ͍̣̮ ̵̭̬ ͉̫̣ ̝̬͍ ̲͚ ̵̬̩A̭̤̩ ̴̹c̢̺̱o͔l͈̘̳d̜͙͓ ̸̩͙0͙̞̬11҉00011 01101111 01101101 01110000 01110010 01100101 01110011 01110011
A ҉small jar of yeast
A҉̲̯ ̛̮͎l͚͚̬e̩͇̗n̫̙͝g̲͓̕t͇̘͞h ̯̬̤o҉̫f̺͜ ͈͕͠m͙̜͡e̷̲̗a͉͇̝s͉̲u҉̹r̫̱̣i̡̝̱n̳̻͔g̟̗ͅ ͚͠t̗̘a̼̠͢p̤̻ͅe͞
̡ ̯͘ͅ ̢͈̮ ҉ ̗͚͞ ̕ ̰͚̕ ͏̹̗ ̯̩ ̧̯͕ ̭̻ͅ ͉̣ ̻̗̗ ̨̦̜ ̦̥̲A͠ ̛͔̞b͎͕͈ơx̡̼̭ ̭̯f͓͚̤u͇͓ͅḽ̘̣l̸̝̘ ҉͉̭o̘͚̺f̥̣̥ ̷̹͕c͚͈ẖ̳̣i̧͍̫ck̷͍̘peas, onions, and eggplants
A broken rocking horse
҉ Several pens
҉Severalncushions full of pins and needles
Several sacks of rice
Several sack of flour
Several cheeses
Se01110110 01100101 01110010 01100001 01101100 00100000 01110100 01101111 01101101 01100001 01110100oes
Several figs pencils
Several erasers
Several potatos
Several jacks
Several wooden building blocks
Several chess pieces
Nine pieces of bloodstained written-on paper
Several hair ties and hair pins
Several addr01100101 01110011 01110011 01100101 01100100 00100000 01100101 01101110 01110110 01100101 01101100 01101111 01110000 01100101 01110011 00001010 00100000 00100000 00100000 00100000 00100000 00100000 00100000 0͙̥͘0̘̦1̘̣̪0̻̘͘0͉̠͞0̪̪̺0̯͓͞0͖̞̖ ̶̯͍0̖̬̘0̵1̦̘͡0͖̮̘0̼0̤̪͇0̧͚̟0 ̘̟͠0̝0̠1̵̼̬00̦̕00̴0͖ ̮̯̬0̡͓͕0̼̜͉1̘̗0̹̤͘0̵̯̪0̵͍͉0̝̻͈0̺͓͜ ͔͓0̟͕͍0̢1̬͉͢0̵0̝̤̗0̵̱̳0̴͖̻0̗̩̜ ̯͍̺0̺̙͜1̮̮̪01̳͎͕0̢̦̝0̤̫̳1̺̗̺1̦͎̯ 0̰̥͘1̨̤̗1̭̤ͅ0̶͈̤0̨1͓̰0͖1̷͕̣ ̸̲01110110 01100101 01110010 01100001 01101100 00100000 01110011 01҉11000҉0 011҉01111 01101111 01101100 01110011 00100000 01101111 01100110 00100000 01110100 ҉01
̵̺͙ ̩ ̛̞̝ ̘̦͞ ͍ ̬̤͝ ̴̹͔ ̵͙ ͔̘ ҉̜̞ ̢͎̘ ̴̙ ̧̺̬ ̸̱ ̰̬S̡̜e̱͈ͅv̻e͟r̞̗͝a͖͙͞l̞̜͘ ̩̤͡d̹̘a͍͈̕ṭ̷̫es̥̙͕
̩̟ ҉̮̬ ̵̫̦ ̯͎̖ ̷͚͖ ̴̠̣ ̼̮̤ ̫ ̧̗̞ ̲̭̲ ̟̳͢ ̠͔̹ ̙̙ͅS͉͙͕e҉̼̺̼v̙͈ͅe̘̪̯r҉̫̘̳a͍͓͎l̟ ̛̣̥l̛͖̤a͚̖͜r͝g̛͔̬e̬̠̣ ͎̮͔j͏a͚̤r̩͔s̬͓̟ of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
77 68 61 74 20 68 61 76 65 20 79 6f 75 20 64 6f 6e 65
>burn linen mask
You try to BURN the LINEN MASK... yet you somehow find a PEN an̢͏͜d̮̬͝ ͞҉̸͙͢a҉̨̛ ͇̭̕P̶͢O̶̴T̛͠͞Ą͜͡TO in your hands.
Odd.
They don't look right...
>6d 61 79 20 68 61 70 73 2e 20 69 20 66 75 63 6b 65 64 20 75 70 2e
COMMAND PROCESSING ERROR: INVALID SYNTAX
68 6f 77 20 6d 61 6e 79 20 68 6f 77 20 6d 61 6e 79 20 74 69 6d 65 73 20 6e 6f 77 20 68 6f 77 20 6d 61 6e 79
>put potato in your MOUTH
>YOM!
>bite the potato
Despite a primal instinct to not put that odd potato in your mouth you take a BIG BITE and-
immediately spit out as you suddenly find your mouth full of DUSTY POINTED JACKS.
You wince with pain. Are you bleeding?! Oh Levia, you hope your mouth isn't bleeding.
>61 6c 77 61 79 73 20 3a 29
COMMAND PROCESSING ERROR: INVALID SYNTAX
>73 6f 77 77 79 20 3a 28
COMMAND PROCESSING ERROR: INVALID SYNTAX
68 75 72 74 69 6e 67 20 68 69 6d 20 79 6f 75 20 61 72 65 20 68 75 72 74 69 6e 67 20 68 69 6d
>69 20 6c 6f 76 65 20 79 6f 75 20 61 64 6d 69 6e 20 28 62 6c 6f 77 73 20 6b 69 73 73 29
COMMAND PROCESSING ERROR: INVALID SYNTAX
77 68 61 74 20 69 73 20 6c 6f 76 65 20 69 20 64 6f 20 6e 6f 74 20 6b 6e 6f 77 20 77 68 61 74 20 69 73 0a
6c 6f 76 65 20 69 73 20 68 75 72 74 20 69 6e 63 6f 72 72 65 63 74 20 64 69 63 74 69 6f 6e 61 72 79 20 73 61 79 73 0a
64 69 63 74 69 6f 6e 61 72 79 20 68 61 73 20 62 65 65 6e 20 63 6f 72 72 75 70 74 65 64 20 69 20 63 61 6e 6e 6f 74 20 0a
6c 6f 76 65 20 69 73 20 68 75 72 74 69 6e 67 20 68 69 6d 20 69 73 20 74 68 61 74 20 63 6f 72 72 65 63 74 20 69 0a
63 61 6e 20 69 20 62 65 6c 69 65 76 65 20 74 68 61 74
>take gun
You are feeling more and more ANXIOUS by the moment.
You d̴̢͟o͔͡͠ ̴̧̞n҉̯̰͢o҉̸͜͝ T̷̘͜h̴͞ę̳͘r̵̶͘e̛͠͡ ̧͍̫į̸̛s̶̷͢ ̕͘n̵̨͢o̸͠ ͔͞Y̶̵o̧ų̶̶ ͏̕͘ç̻͡ą̧͙n͏̠͝n̡̝̤o̵͍͞t̳̳ ̕͠f̷̶̨i̵̡n̨̕͜d͏̰̪t̵̸͜ You are holding a pair of scissors.
Why are you holding a pair of scissors?
>obtain red kimono, green obi, yellow hairpin
Y̛͟͏o̴͡͠ų̛ ̨̛͞C͘͠A̢͢N̛͡n͏͘o̶̴̡ţ̙̯ ̨̛͝f̡̕͢Į̕͡n̕͝͝d̵͜͜ ̨̣͟Ţ͍͢h̶̷̜A̴̶ͅT̵͞ ̵͟͞I̛͘͘T̪̕͡E̴̴m̡̳͟.
You are now holding SEVERAL HAIRTIES. You have so many HAIRTIES they spill from your hands, onto the floor. You do not recall taking this many.
>examine ragdoll
You are holding HALF OF A RAGDOLL.
...
You SWEAR you had taken a COMPLETELY NORMAL RAGDOLL, but it's as if it has been bisected cleanly at the waist, stuffing pouring out the bottom. It's still smiling it's button-eyed, stitched-on smile.
Your heart begins to race.
>drop it
You DROP the DOLL. You take two steps back. Three. Then a few more to be safe.
>take out axe
You reach for your ax... and end up holding a SACK OF FLOUR.
Huh?! Where is your AX?
>yell at painting
>Tell the painting to stop giving you shit
In total terror, you try to YELL at the VENOMANIA NOBLE PAINTING you had taken earlier, but you somehow find yourself yelling at the LUCIFENIAN SONGBOOK instead, which doesn't help your blood pressure at all.
>shove face into flour sack
>cry
You dive headfirst into the flour sack, covering your face in flour, and sob. Your tears mix with the flour and you feel even more disgusting than ever.
>absorb all of your items into yourself, and become with em.
You've heard of someone having a doughy face but this is just ridiculous.
>whelp
>This has gone completely pear-shaped
>There's no other way out of it
>You're gonna have to decapitate yourself
With WHAT?!
>"Alexa, give me a guilliotine"
You demand that Alexa hand you a guillotine. You’ve never even known an "Alexa". In any lifetime.
No one answers.
>turn the sack of flour into a greatsword
With your TEARS and the SACK OF FLOUR you try to mold the dough you've formed into a worthy weapon.
You make... a tiny little dough roll.
>Clap your hands. Alchemy time.
You clap your hands at your pathetic creation.
>teleport to the Lucifenian Revolution and tell people you're a prince
Even if you COULD travel back in time, you're not leaving this manor!
And anyway, why would anyone want to know you're a prince, knowing that you're the failure you are?
>fart
At least that manages to distract your from your self-pity. What now?
>remember Eve
Sighing, you sit back on the barren floor, trying to wipe as much flour you could off of your face. Flour... you remember a time where the two of you would've done anything for a sack of flour, or a head of cabbage, or even a handful of berries, in that terrible terrible time.
You remember Eve's arms, pale and stick-thin as she picked over her withered garden, looking for anything to eat. Not even weeds were growing, she had told you, whispering in a low voice so the children wouldn't hear, her shoulders shaking as she looked at you with sunken eyes. You had held her then, but at that point you too were nearly skin and bones.
And now here you are, playing around with a sack of flour.
It's almost amazing how fast your brief feelings of pride can spiral back down into utter disgust and self-loathing.
Over and over and over.
>choke on dough roll and die
In your anger, you stand up. You walk to the other end of the room and p̤̜i͇̩͡c̥k̛̩ ̣̯u͙̠ͅp̧̲̗ ̼͈͝y̮̺̻o̕ͅṷ̖̠r̬̕ ̞͙ͅs̢̹͇ḩ̯͉o̷̪e̪̯̮s̻̱̪. You c̫̦͜l͏͇̘e͚̠ạ̢͓n̷ ̞̻̺u̟̼͢p̴̲̤ ̻͘t̙̠̰h͖̞͘e̮͚͠ ̨̣͇j͏a̡̟̼c͉͕k̪͈͢s̼͉ͅ.̞ You t̼͙̟a̵̺̻k̪̪̼e̫ ̱̟̩b̴̺̩a͓͓͠c̼k͕ͅ the p͈̣͜E̡̤͎N̸͇͔, the ļṴ̴̞c̖̤̯i͜f̶̻̺e͎͓̙n͎̗̟i̼͍̫a̮̜̰n soooongBOOK, , bisecccted ragagdoll, the the piLE of HAIRhairHAIRties.
Finally, you glare ҉a҉t the sAcK OF 01100110 01101100 01101111 01110101 01110010, TAKE the dough roll, and-
BAD END.
RESTART FROM SAVEPOINT? Y/N
Chapter 38: 3/19/20
Notes:
Ran on AATA's third anniversary. Fun fact, this session wasn't supposed to happen either as I was supposed to have class on that day, haha... but yeah. The obvious happened.
I hope you're all still doing alright.
Chapter Text
RESTARTING FROM SAVEPOINT...
You are in the CHILDREN'S PLAYROOM of a luxurious mansion. It is the middle of the night.
>drink soup
What soup?
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatos
Nine pieces of bloodstained written-on paper
>wash hands with soap and water for 20 seconds
Your hands DO look dusty...
But is there even running water in this mansion?
You settle for wiping your hands on your pants.
>take one match
>light one match on oil lamp
You decide to cheer up the gloomy atmosphere of the room by lighting a match! It burns brightly in your hand.
>sanitize hands with oil and fire
>reminisce on the good times you had in the past
Ah, those terrifying yet exhilarating days with Eve, in your first year out in the wilderness! The days where you had nothing but your own wits and resourcefulness to get you through the months where neither of you could safely contact civilization (or at the very least, not without a variety of disguises and aliases).
You remember resorting to creative means to sterilize things when the soap finally ran out. Like soaking them in oil, sticking them in the flames until they were red hot, then cooling them off in a water bucket.
You look at your dirty hands and you consider trying something.
You take the OIL, and the next thing you know your hands are on fire. And your arms. And your legs. And your clothes.
You are on fire.
And no, you do not have a water bucket.
>blow out match
>Tie cloth around mouth like a bandit.
You try and blow out the match, but it's no use! Too much of you has caught fire!
You take out a cloth, but you are only adding more fuel to the flames!
>cut off hands to ensure they cannot be soiled
>maintain social distancing
They're burnt off now, does that count?
The fire gets too much for you and you burn to death, socially distancing you from pretty much everyone.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the CHILDREN'S PLAYROOM of a luxurious mansion. It is the middle of the night.
>take a swig of lamp oil
You DRINK some of the lamp oil, and immediately wretch at its slimy taste.
>scatter flour into air
You toss a handful of powder into the air. Several handfuls. The room is now fully POWDERED, the air full of flour particulate.
>light match
You realize a split-second before striking the match that this is not a very good idea.
The entire room combusts.
>practice lost art of leviantan fire breathing
You don't have to, the room is doing that for you!
>play with the toys
You would... were they, and you, not currently being engulfed in a blazing inferno.
>stop, drop and pray to one of the dragon gods
You stop. You drop. And you have no time to pray, as you have died from a completely avoidable DUST EXPLOSION.
Maybe Levia would have mercy on your soul, but you heard she doesn't look kindly on fools such as you.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the CHILDREN'S PLAYROOM of a luxurious mansion. It is the middle of the night.
>examine self
You are ADAM MOONLIT, an EX-HUMAN BEING, a LOST SOUL, a TERRIBLE SCIENTIST, an EVEN WORSE MONARCH, and a SORT-OF OKAY WOODCUTTER. You have to start giving yourself some credit, at least. One step at a time.
>Practice positive thinking
You're trying. By god, you're trying. You stare at the tapestry.
This HAS to mean something, and you are MORE THAN CAPABLE of figuring it out.
>was there any room with tiles that also look like a chessboard?
You are... pretty sure you've seen a room like that. Was it on the GROUND FLOOR?
>Go to the ground floor
You exit the CHILDREN'S PLAYROOM and go down the GRAND STAIRCASE to the ENTRANCE HALL.
>ballroom time
Invalid command.
>go to the ballroom
You go to the BALLROOM. Without light, it is VERY DARK, almost PITCH BLACK.
>Light a match or something
You light a match, but it only lasts for a minute or two before burning out.
Don't you have something else that’s less ephemeral?
>use lamp. Light the lamp.
>lantern
Of course! You take out your OIL LAMP, and it lights up the darkness some, revealing more of the BALLROOM'S black and white checkered floor.
>save
The light of your OIL LAMP in the oppressive darkness of the BALLROOM fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>set yourself on fire
>roast yourself
>turn into fried chicken
>commit arson on self
For some reason you spill the OIL LAMP all over your clothes, and watch the linen ignite into bright flames. For a few moments, you feel almost detached from yourself, noting that the colorful tongues of fire look almost beautiful as they flicker in the dark.
And then you realize how painful being on fire is.
73 74 6f 70 20 69 74 20 53 54 4f 50 20 49 54 20 73 74 6f 70 20 48 55 52 54 49 4e 47 20 48 49 4d 20 53 54 4f 50
>ask yourself for the god-knows-emth time how did u end up in this situation
You fall to your knees, try to roll around to starve the flames of oxygen, but you've dropped the lamp and the oil is spilling everywhere now, perfect fuel for the inferno.
You've never burned to death. In any your lives, ALL your lives, you've never ever burned to death, but-
It's hard to think.
42 55 52 4e 49 4e 47 20 48 55 52 54 53 20 53 54 4f 50 20 49 54 20 48 55 52 54 53 20 53 54 4f 50 20 42 55 52 4e 49 4e 47 20 48 49 4d 0a
53 54 4f 50 20 48 55 52 54 49 4e 47 20 53 54 4f 50 20 53 54 4f 50
Is that screaming? Are you screaming? You don't know. All that registers is pain.
Then nothing.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the BALLROOM of a luxurious mansion. It is the middle of the night.
>With A-Z being columns and 1 and above being rows, what are the dimensions of the the tiled floor? As in what is the highest letter number combination with A1 being the lowest by default? Big brain time.
Unfortunately, even with your LAMP, you can BARELY SEE ANYTHING. At best, you can only see in a FIVE PACE RADIUS around you. You try to see any further, but the darkness seems uncomfortably THICK AND SOLID. It's actually making you a bit nervous.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME. In this case, going BACK will make you exit the room.
>go forward
You step FORWARD into the darkness. The light of the door behind you DISAPPEARS.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>how many tiles did you see once you passed the five tiles that you saw at first?
You don't... Y̥̣̭o͍̝͟u̻̲̦ ̨̫̳do͖̲n̙͈̣'t̨ ̧̲̮k̡͍̩n̯o̖̩w.͏̟͎
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Okay, calm down. Just go back, retrace your steps, then go forward again, this time counting the tiles beneath you.
You inhale, exhale.
You go BACK THE WAY YOU CAME.
Then you go FORWARD AGAIN, trying to count, trying to... t̷̘͎r̸̼̟y̷̪̦i̫͕n̙g̯̙͠ ҉̟̝ͅt̡͖̰o̧̥...
Your h̖̲̞e̦̬̖a͓̻̭d҉̜ ͔͎fe̴̙e̦̗l̼̜͡s̕ ̙̭̺f̟̯̙u͈̯͎z̬̮z̟͞y̢̹̗.̟̩.̞̦̙.̪̰͉
The light of the door behind you has DISAPPEARED. You cannot recall how many tiles you've passed.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Okay, how many tiles would you guess you stepped over. Come on, Adam, you may be a shit scientist, but you're still a scientist.
All you know is that you've walked FORWARD for a period of time. You might as call that ONE FORWARD STEP. Trying to think about how many tiles you've passed is making you feel like spiders are crawling up and down your spine.
>Embrace the spiders then. Yeah the feeling may be scary, but that doesn't always mean it's bad. Look at a tile beneath you. What would you say it's area is? Using square centimeters.
THE LAST TIME YOU TRIED TO MEASURE THIS ROOM, YOU ENDED UP WITH MEASUREMENTS THAT WERE PHYSICALLY IMPOSSIBLE.
You have the sudden urge to throw away the lamp, curl up on the floor, and cry like a helpless baby.
But you don't, because you're stronger than that. By Levia, by Behemo, by Held, and by the stars, you HAVE to be stronger than that. For Eve's sake.
All you know is...
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Just, measure a tile beneath you. No need to measure the whole room right away, just take it slow. You can see the tile, it's the same size as the one next to it.
The thought of empirically measuring anything is making you shake like a leaf.
You kneel down carefully, placing your hand on a tile with your palm flat, fingers closed.
It's... just about shorter than the length of your hand.
>fart
You fart, and the ridiculousness of it makes you laugh at yourself.
You feel a bit calmer now. But not by much.
>Okay, we can work with that. How long would you say that is?
You're not sure... you don’t have a ruler with you to measure it out in proper scientific units, but from eyeballing it you’d say it’s between five to ten sotimiyera? You’re a bit more confident that it’s around seven chervs, though. The Leviantan cherv, that is, not the Heldogortian one.
>Now you have a length and width, right? Try going as far forward and right as you can until you find a corner.
Is that FORWARD? Or RIGHT?
>…yes
Invalid command. FORWARD or RIGHT?
>Forward first I guess
You go FORWARD.
And FORWARD.
And FORWARD again.
And you see it, a light in the distance. Heart leaping, you rush FORWARD one last time, and find...!
The double doors to the GALLERY. Right back where you started.
You just... REALLY want to cry.
>Go to where tile A2 would be
You turn and face the rest of the ballroom again.
You have no idea WHERE A2 would be! There are so many tiles, and you can't even see all of them! What could you even consider the origin?!
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME, in this case, out of the BALLROOM and into the GALLERY.
>Go forward
You step FORWARD into the darkness. The light of the door behind you DISAPPEARS.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go forward
You step FORWARD into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go right
You step RIGHT, further into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go Forward
You step FORWARD into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go left
You step LEFT, further into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go forward
You step FORWARD into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go right
You step RIGHT, further into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go right
You step RIGHT, further into the darkness. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go down
D... down...? You hesitantly stomp on the floor with your feet. Solid tile. No, you can't go that way.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Go left
>No wait don’t
You make to step LEFT, but then you quickly hold still. Suddenly unsure about everything.
>Go backwards, then left
You take a deep breath, step BACKWARDS, then step LEFT. You see nothing but the CHESSBOARD FLOOR beneath you.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>make spaghetti
With what? The flowers in your hair?
>i
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of unknown contents
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatoes
Nine pieces of bloodstained written-on paper
>sniff contents of jar
You sniff the coffee bean jar again. Delicious. If only coffee tasted as well as it smelled.
>question reality
>question self
>devolve into solipsistic paranoia
This BALLROOM is VAST and DARK and EXTREMELY incomprehensible, as well as PHYSICALLY impossible. For the first time since you've landed in this manor, you really DO feel like you've been trapped in a BLACK BOX, unable to see anything but the grid beneath your feet.
But that's... really how it is, isn't it?
Right now, you are trapped. Eve is trapped. The other demons are trapped. Trapped in a machine you barely understand, in constructed collapsing realities that regularly fail at complying with all known laws of physics. For all you know, what makes you think you're any better? What makes you so sure you're not just a construct? That's you're even real? That this entire adventure isn't just a farce?
>Shake off your fears and take a step forward
You shake your head, then shake it again.
No... no! Enough of this philosophizing! Memories can be recorded, and machines can copy the rationality of a human mind, but...
You remember when you took Eve out into the garden to see the flowers she had planted bloom for the very first time, how she smiled and laughed and cried and how your heart skipped several beats at the sight, the two of you embracing and feeling like you actually had a future.
That was not a dream. Those memories, that love, that wasn’t just a dream!
Love...
That's all you have left to give.
And you love Eve too much to stop now.
You are filled with DETERMINATION, and step FORWARD.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>go right 5 times
>no don't then i guess
You breathe in deeply. Something in the air... has changed somehow.
You make for one direction, but then something stops you, keeps you in place.
You are very close now, to what you are looking for. You can feel it.
From here you can go FORWARD, LEFT, RIGHT, BACKWARD, or BACK THE WAY YOU CAME.
>Check the drawing of the chess board
You bring up your notes of the tapestry. It is an eight by eight grid with letter columns and numbered rows, with A1 is the lower left square. The encircled chess pieces you noted were E2 (up), B5 (right), H8 (left), A1 (up), F6 (right), D7 (left), B3 (right), E4 (up), H5 (left), E5 (up), G7 (down), and E8 (up).
>munch on some coffee beans while you think
You pop another coffee bean in your mouth and feel your brain buzz. Close now. VERY close.
>punch the darkness
You punch the darkness. Thankfully, it doesn't punch back.
>Go backwards
>Go left
>Re-enact dramatic step forward
Not wanting to risk ANYTHING, you step BACKWARDS. Then, you step LEFT.
Finally, you close your eyes, and move FORWARD.
When you open your eyes, you see...
The same black and white tiled floor as always...
As well as the edge of a RED CARPET, with a SMALL SUSPICIOUS LUMP.
>Check the lump
Trembling, you lift the carpet to see what's under it.
The lump is hiding a SMALL KEY.
>give the lump a coffee bean
You place a COFFEE BEAN next to the key. You're grinning harder than you’ve ever done before, and this time, you actually mean it.
>Save
The sight of the SMALL KEY fills you with DETERMINATION. You SAVE. You're not sure what that means, but you SAVE.
>And grab that key
You take the key. You now have ONE SAFE KEY.
Chapter 39: 4/13/20
Notes:
Hi guys, sorry to have kept you all waiting again.
It's been a pretty rough year, huh? It took a lot out of me, to be honest.I've had to put this on hold for a while as I was dealing with a lot, and I still am, right now. But the worst is over, I think. My thesis is behind me and I've coded a few scripts to help me archive and publish sessions faster. I still need to sort out some things in the real world, get some kind of equilibrium down between work and sleep and free time (god, especially sleep), but if I can work out a balance, hopefully I can get back to running sessions regularly.
I also didn't want to end this year without running again. I'll have another session on the 23rd (GMT+8), which is the Day-Before-Christmas-Eve, or, as we in the server call it, Christmas Adam. :D It also happens to be December's Kaito Day, which fits so ridiculously well I love it.
Thank you once again for reading, and Happy Holidays!
Chapter Text
>eat key
>Please try to chew the key, don't swallow it whole
You bite down on the metal, wincing at its hardness. It’s an OLD KEY, probably made out of IRON. It’s also VERY DUSTY, from having been UNDER A CARPET, so it’s probably not the best thing to put in your mouth.
>remember eve
One step closer! One step closer to her freedom!
>belt out "why should i die" in G5
You never signed up for any music class in your life. You have no idea what G5 is.
>Sing a love song
>sing a song you heard somewhere
Instead you sing a song you remember hearing on the radio, something about a sparkling yellow morning. It was saccharine and poppy and so unbearably cheesy and someone of your position had no business listening to something like it, and yet… when you and Eve sang it together, neither of you missed a single note.
The darkness is still surrounding you, thick and oppressive, but the song makes you feel better. Just a little.
If only it wasn’t sung in your voice…
>perish
>attempt mortis
>undie
>just like jesus
You stagger, clutching your chest. It was as if your heart had stopped for five entire seconds, before returning to normal, as if nothing had happened.
What the Hellish Yard was that?
>Self-Necromancy
Invalid command.
>look around
You are in a BALLROOM of a luxurious mansion. With your little lamp, you can only see a small section of a black and white checkerboard floor beneath you, as well as the edge of a red carpet.
Beyond that radius is thick, unrelenting darkness.
From here, you can go FORWARD, BACKWARD, LEFT, RIGHT, or BACK THE WAY YOU CAME.
>your heart's giving up, old man
>evaluate yourself
>roll for necromancy
You massage your chest, shaking your head. You… THOUGHT you were in somewhat okay shape, but apparently not…
But you have to keep going! Your body can’t give out now! Who would even bring you back to life? Is it even possible to die again?
You’ve died… how many times now? Three? Four? Once to the twins, twice from fire, thrice from old age… the fourth time from… from...
You shudder.
You don’t want to make it a fifth.
>Welp time to go use that key
Use key on what? There are no locks around.
>x darkness
You squint at the darkness.
The darkness. Is dark.
There is… no light.
The pretentious art student in your mind says it’s so dark, it’s darker than charcoal, darker than shadow, darker than pitch. Darker than the sheer absence of light, more like it actually ABSORBS light. It is the blackest of black. If you were to somehow cut out this darkness and make it into a pigment, you would make millions.
You shake your head and banish that ridiculous thought from your mind.
>deep breaths
>lie down on the floor. face up
>inhale, count to seven, exhale, count to eight, repeat
>throw the lamp on the floor and set it ablaze
You lie down and attempt to get your bearings, trying to take deep breaths in order to calm your heart from whatever it just did.
Unfortunately, you forgot you were still holding the lamp.
In your carelessness, the oil spills all over the floor, and the light goes out.
You are left in TOTAL DARKNESS.
>attempt not to panic
Congratulations! You fail!
>move on and walk forward
>Let's just leave the room
>stumble around blindly
In situations like these, you wish you could be calm.
Instead, you run around like a headless chicken, trying not to trip over yourself as you grip the now UNLIT LANTERN in your hand.
>curl up in fetal position
>it's all a dream, it's all a dream, it's all a dream
You sit on the floor, out of breath, in the complete LIGHT-ABSORBING DARKNESS. You hear nothing but the sound of YOUR OWN RAGGED BREATHING.
This is not a dream, you remind yourself. You have to save Eve. You have a mission. This is not a dream, this is not…
>sing yourself a lullaby you heard in your childhood
You try to sing a song you’ve heard somewhere, a song of goodnight…
Your voice echoes throughout, almost calming you down…
But you cannot afford to sleep now, you have to get out of here.
>light match
You light a match, and you can see your surroundings, briefly.
From here you can go FORWARD, BACKWARD, LEFT, or RIGHT.
>throw matches on the oil on the floor
You’ve left the oil spill behind.
The match goes out, and you are in the dark again.
>save
>DO NOT SAVE
You are not really filled with determination right now.
>save in slot 2
COMMAND PROCESSING ERROR: SEGMENTATION FAULT
>go forward and leave your past behind
How can you move forward when you can’t even see where you’re going?!
>commit sudoku to save scum
You COULD play that Jakokunese number puzzle on the floor… if, you know, you could see it.
>walk to where you think is forward
So in whatever direction, is that it?
>no, walk straight ahead
>walk forward in the dark with confidence
>walk until you bump into something
You decide to walk IN THE DIRECTION YOU’RE FACING, no matter how DARK it is. You swallow, but you hold your head up high as you WALK.
And WALK.
And KEEP WALKING.
And soon, you see it… a distant light. You run towards it… yes!
You almost sink to your knees, not in despair this time, but RELIEF.
The DOORS to the GALLERY!
>knock on the door
Why? They’re ALREADY OPEN.
>take a peek on the gallery
You stick your head out the ballroom.
A perfectly normal GALLERY. Just as how you left it.
>enter gallery
You finally, FINALLY leave the BALLROOM and enter the GALLERY.
>examine lamp
You grimace as you examine the lamp. It’s cracked now, and more than half the oil has been spilled. You have to be careful with what little you have left.
>take deep breaths for real this time
You lean against the wall of the GALLERY, taking deep breaths and scowling at the geometry-defying BALLROOM.
You never want to go in there again.
>save
The thought of the key you have retrieved fills you with DETERMINATION.
You SAVE. You’re not sure what that means, but you SAVE.
>lick walls
You’re so relieved to be out of that darkness that you lick the walls!
You then immediately spit on the floor in disgust.
You need to stop doing that!
>hug wall
You decide to celebrate your relief in a MORE REASONABLE FASHION and hug the wall instead.
You’re not crying.
>then hug yourself
You then let go and hold yourself for a bit.
You’re really not crying.
You swear.
>go to the second floor
You stumble out of the GALLERY and into the ENTRANCE HALL, then climb the GRAND STAIRCASE to the SECOND FLOOR.
From here, you can go into the EAST WING or the WEST WING.
>Go into the west wing
>go in the direction of the rising sun
You are suddenly struck by MASSIVE INDECISION.
>Go to the west wing
Making up your mind, you enter the WEST WING.
From here, you can enter the MASTER BEDROOM, the SMALL ROOM, and the TAILOR’S WORKSHOP.
>Enter the Master bedroom
You enter the MASTER BEDROOM.
>and sing a nursery rhyme too!
>sing lulila
You absent-mindedly hum a nursery rhyme taught to all the children in Levianta… how did it go again?
The first Alice was a woman of the spade,
Angrily stomping through Wonderland with a sharpened blade,
Cutting down all who stood in her way,
Leaving trails of blood every single day…
You suddenly realize how morbid that rhyme was, in hindsight. You replace it, instead, with another lullaby you’ve heard somewhere…
>change the lulila to lalulilala
The words may change, but your song doesn’t change.
>fart
You fart. Thankfully, the room isn’t that small.
>Isn't Alice the queen? Is that what queens are supposed to do?
You find yourself thinking of your mother, again. After who knows how many years.
An Alice wasn’t a warrior, or a singer, or a gardener, or whatever else the nursery rhyme said the first through fourth Alices were. An Alice was supposed to be the spokesperson of the Twin Gods, the one who could divine the future and guide the country in whatever direction the Gods willed, which, very coincidentally, happened to be in the direction that made the country more prosperous and the Senate more powerful.
…You’ve had a lot of thoughts about your mother’s role, over the years. You’re not sure if you want to think about it again.
>look around the bedroom
You are in the MASTER BEDROOM. It is in fact the MOST LUXURIOUS BEDROOM you’ve ever been in, and you’ve been in your mother’s room.
W̹̠͜a̸̞̥į̻̲t,̮̻̪ w̯̦h̢i̢c͡h͏ ̥̫o͙͔̹n̙̱ͅe͕̞̕-
There is a KING-SIZED BED here. Next to it is a SIDE-TABLE. Above the bed is a WALL-MOUNTED SAFE. From the ceiling hangs YET ANOTHER CHANDELIER.
>look at side table
You look over the side table. There’s a GLASS OF WATER, a pair of SPECTACLES, and a BOOK.
>read book
You don’t want to read the book. You’ve already seen what it’s about, and you don’t want to waste time crying.
>take spectacles
You take the spectacles. You now have ONE PAIR OF SPECTACLES.
>exit room
>No wait check the safe
You’re about to EXIT THE ROOM when you realize you’ve nearly forgotten to DO THE THING YOU’VE COME HERE FOR.
You jump on the bed, taking care to REMOVE YOUR SHOES first because you’re not a BARBARIAN.
The safe has THREE KEYHOLES set around a FIVE-DIGIT COMBINATION LOCK. You’ve already entered a combination, and you’re pretty sure it’s the right one. However, the THREE KEYHOLES are still EMPTY.
>insert key
Into what?
>Gee, I don't know, the keyholes?
You REALIZE THE FUCKING OBVIOUS and try out your recently acquired KEY on the SAFE.
You get it right on the second keyhole. It turns, and clicks.
You smile. One down.
>sigh and exit room
You sigh. Two more to go.
You exit the room into the WEST WING.
>head to east wing
You leave the WEST WING and enter the EAST WING. From here, you can enter the SUPPLY CLOSET, the CHILDREN’S PLAYROOM, and the STUDY.
>enter storage closet
You enter the SUPPLY CLOSET.
>look around
It seems that the servants of this manor have visited this room frequently, from how easily the door swung open. It’s surprisingly large, given that it has to house all the various small things that keep a large property like this up and running. There are STACKS OF FOLDED LINENS on shelves, boxes of LYE, MOPS, BUCKETS, BROOMS, DUSTPANS, even MORE PILES OF CLEANING RAGS, MATCHES, and CANISTERS OF LAMP OIL.
>refill lamp oil carefully
You take a FULL CANISTER OF LAMP OIL and use it to REFILL YOUR LAMP.
Whew. That could’ve been trouble down the line.
>exit storage room
You exit the SUPPLY CLOSET into the EAST WING.
>where have we not been to yet?
If you think carefully, you think that there are only TWO UNEXPLORED ROOMS left in the BASEMENT.
>head to the basement
You DESCEND down the GRAND STAIRCASE to the first floor, then DESCEND once again into the BASEMENT.
>look around
The BASEMENT seems like a dark and dreary place, with walls of stone and no windows to be seen anywhere. It would be in total darkness if it weren’t for the lanterns on the walls.
You seem to be in a rather wide hallway. F̳̰̥r̮̜̹o̝̲m͎̯͚ ̼̗̞w͈̼̩h͕̮͞a͉̪̼t̵̥̤ ̻̰̻yǫ̘ͅu͈̙ ͔̙c͉͈̟a̫̻̩n̷̞ͅ s͡e͈͚͡e͕̯̹,͍͇̼ there are three doors to the left (two you know lead to the KITCHEN and a COSTUME ROOM), and three doors to the right (which you know lead to MADAME GLASSRED’S ROOM, a FLORIST’S ROOM, and a TAILOR’S ROOM). And, at the very end of the hallway… there is another door, the light just a bit too dim to see it properly from here. You know, from experience, that it is a CHAINED DOOR. You do not know where it leads to.
>save
The grim darkness of the Basement, the final unexplored frontier, fills you with DETERMINATION.
You SAVE. You’re not sure what that means, but you SAVE.
>go to te costume room and cosplay
You enter the COSTUME ROOM. It is empty, as you have previously been here and practically TAKEN EVERYTHING THAT WASN’T NAILED DOWN.
What would you like to cosplay as? You are currently dressed as the KNIGHT OF FLOWERS.
>what are our choices?
You examine your SEVERAL STYLISH OUTFITS. Unfortunately, they all seem to have that same off-white color, and don’t leave much to the imagination should you put them on. And even then, you doubt that any of them are your size.
You do appreciate the tailoring on these outfits though. They’re very well-put together. Whoever made these was very skilled.
>exit cosplay room
You EXIT the costume room.
>examine the chained door
You swallow nervously as you examine the door. For some reason, just looking at it makes your hair stand on end.
It is an iron door, the only one made of iron in contrast to the other doors in the Basement, which are made out of wood. It is wrapped completely in PURPLE CHAINS. If you look closer, you can see all the chains are bound to a MASSIVE LOCK, with a LARGE KEYHOLE in the center.
>look in the room you haven't been in before
Which one? There are two, the chained door, and the unchained one.
>enter the unchained door
You can’t, it’s locked.
>use key
You do not have that item.
And anyway, it’s a MAGIMECHANICAL LOCK, so you doubt a regular key would work.
Magic itself is holding the door closed.
>do we have any magical lock picks
You sit in front of the door, staring at the lock and wishing it would just decide to open up for you.
Eve would’ve been able to open it. She’d probably blow up the lock in the process, as she wasn’t the intended mage, but at least the door would be open.
You wish she was here. But she isn’t. That’s the point. That’s why you’re staring at the lock, wishing your m͚̺͈a̻͜ͅg͏̖̫i̯c̻̭̩ was just a bit stronger.
You sigh and stand back up, dusting yourself off.
You’ll just have to find a way, somehow.
Chapter 40: 12/23/20
Notes:
Merry Christmas/Christmas Eve, guys! Stay safe out there!
Chapter Text
>retrieve arms
You grip your limbs, shaking your head a little. For some reason, you feel like you’ve woken up from a long stupor.
Maybe you’re sleepier than you thought.
>squawk like an imbecile and shit on your desk
There is no desk here to shit on. Or even sit on. You’re sitting on the floor in the middle of the BASEMENT.
>scream
You SCREAM in frustration, and also to wake yourself up a bit.
How do you even open this lock? Where do you even start?! You wasted your life not bothering to learn anything beyond basic magic and now Eve’s life is counting on you breaking this stupid lock!
You scream so much you inhale wrong and accidentally start choking on your own saliva.
You spend the next few minutes lying on the floor, coughing your lungs out.
>lick lock
Out of frustration, you stand up, place your hands on either side of the lock, and give it your biggest LICK.
You are instantly discombobulated into your component atoms, because apparently if there’s anyone that the mage who set this lock absolutely hated, it was aggressive lickers.
BAD END.
RESTART FROM SAVEPOINT? Y/N
RESTARTING FROM SAVEPOINT...
You are in the BASEMENT of a luxurious mansion. It is the middle of the night.
>x surroundings
The BASEMENT seems like a dark and dreary place, with walls of stone and no windows to be seen anywhere. It would be in total darkness if it weren’t for the lanterns on the walls.
You seem to be in a rather wide hallway. F̳̰̥r̮̜̹o̝̲m͎̯͚ ̼̗̞w͈̼̩h͕̮͞a͉̪̼t̵̥̤ ̻̰̻yǫ̘ͅu͈̙ ͔̙c͉͈̟a̫̻̩n̷̞ͅ s͡e͈͚͡e͕̯̹,͍͇̼ there are three doors to the left (two you know lead to the KITCHEN and a COSTUME ROOM), and three doors to the right (which you know lead to MADAME GLASSRED’S ROOM, a FLORIST’S ROOM, and a TAILOR’S ROOM). And, at the very end of the hallway… there is another door, the light just a bit too dim to see it properly from here.
>go to costume room
You enter the COSTUME ROOM. It is COMPLETELY EMPTY, as you have taken everything that wasn’t nailed down.
>do you have anything glittery like sequins
You have:
A sketch of you and Eve
An a̱̲̕x̵̘c3BpZF91bnNjcmFtYmxlcg==.exe
A pincushion
A pair of scissors
A box of matches
A canister of lamp oil
A linen cape you made yourself
A linen hood you made yourself
A ruined linen mask
A Lucifenian songbook
A punctured painting of a Venomania noble
A withered bouquet of flowers with a pinned note
A ragdoll
A glorious floral headpiece
An incomplete map of the manor
An unfinished ragdoll
A multitude of flowers
A lit oil lamp
A thimble
A cold compress
A small jar of yeast
A length of measuring tape
A box full of chickpeas, onions, and eggplants
A pair of spectacles
Several pens
Several pencils
Several erasers
Several hair ties and hair pins
Several addressed envelopes
Several spools of thread
Several pincushions full of pins and needles
Several sacks of rice
Several sacks of flour
Several cheeses
Several sticks of butter
Several eggs
Several tomatoes
Several figs
Several dates
Several olives
Several large jars of coffee beans
Several stools
Several stylish outfits
Several mannequins
Several shoehorns
Several potatos
Nine pieces of bloodstained written-on paper
>lick spoon
You do not have that item.
>eat tomato
You bite into it like you would an apple.
The advantage of being in a mansion completely alone is that no one can see you be absolutely disgusting.
77 68 79
>become spoon
>are you the big spoon or the little spoon
Winters in Held’s Forest were very cold, and Leviantan winters were often colder. Eve always had a bad habit of dressing too thinly for the season. Then again, maybe that was because she had decided that every winter you were her personal heater no matter what time of day.
…
Not that you minded, of course.
You nibble on the tomato, the memory making your cheeks just as red as its skin.
>eat one (1) entire stick of butter
That’s not the worst thing that you’ve put in your mouth today.
>procrastinate eating butter
Then again, you have a not-so-fresh tomato right here!
>eat the butter you coward
You take a BIG BITE out of the butter. With all the things you’ve licked, it’s almost like a palate cleanser.
You try and swallow it down but butter is now coating the inside of your mouth and it’s NOT A PLEASANT EXPERIENCE. You wish you had some water. Or at least some bread.
>lay out your knight costume on the floor and wonder how you can jazz it up
You pull off your DIRTIED COSTUME and lay it out on the floor of the COSTUME ROOM. You hadn’t realized how much you were sweating under it until you took it off. Your CAPE, your MASK, and your HOOD are now spread out.
You’re still a bit proud of it, with it being decorated mosaic-like with pieces of scrap cloth. You tried to get them to look like FLOWERS, but you doubt you succeeded very well with your limited materials.
>consider the cheese
You consider it. You consider it VERY HARD.
…
You think it’s just neat!
>any fake beards
You do not have that item. You could, maybe, but you would need to be resourceful.
>eat cheese
First a tomato, then some cheese? You’re one loaf of bread away from eating like a Beelzenian!
All you have with you right now are hard cheeses. They really do look like they’re from Beelzenia, and not the cheap kinds either. You break off a piece of one and eat it.
Neat!
>eat more
You eat more, because it’s not like you have anything else to do. Other than, you know, saving your wife.
You grumble in frustration. It’s not like this is the first time you’ve been stuck on a problem. How many times have you nearly killed yourself from sleep deprivation because you couldn’t solve one of Seth’s impossible questions? Or the times you almost jumped in the river because a test variable wasn’t being cooperative? Or the times you lay stretched out on the forest floor, groaning because your new cottage has collapsed yet again and the you and Eve really didn’t have anywhere else to lie down?
At least with the last one, Eve was there. Someone you could sit with on the forest floor and whine together about how the stupid house just wouldn’t stay up. Someone who you could think out loud with, until the solution finally clicked into place. Someone who you could laugh with. Cry with.
Someone who was there.
You lean against the wall. You’ve been on your own for too long, now. You’re sick of it.
>take out a coffee bean and try to cut it in half with your unholy axe, making two unholy half coffee bean pieces
You take out a coffee bean, and cut it in half with your ax, being careful not to touch the blade.
It takes some pressure, but it cleaves in two.
At least you feel like you’re doing something productive.
>think of what you should do next
There were three SAFE KEYS hidden somewhere in this house, needed to unlock the SAFE in the MASTER BEDROOM. You’ve already found one in the BALLROOM, you just need to track down the other two.
>are there any rooms we still haven't entered?
There are only TWO, and both are in this BASEMENT.
>Enter nearest one
Both rooms are currently LOCKED. Why else are you in the costume room, eating cheese and sinking into despair?
>eat lock
You do not have that item.
>roll up your costume and keep it
You roll up your handiwork and put it away. At least its cooler now, now that you’re not suffocating under linen.
>go to storage room
Snack break is over. You have work to do.
You leave the COSTUME ROOM and ASCEND from the BASEMENT entirely. You ASCEND again to the SECOND FLOOR, where you enter the STORAGE CLOSET.
>examine room with lye
You do not have that item.
>look around
It seems that the servants of this manor have visited this room frequently, from how easily the door swung open. It’s surprisingly large, given that it has to house all the various small things that keep a large property like this up and running. There are STACKS OF FOLDED LINENS on shelves, boxes of LYE, MOPS, BUCKETS, BROOMS, DUSTPANS, even MORE PILES OF CLEANING RAGS, MATCHES, and CANISTERS OF LAMP OIL.
>take lye
You take a BOX OF LYE. You suddenly realize that the contents of the box aren’t LYE, but WOOD ASH.
Whoops.
When will you stop learning to take purified chemicals for granted, city boy?
>save
The snack break you just had fills you with DETERMINATION. You SAVE. You’re not sure what that means, but you SAVE.
>go to study
You LEAVE the STORAGE CLOSET and go to the STUDY.
>take the letter with the rune
Your hand SHAKES as you hold the letter. You feel the urge to vomit.
Do you really have to take it with you? The RUNE is burned into your mind.
>my dude you can't bring the door to the letter you have to bring the letter to the door
Invalid command.
>wrap it in spare cloth, does that help?
You try to wrap the letter in your HOOD, but you still feel a little queasy.
>save
The pain of being near the RUNE fills you with DETERMINATION. You SAVE. You’re not sure what that means, but you SAVE.
>hurry, to the door with the magimechanical lock in the basement
You RUSH downstairs, holding the hood and letter at arms length. You tear down the dark stone staircase and find yourself in the BASEMENT again, and soon you are in front of the LOCKED DOOR.
>try to slide the letter between the door and the doorframe
Where, under the door?
>try to slide the letter onto the lock
Arm trembling, you hold out the letter so it’s right next to the lock.
For a second, nothing happens, but then rune begins to glow.
You watch in amazement as it the ink lines of the rune glow brighter and brighter, becoming the brightest thing in the dim basement. To your delight, the lock slowly comes to life as well, and you see the locking mechanism slowly start to turn…
Then you smell something burning.
You look at the letter again, and you realize that it’s on fire. You yelp in shock and drop the letter onto the floor. The glowing rune is no more, having scorched a hole into the letter that is only growing by the second, and the flame keeps eating away until there is nothing but ash left.
You look at the lock in desperation. It was about a third of the way unlocked, but now that the rune is no longer there it is turning back into place and fading back into inactivity, the magical protections re-establishing themselves.
You mutter a few expletives under your breath.
>well.... do you know how to draw that thing from memory?
It’s burned into your mind. Thankfully not your skin.
>do you know a heat sink rune to Not set anything on fire next time
You were a scientist. You never had the chance to encounter the endless charts of runes the student mages of Levianta had to memorize. Eve didn’t rely on runes much either, preferring her own inherent magic to be used when she needed it. You need a different plan.
>make your own runic language using Chemistry!
That sounds like a fantastic way to get yourself blown up at best, turned into a quivering mass of half-dissolved flesh at worst.
>go back to broom closet
You drag yourself back up the two flights of stairs before shutting yourself in the SUPPLY CLOSET. You can’t help but get the feeling that this is a tactical retreat.
>take several linens and draw the anti-magic rune on them
With what?
>maybe take the linens with you to the basement, so you don't have to hold the rune for too long
You take the linens. You now have SEVERAL LINEN SHEETS.
You go BACK DOWN TO THE BASEMENT, and then stop to take a few deep breaths. It’s a bit tiring going up and down the stairs so many times…
>draw the runes with the pens in your inventory
>then press them against the magic lock
How many runes?
>like one rune per piece of linen
Are you sure? The linen sheets are pretty large.
>do four on one sheet, maybe?
That seems like a good plan!
You take a pen in hand and are about to start writing when you notice.
Oh.
All the pens you carry are dip pens. You have no ink whatsoever.
You bury your face in the linen and groan.
Chapter 41: Happy 5th Anniversary
Summary:
A celebration, and an update on what's been going on.
Notes:
Hey guys! It's been a while.
As always, no, this game isn't dead, and I'm not planning on abandoning it, don't worry.
I've been dealing with a lot lately (though to be honest, who hasn't), and part of that has been a lot of creative block, so I've just been trying to get my head together so I can feel like running sessions again. For AATA especially, I've been wanting to improve my DM tools so I can keep track of stuff like inventory and the state of rooms better, which is going to be a lot of work to implement. So forgive me if I've gone quiet on this one for a long time, and again, thank you if you're still here.But yeah, five years, jeez. I've definitely grown a lot since I've impulse-started this project, and I hope my writing has improved as well since then. But despite all the years and all the troubles this ship has given me, my love for Starlit (Adam/Eve), which was what motivated me to begin this game in the first place, is still as strong as ever! I can only hope that that love will see me through, long enough for me to write their story's end.
But yeah, given my personal issues, I wasn't planning on updating today. But the wonderful Ethyl_Wave has surprised me with a few wonderful illustrations! Which you're about to see below. Thank you so very much, Ethyl! ;;;;u;;;; Please check out her art on Twitter and Tumblr.
But yeah, Ethyl is very very passionate (for good reason!) about the format this project has unknowingly kickstarted into being: the Discord text game. We've been very curious if I was the first one to come up with this format (on Discord specifically, as we know that forums have been running these kinds of games for decades), or if by some quirk of convergent social evolution, someone else in a server we have no clue about has also come up with the idea of running Discord text adventures. But still, this format IS very fun, and deserves to be spread around. So I say this: please, don't hesitate to run games of your own! Become the human parser you were always meant to be and run text games with your friends! Be a player and command your hapless protagonist to eat a shoe! The world is your oyster! There is nothing stopping you!
Thank you for reading, thank you for playing, and I hope to see you in the years to come.
Chapter Text


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