Chapter Text
BAZ
At the end of every spring and fall semester, the art school hosts a student showcase, so we can gain experience with exhibitions and the like. I thought about entering a piece, one of my paintings, but I deliberated long enough that I missed the deadline. Which is absolutely fine, because everything from this semester felt like garbage to me anyways. I was trapped somewhere in my own headspace - but, anyway.
I wander through the student show, my eyes passing across the canvases and sculptures. Mentally, I have to keep my nose from wrinkling at some of them (how did these kids get into an art school? Is there actually any criteria, or do you just have to toss paint on a slab and say please?). Some of the students are standing next to their pieces, obviously brimming with pride. There’s one boy stopping anyone who is unfortunate enough to glance his way, and asking them a barrage of questions about his creepy painting of a bunch of... trolls? Goblins? (“How does it make you feel ? Which one is your favorite ? How much would you pay for this?”) I avoid him carefully, giving him and his painting a wide berth.
It’s something of a surprise when I come across a laptop, set up on a podium by itself. That’s not art. But when I wander up to get a closer look, I realize it’s an animation reel. I’ve come up at the tail end of someone throwing a ball at a wall, which looks nice but is rather boring. I’m about to turn away when it changes to another clip.
The shot begins on a girl, curled in on herself, with a moment of her finger tapping the white space beneath her. And then she shoots up, arms flaring wide, head tilting back, and I’m blown away by the style of it. It’s not normal 2D animation, but a sketchy, wild style that somehow carries a lot of emotion just in the chaos. The video follows the girl, a ballerina, through a routine that I imagine would be heart-wrenching if it had music with it. Even without, I feel a pull in my chest, watching the obvious pain that flits across her shadowy and angular face.
I’ve never seen anything like it. It’s beautiful.
The scene ends with the girl knelt down again, her back heaving as she breathes heavily, and I realize I’ve been holding my own breath. It comes out in a rush as the reel changes again. I expected something just as amazing, but instead have my eyes assaulted by an ugly, gritty-looking clip of two stick figures beating the shit out of each other. I feel the scowl rise on my face and narrow my eyes at the name attached to the podium.
Simon Snow - who the fuck would name their kid Simon Snow? Sounds like the heroine of some sappy young adult novel. Maybe it’s an alias for a less idiotic name.
I straighten and adjust my jacket, eyes flicking back to the screen in the hopes that the ballerina clip was back, but instead it’s moved on to some boring clip of fish leaping from a river. My scowl deepens, and I move on, refusing to return to the laptop. Anyone who would put such a stupid video in a showcase deserves no more of my attention.
The name Simon Snow flits through my head now and then over the summer, while I serve coffee at a small, artsy shop near campus. I wonder if he ever comes in, but no one claims the name Simon for their cup, and eventually I forget about the reel, and Simon Snow, entirely.
Until the start of the new term, when I’m carrying my supplies into the art building, my heavy bag hung painfully on one shoulder. A girl’s voice shrieks, “Simon!” and I’m nearly bowled over as she dives by me, and I register a mane of frizzy red hair and warm brown skin, similar to my own.
“Sorry, Basil!” she squeals as she barrels away, and I’m startled enough that it takes me a moment to reply.
“How do you -?” But she’s already gone, down at the end of the long corridor and throwing her arms around a tallish boy with wild bronze hair, freckles so numerous I can see them from here, and a laugh that reverberates through the hall.
That’s Simon Snow?
Shit.
SIMON
Penny surprised me in the art building, but I was glad she did - she’s been gone all summer to study in Italy, and I’d missed her like I’d miss my left hand. She spent nearly two hours chattering to me about the different sites she toured, the museums she visited, the food she’d eaten, and I listened happily, grateful to have her voice filling up our cozy flat again. It had been far too empty without her.
I don’t know how she does it, but Penny is double-majoring in art history and sculpture. She’s dead brilliant at both of them. I was royally fucked in my own mandatory art history class until she started helping me. We’ve been friends since high school, so she knows I’m shit at studying, but I managed to brush by with her help. Thank God - I wasn’t eager to repeat that class. The professor nearly fell asleep at his own lectures, I don’t know how Penny can stand him - and he’s her faculty advisor.
Despite the heavy course load I signed on for this semester, I’m glad to be back at it. I spend summers feeling off-center, like I lose my sense of direction for a few months before wandering back from the wilderness in September with leaves in my hair (it’s a feeling that’s kind of hard to describe).
Animation is a lot more work than anyone outside of the field realizes. I don’t think I even realized it when I started, but now I couldn’t imagine myself doing anything else. Watching my pieces come to life on a screen is like a drug, a high that’ll never come down.
But it’s exhausting.
During the semesters, I spend more time in the computer lab than out of it, making use of the huge tablets and desktops provided by the school. Penny will come hang out now and then, but I get so scary focused and quiet that she usually gets bored and wanders out after a few minutes. She fell asleep there once, half-off her chair, and I let her sleep, waking her up around two when it was time for us to walk back to the flat.
Now we’re only a few weeks into the new term, and I’ve already fallen back into the habit, chatting up the lab’s student assistant before I claim my spot in a corner, ready to work until I pass out.
I try to keep an eye on the clock, but I get so into my work that hours pass without my notice. When I realize I’ve been there for coming on six hours without a break, I force myself to drop my pen and sit up, feeling my back creak in the process. I think I’ll go heat up one of the frozen meals I’d thrown in the student fridge last week; I can feel the hunger creeping up in my stomach.
It’s so late, just past midnight, that barely anyone is around. I’d work at home if I could, but the equipment is so expensive that I can’t really afford my own, with only a laptop and a shitty knock-off tablet that I use for personal stuff. The cord is fraying and half of the time won’t connect, but it does what I need.
I’m shocked when I amble into the student lounge to find a guy digging through the fridge, the room around him so dim that the bright white light makes him look pale, like a vampire. But when he closes the door and stands up, I realize he’s got almond brown skin, and grey-green eyes like a deep lake. And he’s scowling at me.
“Can I help you with something?” he snarls, clutching a carton of cream, and I’m immediately caught off guard by the aggression in his tone.
“Yeah mate, you’re in front of the fridge,” I say slowly, pointing. His cheeks darken and he steps away, heading to the counter where there’s coffee brewing. Neither of us says anything for a long bit, while I pull my food out and chuck it in the microwave.
Out of the corner of my eye, I observe him, trying to take stock. The half-up bun and long sleeve black button-up seem about right, but I’m surprised by the massive black combat boots, giving him an easy extra two inches in height.
Finally, because the silence is deafening, I say, “Working late, then?”
His answer is abrupt. “Yes.”
I try again. “My name’s Simon.”
“I know.”
I furrow my eyebrows at him, fed up. “Want to tell me yours then, or are you just going to keep being a dickhead?”
This clearly startles him, looking at me with wide eyes and saying his name, two quick syllables. “Bas-il.”
“Bazzzz-il,” I drawl, dragging out the z sound present in that ridiculous name. His lip curls, actually curls, and I’m almost impressed before something occurs to me. “Wait. Not Basil, as in T. Basilton Pitch?” There’s no way there’s multiple people in the world with a similar name, let alone this school.
“The very same.” I’m floored. This is the prat whose art I always notice in the halls? Every time I see an impeccable figure study or a breath-taking oil painting, the name ‘T. Basilton Pitch’ is always attached underneath.
Five minutes ago, if you had asked me who I thought was the most talented in the building, I would’ve said Pitch immediately. But now that the arse is standing in front of me, antagonizing me, I’m not about to give out any compliments.
“Oh. I’ve seen your work in the cases.” The microwave beeps at me, and I fiddle with it before saying grumpily, “S’ pretty nice.” Damn. That sounded more sincere than I’d meant it to.
“I’m flattered, I’m sure,” Basilton says sharply, before loudly dropping his mug into the sink and disappearing out the door. I throw myself down at one of the tables and start shoveling mashed potatoes into my mouth, annoyed now.
T. Basilton Pitch.
What a tit.
PENNY
It’s 3 am when Simon finally wanders in, squinting even in the darkness, dragging his feet like he’s left lead in his shoes. He always does this, pushing himself to the edge of exhaustion and probably ruining his eyes in the process.
And then he has the audacity to try and lecture me. I’m reading by a soft lamp when he comes in, and he snaps at me about damaging my eyes, by reading in such dim light. I raise my eyebrows at him and flip the book shut. “Who spit in your tea tonight, Simon?”
He glances at me apologetically, dropping his bag onto the floor before throwing himself down on the couch beside me, head resting on my hip. “Basil,” he growls, as I absentmindedly run my fingers through his curls.
“Oh, met him, did you?” Simon sits up and looks at me sharply.
“You know him? How?”
I shrug. “He was in my Drawing II class. Put the rest of us to shame, with his drawings and his shit attitude. The professor told him to shut the fuck up once when he made a girl cry, and he just sneered at him. It was quite a scene.”
It had been a real scene. I make a point not to be friends with assholes, but I remember I couldn’t help being a little bit fascinated by this tall dark prat, who looked ready to throw hands every time the professor said anything. And it hadn’t really been his fault that girl started crying - we were in the middle of a peer critique, and Baz told her in somewhat harsher terms that her anatomy was way off (which it had been).
She’d just started bawling. It was embarrassing for everyone.
I tell Simon as much, and he seems genuinely intrigued. “Maybe he’s just an asshole to people he doesn’t know,” Simon says slowly. “Maybe if I’m nice to him, he’ll be nice back.”
“Simon, not everyone’s like you. Like if a golden retriever became a human.” He looks almost offended at this. “Baz is endlessly contrary. I wouldn’t put money on even you being able to befriend him.”
“Penn, come on. Everyone needs friends.”
I’ve got a bad feeling about this.
BAZ
Three days after I officially met Simon Snow, I’m still kicking myself for the whole thing.
Seeing him up close had just been too much. This dead handsome idiot, standing over me at nearly one in the morning, staring at me with his mouth open - far too much for my sleep deprived brain. I’d gone and made a complete ass of myself.
It was the first time I’d left my studio that day, just looking for a coffee, and my brain had stayed behind.
Honestly, though, it’s probably all for the best. I’m too fucking queer to have a guy that good-looking around on a regular basis. (What is up with all those freckles? He looks ill. I want to draw the constellations on his face.)
When next I see him, it’s thankfully from a distance again, far across the campus green. He’s got two girls with him. I recognize one of them, short and stout with that mad frizzy hair, but the other is a complete stranger. Even far off, I can tell she’s beautiful, even to my gay ass. (I’m gay, not blind.) She’s the kind of beautiful you can’t help but notice. Waist-length honey blonde hair, a perfect figure, expensive-looking clothes and high-heel ankle boots, though they still don’t make her as tall as Simon.
Too late, I realize I’ve completely stopped in the middle of the sidewalk, gaping at them across the lawn. My eyes lock with Simon’s, and suddenly he breaks out into this enormous grin.
I might be a little fucked.
Simon is saying something to the girls and then jogging toward me, and my time to escape has fled. Not that I could’ve - that smile was so much I think it rendered me briefly immobile, gluing my shoes to the pavement.
“Hey, Basil,” Simon greets me sheepishly, stopping before me and rubbing the back of his neck. He looks so carefree, in loose jeans that somehow look good, and a graphic tee partially covered by a paint-stained hoodie. He rips the green beanie off his head and shoves his hands through his orange curls, making them stand on end. And he’s wearing these massive circular, wire-framed glasses, and I’m mesmerized.
“...Hey?” I say, cursing myself for letting it come out sounding like a question. Simon doesn’t even seem to notice, his smile smaller now but no less painful to look at.
“Look, I wanted to apologize for the other night. I was completely knackered, I’d been in the lab for hours and was feeling a bit grouchy.” To say I’m startled by this apology is putting it lightly. I’d been rude first, what is he apologizing for? Defending himself?
Maybe just this once, it would pay to play nice. I glance over Simon’s shoulder, where the two girls were still watching their interaction, waiting. “Er - it’s alright. I’m - sorry as well. I was barely functioning that night.” Simon’s face lit up at my mostly friendly response, and I think I must be barely functioning now.
“Penny and Agatha and I are going off campus for a bite, you wanna come along?” Agatha must be the other girl. I vaguely remember the name Penny, some distant memory from second semester. But there’s no way I’m up for that much social interaction today; just this one has nearly killed me.
“Ah, I’ll - have to pass,” I choke out. “I’ve got a date.” Simon looks surprised before I finish, “With my studio.”
There’s no way it’s relief that flashes across Simon’s face at that amendment. No fucking way.
“Oh, right, then,” he says. “Another time, then.”
Weary now, I try to smile, but it feels like more of a grimace, before I stride away.
“Basil!” Simon calls my name and I turn back to look. Now that I’m looking at him, he seems not to know what to say, his hand pulling awkwardly back to his chest like he’d been reaching out. “Uh - good luck with the painting!”
“Cheers,” I reply, walking away then without looking back.
SIMON
I’m wandering back to the computer lab that evening when I notice the light on in the studio labeled T. Pitch. It’s pretty late, already after ten, and while I’m not surprised Basil is still here, I’m a little curious. I’d grabbed a few scones from the bakery Penny works at before coming back to campus, with a mind to eat them later - but maybe Baz would like one. I’d heard Penny call him Baz, and I can’t blame him for the nickname. I wouldn’t want people calling me Basilton either.
I wonder what the T stands for? Could it be something worse than Basilton? Is that possible?
I knock twice on the door of the studio before turning the handle, surprised to find it unlocked. Baz is clearly shocked to see me, jerking his hand away from canvas he’s working and yanking his earbud out.
“Christ - ever heard of knocking?” All this guy seems to know how to do is snap and snarl. I’m already bristling.
“I did knock.”
“Well, you’re supposed to wait for me to say come in. ”
“You’ve got headphones in.”
“Exactly.”
I force myself to take a deep breath, before I hold up the pastry bag. “Thought I’d bring you some food. You seem the type to get sucked in and forget to eat, am I right?” I can tell by the defensive look on his face that I am. “Look - don’t say anything. Just take this, alright?” I take the wrapped pastry from the bag and toss it too him, and he’s not too bewildered to catch it. “Have fun, yeah?” I back out the door before Baz can say anything else and snap it shut.
I don’t know what I expected. Some declaration of gratitude? I’d never expect that of anyone, let alone that prickly bastard. That’s not why I do things for people.
But fuck, was it too much to even be civil? I don’t think I’ve ever met someone so grouchy. He’d seemed so quiet earlier, soft, almost. Shy. Maybe he’s bipolar. It wouldn’t surprise me whatsoever.
Or maybe he’s just an asshole.
I continue onto the lab, spinning my chair so the back touched the desk, and straddle it, resting my chin on the cushion. Penny yells at me that I’m going to ruin my back sitting like this, but it’s comfortable, so I always ignore her.
I’m struggling with a frame I’m working on, unable to get the flow right between shots. It makes me blink out sometimes, when I get really stressed by something that isn’t meshing. Normally I’d take a walk, but I’m not so sure tonight. What if I run into Baz? I’m pretty sure I’d deck him at this point, I’m so worked up.
I should probably just call it a night. I look at the clock - 2 am. Yeah, I’ll just call it a night. I flick the light off as I leave the lab, letting the door shut behind me.
As I walk by the private studios, I notice Baz’s light is still on.
I keep walking.