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Over the Hedge 2 - Episode 1: Man vs. Nature

Summary:

Read the PROLOGUE first

Episode 1: Man vs. Nature
Their home was marked for future development, and now the time has come for the Hedgies to face a looming threat to the Log and everything in their forest, one that's rapidly approaching as the wheels of construction machinery tear through the woods. Worse yet, they're led by a big guy named Jack Sawood, and he hates turtles even more than trees. Verne is forced to make decisions for the Log while the situation drives a deep divide into the family. Heather emerges as a mediator in the conflict, though her newfound role comes with responsibilities, risks, and of course, throwing into question her relationships with her closest friends and family.

Light (mostly platonic) RJ x Heather shipping in this episode.

*This Episode WILL be revised once it's fully complete.

OTH2: Family of We is an ambitious fan-sequel project made up of a Prologue and 5 Episodes, each with a unique plotline. It features new characters along the way, including many based on or inspired by characters from the video games, scrapped from the movie, or from the original comics by Michael Fry and T. Lewis. Rated T for some language and the intended maturity level of readers.

Chapter 1: The Sunset Bustle

Notes:

Disclaimer: This is NOT the beginning of the story, despite this being called “Episode 1”. There was a 4-chapter Prologue before this that provides a lot of necessary info.

Note: We’re now entering the meat of the story. Although each of these 5 episodes have their own distinct plots, they’re all connected. You can’t just treat them as standalone stories, because the end of each episode leaves things unfinished for the next to continue. Episode 1 isn’t the most ambitious in the characters and setting, but it sets the stage for the rest of this story.

I’d also like to mention that I wrote a “behind-the-scenes” for the Prologue, in case you’re interested. While it’s not on FF and AO3, it is on DA, linked at the bottom of the final chapter of the Prologue. It explains things about the story like what inspired what, how things have changed from brainstorming to final product, some insight into the mechanics of the story itself, and descriptions of the OCs and their purposes/the processes it took to design them.

Chapter Text

 

Sling!

Time slows as the spinning top rips out and into the epic coliseum. On its fine tip it laps the arena spiraling inwards, the purple plastic gleaming in the stadium lights atop the metallic torso of the object. There it parades in glory in the very center, alone to relish in the praise of the adoring fans. 

"‘Awesome Possum’ has entered the field!" the grand announcer narrates. "Our rad crowned princess is takin’ the STAAAAAGE!!"

The crowd hollers a prolonged cheer.

Sling!

But from the opposite side, a challenger approaches. Sky blue reflections of the bright purple top in its sights come off its surface, locked and fierce on the competitor. The slender black hexagon pinned in the center supported its refined, well-balanced structure, spinning tough and powerful as it speeds steadily down the dome.

"Ooooo, and it’s today’s challengeeer!" comes the announcer. "It’s strong, it’s a mighty fortress, it’s… ‘ShowstoppEEEEER’!!"

Making it halfway to Awesome Possum at the lowest point of the bowl, Showstopper begins circling the enemy, the competitor being smaller in stature yet oh so big in willpower. Showstopper traces along the orange ring to enclose it with a neon blue trail following behind. Still, the defensive wall created around Awesome Possum insisted on staying back from any significant effort. Mixed reactions come from that same crowd, on the edge of seats waiting for the riveting action to begin.

The announcer continues stimulating the audience. "Prepare yourselves for the PB cracker clash of a LIFETIME!"

Commanding Awesome Possum is Heather, mountainous beside the arena. "A.P., show ‘em what you’ve got!" A mauve aura flames bright from her body and absorbs her in her own inner energy once she shoots an arm forward. "ELECTRIC CHOOORD!"

Energized sparks release from the tip of Awesome Possum before launching itself out the gap of the ring left behind by Showstopper’s path to break free from its grasp. With both tops free-roaming past each other’s circuits, A.P. makes the bold first move.

"And now, the battle has truly begun!" the announcer confirms in zest. "Winner takes ALL the peanut butter crackers they can eat!!"

There was the call. The great, glorious gong of peanut butter crackers had officially been sounded. With the boost of adrenaline and determination comes Heather's stiffly crossed arms, face alighted. The flame from her body flares stronger. "Like, hit it now, A.P.!"

From the vibrant fanfare generated by an electric guitar, crackling bolts of lightning spray out in all directions from its metal shell and zip around as they please. Some stray dangerously close to the conductive figure of Showstopper, still refusing to leave its patrol despite the oncoming offense. Stemming from the circumference of A.P. comes 4 long Y-guitars pierced right through the electric core protected by the shiny, intricate framework. All strings on every guitar power up as the top follows an arc inward to enter the danger zone without hesitation.

Reaching the trajectory of attack, strings vibrate to prepare launch towards the impenetrable pillar that was Showstopper’s tall form. And launch it does, darting in quicker than a bolt of lightning such as those flying about. The smooth, circular rim of Showstopper comes into contact in an instant, immediately generating an immense electric force accentuated by the dramatic string of a guitar chord. The guitars circling A.P. all strike at the enemy in turn, each hit making a metallic clanking from every attempt to penetrate its superior stubbornness. The strings in full ready mode, one menacing disc of electric power manifests itself atop A.P. and shoots itself at Showstopper to throw it back across half the stadium.

Stamina remains firm, to Ozzie's grand expectations. Yet how could he not be in awe at the first hit as he gazes over from the opposite side? "Grrreat peanut butter crackers!" he exclaims. "Showstopper…" An identical aura of light blue bursts straight from his soul. "PHANTOM OPERA!"

Showstopper vanishes in a twinkling, purple puff of smoke just like that. Residue of the glitter following the mysterious poof floats to the floor.

"WWWWWHAT?!" the announcer roars, rolling the 'W' like the obnoxious buzz of a motor. "Can you bEliEvE this?! Showstopper has vanished!"

Heather’s aura disappears in her sudden bewilderment. It doesn’t take long for Showstopper to reveal itself, now holding down the dead center of the field and claiming superiority in the apex of the blinding lights beaming into the dome.

Ozzie's aura vastly overpowered Heather's. Following the reveal comes Ozzie's smug rejoicement: "It appears as though I have… STOLEN THE SPOTLIGHT!"

The spirit radiating off Ozzie transfers some of its energy to the top, a faint blue inferno surrounding Showstopper as it builds up defense. Silver rim emitting a lusty golden glow, it now solidifies its position in the bright spotlight now coming from above, A.P. cruising the arena to search for an opening.

Of course, the announcer is more baffled than anyone. "What’s this?! The spotlight is giving Showstopper some HUUUGE power!!"

Heather gasps in shock, torso bent forward to urgently spectate Showstopper’s rising might. The spotlight only feeds it the attention of the audience, fortifying the barrier created from Ozzie’s own strength to shield it inside an unbreakable column of light shooting its beacon up into the abyss of the faceless gray sky. The rowdy stadium encompassed all thoughts, all emotions shared across the transmission between conflicting minds. Only the open roof revealed all the meaningless ideas shrouded by one intense battle bidding away all other matters of attention. The crowd keeps cheering on, heating up the fierce competition going on inside the restraint of a single sphere surrounded by the swallowed realities taken over by the void.

Aura returning stronger than ever on Heather’s being, she throws an arm back forward once again. "ELECTRIC CHORD!" she repeats. 

Those same strings vibrate explosively before slinging A.P. straight at the intimidating wall protecting the low ground, one immense burst of lightning energizing A.P.’s rapid spinning motion. The pink guitars become a blur, golden gleam of the thin strings illuminating the top turning it into a rockstar cyclone.

Like a spinning blade it clashes into Showstopper’s durable barrier as a foolish little attempt to change its defensive ways. Sparks from the constant pressure fly at high velocities off each guitar, the ear-splitting ugliness of grinding guitar strings cringing Heather’s face and sending a sharp sting pounding down the tubes of her ears.

Ozzie growls between clenched jaws, forehead throbbing at every pulse of energy sent from the depths of his pupils to fuel the spotlight maintaining his dominance over the one in his control. All his focus is put into Showstopper, the remarkable resistance produced by his very will now hideously snapping the strings off A.P.’s guitars in a painful 1-by-1 process.

And just then, the head of a guitar snaps clean off. Heather watches the aggressive glow die down to a dim flicker, velocity cut down by half and permanently imbalancing the spin of her top. A quake from the barrier shoves A.P. back to wobble on the ground nearby. Snapped right off! And the tip of A.P. rattles on the surface. Ready to stumble down. Ready to back off. 

One could probably guess who commented next in the dismay, and they'd certainly guess right at that. "Awesome Possum has taken a HUUUGE hit!"

By contrast, Heather's tall stance threatens a new level of intensity in her approach, determined to break through the barrier. Now or never, ain’t it? "TAIL TORNADO!"

"STAGE STRRRIKE!" Ozzie yells back. 

Each attack of A.P. slams itself again and again into the shield as it orbits the dome, every counterattack of Showstopper killing all momentum in the assault.

"FISH SANDWICH LLLEAP!"

"ALAS, I’VE RUN OUT OF NAAAMES!"

Showstopper refuses to leave its post, looking to sustain its inherent authority rather than desire more. A.P., on the other hand, keeps pushing for the end of its uphill battle (or rather, downhill in this case), striving for a change of the tides without the strength of a moving fortress needed to set the moon off course. That same moving fortress standing deftly before it doesn’t flinch itself, stamina indefinite. But mutual invigoration flows in the jousting, even through the harshest duels for peanut butter crackers.

Making the rumbling fanfare of a final hurrah, the entire stadium is filled to the brim by Heather's cinematic voice. "ROCK THE SHOOOOOWWW!!"

Heather’s entire aura transfers right over to A.P., slamming tops together with enough power to knock Showstopper off its place. Both forces push hard against the other, never giving in.

"AAAAAAAAAA-!" Ozzie screams. 

"AAAAAAAAAAAA-!" Heather screams. 

"AAAAAAAAAAAAAAA-!!" they both… scream. 

Two sagging masses of gray have themselves seated on opposite ends of the miniature plastic ‘arena’, if it could even be recognized as such. The thin base was filled with tiny cracks from prolonged use, a side depressed even slightly enough to offset the low center by a crawl. Bodies slumped in to spectate the tops listlessly, Heather’s yawn only briefly resumes activity, lifting her head off the support of the hand propping it up.

Heather’s top sluggishly and senselessly meanders its way down the slope of the bowl to Ozzie’s, firm and balanced in guard of the center. One itty clink of rim against rim peaks their interest, tightening expressions and raising eyebrows. ‘Oh?’ the eyes say. Stuttering away, Heather’s top trips and tumbles back following the collision, slowing to an awkward, lopsided contact with the floor. A final touch puts the purple top in the grave, freeing the two from the incredible tension certainly displayed in half-woken faces.

Ozzie bounces to the comets when he gets onto his feet, arms thrusting the surrounding air away in the explosion of a triumphant, long-fought victory! “WOO-HOO! Ah- hah!! Shower me with roses as I bow before the crowd!”

While Ozzie is busy enjoying the standing ovation in the foreground just a tad too much, the palm of one hand curtly pushes up a cheek of Heather’s, the other pinching a wrapper of plastic riddled with orange cracker crumbs. “Shower me with peanut butter crackers…” Her voice stops the embracement illustrated by his great, glorious bows. “Dad, I get you're havin' fun 'n all, but like… when’re we gettin’ somethin’ new, y’know?”

“Hmm?” Ozzie settles down, having snagged his own pack of crackers from the tan drawstring bag.

“Like, while we were havin’ the time of our LIVES sittin’ here, I was thinkin, like…” An airy laugh enters. “We’ve been here a LOOONG time, right?”

The tick-tick between Ozzie’s teeth make up for the watch just now found to be absent on his arm. “Mmmmm, only half an hour…”

She continues without a care to acknowledge his misinterpretation. “Like, with RJ here, it’s like we’ve gone everywhere, without goin’ anywhere.” There was a point there - their butts were already complying to the latter half of that sentence. Nothing in the scenery changes, every colorful object gathered being familiarly newfound. The end comes with one passionate question: “Am I the only one who thinks that’s weird?”

Very smooth and relaxed in tone, the pacific coast of Ozzie’s sea blows a wind as he gets up to pace past her. “Well, we don’t quite travel like we used to, do we? How ever...-”

Deep and raspy in his monotone voice through a speaker, Open Wound completes what Ozzie had started. “WE have heeeld this hideout for years. It’s OUR haven in hell.

Bits of lemonade splash out the white plastic cups once they bump lightly against each other with a thonk, refreshing ice cubes wobbling within. The purple throne at the TV set was entirely vacant, however, leaving the radiance of the screen to reflect onto a dull material. No, it took a look to the left to find the liveliness. Stella and Tiger have their weight sunk into a large, luxurious red cushion just offset from the center, resting in front of the large cooler still dormant behind. While the box of Cheese Squares from the last outing had been tipped over and spilled onto the ground, the two remained lavish in the enclosure of the golden lining of the cushion’s edge, treated refreshingly to some beverages… and each other.

Tiger, relaxed on his side, had his head raised up on level with the screen. Focused on Stella, he pulls his cup of lemonade back to his face, sleek movements falling between the path from grin to grin. “Tell me, Stella: What do you call a paradise?”

On her side just the same, one leg laxly over the other followed the curve of her body up to Stella’s propped-up head finishing a sip like sharing a good wine. She finds time to outline the steps: “Take some ol’ place, crank up da TV, ‘n find some folks tuh pass out da snacks!”

Angry ramblings of Open Wound carry on from the TV, Tiger’s ears blocking out the heated distraction merging with his pleasant speech. “It’s a paradise in itself! I’ve never been so at home with your feral friends.”

“Home’s just a place, ain’t it?” Stella suggests the contrary. “We’re talkin’ wut, not who.”

“Hmph. I suppose you’re right.” He flicks a paw at the cramped space between them on the cushion. “But what do I call this? What do I call you?”

The bushy fur of Stella’s tail brushes against his leg. “Y’know wut yuh call me. Us got us. Don’t need no home for dat, do we Tig’uh?”

One stray gunshot lights up the TV for a split second, beaming onto her face. And Tiger looks at her, nothing of the home distracting his working senses away from the jewel presented before him. Captivation grows mightier, softer. Both get drawn further in, attention unwavering from the sight they had treated themselves to. Stella takes occupation on the straw coming out of her cup. And Tiger finds himself sipping right back.

Frantically, the nature of Verne’s tone is ironic in its lack of calming effect. “Now, Spike, just sit still-!”

Quills lodged in the shaded side of the Log so far that his back presses against the bark, he whines, “They’re meeeeeeaaaaan!”

Suppressed snorts escape out of Bucky and Quillo, heads jiggling in the near bursts of laughter both were emitting. They’re silenced once Penny approaches from behind them and puts a hand on the top of both their heads, ending the twitching movements. Quillo slaps Bucky’s arm, the latter being late to the memo.

Lou and Verne each take one of Spike’s arms as his lips quiver away. “Now, steady there,” Lou advises. Both half-commit to tugs in preparation to get themselves in sync. “One twooo…”

A yank tears Spike right out of the Log - at least, most of it. The tension in Verne’s shut eyes makes a full 180 and bursts them wide open at the splintering cracks heard in an abrupt tear of the wood. A board of bark, still impaled by Spike’s spiky quills, pulls a gasp right from his throat. Head jolting to the left, the first sight to make presence lacks substance at all… a hideous hole left permanent in the side of the Log, scraps from the messy interior of the bark scattered like shards of shattered glass. While Lou is left alone to pluck Spike out, Verne’s first concern is the new damage inflicted on the child of his own.

He runs a hand along the perimeter of the gap, feeling the texture of the aged bark unable to ever be restored to its former glory. The latest scar wasn’t the first the Log had endured - other scrapes and bruises aplenty defined its elder state. It was honestly a miracle the thing hadn’t ever caved in on itself long ago… a sneeze could probably take it down. Verne stares at it, just slowly shaking his head to accentuate the new pain in his frown. One day closer...

“WEE-WOO WEE-WOO!!” screams the siren from far down the Hedge, activating a signal inside everyone’s heads to put an end to the sunset bustle.

Consider Verne alerted. “Who-?”

A transmission from the static radio down the tubes of Heather’s ears perk up near Ozzie. Tribal communication methods relay the message back to sender: “Wee woo wee woo?!”

Ozzie’s head pops out not far from the area. “Wee woo wee who?”

“Dad, there’s a wee woo wee woo.”

Hammy’s extreme lack of breath doesn’t falter his ability to be the battery for the national emergency alert system. “WEE-WOO WEE-WOO, BIG TRUCKS! BIG TRUCKS!!” A frantic birdie in a wildfire powers the waving arms stemming from his body.

Stella’s entire face twitches, the smash on the power button darkening her rigid lips ready to explode out some not-so-T-rated things.

“Pack it up! Gather ‘round!” Muscles tense, an offset step of RJ’s leg puts his back into view opposite the group. Grabby toes clench onto the earth and drag back on the uneasy skin of the dirt. “Verne…”

Everything stops.

“We have a problem.”

“And an overused reference!” Heather mentions.

“But mostly a problem.” RJ’s announcement expresses low solemnity - so much so as to spark startlement from such a decision. 5 words, routine in individual connotations, force more progressive effort out of him than a heisting act itself. “Hold off on the heist.”

“Oh daaang,” Stella whispers to Tiger alone, reactions up and ready at the body’s rise. The blood flows warm and unsteady from head to toe. “Now the ‘coon’s serious.”


Episode 1: Man vs. Nature


RJ pushes past the others to slam the new map right in the center of the bulletin board and hammer it in with a pin, atop the other papers documenting every journey into the world now threatening to consume their own. 

Irony let’s it be that Verne is the first to tromp his way into the scene. Just a brief, brisk jog has him needing to catch his breath in front of RJ’s new find, pinned high as could be for all to see. “RJ, what’s going on?”

The others catch up, gathering close in concern just as instructed. The Hedge provided a natural guard from the heat of the air - a damp panel reflecting a shaded wall of green off the intersection at the bottom corner. All inside, under the stiff shoulders of the Hedgies, remains dormant in its warm, cool presence.

“Good news: Cave’s empty,” RJ says.

Against the tips of the jagged leaves topping the stronghold and the sharp edges of the triangular rooftops kept within, a force remained creeping over. Its radiance threatened with the gaze of a fierce chroma - orange, yellow, red. The clouds took the softest blows of the consuming tint, leaving a craving for more. The heads clump into the next easy target, soaking up the remnants of the flaming orb’s wrath. No one manages to clear up the uncertainty RJ was presenting.

“Bad news: Our schedule is not.”

Flurried movements of a neanderthal express the refusal to enter the doors of RJ’s cinematic funhouse. “Look, we just lost a wagon-load of food,” Verne rants. “And YOU’RE Twinkie dump isn’t getting any smaller. WHAT is it now-?!”

A vague shape invalidates the minute exaggerations once granting Verne the ability of speech - more than a deathly gasp, that is. Behind the funhouse stands just the ramparts of a hellish black structure, undefined by the eye. Though the top houses an unmissable pad of soul-lurching yellow. A warning. The crane in the bottom left of the map projected its path towards one landmark - not needed to be named. Here to expand for progression and vitality; here to sacrifice and destroy. 

“Gee…” Stella breathes at a look for herself. “We got a big stooorm comin’...”

The kids cower behind the parents, despairful looks passing between one another. Penny pats Lou’s shoulder, the pair left without meaningful words to speak that they never had in the first place. “I-I’ll go calm the kids,” she hesitates.

“I’ll go calm myself,” Lou joins.

“Why, are you certain?!” Tiger asks RJ. More fiery in reaction than Stella, his tightened eyebrows paint a whole new visage on his face.

“Look, the thing manifested itself at my feet,” RJ explains deeply. “That means it’s fate. And if it’s faaate, we ain’t got long to change it.”

“Uh…” Ozzie’s voice undergoes an entire arc from distress to disbelief in a second. “May I cash in my victory prize now?”

Another pack of peanut butter crackers tosses up from Heather to Ozzie, immediately comforting his stress-eating impulsion. A hurried chomp rips right through the wrapper to the goods.

“Woah…” Heather leans in towards an equally wide-eyed Hammy. Though, hers simmers down into indifference. Convenient in position, a house over the Hedge had the two obscured by the incinerator - bringer of life, lament, and a burning rage that fueled all motives of a capable, foolish man. “We gotta get out.”

“Does that mean we get a new forest?” Hammy begs to know, a hair on an ear peeking over the shadow’s rim to maintain only a loose connection to that which ensnared Verne’s entire head.

“A new forest would be kinda sick, actually.”

It roars. It rumbles. The bumps in the massive rubber tires disintegrate the spine of a feeble twig relaxed in the grass, snapping the victim in two. Though the engine overtakes all noise. The snap, the shrieks of the twig remain unheard as the unfathomable machine terrorizes all posing minor inconveniences to its plans. Rusted scraps off the slanted black and yellow lines painting the bottom edge suggested the war-torn condition of the thing. A twig would never be the first, nor the last.

“Now, my supreme raccoon senses are tellin’ me…” RJ’s club snaps itself onto the calendar to the right of the board. “We got THREE WEEKS to get our butts outta here.”

“Wut makes yuh say that?” asks Stella.

“My supreme raccoon senses. Just said that.”

Daggers inside the stump of a tree unsheathe at the splintering force tearing the trunk apart. The deadly wheel, its wielder yet to be known, stops for nothing. It tears, and it tears, and with every crack of the tree it still tears some more, until one more irreversible gap is left in the skyline of the highest branches. Those daggers don’t even pierce into the hollow rubber - they don’t damage - and it is free to plow through the rich green and charming, rustic brown.

The final cracker makes it down Ozzie’s throat. “Right after Heather’s birthday…”

Heather snarks at the mention. “How’d you ever knooow it’s my birthday?”

“My exceptional dad senses.”

The wrecking ball drops hard onto the Log, tossing up storm clouds of dust and dirt to fill the air with the devastation of a lost relic. The fallen tree, skin left intact against the harshest of seasons and nature’s own recycling squad, had left a hollow space to inhabit. The tunnel of protection and nurturing, circled by the most mystical fireflies right to falling snow all in a single year, made into a single second. Through hell’s fire and freeze, now to be taken out just like that? Unthinkable. Un questionable… was the need for a hard decision. 

“Woah woah woah.”

The foreign voice interjects on the conversation, Verne’s sudden introduction unanticipated in every ear. “Now who said anything about leaving?”

“Me. Just said that,” RJ repeats, a slight sag underneath the sockets of his eyes. “Our butts need to be got. Gotten. Outta here, that is.”

Verne snags onto RJ’s arm, yanking it tight in its place. “Show me this baloney, RJ,” he demands. Though the final slimmer of the sun had bid farewell underneath the Hedge, little slips between the leaves of the high branches drew cracked veins throughout the forest floor.

Out of RJ’s own will he agrees at the faces awaiting his compliance, pulling out the binoculars that had provided him the unsought knowledge just prior. Verne tapping an urgent foot, RJ flips it around to face the eyepieces towards the turtle.

And coming out the lenses is the image dreadful to endure. They watch in a row on the edge of the cliff yet another matured, elder tree plucked right out the rough soil across the main road.

Pesky muttering, speaking acquiescence, pokes at Verne’s shell in overwhelming acceptance of the situation. The murder witnessed puts a grudge in Verne’s cheek. A hunk of dirt is scooped by one mechanical arm tearing apart the earth. Roots of the final remaining plant life, namely grasses and smaller shrubs, fling about in a desperate ditch effort to cling back into the homely underground that had hugged them farewell one last time. In the puncture’s place, a segment of a spotless metal pipe infects the very bloodstream of the land. Peep peep. Another poke.

Look at this!” Verne lashes back in defense at the discouragement, binoculars dropped to the ground. “We can’t just pick up and leave!”

The railroad between their minds remains functional as it always had. Stella sets sights on his old, dull shell. The unacknowledged imperfections in its shape spoke a history no lessons could tell. A story only remains authentic when spoken by the wiser - its genuinity deteriorates with every inexperienced reciter. But Stella’s chin raises up. Not to a storyteller, but to a fellow. It all runs through her head, bouncing off the walls like stray molecules ready to fuse.

“Y’know wut?” she booms. “Yeah! That turtle’s got a point, raccoon. This here’s our turf!”

Tiger stares, bottom lip lingering in the waters of grave concern. That aura his love radiated shows itself to his senses - anosmia distributed its lost power to the greatest form of perception available: the brain. “Ar- Are you quite sure, Stella? We’re the lowly ones in their world! A world that I had lived in… far too long.”

“Am- Am I stutterin’? With dat mind, THIS home’s good as gone. Our home!” Out of nowhere behind her back, a large red button, attached to a flat, circular base in the form of a saucer reveals in her hand. “Now, which one of yuh softies up for sum hard, bare FIGHTin’?!” A thumb smashes down, producing the low buzz of her verdict.

Buuuzzz.

Flung close to the ground, the button whizzes into the care of Tiger’s front paw, halting it with light contact. “I see what must be done. I am up!” The joint in his elbow removes flexibility, the pad of his paw pressing valiantly on the plastic, rounded top.

Buuuzzz.

Rallied war cries come from the porcupine kids. In a chant, they alternate jumps on the button. “Fight! Fight! Fight! Fight!”

Buuu-

Buuu-

Buuuzzz.

Stella passes the spotlight. “Ain't dat right, Verne?”

It stumbles awkwardly in his hands at its transfer into his cautious hands. “Uh- uh yes. Yes! That’s right!” Clearing his throat, firmness rings the bell. “We FIGHT!”

Verne twiddles his fingers and remains silent among the others during their "huzzah"s. He hesitantly and carefully taps the button, the buzz quieter in his delivery.

What the hell does he think he’s gettin’ into? RJ intrigues, knuckles in one hand straying further into visibility.

Hushed topics are relayed between Heather and Hammy criss-crossed facing each other in the back. Set of UNO cards readied in control of both casual players, RJ listens in from in front while attention is slowly shifted between the distinct groups.

There were no nut cards. That much was certain. Hammy chooses carefully from his hand, though no wrong move would pop the bubble surrounding him and Heather. “Can we build a treehouse?” he suggests, tamely enthusiastic.

7.

Over the thin white borders of her cards, she glances back. The imagery of such a treehouse, cut and crafted precisely from all the little Arnie’s boxes they could collect, sparkles in the cloud above her dome. “Duhhh, dude. We’re so gonna build a treehouse with RJ in that forest.”

Reverse.

Among the racket thrown about by every face around him, Ozzie picks up one quiet yet energetic voice. It plays and jests his left ear, pulling it away from the crescendo building at the cliff’s edge. He keeps his distance, taking an extra step back at the backwards slope of the hill to confine himself from the rest, tunnel-vision leaving not his center the focus, but the left corner. It was perfectly correlated - construction on his right, circling the harshness between the rallied, rowdy animals. His own sprouting seed on the left, significantly warmer in approachability, lacks the raging heat melting the rocks apart. He chooses the left to observe.

It was 2 friendly figures snuck behind RJ’s back that turned the gears in his head, wiggling his fingers. “Let’s make an entrance.”

RJ’s brisk wind brushes the fur on Heather’s back as he runs back to pounce onto the trunk of the nearest tree, one limb after another working his way up. Heather pokes a card at Hammy, grinning larger. “Yo, this oughta be good.”

Verne breaks free from his circle at the ruffling above releasing a scatter of leaves to float to the surface. One lands against the back of his neck, compelling him to flick it away and turn around to confront the disruptor. RJ. He rests on the thinnest, twistiest branch of the bunch, stretching far from the back of the hill to survey the globe below its perch. It wobbles at any and every movement, threatening to snap off even more so with RJ’s self in responsibility.

RJ!...” Verne huffs. “I feel like you’ve got your RJ noggin in the clouds right now.”

Do I? Hah!” he laughs, waving high into the sky away from the intense situation. “Sorry, I just think I’m feelin’ at home with the birds on this one.”

The golf bag nearly crashes onto Verne like a boulder, bringing a fearful yelp in reaction. The same who was ready to fight, and ready to lose. RJ leaps off the wobbly end of the branch, bouncing off like a diving board. Up to the map to the right of the bag he runs, still pinned onto the bulletin board they must’ve dragged all the way out here.

“You see that, folks?” he directs, a finger swaying from the arrow headed their way down to the crane, faint at the back corner of the Hedge. “That’s a red arrow of DEATH. Which we could avoid if we just did the LOGICAL thing-”

Verne snatches the map from his shrugged arm. “Which we could PREVENT if we worked together…”

That’s when Stella makes no subtlety coming up to finger-stab RJ’s chest 23 times. “So, Mist'uh 'Smart Guy', you SCARED of these fellas?”

“Do I sound scared to- Ah, shoot.” Rummaging through the bag brings out the big guns - a white megaphone, its handle almost ungraspable by a raccoon’s hands. Quick adjustments to the volume go underway before its ringing blast is directed right at Stella, jetting her hair back far enough to uncover her eyes. “Do I sound scared to you, Stella?”

After the screech of his voice into her ears ends, Stella scrambles her hair into its former place, thrown about the top of her head and over her eyes. “Ain’t no proof.” Stomping forward in objection with hips routinely taken by her fists, the foot wishes it could crush RJ’s own. A couple strands of grass keep toes from touching, raccoon-foot pancakes being reserved for another day. “Ain’t no nothin’!”

Tiger’s countenance expresses the unattainable urge to prevent her from travelling any farther down the scorching descent into the flames. “Stella…”

“Ya want proof?” RJ blurts, megaphone finally held down to speak on earth with her. “I got proof. I’m fuuull o’ proof.”

Verne doesn’t get the chance to snag RJ away from his path to the edge of the cliff, setting a beacon above the perch to all who could see below. RJ arches his back in a stout posture, fist on a hip. No reservation exiting through the megaphone, that leaves only RJ’s announcement: 

“Attention! Fat man in the overalls!”

All humans below look his way. That beast of a man, brown jungle of a beard tinted with the orange glow of the sunset, drops his large black phone to squint at the megaphone-wielding raccoon ruling atop the cliff.

“Yeah YOU!” A finger thrusts forward at that very beard (if it could even be identified as one). “Ever deal with your own forest ya got there?! ‘Cause I’ve seen WILDFIRES dealt with cleaner than you-!”

Snatch. Nervous hand gestures follow Verne’s seizure of the megaphone, shoving RJ away in the process. “Uhh-h, he didn't say that!! Go back to your, uh… do-dee-dooo's! Heh.”

“Now what we’re they sayin’-” a crew member only briefly starts.

“JUST some raccoon with a MEGAphone, Jerry!” the big man in charge returns. The screeching clanks of a jackhammer on rocky terrain impair the comprehensibility of his stentorian voice by 0 degrees. A megaphone of his own forces Jerry to plug his ears in a desperate effort to reduce the inevitable medical bill resulting from such an injury. “BACK TO WORK!! We gotta clear 5 more acres by MONDAY! Step it up! I wanna see that timber QUIVER!”

“Am I the only one usin’ my BRAIN here?!” RJ continues.

“Nope, you’re the only one using it wrong,” Verne retorts with his group of Stella, Tiger, and the porcupines. Ozzie merely lingers somewhere in the middle-ground.

RJ naturally slouches back to Heather and Hammy sourly, removing them from the crowd busying themselves in Verne’s leadership, conversing with some obscured ranting toned out by RJ’s ears. 

“What now, Uncle RJ?” Hammy mumbles, upper body left to comply with gravity's will in the absence of certainty.

Hopeless frowns only spring RJ’s spirits back into action, both loyal members swung tight in the grasp of corresponding arms. The cheeks on their faces squish up against his sides. “Not get the gist? We’re packin’ our bags, folks!”

Grins spread like the happiest disease ever to be known.


The bulb of the lamp above the purple armor around its stand illuminates the darkness overtaking the grassy floor. The nearby trunk of a tree faces the same exposure, leaving that white glow to create a dome of brightness, distinct and solitary from any business encompassing the area. The space leaves room for all objects of color, plastic surfaces and other artificial materials alike. But some associates to these gadgets and ornaments organize themselves in a circle around a sheet of vibrant charting… and danger: 3 furry figures, one color coat unlike the others. Their shapes and statures immediately identify them among any others.

Heather stares very intently at the old raccoon plush off a little ways. Black tail silently crawling around its bum in the cover of the grass shrouded by the night, she slowly drifts it over against her hip.

RJ drops a king, queen, and knight onto their newfound map.

RJ.” An explosive sneeze of a split-second whisper is uttered from the tiny space between Heather’s lips. Rest assured - if it could be written in tiny text, it would.

RJ tilts his head down and raises an eyebrow on his squinted face. The stuffed doppelganger, small legs bent inward to replicate Heather’s criss-crossed posture, swaps his view back and forth between them. Heather remains just as motionless as the toy, teeny hands locked in her lap. A finger of RJ’s comes back to the board with another knight.

Suddenly, from Heather’s other side, Hammy decides to make a presence. Issue being the blaring volume. “Which knight am I?!”

At least Heather’s had at least been considerate of the time of day. Bursting in comes his voice, startling RJ and locking him in place, further stretching the corners of his mouth. Before placing down the 2nd knight, it slogs off to have its spotlight stolen by a fresh bishop. Sending fingers gracefully flying away leaves the 4 pieces tumbling onto the map.

He clears his throat, throwing an energetic finger. “Hammy! Atmosphere.”

The white, oval sound machine off to the side rocks and rattles at the slap of Hammy’s hand. A smooth drum roll leads into a casual bongo melody.

RJ points at the pieces piled onto the target, jumbled and unpredictable. “We… are here.” He then proceeds to slam a rook onto the crane symbol at the bottom. “This… is the Hell Hand.” Finally, a swarm of pawns crowd the rook. “And these… are alllll the burger-munching binguses munchin’ our burger.”

I’m not a burger bingus...” Hammy murmurs.

“But!” Making a circle with his finger on the far north of the map, RJ elaborates: “We keep this burger to ourselves.” He slaps down a sticker of a logo onto the forest above them: a red square with a yellow M in the center, underlined and having outlines of yellow triangles within each crevice of the letter. “Our glorious horde of Mac’n’D’s Grand Macs! All hidden within our new hideout.”

Heather mumbles aimlessly, “Could’ve been Arnies’...”

“By the time we get outta this stinkhole, the BMBs won’t be findin’ ANY burgers to munch on. So, we gonna let ‘em munch our burger?”

In quick succession, the 2 listeners answer the rally, Heather’s burger train of thought full steam ahead past Hammy’s attentiveness. 

“Yyyes!”

“No!”

Noooo,” Heather immediately doubles back.

It’s a subconscious effort that raises RJ’s eyebrow at her.

“Yeah,” she sighs. “Kinda a dum-dum when I’m hungry.”

RJ table-flips the flimsy map, launching the chess pieces away. As he folds it back up while approaching her, he states, “You’re always hungry.” A little tap of the end of the map the top of Heather's head for a direct hit right between her pointed ears. 

Thwack thwack thwack.

“Got a problem?” she smirks. 

THWACK.

RJ just stares as he returns, Heather's face scrunched while she consoles her assaulted noggin. A whole empty moment passes before he finally slaps his open journal down on a set of 2 equally empty pages. Completely untouched, and completely unutilized. Housing for the imagination. “Our forest is hittin’ the dust. But we’re not done-!”

Without warning, the bongos jerk to a stop in the middle of the freeway, leaving RJ’s expression to rear-end.

Hammy slaps his hand onto the button again. Drum roll. Casual bongos.

“But we’re not done yet!” RJ finishes. “Because we… have this.”

Unsure faces are wiped clean once 2 colored crayons land in Heather and Hammy’s grasps, now blank as the lined paper RJ was hovering over with an arm. The blue and red markings, once enforcing the gridded structure, only give the white landscape a striped overlay - that extra dash of color could never be more appreciated. A striped canvas having its own drawing prompt, bouncing up and down at a bright mind who could build an impossible hotel to occupy a simplistic foundation. 

“Heather, you're the artist here,” RJ directs. “Make us look guuud.”

Of course, the definition of ‘artist’ could never be set in stone. Yet, Heather was more than ready before he had even asked. “Dude, I'm like the hormonal 'possum cousin of Bob Ross. Like, check it.”

A triangle of 3 smiley faces in blue, purple, and orange sketch themselves onto the center of the immersive page, uniquely disproportionate in one disorganized characteristic across one to another. For the time being, all existence takes the form of the irregular lines and shapes in the 2D environment, being compensated for by all shapes and colors now capable of morphing together to represent any object, any idea imaginable. 

“So!” RJ declares. “We start small.”

In an instant, the outlines of lush trees with thick trunks encase the three in an empty forest occupied only by themselves. A barren circle spanning around them creates a large circumference available for habitation. A brand new touch of life was needed to transform the space of emptiness into a space of opportunity. A trio of distinct, coordinated colors make starting points in dispersed corners of the scene, weaving lines sharing first steps only to follow their own paths soon enough. Purple and orange work in synchronization to recreate the core characteristics formerly defining the surroundings of some old, hollow husk of bark: bulletin board, umbrella canopies, and an amazing banquet tower piled higher and higher with each doodle added on.

Blue curves shape a vague resemblance of the TV set below the top edge - empty popcorn cups, Cheese Squares, and all. “Location, location, location! What we got?”

A broad purple border takes up the entire bottom side of the paper, impassibility making up for the fatal flaw in the very thing it was there to represent. “I mean we like, GOTTA have the Hedge, right?”

‘Steve’. The letters write themselves in orange as a label above the purple Hedge. Hammy asks, “Hey, can we name it Steve again?”

YOU can name it Steve again,” RJ goes on with him. “That’s a Hammy thing. Intellectual property.”

Hammy struggles to get the words out. “Wait what- what’s an… in-tel- intel- lectual-?”

An open spot in the top right corner is now being taken over by waving purple lines falling down the paper. Independent from whatever the boys were going at, Heather narrates her creation to the audience, really taking the Bob Ross thing to heart. “And we’ll have a biiiiig waterfall right up there.”

Orange wieners (?) hang down from an impressive willow at the pond drawn beside a lake formed at the end of a lengthy creek spanning the entire page. “Ooooo, and a hotdog tree!” Hammy adds.

The most recent addition doesn’t live long. Heather is thrown completely off track, scraping Hammy’s wieners right off. “Ok, THAT’s just stupid.”

Nah nah, he’s onto somethin’...” RJ ponders. Identical blue hotdogs replace what Hammy had just contributed. The brainstorming process begins. “What’s a wiener willow good for?”

“Wait, squirrels like wieners,” identifies Hammy. It was a weirdly deep pitch for a squirrel on the topic of wieners himself. Those typical daydreams fell to intentivity in the dead of night, leaving black lines behind the bent crinkles of the page even with the supportive lamp compensating for the dim sky.

“Yes you do. Who’s next?”

“Oh my god,” Heather gasps. “Hammy. Hold up.” In awe even at her own genius realization, other undefined smiley faces draw closer and closer to the tree. “Like, OTHER guys are gonna want our wieners, right?” More faces pop up until an entire cheering crowd surrounds the sight. “If we just have ‘em floppin’ out, like, it’d totally bring ‘em right to us!”

Sooooo… those who eat the wiener… fight for the wiener…” The devious grin on RJ’s unseen face was so damn obvious that it could be seen right through his speech.

A far shout interrupts the moment and demolishes the very scene in full. “Is the weenie talk ov’uh yet?! Jus’ maybe?!”

...

Broken out of the paradise inside the page, all heads swish to the side at the outer disturbance, caught off guard by Stella’s intrusion.

Verne, standing in front of the others heading off to sleep around the rest of the site on the left, just shakes his head with a sigh of stern disapproval. Back turns to the 3 as the remainder of the group disperses in all directions like the very molecules filling the conflicted air, lacking any thought of unity while they bounce off one another in an aimless jumble. He addresses Stella and Tiger with a thumb out. “Night, you two.” Porcupines. “Night, pokeys.” Turning to face Ozzie forces him back in RJ’s direction. “Night, Ozzie.”

Tall behind Heather’s seated back, Ozzie passes the ritual circle of the journal and map. Those chess pieces suggested some kind of board game had taken place, followed by a deep inner reflection of events inside the journal. “Goodnight, princess.”

Swiftly brushing him away with little movements of a hand, Heather turns back to the journal page to bring it a grin full of imaginative possibilities. “Yeah, night dad.”

Ozzie’s silhouette lingers on the base of a tree near Heather for an extra moment after his leave, the glow of the lamp taking part in its creation. All while Heather gets locked on RJ, awaiting the next course of action.

Staring. Verne comes across RJ’s curving eyebrows, head heightened above limp shoulders. He doesn’t blink. And so, Verne settles for a sigh and stomps one sturdy foot after another onto the dirt, returning to the vicinity of the Log after an act of judgement. His tail doesn’t sway, doesn’t move at any motion enacted by the remainder of his body.

Just when pulling back the flap of the cat bed for Tiger to slip into, Stella flips back to face the Log. There Verne was. Staring. Arms behind his back; posture strong and stout. But it was a clear contradiction; head lowered to the floor of the wood inside. The barrier at the hollow entrance had to be keeping him from settling in so soon - not a barrier of leaves, but one without appearance. Without comprehension. Only ‘seen’ in a space within, unable to be shared.

Stella pats on Tiger’s back with a knuckle, pausing him as the back half of his body makes its way inside. “Get comfy. I’ll… be a minute.”

They take to the high hammock. In RJ’s lap the journal lies, now lifted up to examine the creation left behind from the conference. Forest, hotdog tree, waterfall… the whole rundown of the list gradually heightens and heightens the sides of RJ’s mouth in tiny, steady increments. The last thing he does is nod.

He briefly observes the Picasso painting they had made of themselves. Heather was lying upside down against the trunk, legs and tail slumped down over her torso. And Hammy, head and arms dangling right over the edge of the branch, had legs wide in front of his rear pushed against Heather's cheek. The fuzzy tail made the perfect pillow for the top of her head to rest on. All limbs in a jumble, and all loud mouths snoring away. 

It takes only a brief moment for RJ to get situated, slinging the strap of the bag onto a sturdy stub of a branch breaking away from their own. Against the upward slope he rests, the angle providing a marvelous view of the canopy's lush roof. Just above, the trunk split away into its own diverging paths, following their unique wills and motivations, but stemming back to one united whole. 2 groups made up the whole tree: Those flourishing with leaves all about, and those left without life. Those still thriving in the elder state of the stump housing them, and those giving in to the fate placed upon them. But still they branch, following their own unique wills and motivations - stemming back to one united whole. 

With the two sound asleep against each other, a sudden commotion draws RJ’s attention back to the surface. He leans his head over the branch to investigate.

“Wut's with da old-guy look dis time, Verne?”

Seated back against the rim of the Log’s opening, the can of Spuddies atop the site’s largest pile of food in particular attracts his interest from the peak. “Is this really it?” he breathes low to Stella, disbelief gluing those 4 words tightly together.

“If yuh makin’ it it.” She trots past and kicks the ripped strip of bark left from the sunset with the back of her foot into Verne’s view.

That single chunk had left another irreversible scar in the skin of the Log. An easy tear means an even easier fall - for what the exterior lacked in foundational resistance, it more than made up for with the willpower of those residing within. But what’s a skeleton without skin? Still a skeleton… but without life nor sustenance.

Finally, a distressing message travels every telephone wire; he tosses a hand back yonder. “Are we crazy!? That’s an entire beehive over there!”

Buzz goes the fly pestering RJ’s ear, obscuring all noise from whatever bit of the conversation was taking place. A flurry of swats only creates retaliation from the winged diversion.

“And?” Stella objects, getting a roll of gorilla tape on the ground around her foot like a ring to punt it up into her grasp. “Did yesterday mean nothin’ to yuh?” She rips the end of the tape off the base, sticky texture making a growl of clicks in reaction. “Verne… times are changin’.”

That in particular brings Verne to sit up taller in anticipation as she tears off strips to start covering the new gap on the Log with a grid of durable black tape, the roll secured in her front teeth.

RJ finally manages to smack the fly away.

Passionate movements come about her. “So pick yuhself up, ‘n fight back on da change!” Fixing the final strip on the patch, she spits the roll away and stands over him from the side. A couple inches made all the difference - Verne was cowered beside her renitent form. Her outer shell of firm might, harder than Verne’s, allows sincerity to pass through the cracks. “You ‘n I… the Alliance ain’t changed one bit. Nev’uh will.”

Verne stands up. “Alright.” Stella’s assertion raises his own, tone complying to the duty as fists go up and down in the reminder. “I can’t lose this place. I just can’t.”

In all those words, RJ can’t make out a single one of logic to prevent a head shake. What’s that man thinkin’ right now… Lying down bids the day farewell.

“Stella… are we ready for this?” Verne’s new disquietude returns. “Am- am I gonna be too hard on RJ?”

“Yuh ain’t gonna be hard ‘nuff, man. Think about holdin’ back, and yuh ain’t gonna get nowhere with a guy like him.”

Breathless, even having a huff of amusement releases at his own inner quarrel. “He’s just done so much.” Stella’s arms cross. A shift swerves his resolve into the fastlane. “But it’s all so sudden. I don’t have time to try and ‘seeee’ his way!”

Stella sighs. All she had left to do was pat his shell and head off. “Man, jus’ sleep on it. How ‘bout dat?”

Just sleep on it. The telephone wires connect into one by another stare of intense consideration taken to RJ in the tree. Just sleep on it. While inactive, even RJ’s naivety starts to soak and drip down the branch to collect itself in the rain bucket of Verne’s eyes. The more is filled, the more intent replaces the still mood of the context. “Yeah… just sleep on it.”

The Log.

I can do that.”


One straggling stretched cord plugs right into the other by Heather’s doing, stemming from an indecipherable source within the festival of the forest.

A swish of 2 dark fingers straightens up the brim of a massive sombrero miraculously balanced atop a concealed head. All above hidden, the cool grin on his face displays its teeth.

The sleek golden banner strings up with a giggle, Hammy’s lightning-fast limbs working to tie one end around an erected branch high above the scene. So in-spirit as to add some decorative liberties by leaving a good length of its ribbon swaying in the breeze below. Just some pizzazz.

The ethereal morning light nurtures the tranquil glade left to thrive inside the damp log. Leaves shake out in the open world - not from cold, but from the hint of a dormant breeze adding a comfortable coolant to the palette of the sun’s warm rays. Verne confined himself to the indoor habitat of firefly woods, ears already filled with the steady buzz of the turning earth. Moss lining the walls shrouded his surroundings in the cloak of Mother Nature’s embracement; the mushroom disciples spread her loving arms of fur, and wood, and the smoothest clay. The flowing waters running down her cheeks do not cry from sadness, but at beautiful magnificence. Those thoughts collect themselves in the pond of the willow, soaking in to gift the plant-life a thriving source of richness and fertility. Verne takes the blanket, knitted by woven bush leaves, and pulls it up over his sleepy torso.

Ahhh.”

"WOOOOOOOOO-"

The veins in Verne's eyes, red as a throbbing surge of blood itself, nearly pop out their sockets once absorbing the prolonged screech of a raccoon just outside. Yet no effect comes to his tall smile, the racket too unanticipated to thaw it out of bitter ice. 

RJ cheers from underneath the tent of 2 adjacent blue and white umbrellas. One pile of multicolored, joyous containers and boxes, surely stuffed with a fiesta feast for all, make the vivid scene all the merrier behind him. So much so that the sombrero, though tempted to shift towards his back side from his raised chin, sticks onto the party host.

The fake flowers on the lei, far too unsuitable for Heather's neck, flutter on the string as she slides up against RJ, dangling so far down off of her that they gave her a 2nd tail coming off the front. "WOOOOOOOOO-"

"WOOOOOOOOOOO!!" Hammy’s voice vibrates like a choirboy once he teleports in on RJ's opposite side, creating a beautiful harmony among them in the center of the food-filled square. 

"WOO!!" the 3 shout, arms tossed wide open. 

RJ yanks the string of a little party popper to blast a load of colorful confetti out to rain down onto Verne’s grumpy, motionless head opposite them. One piece of the tiny paper twirling down lands right on the tip of his circular nose.

A large, round, pink balloon creaks on its elongated string, pleading just as much as Verne to be freed from the party-painted prison weighing it down. Cloth swallowing the brim of RJ's sombrero, checkered red and green, adds repulsive insult in the face of a solemn struggle. Tropical flowers on Heather's lei pain the eyes with their obnoxious tone, off on a vacation to a shark-teeth shore, spiked rocks lining the water of the hard, rocky beach. Verne examines it all in great sternful silence. The gloss of the golden banner draping between 2 sprightful branches waves its message loud and proud:

‘Happy Trails!’

Keeping the energy flowing, Heather shimmies back. Phone lying somewhere nearby, the tip of her tail smacks the play button showing from the radiant blue light. 

Spike touches the front of the double speaker skyscrapers idle at the border into the thick brush. The gasp slips right out his mouth. 

" Wicked cool-"

Boop. Without warning, without buildup, blaring guitar music cranked up to 12 shakes the ground and transforms Spike into a bullet, blasting him off and away to answer the call of his people. The base of both towers rumbling, one speaker is tripped off its bottom and crashes over, stubbornly continuing to send its jam into the depth of the earth. 

What grows and grows alongside the blast of soundwaves is none other than Open Wound's explosive violence, progressing towards a physical approach rather than verbal. "And I’ll sacrifice ANY of the men I need to keep it MINE!!"

Back at the TV set, persistent as they were, the pillow underneath Stella and Tiger gets capsized right as a forceful punching noise comes from the screen, replaced by a hollering guitar. 

The whirr of the deliciously-pure coffee streaming out the machine into Ozzie's '#1 Trash Cat' mug is fractured by the irregular motion below, shooting his sleepy face awake, now investigating. The mug falls over and spills the remaining coffee into the soil to water new coffee plants, tensing his brows in agitation. 

A glass cup shaped in rich crystals slides off a high shelf and shatters on the slick, dark wood covering the uncarpeted region of the living room, glittering shrapnel treading into the dangerous vicinity of Hoppy’s bed. The music box inside her head is unshook by the vibrating ground underneath her; unmuffled by the fluffy material layering the top of the rounded pan she slumbered in. That coating of white fully punctuated those sweet splotches of milk chocolate covering her body, blending in with the snowy fur beneath. In the presence of collapsing furniture, Hoppy yawns and turns her back away.

The entire planet, on its rotating course, jerks and jiggles to the rhythm. Mt. Everest just experienced its worst avalanche since 2014 before it even happened. Those pleasant folks who ear-blast the bass of their music as they drive down the road SO loud that people might as well be prepping for an earthquake? Yeah, like that. But now it's the entire goddamn planet. The hydrosphere no longer needed the moon to monitor its tides.

The footing of the main 4, offset by the sudden earthquake, refuses to morph countenances into a state of distress. Verne's deathly cold stare prompts RJ to jab Heather with an elbow to hold off on the rock 'n roll. Her tail hesitantly gives in to tap the button again, sparing the forest and returning tranquility to the chirping birds somewhere far off. The shaking that had made the vast prospect incomprehensible comes to an end.

The only thing breaking the still image of the group are the exhilarated acclaims by the porcupine kids, struggling to break free from the control of their parents to join in on the fun. But one thing remains more still than the others: inconvenienced stares on RJ stemming from all directions.

"I’d say you’ve got your hat on a little too tight yourself." Before stomping off, Verne makes sure to poke roughly up the brim of the ridiculous sombrero making a floppy umbrella atop RJ's dome.

"Tight?" Heather chuckles. "That Mexican hat's, like, sooo too big for you, dude." After a friendly nudge up on the brim herself, she skips away. 

His hat, timidly sliding down his forehead before tumbling off, makes his mug wish it could droop off his face along with. “You take it,” he grumps.

The response halts her feet. The lost momentum whizzes ecstasy up the rest of her body, flipping around. “Wait, real talk?”

A flip of the hat tightens it back on. 

“No.”

Heather manages to emit a groan low enough in its disappointment to startle the monster under the bridge. No distinguished destination is set by her feet once they decide to trample through the grass. Meanwhile, RJ rushes after Verne while he pouts back to the Log, head hunched forward. 

RJ weaves in from the side. “Verne Verne Verne Verne Verne-”

Jerking RJ back, the lost momentum in his halted feet brings tightness into his fists rather than the previous. “RJ… I am tired, and I am on edge…” Everything left of the party decorations lingered behind his back, lurking like sinister demons in his shadow, prone to nightmarish creations caused by his own wake. A heavy sigh makes way to the caboose of his mope: “...and I must’ve forgotten to put my dreamcatcher out. Sooo-”

“So nothing’s new,” RJ shrugs, expression now full of jest at the opening found by an instinctive muscle in his jaw.

Verne stares with lowered, unmoving eyelids before giving him the cold shoulder to bump him out of the way and continue closer to the Log.

In a panic, RJ’s mind pulls a full 180 back to its previous plea, whizzing the sombrero rim back in the swift gust. “Ok wait wait wait!” Grabbing his shell spins Verne right back ‘round, posture unchanging. “We’ve got THREE WEEKS! What’s our order of business here?!”

The mountain of Twinkies off to the side comes into Verne’s view, silencing him for a moment. A new observation shifts his priorities.

And sombreros - a stupid sombrero on RJ’s head. Believe it or not, Verne finds no seriousness in a festive waffle making up RJ’s whole mass in itself, obscuring the morning’s aura of a healthy, diligent start. “Well… I can tell you our…” A grab and a frisbee toss sends it into oblivion. “FIRST order of business!”

The frantic movement of his arms and the gasp from his throat makes up for the stiffness in RJ’s legs, one ruling sector restraining the rest.

Heeere’s what we’re doing,” Verne starts.

“Leaving?”

A nudge comes to the messy mound of Twinkies. “The cave.”

RJ’s countenance lowers sourly.

“Al-right, chop chop-” Whizzing by all ways, the unity of the squad is encouraged by RJ’s backwards waltz. Suddenly, a rampant scream amasses from the lump his back collides with, stabbing the hairs on his tail straight up.

“AAAAAAAAA!”

Seated on a leg, Heather had her head leaning all the way back to the other end, stuck out to the side. “AAAAAAAAA!” she repeats, jaw snapping wide open and managing a jarringly obtuse angle from the corner of her mouth to the curved ends.

“What… are you doin’?” RJ hesitates.

Indifference remains in her response (despite the sacred act he had interrupted). The muzzle points up to address the man at the door, presenting low eyes to the onlooker. “Just, like, a ‘possum thing, don’t worry ‘bout it.” She leans her head right back down to send the same message to the smokestack.

AAAAAAAA!!”


A quiet click.

The empty, enclosed landscape generates itself before RJ, flashlight aimed into the deepest depths of the cave. Like it was just yesterday. The sole of a foot plants itself onto the familiar stone, only releasing the pulse of a beacon to illustrate an immediate snapshot of his surroundings. Familiarity was only a distraction from true nature, lowering that awareness needed to assess the dark, hidden corners spread throughout as to leave no area fully explored. The same effect that revealed ‘RJ the 2nd’ leaning smug against a large rock at the doorway of the chamber.

The convincing replica of RJ’s voice is there to greet him at the door. “ Nice to meet you.

Well, the first water had already been broken. The voice no longer rebounds off the walls back to itself - an equal presence shows no discomfort speaking back to the copy. RJ stabs a finger out, others on the hand gripped tight against the crevices. “Don’t get used to it. I don’t wanna be here either... ME.”

Now who said you didn’t wanna be here?

That takes RJ aback right as he crosses the line, footing glued right next to the hologram. A protest coming from what was his own self, sharing his own feelings. Still, a protest. “Me?”

Pseudo-RJ shrugs. “Alriiight, just remember your choice,” he teases. “Ya got 2 minds - 1 speakin’ out, the other speakin’ in. The eye ya choooose is up to you.

RJ waves the vision, and its sudden philosophical nonsense, away into nonexistence. “Okay me, shut up.”

RJ reenters the back room and begins unloading right away, flipping his bag over to dump an entire mound of Twinkies before kicking a foot right the other way and heading out. Nothing in his face nor posture changes during the process, if it could even be considered such. More like a trial. But, unseen by the naked eye, an entire mountain is lifted off his back.

At home base, the blue cooler they had managed to drag all the way to this remote location slogs past Verne’s crossed arms, supported only by all the pairs of little hands wobbling up the weight. No wagon - something the opossums in particular had tense countenances to blatantly convey. One slow, pounding step after another thumps the cooler with little hops graceful atop the zombies of workers dying underneath.

So what follows the slam of the packed container onto the ground, ready to be unloaded? The slam of 2 feet in the ruffled grass, even the slightest bit of mass added by an empty golf bag ready to be unloaded itself (as if it hadn’t been already). RJ’s aching back doesn’t compensate the sheer casualness he parades towards Verne, declaring that the end of business. Face cross and an arm wide in disbelief, Verne rotates himself to track RJ’s indifference waltzing right past him.

Verne wasn’t buying a single bit of it, the untouched cooler still… untouched. "You're telling me that's it."

But RJ keeps moving him along, not turning around. “The Twinkies have been delivered, and my back must be spared another day. You've officially asked for too much.”

Attentiveness restricted to the disbelieving Verne he’s passing by, an awkward puff of air is knocked right out of RJ’s stomach once he bumps into an unforeseen mass obstructing his stroll. Tipping onto the heels of his feet, he watches Hammy slide up from below with a dorky grin barely held back by the 2 oversized front teeth locking the mouth shut. The poke of a thumb towards the spotlight above the vending machine is followed by his sprightly insistent nod. 9 additional figures, once hazy in his field of view, encapture his peripheral vision using similar jackhammer-like movements of the noggin. All exhausted in appearance, but lit up by the opportunity.

The hand of a squirrel, never so ready to take up the prospect, jumps up and slaps the final quarter into the slot.

Hammy, springing up to hit his buttons of choice, leaves RJ to sit slumped like a pillar of wet clay slowly collapsing into a bent form against the machine’s corner. Thrusting over a trio of coins, each passing recipient only accelerates the unbearable road toward the end of his boredom. “Next... Your turn... Take it…”

The goodies drizzle from slots here and there, plastic thumping in steady succession at the exit of the machine. A new set of arms comes into the flap for each one retrieved. 

3 remaining quarters, locked between the cracks of RJ’s fingers, are flicked in a row by the other set for Heather to retrieve. RJ himself, though delayed and visibly unsure in the motion, unravels his own fancy dollar and makes an obligatory effort to contribute to the lost cause soon to come in his crooked fate.

“RJ…” Heather starts, sniffing at the selection through the transparent screen with a grunt. “They still ain’t got Snazzy Ranch.”

“WHAT?!”

Y’know, some bad news is best left unspoken. Speaking it only means RJ has to slam his face against the glass to view the tragedy firsthand. Each row was entirely filled up and ready to smile radiant smiles down upon him, yet lacking one specific item of interest to shine above them all. The lack of said item shoved away any form of fatigue plaguing his movement, or lack thereof.

“Ugh, those uncultured… Nacho Cheese cretins!” He sighs in disappointment. “They don’t know the truly superior flavor.”

“Y’know, I just like the blue bags.”

RJ still has a fist nailed on the glass, left without hope for the future of mankind. The strips of blue on his golf bag follow as the strap slides a bit down the lowered slope of his shoulder. “Blue IS a good color, Heather,” he confirms.

Heather takes the quarters into her tail before flinging them into the high coin slot, forced to settle for some inferior Nacho Cheese in the absence of the glorious epitome of triangle-shaped edibles. Of course, not even she could’ve been saved from a phase of Nacho Cheese praise in naive assumptions.

And RJ is in turn, staring down the horizontal dollar slot staring right back at him once the bill, top corner ever so slightly bent among the pristine texture, is put in. Thus had initiated the painful process doomed for RJ to follow. A muffled, subtle “ERR” from inside the machine rejects the offering and calmly slides it back out to RJ. Instead of leaving it for RJ to fetch for himself, the thing quite insultingly flops the dollar out to spit it at RJ’s feet like a chewed piece of gum. Somehow, it exited more wrinkled than it had been before entering.

Yet to be overcome by some minor inconveniences, RJ just takes it back, smoothens it up a bit, and slips it back in with a bound. The tip of the bent corner had yet to be attended to.

ERR.

The dollar is puked back out, another attempt bringing more salt to the wound than it did medicine.

And the only sound Verne picks up over the glee of those free to gobble down in the gleaming sunlight is its pure inverse - the bang of RJ’s forehead onto the box of giving, all that contentment kept locked from him merely impelling a growl instead. The light fixture above him and Heather, the latter resorting to a shoulder pat as consolement, only paints the hint of security and openness as artificial. Bustle here, bustle there, and none of it was worth a conscious thought more than the raccoon soaking into the crevices of Verne’s brain.

And so Verne, once apathetic towards the subject, is now invested in RJ’s inevitable failure. A wider curve forms on his grin after a quick analysis of the dilemma going on behind the encircling crowd. The muscles in his face squint up, ever so slyly graded and parallel between the vertical layers of his face.

Hence the approaching turtle incites some uncertainty into Heather’s lips. But he still paces - unhesitant; unreserved. Verne swipes the wreck of a dollar from underneath RJ’s lowered head against the hard surface of that who has bested him time and time again, reacting as though a fly had been swatted right on his nose.

2 chubby fingers create a slot of their own for the length of the paper to slip past, flattening it as simply as it sounded, good as new. And now, all corners fell into place, tiny fingers straightened alongside the green, rectangular incarnation of George Washington.

Verne takes a look at RJ, whose brow had been raised and locked on him. A good look. But feeling the strong, unactionable red glow seeping off his body the restrained heat of a rival upon him, he skips over the option. Instead, he resorts to the easiest. “Hammy?”

So soon at the ready was Hammy to act upon the command of those who shared any bit of his loyalty, snatching the dollar right on cue and hopping to the slot to place it in. RJ stares up, frown overcome by anticipation yet one side loose in a sense of hopelessness. And, paining a deep spot somewhere inside to slacken his stance, the skinny black slit slurps it up like a noodle just like that. Every inch drawn in slow enough to make the moment last an eternity, a thin wire supporting the tame flow of his mind is pulled tighter and tighter to the point of snapping off from the endless increase of pressure. Following 2 more button presses above, the blur of an orange bag falling from a high shelf pins the nail in the coffin.

“There ya go, Uncle Verne!” announces Hammy, returning to his own prize.

Nudging RJ out of the way, Verne makes no scene out of grabbing his chips right for RJ to see. The quarter of change is flicked by Verne’s thumb in a perfect spinning arc into the sagging bag on RJ’s back. It makes a klink inside at its contact, sidetracking RJ from the Nacho Cheese chips Verne was making off with.

Feel that? That new air in the atmosphere around? Well Verne does, that refreshing, cool radiance of triumph over one single figure capturing his intent. It lifts him up, untroubled by the equal reactive force lowering another end down. Bag of chips being waved victoriously, Heather keeps watch of RJ’s silently growing temper behind Verne’s back. 

“See THAT?” Verne declares. “The chips have spoken.” It’s held high as a towering landmark, asserting Verne’s single seat on the double-length throne.

A magical puff of cheese powder making a small cloud out the top, Verne pops the bag open. RJ grudgingly remains in place near Heather and Hammy, the remainder of the group drawn to Verne’s victory snack like moths to a lightbulb. The two closest nearby keep mouths occupied while RJ’s finds nothing to please itself and overcome the haunting history of that otherworldly contraption.

Mostly directed to himself, he snarls, “One of these times, I’m just gonna bust that window…”

Crinkle. The walls of the bag respond loud to Hammy digging in, off on his own topic. “Oooo, windows are like those ghost walls! Except they’re not ghosts. And they’re not walls.”

Heather, chill in manner, expresses a need for elaboration. “Ghost walls?”

Crumbs escape from Hammy’s lips. “I run into them allll the time!” He shivers unnervingly. “It’s like they’re following me… watching…” Something is watching through the page, Hammy’s eyes wide and unmoving through the binoculars made out of his hands. Those deathly black pupils bleed into the words, nothing felt by the one following the lines as they are written but the intense pressure suddenly festering from the inside out. And as it festers, that same one still following the lines now confronts the darkest depths of Hammy’s soul, daring for a response while it itself stays silent just for a despicable tease.

RJ and Heather exchange glances, clearly not afraid to express how creeped out they had been from the unnecessary delivery of the previous paragraph.

Hey, I heard that, RJ thinks, a finger up to the sky. A rather arbitrary comment to whomever conscience, whomever heavenly figure he had spoken to.

“You’ll learn when you’re older,” Heather continues with Hammy.

Excitement spreads across Hammy’s countenance. “Heyyyyy, I’m older right now!”

“The squirrel’s got a point.” RJ’s judgement frowns Heather. 

A whistle comes from someone in the larger mass to save Heather from a very long explanation. The porcupines pick the heavy cooler right back up. And this time, there’s no strain in the smiles on their faces and snack bags stored in the quills on their backs. The rest of the group heads off to wander down the edge of the fathomless road in glee, Hammy laughing to bounce away and leave RJ and Heather relaxed cross-legged on the vendor.

Sneaking her bag to RJ, Heather wiggles it optimistically. “Psst. Take one.”

No further communication was necessary. In RJ's despairful chip deficit, Heather’s bag was free for him to heal the chip-less hole in his heart. One chip of compassion passed over to share with one of the not-so-chipped to whom she shared sympathy.


The bag crinkles away. Indulging in discrete amusement along with her, a handful of chips the size of RJ’s massive forehead doesn’t even flinch Heather in the slightest. Across from the thick base of a straight tree making a suitable alternative to their previous backrest, the heated discussion going on below the blazing sun at the edge of the cliff grabs the attention that any old drama show could. Difference was, RJ and Heather’s hands were encased in cheese dust. No cheese dust on the hands of the others. They couldn’t comfort themselves in such a luxury, lacking affability in the wake of the construction amplifying the perilous prospect ahead.

Mouth full, Heather drifts her upper body toward RJ for him to look down upon the top of her head. The bottom edges of her eyes are bent up, conveying a smile in itself. “So like… we got our next attack?”

1 last chip, the nacho cheese-iest of them all, sneaks out and into the snare of RJ’s teeth, crunch full of cool confidence. “I’m a man o’ smooth wooords, ‘possum pal. We’re gettin’ our forest.”

Heather brings warmth to herself once RJ kicks back with a foot to stabilize his posture off the tree and approach the others, his happy little insistence never more reassuring to the ear. He licks the cheese off every finger, ending the well-needed intervention he had disregarded for a second too long. Or a minute. Or a lot of minutes. Guilty pleasures do some wacky magic.

All backs turned and invested in the rambling, RJ grasps Hammy’s shoulders to snag off from the side and sneaks him back, making one simple signal to his instructive face and one to the golf bag face-up next to Heather. All Hammy does is nod rapidly, understanding so swiftly; acting so readily.

There reveals a new Verne in Verne, up to the physical burden required for the glory of the homeland. The rough surface, dirty underneath his feet, remains strong as his will. “If fighting is what we have to do, I'll darn do it!”

Tiger’s tone comes passionate and severe, some of Stella’s essence clearly rubbing off from her contact on his shoulder. “I am all too familiar with their unpredictability. How can we know what they’re capable of-?!”

RJ shoves through the crowd (might as well have shoved the crowd over in the process) to answer the call in a slick entrance in front of the audience, sliding on a knee past the smooth blades sticking out from the ground. “‘What are they capable of’, you say!” It was this moment that he had shown a lifetime’s worth of recital for.

“We're not HERE for another ‘RJ’ moment, RJ-!” Verne hurries out, stomping up at the interruption.

The arm RJ had lowered in his entry shoves the turtle away. At the edge of the cliff, he clears his throat. “It’s very simple, really.”

He snaps his fingers at Heather and Hammy standing on either side of the erected golf bag. With flailing limbs, they lean in and launch out a giant flipchart to land perfectly on its wooden stand behind RJ, followed by a flurry of miniature circular stools arriving at the butts of every member. All but Verne’s stands face-up to have them plop onto the seats, Verne himself analyzing the dull yet compliant responses of his people in the rigidness coming across his face at their split loyalty. No reason to lengthen his discomfort, the upside-down position of his chair tumbles his unsuspecting shell down rather than relieving it.

“Well dis don’t make sense eith’uh,” Stella comments to Tiger from the lengthier, rectangular stool prepared just for them.

The rounded legs of the stool grip tight onto Verne’s shell, pulling back at his straining effort to pick himself up and slump forward. “I think I’m done asking questions.” A bruised groan in his speech weaves between the cracks of gnashed teeth.

Zipping up out of nowhere and leaning into his valuable personal space is, of course, RJ. “Good!” 2 babyish head pats follow his words. “Hold all questions til the end, please.”

Verne frowns from his front-row seat (or, more accurately, stand) as RJ slides back to the board, catching a golf club now falling into his hand and smacking the head at the center of the paper. What grudges Verne most doesn’t happen to be his presence - rather, a hateful anticipation elastically stretched through the fabrics of his mind out into reality. It was that slick, persuasive tone in RJ’s voice that signaled an oration soon to take place, cringing Verne’s face in preparation. It comes sooner than he has the chance to brainwash himself into residing in a world of puppies and kittens. None named RJ, preferably. 

“May I have your attention?” RJ begins. All fall silent, managing to keep apathetic sights on him. Heather and Hammy get seated with gleeful spirit.

“Those humans - they’ve got a lotta’ 6-letter words crownin’ their domes.” Pacing left and right past the chart, RJ lists: “Sleepy, creepy, downright erotic, but most importantly…” A flip of the page uncovers the first panel and reveals the title: ‘RJ’s 1st Law of Stupid’. “Stupid.”

Verne glances here and there in disapproval, the younger pupils breathing obligatory “ooo”s and “aah”s.

With a smack of the club onto the center of the diagram, his unoccupied arm bends stiff behind his back in his tall form. “Law #1! Stupid starts with a source.”

Into a drawing of a TV on the page they enter, ending up peeking into a large square window at a large man glued to his recliner, staring at the football game broadcasted on the TV nearby. The seat of the poor chair would probably have scars if that guy got up. Even the armrests left sunken plots of land every time the giant lifted its arm up to adjust the volume for the hundredth time that session.

“First source is one we know allll too well,” RJ explains. “The PORTAL… into stupidity. They stare at the magic box for hooours!”

Stella and Tiger shoot each other concerning looks. 

“It may feed our marvelous brains, but it kills theirs.” The lesson at its end, he flips away from the window to rush them off. “Now, moving on! Chop chop!”

From the new post taken place behind a massive wheeled trash can in a sunny driveway, the roof of a bright yellow school bus gleams with pride as it roars down the paved street, tossing out kids at every house like delivering little newspapers of newfound 'knowledge'. The others stare timidly at the immense dispenser of human children.

“And that is the mode of transportation taking the youth to that magical place to learn how to be stupid.”

All but the eldest members (Verne) gasp at the reveal of the beast's true intentions. 

And following the bus comes a whimsical boy wobbling on his deep blue bike, lobbing real newspapers here and there in a manner largely overwhelmed by the workload. Under the heated rays of the sun, angle direct at noon, sweat runs down the dark skin of his face.

At the sidewalk, a pair of high heels clop down beside the paper, now being snagged up by a middle-aged woman. To the front patio she travels, practically tripping with every step to get there just to wave the newspaper right against the face of a man. “Did you hear about how...?”

The relay race begins. He runs up the steps and is already picking up an old phone off the wall as a silhouette behind a blue curtain through the window. No number on the phone is left unpressed, wondering how he could possibly be out of breath after flying up a staircase in one leap. “Hey Steve! Remember that knucklehead they got for a gov’ down in…?”

On another phone across town, that exact same newspaper sending a stir across town is flipped through by a short man behind the cover of a window curtain all the same. “Hey! Where's that strip 'bout those animals playin' Sudoku?”

The next window races by, one woman sharing a word with another. “Don't come on Sundays. Y'read it yesterday?”

A rumbling, lively beat is polite enough to enclose itself within the following house, yet only half committing to the act. An open upstairs window leaks out the rowdy talk going on by the partygoers inside. And, guess one may, that same window features some habitants of its own, two tipsy men conversing over the enjoyment of their fat mugs. Beefy arms made no difference in keeping them on balance, only ensuring that the drinks don’t slip out beforehand. 

One raspy voice mentions, “Yeah, said they needed women on the strip!” Both men laugh heartily away.

Lucky enough to star as guests at the party, RJ is the first to burst out of a large cardboard box thrown up to the front door, the others launching packing peanuts all about. “Word goes 'round like the Plague,” he summarizes. “And all the stupid hides in between it. The mind believe what it wanna believe.”

From the top, those packing peanuts make even clear skies experience some squishy, light pink hail.

Suburbia was expansive. Unforgiving. At least, that’s all Verne could take out of the newest setting. Gathered atop the skyline of the neighborhood, only the point met at the middle of the rooftop provided them a stable support, overlooking a whole new kind of forest - the kind that couldn’t be replanted, nor re placed. Leaves of gray, and red, and brown; bodies as fat (and obstructive) as the shades up top would be to the winged creatures. Winged creatures of white, reflecting the sunlight in their polish rather than absorbing its nutrients. It’s the same view, a new palette below the sky of blue, that now musters fiercer, visible intensity in the twitch at the edge of Verne’s mouth.

“So what’s the source here?” he asks, managing to keep bias and emotion out of the picture. He scans the view with great uncertainty, head hopping between each house to search for instruction.

Ding. Dong. Ding. Dong.

Ding. Dong. Ding. Dong.

Finger raised up, and right back down. RJ’s scripted lecture on the echoing bells stretching the whole horizon ends itself outright in the last second it had to save itself. “A humanities teacher would beat me with a stick for the uncultured things I’m ‘bout to say.”

“Laaaw #2!” he continues back at the cliff, expressively firm in his strict authority over the students now fully captivated by the session. “UNlike the Plague, stupid spreads by influence, not contact.”

“Which means what exactly?”

Though not showing the courtesy to raise his hand before speaking, Verne activates RJ’s on-toes instincts to answer without care for the minor misconduct. “Glad you asked, feeble fellow.” Flip. The page coming in succession illustrates their very site with one large box underneath, a tall gauge drawn in healthy green on the edge of the page. “This... is ouuur stupid meter. Humans on one side - 25%! Now, fancy thisYou ‘n your lil’ bark-huggers KEEP that dirty log.”

Verne and Stella huff at the remark.

“What happens next?” In exaggeration of his point, a horrifying tear of the paper rips a jagged line to uncover what should be an identical image, all except for 4 boxes enclosing them on all sides, and meter topped off with a dangerous red color. “BOOM! Suburbia all around! Stupid everywhere!”

“Still think you can stick to your guns?” he throws out to Verne, jerking him back (thankfully) with the aggravation in his countenance along with. 

Sour in mood, Stella and Tiger are challenged the same. “Embrace the stupid?”

Verne’s chest scrunches over his stomach, the inflexible shell being the only restraining measure. “This is stupid…”

“Not quite as stupid as you’ll be. Observe.”

That said observation plays out inside the white frame of a plain window. The dim, warm lights on the ceiling fan hanging from the tan roof of a living room bring focus to one small, blonde-haired girl unboxing some cardboard box comparable in shape to a brown barnhouse. On the simple couch she sits, busting the flap of the lid open to reveal the unbelievable gift - a remedy for a bored mind! A pet for the masses! Resting right atop a stack of thin hay, waiting to be cherished!

A rock. 

“A rock.” The only 2 words Stella could use to capture her reaction.

“Oh, it all starts with one,” RJ informs. “Oh-ho-ho!… say hello to the stupid world of stupid business.”

Hopping down places them on the concrete spanning the house’s side. With the club, RJ pulls back the spiky bush marking the border of the narrow space to display all that lies past the driveway. Kids on the sidewalks prance every which way, parading with googly-eyed rocks all varied in shape and dull color, yet identical in the prestige it portrayed to all others - no badge, no membership in the unspoken club.

A piercing scream tops it all off, for some reason - that of another little girl. Somehow, a Hammy-shaped outline had disappeared from existence. Out of nowhere comes Hammy, zipping back into place with a pair of googly eyes in one hand. He slaps them onto the bumpy surface of a chocolate chip cookie in his other. Thus, the best thing since sliced bread could now boast itself as the best thing since googly-eyed rocks.

RJ still provides the necessary commentary on the matter. “Take it from the experts: You either got what the other’s got, or you’ve got nothin’ at all. No contact! Just influence.”

“Wow.” Already all over Hammy at his creation, a very impressed Heather praises the masterpiece of a product, leaning over. Replicating the simplistic googly-eyed stature, the whiff of mouth-watering chocolate chips entering her nostrils made it a worthy upgrade. “So didn’t think a pet rock could get any better.”

I’m in love with my pet Jeff-ery!” Hammy sings the theme song advertising his latest and greatest invention, adding in a little dance to go along with.

Once he holds it up to see its smiling face, the googly eyes slide clean off into the grass. Well… If it works, paint right over it. Suddenly, it works even better.

“Now that’s entrepreneurship,” RJ states with pride.

The prolonged rev of a lawnmower comes from nearby.

“Aaaah, hear that?” RJ grins as he picks up just the right sound for the occasion, hand to ear. “That’s the influence callin’.”

Atop the Hedge, a scan is taken down the lane of yards spanning into the abyss of the far-off forested hills in the background. Not a single square of flat land bordering the uneven forest was occupied. A swingset creaks in the easy breeze. No activity making a bustle, Verne looks to RJ, the doubt flooding his countenance ringing true in the absence of validation on the opposing argument. RJ just clears his throat and displays one timid lawnmower now being quietly driven down a lane in the yard, chopping up the tips of grass as it goes.

What’s that? The neighbor’s mowing? That’s outrageous! Why haven’t WE mowed yet?

What’s that? The neighbor’s mowing? That’s outrageous! Why haven’t WE mowed yet?

What’s that? The neighbor’s mowing? That’s outrageous! Why haven’t WE mowed yet?

No conceivable demonstration would be necessary to describe the scenario. Just hear a raging cyclone of mowing mowers, racing to mow and match those who had mowed. That unmistakable sign of a point well ‘proven’: sneaky grin failing at being… sneaky. Verne makes no mistake recognizing it upon a face. THE face. Who else holds such an expression capable of conveying the hidden snotty attitude than RJ? 

“And that is what we call: 'INFLUENCE, not contact,’” RJ boasts.

The page flips back to wave farewell to the incoming construction one last time. “And finally, Law #3: Stupid has no end. Every living being has a liiittle bit of stupid inside ‘em, waiting to be spread from one host to the next.”

From the front row, Heather laments, “I've got like, a whooole lotta stupid inside me.”

RJ waltzes right up to her to note, “You ain’t contagious. That was just my influence.”

They jerk back at the ripping of dirt being dug out of the earth, unhooking any roots wiggling into the earth as octopus arms do.

There’s some real stupid for ya.” On the other side of the road, a large, thorned rose bush is planted into the divot in the row, completing an entire wall of decorative shrubbery replacing that which had been grander - what had roofed the forest; what had guarded that which remained only scenery for mankind to appreciate. And then replace. Why not. “The stupid mind is NEVER satisfied!” RJ bumps Verne with a small smirk stretching the sides of his mouth. “You’ll be surrounded by rose bushes too if you ain’t careful, man…”

They stare back at the elegant roses, Verne unable to join in on the approbation of the idea. A festering spirit in the form of a frown takes the spot discouragement had been destined to take.

From one large pot of luscious roses suspended from the overhang over the patio with a flimsy chain, RJ and the others pop out. The links of the suspension rattle at their entrance, clay pot holding up the weight as if they were the blooming flowers themselves. One green, barren head must’ve been late to the party, nowhere in the bunch.

“Flowers in pots, heh…” RJ chuckles. As a tall, floral pink-shirted woman casually moves some flower pots to the patio, RJ brings primary focus to the empty yard left to scorn at the oil that had been struck by the wealth of the decorated patio. “And ya got a WHOLE yard for what, huh?”

“They’d totally be better hats,” Heather agrees.

Verne squeezes his shell through the dead center of the roses, RJ’s flawless wisdom clearly visioning what would be soon to surround him. No strain in the action occurs - only apathy. But the snap of a chain would be sure to unite the outlier with the infectious majority, spreading fearful anticipation like connect-the-dots. The pot comes crashing down.

The thump of the trunk on the moving truck leads right into the startup of the engine, and the identical preparation occurs in the cutesy little deep blue convertible in front of it in the driveway. A smug man, smiling full of teeth on his upside-down triangle of a head, waves proudly back to the dusty old house from the shotgun. Fanfare comes from the horn of the wheel played on a melody by the wife in the driver’s seat. A new age was set to begin for the couple - time for a fresh start in a fresh location to settle.

“And here,” RJ says with great enthusiasm on this instance in particular. “We find the stupids in question completing a neat little process called ‘moving in’.”

“Ach. I’ve never understood it,” scolds Tiger, animated movements of a paw demonstrating what he had been obligated to hold back from his facilitators for far too long. “Always this and there.”

Exactly the meat of RJ’s lesson! “And they don’t have a reason! But y’see how easy the humans make it?”

While RJ narrates, the shiny car (trailed by the moving van) speeds 2 houses down and slams to a stop at a house with a ‘For Sale’ sign advertised in the yard - the only thing redeeming the otherwise identical structure.

“When they move in, we gotta move out.”

“We AREN'T humans!” Articulated words shoot out of Verne’s mouth, fighting back from the inside out, and now brought to prominence at the blunt surface. “We aren’t with them! We don’t MOVE with them!”

“But they're animals... Dare I say... stupid ones.”

Verne fumes. RJ’s speech didn’t even deserve a proper recognition of address. His ears just block the tone right out, leaving only words to be spat at his feet. No substance nor expression. Only words stung the stinging cut.

But of course, the 3 kids were around the opponent at once, moths now worshipping the brightest lightbulb, housing the shiniest of ornaments. “Uncle RJ, show us more stupid!” Bucky pleads.

“Yeah, what’s the STOOOpidest stupid?” asks Spike.

“It’s GOTTA be Spike,” Quillo laughs in response.

Spike jets his threatening frown out at Quillo for him to read loud and clear. Violence now imminent.

RJ just quietly chuckles in high pitch. “Heh heh heh!” A broad, coltish step is taken outward, swapping a finger between the 3 in succession in an urge to follow along. “You’re makin’ this too easy!”

That same fat football-watcher from some time ago, now shirtless, aimlessly swings the door of the fridge open. On the motionless blades of a ceiling fan the animals observe, the human’s bulging stomach more than enough to prove the needlessness of the act.

“Stupid.”

Stiff shoulders blow the man’s double chin slouch down to the floor before slamming the attractive silver door back shut.

The poor guy, now stuffed into formal clothing, faces the encompassing, ear-ringing commotion of a bustling family paying a visit. His finger is stuck on which of the 4 options of forks to use for a meager bit of caesar salad taken from the giant salad bowl onto his plate. If only there were any way to distinguish them, all with merely a speck of variability.

“Stupid,” RJ repeats lower.

The orange glow of sunset reflects off the surface of the kitchen table, dinner scraps left unattended to. Though at his laptop in some casual attire, the (shockingly) clean and responsible work setup doesn’t pull the man into any mindset but the one enacted by the spinning wheel inside his brain. Even a rat operating the thing could’ve saved him from being too occupied with the frenzy-click of a smooth pen.

“Stu-piiid!”

All is dark. Free from the rush of the day, the man hesitantly opens the door of the fridge again to take a peek. To some dismay, a roast turkey had indeed not magically manifested itself into existence. Yet. The Hedgies, hidden in the exact same spot, found the change of ambient lighting to be the only factor suggesting any time had passed at all.

Stiiill stupid…”

It glows right in their enthralled faces. If anything were to be the saving grace of such a display of stupidity, one thing never faltered. A new color of an unidentifiable logo, yet familiar just by a glimpse, reflects in every pair of eyes with every bounce at an edge, shifting the direction their tunnel-visioned sights travel. Red to blue. Blue to yellow. The TV through the window, keeping the man on the edge of his seat just the same, hypnotizes all who looked upon the undeniable power of the bouncing, 3-letter acronym.

Only Verne lacks the stomach-lying postures the others had taken to. He looks to RJ sternly, everyone lacking the consciousness he possessed while trapped in wonderment. 

Hushed, RJ brushes him away to maintain his pleasant staredown of the fascination on-screen. “We make exceptions…”

The fingers on Verne's hand squeeze harshly on the mass of his own forehead. 

All heads pop out one-by-one from a row of small shrubs and bushes lining the right of the back door up against the orange brick wall making the backdrop. Jefferson’s. The damage left by the monster himself in a valiant fight had left one hinge of the back door torn loose.

“New plan!” RJ declares. “We’re stealin’ the wagon back.”

Oxygen only depletes with every ridiculous, hopeless laugh Verne musters. By this point, the fatigue of nightfall could already push him to the edge of the cliff into defeat. “They wouldn’t just LEAVE it-”

There the wagon sits on the leftmost edge of the patio, illuminated faintly by attractive light overhanging the square pad. The 3 porcupine kids hop out in an instant, racing to be the first to be the hero reclaiming the prized possession.

“See that, Verne? We feed on their stupidity,” RJ makes it clear to him. “If PB n’ J are the middle-aged couple of the symbiotic world, us ‘n humans are the soulmates.”

“Now WUT kinda ‘middle-aged couple’ we talkin’ ?” Stella meanders up close, loose waist ready to rest her fists to interrogate.

“The smiling ones from the stock images.”

Too close for comfort in the same fashion is Verne, the harsh tip of a finger felt stabbing up at the bottom of RJ’s chin. “Enough with the stock images!” In an unreserved volume he speaks, loud enough to address the entire group even when not directed as such a gesture. “Now yooou listen to me, RJ.”

Stella, Tiger, and the porcupines stand beside Verne in defense, Stella crossing her arms. At the ready for one long lecture of their own.

Blurred behind them comes the image of a blonde-haired, gray-suited woman sneaking her head out from the side of the house on the left, separated from the yard by the gate of the metal fence. Even in the dark of night her shades remain glued onto her face, masking the occupant of the investigation. At the immediate sight of the animals treating themselves to the sitting duck, she rushes to whip out a shiny flip phone, encased in black, on cue. Buttons make beeps from all the urgent dialing, interest still sternly on the intruders.

She plants the phone onto her ear with energy, tapping a pointy nail urgently on the corner of the wall’s brick. The phone plays its deep ringing tone.

Riiing.

Riiing.

Riiing...

Chapter 2: Trip on the Flipside

Notes:

Note: Y’know, writing this chapter actually made me realize something… I really don’t treat the OCs any differently from the canon characters. Like I dunno, maybe I’ve just been poisoned to believe that OCs feel like they stick out WAY too much in fanfics, whether intentionally or unintentionally, but as the author I’m really surprised how natural they feel to write here. Anyways, I’m obligated to put together some piece of wisdom here, so here ya go:

The eye sees 3 dimensions. The mind sees no limitations. 

“Your mind sees moooore
than what your eyes see!”

Chapter Text

A pair of kids soar down the steps after her, one reckless enough to collide head-on with the thin wall beside the living room doorway from the base platform of the staircase. Hoppy takes not a second to glance back at the ensuing crash, fleeing the blonde predators on her tail. She skates across the sleek floor to evade, whizzing past the living room’s entire length in a record time swift enough to make a squirrel cower. 

Her first target, the empty black recliner facing the large-screen TV in the direction she had emerged, becomes the first to console her over the near-death experience, taking to her hideout in the small space behind. She can’t bring herself to remove trembling arms from the recliner’s surface. Breath in… breath out. But when each breath lasts less than a second, it’s something more like: IN, out. IN, out.

She inhales one last time.

Kiiids!” calls the voice of a woman. “Off to bed!”

Hoppy fits a second inhale into 1 breath - a welcome occurrence of relief and rejuvenation in a giant smile.

The groans of the kids follow squeaks of socks on the slippery floor back to the staircase. Hoppy peeps, ready to quench in the satisfying taste of revenge. Grumpy feet stomp, stomp, and stomp some more up the stairs. Check 1. Bare and unlit, only the yellow shine piercing from the top of the staircase in the back corner enters the chance of company ready to pursue her. Check 2.

The bases of her ears perk up just as subtle as a sneaky grin grows. The remainder of those floppy things remained sagged, rocking at any movement. “Waaaiiiit for it…”

Complaints ensue. The vigorous brushing of teeth can be heard past all halls and corridors before the lights click off... and all dies down. The darkness doesn’t deter Hoppy’s comfort and relief a bit, as the darkness ruled the court. ‘So long as I’m here, NO one shall tread these lands. Except Hoppy. She gets a pass’. Check 3.

She leaps out at once and heads straight for the front of the recliner. On the first hop, she dangles on the ledge with her back limbs kicking wildly before falling onto her back. The second hop does just the trick.

On the left armrest, a thump of a hind paw hits the button of a green flashlight before she pounces forward onto the seat. Large on her right, a rather slim Mr. Shady makes an appearance, diet clearly working out for him. He sat against the opposite armrest shielded from the torch, concerningly tall legs connected to hers.

“Ah, welcome back Mr. Shady.”

“What a fine ev-en-ing, lady Hoppy,” the imitation responds.

Slumping her back end down the seat makes an unorthodox posture for a lady built on 4s. “Remember that mystery show with the body spray-flamethrower-wielding mob boss who hypnotized kids to steal bathroom stall doors?” She clicks through the channels. “He called himself the 'Despicable Licker'. The detective found out he REALLY liked cherry popsicles.”

“Oh, he loved them.”

I love cherry popsicles. What’re you up for, Mr. Shady?”

My vote goes to the sports chan-nel.”

“What, football ?!” Hoppy blurts, the proposal ridiculous. Dorky limbs shimmy around for the act. “Y’know, ‘Let’s all grab a ball and tackle over it’. ‘Then we’ll kick it through a tuning fork to put it out of its misery’. That stuff?”

“Only on Sun-days.”

Clashing of clanking pans against wooden spoons responds to Hoppy’s next click on the channel button. “‘Cooking Starts with Casey K.’?” she gasps, head suspending itself from the cushion.

“Isn’t that your fav-or-ite?” Shady asks.

As a matter of fact… “Yes. It. Is. And y’know what Mr. Shady,” giddiness announces for her. “I am VETOING your vote. I am watching ‘Cooking Starts with Casey K.’, and YOU are gonna like it! Because cooking is the sporting sensation of the taste buds, and I’m not watching football until THEY start throwing cherry popsicles. Hmm?”

“It’s tough being a sha-dow,” grumbles the shadow, conveniently obligated enough to get situated more sourly than the bouncing tips of painted ears below Hoppy’s raised chin.

Ebullient front paws hug one another in her lap. “Oooo, this is gonna be great!”

Smile on her face, her head flops forward and faceplants her dead onto the cushion, snoring an avalanche. 


Behind a thin layer of glass, the ongoing commotion of yellow trucks far beyond the perpendicular road past the secure front gate, thundering the cracks of trees far off, are blurred by the vague presence of an orange jacket reflecting off the frontward window. Progress is progress - appreciated through keen glasses from the top floor, at level with the largest cranes dispatched to the site. It’s a roomy office, taking the shape of a right triangle. Thin blue carpet made the opposing yang to Dwayne’s yin. It’s the rounded, rectangular bubble of glass protruding from the room’s basic form that gave him a sight to see beyond the front of the building. The electric whir of a ceiling fan right above the expansive, dark brown desk lacks anticipated clutter from the typical workplace, instead futurizing the possibilities of the complex below.

Moonlight glazes the ‘Verm-Tech’ logo plastered on the back of his silver laptop. Frenzied taps on keys synchronize with the intense sweat pouring down his face, large fingers uncovered by the black rubber gloves thrown across his desk to dance like a spider across the 4 arrow keys. The speed at which the numbered blocks in the 4-by-4 grid on the screen crowd together and merge in rapid succession would have installed wide eyes to an onlooker if it weren’t for the mashing ensuing.

Left.

Up.

Down.

Right.

Left.

Right.

Down.

In its sleek black slot, one telephone on the right of the laptop commits an unspeakable act, sending the laptop itself soaring away by the doing of Dwayne’s thrashing arm.

Riiing.

AGH!! SUNDAYS, people! Ever HEARD of ‘em?! You're the Devil's unclipped TOENAIL to the middle-class workforce!! WHO-”

The urgent, dull voice of a professional woman comes from the other end. “Mr. Dwayne.”

Dwayne scoots a bit forward in his remarkable spinny chair, shoves the phone up to his ear, and grins. “Verm-Tech, Verminator speaking,” he speaks low and smooth.

“Excuse me sir, but we have some things to discuss.”

Prolonged exposure to the dialer works quickly to remove comprehension in Dwayne’s ears. Upon recognizing the distinctly boorish tone, he rolls his eyes and slouches back in his swivel chair. “Well if it’s an animal problem, that’s gonna require extra bribing measures,” he informs. “Our place doesn’t run overtime on your stale dialogue, Ms. Wright.”

“This isn’t about AN animal problem. This is about the animal problem.”

“Mmm-hmm.” The tip of a black pen tap-tap-taps carelessly on the flat, gray surface of his desk, producing repeated, high-pitched clicks far more preferable than painful lullaby through a speaker. “And what seems to be the issue?”

“They took the wagon, Mr. Dwayne,” Ms. Wright explains, a peeved growl subtle as though it had slipped through gritted teeth. 

“Look lady.” Small cell phone pulled out in one hand, Dwayne manages to maintain the attentive listening skills gravely challenged by the telephone propped up against his ear by a shoulder. “I’m not in on your codewords. If they threw a monkey in the woodchipper, why don’t ya go ahead ‘n send that monkey my best wishes.”

“The WAGON!” she fumes. “At the Jeffersons’!?”

It clicks. It all clicks. ‘All’ meaning the one glorious reminder of the red wagon left out to dry. “Aaaaahhhh, the wagooon!” Though his eyes still ponder. “Coulda just said THAT.”

“So where are you?!”

“I'm on breaaak!” he snaps, arms spread like a haughty eagle. “A good Verminator knows a job well done needs sleep, a balanced breakfast of powdered toast, and a reliable therapist to wash down with. It’s how you ease the pain of havin’ your butt on a seat for hours on end!”

“Mr. Dwayne…” She raises her voice to ensure an attentive audience. “I have received 3 complaints of YOUR doing in the past 2 weeks.”

Arm propped over the back rim of the spinny chair, Dwayne’s lips were carelessly smooched out, apathetic eyes locked on a finger paddling down on a little cell phone. The boxy telephone, speakers smushed against the desk, directs her voice at an aimless target. The words lose meaning. Just as the solid surface absorbed all details out of the foundational, sharp tone, Dwayne’s ears neglect more of the collateral picked up from the escaping soundwaves. 

“At the Conners’...” she lists. “...you received a complaint about the installation of ‘questionable devices’ in their upstairs bathroom.”

Half his focus remains on the scrolling of his finger, the rest barfed out as a half-hearted response: “Now settle down ma’am, I’ve deftly reassured the Conners that the ONLY thing that Aquaface Sensor’s gonna zap to bits are vermin under 15 pounds. Their infant JUST passed the mark.”

“At the Bradleys’...” she continues without acknowledgement. “...they had reported 5 broken pieces of china, AND a substantial rip in their living room couch.”

Dwayne scratches the good spot on his back.

“And at the Jeffersons’ ... they had complained about a broom-shaped indent on their basement door… among all else.”

Dwayne sleeps, snorting from the bent-up tip of his nose on the desk alongside a snore.

Mr. Dwayne.”

Struggling to lift himself back up, his cheek is barely kept sturdy by a fist. He speaks through the line again with a deep grudge formed: “Verminator, Verm-Tech speaking.”

“I need something explained.”

“Great,” he mutters to himself. “I’m the Sandman’s next-in-line.”

I am not concerned with the animals,” she states. “I’m concerned with the people. So...” A beat could practically be heard from a heavy drum. “WHY have you received more complaints than RESULTS?”

Dwayne stares out the window, frown sloped below miserable eyes. “See, back in my beloved hometown of Houston, we teach a reliable real-world skill called ‘basic arithmetic’.” Using fingers, he demonstrates: “1 animal equals... gooood! My traps catch ‘em on the daily. 10 animals equals... noooot so good.” But his apathy swings around on a whim to reflect the ball of accusations kicked his way. “Ma’am, YOU said we’re here to slow ‘em dooown, not catch ‘em. You’re gettin’ your results, and I’m makin’ my living.”

A jarring level of intensity blows the cap of her head off in an explosion. “My results mean NOTHING when YOU’RE damaging more homes than THEY’D-!”

What’d you call for again?” Dwayne now questions, unmoved by the sharp stabs into his eardrums.

She clears her throat. “Originally, it was about the wagon. Now we need to talk about the new place.”

Ooohhh brother…” he groans. “I’m not liable for the ensuing snore-fest.” Stacking a clumped mess of papers neatly together on the dead center of his desk, he’s forced to recite:

“‘Our newest, grandest Verm-Tech HQ has been recently established/expanded from our old neighboring location just northeast of El Rancho Camelot Estaaates, now housing a hub of our operations across all towns in the Chesterton area, with specific exterminators assigned/occupied with each dispatched location.’”

From the parking lot past the main entrance doors and down the stone staircases, diverged by the exterminator figurine on a pedestal between, the bold white text on the large black title tag at the corner of Dwayne’s desk announced who was in charge. He takes 2 fingers and flips it around. ‘AMBASSADOR’. It took away the fanatic-implied obsession associated with a wall of hooked, color-coded keys close by, and intimidated a hypothetical subject of newfound knowledge.

“‘Our Verm-Tech ambassador of the Chesterton area, Dwayne LaFontant’… that’s me, heh… ‘...manages/oversees all exterminator operations. Although no exterminators can be made available at the moment, we will be assigning more exterminators to the Chesterton Verm-Tech HQ in direct response to a request addressing the planned 2007 expansion of the suburbs by Ms. Wright.’ Now…”

He flips papers. The lady remains silent. The only thing left on Dwayne’s line was hope for the presence of the other. Though the ensuing firmness in the mess of text brightens the hanging lights above, attentive to what any sane human being ought to be not.

“‘Please keep in mind, our additional dispatched exterminators are backups - backup exterminators are those generally applied as a last resort and are STILL in training... Their recruitment in the neighborhood will be their first on-site experience. The backups are scheduled to arrive IN July following the projected completion of the 2007 suburban expansion.’”

His own monologue works against him for the first documented occurrence in history - irony presses the fat of his chin down on a hand, giving him the blubber of a seal. 

Nooowww, ‘Verm-Tech Industries is not responsible for damage and/or destruction to the customer’s residence; IN case of significant damage and/or destruction inflicted on public property, consider contacting your local authorities and /or contacting our main office to report misconduct from one of our employees. In this case, only the employee shall pay responsibility for criminal charges, not the customer employ ING their service. Our main office may be contacted via phone, mail, e-mail, your wallet, and all things in between. For more information, consider consulting our customer service website to seek guidance/assistance on our service.’” 

The words spill out faster and faster, accelerating in the momentum of its exit courtesy of the massive sigh of relief clogged underneath the dump. “Yada-yada, blar blar blar.” He flicks a hand in jest, that sigh clearing his airway to allow self-humor to revitalize his skin. “Just a buncha legal flim-flam. Y’know, we ain’t workin’ with estates here.”

“What’s the cost?” is the woman’s first instinctive query. 

“And THAT’S where things get choppy, ma’am,” he declares, the cushiony seat of the swivel chair pressured by a taller posture. “We’re upgrading.”

She remains intrigued. “Upgrading what?”

Everything,” he relays like the exigence a computer would be transmitted by the click of a mouse. “New tech, pre-installed and post. Fatten up those pockets while you can…”

On its side is a short, black tripod stand of intricate structure, the recurring instance of a limp net sentry mounted on top like a telescope plastered white. The red light didn’t shine from the rectangular headpiece, staring deadly out the front windows, rid of function. Clusters of thin, stringy material still loaded remain hidden in the lightless interior of the shaft, compressed springs only restrained by tiny latches threatening to unleash in calmness.

“Here at Verm-Tech, it’s our guarantee that we’ll FIND a way to make you spend more money… ‘til ya won't need to spend none at all.” A golden plaque high on the left wall’s corner, adjacent to the glass, reflects a degraded tint of the gibbous moon, mixed into the metallic gleam of solidified dignity and respect. The constitution reads itself, Dwayne serving as the medium.

As a leg kicks over a knee, the loose base underneath the chair spins him ‘round back to the desk. “Now excuse me ma'am, the Verminator’s got some fans to attend to.” 

A pose for the camera on the phone in his hand adds a dash of grace to his ascent from the chair. The telephone having been glued onto his ear by this point, he waltzes about the office. A pair of thick brown shelves are attached to the diagonal back wall, every gadget lying dormant in the display. “It’s real busy havin’ thousands of followers on a social media platform.”

It was no reassurance to Ms. Wright’s solemn ears, hidden behind a blonde dome. “What about the wagon?”

The rack holds unseen devices, left in unrecognizable forms by the discrete lack of lighting separating the corner from the bulk of the room. Chaotic shapes and maniacal mechanics made the laboratory of a mad scientist, trials kept in secret to further the push for the paragon of a concoction revolutionary in its freakish capabilities. A broad tube-like tool, otherwise having an outward appearance of extreme durability, was dented by the teeth marks of an average squirrel. The succeeding design had been armored by a set of metal pads.

Dwayne takes up a confident stance at a strangely-shaped contraption in particular with 4 circular frames making up the legs of the small machine, each holding an inactive propeller. “Oh, no worries…” His fat finger plants onto the faint outline of a red button atop its body while he devilishly completes his assurance: “I reckon our darling little runts must be preppin’ for a lot more on the agenda…”

A tiny red glow comes from the center of the body, with all 4 propellers revving up to blow slight winds onto Dwayne.


A galling man. Insulting the very foundation our society had maintained since the dawn of civilization. Those animals might as well be tearing the Hedge down with the wide wagon they’re trampling through. The raccoon and turtle occupy themselves shoving the other around, to no defined objective. Her concealing sunglasses remain stubborn on her face in the darkness that ensues from flicking her head back from the scenery. Snapping the flip phone shut, she trudges back out front.

Concealed within an unlit room at a computer desk, she huffs to let her head fall into her hands. Only the blue light of a screen reveals any vague detail present on her, though the desk itself remained sufficiently visible. Crumpled papers all around could spark concern to one who also saw the bulletin board on the wall connecting a collection of surveillance photographs on a frenzied web.

“I’m getting nowhere with this…” she groans.

She reaches for the mouse and clicks a blue button on the screen.

“There has to be… more sustainable ways…”

From the spotless printer next to her laptop, the photo comes slugging out. She snatches it and slams it onto the desk, exposing surveillance of the animals working to grab the wagon on the patio, fuzzy from savage gestures hindering the camera’s performance.

“That’d even he’d listen to.”

There comes a screech of tires from outside the window on the right.

“What now ?”

She jerks down the blinds. Following the panicked honk of an oncoming car, the headlights remove a golden rabbit, jumbled tufts of fur on its body, from the danger zone. It stumbles back to the edge of the street, back deathly startled by the hard curb.

Bursts of air pump from his lungs out his nose lower than the tectonic plates of the earth could emit on their endless, rocky roads. The curb on the opposite end of the silent river, past invisible, violent rapids thrusting massive cars downstream in a boast of power, meets the ground-level of his sights. Flick left. Flick right. The white waters of the black pavement halt both parallel flows to allow him to cross in the dead of night. Breaths jerk out louder and sharper, hops thumping his head up and down to distort the perception of the environment. Closing the distance only means what was large becomes larger, telephone poles bending back in the corners of his sight as they intrude on the radial space of no entrance around his shaky self.

He wobbles on 2 feet up the closest driveway in front of the grassy, damp patch he had safely secured himself onto, a raggedy, depleted can of carrot slices in his arms. His open mouth half-heartedly takes up the job of providing life to the pumping heart shoving out at his particularly furry chest. Against the white garage door is where he tosses the can away and grips open paws onto the flat surface behind his sides.

A headlight above uncovers a scrawny form, fully enlightened with a rich golden hue awkwardly drawing attention from the neutral palette painting the closest scenery in proximity. The color lacked the feral messiness of one unacquainted to this world, though also absent from his neck was a red collar to be expected. A faint patch of white drizzled down from underneath his stout chin to the front of his stub of a tail like cream on ginger. Ears were stuck straight up, alert to any sign of life intruding on his own.

Then the patio invites him on the left.

Big hops take him up the 2 steps onto the suspended patio. He makes his way, flopping those enlarged feet of his over the dark wood, leaving thumps in his wake. The boards mark his path to the corner of the fence making the perimeter of the platform, thin poles of the same material incremented underneath the railing above the edge. Each passes by like jail bars, trapping him on the outer rim of a warm place of homeliness. Bushes and decorative, luscious plantlife lined the exterior below, lavish leaves sticking up over the height of the platform. Elevated higher up than the platform was the flowerbed of red and blue distancing the blank, lifeless bridge from the magnificent yellow walls of the bright house on the right. An awkward border was conjoined by the overhang ‘round the corner, now treating him to the floral, artistic doorway blocking the portal into a lamp-lit nook. He gasps at the beauty of the artificial flowers wrapped around the entrance. Red, yellow, purple, and all magnificence in between. 

There’s a tiny rectangular box, impertinent enough to not make itself any prominent for any visiting bunny to notice. The slim brown button waiting on the center, fit for a human finger, fits just as well for a front paw. The rabbit’s subtle eyebrows squeeze down on his full green eyes at the doorbell halfway up the rim - a million times greater in altitude for someone lousy enough to take no extra effort.

One hop strains his arm up, missing the emotionless doorbell by just a rabbit’s height.

Two hops slaps the pad of a paw right underneath, flinching the doorbell to no degree.

Three hops satisfies the thing, the pound of a fist on the button producing the pleasureful ding-dong it was begging to release.

At the ring, a peeping creek pulls the door back to have an uncertain elderly couple there to stare down on him. Their wrinkled faces only catch his eye for a brief moment, fractured images past old jeans warming up to his arrival. Such warmth is provided by the crackling fireplace behind thin glass as the visible fragment of a luxurious living room down the entrance hall, tall purple vases of felicias on both sides of the cobbled stone climbing up the wall above the fireplace. A cozy hue tints the already appealing scheme just down the hall. Just down the hall was an empty seat on a circular carpet. Just down the hall was a mushroom cottage in the deep nighttime woods.

The couple looks back at each other, then the rabbit. A polished little platform just beside the doorway held an exterior black lantern to light up welcoming faces leaning outside the bubble locking this world within. A nod and smile by the bald man follows the shaking of frizzled white hair on the other.

A checkered cloth sack tied on a whim, riddled with the fresh scent of organic blueberries, is gifted to the rabbit’s feet. Pupils morph into blueberries themselves. Enthralled gratitude gapes open his bottom jaw to fully display bucked teeth ready to dig in. Just down the hall, it was waiting for him. 

Anticipation may always be all for nought, as all will learn.

The door is slammed harshly on his flat nose just when he’s ready to tiptoe into the realm. It leaves a stinging pain on the front of his face, forcing a stumble backward onto his rear, bending his tail uncomfortably in the process. Just down the hall, the felicia fireplace remained outside his reach.

So he huffs, yanks up the blueberry sack, and carries on.

Trudging back to the sidewalk, he picks up a thick twig lying on the edge of the front yard and hooks the blueberry sack onto the pointed little branches of the twig's own. Covered with moss, the sack-on-a-stick bobs over his shoulder not in a bouncing spree, but in a lumping slog. Each minute he disappears further down the lane, disappears the golden fur into darkness on the back of his lowered head.

The doorbell choirs at an arrival. The door swings open to a golden, fidgety rabbit, one bucked tooth pinching its bottom lip. A faint sign of blueberry residue lined the edges of its mouth. A small clump of lettuce is tossed, and the door slams.

The doorbell rings at an arrival. The door swings open to a golden, unspirited rabbit, shoulders frowned lower than its frown itself. Scraps of lettuce were stuck onto the blueberry juice around its mouth. A carrot is tossed, and the door slams.

The doorbell mutters at an arrival. The door swings open to a golden, pleading rabbit, eyes filled to the brim with dreary despair. An entire salad of a beard on its face was made of carrot crumbs, lettuce scraps, and dried blueberry blood. A whole apple is tossed, and the door slams.

The doorbell groans at an arrival. The door swings open to a golden, ridiculous rabbit, an entire apple lodged between its jaws like the stuffed pig it was. The door slams, and dust is tossed into his face.

It takes a second to free the shiny, appetizing apple, the ripest in the tree, from his mouth. Indents already left on its skin, he sniffs at it before forcing out one chomp, reluctance tearing a wound in the fresh pick with the equally attractive house now behind his back. A swallow sends the bite down his throat, adding another meaningless bit of energy to the lifeless expression he held. His stomach, though full as ever, was never truly sated, as the occupied spaces within only left hollow ones right above, where it all pumped. One could neglect sustenance for days, but one drop of poison in the blood riddled the whole body of vitality. His hind paws meet the grass, but do not wave nor acknowledge. The apple, a single bite taken, is abandoned with a vengeful toss back to its giver’s own kind. He carries on.

His travels bring him to the very edge of the suburbs, where the streetlights dimmed as the Hedge prepared all wanderers for the unknown terrain approaching. A front paw volunteers to survey the barrier, each thin leaf tickling the crevices between hidden nails on the fingers. A glance to the left gives him the side of the closest house, a backyard fenced in by tall wood visible in his sights. A glance to the right gives him the end of the road, red signs barricading in front of the sidewalk connecting both rows, broadcasting tough in silence. Nothing deserves a repeated action - his eyes abandon the sights right then and there.

No birds chirp. The lit front porches compensated for the dead, hopeless places surrounding him. On the flipside, branches of towering trees and wild flowers blow in the breeze - more life than front doors coded to slam in response to any stimulant. A foot tests the waters, dipping into the leaves, where an unexpected abundance of hollow space allows for easy access between 2 hemispheres. He picks up a gulp and leans the rest of his body forward.

BARK !

The gunshot escaping a large mutt’s gullet pierces his right ear, launching him to the side from the sudden impact. Across the calmest end of the concrete river, the black beast, caged behind a silver gate on the gap between the house opposite him and the Hedge, pelts him with its shots. A cloud above blocks out the moon. Sinister darkness shrouds a menace, the rabbit only tripping farther and farther from frantic wobbles backwards. Hollars spewing out make for the only audible presence of speech in him, though unpreferred in panicked delivery. The fence rattles furiously from the dog’s rage, shoving its force into his chest to knock him over his back at the corner of the nearest driveway. 

A softer material pillows his head rather than rock. But the defined shape makes 5 bumps underneath, too firm to be a pillow itself.

The plump man standing behind him, gray pants leading up from the black sneakers resting the head of a golden, traumatized rabbit, takes him slowly into arms. Being lifted to the heavens, all muscles in his body flinch and squirm at contact, but quickly freeze into no reaction. It might as well have been plastered on his forehead: ‘If you don’t know what to do, don’t do anything.’ His back ignores the sweatiness of the fat fingers housing him, as any house was a house to cherish

At eye level, the rabbit gets a chance to look upon the rescuer. Skin comparable to the white shirt underneath a dark green jacket, the man’s untamed face puzzles at the bulky lump it held high, no real organization present in his dark brown hair. 

It was at this elevation that the rabbit discovers the capability, the new perspective that just a few feet could bring - the elevation of the doorbells he had rung, and the mountains of houses approached. This place in particular sparked a little grudge in his face with its simplicity: a standard rectangular shape, white on all exterior walls, and roofed by red-brown bricks touching the sky he was now a few feet closer to. No detail, but full of potential. It processes in his brain, making more of a positive impression on his countenance than first suggested. This house was a blank canvas.

The man still stares at the stunned, homeless thing.

It hesitates to present itself, a rabbit’s voice, in the removal of the solid brick wall sheltering from the shadowy world. An idle breath knocks every brick out of place, forcing a gawky backwards force, puny as it is, to confront the bypasser. No one expects a mute to speak. But every factor of stupefaction is undermined by the unshaved timidness heard in one’s first words to the world, that level carrying along with it a hint of enthusiasm to the enlarged hands building a new home for the rabbit.

"Uhh… g’day?"

The arms yank him up the driveway, leaving no time for more.


When all but the image of a front porch fades away, the lamp over the door plays the constant buzz fighting a horde of crickets for dominance of the ears. Neither overtakes the battlefield, at least livening the black void trapping the house on all sides, diving underneath the porch.

Bwah bwah bwah?

A lump of white and brown lay curled up on the bottom step - a mossy plank, which only hardly assured anyone of a safe carriage. Hoppy awakes as a fluffy cupcake on a broken window. The ambient conversation murmuring soullessly from above eases apart the outlines of her sockets, releasing violet tones from protection.

From between front paws her head rises on its own accord, pulled by a string. The old house it has her face doesn’t respond further than the crooked lamp bent over pitifully. Light abandoned halfway past its length and height, only showing a structure that had just half a body leaving her hopeless. Was this real ? It doesn’t take a second glance to define the obvious. Somehow, though, it projected the opposite of a fantasy. There appeared no dream, but no reality… perhaps that’s all reality was.

Her paws don’t falter in the way her mind did. They take her climbing the height of a thousand steps morphed into one, landing her at the ragged mat before the chipped surface of a red door. Just a crack of dark space answers her call between the crevice, crawling out of place to allow her entry.

At the mindless nerve of her limbs to drag her inside, the doorknob jerks violently before pressing the door into place in the wall. Shooting uncontrolled shocks into her spine, her back shoves herself into the center of a static dome not large enough to visualize any characteristics of the room keeping her contained. Familiar, fancy shoes and the clomping of high heels trample the hard floor. The more and more the tall figures exit from obscurity into her radius, the shorter she shrinks. Clomping grows louder. Static follows along. Drowned out in a short space separating her from the humans, the only thing she can hear of herself is accelerating breaths, drowning out all other inner thoughts itself.

Bwah?

Bwah bwah bwah.

Coming to surround her is a deep, derpy voice travelling from a vague locale, manifesting a constant image flickering in her mind. “Hoppy?”

Her sore throat left no words a chance to breathe, lips quivering. She frantically searches the empty place. Back at the door where she had entered, her shadow is standing motionless, a completely separate entity from herself. No source of light builds a bridge on the floor to connect them. But as she finds herself growing closer, and the static fading, her shape bleeds in black across the ground.

The shadow duplicates her movement without the emotion her face displayed: a front paw leaves its post, lifted to extend out, reaching for the other being. And the arms merge at first contact, and blank space leaves only air to be felt as she continues farther, and the shadow repeats, and they come close to the body with the shadow’s face staring lifeless back at her, and just then there’s a wall of solid fur that jolts a bullet backwards through her arm. A paw presses firm against her own chest. Her lungs shrivel. She blacks out.

A lump of brown and white lay pleasantly rested in a new landscape - thin hairs of a bright green field could nest everyone as comfortably as it nurtured her. No clouds filled clear skies, and no darkness consumed the endless brightness over the horizon.

From between front paws, Hoppy’s eyes are tickled by the sun’s rays. Rolling across the earth tenderly, she comes onto her back to lift her sleepy body up and restore joyous energy to fatigued limbs. A blank world greets her. The breeze blows across the hairs atop her head. While the sun gives every blade of grass a shadowy friend to accompany them, she receives none; damp mud patches left in lonesome the imperfections present in herself, soaked in reality.

“Where-?” Her lips snap shut, unnervingly muted by a gush of consciousness filling her brain with the life of a lightbulb. A gasp makes up for the startlement. “I’ve been bestowed with speech!”

A wiggle of the tail. A flop of the ears. Her experimental queries all return positive, responding to the impulses all in her control.

“Wait, is this a lucid dream?” she questions the existence before her, the sound of her voice in an obscure medium funny as it was. “Am I lucid dreaming?” The reality of fantasy brings her to laugh. “Because I've NEVER had a lucid dream-”

“They say LIFE is a lucid dream, fair lady Hoppy!” is what would seem to be a grand showman manning a megaphone, resonating distinctly independent from her discovered capabilities.

She whips around to face the faceless face of one sharing identical form and size, entirely encased in shadow. “That's an astounding reference, Mr. Shady!” Now, her silhouette twin has her pondering. “Wait, you look just like me. Except you're not. Well, kinda. But not really.”

He stops her. While the perception of fur on his extended arm remained, it lacked all texture. From all angles, she could only make him out as a flat image in a world with infinite dimensions. No depth. But from all angles, his shape fit the scene flawlessly. Like an optical illusion of folded origami. Unquestioning of what she found no coherent answer to, Shady raises his arms in a broad formation. “I am only a figment of your... IMAGINAAATIONNN!!”

-TIONNN!!

-TIONNN!

-TIONNN

Her eyes insist on being mesmerized by the endless landscape making them the city square in the middle of nowhere. “Soooo, do we have a ride around this place? Like a car,” she lists. “Or a boat, or a traaain, or a unicycllle, or a-”

WE have something better!” He throws his front paws down at the longer hind paws barely distinguishable from a colorless body. “FEET!”

“There’s FEET in lucid dreams too ?!” she gasps. This place’s the best!”

“Right you are!” That’s when cloudy golden boots wrap perfectly around Shady’s hind paws, weaving back on his legs and sprouting a rainbow in the abyss. The same comes to Hoppy’s, forming nice and snug in a pillow of shining cotton, like establishing common ground between one with their shadow. Shady wiggles the little puffball of a tail to her. “So shake that tail, and hop the trail!”

As he speeds on, twinkling sparks of gold fall in a yellow breadcrumb path for Hoppy to follow along to the wonderful land awaiting their arrival. 

To her surprise, no sense of traction comes to her feet with a hop. But they were nowhere near numb. In fact, they were alive as they ever were. It made the only thing felt inside not the pumping of blood through veins, nor the fatiguing of muscles - it's the absorption of soul into mind; the rejuvenation of a jelly donut’s filling.

She's here. 

Her open smile widens bit by bit. The next hop takes her a farther distance. Then farther. Farther! Soon, she reaches a pace that gets her closer to Shady, still guided by the stardust breadcrumbs. Her feet land over and over on cotton candy, the dirt expected underneath the grass not expressing any physical disturbance to her possibilities in this limitless realm.

Racing up to hop beside him, she bobs up and down, spirit full as mind. “Say, where’s our stop, Mr. Shady?”

Just then, their path leads them atop a fractured road of sapphire bricks, blue as the surface of the sea; reflections make corners as carefree as the noon sky. “All golden roots lead to the Thonking Stem!” he explains.

“The 'Thonking Stem'?”

“When you think you thunk a thought, plant the seed and grow a forest!”

“'Plant the seed'. 'Plant the seed',” she repeats, tense muscles concentrating energy into the steps. “Ohhhhh, plant the seed! Of course!” Eyelids glued shut, the clinking of the crystal surface stops along with her. “I'm think-thonkiiin '... III'm think-thonkiiin '...”

From her boots, a seed bursts into golden roots stretching far up the road. More vivid surroundings form, completing what had admittedly been a dull environment - so many dreams of thriving ideas that all potential scenery could be left up to the interpretation of one’s own imagination. Colorful visions made a kingdom. Plots of land left awaiting similar treatment were few. Arching rainbows line the skyline. The sun itself remained speechless to what one thought had created; many more left waiting to be freed.

Shady’s paw scales the world. “Take a look, Hoppy.”

Every vague image flying around her brain, pounding at the walls for escape, takes formation right in its place at an eye’s peeking pleasure. But once they open, they don’t stop - Hoppy’s countenance goes wide in astonishment, taken aback by a grand paradise she could only see without sight. The roots pump vibrant colors out to floating islands of layered cakes, rainbow waterfalls pouring from the stratosphere, urban skyscrapers roofed by flowering red balloons… anything, really! A tumbling crash comes from afar. Off in the distance, a cold, snowy peak had risen prideful among temperate lands. Massive, clumped snowballs of strawberries, even distinguishable from a hundred miles, bounce and roll from a mountain piercing into the heavens. They come down in droves, animated in opposition to the black-and-white cartoon the restriction of her mind could process at most. 

“Is that a… strawberry avalanche?” her breathless speech utters.

“What else?” Shady chuckles.

Taking the longest gasp in the world, she whispers, “I love that song!…”

“And that's just the tip of the iceberg! Follow meeeee!”

Shady continues the brick road. What’s stopping her? She just laughs and hops right along.

The sapphires still gleam strongly under their boots. At last, Hoppy’s immersion in her creations are no longer restricted to the eyes - getting up to scale beside flowing chocolate rivers running nonsensically down towering, tasty hills absorbs her mesmerized ears in sound her mind couldn’t hear alone. Shady guides her through her imagination, traversing an irresistible forest roofed by diamond clouds.

However, as the mountains around get steeper and the sky darker, their golden glowing boots still prevail. They reach the darkest end. A deep canyon separates them from another mountain range with ordinary peaks stabbing into ordinary clouds. It made a hideously dull piece poisoning an enchanting whole, a drop of dye clouding the clarity of the water. The roots created from her feet, branching out to embrace every sight prior, crawled into the abyss. They never came out.

Nothing but silence ensues once she dares to tip her head over the edge, wobbling back at a dizzy realization.

Shady expresses none of her immediate concern in his posture, rubbing front paws together. Bending low and using the telekinetic force of tense hands, he lifts the mountains right off of their bases, shaking the earth to reveal the sunny field returning on the other side, so bright that whatever lies beyond remains obscured. They stay put in the air, granting free access past what anyone would see as a clear obstacle. The imagination declined.

Despite his impressive display, the dead gap remains. Hoppy doesn’t budge.

Nonetheless, he leaves the fissure to her company. “Put trust in your imagination. It will show you what you cannot see, and leave you waiting to see more. So see it!”

She stands. Stares. The deepest pit in the world, and a hind paw hesitates to step without intending to land. But trust she puts. So trust is what she receives from the boot over hind paw, splashing into an unseen puddle floating above as delicately as a flower touching the water. As her weight sinks further in, the toes spread wider on a solid bridge of thought invisible to the eyes, but very much present beyond restricting expectations. Her other back leg boasts the same result, claiming the threatening pit for team Hoppy.

“Ah!” In every glance down, she’s soaring in the atmosphere. Lingering above death itself. She’s a still image in the event of disaster, rounded knees trembling and tail pointed up as a frizzled bush. She feels her jaws lock up by a hinge, bottom one drug down by the gravity sparing the rest of her free body. “Ah-ha-ha! I’m alive!” Feet skip one after another, rippling the pond she rushes across to the end of the canyon. “A-haaaa! I. AM. InVINCIBLLLE-!!”

Oh, if only it were so easy. The mountains just so happen to make their anticipated return back to the earth as she participates in a 100 meter sprint underneath, crashing down to flatten her. Shady doesn’t react with his nonexistent eyes, but just walks across himself, producing dreamy puddles in the same fashion.

“Mountains!” he commands at the base of the stone. “Part.”

Rumble.

“Don’t talk back to me!” he warns.

Rumble rumble.

Finally, the huff of judgement arrives. “Hoppy, remove these mountains from our sight please.”

“Thonk-a-donk!”

A large gap in the range crumbles to pieces on top of her, disappearing in a massive cloud of dust to unveil the sunny destination once again. Squished into the ground, Shady walks up and grabs her ears, flopped out far to the sides, and stretches her up into solid form at last.

Everywhere she pats all over herself, cool pads meet unscathed fur. Astonishment overcomes her soul. “I am invincible!”

The sapphire path resumes into a field seemingly returning to home base - tall patches of light grass, though now absent were any mud puddles. Heavenly radiance blinds Hoppy’s sight ahead… and a glistening of blue peeks into the corner of her eye. Converging roads join their own spanning the land ahead. Many roads. The golden roots grown between them, and around, and behind all possible lanes grow thicker from sources spanning into the far horizon.

That’s when the light makes way. 

The grand chocolate fountains on both sides of the base's walls, heads carved into majestic whales, pour cocoa waterfalls down into sweet, savory pools. An entire city squeezed itself into the formation of a house in the sky, carrot-shaped towers varying in dimensions and color built up inside the perimeter like building block rooms connected by thin exterior corridors. They float higher and higher into the atmosphere as towering branches of one mother tree, crystallized salad rooftops absorbing the love of the sun atop the wide ends of the carrots. That’s right, no physical limitations hold this homely home back - the base itself stayed suspended from the ground, uneven platforms meeting at the front entrance level with the earth, blocked by 2 massive stroopwafel discs making a vault out of a trip to the flipside. All the while, 2 circular red pillows, lined by gold, floated around the exterior on either side of the door. What’s a marvelous feat of an engineering miracle is just another day’s work in the imagination.

“Wo-ah!” The magnificence felt twinkling in the center of her pupils trips her back over herself. “Why, why... this surely can't be your house, Mr. Shady!” Somehow she almost hesitates, squeezing out a quirky crumb of excitement. “Is it?”

“Why, YEEEEEESSS!” announces Shady.

Something once overshadowed by all else justifies that status to her: a sad, overseeing stem stretching far over the center of the house’s main square, twisted and dull green, almost unhydrated. Atop was a white flower… devoid of any petals plucked from its sagging self. The Thonking Stem. A dead, dead Thonking Stem.

“Oh my!” she blurts, a jet of breath yanked out of her. That depressing image of a flower with no color prints itself as a tattoo on her eyes. “But-! There's no petals!”

Glowing essence flows through golden roots strung in a web of wires. “How about you grow some?”

They lead from underneath up into the floating base of the flower, the organic stem pulsing and transforming into gold at every thought flowing out of her mind. Its hope powers her, waves to her, and asks her for more. That link grows intensely through the support of the passionate roots expanding out of her boots to join in on the effort.

“I’ll think-thonk harder than I’ve ever thonk a thunk,” she whispers, full of intent.

She just keeps watching, absorbed in the show. Every pulse now reaches the petalless flower, thumping into its heart more and more vitality. And more roots sprout and disperse from her boots as freed fireflies do, returning home to join the others. Suddenly, something erupts from the top of the barren flower: just a glittering, sapphire tip poking its way out the flower’s center to rise as the highest peak over the land. But as it fully nurtures, the rigid crevices and teardrop shape come to life. Plump at the bottom, it makes no grand entrance nor presentation. A seed. A sapphire seed. Peculiar.

Her mind sees no deformity that her eyes may, body leaning up tall and proud in a wholehearted grin at her newest bloom.

Shady nods to her in applause, approaching the front door. She finds herself copying his footsteps. On either side they take post below the floating pillow pedestals. Their golden boots give them the leaping power to bounce like springs onto assigned plates, an invisible mirror perfectly dividing their synchronized motions down the middle.

As the pillows slowly descend to the ground, the pair of stroopwafels diverge from the center, uncovering the grand entrance inside. Hoppy is left in awe as she wanders to the center of the doorway. Together they introduce themselves to the elegant entrance hall, stretching miles across a patterned carpet. And the wonders get more wonderful as the hall expands. Floating paintings orbiting the area perform a show for Hoppy to enjoy, the images themselves portraying a feast for her mind.

“It’s… it’s…!”

She spots the magnificent purple fur pillow resting on a jumbo couch.

“Oh goodie glee!” She’s definitely hit her gasping quota now, in case she hadn’t one gasp ago. “When’d you ever get such a wonderful fur pillow, Mr. Shady?”

Presented beside it is another of blue. “When I needed 2 fur pillows, of course! Like a try?”

DO I!”

A leap sends her soaring through the limitless air to hug both fur pillows in the snug grasp of her arms. 

VROOM VROOM, VROOOOOM!

SCREEEEEE- CRASH!

A startling shatter of headlights breaks apart all that was built, and all that was free from the roaring engines of monstrous cars on the TV across her. They flip and fly over mud, colliding and crashing together to comply with reality's rules. They don’t soar; they don’t break from only what the world told them to do. They listened.

Hoppy jolts awake on the recliner, chin squished on fur pillows barely wrapped between short arms. Her side crushed the remote ages ago. The flashlight had died off, leaving Mr. Shady’s presence uncertain.

“Hmph, they’ve always got the demolition derby after the cooking shows.”

She scolds away the unavoidable disturbance, at least capable of drowning it away into darkness by the click of a button.

“It really demolishes…” A yawn heaves out her gaping mouth. “...a good night's sleep…”

As her mind fades away back into slumber, the remote slips off the curved edge of the cushion and onto the carpet below.

Chapter 3: Food Freak Fortress

Notes:

Note: This chapter marks an important turn in the story. This is where we move from the introduction into the actual moving plot. And what better way to start that than a chapter with >30k words? Ok honestly, I formally apologize for the length of this chapter. 

But have fun. This is a big chapter plot-wise. In the end, you may find half of it to be pointless in the grand scheme of the story. But honestly, that ended up being my primary intention here.

FYI: SCENE BREAKS are your friend here! This is 1 of those chapters I would advise you to NOT read in one sitting (I mean you CAN, I’m not judging). They’re here for a reason. USE THEM.

In fact, starting with this chapter, I’m applying sub-scenes. These aren’t meant to be separated as different scenes, but certain clips within the scenes that I feel are necessary to make distinct either as a storytelling method or a way to make the chapter flow better for readers. You should see why for THIS chapter in particular. They may not be included in every scene, because this is mostly for the sake of the more montage-y ones. In contrast to the dashes/line breaks that mark scenes, sub-scenes will be marked by a set of 3 capital X’s:

XXX

It’s in this chapter that you should begin to see some of the parallels between this episode and the movie, which is intentional. Like I said in chapter 1, this episode is the least ambitious in nature, but still as meaningful as the 4 that come after. What I want to do with the 1st episode is present readers with a setting and conflicts they’ve seen before, only expanded and branching from their original forms with new perspectives, while establishing my own personalized style of storytelling and world-building that will continue in the following episodes. This episode is all about new concepts applied to the base of the movie.

Chapter Text

The sun rises back over the Hedge, and paints the woodland site over with a gloss of orange. In such a warm morning, a casual demeanor overtakes the open surface, while insecurity and disorder runs rampant in the hidden shadows behind the trees. The air sings its song over only the brush the sunlight meets. The darkness in the cracks of a fractured forest faces silence.

Yet another sound to be heard is the clicking of remote buttons once again, only now free in this feral environment. From the purple throne of the TV lounge, Heather’s spiritless eyes tint themselves with a lighter shade of blue, and her ears indulge in none of it.

Some radical teen babbles straight at her empty face from the TV. “NEWWW Mega-Heated Headbands ! Remote-controlled and sure to warm up a cold forehead! Sing it, happy customers!” 

The happy customers perfectly perform a completely improvised jingle on the spot: “It’s a fire on your head! It’s a fire on your head!”

“The warm ‘n cozy kind that thaws numb fingers ‘n bakes Grandma’s cookies! WOOOW!!”

" Ohhh we're boutta get into summer weatheeer , that's terrible marketiing …" Heather yawns. 

On the next channel, the Sniffer’s voice only cringes her. “I present to you - the Depelter Turbo 1 point 9!”

His words don’t amuse her. They don’t stop the endless pendulum of her limbs off the edge, her front lying over the armrest of the chair. “They’re never gonna get that extra tenth.” RJ’s icky snoring in his nap beside her on the seat added something at least.

“But don’t fret, Sally! We'll get that extra tenth!”

No you won't,” she yells back, happening to have RJ awoken as collateral.

“We will!” The Sniffer insists on keeping a wide smile, from cheek to cheek, plastered over his face.

The TV guy of the advert parades through all the disclaiming whatnot and serves its plates to Death’s table over the atmospheric happy music: “Product only available for legal purchase in select states (we’re looking at you, Texas). Misuse of this product may lead to serious injury, substantial property and/or satellite damage, nationwide power outages, a deep sense of regret in your financial history, intense stinging sensations, traumatic events, nightmares of said traumatic events, cuts, burns, obscure medical conditions, and potential dea-”

“Pshhh.” RJ cut off the TV. Sticking itself to the power button, his finger doesn’t move. “Just beatin’ a dead horse with that thing.”

Verne’s silhouette engulfs him, and removes the feign light from the sun he so hoped to fake pure blithe underneath. Unfortunately, shadows never die, and their resentment remains within those borders.

RJ leans his head into his hand. “Oh, hey Verne.” The only bit of energy he’s able to jut out from his vocal cords tumbles over itself. “What's up. What's shakin'. Remember your dreamcatcher this time?”

He speaks nothing.

RJ rises from the chair. “Right. No dreamcatcher.”

Verne keeps his back erected tall in RJ’s presence. “Do you see what this is?” He bends his shell to the side and points out an obscure location RJ would’ve been too lazy to elucidate for himself. On the side, marked in the center, there's a miniscule crack in the hard surface. It’s not even noticeable without proper direction such as this.

“Oh that's a nice birthmar-”

Verne's flat foot demolishes RJ's stubbiest toe.

RJ’s eyes explode from their sockets. “-aaaAAAARK!!”

His bones mold into jelly, tripping right back into the seat beside Heather, jerking the whole thing and crashing against her. At that very second he thrusts the throbbing toe into his mouth from his raised leg.

Verne speaks nothing.

RJ glances up to him. He doesn’t respond for a whole second. Like he’s waiting for someone else to acknowledge his own suffering first. Whatever. What he could manage would have to do. “ MMMMMMM !!”

“Are you gonna be a big boy for this talk, RJ?” Verne asks with a caustic grin.

The muffled objections he blabbers out, without substance, points Verne to the toe in his mouth, obstructing his ability to speak like a plug in the faucet of his inconsiderate line of reasoning. Frankly, Verne appreciates the blessing graciously, if only for a second or two.

Irked by RJ’s trouble, Heather only has so many ways to assist in a not-as-awkward way. “ Here …” She plucks the toe out of his mouth, freezing his expression, and drags it down underneath her leg to apply constant pressure.

Like a dog, RJ whimpers, “Thank you…” and releases the tension in his muscles to slump back with a strained sigh. “...so much…”

“I’m an ol’ rock, chipped away by battle scars, RJ,” Verne remarks, presenting such ‘battle scar’ again. “Y’know why ?”

“Me?”

“No. Calling what you’ve done ‘scars’ would be generous.” Thus marks the beginning of his pacing. “What you might not know -”

“Can I just turn the TV back on?”

“-is that this place used to be so much lonelier. It started simple as ever back then. Just survive . Trust the tail . That’s what I told myself. I never knew that, someday, I’d have a family to look after. But that’s just how the river flows ! Stella ‘n I, we had a nice system going, but when Hammy came … something was… different . It WAS a family. Well it took me many, MANY years to figure that OUT obviously, when everyone else came along, but you get the idea. Anyway, I know the Log inside and out . Literally . The more cracks I found in the bark, the more I discovered about these people too . Now, who do you think’s more qualified to speak for the good of the home here? Do you think it’s-?”

RJ dozes off. And he dozes a bit too far from the material world. The emptiness clogging his ears hums a missing note through both ends of his head. But the ladder Verne’s voice suddenly climbs in his speech awakens him, still not curing the sluggish void enclosing within, highly discursive. RJ tends to his boredom by scouting out all the jumbled deposits of food they have spread around the site. Each and every one. The bases of these hills devour the floor they walk on, creating some narrow trails where they do not need to be. They starve the grass underneath, creating mudded patches in their wake. They’re chunks of land taken from the meadows of their vault, sinking their farms into valleys. Clear action must be dealt.

“-And that’s why I am ASSERTING to you , RJ, that without this home, we are NOT the same family. All the care we’ve given each other… it was all founded here. Everything we’ve learned about each other… here. Is this something we can AFFORD to lose? A TRUE home ? Everything we’ve got… it started here. One log .”

So then it hits him: With that old cave as a bank, their moving labors will be slashed in half. Why ? Rather than moving everything out at once, storing for the long-run benefits the outcome he sees. He sees it so clearly out of Verne’s little dome he’s bouncing his voice through. That new location they’d surely uncover, flourishing with goods, and a whole cave-chamber of leftovers to spare.

“What we have right now ? Okay. Hammy doing who KNOWS what in the lake?! Okay. Spending my whole life … living in some mossy log that’s rotting away, year after year? It’s all okay, because at the end of it… we’re home .”

Heather’s left to stick around for the show. But she’s a goat in the stands, wimpishly out of place without grass to chew on. “Okay yeah, good for you ‘n stuff, but this all feels pretty personal , like... I don’t think I should be-”

Verne stops in place to face them. “And that’s okay too, Heather! But here’s what’s not okay You , RJ, thinking you can move us to some ‘better place’ with ‘better’ things that we’d be ‘better’ off with! If you can’t recognize that this IS the best and ONLY BEST place for us, how do you think you’ll find something better ? There’s no other place like this. None . We’re not inconveniencing ourselves like what’d happen if we WENT searching for some nEw HoMe. We have to treat this like a sacred duty , bestowed upon us by ANYTHING THAT MAKES SENSSSE !! This is something we have to protect at all costs , and I am fully willing AND capable to do so. Thank you. Applaud away .”

Some moments pass before either respond.

Finally RJ yawns, “Bravo. Brilliant speech. Oop, hold on, think I feel a tear comin’...” Heather’s personal space becomes meaningless to him once he’s inclined to stretch across the entire seat and relieve himself from all the condensed lumps forming in his freedom from the lecture. Suddenly, a toaster dings with impeccable timing. “Oop, hold the tears. STRUDEL’S DONE!!

Heather takes hold of the TV remote and chucks it at a toaster off to the side, angled towards them by the base of a tree. After hitting a lever, the 2 toasted pastries launch in a perfect arc into RJ and Heather’s arms.

Heather’s first strike erupts magma filling onto her tongue. “ OOOOOH , it’s hot ! Oh GOD that’s so hot.”

“HAMMY!” RJ claps.

Hammy runs up between RJ and Verne, saluting his loyalty to the former.

If Verne can’t be dealt the attention of his opponents, the least he can do is question himself rhetorically: “Did- did ANYTHING I just say matter?”

RJ props open Hammy’s mouth and pulls out 2 cold packs of icing from both his stuffed cheeks, miraculously (and unbelievably) spotless. “Y’know Verne…” Clearly his drowsiness hadn’t dwindled a bit judging by the distinctive swing in his dead voice. “You were right when you said it, I dunno, some time ago … We are runnin’ outta room here. After all, we had to resort to using Hammy’s mouth as our icing storage unit.”

Hammy adds, “In fact, these cheeks have a cooler installed too-!”

Sooooo I think we’ve got a caaave to fill. Yeeeaaahhh …”

Verne’s shocked passion stings his countenance. “Oh, so now you’re DYING to get back there, you ‘n your pack of… STRUDEL wolves?!”

Fresh-baked scraps and slathered icing coolant cover his face with the bite of the strudel. “‘Tis merely the food who calls, good sir!” He points aimlessly into the air. “‘Tis merely the food .”

XXX

A drumroll sounds. 

RJ stands later at the mouth of Vincent’s cave with determination. Its jagged teeth threaten to swallow him whole, but when Heather snakes up to his side, he grins, and feels no reservation towards the darkness. Hammy zips up the staircase on the right and swerves along into the cave after they proceed.

“Rolecall for Team RPS !” RJ yanks back the curtain to the backroom, pushing them along as they fly in. “Go! Go! Go!”

“‘Possum for paper!”

“Squirrel for scissors!”

RJ himself readies to race inside. “And raccoons are always rock-hard. Er, always in the brain . It’s the brain. Yeah.”

Inside, RJ slams the bag down, and they all 3 dump it out. RJ fills the hyper silence while they unpack: “Just think - the more junk we stow away, the more junk we’ve got to bring in !”

“Or we could just eat it,” says Heather.

“Hey, can you pass that Nutty Buddy?” Hammy asks her. “I get hungry when I think of food.”

XXX

A drumroll sounds. 

With his group inside the concealment and nurturing of the Log, Verne approaches the empty box of cookies being used as a podium. “Bring forth the forehead belt .”

Tiger steadies his knees and bends at Verne’s feet with a yellow bandana. Verne takes it and goes to wrap it around his head with pride, only for it to blind his eyes. He removes it and retries, only for it to fit tight over the top of his face, over his pestered eyebrows. Unfortunately, none of that minimal space over his eyes necessarily qualified as a ‘forehead’. So instead he just puts it as a weird lump on top of his head. They’d get the idea.

“Team Oak , FAAAAALLL IN!” he commands.

Stella, Tiger, and the porcupines, one-by-one flop yellow bandanas onto their heads in unison.

“Was ‘Oak’ really the best you could do ?” Stella remarks.

“I figured we’d stick to the 3-letter theme.” Verne commences the opening of his overruling oration: “First of all, I’d like to, uh- thank you all for being here… today. It really means a lot to me, and uh-”

“CAN WE FIGHT YET!?” Spike shouts from the back.

Hush !” goes Penny.

In case he had much to begin with, the remainder of Verne’s confidence splats flat on its face. One inch removed, and his train derailed. Stella, closest to his side, clears a demon from her throat and tilts her glaring head forward at him. She sends her spirit - her flame - over for him to fan.

“Okay… Okay .” Verne straps on the cape of a sovereign, dictating tone: “ Listen up ! I WANT YOU ALL to-!”

That look Stella shoots him again… this time, it’s barely readable underneath the white hairs sprawling over her face. From all he can comprehend, it’s either the attitude or execution he’s got an imbalance in. His mouth speaks these thoughts for him: “Whadda I need, more attitude or execution ?”

Stella slaps her head, then blows up the hairs off of her face from the vent of her lips. She pounds a thumb onto the middle of her chest, into her heart. Combined with the gesture, Verne manages to read the deep emerald wholeheartedness of her green, uncovered eyes, and figures out the rest.

From the heart… Show it in the eyes …”

Verne looks at the podium in front of him, and frowns. He pushes it aside and steps through the Log to speak to the new team directly. Like he knew to do, he lets his eyes speak of his true emotions, both of deep concern and gratitude.

The outcome is a bit of a smile. “Everyone… this is our one chance . We know what we’re fighting for.”

Fortunately, Penny is able to smother one of the kids’ mouths with a fat hand before he bursts out with something irrelevant, at Verne’s brief mention of a certain f-word that ain’t short enough to be that one.

Verne examines the tunnel. “We’re standing in our own home right now.” He chuckles, “Think about it. We stored everything in here. Even ourselves. But sometimes I wonder just if it’d feel the same without a true family .”

Everyone glows their grins for his heart to absorb, and collect into a penny jar.

As a grand rally, Verne declares, “By the time winter comes this year, we’ll be resting easier here than we ever have! You heard it from me, folks.”

“We’re stickin’ with the Log no matter what ,” Stella ensures. “Rememb’uh that.”

And Tiger bows all too solemnly. “For all my nine lives , I’d lay down one just for this.”

“Alright, death is where I draw the line though.”

“Just… thank you all for this,” Verne laughs before addressing the skunk specifically. “Stella, I know it wasn’t always-”

She stops him quickly. “Don’t … bring that stuff up again. Right now, we’re livin’ in the NOW now.”

NOW now. Right. Now now. Wait!... We’re still missing something .”

“What’re we missing there, Verne-o?” comes Lou.

“Yo, what we’re missing is the fighting!” Bucky scoffs.

I can help with that,” Quillo says.

Verne returns to himself a fidgety nature until Stella steps forward to his side. Suddenly, he’s reminded of some thought. A thought once thought before. He brings out the attitude again - from the heart, and through the eyes. His heart beats faster, and stronger. It straightens his back and sends the beam of determination out his eyes like a jet plane. Each word propels its jets and conquers the mountains, for both its wings are not alone. So, he’s ready. And true. 

What we’re missing is a plan . And a good one! Huddle.”

What Verne says perks up the radar ears of RJ overhearing from his casual pace past the Log: “What are we?!”

“FORAGERS!!”

RJ says it quietly to himself: “ Well Verne, you’ve just challenged a raccoon to a heisting match . Don’t even pray you won’t regret it. You will .”


The starting pistol blows a round that day, for the disastrous race that’s about to ensue - a week-long dash down a molten hill.

“Status report!” comes RJ’s order from the front patio of the next target house. Both teams prepare themselves at the start, itching to catch the signal.

Hammy rises alert on the rooftop. His sight darts around the fantastic scene from above, every lane of houses across the suburbs presenting new sights, colors, and personality. All into the horizon these settlements stretch - an endless sea of artificiality. The orange sea monster was found nowhere lurking in these waters, no sign of danger around. After their last encounter with him, scouting for the Sniffer became priority 1. Hammy runs back to the edge of the roof to confirm. A single “Nope!” is hollered down.

No track’s never issued a race or two. By the time Hammy of all people is able to panic and tag along, the athletes are already inside. The first narrow entrance hall, ridden by a web of lasers, makes for a field day all over again. They leap and twist and trample between the wires of the misshapen grid and leave no room for error. Their movements clash and confuse the eye like the boulders tumbling off a mountaintop, swept up by the fluid winds of one dynamic highway. In the tracks left on the sheet of fine dust another’s foot follows, but never intersects. They might as well apply for their own acting routine given the orderly chaos somehow unachievable through strict rehearsal. When chaos occurs in chaos, it thrives .

Ozzie trails behind, holding comparative gaiety in the smoothness of his steps. They contribute none to the volume of the fray. He meets his tenacious team at the doormat of one sudden megaplex; variably so, the high-roofed living room startles the firmness in his toes. What jarring complexity it would be to examine, if only the group threw thoughtful glances more than a second instead of the frantic scattering of their faces, including one new trio of members to Ozzie’s organized heist group: the porcupine kids.

No such… really intense , fiery enthusiasm , to put it… is contained in Ozzie’s static stance. He still yet holds the mug of routine quenching, having not boiled out the bottom. “And so , our order of business consists of -” 

Down he scales the list, while their heads are lost to the heights, fighting to unravel the same wings that could diverge the earth and its touchless clouds now sought to be obtained. Hidden by the back of a sleek couch facing the dead case of a fireplace, a small stair divot leads down into the lax pit of the room. Verne can’t help but find a raccoon’s tail to be slipping out of sight past the frame against the wall where rug meets tile. Clanking immediately ensues from the kitchen. Down the pit, on the left.

“C’mon! Let’s go!” Verne proclaims to personify the proactive actions of the others.

“-Alllllllrighty then, don’t mind I !” Ozzie performs his obligatory awkward-moment-no-one-cares-for jig. Heist groups became void. There were only ‘heists’ and ‘groups’ in a time like this.

They take to their ‘business’.

XXX

The blank photo square on a ‘Read All About Me!’ poster is taken by a pencil diagram of Heather. Along the bottom edge, symbols of only her greatest interests stamp the 3 ‘super cool fact’ squares fit for… super cool facts. Food. Music. Food again. “Heather,” RJ narrates. He creates her profile so earnestly like any student of the week would, if they took the role of an interviewer. “‘Possum. Nickname: ‘Possum pal’. Role: Maximum swagger (as proclaimed by the subject).” Inside the star on the center of the paper, her tail comes to life on the page. “Star trait: A sentient… butt-hand.

RJ documents her prowess on the clipboard as she goes, securing their first scores of food from the highest cabinet in the room. She swings each can, cup, and jar ‘round way to drop them off from her butt-hand on every beat exactly.

Truly a marvel at work!

A leftover Arnie’s sandwich box must’ve hid from her nose in the corner, as it now comes down for RJ.

Favorite food: Arnie’s , ” he scribbles as an extra note.

On lined paper, considerably more readable and organized, Verne documents the same profiles. “ Stella . Fierce, but defensive. Ready to aim, but rare to fire .

One human proceeds to exit from the bathroom so lackadaisically that Team Oak seems to be the ones in a rush as they just so happen to parade by from the top of a staircase, coming up with a whole party-size box of assorted chip bags. In the confrontation, a toilet plunger enters the woman’s grasp. Stella jumps in front of her fellows and points that back end back. Just like that, the woman flails into the bathroom and locks herself inside without hesitation. Stella snaps fingers for the others to take their leave.

Verne’s tone loosens. “ Her biggest loyalty is to herself . But she knows her place with us.

The team applauds her back in the lobby of the living room. Jokingly, she nudges her fist rough onto Verne's shoulder before linking her arm around one of, who else, but Tiger's front limbs.

Tiger iiiis about as loyal as a guy can get. If I've won Stella, I've won him. He's a royal thinker. Royal attitude, royal courage, royal… appetite… Buuuut- he's uh, he's working on it.

Shortly following the previous event, Tiger snaps his head around from the chilly fridge of the kitchen after picking up a call from Stella. His diet speaks a different story than his typical demeanor - he’s forced by the worry in his stomach to spit out the plumpness of the fish jammed in his jaw. Indeed, he only bears insult to himself by allowing the need to devour devour his own mind . Luckily, he’s still just as fit. Thus, he pounces across the floor in the direction of his beloved.

Stella grabs onto Tiger’s shoulder and has him leap her up a giant couch in the living room. A simple display, but highly representative of a symbiotic bond.

Where one faults, the other follows .

Verne sits and smiles to himself in regards to his own display of writing prowess. “Oh yeah , that- that’s deep,” he thinks aloud.

For RJ’s next poster, he seems to have acquired a vandalized page, colored crayon splashed all over. A piece of the paper was chewed off in the corner.

Hammy,” he only briefly starts. “W-wait Hammy? HAMMY!? You WROTE ON THIS!! HOW AM I SUPPOSED TO HAVE MY MOMENT-?!” He resorts to an (attempted) pleasant on-demand reading of Hammy’s colorful work: 

Hammy… Squir-rel. My friends make me happy, like Cousin Heather whenever she scratches that extra tender spot on my back.’... Aw, that’s nice,” he commends, before reading again. “‘I am hungry.’

Twirling corkscrews take Hammy on his own smooth coaster between backyards in the lane. At each chain fence he leaps through the gaps, passing a yard’s length by the second. His apparent hunger drives his car more than the flat level of the track ever could. “WEEE! WEEE! WWWEEE!”

" ‘I am a star becaaauuuse… I am very fast.’... So true, so true. "

The crisply-tattooed hotdog Hammy steals from a steaming grill transfers its scolding heat to his hands. It flaps like a jumping jelly bean around in his possession while he attempts to extinguish the smoking energy exploding off the skin. Those stings don’t end when he goes backwards through the fences again.

"WEEE! Ow. WEEE! Ow! WWWEEE!"

“Oh heyyy ,” RJ delights from the other side of the Hedge. “Here’s a lil’ doodle of a flaming hotdog!”

Glowing to perfection, the steaming hotdog missile arcs like a dolphin over the leaves and rains down right along RJ’s trajectory. The glare from the high sun combusts it into a deadly javelin of fire.

Hammy . Hammy is… ” Verne fails to recognize the circumstances bypassing the gates of his history. “ ... not … on our team, actually.

It’s almost poignant to have split the old road. Stella the supervisor stares up alongside Verne from the clipboard at Hammy in his speedy prime, making laps around a backyard picnic. 2 pairs of brown and gray arms secure the goods from behind a large bush at the corner of the yard. RJ and Heather fling the boxes through the Hedge as they come. Stella huffs and shakes her head.

But without their kid, she can’t settle for talk alone. She grabs the clipboard and yanks it to the ground. No words.

XXX

The trio of RJ, Heather, and Hammy make a proud enough performance from their found food at the base of the cliff below the new official storage cave made from Vincent’s old. And without the entrance of Verne and the others, it was set to remain that way. But they slog through with their massive bundle, including an entire box of chip bags far beyond RJ’s expectations of his performance in even just their first rivalry heist.

So the 3 end up stabbing themselves with the short end of the stick… or the long end from Verne’s point of view. He knew they were now up there in that cave. He knew they could only be angrily storing the sum of both teams in the back room. And he grins. He grins from the base of the cliff and pokes at his own amusement. He spies out their reactions through the rocks. They were just that obvious

His hubris only lasts a moment. One car honks to another behind them, from the broad, endless road, and his x-ray sight fades. The rusty, dented car in front broke down - its front hood popped open, and the driver ejected. The glossy sports car behind, the ‘viCtiM’ of course, scolds the audacity for such an inconvenience to take place. Who bears the burden of both ? Possibly it’s a double-burden on one side . The community of oaks and pines in the whole wide forest reveals itself to Verne again. The forest is an inconvenience to these creatures. It’s something to chop down. It’s vulnerable . But it gets in the way. Logs will fall. Verne only gets a headache trying to count the days he’s known a fallen log himself. THE Log. What a manic comparison. If a log falls over a street, can it really be considered the criminal? Will the hollow innards of his heartly home be crushed twice as fast under the pressure?

His worries return him to the home site. His shell contains the shivers overtaking his torso as he scans the calendar. The last square of the month he jabs with a weak finger… is the 25th.

“That means there’s only… 18 days left . Give or take.”

“Verne, quit countin’ days ‘n start countin’ pays!” Stella’s incoming rush gives him sudden dismay. He flinches his neck forward and takes a breath.

But her words drive some interest in his countenance. From RJ’s arms across the site, boxes of snacks and treats leave his ownership to be distributed to Heather and Hammy. They take their pays with great gusto at a day’s hard work, then chase after the raccoon right back into the suburbs just before the sun sets. A paycheck. That idea somehow causes Verne to squint an eye at HIS followers, scattered about.

Stella stares at the speechless Verne. "If yuh gonna keep these folks on our side I think yuh’d bett’uh raise the check," she relays in a whisper. "Oz-man's still lookin' miiighty free…"

Ozzie is indeed not doing much, just enjoying what he has (AKA a nice creamy cup of late-night coffee) in the dedicated pillow lounge underneath one of the open umbrellas.

Verne stomps forward. The sweltering heat of competition now furrows his brow as if the sweat from his non-existent forehead crushed it down over his eyes. And underneath the peacefully setting sun, Ozzie remains benign. Verne enrichens the lush flame in the horizon. “Alright , RJ. We can play this game.”

XXX

‘Team RPS’ seated themselves on the side of a single-story house. This is the last house on the block. Shrouded in secrecy . The walls painted a solid white, and the roof simple brick, this place only has one thing to hide: A beautiful development in the circle of life. Thankfully, a multitude of lawn chairs stacked up over each other gives them the elevation they need to discover a channel of live natural phenomenons through the open window of a dim bedroom. RJ and Heather observe the human mates in their den with a taut level of fascination. 

Hammy makes sure to document the event from the cupholder on the armrest, where his legs are stuffed and bent into. Every time he clicks the camera, it only flashes another blast right into his face. Nonetheless, he continues snapping great shots of himself with the camera facing backwards.

“Wow,” Heather comments to RJ with a spiffy new safari hat of her own. “This’s just like that wildlife show.”

She flips the camera around for Hammy. He wouldn’t wanna miss the thrilling ritual .

RJ rattles the cup to his side while grumbling: "The popcorn’s stale again, Heather."

Verne approaches. “Could you stop with this garbage!? Why are you so OKAY with this? With them ?!”

“See I call this lil’ spectacle 'Monday Night Football'. They do stupid things, we watch. Simple.”

I’m just with RJ,” Heather points. “Simple.”

Verne spanks his head hard and groans.


The moon flows peacefully by, and the sun follows through.

XXX

Hammy’s putting some real work into that second trash can, beside the one RJ monitors from the corner of a new brick house. Heather rummages through that one, and the three chill under the shadow of the roof hanging over the nearest edge of the backyard. At high noon, the sun rains its rays onto the land, washing over some energy and action for them to escape from, and cool their skin.

Heather stops rummaging and explains to RJ, “So liiike , we already did the whole stereotype thing, but we still gotta spice it up with some comedic interpretation .”

She dives into the crinkly pool and splashes her head out at the surface, a rotting banana peel on top. “So better knock it out sooner than later.” Thus, she performs the act, and messes the ground: “Oh, look at me! I’m eating all the trAsh ! ‘Cause I’m a trAAAsh-eater ‘n stuff! I’m a stinky-smelly-bitey-hissy- trAsh-drooler or whatever I am!”

They chuckle. Spying from the backyard, Verne motions to his team at the optimal opportunity. “Quick, they're having fun ! Now’s our chance!

They take positions. Among the clutter, Ozzie - newly the target for them to shoot - wanders the front yard aimlessly. Sniffing flowers from bushes, picking a rose to twirl in his hand, sizing himself up with a garden gnome… in all this space, he’s still a lone man

“Make it subtle, everyone!” Verne reminds them.

Well, it’s what could very well be an entire fiesta they settle upon. Prodigal to the task, it certainly hooks in Ozzie’s attention to the house wall on the side, to the right, around a hexagonal, windowed protrusion of a corner. 5 giant golden balloons spelling out ‘OZNIE’ float in place for him to read. Verne and his team burst upon him in a spectacle of party sparklers, filling his pupils with stars. A festival made for him.

But yeah, they clearly only had 1 ‘Z’. Oznie (Ozzie), the front of his lips bulging out in speechlessness, frowns his eyes and moves right along to the flipside, to the backyard. The shade cannot save Verne once his smile melts down to his shoulders as a response.

Meanwhile, Heather jumps out of her can to RJ, the banana peel remaining clung on her head. She holds her arms up wide to the crowd of one. “Ta-daAaAaAa.” She leans in close and whispers, "But really though, I so don’t mind diggin' in this stuff."

RJ points at the peel. “What's the deal with the uh… lil’ parasite ya got there ? Taking it to dinner?”

"I'll keep it as a hat."

“Oh please don't.”

Ozzie passes them by in such an unusually mundane way that Heather feels obligated to address him. But the three of them watch for a moment as he trails past the patio to lose himself in the maze of shrubbery and ornaments that made up the yard.

“Yo dad, where’re you going ?” she asks.

As a homeless man he continues to wander past. “Nowhere particular, to be honest. Away from THEM, at least.”

They now lean around the corner of the house. Verne’s entire, sad failure of an operation becomes apparent to them. It also justified the random explosions of balloons they were hearing, as the porcupine kids stabbed themselves into them. They weren’t having fun doing it either. It looks like they’d just been grounded for a week… assuming Verne, Stella, Tiger, Lou, and Penny somehow grounded themselves too, considering their identical attitudes.

Honestly, if those giant balloons didn’t speak it loud enough, at least Hammy could save the other two the trouble: “Are they … trying to win Ozzie ?”

Ozzie’s off into the maze. But now, RJ takes some interest in Verne’s gameplan. Luckily for him, he has a natural advantage in swaying Ozzie. And she’s always at his side, banana-peel-hat or not.

“Heather!” he shouts. “Go say something to him!”

“Say what ? What am I supposed to say ?!”

“You can tell ‘em enough , at least! Tell ‘em about our wiener willow , tell ‘em how smelly Verne’s shell is on Wednesday mornings, WHO CAAARES ! JUST GET YOUR DAAAD … ON OUR SIIIIIDE . Before we’re 3-to-8- plus-one extra daddy ! Believe me, an extra daddy is a plus-one we DON’T need against us!”

“Wait a minute! Wait a minute. WAAAAAIT a MINUUUUTE !” Hammy pulls out a slightly -aged chocolate chip cookie from behind his back. “Let’s go back to that pet Jeffery idea from earlier.”

“Aha, thinkin’ like an entrepreneur again, I see.”

Heather swipes Jeffery and takes careful effort to analyze what she’s working with. “I’ll make some Jeffery merch.”

“Oh please do.”

They return to the site, where Ozzie roams. He passes Hammy at some sort of stand, who’s like a mascot for their new brand, wearing an entire Jeffery costume over his torso. The cookie suit is stitched professionally, not a homemade product, with a convincing level of ingenuity to exemplify the bustling nature of a market. However, that doesn’t mean his arms have much space to move, as the room for his elbows are obstructed by the costume, his arms out the sides stiffly, unable to bend.

In a hyper Boston accent (for some reason), he offers Ozzie a share in an open box of chocolate chip cookies they’ve stolen. “Freeeee samples! Getcha samples 'ere!”

“Ah!” Ozzie just takes a cookie and moves on without thought, and without a glance to initiate their exchange further. “You’re too kind, Hammy.”

"Aw c’mon maaan !"

Before he can take a bite, Heather thrusts herself into his face with all the Jeffery merchandise her arms could carry. '#Jeffery4Life' is plastered on the front of the little cap she wears with a brown brim, stitched in the design of a cookie. “Dad look, we custom-tailored this sick merch for only $5.99 on some sketchy website. We’ve got a buy-none-get-one-free operation goin’ on here.” She attempts to get an extra hat atop his head. “Oh look, you got one for free! Wanna try?”

"That is very nice, sweetheart. But I’ll pass."

“‘THAT’S NICE ’!?!” When he pays no attention, and carries on without a care, Heather has to overcome her speechlessness to yell out: “Dad, I made these… FREeEeEe … things with all the love $5.99 on some sketchy website can BUY! WITH… LOVE!”

Stella and Tiger are next on the marketing assembly belt Ozzie treads across. One leg kicked back behind her, Stella poses as a waiter along his path with a steaming cup in her hand. “‘Oh howdy sir, would you like some coffee?’”

Before he can react (by hurrying away), Tiger hooks him by the shoulder off the shores of personal indulgence he pursues alone. Just to his certain pleasure, he makes sure to speak with the dialect of a philosophical salesperson: “Ahhh Ozzie, my fellow intellectual, our life , our spirit , our reason … I don’t suppoooose you have just a minute ?”

" Noooot at the moment, no." Ozzie blocks him out, and picks up the pace.

Over at the TV set, he creaks open the lid of the blue cooler. He rubs a hand on his stomach before climbing inside for a snack. Arranged by the chilled drinks and perishables, a cat waited there. Tiger makes this moment his advent. Once every joint within Ozzie ceases to move, Tiger continues, romping as a rat in the fridge:

“BUT I think it would, eh… CONFORM to your sophisticated tastes to promenade a bit on the matter of our place in this world together, you and I. See, our common-ground lies in these words we speak, and I THINK it only stands to all sense of rationality that we work together, the two of us-”

Ozzie jumps out… blocks him out, and picks up the pace.

Stella still wobbles in her position at the main site, and abandons her act entirely when he intrudes. “Oz’. I’ve been standin’ like this for 10 minutes. Drink it so I can FEEL sumthin’.”

Alas , he decides to meditate, completing the ritual intensely on a tree branch in the air, cross-legged and hooked by the tail. Tiger rambles on philosophical speech again from beside him:

“What I’m saying is this… Mmmmm let me find the words LifeLife is a symphony of choices . We choose every note we want to play. So let me inform you of the right key to play on - our key. At our side, you could sing the bright chorus of-”

Inside the fruit of his inner core, Ozzie screams as he tumbles down this endless pit of meaningless persuasion. His ears burn from the inside and out. Putting up with this no longer, he snaps his fingers, and the world flips. While he’d been hanging upside down by his tail the whole time, Tiger couldn’t be less fortunate. Gravity handles the rest.

Ozzie drops down to the ground as well and sprints away.

Agh ,” Tiger yelps. “Ozzie, COME BAAAAACK!”

Stella’s stability begins to crumble like the shattering of a ceramic vase, her whole body shaking. “DRIN-K … THE DAAAAMN COFFEE, OZ’.

He's off into the Hedge guarding any hope strongly against his beating heart to escape them. Through the suburbs, he runs right past a driveway where the Sniffer’s truck’s parked, the man himself advertising his newest brochure to a blonde-haired resident he’s seen before, Janise, on the walkway up to the door. A second later, a full tsunami of fur comes in a blur after Ozzie. 

Dwayne gets sidetracked, but acts too late, as the group of animals is already well gone down the sidewalk. “OH they insult me.”

Hoppy, brightly awake for the day, swings calmly on a large wooden seat hanging by glittering chains down from the roof of her elevated entrance balcony. Unfortunately, due to the ceiling overhead, Mr. Shady cannot join her on this midday excursion to the outside world. But y’know what, this is the life. The fences around the platform separate her from the vast scenery, and she enjoys the servings of the silver plate beside her in peace. Empty peace. In the shade, her white fur stands out. The brown settles in. 

But just then, some particularly wild activity gives her a source of entertainment to snack over, with her plate of grainy home-baked cookies. One gray creature leads the pack of those who chase after. The paws of the animals shower over the yard.

Right before this single bunny sticks a whole cookie in her mouth, Hammy steals it. “ Freeeee samples!” he advertises in his Boston accent. “Free samples…”

Hey !” Hoppy gasps in burning austerity. “ My oatmeal raisin-!

The squirrel backpedals the whole distance and barfs the mess of a cookie back up onto the edge of her plate “ Oatmeal raisin ?! Maaaaaan…” He repels himself from the monster hosting the plague.

Harmless Hoppy stares at the saliva dripping off the cookie. Nervously, heartlessly laughing, she slowly and cautiously tips the plate just enough over the rim of the swing to splat the contaminated cookie onto the floor. A bird could hopefully take it off her hands, perhaps.

Ozzie scales the bricks of a full house wall and absolutely BARRELS himself down an open chimney up top. He bypasses an entire living room of humans, unable to fear the feeling of fear itself, and shoots into the bathroom upstairs. He jumps into the white tub at the end of the room and flicks the red curtains shut. To feign his activity, he switches the water on, but a jet of cold rain is what washes over his head. Sub-zero bullets penetrate his skin. At the edge of his sanity, his head twitches violently with the dreadfully cold water pounding onto his fur. 

The entrance of his daughter interrupts him.

Heather busts the bathroom door wide open and wanders over the fuzzy mat at the entrance. “Dad ! Dad where are you-?” RJ and Hammy follow behind her. She trips past them once smelling the muck of a wet opossum just behind the red shower curtain, and flinching back accordingly without a single glance in that direction. “ Oooooooooh god he’s in the shower isn’t he?”

“Why yes,” Ozzie informs them through an echoing tone so jocund. “That is me , bathing myself in some… some…” Of course, he has to try really hard to describe the freezing water in a way that doesn’t speak of the devil. “...REFRESHING STREAMS! Don’t come in if you’d rather not scar yourselves with my natural, nude form .”

“Can I-?” Hammy offers.

Not yet …” rejects RJ, parading up to the curtain in bold strides over the cold tiles. “Wikipedia is my tome . In approximately 8.2 minutes, Grandpa here will HAVE to unveil his soaken bod to us, and when he does, we will all gaze upon the glorious artwork of nature as nature intended for us ! And of course if it takes longer, we’ll volunteer Heather to peek first.”

“I’m leaving …” she grunts.

RJ whips out a watch and counts the passing minutes. One. Then two. Three. Heather stands in the same place she started in.

Leaving, were you?” RJ nudges. 

Well-ll … I think my nervous sweat glued me to the floor.”

“Hmm, turns out nature intends more for some than others .”

“Do you guys think I can count dad as a dependent?”

I could be your dependent…” suggests Hammy. “ Spiritually …”

Four. Five. Counting is boring. Let’s just cut to the chase. The water keeps running. Ozzie keeps whistling away. RJ keeps losing patience.

A “Hey !” shoots through the curtain into Ozzie’s ear. He keeps his teeth gritted while the frozen water pelts his face, forcing a suffocative sensation onto him that needs manual breathing to remedy. As he searches for options, RJ goes on: “Grandpa! Las Vegas is out here drinkin’ its own PEE , and you can’t even take a shower in 8.2 MINUTES !? Some interest groups are gonna have a couple choice words for YOU!”

Light pours in over him. There’s a translucent window high on the back wall, and a small lock to go with it.

“Heather, are you okay-?” Hammy only gets to start.

“If you wanna come lick me dry, be my guest.” As if she’d been in the shower herself, and souring her face like an egg, Heather currently drips nervous sweat all across her body. She’s yet to move.

“I dunno if you’re kidding or not but I’d do anything for a friend-”

Their ears perk up at an unusual noise - one slippery swoosh from inside the shower. RJ and Hammy bop Heather forward against her will to volunteer her to peek inside. Scarring family images stay in the family. She draws back the edge of the curtain with incredible caution, but there's no one inside. At that, she rips it open, flabbergasted. Only running water, and the light coming through a rectangular frame high on the back wall. The outside world is completely audible to them.

A patch of grass in the backyard gets drenched by the time Ozzie and his soaken bod get down the wall. He lands as the kind of wet hairball that’d be clogged in the shower drain. Hands on his knees, he rests, even if only briefly.

In the midst of this jailbreak, the spotlight of Stella’s hollar rats him out: “Hey y'all, Oz’s back!”

He's back to the Hedge in a jiffy. Back past the Sniffer and his brochure again on the way. He leaves behind wet tire marks on the way, drizzling off his fur.

“Oop, back goooes the ‘possum!” Dwayne calls before he’s, yet again, left in the dust. Or the trail of watered ‘possum footprints, for that matter.

XXX

By the time another minute passed, Ozzie built himself a sturdy newspaper tent in the brush behind the site. There he shelters his cold, fragile self from the crowd, nowhere in sight. In this dark place, he crouches to the ground, utterly mortified, and wipes sweat (and chilling dampness) from his head. His breaths spare him no beat. Unfinished Sudoku puzzles surround him, gridded and numbers scattered, containing him within this archaic matrix. He’s completely relieved for one moment of silence. Hidden , but free.

Then a serial killer known as Hammy busts his head through the paper. “SUDOKU!!

Ozzie dies instantaneously. Everyone from both groups stalks his tent right outside, and react to the wailing fall.

III forgot who this was …” Hammy’s back half speaks.

“All I WANT…” Ozzie grumbles from inside the tent. “...is a feast … of silen-”

RJ and Verne already stance up into a position able to sprint up the Himalayas at a moment’s notice. “Quick, he wants a FEAST-!”

NO no no. Just silence…” At last, he desperately plays a card for lonesome: “Why don’t you… such a… FFFIIIINE family you are… busy yourselves with keeping to fill up the cave, with luscious delights? MMM! I can imagine it already! Something for the good of everyone.”

“Quick, we gotta impress him with our CAVE-FILLING SKILLS!”

They’re gone.

I- At least it’s something productive .”

XXX

The sun and moon have to push against the sky to force the other through the cycle again.

XXX

Early morning comes again to announce their heated struggle in a fanfare. Tiger’s taken post at the dead end of a nameless street in front of the Hedge. Encompassing the extent of his keen focus, a single car rolls away from him, back turned as it rides up the road. Then a handful of movements flash through the black trunk window, no matter how vague they are. His sharp pupils train themselves to be a deadeye, and track the textures of the moving parts. The flickering of furry tails

The trunk door begins to haul itself open, and there they are. The enemies, RJ and his accomplices, prepare to escape with armfuls of groceries they’ve removed from plastic bags, while the oblivious driver must’ve never batted an eye.

“ALERT, they are in a trunk !” he gasps into a walkie-talkie, biting nails. “PILLAGING it’s cargo for the cave ! And, and… why, they’ve uncovered enough coffee creamer for Ozzie to DIE over!”

Stella stays on the line with him in the corner of an open garage while Verne and the porcupine couple busy themselves with the task. They run wild around the dusty place, picking out sports drinks and more from a dirty white shelf. Too busy to assist, she says, “Hurry man, you gotta take those suckas out !”

“But howww ?” he ponders.

The porcupine kids bounce through the Hedge to meet him. “Maybe we can help!”

In a mere second, a two-lane track was assembled. Tiger’s paws use the seats of toy cars as rollerskates, and the play track aims him right down the yellow dashes marking the middle of the road. The kids ride atop his curving back.

“Ready to disobey the speed limit , Uncle-in-law Tiger?” asks Spike.

LAUNCH me!

The remote Spike’s holding gets left behind as soon as he presses its button. The orange speed pads of the track motorize the toy cars and shoot them down the street at the SUV. Speeding up to the rear of the car, the kids bounce off his back and into the trunk as their momentum starts to fade.

Every glance from Team RPS around the plentiful trunk gives them the feeling that their bounty’s getting a little less plentiful . RJ identifies a bag one second, and a fresh empty space the next. No specs of dust fill these holes that appear, while their loot disappears. And before they know it, the WHOLE trunk is stolen off their hands, and the 3 kids are back in the Hedge with the gold.

The others have finished too, so the entirety of Team Oak assembles for a progress check.

“Woah,” Lou breathes once the kids place it all down back in the forest. What RJ intended to steal fell upon their hands, and the size of the bundle surely said some things about his superior tactics. “ That’s a lot.”

Verne pumps a fist. “Another score for Team Oak .”

Boy will Oz’ be impressed ,” Stella agrees.

RJ stances himself and places his foot down on the edge of the trunk back in the suburbs. “Oh-ho, they think THAT’S gonna impress ‘Oz?”

“Huh, what’s his favorite coffee creamer?” further puzzles Hammy.

Watch us top it,” Heather asserts.

Team RPS take their leave from the SUV and resort to more creative methods in the closest vicinity. Hammy headbutts himself into a house’s doorbell. A human answers, and spends the next good minute locating the greeter. When it’s a squirrel on the welcome rug, the man starts ‘awww’-ing away while Hammy itches at his neck with a foot. RJ and Heather anticipate this response and slip inside the house, clung to the wall. They exit the same way, only now carrying another pack of loot to compensate for their losses.

Through this tactic alone, they make a whole pinball game out of the street. At the cave, they slam down boxes over and over that put Verne to shame. Team Oak just watches with gaping mouths, while Heather holds her phone high and lets it blast music out to keep up their rhythm, and energize their action.

So for once, Verne's group now lift the stones of this burden onto their shoulders, storing the collective accumulation of food in the cave. Had they let it be, and tamed the heisting beast within RJ, they could’ve lowered the load by a fortune . Instead, they’re aching head-to-toe. Nearly triple the numbers, and at last losing once .

Ms. Wright bears her own burden to scrub off her working space as the street gets swept clean by the repeated attacks instituted by that same basket of animals, stealing a WEEK’S worth of their typical claims under one hour . The phone on the corner of her desk inside her room rattles off its rocker with the complaints of the town. Eventually, it slips over the edge, only the cable keeping it from crashing onto the spotless floor. Her fingers, stabbing at the keys of her laptop, enter a fury. Her lips, and whole countenance, does not. 

RJ and Heather waltz their way out a front door, away from the screeching bat-like ambiance coming from inside a singular house in particular. The resounding drill of hard metal from that dark, loud, rowdy place makes the outside air a welcoming adjustment to Heather.  

“Jeez, that place was givin’ me a bad case of the spooks .” It’s only now she notices the whole pound of edgy makeup and dozen silver necklaces she’s got on. “Woah woah, how’d this happen?!”

“Expectations.”

“GUYS! GUYS! GALS! GALS!” Hammy sprints up to them.

Heather shimmies off her expectations.

Ozzie’s awake .”

They’re gone. RJ tackles both of them into his armpits like footballs and travels at the speed of light to go for a touchdown through the Hedge, blazing tracks of footprints along the way. Still, he carries enough standards as well to make sure he plays a round of hopscotch 2 kids draw on the sidewalk. He treads into a net trap set up down the lane, tied from the gallow of a nearby tree by the Sniffer to demonstrate to the woman while STILL attempting to persuade her, night and day. RJ busts through the net’s strings without effort.

Dwayne shrugs his sagging shoulders. “Do I even have to say anything, or am I just embarrassing myself?”

“Yeah, I’m not buying,” Janise, at last, after a whole day, decides.

Of course, Team Oak already set up signs, balloons, and everything greeting Ozzie’s late rise, stiffly crowded to smile obnoxiously as he yawns and trudges around the lake from the willow. As he figures out how to maneuver the bright setting, they wait. Something comparable to a Thanksgiving feast stacked up behind Verne and his group awaits the guy.

They prep their voices for a choir: “ GOOOOOOOOOOD MOR-NING-!”

RJ, burning alive in his own motive, plows through Ozzie and steals him to be seated aggressively at the cushion lounge. The 3 of them - RJ, Heather, and Hammy - go in a flurry to offer him luxuries from the site.

“YOU HUNGRY?!”

“WANT YOUR OLD DUDE COFFEE, DAD?!”

“ARE YOUR TOOTSIES COLD?!”

Team Oak seizes him by his arm away from the trio. Team RPS gasps and grabs his other. Suddenly, the flame of division crackles underneath him, ready to roast. This pack of maniacal monkeys jerks him back and forth while he claws at the dirt with his toes to remain grounded in this treacherous predicament. The apes never cease.

“WE’VE GOT ALL THE COFFEE CREAM’UH…” Stella strains. “...YOU’LL EVER NEED.”

“JUST… PICK A SIDE ALREADY!” Verne booms. “This is so TIRING! EGH!!”

They’ve objectified him as some kind of dog toy. How disgraceful. They can’t seem to tell when they’ve tugged him past his brink. He sees it in their eyes, and growling teeth. If neither could paint him in the background of the canvas, behind this treachery, he’d remove himself from the scene altogether.

His feet cling into the earth, but the space between them worsens. Stretched to the brink, he glances down behind his gaping legs. He gets his tail to thwap Verne's hand off his right and digs his (relatively) harmless claws into the raccoon's hand, currently melting it into putty, and forces it away from the left.

There’s quiet, for a single blip of time.

Ozzie quickly runs off past the lake and conceals himself inside a quieter room of vegetation. 

Heather glances at the others, all eyeing her, and goes after him.

Nothing comes back around the bush in front of them for minutes. RJ’s so in shock he forgets to check his watch.

Until Heather does return again, and pitter-patters with a letter in her hands. “Hey. Ya girl’s back.” 

They acknowledge her existence through awkward silence. It’s not often she comes as such a lone figure among the rest.

“So lemme just open this letter real quick, uh…” Yes, she’s a lone gray figure showing herself to the awaiting crowd, just as lone in the delivery of her message. “’K, alright, drum roll please! Dad says he iiiiis …” She reads straight from the slip of paper inside the envelope: “' Unaffiliated. It is babyish and creates too much stress for an issue that needs a rational solution. I've never felt so un-dramatic in my LLLLIFE. Sorry, that was a bit dramatic. Written with feigned love and dwindling hope, Ozzie.'”

Everyone leans past the bush Heather had emerged beside and makes out Ozzie through the leaves. Though he's found nowhere on ground level . He slouched his stomach over a branch up in a high tree overlooking the back end of the TV set. He flicks through channels, drowsy and eyes red (what’s left open, at least), in hopes of drowning his brain in the vague colors and shapes on the box he could barely identify.

The gate to this city locked shut. No one could capture it or its people.

“So Ozzie's off the table isn't he?” Verne puffs.

“He was right about the 'stress' part…” RJ admits. Then he adopts a springy attitude to digress this stressful tension flicked with his back to the group. “Welp! We're getting chips to ease ourselves!”

"Yeah," nods Verne. "Us too."

Everyone but Ozzie follows RJ along.

"No."

"Yes."

"No!"

"Yes!"

"My solution's rational!"

"MY solution's more rational!"


SOMEHOW, though, when the time comes, RJ hoists with both hands a dollar bill up to the glass of the vending machine, and can’t quite keep his eyebrows straight. But he just stares at it. Heather watches him tilt it at all angles underneath the crooked light in the ceiling. The treeline from the densest, most uncertain forest depths staggers low shadows over them, stripes and spots tangled up in a wire. The reflection of the bill off the shiny window screen just can’t seem to line up into a rectangle. RJ snaps to Heather, and she brings out the untouched paint roller peeking out of the golf bag on the floor. He flicks his head toward her in such simple gratitude as he gently applies pressure from the roller against the crinkled surface of the dollar. 

What amicable approach he gave didn’t foretell the rubbing up and ripping down of his actual practice. He flattens that dough so vigorously. He flattens it with such arduous vehemence involved, smoke flees from the edges of the paper. That’s what it takes to have every wrinkle come smooth. Every corner. RJ peels the bill like a poster from the wall, leaving a dead, burnt imprint on the glass. Hurrah! There’s a solid 90 degrees on every angle. 

“The perfect dollar…” Heather gasps.

RJ plants a tender kiss on the center of the paper. “This one's for you, Mr. Washington…”

The big man on the dollar holds his signature Washington Smile - that is, no different from his signature Washington Straight Face. “Make our nation proud , son.”

“I’ve got a patty for these buns, your patriot-ness.” He stretches both corners out as precisely as possible to slip it in.

The machine inserts the bill into itself.

It develops such a deep, personal connection to the thing, and gets to really know its ins and outs.

If vending machines do have noses, this one wasn’t gonna stop until it sniffed down the whole thing. Y’know, REALLY enjoying itself with that particular dollar.

Already, RJ can’t bear the wait. He stabs his teeth into his lip. His hands shake and plead so slightly as a beggar. He stares down the single bag of Snazzy Ranch chips - the only snack left in the display. Already, RJ’s mouth wets itself over the thought.

ERR.

The vending machine spits the dollar out. 

RJ’s bones crumble from the inside, his knees shattering from such a deficit. “Oh no no no…” He demands divine guidance: “Is THIS what capitalism FEELS LIKE!? Having SO many opportunities but no means of USING THEM!?”

Verne doesn’t care to deposit his leftovers anywhere but where’s most convenient behind him, even if it means RJ’s head. Little Nacho Cheese gremlins take to their ritual dance at the cheesy-toed foot of Verne’s crinkly, half-air-filled pile of material taste-bud satisfaction. He and his team crunch all the worries of life and of Ozzie away, and absolutely smother their faces with orange powder that tints their skin. They were sliding through the stuff. Turning the desolate overhang into something of a feudal establishment, though it’s pretty clear anyone would say there’s a clear imbalance in the noble:peasant ratio.

“Well this is just stupid.” RJ rips the empty bag off his head.

Heather is quick to provide him solace; crouching to meet his dismantled posture, she zips up and pats his back gently, the other hand resting around him with the care of a mother. “There there , RJ. Like, sometimes in life, you’re just gonna meet guys who wanna spit in your face ‘n snort nacho cheese dust. But I’m always here, RJ.”

He doesn’t address her. Instead, he smashes his forehead on the glass. 

Soon he opens his eyes again, and off the reflection of the surface he makes out a vague shape: a bear’s studded cave.

XXX

RJ’s immediate action call took Heather a chip-bag’s worth of energy just to process in a mindless flail after him on his unbreakable trajectory. Running into the tunnel of the cave, Heather does her best to keep up with him as he blazes through the mouth of deepening strife. “RJ, are you sure this is a good idea -?!”

“Mmmmm, aw MAN, y’know, I’m feelin’ miiiighty stressed right about now! How ‘bout we make a lil’ deposit from the bank ‘n JUST MAYBE show that shell-hog who’s boss. Y’know what I’m sayin’?!

They enter the dark back tunnel. “ Why ?” she asks.

“All this food is what WE rightfully stole!” RJ spits back. “Er, half of it. So let's just get ourselves a lil' loan here ‘n there 'n show that guy WHAT we're made of! Turns out we DON’T need your extra daddy to win! We just NEED MORE FUNDS!”

" Fiiine , maybe ONE bit ."

Turns out, half of what they find had been depleted already. Sorta . They yank back the curtain into the backroom, and to them, a hairy culprit exposes himself in a crime they didn’t even know could be committed. It’s true, what he did is unspeakable, and it’d sure take a lot more than the fifth amendment to justify the massive lumps in Hammy’s cheeks. By the box and by the box, RJ holds his breath to the point of fainting at the Milk Dud hoarding going on during their attempted leisure.

He slaps his hands onto the sides of his dome. “MY MILK DUDS!!

“Oh ssssssnickerdoodle,” Heather exclaims, “SPIT THOSE OUT HAMMY!”

Spitting them out, gushing those caramel-filled pebbles, onto the faces of RJ and Heather takes a good minute.

“Aw yeah,” he grunts through his cheeks. “Almost finished.”

Yes, he finishes.

Ahhhhh …”

XXX

At the home site, RJ drops a single box of Milk Duds, taped back shut, into the faintly-tinted grass just off of the rich, fertile soil of the pond. This locale makes a fine point to construct a profitable future, doesn’t it? The waters of a promising background seep through the dirt and moisten all the claimable land and capital below their paws.

“And so, beneath the suaaave and STUNNING lead of myself, along with this mere profit , we build the foundation of a THRRRIVING capital!”

A hundred other ‘mere profits’ spill out into a bank of gold bars at their base.

“I dunno dude,” Heather admits at their, admittedly, questionable jumpstart funding. “This still doesn't feel right to do…

"Do you think Verne'll notice?" Hammy whispers. 

But when they see Verne and his team doing the exact same thing at the Log with all the Nacho Cheese they’d won from the vending machine, doubt bids farewell. Oh, Verne noticed. And RJ did as well. There’s no way the turtle must’ve ever thought of storing those bags away. With Ozzie uninvolved, who was left to be the point of competition but each other? Both RJ and Verne go blank, matching their views as they’ve matched their new investments, mouths hanging open, silent.

Stella starts to tell Verne, “Well THIS is, uh… REALLY SOMETHIN’.”

Both Heather and Hammy can't help but mutter, "Y'know, this suddenly feels way more right."


Entire stolen mailboxes get staked into the ground at the base of their new respective piles - blue and red. Their neighboring addresses scream their swears across the site, where a vacant lounge rests between.

RJ pitches a megaphone again - seemingly his go-to when addressing his opposers. “ Behold , croutons, this is now Romeo and Juliet without Romeo and without Juliet . In other words, no tragic lovers with possible gnome-sonas . Instead, we are JUST angry. GRRRRR .”

Hammy presents a small vial to him. “I've got the hemlock ready just in case you wanna roleplay.”

"Hammy, that’s apple juice."

“I know! Poison that tastes great is EVEN BETTER !” He pours its diabolical contents into his mouth.

Among the dead silence lingering between in the impassable moat of the site, RJ’s voice travels to Verne’s end. “ALRIGHT LADIES! Who's up to kiss the apple juice off his lips?!”

Nooo ,” everyone groans.

Hammy himself jumps at the offer, though. “ME !! Wait, I’m me.”

Stella yells out, “You can kiss some apple juice OFF MY STRIPED , STINKIN’-”

Dad drooling over Shakespeare was tragic enough ,” Heather snarks. “Do you guys really have to?”

The ring of a doorbell, from deep in the core of the suburbs, resounds over the entire earth. It strays the tips of the grass towards the source, and alightens the whole town. Stella’s ears alight just the same. "Pizza delivery!" she calls. 

What?” Verne blurts back.

“There’s a pizza delivery, 4 blocks away!”

“Well RUN !! GO !!” Competition ensues again. Team Oak clutters together at his command. He throws one last comment at RJ in particular: “Let’s hope it’s still warm and has only a PROPER sauce-to-cheese ratio!”

“Man oh man, he will never stop dissing my slightly-cheese-favored preference,” RJ sighs. He joins Heather in position to hunt Verne down in hot pursuit. “Hammy, you’re holding down the fort while we’re gone-!”

"Done."

Every single box of Milk Duds already takes the formation of fortress wall foundations framing their perimeter. He’s stacked them all around, complete with an arched doorway on one side. He hugs its surface, though his small wingspan only takes him so far down a wall length. RJ and Heather let the winds respond to this immediate action while they stand there in the dead center of the area.

“That’s not what I-” RJ brushes these doubts away. “Y’know what, you’ve got the spirit. CHEESE HO-OOO!”

The two jump over the walls and follow into the Hedge, and Hammy squeezes the fort down to the best of his ability.

XXX

The whole day passes in quite a comparable manner. It’s as forecasted as a weather report… assuming the inconsistent weatherman gibberish gets filtered out of the actual reality of the skies. RJ and Verne keep returning with their own scores of food to seclude themselves in their own piles of processed goods. As the sun trails through the sky, it deposits the remnants of frivolities into two mounds of their minor leisures, climbing to space in compilations of dreaded conflict.

Hammy’s literal sense of comprehension later inspired the evolution of these junk-yards into compactly-built fortresses for both leaders to claim dominion. They’re constructed with great sturdiness and color, flashing the reds of soup cans and yellows of bargained boxes. In each piece of cardboard and metal, there’s kept inside a single serving of angered tenacity, but also a few grams of trepidation, waiting for the opposing team to just make one score that raises their fort to the heavens. Both forts host a flat roof for utility as a battlement, and four pillars hold the corners together like castle walls. Boxes become buildings, and buildings become cities, founded by the investments compounded from the labors of the workers at their command. More boxes. The food tucked inside sees less use than the containers themselves . If anything, they add more weight, and more mass, to reduce the permeability of the buildings, especially of the outer walls surrounding both territories. 

Such metropolis could’ve been used to fill Vincent’s cave ten times over, but instead went to the construction of these bestial things.

XXX

When it comes time to take leave for the night, the sun stubbornly insists on being the only celestial object over the land. The moon has to thrust it out of the way to commence. 

Even at these dim hours, it goes on. And this clashing of paw-to-scale takes to the suburbs in between each addition to the height of the fortresses. The animals ravage two creaky neighboring houses, both claiming the single bush RJ and Verne fight in from the front yard, and leave in a dying slog.

Two old men - with suits of red and blue respectively - exit after discovering what hideous acts were underway. They badger their words and strangle them tightly around the other’s throat immediately and without a second thought. RJ and Verne put on a similar performance, jabbing their hands into faces and rustling the leaves of the spiny bush, while their workers drag themselves away.

"Damn you, Mr. Blutarch!” the red-suited man swears. “Why must I stare at that hideous shack you call a house every time I step out the DOOR!?"

"You’re a filthy wretch , Mr. Redmond! And you’ve certainly rubbed that filth off on your garbage dump of a household YOURSELF!"

XXX

Just as the moon came in, the sun thrusts it out right back.

Now, the next morning, RJ feels his own temptations tempted long enough. On top of that, he shares one mind with the preexisting food stash packed together at the group’s site, left in unclaimed land between the forts of both teams. He senses its insecurity there. So he lifts a leg up, and begins to climb. He scales the reds of soup cans and yellows of bargained boxes. He scales all of Mt. Feeds-a-Lot, and reaches the heights of twisted trees. Metals crinkle and clank under his feet. Then, he removes the Spuddies can, which acted as a flag on the very top.

It's like he took the jem off the pedestal. Right when he whistles himself away, Verne comes to scavenge his own share from the bottom of the mountain, coughing and ensuring the secrecy of his shifty act. The smell of a raccoon’s fur remains clouding the stash, and soon, a turtle’s scales join it.

“This is your 3rd loan today,” Heather frowns at RJ in the backroom of the bank cave. She sits behind a cardboard desk composed of disassembled snack boxes, guarding the stash of consumable wealth locked up from their efforts on the previous days.

Vincent’s cave sure did make the perfect place for double-dipping on a commitment. Stocking it chock-full of goodies now behind Heather and her desk, in that vault, only to withdraw the fruit basket of these efforts at a moment’s notice. RJ takes one stick after another out of the tower, and more falls into his hands. Right now, they’re empty. But they long for more.

“I know ,” RJ reiterates. “But between you 'n me, I'm kinda in a tough spot here, y'know, a 'pickle', if you please…”

That’s not to say he doesn’t already have a big stack of stuff at the curtain entrance.

"... psychologically speaking," he finishes. 

"I’ll say."

Outside of RJ’s knowledge, the porcupine kids are busy vacuuming up the rest of the food on Mt. Feeds-a-Lot beside the Log, under Verne’s supervision. As the mountain gets smaller, their bags only grow larger.

“They're 965 steps away.” Verne keeps watch over the competitors from afar, aided by binoculars. By the time they arrived, it’d be far too late to conceal their act. Luckily, the whole length of the Hedge remains between them. RJ and his two associates march down on a promenade, and have their images fester stronger still in the lenses. “964 steps. 963. 962-”

“They ain't hosey-mosey-ing down here,” Stella snorts. “C'mon, they step faster than that .”

"Mammoth steps, Stella."

"How do you know how big mammoth steps are-?"

"SHH. I’m old."

The vacuum hoses of the kids suck up the pile of food layer by layer. Eventually, the giant bags in the back explode open and pour the food out into a mound not too much different from what they started with. In fact, it only produced more of a mess. The boxes, cans, and bottles now made themselves into some rainbow godzilla vomit instead of a rainbow mountain (still just as colorful, but far less appealing to look at).

Tiger is the first to panic. He unwinds the rabid doll having a spasm inside his head, and calmly paces up to Stella. Then, he very limpidly taps her on the shoulder to usher her attention.

So Stella turns around and, at the disaster, blasts her palm out as a reflex and thrusts it into the side of Tiger's head, knocking him to the ground.

OW!

Verne turns around and, before he can barf the same reaction onto Stella, she feels it very fitting to clobber him in the face as well.

" Ow… "

Stella hurries over to assist the porcupines while the other two are crippled on the floor. “How many steps, Verne?”

"9…50. 949. 948…"

“Let’s clean it up before that fat mammoth gets here!” she calls.

Verne sits up and watches them all bend their backs and straighten their arms to pick up each item one-by-one and transfer them to the mass of their fort. With what RJ was compiling, he likely wouldn’t even notice this long-kept bundle disappear from his greedy eyes. Verne grips his fingers tightly. “Keep up the wooork …”

When once again departing on a new mission, RJ reads over the profiles he wrote of his team on the posters, scribbling additional notes. “Gotta max out business…”

The supply of the food in the backroom of the cave starts to go dry that day, leaving it exactly how RJ found it at the start of the month - full of dusty junk and reeking of bear grease.

Verne checks his profiles in the same way. “ More efficiency…”

What remains of Mt. Feeds-a-Lot comes down too.

“And more results!” they proclaim simultaneously.

One inch. RJ adds it. Verne adds two to his fort. Every two Verne adds, RJ raises his by three. While much of the site goes lax, their labors never do. The state of this place returns to more of a degraded version of their primitive lifestyle. Outside the fortress walls secluding their motivations, trees only crowd the forest floor, and mud moistens under the shade. It’s like reverting a whole year’s worth of progress and transmuting it into one day - condensing smoke into brick, weighing down the earth at only two distinct locations of value, leaving the rest to be dead and unfertilized.


Team Oak prances the long road up to the entrance of Vincent’s cave, through a long, wet cavern and then the exterior staircase leading to the platform of the cliff. "I'm a turtle !” Verne hustles his marching deadbeats. “You're better than this ! High knees, high knees!”

Spike collapses on the stone-carved stairs right then. “We… HAAAAVE none .”

"Our legs are shaped like marshmallows , Uncle Verne," Bucky tells him.

"But brown and filled with toothpicks," groans Quillo. 

They extract their share from the cave and group at the bottom. The porcupines have their backs loaded with heavy goods like a ball and chain, and can barely walk. Unlike most cats, and under most circumstances, Tiger can’t even land on his feet , making his back suffice when falling onto the ground behind them. One big bruise is left on his cheek, courtesy of Stella punching him to the ground earlier.

Millions more idle complaints scrunch the ridges of Verne’s face. They orchestrate their talks of boredom, and great strain, behind his back. His neck tingles more than his tail. “Hey, I’d bet you RJ’s off in his little scheming corner , scheming up ways to burn you out . Who knows! He could’ve poisoned you all with those jelly donuts you ate this morning. I always say: If it’s too much sugar, it’s too sweet to be true.”

“Ah,” Tiger intervenes while currently upside-down. “I am gracious that you have provided me with an EXCUSE for feeling like a jelly donut.”

Behind the masks of their exhaustion, the paper burnt out and away, Verne scans the loyalty and intent kept held in their eyes. He tenses his lips, and flashes the Log back through his mind. Seemingly, they know their place well - his team. They’re at his side, and the Log’s, and deep within their hearts, there’s one label they share. “ Come on , guys… we’ve got foraging to do.” He reiterates this in a plea: “ We . Are . Foragers .”

Inside an empty kitchen, RJ has Heather gather pantries full of cans from the shelf of a tall cabinet spanning from floor to roof. “C'mon! Work that tail, work that tail!” he pounds at her.

By the end of it, when she hops all the way down, her tail goes completely limp in her arms like its muscles were removed entirely, becoming just a wet noodle behind her. Her shoulders are only so broad to carry a load like this. Absolutely drained throughout her whole body, she sighs, and goes to consult a pen pal by sitting back against a pale vase on the floor and pulling out a letter and pen. There she writes:

‘Dear pen pal,

Remind me to slap RJ later. Y'know, once I can actually move my tail again.'

She tosses the written letter behind her and over the wilting plant of the pot. Hammy receives it on the other side. He gets his own letter and writes only the following:

‘Dear pen pal,

I think I need a nap.’

He throws it back over to his pen pal. Heather receives it, and the snoring she hears immediately afterward prompts an eyebrow raise. HAMMY of all people is the one to collapse from exhaustion on the other side of the vase. Heather goes to pick him up and carry him out of the house herself.

Out there - out under the blinding, burning sun - RJ’s watch scolds him. Their efficiency has proven worthless, for what they’ve compiled pales in comparison to the full lap the minute hand made. “They chugged the VERY last sports drink in the cooler!” he grunts, only intended for himself. “They should be more needlessly hyped up than Nascar fans . What am I still MISSING?!”

“Honestly…” Heather’s spine fails her, breaking the rhythm of her body, throwing every step off-beat with Hammy napping in her arms. She nearly crumbles behind RJ, in the sandstorm sweeping her away from his concern. “Gotta say… I think a nice, unstressful break would help.”

Her comment clogs up his brain with its own dune, and aches him immensely. “AGH ! If we so much as tiptoe our teeny, cutesy paws back a bit-”

“-he’s gonna pull a mach 5 like it’s the Indy 500!” Verne tells his group at the foot of the cliff.

"But!..." RJ admits it: "You’ve tempted me."

Verne fiddles with his fingers. "I guess, maybe just, ehHhH hhh …-"

"-One day?"

"-...wouldn’t hurt ?"

Heather flings Hammy out of her arms and throws them up to the sky. Tiger suddenly returns to his feet, flipping rightside up. With the opportunity, the stars realign again. They inhabit their forest site together, at once, as a family .


Despite their pause, each day of this week continues to glare hotter against their skin like a combusting furnace. Relaxing is what both teams do, or at least attempt to do so, but insist to remain on their own land. The food forts stand strong, and pillar the site. They remain within the outer boundaries - walls, stacked around the premises of the bases, that block the sun from their view. They refuse to let its rays scald them in even a glimpse of peacetime. Some clink glass cups together. Others wade into kiddie pools, inflated and bursting with pink. This leisure comes under one umbrella, which also happens to separate them from each other: resting behind walls, and away from the so-called enemy.

However, RJ secretly assigns Hammy to a “super special quest” making use of these stale hours. He points him out the entrance gate and at Verne’s fort - completely identical in size at this moment in time, but shaped more rigidly and compactly. Inside, the Log is concealed, kept only for Verne himself to hold control of this relic. RJ’s borders the lake, and the willow tree, keeping a keen eye over the rest of this space, and the gateway to the TV set beyond.

RJ enters back into the central tower of his food fort. He sighs, and bends his knees down at something hanging high on the back wall, which is composed completely of cardboard snack boxes. He prays to a chocolate chip cookie, aging but forever young, preserved and glued onto a blank frame at this altar. “Oh gracious Jeffery, I ask you for your strength… Shower upon my handsome face the riches of corporate fortune.”

Hammy joins on his knees. “I will pray with you.”

"You’re supposed to be spying on Verne."

"God comes first ."

"No. Shut up. Go."

The porcupine kids laze about on the flat roof and fling their independent yo-yo’s around. As the watchmen of Verne’s fort, they can’t escape the hot, midday air putting a burning gleam over even the dullest of cereal box surfaces. Bucky, of the 3, notices a certain squirrel sneaking through the perimeter of the land.

" Heyyy ! They’re spying on us!" Bucky tattles.

"WHAT?"

They zip to the edge of the short, castle-like wall and track Hammy, maneuvering himself around, leaning way too far into the whole tip-toeing bit. He whispers each step he takes with a toe. It doesn’t do much to drape the cover of the leaves further over him, but at least he’s got the spirit.

“Alright, ready to roll!” Quillo drags over Hercules’ own hero-sized banana cream pie, with Bucky’s help.

Spike looks ready to slap them both. “We’re not supposed to attack THEM , STOOPID! Uncle Verne said it ! ‘We’re ONLY fighting for the Log . RJ not included, as much as I wanna clobber him in the face.’ He SAID it!”

“Yeah-uh, but who said we’re aTtAcKiNg ? Sounds more like a prank to me,” Bucky snarks.

“Sorry girls, but the ‘troll-train’ has entered the station . Leave it to the men here,” Quillo insists.

Hammy gives a smile and 2 thumbs up aside Verne’s fort, safe and sound. A barrage of banana cream pies bombs him from above. The kids laugh and snort like crows at their posts.

He gives their war crimes no chance to slip his mind. Hammy returns to RJ’s fort, absolutely submerged in fluffy white, and flaps out a sheet of blank paper in front of him. Eye twitching, Hammy unloads a giant cream pie - an eye for an eye - and chucks it down into the paper, wiped from existence. It disappears into the letter, contained as a special package for a special someone . Vindictive, he folds it up into an airplane in a second and propels it forth over the fort walls.

The plane loops through the air before dive-bombing into the mailbox of Verne’s fort. The pointed tip stabs Verne in the back of the head inside the walls, on the receiving end of the hollow box. He takes it.

" Oh brother…"

Indifferently to the delivery, he unfolds it crease by crease until the paper is stretched flat in front of his face. In a second, a giant cream pie flies out of the blank letter onto him, not budging him an inch.


So already this day of ‘rest’ appears to be short-lived. Hammy’s pie strike on Verne prompted some new alertness in his agenda. He carefully observes every inch of the food city they’ve built, and calculates its size relative to RJ’s. Stella and Tiger follow his lead regardless of their break time - the latter only for the sake of the former. Verne has them continue to reinforce the structure of the main fortress, transferring some smaller structures over to amass an impregnable tower RJ could only scheme of. It gains warmongering capabilities.

RJ had barrels of Ultra Mega Cheese Balls delivered by a truck to his mailbox in droves for him to stack up into an unbeatable tower on the roof of his fortress, much higher than Verne’s. It irked the turtle.

Any opposition to the next fated meeting crumbled underneath the height of the single-stacked, swaying towers constructed atop the forts, breaking out of the treeline and into the atmosphere. From their peak, any jump would be deadly . If they collapsed, it’d certainly mean catastrophic damage to the food towns below. They stand tall instead. A can of Spuddies, once marking the top of Mt. Feeds-a-Lot, a relic of the past, flags the top of RJ’s tower, as if he’d stolen the whole mountain and its glory itself. Verne’s fort boxed off the Log, controlling the centerpiece of their entire civilization. Verne’s concern over this fight was flawed - refusing to fight , on the rowdy side of the coin. RJ’s logic was flawed on the other - fighting for peace and abstinence from conflict.

But in the end, the brewing tides of war were inevitable.

On the top platform of the fort, Stella watches Verne burn his eyes out while he stares forward painfully. “Well? Somethin' good catch yuh eye?”

“Shh, it's a staring contest, Stella. My entire day's worth of ego is on the line.”

On the other fort, RJ lets his eyes pop out of his head before he dares to blink, but stalls his thoughts in the tension.

“So you’re done backin’ outta this?” Stella confirms to Verne. “We’re gonna have tuh fight some fat sandwich-snobbin’ truck drivers in the end anyway. Why be so scared to fight now ? I’ll admit, some silly staring contest is a bit soft , dontcha think? What’s it gonna solve ?”

“Just… keep… patience,” Verne slips out his teeth. “Once THEY strike first, we can take their fort out, act all repentant later, and pin all the blame on them in the end.”

“Y’know, I coulda sworn we had the day off ,” Lou thinks aloud.

Hammy shunts RJ out of the way and stares down Verne without effort, unmoving and relaxed as a couch pillow. The dumb grin he wears sends the veins in Verne's eyes bulging with red. And he never blinks.

But Verne finally does.

“Aw c'mon that's cheating !” he shouts. “He can blink so fast we can't even tell WHEN he does it. Can we get a coach on this? ANYONE?”

RJ flattens his dull speech to a monotone: “I pick fantasy football teams better than you. Get over it.”

Verne feels his eye twitch, and they remain at a standstill for a while.

The good ol’ megaphone comes out in RJ’s hand again. “Hey Veeeerne ,” he drawls, listless and sour. “How many days left ‘til winteeeerrrr ?”

“RJ, I will POKE your eyeballs out-!” But then again, the mention forces him to compute the math, only to satisfy his own urges. “Wait now that you say it , that would beeee two hundred twenty-”

A stream of water squirts over his face from a water gun, sniping him from the distance between the forts. Heather and Hammy crack up quite literally, restraining the yolk of their laughter from spilling.

“YOU COUNT SLOOOOW!” RJ sends over. “Here's an easy one: How many days ya got 'til I kick your big BE-hind?”

“Uhh, zero ?”

Great job, Verne! YOU get a Jolly Rancher.”

He passes one over. Verne stares at it in his hands and grins like a kid. “Oh, thanks-” Another squirt comes upon him again.

GUL-LIBILITYYYY !! When'd that shell get so SOFT, huh?”

Verne takes these incessant shenanigans no longer, and finally heaves out the order: “ FIRRRREEEE !!”

RJ turns to Heather. “See what'd I say, ‘Miss Pacifist’ over here? We’re not fighting if THEY strike first. Now we can take their WHOLE FORT down, AAAND every dictionary I’VE got calls it self-defense . How’s that sound?”

“Oh yeah? What's step 2?”

“SELF-DEFEND!!” blares Hammy. The rain pounds hard over their heads. That is, rain of plump cakes , puddings , and frozen microwavable pizzas. He pounds a buzzer alarm, now blaring away, and follows RJ down the fort to a balcony not far down from the roof battlements. Heather leaves the boys, traveling the rest of the platforms to ground level.

In the midst of the battlefield, against a tree trunk, Ozzie’s busy flipping through some random book with one leg over the other. Whatever’s going on in front of him drowns itself out from his carefree, isolated mind. He’d learned his lesson from last time . Though, even last time he didn’t quite have a say in the matter. His existence itself was problematic, so he sought to remove it as much as possible.

To his left, Heather stumbles in. “Dad, you might wanna move.”

“Why's that?”

“Because it’s totally about to rain... cream pies.”

A cream pie splats an inch away.

“Oh my.”

And jello cakes.”

A fat cake of jello splats the other side.

What a waste of gelatin delish.”

Heather now pleads for her next order: “ And fish sandwiches?”

Only a familiar banana peel flops on her head in response. She pops off regardless, having another hat instead. “ Yooo-ooo , gimme that dub too!”

They must flee once the whole barrage comes down. With the obnoxious alarm still blaring, even on the roof of RJ’s fort, Heather joins them, panting, and starts chucking food over at Verne alongside them.

The porcupine kids hold no worries against the oncoming attack. “We got this, Uncle Verne,” Spike reassures him at their fort, bringing out a little remote control for the 3 of them to manage together.

The bendy-straw gate of the outer wall on ground level raises and allows a small, robotic action figure, with big muscles and yellow hair, to exit. “ Tiiime to consume an excessive sugar intaaake,” it growls in a voice ridden with masculinity. “AAAND beat somebody uuup .”

The figurine tramples over to the foot of RJ’s fort in a stance ready to punch any perfect face silly. At least RJ gets some humor watching the tiny thing speed across the field. Grunting, its knee joint bends its calf back to kick its plastic shoe into a random box in the foundation of the outer wall. Instead of inflicting any damage, the little robot trips backward and outright dies. RJ chuckles a bit, but largely restrains the amusement slipping past the muscles of his face.

“Was that supposed to happen ?” Verne asks the kids.

Nah. But we can make it work,” Bucky tells him.

Bring in Gamma-Red Nine!” Quillo shouts.

The next remote control the kids heave out is larger than a keyboard

The gate at their entrance lifts up again, and a dinky red car, with a blinking battery light on the front hood, rolls out. RJ watches it again make its way over. It clinks against the wall, making not a dent in the box of Cheese Squares it comes against. The ensuing laughter escapes like air in a whoopee cushion: “PFFFFFFFFFFFF-”

Suddenly, the car transforms. That little hood flings out and becomes the radical head of a red robot, with pointed, deadly eyes. The car doors expand panel-by-panel into a robust set of arms, and legs to stand on. When it does, RJ’s eyes only continue to drift upward to adjust to the shape of the immense robot figure, armored with the titanium of the blood moon. RJ shoves his laughter back down his throat, and it vibrates and dies in his stomach.

It clenches metallic fingers into a rigid palm and punches straight at RJ’s handsome face. However, it stops just an inch short of his nose. He releases a huff onto it, muddled by the action, and peers over the robot’s padded shoulder.

Turns out Verne stopped the kids from their toying by trying to rip the advanced remote away from them for himself. Once he does, he takes control of the robot in their place, and snickers at RJ. “Watch out RJ, I’m too old to wait for a second chance!… So let’s have some fun with this.”

He gets a jarring level of enjoyment out of it - slashing through towers with a shapeshifting mechanized arm poised as a deadly blade , and scattering the wealth RJ wrongfully stole from his hands. It is pretty entertaining, frankly. Like any child’s dream , nearly. He destroys his kingdom before his very eyes, making sure to save the fortress for last to prolong the calamity. Tower by tower, they come down. Mt. Feeds-a-Lot itself basically reincarnates and births itself again from all the food collecting on the floor of RJ’s land. RJ’s land. Crumbling to ashes, filling Verne’s soul with borderline- murderous glee. For everything stolen from him - Hammy, a chance at Ozzie, their food, their trust - he enforces proper payback.

“Good time for a counterattack,” RJ says. “Got this, Heather?”

“Gotcha covered!” She leaps all the way from the battlement to the ground, and maneuvers the rummage already created by their fight. She leaps over crushed boxes. She leaps over exploded pastries. Over the outer wall, then to the middle of the site, back by the Hedge and far from the action, away from the sylvan rooftop.

This is where she gets a full view of the ridiculousness any tourist would pick up on. Verne's robot terrorizes another town of processed food. RJ and Hammy chuck things at it from the roof, to minimal effect. Of course, none of these actions mean anything. Heather discovers it herself - charged attacks expending their energy, trying to zap the other, only to electrocute themselves in the crossfire. The cost must be far greater than the results. These folks, split in 2, hurl perfectly-delicious donuts for no perfectly-good reason, and suddenly, in the ambiance, Heather begins to wish she had something to snack on.

“Huh. I kinda don’t think this’s what a family’s about …”

Another voice enters her head - a shockingly-precise imitation of her own. “And like, what’re you gonna DO about it, bucko?” Replaying it again, the sender in her head appears to be slightly off-beat, but consumes her state of mind. This being reads the book it finds inside, and copies the thoughts she thought not to speak. “You’re just a kiiiid.

“Yo, who said that?”

It’s me, your mental narrative coach!” Her attention’s brought back to the fight. “C’mon, y’know how much RJ totally wants to win this! You can't change this. So just do your part. ‘Play your cards’, or whatever he’d say. I dunno.

“Welp, can’t NOT trust a mental narrative coach ,” she shrugs. “Let’s do this thing!”

Dwayne, even… He too gets a spectator’s view, popping out of a bush in the neighboring brush wearing a big bunny onesie to disguise himself. He doesn’t think to take action. But he intends to spy as a coyote would (in a big bunny onesie), watching the animals host a whole civil war against each other.

“Well I’ll be gosh-darned . The lady forwards me all the resident notices, and y’know what?” He leans farther through the leaves for a better view. “The only problem I see is how great of a SHOW this is! Wow-wie!”

Heather kicks a foot forward into the dirt to slide underneath a stray bagel whizzing right down from above like a saucer. The fort of Team Oak encroaches on her quickly. She treads far into the desolate field of enemy territory, where shattered stacks of pale crackers lie dead on the ground, and another is crushed into smaller bits under her foot. Over the outer walls, she easily sneaks into the mainland.

Stiff at the back of the main fort, she stays hidden. With the dizzying scale of this monster, the options for contribution seem to be slim. The makeshift materials of the building are packed tightly enough with boxes and cans to injure herself more than any brute force would do. The surface of the walls, smooth and impenetrable, take stealth out of the equation. A can of soda is embedded in the foundation, however. At the very bottom, right beside her head, where one blast would devastate the entire base. Destruction sweeps her hesitation away, and the hype idea bounces from beat to beat.

She yanks the can out and shakes it vigorously to the point of explosion. She sticks it back in the wall, and the result is an entire chunk of food blasted out the side of the fort, covered in foamy soda.

Everyone on top loses their footing from the impact, except for Verne, who pays it no attention while he sits and furiously mans the robot.

“What. Is. HAPPENING?!” Tiger’s ears and eyes practically combust over the quakes beneath their feet, and splatters of desserts, and steaming taquitos spearing into the fort walls.

Stella leans over the edge and finds Heather to be packing the food blasted out of their wall into her 3 arms (yes, the tail is an arm). The presence of her has no place for sympathy in Stella’s mind. Enemies are enemies, and Heather was no exception. “That girl has NO clue why it takes a stinkin’ WEEK to charge this bad boy up, does she? C’mon! I want ALL hands on deck, NOW!!”

As they organize themselves, Stella speeds towards the central staircase of the fort, just waiting for her to run down. As she goes, she mutters to herself, “ Sheeee’ll learn the names of da hills, alright… Burnt on that head like rubber.”

The porcupine kids station themselves at a trio of slingshots attached onto microwave carousels, load up jello, and spin the platforms to aim at Heather.

“There she is!” Quillo exposes her making an escape with their food down below, scurrying over the outer wall of their kingdom.

“C’mon, get her!”

Free points!"

She’s bombarded across the field with her arms and tail struggling to keep the food from slipping away.

At the gate of Verne’s fort, Stella locks herself onto it, straight ahead - the flutter of little clawed feet across the site, hoping to gain cover inside the walls of Team RPS. The base of Heather’s tail bobs to the sides during her run, waving to Stella for her to track the movement of this figure, and solidify her intent into action.

Taking one toe to home base, Heather gets downed by a clump of jello splashing the back of her head, dropping the food. By the time she can squirm to get it back, her tail already putting in half the effort, someone seizes one of the raisin boxes she goes to salvage. Her lips go dry once she glances up. Stella resists.

Verne adjusts his approach to RJ’s new tactic - using Hammy as a mounted gun, shooting a rapid stream of mixed nuts out of his cheeks. When he runs out, RJ pops open another can and pours them in Hammy's mouth. The stream is endless . For now. Verne squints at RJ’s supply, and with only a few cans remaining, he could certainly stall out the attack. Fortunately too, the nuts don’t have much of an impact on the robot’s shiny armor anyway. Verne even gets it to pose, just from one temptation.

On ground level, it's only a mess of black and white fighting for just a simple box of raisins. RJ installs a new blast of energy into his method, pouring can after can to shotgun the nuts from Hammy’s mouth in bursts. The robot, being pelted, stomps back into the dirt. Verne amplifies the robot’s defenses rapidly, pushing buttons all around, not really knowing what any of them do, but feeling open to risk, as shocking as that is for his character. Everywhere , chaos falls like meteors over the site, and miraculously, the Log faces none of its catastrophic effects.

Heather loses grip of the box. Stella, at last, works up the intensity to point herself back at the girl.

Heather trips backward into the dirt, abandoning her sweet loot. “AaAaAah!”

“Think you’re gettin’ out with yuh hands full ?! Lemme take those off of ya.” Nothing could explain the fiery passion demonstrated in Stella’s visage, the utter madness of it. “Well I am miiighty sorry it had to BE like this!!” She clenches her fists, stressing the veins, a finger on the trigger, damn ready to let loose on the oafish, unfeeling crook.

Her face goes blank when, out of the corner of her eye, the tiny image of Heather cowers back in the grass. Her legs tremble. The thumping Stella feels inside dulls, taking time to assess the situation before her. Where she was in this. Where was she? Taller Heather may be, she’s below her eye-level, and radiating the fear Stella typically thrives on. Something about her face, her open mouth, and the area of her eyes open to trauma, all the white that’s there, freezes her hair, and blows it away to reveal all to her.

Heath-uh …” Stella exhales from the depths of her heart, silently. She finds her knees lowering themselves. No stranger, but she surely regarded her as such. A stranger . What overcame her, and how-?

But just then, Tiger appears in front of Stella between them, bearing his fierce, pointed pupils. Him and Stella gather the food and leave after she mounts herself on his back. But before they ride off, Stella takes one last look back at Heather before frowning her eyebrows underneath her hair and brushing her insecurity away, putting on a tough attitude again.

Heather rests in her place, and scans her surroundings, panting. One thing they forgot to grab is a bowl of blueberries, just by her hip.

Up on the roof, RJ depletes the last can of mixed nuts, and their ammunition goes dry. Hammy’s left with nothing to spit.

That’s it. We need weaponry,” RJ demands. “Whadda we got in the reserve ?”

Hammy pulls his chin down to his chest and unsheaths an entire mythical sword from his mouth. The winds come under his control when it’s put in his grip. Among the tornado now surrounding the fort, just blowing more food away than it’s worth, they’re a zephyr in the middle. The sword attracts these gusts, absorbs them, and shoots them out to attack all around it. A new sense of exposure floods over, somehow… like it was impossible to tell a lie .

Hammy has to yell louder than his typical yelling voice to beat out the winds pounding into their eardrums. “Will this one do? I found it by this weird rock in Ire-land. It’s shaped kinda like a really big fin-ger.

Ehhhh … Can we get something more cartoony and comical ?”

Well well, RJ’s request definitely prompted a delivery. Heather zooms into their faces with a bowl of blueberries and a paintball gun, and knocks the sword out of Hammy’s hand. She passes the latter to RJ.

“Blue-BERRIIIEEEES !” he beams. “ HERE we go!”

He cocks it over the wall of the battlement, and intrigues Verne with this crafty plan… whatever it is. Heather springs up behind RJ and dumps a whole load of blueberries into the open chamber on top. The berries come squirting out of the gun at a rapid rate of fire.

The arm of the robot extends out metal plates that link into a circular, gray shield to protect from the blueberry assault. It’s painted the hue of a deep toxic purple.

Hammy takes his cue to pounce off the fort onto the robot’s newly-exposed elbow. He spins up to the small head of the robot and hugs tight on its neck. Despite Verne’s retaliation, the arms can't bend far enough to reach Hammy, and he pops the entire head off, exposing the wires inside. He rips them to shreds, and the robot collapses onto its knees, to the ground, limp.

“No… no NO!” Verne hammers literally EVERY button furiously enough to smash them into the controller and knock some sense into the dead guardian. A pause the newest spectators take to, his own team watching his robot fall, making idle use of themselves, forces him to lash out. “DON’T LET UP! We can't give RJ enough time to get cocky or else he'll be unstoppable! You know how he is!”

“But we're running out of cream pies,” Quillo sighs.

Bucky adds, “And jello cakes!”

Turning left and right, Spike sees no ammunition around the blank platform. “Whadda we have left ?”

“There's all those worthless fresh veggies there,” Penny points. Indeed, a giant pile of worthless fresh veggies slowly rot and dismember their freshness in the back corner of the battlement, quarantined as far from the frontlines as possible. That sightly stench grows like moss on the shaded cardboard walls.

“Ooo. Ah. They aren't gonna wanna touch that stuff,” Lou says.

The group, united, as a team, nods and heads for the towers.

Plump tomatoes hail down against the front wall of RJ's fort and explode into heavy droplets of red liquid. Him and Heather duck while unloading the endless clip of blueberries from the paintball gun.

Stella preps a head of lettuce onto a catapult made from a large wooden spoon. The first massive boulder she launches slams into the base of RJ's grand cheese-ball tower on the center of the roof. RJ and Heather have to throw themselves to the side to dodge the heavy debris of the falling tower - every barrel of the cheese balls, crushing the living remnants of the kingdom. It’s not all a loss. RJ still catches the can of Spuddies that was resting on the top, and becomes jubilant at that.

Another head of lettuce impacts the side of the fortress and takes a large chunk of processed foods out of the wall, destabilizing them. The cardboard platform of the rooftop battlement tips towards the broken side, bending in the creases and tripping their feet. They fight to stop themselves from sliding off the open edge. The hook of Jeffery’s frame inside the fort breaks loose.

One last lettuce head. Its trajectory differs from its predecessors. Over the site it flies, somehow higher than the rest, but lower at the fall. It comes down over the crumbling roof. Whose head does it clobber… but Heather’s, hitting her off the back of the high fort. She’s too taken aback to let out a peep. Down the total height, every foot, every layer, she falls to the ground.

Pushed it. The inner mechanisms, the gears in Stella’s head, grind together, and bust apart. What automated switch, programming her every move in this senseless battle, flips off, deactivating her voice. “Oooohwww, dat-... I didn’t do dat.” Her arms are so stiff. Even though the string over her head ripped off, she felt attached, but to a new feeling. She slowly backs away from the rest of ‘Team Oak’ as the assault continues, and they continue serving a desire for dominance that they themselves hold no share in. Verne had it all. Her calves are so tight.

From the top, she spins and spins. She bolts back down the inner staircase of the spiral tower, where the grass floor grows closer.

She opens the mailbox on the outer border and peeks through into the world beyond. Heather lies in the rubble of the demolished wall, and besides the large sore she looks to be rubbing off on her skull, she’s fine and well as any Heather she knew was

Hammy runs over to help her up. “Are you okay?”

Yeah … I hated those brain cells anyway. Too much thinking and stuff, y’know. Usually I’m smarter when I try to be dumb anyway.”

“Oh good, we can give them to Uncle RJ. His head’s like a gumball machine of those little rascals.”

Stella’s sigh of relief pumps her heart again, after going still in that one revealing moment.

Verne yanks her away. “Stella ! We gotta rebuild, come on !!”

RJ flings his teammates right back onto their unsteady feet. “Up , let's go! Stack, STACK, STAAAAACK!!”

XXX

The moon swerves up and punches the sun around the edge of the earth. The sun returns to do the same.


Dwayne plops down in his office with a plate, a tall spray can reading ‘Powdered Toast’, and a steaming cup of coffee. He shakes up the can and sprays sparkling brown powder around on his plate, magically forming into a slice of toast. Licking his lips, he picks it up with both hands.

In a large and petty stamped envelope, a little gift , wrapped in a caustic red bow and signed by Ms. Wright, waits for him on his desk. He stuffs the whole slice of toast into his mouth and yanks up the letter to rip it open. Inside, he finds a multitude of blueprints.

The first is a replica of a hidden cage trap in a patch of grass. Though it’s modified to exclude the torching devices on the bottom that activate when something gets caught.

"No flames ?" he scoffs. "Are we gonna tickle 'em to death? Like we’re running some kinda clown operation now? Eh come to think of it, I’d take the raise."

He looks up, and suddenly, that very trap is sitting on his desk, in mint condition. So he moves on.

The next is a diagram of a bear trap, its teeth described to be strong enough to snare any animal, but too tame to harm any human leg. 

Just like the other, it’s on the desk when he glances up. From this angle, it appears even more harmless than in its drawing.

He chucks the page away. "No. Nu-uh."

Then there’s a diagram of a harmless vermin repellent, posing no threat to any average citizen. 

The can is on the desk. He smacks it off and rolls his eyes. It’s like his mother was packing him safety supplies for camp. They were the handicaps none of the other kids seemed to need. Yet, this woman wanted him to stuff these kiddy gadgets in his pack, just to take up space, providing such minimal and dull usage that bare hands themselves could accomplish. Yeah, why not just punch the animals at that point? Knock them senseless? Anything with a brain could avoid these ‘traps’ unscathed, and considering the animals seemed to steal the brain cells of the townsfolk along WITH their food, it certainly wasn’t a desired approach.

But the last diagram suddenly interests him. Pointless games were over. Something about it distincts itself to him, looking like a cattle prod and a net gun had a destined child. Even sounding out its title at the top of the page brings him great enjoyment: “The ‘TazePro'... '(Beta)'.”

This one DOESN'T appear on the desk right away, muddling him.

Perhaps it needed another glance. Some kind of codeword? He continues on with the fine print included. “'Contains enough voltage to paralyze and/or electrocute small animals… with no harm to the public residents'.” At that he laughs. “We-ell no harm to the public residents, of course!” He comes to a mutter: “But if I ever pass those jerks from jury duty again-”

A single flicker of electricity comes from the end of the desk. It appeared.


At the circular loop marking the end of a road, and the top of a hill, teams RPS and Oak hide on opposite sides of the street. A lemonade stand waits, parallel to the road. A happy little girl is there, sitting patiently behind the desk, waiting to sell a cup to any lucky soul for a whopping 51 cents . The climate opted for it. High at noon, the sun melts all on her face but a grin away. She stocked her load to the max - several giant, transparent plastic drums filled with lemonade keep their chill from the ice cubes packed inside. A crowd of these things are kept ready behind her seat, taller than the stand itself. Under this weather, it couldn’t be long before some thirsty customers came her way, assuming they were daring enough to place a foot outside at all. And of course, with some critters to boot as well.

Awful heat sends thermal shockwaves through the air. This particularly sweltering day holds no mercy for that which brewed it. In one rusted cauldron, the poor Hedgies must’ve mixed every ingredient from every day over the past week to boil the poison up to this point. The frenzy. The fights. The forts. They mixed them all, and out exploded a searing cloud, fuming and melting with red, that set the day aflame under the harrowing sun.

Some bushes on the right side of the circle make for the hood of the cloak Verne and his team wear. They shroud themselves not for mischievous stealth or a dark air of mystery… but to literally umbrella themselves from the molten rain hailing over them. Inside, the large leaves at least provide some cover from hell’s rays.

A primitive instinct kicks in through Verne’s voice, thirsting over the set of barrels. “That… is a lot of lemonade.”

“Yeah, let’s hope it’s lemonade,” spits Spike.

"We’re not TTTHAT thirstyyy," Quillo agrees. 

Bucky rips over the leaves of the bush to scrape off the drooping sweat down his cheeks. “But it’s soooo hot out todaaay .”

The piercing gleam of ice cubes comes from the top of a full cup ready on the desk, and into Tiger’s eyes. “My… if only just a glass …” He begs for it with an eager paw.

Verne scans the area further. That glass of lemonade Tiger’s looking at does seem appealing.

Then he goes solemn.

He discovers RJ, Heather, and Hammy in an opposite bush on the other side of the circle, unknown to him. The raccoon, recently pronouncing himself as a loathsome figure to Team Oak, spies through binoculars at the stand, with additional binoculars held up by the other 2 in front of the lenses of his for extreme magnification. Verne shifts his head to the left, north-westward-bound. Behind the Hedge, the towers of their forts hold a level of erection completely neck and neck . The steaming air dying in the sky rattles the image, and he makes one of an obtainable future to climb for - one lemonade cup , missing from their peaks, that would make or break the entire competition. One cup spelt victory, for him.

The heat goes numb in the furnace of his shell. It doesn’t escape through breathing space, but sifts out the burning into his skin, where it can run wild and pep up his toes. Like a thermometer it pulses to the peak of his top. “Get the cup.” Pushing Tiger along, he panics, “Get the CUP ! Quick, HURRY !”

Tiger lingers in place for a moment, but conforms to the command for purely selfish reason, wandering his way out of the bush. The heat pummels his coated skin without hesitation. Somehow, the human child at the stand is restless . Moisture expels from her body tenfold, but she doesn’t blink. The street is desolate without customers, but she searches, and smiles. 

From the sidewalk, Tiger takes a concentrated breath. He outlines his path. The dashed lines he imagines, that stretch before him, travel the crust of the curb at the perimeter of the circle, swerving to the front of the lemonade stand. He presumes a stance of indomitable focus. Blood cools around his bones, to allow him to assess his trail in full. Following under the curb, he receives sufficient cover from the owl-eyed girl.

Something new enters RJ’s triple-binocular sight: a cat. Tiger crawls quickly behind the curb, avoiding the hyperactive gaze of the child, and jumps up to shade himself beside the sign glued on the front of the stand. Not certain his eyes aren’t deceiving him, RJ fidgets out a signal to have Hammy and Heather lower the 3 pairs of binoculars. His bare eyes paint the thievery of his destined prize.

“Aw great ,” he mocks. “'The cavalry’s here!' Pffft.”

RJ gets a remote control and a large helicopter model, flipping it on and releasing it above their bush like a butterfly. Carefully, he flies it freely high in the sky, out of sight, and lowers it not above the stand but behind, where the stash of lemonade barrels reside. He thrusts the palm of his hand against a green button on the control. Out a hatch on the bottom of the chopper, a hook lowers from a thick string. It links onto a ring atop the backmost barrel’s lid.

"He-heeeeeeh ," RJ snickers. "Go on ‘n take the cup , Verne. We’ve got the barrels handled, don’t mind us ! Oh, no sir-ee !"

Hammy and Heather murmur something unclear to each other, incredulous in their faces. RJ gives the helicopter lift and leans it forward, but the drum doesn’t budge. To great difficulty, it starts to tip backward on its rim, the bottom face coming off the ground, giving micro pebbles underneath the chance to breathe. Then, the hook of the helicopter snaps off.

Heather decides to check in on a very stunned RJ. “Uhhhh RJ ? Ya good?”

"Listen, don’t put this on my resume, okay?"

The tank rebalances itself on the base when it comes down, but the extra momentum rocks it the other way - towards the stand and the fellow tanks, filled fully to the brim with cold lemonade, ready to blow . One top half of a drum dongs into another, and soon enough they prepare to collapse over the human girl. She sees a shadow stretching over her back and makes the grave mistake of turning around. Shortly she screams a bloodcurdling scream and abandons her chair in response.

"TIG'UH!" Stella hollers.

The barrels of lemonade nearly crash over him and smash the cardboard stand into mush. He gasps and flings the cup straight upward before fleeing the area. The tops of the drums land horrifically on the sidewalk and burst open, flooding the whole circle with gushing lemonade in seconds. A golden tsunami unleashed.

Whatever dam this little girl’s stand could be called, RJ’s failed gambit has it collapsed. The length of the street floods into a violent river , sweeping over the concrete and storming down like a landslide, miles a minute. One human providing a tour to another on the sidewalk both stop to watch the rage of lemonade come down the street. On the clean neighborhood map one holds, the gray drawing of this particular street runs down the gauge in yellow. Once the first wave of lemonade slams past the intersection at the end of the slow hill - the finish line - the street signs bust loose and spin around until they latch back in place to appropriately rename it ‘Lemonade Lane’ .

The cup - that one, singular cup of lemonade - lands back down into the new river and bobs up and down as it begins to migrate down the gentle slope of the hill, though a tiny sliver of its contents spill off the rim and into the greater reservoir of the beverage. RJ and Verne now lash at it with their eyes, hyper focused as much as the other, knowing well enough it was time for a stand.

Trailing behind the cup, two ships remain afloat: the broad poster board once advertised on the front of the stand, and the thin sign labeling what was once the stand’s name, with its marker writing washed away. 

With this thirst, and desperation, and the flames of the scathing air powering their engines, both teams fail to live without picturing the cup as theirs. Nothing else fuels them, but again a primitive urge, organized by the leaders they’ve affiliated themselves with. Verne and RJ get them to go after the former and latter signs, shotgunning themselves out of the bushes.

They go aboard, and without hesitation. On the thin strip, RJ figures out what to do with his 2 crew members immediately, no time to dwell with the cup flowing further from their grasp. “Our new target be that cup o’ GOLD , mateys! HOIST THE SAILS!!”

"WE DON’T HAVE SAILS!" exclaims Hammy. 

"If we don’t have a ship then BEEE the ship! We need more knots ! Man the rudd’ar!"

“Aye-aye, sir!!” they answer.

The great agent of lemonade retrieval, in a raccoon’s form, pushes them to the back of the boat, for only one thing powers their engines. They convert this energy, this motive, to kinetic, with Hammy spinning his tail into the water behind them as a propeller, accelerating them dramatically. Heather applies her own as a rudder, pushing the flow against either side of the boat to steer them underneath the dark side of a parked car. Once they reemerge, Team Oak is already on the same plane as them, rowing furiously atop the broad poster board with colored straws as full as their frantic faces.

Rather than contributing to the effort, the kids badger the waters for a drink off the raw concrete. The turbulent, vicious motion of the current doesn’t donate much. Not more than a drip or two makes it through their straw oars. 

“Don’t DRINK that pavement juice, ROW, ROW, ROW!” Verne scolds them.

They meet at the cup in the middle.

Verne thrusts his arm over the stream, at the styrofoam rim of the cup. It slips just a micrometer from his grasp, and sways closer to RJ’s dirty hand attempting to acquire the same. Oh how he wished to wash that dark brown right off and expose the wicked man underneath. The river offers no support but continues to rock the cup unpredictably between them. Verne’s arm strains and quivers, stretching his rough skin like ripping a cooked steak apart. The tip of his finger brushes over the cup. Nearly, he throws himself overboard just to get an inch closer. But then a black, snake-like tail swipes the cup away from him, and swallows his hopes whole.

The way the porcupine kids so threateningly fume at Heather once she secures the cup for herself only cools her with the fan of vengeance for those desserts launched at her earlier. The tops of their heads boil with the smoke of the relentless sun. That, metaphorically and literally. 

The belittling little dance she adds to her bragging notion really doesn’t help. “Totally didn’t see that move comin’!”

RAM ‘em!” Stella shouts. “This cup’s OURS , boys, or it ain’t no one’s!”

Verne’s entire boat leans back and thrust themselves to the side to ram into RJ’s. The cup jerks away from Heather and lands behind them at the edge of the street… and approaching the gutter of the curb. It sits on the gridded drain, pushed by small bits of lemonade to the very edge, where it is carried into the dark pit.

"NO!" cries RJ. 

He quickly swerves them over, and Heather leaps head-first to grab the cup before it falls into the sewers. Hammy makes a rope from her tail. RJ grabs Hammy’s. He tries to keep their balance on the boat, but slips immediately, lunging them all into the pit themselves.

Before they have time to utter a shriek, before being banished away for good, something jerks back on RJ’s tail. The black abyss lies below, to which they're suspended above. RJ's tail holds him like the chain of a collar, stressing the curve up the center of his back, refraining from subjecting his spine to gravity's claim. Lemonade trickles into the sewers and splashes his stomach from the edge of the gutter. Hammy forms the glue between him and Heather, who bears the weight of the cup in her arms at the end of the furry rope. Half its contents spilled in the process. It held enough inside to pressure her grip still, but diminished in value.

Between the hairs and tan rings, a pair of black hands tugs strongly on RJ’s tail. A clawed foot embeds itself in the concrete of the curb. Its nails run the rough of the rock without a sound. Only the waves of flowing lemonade remain there to drown out no one else but Ozzie’s grunts as his entire body shakes in balance. He leaned as deep as he could into the drain, fearful of further extension, as his footing required a strong anchor from ship to dock to keep the crew from slipping in the current. 

He tugs. He musters the strength to pull them up. Heather manages to glance back at him, and he only responds with the effort of his arms, taking the place of the promising words he couldn’t expel between breaths. The tips of the right foot grind against the block and back on the current. Boat held by the hook of the left. The slight turbulent waves misshapen and bend the bottom face of the board below him. It keeps thrusting forward aggressively. The festering red in his face, and his loss of consciousness, stalls as a result of a hideous crack that darts up his back.

After Ozzie gets them up, he releases his traction, and the ride resumes. He topples over at the rear of the board. The others pick themselves up, and the first thing Heather comes across is her dad’s exhausted body right in front of her, from knees up to the underside of his snout sticking up from his chest. A greater incline on the boat came from the extra weight his limp self added to the back.

Judging by her uncertainty over the matter, it’s clear the responses she planned for this graceous instance were limited. “Wow, thanks… dad.”

Ozzie aches, shoving hard on his spine as he rigidly bends himself upright. “I've just cracked my back one too many tiiiiimes to-day so could we please hurry this UP? And…” With a grin of worthy defeat, he falls flat forward onto the board to relax himself. “You're welcome, Heather.”

RJ gasps when Lou and Penny steal the cup away from Heather with a mechanical grabber. The final surge of lemonade at the back of the stream, the last of the spill, steals their breath and accelerates them, bumping them back into action immediately. Verne’s boat, with the couple holding the handle together in a perfect balance to keep more lemonade from spilling, starts to drift ahead.

Act fast! RJ holds no resentment toward time’s demands. “Spin that tail like there’s NO TOMORROW, Hammy!”

Hammy whirls past Ozzie to the very back and resets himself into position. His tail sprays the water out the back again; the excitement of the water makes an airboat of their cardboard plank. Like a viking on conquest he blows through his horn as glorious as the treasures ahead. “FOOOOOOR TOMORROW-LAAAAND!!”

“‘N YOU two,” RJ points to the opossums. “You’d better work out who’s gonna be my personal harpoon here before I executively nominate Heather!”

“Why are you looking at me ?” Of course, to combat the inevitable, Ozzie’s weak shield against the immediate, anticipating eyeballing he gets from RJ is crafted from pure, flimsy innocence. “I-I’m completely unbiased here!”

Heather, having rolled her eyes as he said that, even more innocently locks her fingers together against her stomach and fiddles with them awkwardly in the silence. The other boys still stare at him.

After a second he admits, “A smidge biased.”

Verne takes his spirits to the high seas once Lou and Penny begin to reel in the loot from the solid, metal length of the grabber. “Steady there,” Penny warns as the relentless waves bully the hull of the board and shake the cup while they hold it carefully over the side.

Something grabs onto the cup and nearly hauls the porcupines right over. Ozzie’s extended arms drop the plank between the ships, the rest of his body being held stiffly horizontal over the river between both boats now jarringly closer than they were before. For a second, they looked like one united group again , and surely they would from just a bird’s eye view. Those hopes were sullen anyway.

Ozzie?!” Penny blares.

Lou stares him down. "Looks like it’s grown-up... to grown-up."

"I did NOT ASK FOR THIS!!" Ozzie squeals at his face. 

RJ yanks back on Ozzie’s legs from his ship, keeping the ‘personal harpoon’ part a sure promise. A little spills out the cup. The porcupine couple resists. All hands on deck become all hands up over each other once everyone involves themselves in this tug-of-war. They jerk back and forth on their representatives, their pawns of the matter, until solid rubber crashes against Verne on the bow. A car tire blocks their path, killing all momentum for Team Oak. The ship of Team RPS continues stubbornly onward with the flow of the river, ripping the cup out of both the grabber and Ozzie’s grasps, spilling half its contents and plopping into the waters. Ozzie’s left with no one to cling to, and falls in .

The cup slowly veers up to RJ from the side of the board, and he catches it with fidgety hands. “WOOO-O-OO! Nice work ! C’mon, let’s speed it up you two!!”

Heather goes back with Hammy, but finds Ozzie to be caught up in his own wave behind them. She doesn’t speak, but watches. Thinks .

The setback from the tire crippled Verne to a point dreadfully far behind the squirrel-propelled opponent. His team shares the same disheartening feeling.

Lou panics. “I- We’re-... We’re slowing dooown!”

“WORSE, Lou, much worse …” Penny gulps. “THEY’RE SPEEDING UP!!”

Tiger doesn’t hesitate to act. He flips back off the board into the lemonade behind them. Stella finds it difficult to understand his aim at first until, standing strong enough in the river to stay on foot, he charges his head like a bull into the back of the ship and launches it forward. He jumps back on just in time, now soaked underneath the stomach in the very lemonade-antidote they cannot seem to secure.

That effort gets them closer , but their valiant acceleration quickly fades. Meanwhile, RJ drifts beyond them at a steady pace, farther down the hill.

“We’re still too heavy!” Verne says.

He looks at his own team, all hopeless and fatigued, and eyeballs the porcupines particularly. The mass of Lou and Penny alone nearly took up half the board, upon inspection. There was a cap on Verne’s progress. Simply, he couldn’t afford to save more assets in desperate times. If a one-many army was what he needed, then this board’s for him to steer.

Verne sighs just as heavily as he described. “Lou…” 

The sight of his countenance injects a smidge of remorse into his blood. As the surface of the lemonade spill glistens in the sun, Verne’s only brought back to Lou, blinded by the environment.

“Penny…”

Her reaction works the same against him. It tries to shower him in gloom. And in a sense, the waters smear his skin, as the waves of the river trickle against his legs. Though like the river, he travels forth, so the sag in her cheeks, and tilt of her nose, fail to subdue him.

“We’re at our last options , I... Take the kids back to shore. We need you to. We’ll meet back up later. Promise.”

“No need for promises Vern-o,” Lou huffs. “We understand.”

The porcupine family gets dropped off at the sidewalk, with the last of the lemonade passing by. The road becomes just a road again. A damp, steaming aisle of pavement. The tips of their quills drip endlessly in the stuff, the liquid gold, and not a single morsel enters their mouths.

They can’t see his expression from behind his shell, but Stella and Tiger share the absent winds he blocks from them to feel. But with the breeze away, their eyes are allowed to open wider. They’re wider when they watch the porcupines fade away from sight. They’re wider side-by-side, mind-to-mind. A boulder blocks the path. The two come to a consensus , and nod.

“‘ We ’?” Stella clarifies with Verne.

Verne doesn’t glance back. He retains the sulky, focused stare locked onto RJ’s back as their distance gradually shortens. “We. As in, for us ?”

“Now who is this ‘ us ’?” Tiger interrogates, slowly to his ears. “My eyes speak better than my nose … and I only see you . We … are still a family . We were a team.”

Verne now shoots around to meet the couple. The sternness held in his frown gets lost in their opposition, and the opposition shatters the glass of reality over his head. Sternness goes to insecurity. The cuts he feels terrorize his whole body. His support fleets.

We were foragers ,” Tiger claims. “What do you have to say for yourself?”

Team RPS races on. An ice cream man stands at the final stretch of the street on the left, who simply displays awe at the lemonade surging in the street where the wheels of his cart sit. Those said wheels unlock from a large wave of lemonade that comes forth, and the man doesn’t have enough time to catch the cart before it makes its own detour down the steepest slide of the hill. It tips and crashes over, the lid on top breaking open and exploding with an iceberg of strawberry ice cream in front of RJ’s boat.

With no time to react, he tries to swerve the front of the boat to the right and out of the way. But that only leaves the back half to get stuck in the ice cream - Heather and Hammy’s half. The board quickly snaps in two, entirely from the waters still shoving it through, and RJ departs to continue flowing while his team is left abandoned . But he still has the cup, and therefore doesn’t falter on the event much, staring ahead.

Heather and Hammy just stare ahead at the back of his stone-hearted head. Their ears droop low. What emotions they muster in the moment don’t spring their enthusiasm. They sink down, and the ice cream melts against them, like their attachment as a family, a team… foragers , sizzles under the heat. Their chins sink the same.

“Bro, he… he really just left us,” Heather says. “No words , just… He so coulda made it interesting , at least . Buuut he didn’t . Nope. Nuh-uh. Gone-o-rama.”

“I’m starting to think we’re not getting any lemonade today.”

Ozzie keeps his nose in a good book as the lemonade carries him and the lounge he’s found in its rhythmic flow. The unfracturable will of nature (or whatever) drifts him into the pile of ice cream with them, chilling his fur.

“Just between us sweetheart,” he whispers to Heather. “I’m all for moving homes, frankly. But if I spoke it, I’m sure I’d only be fueling the flames they've ignited. The heat is un bearable today! So I’d just really, REALLY rather not get caught up in…” He motions to the sheer ridiculousness of the river. “... this !”

"Yeah yeah, I think I get whatcha mean now."

Verne sails alone on his boat now, paddling like a scrawny cat around the ice cream obstacle. To his fright, RJ’s made a dock out of the intersection at the end of the path, running down the perpendicular sidewalk of the adjacent road. Once Verne gets there, not soon after, he hops off and storms after him, festering as much speed as a turtle could.

The abandoned, and abandoning members all line up from afar. They watch the lemonade run out of sight, a thousand gallons away from their mouths, some draining into sewers, and wasted on just one cup in the mix - a measure of wealth more than a drink. Their throats are dryer than they were when they started. The ice cream already starts to melt away. Their shoulders slouch down. The kids collapse on the pavement outright, too thirsty to move. Ironic that they were all soaked head to toe in lemonade.

Stella picks out Ozzie first to direct the gnawing teeth of her diatribe. “Well I see you’re just goin’ ‘n PICKIN’ SIIIIDES , AREN’T yuh Oz’!? You’re bein’ that DIRTY MAN’S personal harpoon now or somethin’?!”

“About that-”

“Well yuh AIN’T HIIIDIN’ NOTHIN’!! THAT raccoon’s gone gettin’ away, ‘n OUR man’s lost it too. Verne’d dump us overboard for 50 cents worth of that ‘liquid gold’! 50 cents, Oz’!”

“It was… actually 51 on the sign-”

“We’re all worth 50 CENTS to those two!! We’re disposable as NAPKINS to them! Dude, you’ve got NO RHYME, ‘n NO REASON, to keep goin’ actin’ like you’re OOOOOOH so ‘unaffiliated’ here-!”

“STOP my love!” Tiger throws himself between her and Ozzie before someone (the latter) gets assaulted in more ways than one. “Ozzie, explain yourself!”

“It saved me from doing it-” Heather intervenes.

Ozzie presents her with a twirling hand to agree: “It saved Heather from doing it.”

“-Which is, check check , kinda like his thing to hold me back, so …”

“I digress . It seems to be that I am just… here , among you. Is this what you're fighting for? Is this your fight at all? Is THIS what you WANT yourselves to BE ?! Chasing day after day , fighting over CRUMBS you can’t even eat, when you could be gathering a FEAST for yourselves, together as one ! This very instance is NOT a retribution! NONE of you are at fault. A feast just a feast . Tell me.”

Again, head-to-toe in lemonade. It drips off their fur, staining them all from the waist down in the very best case, but Ozzie remains as the only one to be turned completely yellow. With the least involvement, he’d somehow been hit the worst by the spill. He shows a firm posture nonetheless, amazingly appearing unmoved by the ordeal, while the others quiver and jeer the afternoon in their low heads.

Stella comes back to glancing at Heather, and is reminded of some painfully-recent regrets. Her skin goes soft for one second underneath those black hairs, then ready themselves immediately again, when her thirst is the first to end.

“The guy’s right …” She now infuses her temper. “The guy’s RIGHT! What is all dis for?! We fightin’ for our HOME, fellas?!” As a little correctory note, she points to Heather and Hammy. “Not you 2.”

Heather and Hammy back down a bit, with some insult dealt.

“Or are we alllll gonna stand here ‘n act like we’d kill ourselves for a stupid glass o’ LEMONADE?!”

Ohhhhh I dunno, I'd die for some lemonade …” Hammy humbly objects.

Heather baps him on the head softly. “I’m staging a rebellion,” she then says.

“Honestly girl,” Stella starts. “You’re cool ‘n all, but you still gotta finish rebelling against your dad before you step it up to the big world.”

This jolts a bit more vocality in her, as she sweats in the heat just as much as the others. “Well OKAY then, I’ll just back my butt up into this angsty little ice cream dump over here, cya later…”

Stella tries to take command over them, just like their leaders did. “Fellas, I am staging a REBELLION! We have been OVERWORKED, and pinned ourselves against each other long enough ! Part of it’s probably MY fault! I pushed Verne towards it! Fellas-!”

Sudden commotion runs off the rails.

Ozzie clenches his nails against his ears and screeches his say into the mix: “Hush! Hush ! HUSH, for the LLLIFE of you!”

He shoves his words into their jaws to silence them. Stella stops shouting overhead the podium she’s made of Tiger. Heather stops backing her angsty self up into the angsty little strawberry ice cream pile. Hammy stops trying to lick the dampness of the lemonade off his tail and puts his tongue back into his mouth. Only now he chokes up his entire soul on a bit of fur he picked up along the way.

At this point, Ozzie’s just trying his best to conserve his battery. “I want nothing to do with this ! Truly. And so long as my daughter is sound in my sight, and I have the quiet to HEAR my own thoughts …” He puffs a stale breath. “...it’ll stay that way. Please… be a family again , if it’s not too much to ask for once this week while we’re standing here DRENCHED in lemonade, with somehow not one drop to drink in what 90 degree weather we’re having?”

IIIII am still kinda thirsty,” concedes Lou.

Penny disregards all sense of proper grammar. “Same here, there.”

“Ozzie’s right,” Tiger narrates. “They are, at present, scorching themselves in their own rays. We've tackled over a single beverage those two 'RULERS' never intended for us, or themselves, to drink!”

Stella chuckles. “Yea-uh, I’d prefer if we tackled in a nice, cold swimming pool instead-”

Tiger thrusts a paw in her direction, the tension so high that any stray comment ruins his moment. “WE ARE NOT WHO WE USED TO BE! And we will not continue this foul path! So that cup is something we must now remove from our sights . NO MATTER who’s leading us. Once that is done, their intentions WILL become true. Let us END this kerfuffle, my friends, for TODAY, we hold PEACE FIRM in our GRRRASP-!”

Heather violently performs the heimlich on Hammy while his choking continues. It’s magically cured when they go to give the others the big thumbs-up.

Stella digresses from the situation. “What my man’s tryin’ to say is ‘LET’S GO ’!”

The hairs on the back of Ozzie’s head start to rustle. He confronts the force of something new he feels brush over him from the horizon behind them. “ At last we feel the breeze .” It carries their legs forth, together.

XXX

Verne carries himself along the sidewalk, tripping over nearly every stray pebble, witnessing his nemesis disappear further than his legs can manage. But he fights hard .

Even when RJ presumes he’s in the clear, out of nowhere, a newspaper flies over his nose and slaps his face, turning the world into a colorless string of huge boxes and numbers wherever he looks.

“OooOOOoo,” Hammy utters ghoulishly. “It is I, the ghost of SudokuuuUUuu! Fiiiinish me RJ, FIIIIIINISH MEEEEE!”

RJ roughly flings him and the paper off his face and straight to the solid ground. “AGH! What is with you?!”

He finds his hands empty of the prize. Verne leaves the sidewalk ahead of him with the cup to run through the shaded side of the nearest house towards the backyard, and the brim of the Hedge visible at the end. RJ growls.

Heather and Stella are one step ahead of Verne, with cans of Wacky Whip prepared.

Aaaaaand done.” Heather completes her drawing on the ground while Stella leans back and watches against the orange bricks of the house. She backpedals to Stella’s flank. A puddle of whipped cream in the shape of a quadruped turtle in the grass smiles at them.

“Hmm. We’re pretty good, girl,” Stella nods.

“Bob Ross, take a look at me nowww.”

They clink the caps of their bottles together. Heather proceeds to stuff the cave of her mouth with whipped cream while Verne, prowling carelessly with the cup, slips forward on the puddle and faceplants into it, flinging the cup forward.

When he lifts his face out, he shakes off the smiley face of cream obscuring his view. The cup anchors his eyes near the back corner of the house. None of the yard behind it is yet visible. That edge the cup sits on curves over and down, with the sun pressing it in, suggesting a considerable slope right past the cup’s place.

He takes himself as fast as he can to chase down the cup. RJ rams into him at just the same time, and both amass their hands on it. They fight over it like the last cookie in the jar, RJ and Verne.

“I NEED it!”

“It’s MMMINE!”

Ozzie releases himself from a tree branch leaning above the side of the house and holds a palm out in front of RJ and Verne as they hurry to the edge, every hair tinted with the yellow of their doing. Out comes a powerful shout: “HALT! I command it!”

Instead of halting, they run their arms right into him, throwing all 3 over the mud on the top of the grassy hill into the backyard. Ozzie’s left on the ground, with RJ and Verne caught like a net together, sliding down the hill with more lemonade spilling out, their limbs and tails picking up hidden metal bear-traps in the grass along the way that bite at them and pierce their skin.

A large rock knocks them up onto the center of a trampoline at the bottom of the yard. They sink in, stretching their skin further, increasing the tension of the fabric beyond undoing, pulled deeper into the inescapable depths of the dome, prompting them to gulp once the motion finally stops.

They fly up, and the cup leaves their united hands just as quickly as it swapped hands prior. It heads into the stratosphere as RJ and Verne bounce lower and lower, fighting in the high air, before landing limp on the base of the trampoline. They lie against each other in the aftermath, adding purely ugly , uncouth colors onto the center of the black fabric.

“Just for fair warning…” Verne huffs. “I could tackle you.”

“Not if I do it first .”

The last sprinkle , the FINAL one, of lemonade comes spilling back onto their faces, washing their need for authority off. The cup lands in their laps afterward. They both reach to look inside. There’s absolutely nothing left. Not one drop.

Their ‘teammates’ crowd around the trampoline and re-enter their brains in a swarm. Before RJ and Verne were harmed a scratch, the fur of the others already felt the lemonade drench over. Not a single one of them fuses their feelings with the juvenile joy of the sun, laughing mischievously over them.

What’d any of it do ? Every leaf burnt half its bones away. The porcupines stand an extra step of distance from Verne, forced into shadows before they’d think to go lost. Out of all the visages seen here, now, a glimpse of loyalty remained on their lips, but it was shoved back into their clenching teeth. Stella and Tiger force themselves further in contrast, one step closer in the grass, and search now to follow up on their vigilant action - to stomp the ruler further into their responsibility. Heather and Hammy carry extra flakes of melting ice cream to boot, pink and an eyesore over their bodies, coming from an unattended risk in their duties.

Ozzie, still a benign figure, saw his worthfulness squeezed like a lemon into the river itself, then flung away. He’s upfront, ahead of the pack, taking with him the neutral authority to confront RJ and Verne over their misconduct, and their neglect to what was once a ‘family’ in practice, not just name.

With the metal traps from the yard latched onto them, RJ and Verne suffered more ultimate pain than the victims. They’re kept from the audience, but not on a stage, more like a backlot disaster quite crass. Verne states it as clear as a fish bowl of glass: “Were… we gonna stack an empty cup on those forts?”

"We're freaks."

" Food freaks."


In the dead of night that day, Dwayne invigorates the languid air by switching on the radio in his mobile commanding base - the officially-assigned Verm-Tech truck. Funky music puts the boogie in his tapping boot. He flicks open a spotless silver case on the dashboard. In it, he picks out a pair of black glasses by the arm, having lenses tinted a voltage blue.

Once he plants them onto his face over his regular glasses, nothing in his line of sight can be hidden by the darkness. The suburban landscape alights like a retro screen. Leaves of bushes wave his way, fully rendered in this night-vision view. 

He juts a black rod out the open truck window. Attached onto the forked muzzle, a form of electric generator is supported underneath the end of the barrel, wires wrapped around a thin metal arm holding it. Once flicked on, the generator produces neon blue sparks at the barrel’s exit. It emits a high, ringing noise whose pitch slips up the accelerating slope of a slide.

The gun picks its target, being a stone statue of a decorative cat on a marble pedestal at the entrance of a front yard. It unleashes a blast of blue electricity onto the figure from the truck. The jolt explodes on the object, and sparks surge around its surface, lingering before fading away.

Down the whole street the truck makes its trip, while the electric door gunner continues its fire on anything resembling something of its desire - from an inflatable giraffe, to clay frogs on tiny pond shores… to a plastic flamingo. They leave no dents or damage , stinging instead from the inside . What true power lies in each shot is yet to be discovered. They could precisely pierce the skin like needles and infiltrate in an instant.

The radio beats along to the shots Dwayne takes, and he follows the lead of the lyrics in turn: “Life is goooood … Feelin’ greeeaaat … Put a big steak hoagie right on my plaaaate -”

He kills the radio and slams the brakes on a whim. He weaves to the side of the street in this moment as well. He knew he saw it. That speck trailing to the upper rim of the tinted lenses over his eyes. Movement from the scrawny figure stuck out over the skyline, apart from the chimneys. It pinpointed itself to him, and now it wouldn’t escape. He immediately shuts off his headlights to hide the position of the truck.

“Squirrel?”

Once he pops his head out the open window, he finds just what he’s looking for. Through the aid of his night-vision, Dwayne uncovers this rooftop scoundrel far down yonder, on a particular house separated from him by another row of residences on the neighboring street, parallel to this one. It would take a whole detour to confront it directly. Instead, he opts to assess the playing field by alighting at the squirrel’s presence and hurrying into action, tuning the truck devices stationed nearby.

Infrareeeed …” Dwayne carries out this process after further scouting the squirrel from his obscure position, flicking switches left and right, and pulling down a panel embedded on the roof.

The circular screen on the face of the panel displays a grid lined by green, this radar tracking the life around the nearby vicinity. Everything appears normal with the large, public-resident-hopefully-NOT-the-jury-duty-guys-sized dots scattered inside where the closest houses would be, but then a smaller dot appears. And another. And another. They form and flutter every tick like a swarm of gnats inside the house the squirrel is atop. His grin grows.

In fact, he’s nearly giddy. “Oh look at ‘em squirm.” He tap tap taps on the radar, teasing a fish in the bowl. “If they were tusslin’ over lemonade , they must REALLY be snaggin’ each others’ tails in there, oh-ho- ho! How’s the squirrel?”

He spies on the roof with binoculars, tracking the squirrel toying with some kind of circular, bumpy object, too far to make out. But the patterns of his stagnant finicking attract him more.

“Wait, watch him move . Ah! There … You see his tail’s flapping , not flicking . His foot’s like melted butter on that roof. Wait a minute… yeeeah, his blinking’s twice as slow . Tired. He’s tired ! YYYYYES!”

There’s a sticky note on his dashboard, the reminder written in too fancy of a font to be of his doing: ' Minimize direct force ’. Still yet, he plugs in a dozen cords to hook up a monitor in the back area of the truck. Once it turns on, he gets camera feedback from a drone sitting on the passenger seat up front. 

A tiny red glow comes from the center of the white body, with all 4 propellers revving up to blow slight winds onto the chair. A large orange stripe runs down the middle, over the front of its face, where the small circular camera lens adjusts to the environment. Its red indicator on top continues to glow brighter as it gains lift inside the truck. Mechanical legs jut out from the bottom like stingers of a hornet. 

Cross-legged at the monitor, Dwayne steers it out the window. " Adios . Make papa proud."

It soars into the air just below the rooftops, keeping cover from the squirrel as it whirs down the street.

“This is the chief tuning in to Drone-inator Zero,” Dwayne commands as leniently as a tortoise. “If you could take out that watchtower we'll be havin' a rodeo tonight, and all will be fine 'n dandy.”

He weaves it stealthily through house shadows and lifts it up to the squirrel's roof, stalking from the very edge of the gutter down the slope. Manning it with a joystick through the camera feed of the large screen just like any kid in the 80s would, he deviously whispers, “He-he-he… Like I'm workin' a toy shop gone rogue .”

A friendly robot with a deathly stare buzzes at Hammy from the bottom of the roof. He ambles his head over to greet it, grabbing a look of its boxish, huggable body and little needle legs as adornment. To him, it's a fluttering image to give hospitality. One star gleams above it. The once-ashen surface pales to pure white. It twinkles over the robot and catches Hammy’s attention further, while it hovers up the slope, and then timidly backs down a bit once he begins to speak through his yawning:

"Oh, hello. Here to join our playdate? We’re playing go fish."

Jeffery’s in front of him with a hand of cards in his invisible, baked hands.

The drone hovers closer - an encroaching hunter. Even without Dwayne’s input, it seems to draw itself closer to the squirrel on its own accord . Such a prototype was prone to minor abnormalities, but it created no real alarm.

The lifeless tube aimed at Hammy from the front of the drone possesses its own heart for him to suck free. He pats the nearest brick as the drone eases near. “There ya goo oo , take a seat! We have extra cards. Wanna be friends? I laced Jeffery with pepper spray so I wouldn’t eat him. I won’t eat you! Don’t worry, robot buddy!”

One word. It reverberates into the lens of the camera - “ Buddy…

Just a couple feet away, and dying to unleash the attack, Dwayne snags at the prime time. “AHA!!”

He smashes a finger into the net button on top of the joystick. Nothing happens. Nothing comes out of the dispenser aimed forward from the drone.

“Huh?”

The red light on top of the drone fazes out and emerges as green before it goes up to Hammy, arms open wide for a hug.

“Gone- rogue!” Dwayne twists the orange stick every which way, to no response. “GONE- ROGUE!!”

The squirrel grabs onto it and squeezes the thing tightly, rupturing its signal. Before long, connection to the drone fades out entirely. The screen scares a sudden smokescreen of static into Dwayne’s face. An air of dangerous mystery and heart-pounding reality - a lifeline cut under the empty, terrifying ocean - mixes with his feelings of unkempt anger. “OH for crying’ out LOUD !!”

He leaps back over into the front seat, slams a fist on the dashboard, grinds that solicitous sticky note off with his nails, and floors the gas pedal.

“Get the drone. Get the drone. GET THE DRONE.”

XXX

So long as RJ and Verne are out of the equation, it appears to be a reasonable assumption that the whole group is just sleepwalking in an undead horde behind the two. They all emerge from the front of the house and trip over each other to at least reach the sidewalk if unable to manage anything else.

Unseen, Hammy lands from the roof behind the crowd, still hugging his new drone buddy. However, the weight of the machinery proves quite bearing. He struggles to heave it along across the barren street. The others are too busy muttering grumpy, undead things to each other to pick out Hammy’s straining grunts as anything of value. All but Hammy round the side of a house at the very end of the road, the Hedge just beside it, with RJ and Verne conversing in the front of the pack as they gather.

“We need… a unifying force,” Verne conveys to him. “That kinda thing we once had , didn’t we? Us… alllll together … We GOTTA put us back under one lock.”

They turn around and stop. 

Right away they find their ‘teams’ to be gripping onto the very edge. Not a single back stands straight. It is impossible to tell whether they’re more drained or peeved from their efforts, but nonetheless, this insidious strain creeped up their bodies all week. In Heather’s eyes, rubbing such stinging into RJ’s, the story performs itself. Verne sees it too - the fruits of labor are excavated from the buried rubble deep within, and even now, ancient statues crumble still. The statues hold traces of those who assisted in the artistry, only for a living, and not recreation in any form able to be brushed away from the dust.

RJ and Verne face each other as they continue to pace slowly.

“I would say my tail’s tingling but that’d be a bit of a cliche.” Soft Verne speaks of his genuine worry over the matter. “We’re about to start a civil war over this, when we’re already out to get dirt on our hands. We’re fighting so we can fight . SOMEONE’S gonna get hurt.” He shakes his head. “Does ANY of this make sense to you, ‘Intellect Supreme’?”

“Then join US , and we won’t have to fight at all ! Picture it Verne, we could be livin’ the good life… sitting under willow trees …” He anchors Verne by his shell up to his side underneath the cover of his arm. “…picking fresh wieners from the branches … we could have an ‘ol nook together, TWICE as large! With that automatic egg-cracker from those TV ads!” His feet stop the both of them. “Whaddya say?”

Verne tears loose. "I- I can’t."

"Why not?" RJ investigates more tensely. 

Verne’s eyes draw themselves back to Stella’s out of the crowd, but can’t resist the sovereign glow of RJ. In both, he senses the past and future hours of the clock, and bends the arm by trying to break from the glass cover. And so, he loses his ability to finish a single sentence. “You wouldn’t understand what-! Because I-! It’s my-!”

A net gets shot.

Everyone jumps like insects, having flinched at the sound. An orange suit sounds the alert. From his black rubber boots up to the voltage-blue lens over his glasses, the Sniffer stands wide-legged behind them. To that, they left no words aside. Suddenly awakening their motive, there’s a coinciding set of strings, tied at their ends by one master, who erases the past from their minds. What happened the past few days became obsolete. Trapped underneath the crushing weight of his gaze, the Hedgies shiver all at once… but shiver together.

His elbow jutted out, Dwayne carries a new sack over his shoulder as a merry man, trapping just a squirrel and its drone - a traitor to him. Those bugs flail their legs within, to no concern meeting his grin. He backpedals to the street without fear more than dominance. Any attempted movements by the vermin who follow must confront the deadly force of an exterminator’s aim. He points the net gun between each animal that tiptoes further as he stakes his step in the middle of the street.

 “Look at you. Pelts. Scaaales . You folks think I get paid overtime , don’t ya?” With a crowd of animals up and ready to enclose on his boots, the situation contents to the techniques he found most riveting to perform before them: up close and personal. “ No , see… I’m a beast . Your stolen car keys only make me craaave . Rawr! RAWR!!”

His demonstration of a rabid monster knocks them back a foot and has them tripping over themselves. He takes up the chance to stomp ahead and push them back along the path they pushed him.

“When you feeeed me I get hungrieeerrrr …” he growls like the devil. “He-he-he-ha-ha-HAAAAAA!”

Right before the Sniffer feels prompted to choose a first target in the stalemate, and all before him cowering down, a street light from the side of the road bends over Ozzie in the center of their stage. The net gun lowers immediately. There comes an engaging performance to distract the wicked from the pure.

“‘Soft you’…” recites Ozzie. “...’a word or two before you go. I have done the state some service, and they know't.’”

Laaaame . Why’s the channel button broke?” Bucky keeps clicking the remote on him rigorously.

The parents hurry them off.

"’THEN MUST YOU SPEAK ’…" he cries. "...‘of one that loved NOT WISELY but too WELL’-!!"

“At least he’s conscious this time , honestly …” Heather snags onto RJ’s shoulder and plows him along with her. The popcorn cup he served himself nice and fresh drops out of his hands.

Dwayne ponders at the symphony of squeaks and squeals. His boots find themselves sticking to the pavement out of confusion. The opossum precisely paints a poignant performance of a lone death on a lone night. The street light’s glow diminishes in a woozy fall, as too does the dip between the corners of Dwayne’s lips.

Ozzie stabs himself with an invisible dagger right to the gut, spewing just-as-invisible blood. If no one knew better, he must ACTUALLY be dying at the moment.

“‘I KISS'D THEE… ERE I KILL'D THEE!! NO way but this!… My own life I take, to DDDIE… upon… a kiss.’ And so, the guilty Othello falls on the bed…” He collapses onto his side. The guilty Othello coughs and chokes horrifically, muscles in a state of seizure. “...and… dies.”

Ozzie is dead. No one else is there to watch, hidden away. At least Hammy claps from the bag.

“Hey-OOOOOOOOOO !” echoes the amplified voice of a teen back at the start of the street. “You ready for a SHOW TONIGHT!?”

“-NIGHT !?”

“-NIGHT!?”

A whistle blows from a set of fingers to accompany the announcement. With the vision of a hawk through his glasses, Dwayne detects a cluster of movement back down the length of the road, and finds the raccoon, opossum, and the triplet of porcupines, once again back in complete kahoots . Unanticipated, to say the least. They shared their slices of provoked pie now, rather than tossing them. They’re all pointed at his face. The winds shift abruptly, and blow the thin hairs on his head up in alert. He quickly slaps them back down into their place. They stick to his skull there only out of wariness and anticipation.

A level of upbeat rhythm comes into play. In a small strip of grass left between suburbia and the Hedge, Heather flicks her mic away and pulls far back on a large slingshot they had lodged into the ground behind the dead-end signs of the road’s end. The kids prepare to launch into action, packed onto the slingshot’s strap.

As Heather lets them fly, RJ twirls a bandana high. “WOOOOOO-HAA!!”

The kids are flung at once at Dwayne in the street, forcing his limbs into shaping himself as every letter of the alphabet simultaneously to dodge them. Once they’re away into the distance past him, they disappear from his focus.

“ABORT!” he cautions himself. “The PB’s slapped the J again. Take the squirrel!”

He turns around and starts to stomp back towards his truck further down the street. Those kids are nowhere to be seen.

Promptly, the Hedgies scatter out of the shadows of their hiding spots and pursue the Sniffer, possibly even jumping the gun as to their approach. RJ’s swift footing allows him to weave through the scrambled formation of the infantry. The trail he runs guides the pack into a more organized approach spanning the width of the road, like a charging herd of bulls setting sights on one red cape. 

Away from the trampling of the crowd, RJ takes an assessment on the Sniffer’s artillery - the net gun, the standard fare, is secured in his armpit, but there’s something… else . Some unidentified gun, black , and strapped onto the back of his orange suit, wobbles in an earthquake of hurried motion. The two silver prongs at the end make it look like some kind of cattle prod (or a marshmallow stick, as another option). RJ doesn’t care to analyze it, for he just keeps running, coming up beside Verne far in front of the others, ironically enough.

“This doesn’t change anything , in case you were betting on it ,” RJ specifically clarifies.

“It’ll change something if we don’t get Hammy back!”

"Truuueee that!"

Dwayne rummages through a pocket on the front of his jacket and collects a handful of tiny square chips, black as the night, and with a dark gray grid inside the center. "What a shocking performance."

He sprinkles two chip breadcrumbs behind him. They bounce with little clinks in front of RJ and Verne, and upon making contact with the pavement, they quickly expand into large squares of electricity blocking their path. RJ kicks the soles of his feet into the ground, scraping the skin, to save himself from an untimely electrocution. Verne does the same, and manages to prevent the heavy mass of his shell from tripping him forward. The sparks illuminating the floor surge in front of their faces, and make plasma orbs from their eyes. Two leaders, rendered paralyzed just as much as they would’ve been had they stepped in. They stare, hyper-focused on the other’s movements, or lack thereof, seemingly preventing the other from acting first in a new mental standoff.

The chess they play with their knees makes a stalemate out of every turn. When one lifts, the other stops them. Both lower right back to their starting positions, before the same occurs again, only applying different joints shifting at different angles. Nonetheless, the fields never dare to paint themselves with the blood they once did. The death trap in front of them becomes obsolete - they clearly weren’t making progress either way

Luckily, RJ and Verne also weren’t the only two capable of leading an army.

Onward , friends!” Tiger’s pupils hiss in predator form. But they also roar in command, herding up the grazers of the land. “Go FORTH!! And have two take the flanks ! LET OUR CAUSE BE JUST!”

Stella jumps onto his back to ride through. “Forgettin’ someone?”

The opossums run side-by-side. “You can count on us to create the ambiance ,” Ozzie ensures,” From the… farthest distance possible .”

All the followers unite to pick up the slack, teaming up for a new field-day race around the remaining traps Dwayne tosses out as he nears the truck. Just as they expressed, Ozzie and Heather divert to either sidewalk around the action.

Dwayne flings open the door of the truck and barfs the net onto the passenger seat. He himself can’t take his leave just yet. Both couples - cat and skunk; porcupine and porcupine - encroach into the vicinity of the massive vehicle. Danger draws its radius. This metal prison before them held no dents, and not a single loose bolt. The truck proves to be a fortress far beyond the playgrounds they built.

His hunger grows. With the 4 animals cautiously circling him, Dwayne snaps the TazePro (Beta) from the sheath on his back to his grip and flicks it on with a finger. Finally, the whole enchilada’s served hot on the plate: Futuristic in style, it indeed holds the structure of a bulkier cattle prod, adapted into projectile form. From the barrel down to the trigger, it takes the appearance of a modified speargun, embedded with a loaded slot on the side for a short magazine already occupying the space. The double-A batteries inside supply all the juice the electric generator needs. Now, Dwayne dual-wields both elemental guns in his possession - net and lightning; catch and sting.

It’s clear to him they weren’t anticipating such a charged defense. That zapping energy supplied at the end of the TazePro (Beta), underneath the forked muzzle, captures their shaking gaze. “Oh this ? I’ll just say it’s like those things doctors use to numb the paaaain ,” he describes for them. “Minus the healthcare costs. And the numbing. But a lot more paaaain-”

Rattle .

His focus diverts by the rattling of mailboxes. From one street to another, 3 rows of mailboxes grid the perimeter of his truck, surrounding the left and right sides. No figures emerge from their dark entrances. But life hides in the narrow walls.

It’s clear he’s entered a defensive bout. He squints closer between them. Rattle , goes the left top box behind his truck. Rattle , goes the right bottom box ahead. The whiff of the closest animals strengthens by one fearful step. Quickly, he shoots 2 electric blasts at the road floor to fend the 4 off. But he keeps his net-loaded arm extended between the sidewalks. His eyes and ears work the mailboxes while his nose senses when the critters draw near. On both sides, the meddling middle boxes rattle, and the rest of the world deathly still. Left bottom , and right top. The feral scent fades away. And then, the mailbox pattern exposes its secrets. The rattles run up and down the road like an elevator. Every other tick, the ends meet on the middle floor - his truck’s own. So, he flicks the net gun between both middle boxes and launches nets to cling over them before they can rattle once more.

Ozzie and Heather ram their befuddled heads into the netted exits in their respective mailboxes, locked within.

“You’ve just been verminated ,” he whispers so boldly, like he’d waited 15 years for the opportunity.

Dwayne, standing there, his nose justified, finds no more animals in the outside air, apart from a squirrel’s scent within the truck. Based on the faded yet prominent state of the others, he suspects those 4 on foot fled the scene to cower at distances farther than his concern for the moment. Must’ve been a sensible reaction to his own intimidation.

Yet those same 4 nod to each other behind the cover of the Sniffer’s truck, bathing (and suffocating) themselves in car exhaust to keep their cover too smelly to breach.

Stella leans herself around the rigid corner to peek at the open passenger door. From this angle, a fraction of Hammy appears as an orange tuft of hair in a hardware store. While inside the net, he does attempt an escape, but the hunking drone keeps the net glued onto the seat, and doesn’t budge. The pattern of the wires is so tightly-knit that he can’t even find a fitting point to squeeze himself free either.

“We’re comin’, kid,” Stella sighs.

In their irises, the blue sparks of electricity leave RJ and Verne’s peripheral vision. The traps disabled themselves. RJ bolts up the street at the chance, leaving Verne to follow slowly in nothing more timely than an urgent trudge . RJ also takes the mistaken chance to glance back at the turtle, and divert himself from the traffic. Before he knows it, another tazing bolt from the Sniffer stabs into his ringed tail, just barely evading the fur of his hip. It spreads up his body and paralyzes him, far too tame for total electrocution. It only has enough voltage to distract his limbs from their functions temporarily.

Verne pulls ahead. Only a second gave him the room to do so. Another bolt zips for him, and he immediately ducks into his shell as a shield. The electricity circles him and pinches at his bare body from the inside out.

Help.”

Dwayne inspects the empty area. The agitated opossums still attempt to get their puny little claws and puny little teeth to rip through the nets trapping them in the mailboxes, to no avail. He grins. He’s in his truck in a flash - in enough of a hurry to leave the shotgun door wide open. If only he hadn’t cracked his back when lunging to the driver’s seat.

In the man’s unexpected hindrance, Hammy notices some movement in front of his seat, underneath the boxy dashboard. Those white stripes do it for him.

Stellaaaaaa …”

Stella hushes him harshly.

STELLAAAAAA … DO YOU WANNA MEET MY ROBOT FRIEEEND ?”

His robot friend beeps mirthfully.

Just before Dwayne is able to recover from his inconvenient back issues, the front mirror vibrates and giggles. The smell plaguing the van becomes clear to his nose. Not just the squirrel. Or the car exhaust. He peers close at the bushy pricks sticking out of the mirror’s edge. 3 spiky kids flip it around to reveal themselves, pounding their fists together. Dwayne slowly draws up his night-vision glasses. Alas, the image is the same.

Zapping surges circulating RJ’s hairs come to a calm. His upper body teeters forward like melting clay, and he smacks the palm of one hand against the ground to keep himself up, though his limbs still jerk and shake violently and abruptly for a moment. His entire coat remains puffed out from the shock.

“RJJJ !” calls Heather.

On the left side of the street, Heather remains inside the mailbox. RJ races forward and pumps a pair of wire cutters from his bag to pass up to her on his way to the truck. Heather’s tail makes a meaty catch on the hefty tool and snaps a single wire of the net clean off. Her thin body didn’t need much space to slip out, clean as soap.

Make-believe thunder cracks. Ozzie summons forth a tempest that condenses the clouds of his might, sealed into a full-focused mind. From the crooked joints in his hands, he pulls in the strength of the outside winds to rattle the net covered over his own mailbox, in an attempt to combust it. His brow shoves his eyelids tightly against one another. He commands the thrusts of his arms, booming powerful force at the net, jerking violently in his concentration. A gust sweeps over the cone of his face. He thrusts them back forward again, and the volume of an inner fanfare grows, as does his power.

Tiger pounces onto the mailbox and claws the whole net off. Ozzie allows his eyes to re-immerse in the outcome of his psychic endeavor. Brushing the power off his palms, he nods in satisfaction at his performance. “Mmmmm-hmm.”

With the kids all giving him little, harmless punches to his neck and skull, Dwayne picks out the one on the top of his head and chucks it out the open door, irritated. A skunk appears on the dashboard, cocked to fire right onto his face.

Maaaan Heath'uh I’m so glad I saved this one,” Stella notes.

She unloads. Every inch of the interior fills by the first second. The blast packs so much punch it knocks the driver’s door open as well, making a clear end-to-end path for Tiger to leap through the front row of the truck through both doors, retrieving Hammy’s net in his teeth during his valiant act. The stench never fazed him. Landing stoutly on the pavement, he tears back on the framing in his jaw to free Hammy (and his robot friend).

“I am so jealous you can’t smell,” Hammy admits. “It sounds wonderful. Smells wonderful.”

"Gah. I'm sure you’ll get used to it someday. I’m quite sure."

Hammy sure does try his best to tolerate the dancing trash heaps in his nostrils with gritted teeth. “I REALLY… don’t think I WILL …”

Verne maintains a safe distance to be awestruck in. Despite such minimal communication, they seemed to have everything figured out. His open mouth, breathing deep and empty, absorbs the air that the animation of their actions brush onto him. He absorbs the proof through his eyes. Over an open field, all these winds make independent airways curving and twisting over the land, but never intersecting. Then again, the streams work as one unite at the coast of their objective - to keep their waters clear. And they fight to get there, flawlessly at that, while each member of the family performs their duties more flawlessly than the last, at least in comparison. They’re fighting for a friend now, but imagine what they’d do for the good of everyone

Finally, RJ announces, "Clock’s struck Hedge hour! MOVE! GO!"

So it comes time to make like a tree and leave. Lou and Penny snag their kids (and plug their noses from the aftermath of what Stella smeared over them). Hammy darts right back to the Hedge, not giving a care for his companion no longer. The drone reactivates on its own and begins to float into the air beside the truck. RJ gives the opossums their moment to open fire on the machine with toy guns. Of course, a blue dart from Ozzie’s jams 1 of the 4 propellers before Heather’s red darts even have the time to experience the adrenaline of a close miss .

“So this is gonna be one of those ' THINGS ', isn't it?” Heather frowns.

The drone loses control among the stars it sought to reach and crashes onto the roof of the truck, propeller caught on an ear of the squishy white rabbit smiling underneath the giant hammer. There it struggles.

After coughing away the cloud, and the blue glasses blown off his face, Dwayne spots only the silhouette of the animals escaping down the street and slams on the gas… or, what should’ve been the gas. The WHOLE pedal had been detached and stolen by those freaks. His frown festers immensely.

RJ and Verne are nearly there by the time the others all make it past the dead end signs and into the Hedge, constantly glancing over. They look back before hearing the thump of a boot behind them.

“You vermin have a TRUE way of life, I’ll give ya that . Us middle-aged exterminators, y’know, we over complicate things! So how ‘bout we settle for something a little more…” The Sniffer now unveils the classical weaponry - the melee cattle prod - buzzing with electricity, and springs his aggression up to the moon. “... OLD SCHOOL!?!”

Without turning, RJ latches his hands onto Verne and flings him backward into the Hedge, backflipping himself to flee. 

Dwayne throws himself forward, submerging his head inside the Hedge. " Class dismissed ," he groans.

XXX

As things always do, their operations take the Hedgies back to the good old Log. All despite the indescribable, skanky odor surrounding them, the porcupine kids pay no mind while they surf aboard the salvaged gas pedal dug into the dirt. As it turns out, Lou and Penny endure the entirety of the price. Stella’s ready to outline the recovery process as follows: “Might wann’uh wash that out with soap . And tomato juice . And soap again . Have ‘em eat the soap bar after dat. Cleans ‘em from the inside while it goes. Gorge it down with sum tomato juice while you’re at it.”

RJ pants and pants, aimlessly trodding over the land, earthier than the lawns and laid over with the slick screen of night’s chilling air. His foot rams into the bulk of one hairy, flimsy mass. Hammy rests sound asleep in the grass already. It just so happens that everyone gathers around the two. Verne further treads into the scene.

So that’s how an ‘operation’ flows? It certainly lost its glory the moment they returned from the Hedge. A life was on the line. For one moment, all minds were correlated. Now, they express no harmony with another. Glances and frowns pass like a hot potato. No one holds blame, and yet they still manage to shift it anyway through the looks they throw. Among this, Verne makes it a moment to present himself before RJ as a fitting tribute to the shallow wake of midnight.

It’s not lugubrious like it’d unearthed the soil of sorrow or shame. Now boasting his chest out to RJ, Verne finds solid footing as the eagle over the battlefield. He refuses to display feigned celebration, considering the ordeal, and yet stands strong and sure in the face of the raccoon, and himself. “We shouldn’t have made our family fight…”

He glances around. Everyone nods back to him. In this resolution’s new slumber, at last earning a place to rest, Verne shares the drowsiness they all do at this hour. Fighting couldn’t be anywhere in their heads any longer. They simply lacked effort, lacked motive, and lacked the naivety and immaturity to accept such a conflict any longer. It’s hard to spot a single pair of eyes wide awake, as they need not strain for meaningless notions, any longer.

None of this pain meant anything. Did it?

“…and it was wrong . This whole week we’ve fought over NOTHING. That’s a whole week WASTED ! DOWN the drain! OFF the check!... Not coming back . You said 3 weeks, well now we’re down to 2 . That’s 2 weeks you’ve got left to figure out just what we’re here for. I guess we’re back right where we started this thing, just last week. We’ve ‘returned to our roots ’, you could say. We didn’t get anything outta this. None of us did. And don’t take my word for it - I’m just your tentative turtle … But I’m telling you, right back there … I’m sure our family just told you that they know how to fight these creatures now, RJ. Big thanks on that one. Because of you … they know how to fight for their home too . Whatcha give is whatcha get. Got that?”

Everyone remains silent. They stare.

XXX

Back in the suburbs, Dwayne returns to the truck and slams the door to debrief, the scent of skunk still lingering. Air isn’t punchable enough, unfortunately. In fact, not much of the truck’s interior technology could ever be punchable. So he almost punches himself to inject some thundering noise into the reticence that surrounded the area. 

Then, something else takes the brunt of the job. He hears the drone atop the roof, still stuck on the rabbit and desperately attempting to free itself. He sighs and rams a finger onto the hammer button near the wheel. The massive hammer of his figurine smashes onto the failed prototype drone once, rendering it immobile. Another smash cracks away its layer of protection. Out of his view, Dwayne’s grudging countenance flinches at a final, hideous smash, sending hail of plastic and hardware down outside the windows.


For the rest of the night all shifts by without belligerence. The sun awakes to take the moon’s place; not an inch overlaps, nor creates contest.

The giant scooper digs into the feral ground and unearths a hefty chunk of dirt at dawn. Verne slouches over the edge of the cliff, only watching the trees get torn from their roots right below him as the construction rounds the corner of the Hedge and onto their side. A train is something Verne can’t stop. A train exhausted the wastes of dilapidation that rose to his lower eyelids and made their form lost. Against his face, they drug its entirety down. Earth keeps ripping apart, grainy and fleshy if that’s what the average man saw, but the loss of such a foundation digs out a piece of his soul. 

The sounds of chainsaws drew him here. They’re revving through his brain. Oak trees and berry bushes. Who’s to say that scythe won’t slice the heads off more ? Pine trees. Shrub villages. Every flower, sparse in the place, torn out of the forest’s heart. Their teeth chew past any protestors. Its high growl deterred any who thought to join.

None of that matters , he tries to make himself believe. It works. Heartless it may be, but it works . His sights only draw the path from that dreaded red arrow to its destination. The Log is his patient, and him the doctor. A chronic diagnosis can’t ever hold him back. The tips of his fingers drizzle down his sides, exhausted from a futile dance with hope, undeniably mundane in its efforts. Intrinsic odors surpass the fashion on the face of a vase, and gray its shine. Just now those dull spots show. Verne enters an overseeing viewpoint of destruction, and compiles the air of the rubble in his lungs. Whatever level of personal and civil obligation they thought to be achieving with their actions, it simply couldn’t be possible that the span of dead land, and arid house frames, could ever- There he goes again. He shakes his head. What good did it do, when it didn’t matter ? He only made himself believe one thing did, and started from there.

So then there’s RJ parading from his hideout of bushes behind him, ruining the whole mood as he did oft. “Enjoying the view?” If he’s a patronizing hunter out for the last traces of Verne’s tolerant stability, consider him fed for the winter. It’s like he’d been stalking from the slope of the hill for hours, considering the (painfully) timely entrance.

Verne doesn’t flinch. “Shut up. Go away.”

RJ steps with both feet forward.

“Well you got the first part.”

Clear skiiies …” RJ details in admiration of this pristine day.

“Nope, you just lost it.”

“…the kinda breeze that makes your hairs all tingly …” He holds the demeanor of amendment; in his voice, there’s a jolly institution, gleaming from the face more than the soul, but absolute in intent. He tries to ameliorate the situation. “It’s a pretty fine day all things considered!”

“F-FINE ?!” chuckles the maniac. The bones in his neck crack when he snaps his head rigidly to him. That toothy, paranoid grin stretched far beyond his jawline. “Oh this's fiiine , this's great ! They're turning our bit of forest into a PARKING LOT so they've got more space to decide where to build MORE parking lots ! What's gonna happen if we back up !? They'll keep pushing us BACK and BACK and BACK AGAIN !! What would be the POINT!?!”

Continuing to approach, RJ scrunches every drop of desperate resolution into one pool on his face. His arms and hands stick wide out, and the top half of his body bends forward like the scrawny, impatient beast arising at the time being. “AHEM hairy, tingly BREEZES ?…”

“I don’t have hair, I would be BUTT-NAKED without this shell, and my tail’s tingling more than any hair WOULD be!” RJ’s figure stands just a foot away. He stabs out at him. “And YOU sir are waltzing daaaangerously close into toe-stomping territory . Wanna relive some memories?”

Those thumb tacks now glued on RJ’s toes thirst from the threat. He wiggles those knives far sharper than Verne’s assertive finger. “Sadly for you, I’ve now entered counterattack mode!”

Verne backs down without a sound.

Having the authority to sneak up to his side, RJ cools his drift and speaks in comfort: “If it makes ya feel better… I’m always butt-naked.”

Verne quivers in his censor shell, contrasting from the blatant nudeness right beside him while he sits. “Somehow, you’re making me feel insecure.”

Let’s go back to the Log,” RJ insists.

“You don’t govern me.”

“And you don’t govern me.”

Verne rises. “I didn’t say I governed you.”

“But you said you governed me so I said that YOU don’t govern ME!”

“But all I was saying was YOU DON’T GOVERN ME!”

“Which is why I MADE MY POINT!”

“Well NOW you gotta tell us who DOES GOVERN YOU!”

On this very fine day, RJ screams, “NO MAN GOVERNS ME BUT THE METEOROLOGIST!!”

Thanks to some random acorn that fell down to the edge of the cliff just a second ago, RJ has a football to punt into the horizon.

The first thing the acorn passes is the rusty hook of a crane. It flies farther, avoiding that obstacle, propelled as straight as a bullet, and hurdling over the curvature of the land. And down below, past the roofs of large portalets, it flies farther, and through the open doors of a bulldozer. It doesn’t grace the path or react to its moving pieces, and becomes one in itself, shining the low sun off its shell. Instead it skids past like a meteor, or a bullet train, until it closes in on that large man , a recurring figure, leading the construction. Under his boxy shoulders, under the bulk, ham, and hair of his arms, the sharp tip of the acorn bites onto the center of his pinkie finger.

OWIEEEEE !!” he wails. Contrary to the big guy's bigness, what the acorn bit of his pinkie frightened the whole hive of childish ineptitude cowering on the inside. “I’VE BEEN BIT ! MOMMY I’VE BEEN BIT!! I’VE BEEN-”

His tantrum takes him and his massive beard to spin around to the cliff, and he freezes. Up the face of the rocks, and dirt, and the grass carpet on top, something so dull brown and green drags him in. There’s nothing but a turtle. A turtle . Look at that hard, hollow shell, saving it from the revenge he now sought to deliver. The veins in his eyes grow red thorns. Look at its flat feet, stabilizing it against the ground he now thirsted to remove underneath. He restricts the muscles in his arms. Look at its crooked jaw…

He clenches two fat fingers tight around the circumference of that pinkie finger, the small hole dark reddish-pink, saturation lost in the drained presence of what memories lie before him:

~~~

In an empty room, too vague to make out, a toddler boy prances to seek some entertainment from the open top of a plastic bucket.

Toddler him waves his hand over the rim of the habitat, resting on top. “It’s an am-phibian.”

The tiny box turtle inside the pen slowly eases itself over and takes a chomp of his equally-tiny pinkie. Its mouth snags a hold of the tip, and doesn’t let go.

CHOMP.

AAAAAAA-!!

~~~

“Uhhh, Jack ? Mr. Jack Sawood, sir?” someone calls.

That trauma relived itself. Screaming carries on in his head. The screaming of a boy turned him into a man . He grew out of those tragedies the same way anyone grows out of their own beloved pants. His waist only grew, and with it, his anticipation for what old figure nature would put forth for his viewing.

“I KNEW I recognized you…” His bottom lip only quivers at the memory. On the high cliff, with the turtle high above him, Jack gazes up at the high rise of the armored demon. He tumbles over his thoughts. Chainsaws shred them to pieces. 

“Oh Velma , how you've grown I've hated you as long as I can remember …”

Jack shakes his head out of it.

“Those critters wanna throw acorns at us and DOO doo in our portalets !” To Jerry, his closest, trustiest supervisor, the megaphone he shoves up blares no reservation nor restraint. “YOU KNOW WHAT I WANT?! I wanna CRUSH ‘em! CHOP ‘em down!! Snag their ears 'n RIP their heads RIGHT off their shoulders!! Quick, throw me some ideas!”

“Well, I- uh… I think-”

“Your ideas STINK !” Jack screeches. “Yer lucky I’ve smelled ideas worse than my dad’s cologne . One day, my parents left me alone in the toy section at the mall. Then , I got kidnapped ... by some hoser wearing a mouse suit. Unfortunately for him , he had to learn the burden of line passes ‘n dining reservations.”

“Well that’s-”

“Yeah, it was my uncle . He took me to DISNEY WORLD!! CALL ‘er in , Jerry.”

Mentioning HER existence stops the world from turning. Jerry, shaking like sticks in the wind, teeters his glasses to balance them over his eyes, shields his jittery face behind his clipboard, and pokes the brim of Jack’s megaphone away. “Y-y-you don’t mean… ‘ her ’, right?”

Jack adjusts his megaphone aim. That alone issues a quick phoning on Jerry’s part.

VELMA ,” Jack huffs to the cliff. “I hope yer sleeves are rolled up for a Goddamn Issue …”

RJ and Verne take no care to the ruckus down under.

“Do these people govern you?” Verne prompts further.

RJ pops a balloon of calm breath in his chest. “Only the meteorologist.”

“But THEY aren't meteorologists.” Circumstances so raw and unprocessed, unformed, start to squeeze out the soulless laughter a true lunatic strives for. “Am- Am I going BONKERS !?! Am I the ONLY ONE who sees the FLAW HERE!? If you run from them, you are LETTING them govern you!”

RJ steps back in the conversation for what he anticipated to be just a moment. “Alright, let’s call that an instinctive, comedic oversight-”

"A STUPIDLY instinctive comedic oversight, YES!!"

A hideous snap interrupts them from across the main road. Resorting to some primitive tactics to be sure, one worker slices their axe again into the stocky trunk of a pine - the tallest pine. Its true comparative height opened up to some debate, however, as what brothers it held close were no longer in sight. It’s the only kind left in its radius. And it’s the only kind to be tipping all the way over the flat concrete canyon in their direction on the cliff.

AY !!” Jack shouts to the flipside. “Watch where ya let 'er FALL !”

Idle words don’t stop a timbering tree. The wooden tower collapses over the street and at the edge of their cliff, and at Verne all the same.. It’s the first time Verne ever truly lived on the edge. He stood his ground all morning… Weak courage doesn’t stop a timbering tree. He gasps as a snail in the face of its massive structure revealed at point-blank. Stray branches crumple and snap apart against the hill, flinging out sticks to smack RJ across the cheek. The trunk crashes onto the corner of the dirt in front of Verne’s stunned feet and knocks him over the edge before making a deathbed of the ground below and demolishing an unfortunate portalet in the process, all while cueing the irascible honk of a car blocked from passing the giant log, lying on the street.

RJ lunges out to grab Verne’s hand before the turtle himself timbers into the pit of construction. RJ holds tight while bent over the cliff, his single, unsupported arm shaking. Verne dangles, and dangles more.

In his eyes, RJ sees the story of the misguided. Misguided in his thinking. Misguided in his priorities. These thoughts don’t opaque themselves in what a heart-pounding moment it was, but the notion is there. There’s no way this couldn’t make sense to him. A warrior runs around Verne’s irises. A naked warrior, stripped of all weaponry and motive. Never it showed itself, and now it makes its awkward presence a million times more bewildering to consider.

RJ’s fingers become sore, and begin to slip. He doesn’t let them act just yet.

In his eyes, Verne sees the story of the mistaken. Mistaken in his values. Mistaken in his philosophies. The tree leaves that sway and chatter more skeptically over the cliff in the itching breezes provided more cover than the lifeless blue void staring into him. Does he know who he is? He gives a charity, betrays a charity, accepts a charity, and is now willing to throw the funding of their family away. The little scrunch of his nose seemed like it could throw him away too.

Verne clenches his teeth harder on the accord of RJ’s own pressure - the lifevest keeping him afloat for the very first time all week. 

“You are not like Verne,” RJ frowns.

“You are not like RJ,” Verne frowns.

Another, newly emerging chainsaw reminds Verne of his purpose in this place, and his head shoots down to the corpse of the pine tree miles below him. His open mouth ventilates all the spare air it can get to replenish the withering of his hope. Though it serves to very grudgingly reassure him that the straining moisture forming against the hand locked around his still hangs on. 

The fate of Verne’s morning rests with RJ . The construction site acts as merely a portrait in their verbal conflict - like the painted land beyond an impassable river, out of reach but animated and full. They’d argue over a painting. So what would it be like to be in the painting? RJ looks at the hum, whir, and buzz of the heavy machinery taking action nearby. He looks at Verne. He scrunches his face back hard after finding the bridge over the river - the drop.

What pained tone RJ manages to generate for himself inexplicably defines its intent to Verne, the droop in his countenance mixed in the pot, and suctions out the deepest lumped clutches accumulating in the cavern lying down his throat. Genuine . Nothing else could be done. Pictures look but don’t feel . Words listen . Reality swoops in to pinch at all the senses, tying the strings of logic in an unbreakable, harrowing loop, separate from the perception of the mind, down to a raw ore .

That reality weighs down RJ’s efforts to begin a final judgement: “Verne… I think the best way to meet minds here…”

Verne can feel RJ’s fingers begin to loosen. His heart stops.

“...is to let ya think about it.” 

The sharp shot puts him down. RJ releases his hand without aggression but regret, more comparable to the surrendering of an old toy.

Verne watches him leave down the tunnel of his sight, to never return. He clings onto the dirt and rock of the cliff face and slides down (a bit more) safely. He lands on top of the fallen pine, on the side of the construction activity. Unfortunately, being confined to the collateral coast can’t hide him from the waves at sea.

His tail starts tingling immediately. Not just that, it rattles underneath him. The diffident attendance to the danger glows and rings through his nerves. Like the noise of a dead space it pulls out the sounds only ever meant to fill an auditory absence, puked into the crowd of hollers and busywork storming the area. It hums. It whirs. It buzzes. The loud clouds surround him as he grips the cliff helplessly with all the traction he has on the back of his arms. Whenever they start to slip, he throws them back harder against it. Harder . His tail tells him that another step means death . But he’s alive , and doomed to be so. RJ dropped him far enough away from the actual operations, he knew, but it's as if lightning anywhere in the field meant danger for every inch .

He squeezes tight on his tail. It just doesn’t stop.

Sawdust enters Verne's throat, forcing him to cough. Unbearable enough, he stuffs his head into his shell and sits blind to the danger. His own breaths replace the ringing when tucked inside a brown brick pillow - a solid comforter of the situation. It’s only a shell , then again. Hollow. Unprotected itself , protecting those within .

An inclining rumble through the sky causes his tail to surpass even the boundary he placed against it. The memories tingle.

A young voice pleads to him, “ ‘Can- can we go in the Log now, Verne? That earthquake’s scar-wy.’

Earthquake ? Verne’s conscience answers the call and scouts the land outside his shell. The first thing it sees for itself is an airplane in the sky, generating such familiar rumbling.

“That- that was an airplane ,” he gasps low at the long-unresolved realization, unimpressed. “Wait. Are you kidding me? That was an AIRPLANE THAT DAY !? DECADES ago?! They’ve ALWAYS BEEN HERE ! We’ve never been FREE !”

‘We’ve allll already put our berries in there for you, Verne!” the same being sings. “Just like you asked! They’ll be saaafe!’

"We’re never gonna be safe anymore…"

He feels as though the bulldozers already ran him over. A wrecking ball could smash him into the cliff, but he’d already be dead by then. Let’s see, how many ways could he die here, living on the edge again, somehow? Wrecking ball, bulldozer, explosive bowel movements combusting a portalet on top of him-

Certainly not an acorn . All the way from the top of the cliff, another random acorn from the trees falls onto his head, maybe from the vibrations of truck engines larger than Earth. He catches it in his palm after it bounces off. Not even safe from an acorn . His eyes grow wide, and new intent fills his pumping heart. He’s not safe here. Never will be. Even from the tiny impacts of what he fears. Perhaps the best way to face fears is to not face them at all. To accept them, and respect them. That’s what RJ would say, apparently, he believes.

“So,” Jack proclaims around the site. “We gonna REMOVE this feller or NOT?!”

Verne picks himself up off the feller and flees in a hurry.

RJ spies lifelessly from the forest hill like a watchdog taking post all night. Once he spots Verne, back safe and nearly traumatized along the Hedge, he escapes without a trace, at the paint he just smeared over the guy’s head. He’d waited to see that paint return to him, complete.

XXX

Verne takes himself as fast as he can to the calendar, at the forgotten bulletin board of the site, and checks it. All his movements are still just as panicked as when he escaped, and the tension just as high. He scans the calendar, then coming to notice that there’s not much left on the bulletin board entirely OTHER than this utter timebomb of a reminder. And the map. That dreadful map. It desires no attention from Verne’s mind, yet another force does.

Think about it ’… ” RJ’s voice echoes.

“No no no, shut up figment RJ!”

‘That’s a red arrow of DEATH . Which we could avoid if we just did the LOGICAL thing…’

“I HAVE to fight this fight! I don’t wanna! But I-I-”

The raccoon shows himself. Just like a happy cartoon, he bounces out of the 25th square, marked ‘Heather’s B-day’ with an ‘18’ written in a balloon, and introduces this alternate mental plane consuming all of Verne’s consciousness.

“Hey hey hey!” little RJ waves.

Verne’s aching stalls. Just a figment of his face taunts him, but terrifies him likewise. His shape outlined itself as a glaring threat to him now. The spikes hairs from the raccoon’s fur cringe him back from the hallucination, but don’t let his eyes go, no matter how far he tilts his neck.

" Biiiiiig part-ayyy comin’ up! That’s French for ‘party’. This boat’s party sails point towards happy trails-!"

Verne shoves a hand onto the page to mute him. Once he removes it, he’s gone.

Oooooh boy…” When his troubles are too great, and eyebrows too tense, the only thing left to do is pretend he’s completely okay. “Aha! That’s what I need, RRRIGHT Verne? Let’s get some- yeah, let’s just get some alone time.”

Alone time it is. Only issue being, RJ’s fortress still looms over the comforting lake, and soft, light willow on the other side. He looks both ways before tiptoeing out of his fort and through the scene. The entire site remains deathly silent. If anyone were here, to which he showed no interest at the time, they weren’t making their presence known. Before he can consult the nurturing arms of the willow tree, he also happened to enter the view of what lay past the boundaries of RJ’s fort. Around the corner of the pile, and the cooler RJ must’ve claimed for himself, through the bushes and hidden behind it all, is a vacant TV set . Completely vacant, abandoned for once as a dead landscape of anarchy. The TV drowned itself in static, reflecting its dull mess onto the purple throne facing it. Two rear-formed sunken indents are left on the seat, raccoon and possum-shaped. Empty . Like a ghost town. He can imagine them there, just a few days ago. But that’s all he can do now. Imagine. The heart of the family isn’t beating, is it?

“We NEED to be under one lock again,” he repeats.

Verne releases a pained breath, and comes back to peering up the height of RJ’s fort over the pond, and the single can of Spuddies on top. Something hits him: Mt. Feeds-a-lot is gone as he knows it. The wealth of that community stash transferred onto their secluded forts. An overwhelming rush of disbelief and illness forces him back around and wipes his agenda clear from his mind. He hurries his feet through the grass back to the Log. He shakes his head vigorously on the way, brushing burning emotions off his aching head.

Time passes, and he’s now tame once again.

“I know I couldn’t have saved all of them,” Verne acknowledges to the Log. “But I saved you .”

He puts his hand on it gently so as to not damage it further. The earthy texture cracked through his fingers brings comfort to his posture. His shoulders lower.

"I am gonna protect this home," he smiles. "Mark… my… shell …"

Violent rustling comes from the Hedge. Team RPS parades out, carrying along the uninterested remains of Verne’s own group, short of one leader for the morning. What RJ’s carrying with him isn’t food, or anything for that matter, but Heather and Hammy pass through wheeling that flipchart… that flipchart … with its compelling stupidity diagrams. He returned to the roots of his argument, and out of Verne’s control, that might’ve just tempered him more over the issue.

Yes. Back to their roots.

“I am gonna kill that raccoon,” he breathes.

Chapter 4: Paper Beats Rock

Notes:

Note: I'm introducing a brief, narrated introduction at the beginning of each chapter. It may not be necessary, but I'm sure you'll find it convenient.

(FF doesn't have the little illustrations that go with the intros. Seriously, if you're reading on FF and not Deviantart or AO3, you're gonna be missing out on some stuff for some of these chapters.)

XXX

Y’know what, I’m done apologizing for the word count (but P.S. I’m sorry). On top of scene and sub-scene breaks, I’m even separating chapters into acts because some chapters like this are so big they just need it. I love making each chapter a story of its own.

But also know that I AM trying to cut down on word counts by paraphrasing lesser clips without compromising the style of storytelling. Creating the most amount of Over the Hedge content possible is still my number one goal.

Now you may ask: “Why not just separate it into different chapters?” Because otherwise there’d probably be 50 in this episode alone. Yeah. But every scene is like its own chapter, organized into groups by ACTUAL chapter. THAT’S how you should read this.

Chapter Text

“Let me tell you a story about the calm after the storm. Last week the Hedgies spent their quarter of the month flinging jello cakes at one another, and for what? Oh would you look at that… nothing! Now their time to quell the argument has reduced to a smidgeon. Team RPS looks to the forest. But as time goes TICK-TICK-TICK… Heather finds the family may just be the key to the lock, on the contrary! Hoot hoot!”

Word Count: ~30k


ACT I: Yep, There Are Acts Now


“Hey RJ, I gotta ask, like, what's it gonna be like when winter comes? Are you gonna… hibernate with us or something? That sounds so... not right.”

“Be real, Verne’s the only one who actually hibernates, right? Why sleep with him when we've got 3 months to make some plays, huh?! And best part, we don't have to tell 'em a thing in the spring. Got it?”

“Wait, you don't mean- If he finds out- Without him, wouldn't that be a little, y'know…?”

“Aw c'mon kid, ya got me now! What more do ya neeeed?”

“Stop calling me 'kid'. You hardly look older than Hammy, jeez. Trust me, we gotta be like, 4 years tops, I think.”

~~~

In some remote location in the forest, RJ plants his golf club into the ground. “Exhibit A: Location.”

Heather and Hammy topple over when they roll up with the big flipchart of RJ’s stupidity diagram. Only now overwritten by a simple mapping of the forest, flooded by the X’s of their previous failures.

Down the forested hill they stand at the peak of, the grass rolls like water by a downward gust. Smeared over a lighter green at their approach. Down the bare hill and past the valley at the bottom of the slide, another slope lies parallel from the view, this one as tree-studded with pine as the flat peak they stand on now.

RJ quotes this imaginary Scottish lad in a raspy accent: “'All this land before yee be nothin' but still life for ye eyeballs'. My grandpa said that once.”

“Really?” Hammy asks jocosely.

“No.” RJ sheaths his club into his bag and takes a knee to scout over the hillside. “I just enjoy having a headcanon for my dead family. It eases the pain,” he breathes.

In contrast to his solemn demeanor, Heather leans like a dream against the leg of the chart and blurts, “My mom must’ve been HOTTER than a microwave burrito.”

Hmph. May as well give the place a chance. Compared to their dream forest - which she finds they drew in a page of RJ’s journal at the beginning of this ordeal - it’s nowhere close, not even having a willow tree or a pond or anything worth colonizing. Nowhere to hang wieners from, most importantly. At least the scenery’s nice.

Nope, noooot even close,” she sighs.

Hammy brought a baggie of hotdogs with him and everything, only to be met with a pickle relish display. “How’re we supposed to have a weiner willow when there’s no WEINERS?! Or wait… WILLOWS?!”

“Hammy, ya wanna just head home ‘n write headcanons of my mom?”

“Oh she sounds like she was a very nice lady.”

“Yeah. Hot, too.”

RJ flips to them. “Well, we gotta get ‘em in on this somehow! Where’s he at?” he claps.

Their first subject had already admitted to Heather as being fine with a new home. Heather and Hammy bump a blindfolded Ozzie into the scene and guide him, a sleep mask left over his eyes.

By the soles of his feet he’s pushed through the dirt, arms stuck at his sides. At some close point they shove his body forward off its balance, pick him up and remove his mask. They present him to the view over the impressive hill.

His eyes warm to the beauty immediately; Love at first sight.

The high sun dawns over the picturesque landscape. Specs of dust settle over his lens, giving the far-off trees the wonderful illusion of motion. Light doesn’t linger on the same leaves each second, but it never leaves the community of the branch. Millions of reflections work over there to spark inspiration deep inside, in a picture worth millions of dollars. Wonderful. He finds himself drawing a blank at its fairytale charm, its authentic look, its flat screen dabbed with soft color.

Wow. It is still life for his eyeballs. Nearly brings a… tear, even. “Why… it's beautiful. Treasure for the eyes. Mushroom soup for the SOUL!”

RJ, Heather and Hammy insistently attempt to make a 3-way high-five work but mostly keep mashing their hands together in awkward ways, so in the end they're kinda just slapping at each other's wrists repeatedly until they're red. Point being, they’ve done it… really done it. One member of the family enticed - the first win!

Ozzie gets up into a tree cavity for a better view of the beautiful hillside. “That's it! Is this what life is? A living painting? Is this what life means?! Sweet jello cakes I will LIVE! I… WILL… LLLIIIIIVE!!”

Following that smashing success, they delve into inevitable downfall, and end up smashing their heads into fragile windows of sanity. Don’t tell them yet- or, wait, it already happened.

But the following trials are far too embarrassing and uncool to be told, as they would warn themselves for eternity. But here they are anyway, in a (hopefully) less embarrassing fashion for everyone, which begins with one single word:

HELP.

Hardly past that moment of victory they’re already trodding over the train tracks of failure. So pretend to sympathize while this sad violin plays in the background:

Sniff. Sniff. On that same hilltop they offered Lou and Penny a new hollow log as replacement. Sniffle. It took an hour to pry them out when their quills got stuck in the bark, from what skinny wood the team had to make do with. They were out on the notion as quick as that. ‘They’re further out of their minds than the kids with caffeine’.

It won’t fit. Screw that. They’ll make it fit. But the parents easily denied them a second chance, with a log infested by ash borers.

They pack their bags and pursue their agenda elsewhere. Then what? Sacrifice their mental health for clout? They may as well stay stubborn on their plan even if the clout doesn’t come and they’re numbing their brains into the shape of animal crackers.

Tiger got poison ivy. Tripped into a patch of it. Landed on his feet (ha). Goddammit, cats aren’t even supposed to get poison ivy! But Tiger did, somehow, submerged up his legs and only climbing higher.

Don’t even ask what became of Stella. Boy, won’t she love it when flaming wood chips hurl down on her head when, oh oopsies, a himbo dragonfly becomes a himbo firefly when it speeds through a cozy lil’ campfire they made to warm her up to the place, then proceeding to tuck duck ‘n roll on the nearest tree and ending up setting the WHOLE FOREST ABLAZE by spreading the flames like the PLAGUE! Dang California, what a state, right? If only they WERE in California to MAKE that kind of excuse.

They try location after location. They’re never gonna get past Exhibit A, and who’s to say they even know of an Exhibit B? They bribe everyone back into this nonsense, one by one, with Hammy’s giant bulgy cute-face eyes and about three pounds of sugar total in the pastries they use. It’s impossible to realize. Even if, say, some big-name animation studio offered to pick up this project and make a dream reality.

There’s a reason their struggles fumble over themselves to be put into words.

Because among the extensive ‘showing’ of the characters and their repeated interactions with one another (for the effect of immersiveness), there’s plenty of room for simplistic - and underrated - ‘telling’. This new style of narration may or may not come off as bleak, but sometimes the word count must be respected. Really the entire chapter could be told through the storytelling of a picture book (at least that's the goal), yet it's quite stale if not happening in real time. That's why present tense is preferable over past tense in this situation - to imply the events are coming as they are written, as opposed to some wrinkly grandpa telling it back to the next generation of the progressive raccoon society secretly following along this railway into insanity. No one wants to hear fanfiction told from a wrinkly grandpa though. They want to BE the fanfiction, embrace themselves in it, develop unbreakable fictional bonds to very much breakable fictional characters. The irony comes into play when one realizes fanfiction is just creating fictional from the fictional. In other words, spiraling down as an aspiring author into an inescapable vortex of fictionality that quells any motivation they may ever have to ever create anything 'original'. But what's NOT original? Repeating the same words in a different tone - THAT'S original. Repeating the same words in a different tone - 'VERY original sirs and ma'ams, believe me'. Taking the same characters and placing them in new scenarios - original. Drawing out this expansive paragraph to create a paradox over the notion and intention of reducing the word count - original as original can be, right? All narrators should describe exactly the literary devices being employed at any given moment. It saves people the trouble of thinking, as no one with thoughts wants to do, and writers the trouble of trying to get the average, theoretical audience they have in mind TO think.

To top everything off, Verne enters a small clearing some time later. He must be begging to be abused by Mother Nature as well, if he’s coming here, though he speaks of a different motive: “Just talk some sense into him- Okay wheeeere is he?”

By god, they’ve left the place a warzone. Trenches dug in loose dirt, soggy tree limbs cobbled into barbed wire, and stray eagle feathers roaming about. What kind of home is this? Verne’s eyes abhor the idea of meandering past the entryway of the brush’s edge. They are nowhere. Aside from their marks, no trace is left of them but the flipchart, hidden by trees and placed far from the epicenter.

“Huh!” comes RJ’s voice, which alone sparks a twitching instinct in Verne’s tail. “Didn't expect you to actually come be our test subject, Verne.”

His nefarious location remains unknown to Verne. “Test subject?! What in the world are you DOING to our family, RJ?”

“Proceed to the center of the secured area, please.”

Verne rolls his eyes and does just that. He must’ve waded too far into RJ’s game to pull the plug.

The three give Verne a thumbs up from behind a janky, uncertain mess of a bush, in the safety of plastic-baggie hazmat suits.

“All clear!” says RJ.

Well if RJ wants a juvenile game, that’s what he’s gonna get. “Okay, here I goooo! Heh-heh.” All Verne has to do is win it. Participating at all douses him in a frown when he turns his head forward, shaking it grudgingly.

Verne stands in the middle of the clearing surveying the place left and right. The sky is clear over him, but the torchlight of the sun’s rays hint that the winds grow stronger by the second. The three in the back glance at a clipboard in unison.

“No eagle strikes, check,” signals RJ.

Hammy marks it off.

Another carefree step puts Verne in a patch of damp dirt at the toes of a large, twisted tree with creeping roots. Nope, it was feigned hope. Nope, it was naivety. Large white mushrooms emerge under his feet, sharply bounce him away, then try to croon him in apology over the unfortunate series of disasters to come.

Verne yells out.

Oh no, not an ordinary yell - his dreaded ‘holler of the hijinks’. As prolonged as it is, RJ tosses his casual attitude into a chain reaction of panic-inducing realizations. Verne’s trapped on a hijink highway again. AGAIN. By the time RJ can react, he only processes one possible decision, being to hammer Hammy’s clipboard. “Where's mushrooms on the list? WHERE IS MUSHROOMS ON THE LIST?!”

“It's not here!” he gasps.

Verne rolls by his shell to a pond, nearly identical to their one at home. It is far more threatening in the undertone that’s been dug up.

Daddy Washington, have mercy…” RJ grunts in anticipation.

Dizzy, Verne slowly rises by his knees and leans his head over the shoreline to peer into the water, which ripples faster and faster from one point he stares at. Then… a fat fish jumps up and bites onto his equally-fat nose.

“Aaaaaaaa!”

Complete terror stuns Team RPS during the sequence. Verne stumbles and trips and tumbles and shakes the biting fish off his nose and flings it back into the water. One of his hurried feet slams onto the sharp point of an acorn lying in the open grass. So he’s steered backward by his aching sole, and trips the same way into a feral, messy patch of tall garlic mustard plants, with their tiny white flowers blooming dangerously in the direct sunlight and ready to crawl red rashes from the plant’s sap up Verne’s limbs and neck. He’s eaten alive by his skin, in too much dismay to cry for help, only repeating his hijink yell as often and as primal as a screeching mating call.

The wind leads to heavy clouds that run over the sky and dim it to gray. Luckily this time, RJ, Heather, and Hammy break into the world of this horror film quick enough, to tackle Verne away from a flimsy tree snapped at the base by a storm of rain and wind rolled in, and abandon their safety to act as his bodyguards, as the moment called for it.

The wind leads now to sharp gusts that surround the circling protection the three bring onto Verne. Hammy unsheathes a magical silver sword, not quite cartoony and comical enough, but more of a last resort. The Fragarach tames the deadly tempest, jerking tree branches and pointing every blade of grass in towards the sword, and the group of animals huddled by it.

Through the coming night, they defend Verne from every ruthless force of nature, with Hammy’s Fragarach on hand. That must be what’s going on below, at least, while the moon calmly floats in a smooth curve over the clouds, over the earth’s fiery dominion on them.

“AAAAAH!” screams RJ.

The moon strikes 10.

“AAAAAH!” screams Verne.

11.

AAAAAAAAAAAA!!” screeches Hammy the mountain goat.

The moon strikes midnight, and all calendars in this time zone rip a page away.

“Do you guys wanna practice screaming at our butts?” Heather suggests. “It's a 'possum thing.”

The moon strikes 1.

RJ says, “…No.”

2.

I do!” beams Hammy.

3.

“Hammy, please don't,” un-beams Verne.

4.

Hammy tries his best to go at it, but his voice hits an awkward joint. “My… my vOcAl cOrDs.”

5.

“I'm on the way, Hammy!” Heather comes to the rescue. “AAAAAAAAAAH! AAAAAAA-!!

6.

“AAAAAH!” screams RJ.

7.

“AAAAAH!” screams Verne.

8.

AAAAAAAAAAAA!!” screeches Hammy the mountain goat.

Verne’s watch reads 9 by the time the chaos ends.

All is calmer now, but not calm enough. At the crack of dawn, a splotch of bird poop rains onto the top of Verne’s head. It sizzles like a fried egg on his bare skin under the sun found past the storm. The team, servants for the occasion, sweep the mess off Verne and prepare an umbrella over him, but the monster of wind collected around Hammy’s Fragarach slaps it over the treetops.

Next? A full, uncracked bird egg bombs onto Verne’s head in response. It doesn’t break. Over his furious mug, it sits.

When the air is calm, the group regather their senses, but now face a new storm found in the regions above Verne’s shoulders..

The prior storm left no rainbow. It leaves silence.

“RJ,” Verne starts at a crawling speed, lugubrious. “I am only gonna say it once-”

RJ looks both ways and raises an eyebrow without consideration for the turtle. “How many times are you gonna berate me like this?”

“As long as I’m waiting on you, RJ, to help us. There is nowhere out here, in this empty forest, that you’ll find something better than our Log. Nowhere. Don’t try forcing change on our family again.” Verne drops his tone in disappointment.

Shudders fill Verne when he foretells it as RJ did with his ‘raccoon senses’ at the beginning of this whole ordeal: “They’ll be coming here by Heather’s birthday. That’s what, 11 days from now? The 25th? We’ll be fighting man itself, RJ. Are you going to stand up for our home?”

RJ squints. Surrounding hills thump a heavy ambient drum for him, foreshadowing his move. He lowers one knee to the ground and bends down. He’s halfway there. Then the other knee. He slides his feet out and seats himself. He made himself shorter than Verne, somehow radiating more power and aggression snickering and hidden, breathing onto his neck from underneath. He had sat down.

Verne tilts his head up and frowns his testy eyes at RJ with vigilance. What a path the raccoon had chosen, the bold and clumsy revolutionary. The fighting line between them stretches far enough to never wobble again.

Hammy squints his eyes away. “Ooooo this’s making my cheeks tense, I don’t like it…”

Heather swerves in front of the squirrel, beside RJ, and repeats his exact movements… to sit down. She’s as opposed within her face as him.

Verne pulls himself into shape, stiffens up his shell, and marches up to RJ. He snatches the head of the golf club right out of RJ's bag with a foul grunt.

The force he puts in jerks on RJ's shoulder, and enrages every noisy thing he’s got above that point. “HEY, RJ JR. did not consent to your flubbery fingers!” He stands right up.

It took RJ until it affected him to do so. Verne takes the blue bird egg off his head and sets it on the ground beside the end of the club. Pity for RJ.

“I'm no golf champ like Tiger Woods…”

Verne taps at the ground with the club before swinging back and striking the egg into the tallest tree bordering the clearing, into a sad little nest where a lonely robin sits. The blue egg hatches open at once, and the mama robin is ecstatic to have her newborn returned to her. The ecosystem has been restored.

“But I can drive a birdie home.”

He heads up to RJ and stabs the padded base of the club dangerously close to his toes, almost reliving his toe-stomping tendency, ticked on the heels to sting himself in RJ’s face. From disappointment to anger, his shift is uncontrollable.

“And keeping order is MY RESPONSIBILITY. I have SEEN what it's like when there's no one willing to take proper responsibility; I've LIVED IT! You are breaking order, RJ, you are BREAKING IT! I am trying to keep this family under one lock and YOU are breaking it. You are BREAKING IT! I am going back to MY home, where you will not break what makes MY Log special to ME!”

The fuse of a cherry bomb begins to tick up RJ’s pointed muzzle.

“Now RJ, I want you to go home and take the next few days to THINK about your mistakes. I’ll check back at the end of the week, okaaay? Okaaay. How’re we gonna keep this family under one lock… without SOMEONE to be the key?”

RJ thinks, but not for long.

Lou and Penny are just coming into the area as Verne leaves. They’re worried sick, as to be expected.

“Where’ve you been, Verne-o?!” Lou blasts in fear and relief.

“We’ve been lookin’ all night!” Penny says. “And the kids’ll be up any minute!”

Ozzie wanders in from all directions with a beehive over his head, without any clue where he’s walking. Even he’s in a cranky mood, clear to tell past the hollowed obstruction of his voice. “Is there a BEEHIVE on my head or have I finally gone blind from this UNJUST WORLD-?! OW! Quit pinching me mother, I’m awake…”

No one pinched him.

When he enters, Tiger’s showing so many bright red bumps popping through his fur he’s in whimpering discomfort. “Please, this itching has kept me up for hours-!”

Stella smacks his arm. “Calm do-own. Verne, don’t tell me yuh took the ‘apologetic lemonade’ bribe too.”

Verne gives a “Morning everyone” as a routine deal?! “Let’s just say it’s been a rough night for all of us. We’ll sort things out at home. Our home.”

Team RPS is left to the elements. Homeless, the three of them, in now the most run-down neighborhood in the entire forest - the warzone they left it as. Nothing about it could hardly be livable. Forage-able. Soon it will be rotten, with worms tunneling through the fallen trees and uprooted shrubs that leave the surviving vegetation scattered and scarce. They aren’t too pleased to have their names written on these graves.

“Well that was totally a dumpster fire,” Heather restates redundantly to RJ, though it works as an outlet for her own irritation.

RJ twitches in the corner of Hammy’s eye. “RJ, are you okay-?”

RJ kicks the golf club right out of the dirt. Really he stubs his toe more than anything. Actually, Verne stomping on his toe wouldn’t have been worse. Maybe more than they wish to dish to others, anger brings harm to the angry themself.


A wheel of the team’s flipchart veers playfully toward water. It tips the tippy tip of the diving board it's pushed across by two hustling individuals. The top rim tips a bit out. Heather and Hammy hold the bottom steady over this random resident's pool in the suburbs, ready to end it all, the former whispering, "Okay Hammy, on the count of three-"

“Can I say three? Can I say three!?

"Get ready…" Her counting excites a juvenile nerve in him. "One… twoooo…"

Right before they dump the chart into the water, RJ bolts at them faster than a tsunami. “WHAT’RE YOU DOING?!

"ARE YOU KIDDING ME?!" screeches Hammy the mountain goat- Er, just Hammy.

They drag the chart back onto the marble pad, and Heather rolls her eyes at him. Even Hammy lets out a grouchy sigh, tracking RJ, who paces as much as he is disgruntled after the Verne incident.

Ugh, just look at him, with that babyish flush. Of course out of instinct a hiss seeps through Heather’s speech. “If you think you’re angry, RJ, we are too. Chill out.”

Accompanied by a little wimpy noise from Heather, a rubber duck, wet from the pool’s edge, comes flying at his hip. RJ stops his pacing when it squeaks against him. “'Chill out'?!” His face comes at them like a bullet. “Does that man… have… a DEATH WISH?! He wants that dumb log when we’ve got a whole FOREST to steal from! Even IF we keep the place safe, the humans are gonna surround us anyway! He's puttin' everything we have on the line, puttin’ stock in a fight… that doesn't even matter! Wha-!”

The sagged curve of her upper eyelid retains itself. “Look, I get your whole argument, but you’re being the biggest ‘whatever’ I’ve ever seen. I mean like, you don’t have to take your anger out on us, is all I’m sayin’.”

“Yup. Yup. Gotta agree,” Hammy adds before slapping a hand onto a blank page of the flipchart. “Could you come up with a new part of the plan? Something involving nuts, or… LE-MO-NADE?”

Lemonade sounds nice, after last week.

Heather tugs the flipchart back towards its watery grave - the pool. “Yeah jeez, this’s really like NOT working RJ, like totally, those guys ALREADY wanna kill you after what happened last week.” A history stained in spilt lemonade. “We would too-”

“-But we need you for the Fudge Sludge in your back pocket.” Behind his leg Hammy pokes and nudges at the bottom face of RJ’s golf bag eagerly.

RJ shrugs it away, and yanks the flipchart from Heather. “Okay c’mon, c’MONNN, did last week really give me such a bad name?”

“It was like, literally a GLASS of LE-MO-NADE!” Heather yells before heaving the thing towards the water again.

And he heaves back, again. "It was 95 damn degrees! We were all thirsty!"

Her signature sulky stare.

Hammy speaks for her expression. “Umm, she's about to say something like ‘you so weren’t gonna let us drink that cup anyway’-”

“You so weren’t gonna let us drink that cup anyway.”

RJ sighs, apologetic and frustrated. “You’re right, you so weren’t gonna drink it anyway.”

"And then HAMMY almost got killed… NOT because of the lemonade thing-"

Hammy follows through by stomping onto RJ’s toes, carrying unexpected anger. “My robot buddy is IN THE JUNKYARD now, Uncle RJ!” He hisses “The junkyard…” as a reminder.

RJ denies the notion with scrunched eyes. “That night wasn’t my fault.”

Up to confront him, Heather puts her knuckles against her hips. “Oop, errrrm kinda was, honestly.”

"How was it my fault?"

Hammy zips his head between them as they spit words back and forth instantaneously like parents. A breeze brushes over him, and yet RJ and Heather should better get in the pool to cool off steam.

“He came down with a freaking ROBOT thing and you didn’t notice,” Heather says.

"Oop. ERRRM. Was I the only one who could’ve noticed? Am I your babysitter?"

She develops her own headache for herself, facing away to keep the pain of him from bouncing between her eyes. “YOU made us tired as helllll. Jeez. Can we just get over this?” She snags Hammy’s hand and dares to divorce. “C’mon Hammy. You’re my new best friend again.”

Hammy too expresses his departure by blowing a raspberry at RJ.

“Woah woah woah hey, I’m not finished with you!” RJ stings into Heather’s ear.

“Well I am.”

“Quit excluding yourself!”

The sudden halt leaves the rattling of the pool water to fill the silence for several seconds. Instead of diving in she stands on the edge of her exit with her front put away from him. Thanks to the sun hiding itself over the rooftops, the heat of their words came from their emissions, opposed to the shaded marble putting a chill under their patted feet.

Now, she repeats it: "Excluding myself?"

“Look, I get it,” RJ very blatantly pretends to sympathize. “You’re almost 18. You’re insecure. So how ‘bout we go through ‘RJ’s step-by-step guide to guaranteed narcissism’, yeah?” Of course before she can actually spend her thoughts at his shop, he’s already written the check. “Step 1 - you are important. Say it.”

She hesitates, but complies. "I am important."

“Great! Step 2 - consult your faithful, equal colleagues. Get ‘em to remind you that you are more important than they are.”

"Okay, easy enough." She does just that. "Hammy, am I important?"

Hammy, currently dipping his big toes in the pool, shoots back very casually at her, “More important than me.”

And without a hint of the smirky manner one cheek snuck out to him, she confirms with RJ the same thing. “Am I important, RJ?”

RJ, currently having his brain cells play ping-pong in his head, expresses very casually to her, “More important than me.”

"Awesome,” she smiles. “Glad we all agree I’m in charge here. Here’s the plan."

“Grea-!” There’s not a second of pause for RJ to take before he enters a panic. “Wait shoot on second thought I just remembered why ‘RJ’s step-by-step guide to guaranteed narcissism’ has R-J in the NAME-!”

“Shut up. I’m more important than you.” To spit on his efforts, she finally bumps the flipchart into the pool for good. “So, Mr. Whatever-pants, there’s ONE part of your plan that needs some Heather-ifying…”

RJ goes fishing in a hurry to rescue the flipchart from the water. That is until Heather snaps his line with one prick of a claw.

“We don’t need to ‘get them to like us’ or ‘get them on our side’,” Heather outlines. “We just need to remind them that there weren’t ‘sides’ to begin with! Ladies and gentlemen, what we’re missing is…” She swings RJ tightly to her side, before he can go diving into the pool after the chart. “...family.”

Hammy scurries up to RJ’s other side, and has got enough time to slurp up a bowl of ramen and burp directly in RJ’s face before he can unglue himself from her.

“This is very uncomfortable. And stupid,” RJ argues. “Those guys hate my guts now!”

“No no, Heather’s onto something,” admits Hammy. “Maybe we can cheer ‘em up with… oh, let’s make it like Legoland!”

An entire rollercoaster comes up in the yard ahead - a colorful playground dismantled to transform it. Hammy makes stilts from stands, and slopes from slides. At the very peak, atop a bell tower, he plants a small red flag there, and rings over the field.

“Ta-daaaaaaa. Think they’ll go nuts for this? ‘Cuz I do!”

RJ flaps out a one-dollar bill. “Whadda you think about this, Mr. Washington?”

"There is nothing so likely to produce peace as to be well prepared to meet an enemy," he offers boldly as a face on paper.

Washington tempts him with those words. He’s nearly drawn in. His lips go dull. Until he looks at Heather looking at him. “No.” He grunts at the dollar, refusing to surrender. “No, I’m NOT going with this! This’s stupid. I’m going with my plan. My plan good.”

“Your plan doesn’t work, RJ,” Heather scoffs. “That’s- That’s like why we’re talking about this.”

In response, he thrusts a pointed finger into the horizon behind him and valiantly calls: “Anything can work as long as people accept I am stubborn enough to KEEP trying it!”

He doesn’t move from this position. He looks like a major in the fool department.

Like a commander, Heather places her arms behind her back. “Hammy? Initiate Code Cookie.”

He ain’t ready for Code Cookie, seen in RJ’s startled look. Hammy’s on the ball, dashing at the Hedge. RJ can’t figure out exactly why his heart jumps at that. Take the scene back home, to the food fortress of team RPS, where RJ witnesses it outside the central tower, helpless to what only Satan himself would dare do: Heather and Hammy break Jeffery (the chocolate chip cookie) from his designated picture frame on the food-built wall. Prepared to be devoured alive.

So RJ screams, louder than the devil, loud enough to muster the attention of Team Oak on the other side of home: “NO! No no, okay! NOT Code Cookie! Anyone but Jeffery! ANYONE but Jeffery-yyy!”

He bolts in there and shoves himself between Heather and Hammy to stop the nefarious act. Hammy snaps his nails onto the cookie and wiggles it to his open mouth.

Hammy, YOU wouldn’t eat Jeffery!” RJ pleads.

He certainly would not without just cause. Hammy presses the top of the cookie to his ear and listens a moment. Afterward, he states, “Jeffery says he is willing to sacrifice himself for the greater good.”

Half of Jeffery goes right in his mouth. RJ yanks it out, hugging Jeffery from their clutches, terrified as a kid to losing a toy. “NO! This young, frivolous lad is the heart of our team!”

“So can you start thinking for the team?” Heather rolls her eyes.

“Oh GODDAMMIT! You furry noodles have NO sense of humanity-!”

“We’re animals,” Hammy points out.

…RJ fixes Jeffery onto his rightful place in the frame and finally sighs at Heather, taking in a much more civilized breath. “You’re building castles in Spain here. But golly me, here’s the wheel. So what’s your first verdict, ‘CHIEF’?”

"The first thing YOU’RE gonna do is say you’re sorry."

"Yeees dear…" he groans.

Heather waits.

"Sorry dear…"

She steps onto his feet and folds her arms crossly. “And then, YOU are so gonna make it up to us.”

"Yeees dear…"

“And lucky for you dude, I know JUST how to clear our heads.”

Cut to a suburban street now, the three of them cramped in the gaps of a tire’s metal wheel frame, of a revving car parked along the curb. The sports car blazes off without warning. One jet-quick rotation after another, before Hammy can be terrified enough to realize she was SO not kidding about the ‘head-clearing’ part, everyone has their brains turned to mush. Literally, it’s a ferris wheel spinning its way down the euthanasia coaster. By the end of the street they are corpses, flung at top speeds back over the Hedge straight into the wall of the fortress.

They smash through into the bottom floor of the main tower (literally right where they just were), leaving a massive hole in the wall that allows a nice touch of natural lighting through. Though now the ground is messy with dented food boxes, and pretzel sticks scattered everywhere from a giant plastic bucket busted open somewhere.

“How was that, guys?” Heather asks.

“Yep-yep, head… cleared. Ow,” grunts RJ. “Curly Fries, you never actually explained what this whole quote-unquote ‘plannnn’ is. We’re walking into a shoe store without socks.”

“Uh, well, the plan is called… ‘Being awesome.”

That’s not a PLAN!

“Is to!” Her confidence falls. “Okay, uh, I actually-... I have NO clue what I’m doing...”

She discourages her legs to fail and take her falling into a hopeless seat. The bit of sad fat she has sinks down her body and sags out of her sides, as her flesh loses as much form as her life force.

Not even their own leader knows what she’s doing. She’s killed RJ’s momentum and sent him collapsing into a criss-crossed squat too. “Great.” He claps louder than a laughing seal and it’s outright insulting. “Genius, Heather, GENIUS!! 'I thought we'd be screwed by step two so this is going GREAT'! Nice work, pal.”

“Would anyone like a pretzel?” Hammy offers.

Neither respond. Why would either of them want a pretzel now?

Anyway, Hammy spouts out a whole complete plan of his own, even though no attention is paid to him as they’re pouting: “Y’know, the whole family was working together when I almost got kidnapped. I don’t mind if you put me on the verge of death again.”

He’s nearly eager. “It was pretty fun. It felt like I was a princess in a fairytale, like,”

Imitating gracefully, he hops and skips and bounces around the two sitting idiots. “‘Oh Hammy, oh Hammy, let down your HAAAAA-’!!”

He stops immediately to gasp, “Ohhhhh, OHHHHHHH! I know, I know! Let’s take them ALL to the forest! Hey, hey RJ, Uncle RJ, let’s take them ALL to the forest! Y’know, a family outing!”

RJ escapes his inner quarrel, tugged by the dying flicker of a firefly over his head.

“Hey Uncle RJ, why don’t we-”

RJ squeezes his lips shut with two fingers and stands the heck up, pondering some deep thought. “Wait, I got it… A family outing…” He sighs. “Eh, that sounds riveting ‘n all, but… how would we get them to go? They want my name on the Sniffer’s hitlist, which it already is. They HATE me.”

Ooo, bummer. Maybe you could find someone they don’t hate.”

Instinctively the two face Heather, a puddle of dreaded hair remaining sat on the ground, having not seen the light coming from the hole in the wall far above her head. It soaks RJ and Hammy instead.

Something’s hidden inside her, beyond her grumpiness, taken apart by the shadows. RJ erects his back just a slick bit further looking at her. A flower in a thunderstorm, approachable in nature beyond unfortunate circumstances, a front portrayed by her since whenever it happened, whenever she drew him in for the first time over a year ago, and then… She…?

They don’t hate her.

“WaaaAAAIIIT a minute, wait a minute! ‘Possum pal, stand up!”

From his spot RJ throws a rubber duck at her pouty-pout-face. Then a bouncy ball. Then a banana peel, clinging over her head and sucking her happiness away. She blows its icky flap away from her eyes in aggravation. Finally, RJ runs up and blasts an airhorn down her ear.

Jeez-us Christ, WHAT?!” she screams.

He laughs at his ingenuity. At once, he gets some pretzel sticks and organizes them to illustrate - a few stuck in the ground as trees, others snapped in half to represent each family member, moving as a crowd into the salty forest.

“I’ve got a plan: some kinda family forest outing. Remember the night we saved Hammy? Everyone got all POOFED up when we were all workin’ in cahoots. So we're bringing EVERYONE to the forest. At once. We'll spend all day looking for a place to settle this if we have to!”

“Didn’t I say something like this?” Hammy wonders.

“Yep. Uh-huh,” Heather pips sarcastically at RJ. A leader who’s dried all motive from their own plan is a sad sight, and Heather fits that part. “Dude, y’know they’re totally not followin’, right? Wasn’t the beehive on dad’s head enough to LOSE ‘em?”

Outside the fort, Stella and Tiger assist Ozzie in his dilemma. Head covered in painful stings and not-so-painful honey.

RJ ponders deeply over Heather’s imaginable distraught. Nah. He shakes his head, then grabs both her hands.

She feels him lift her to her feet before her thoughts can flutter at the contact, at a natural remedy softening her tense arms and parting just for him.

“Oh no, see… they won’t buy me.” He flocks in her lone space, filling the ring of hopelessness around her. “The way I see it… RJ stocks are down… and Heather stocks are up. Ya feel me?”

On the brighter half of her moon where it lies waiting for the turn of the clock, this actually motivates it to flip suddenly, and defy time's healing and hurt. Heather… THE Heather… returns. Life and laughter come brought up her throat when she giggles like herself again and rants on her own page:

"Oh that reminds me, funny story, turns out I'm a fish sandwich sales-possum now because when I went to buy stock in Arnie's I think I accidentally bought out one of their locations in Canada. Whatever. I was so destined for Canada-"

Thanks to Hammy, a wimpy pretzel stick comes flying at her hip (yeah they’re throwing a lot of things her way). Somehow, he of all people specializes in knowing exactly what constitutes too much talking.

Hands behind his back, RJ turns and walks. “The corporate world is all sin and no spirit. But this takes heart. Passion! Heather stock is a lil’ somethin’ I call ‘emotional appeal’,” he illustrates. “Scholars would call it somethin' stupid like…”

Before he finishes, he very smugly flicks the dirty banana peel off her head and spruces up her hair for her. “...'pathos'” is what he describes it as. “Get you got where I’m goin’?”

Something’s hidden inside her, beyond her eyes: potential. The eyes themselves - the sky blue irises glisten when entering the light, channeling every drop of sunlight into her. He’s got where he gets he’s goin’.

Heather only squints her face back. “Are you calling me cute? Yay? Nay?”

He knew she’d get the picture. It hypes him up better than a Mach 6. “In a completely over-the-top, vague, non-flirty, objective sorta way YES!! With cuteness comes practicality. YOU are the perfect spokesperson candidate with that innocent, youthful energy they wanna HEAR! I'm just an asshole, and Hammy, well he's just Hammy-”

"I trimmed my biggest toenail today with a spoon," he chimes in perfectly, being Hammy.

“-but they KNOW they can't turn down our cards…” So he meets face-to-face and firmly down-to-earth, peaking her interest with his gaze. “…when you're on the top of the deck.”

A second of thought puts her conscience in a deep, reverbing trance. RJ’s voice circles as she considers, nudging her interest at every angle, looping his image around her brain:

“We need your voice. You will deliver a speech to them. Get your voice out there… and get this family together. This was all your plan. Whaddya say, chief?”

Needless to say, she’s tempted. Pictures of fame and fortune have nothing on family. She could be carving the turkey at the feast. Her plan? That’s right, she’s taken RJ’s narcissistic lessons to heart, and pumped them as personal dominance through her veins. Dominance over insecurity and strain, struggle. She feels it surround her - the need to conjure, prove, secure a place at his side.

Say yeeeeesss…” RJ urges almost silently.

Hammy does so in her opposite ear. “I think you should say yes toooooo. A speech sounds excitiiing.

“Alright,” she simply decides.

“I’ll give ya ‘til the end of the week to write up a literary masterpiece.” RJ pats her shoulder proudly before they disperse. “Mark it on Friday and be ready, champ! We got 4 days before this plan gets GOLDEN!”

“We’ll be RICH!” Hammy exclaims. “Rubber duckies for everyone!”

When they leave her sitting in the fort, blank at reality, she notices the state of Jeffery’s broken frame on the floor, waiting to be tended to since the food fight last week. That… just happened, just as this new honor granted to her does now. Act one - she completes the job, and creates a great sense of awesomeness gluing the frame back together and hanging it up on the wall. It takes some tippy-toeing to reach these heights, but she gets it situated just as high as RJ first did, as the jemstone of the team. She’s in his seat now.

Again, she agreed to this? Not exactly a surprise to her, but now more weight presses down on her shoulders, though they rise in retaliation. Taken aback all the same. “Wo-ow. Guess I got somethin' to prove now. To RJ.”

Soon, that cookie on the wall may become the jemstone of a greater team.

“Guess I gotta REALLY put this family back together!”


ACT II: Food for the Heart


From her glory there comes mysterious darkness. Until the picking of her claw in a lock cleanses the lightless dungeon. A click. From the backyard, RJ taps a creaky wooden door open into a basement room, and Heather dismounts from her place on the doorknob. Light from the outer, living world purges the boxy cavern.

“So you wanted to come here for… ‘inspiration’?” RJ starts.

“Nah, I’m actually having a KILLER case of the ‘snackies’ right now.”

“I figured,” he smirks while tying a baby bib around his neck. “You still better get that speech done, otherwise, Friday’s not gonna be pretty.”

“No worries, dude. It’s so at the top of my list.” Beauty picks up and twinkles in her nose, putting in the work inspecting the obscure place before her eyes can adjust. “Do ya smell it, RJ?” she whispers.

"I smell a faint scent of fry grease," he answers identically. "And my bottle of Fudge Sludge."

"Sorry. I had to chug it all before Hammy did."

They're stocked in aisles, the assorted collection of 'junk' food shelves comprising the entirety of the dungeon. But as the world knows, one man's mass-produced schluck is all of America's cultural diet. American foragers included. Magically, when the two of them journey into the foreign land, they discover the gilded boon of RJ's raccoon tingle. Just like a supermarket every ceiling light emits a golden glow over the awaiting market with its untouched resources laid out over the land for them. Now comes the time to manifest their destiny, and rid the place and its crops of their missing harvesters… by eating all of it. None to spare. Destiny is not a dessert, not even a full-course meal, but the entire dang eatery.

RJ whispers it in awe: “Say goodbye to Ash Wednesday…”

“'Cuz we're about to be feastin' from this place,” his companion finishes.

Heather’s speech is the last of their worries now.

O-oh man, they raid as they please. Turn those shelves inside out and slobber all over them. They chug liters of only the most renowned soda brands, such as Conk and Bepis. Optimization comes afterward. Their tactics evolve to involve the drinker lying limp on the ground as the partner thrusts themselves up and down atop a bottle positioned upright in the drinker’s mouth.

It’s a lot to swallow, but imagining these two knuckleheads gorging their hearts out in such a confined period of time wouldn’t be possible without the mounds of caffeine that go down their hatches. This whole feast becomes deja vu. It’s only an elaborate trash can raid, after all. Heather climbs and runs along the shelves as a jet-propelled spider, sweeping can after can of whipped cream for RJ to drown his face in. Puffed in the stomach, the fluff makes him seem to be a porcupine with no quills.

Food is tossed around the basement like buckets of paint. The most delicious racket imaginable ensues from their mess. Their fur tackles away the dust of the room just as their mouths vacuum everything from the shelves. They go so far as to dip their feet in cheese sauce and suck it off their toes, as part of a tasty finale.

Their explosion of energy vomits itself up just minutes later.

RJ can’t help but burp from the aftermath of their wild feast. His cheeks are covered in grape jelly and crumbs of Spuddies. “So uhhh…” Between the two of them, RJ’s the fattest pig in the barn to a sack of meatless bones. In fact, Heather has gained literally no weight, compared to the mushy hill of a stomach RJ has, lying on the floor. “Your stomach capacity… It's impressive.”

“Wow,” Heather exhales in a laugh, not at all having her airway obstructed or stomach bloated from the event. “Somehow that's your weirdest compliment yet. Nice one, dude.”

Instead of responding as a civilized being, RJ unleashes and prolongs a pained noise that sounds, very simply, as exactly as he let it out: “Ahhhhhh!”

“What?” Her face is dumbed down by his off-putting reaction. “Your weirdest compliment? Put THAT in the record book.”

RJ’s brain melts in his head by that same stale tone her mouth emits. “AHHHHHH!! YOUR complimenting sounds like sarcasmmm! Don’t DO thaaat!”

“So your secret weakness is getting compliments from me?”

He’s still hurt. “Look, taking compliments from women is hard, okay? I blame society.”

The dusty cold floor doesn’t stop Heather from lying back across it to treat it as lavishly as hotel rooms in the French Quarter. “Really though,” she suggests, “Let’s just laze around ‘n enjoy this nice friendly gig we got goin’ on here.”

RJ’s walkie talkie plays a ringtone inside his bag.

“Oh!” comes the surprise from his lips. “Speaking of societal burdens… there's Verne. We’ve got this new lil’ agreement he called ‘filling up the ol’ cave again’,” he explains. “Of course he's gotta keep me in check about it every 15 minutes. Pretty nifty though, might I say.”

Foolishly, Heather’s so lackadaisical about his talk at first. “Okay, that’s… what we should’ve been doing all last week.” Then why bring it up now?

She finds her answer when RJ drops the nice friendly gig, spanks his bag in a hurry, and flips the phone up to his ear like a busy businessman. “Hey hey, start packing the rest of it!” he orders her, nothing like the affable moment they’ve just enjoyed. “We’re gonna fill this cave like a man patches drywall!”

‘The rest of it’ means the junk they’ve yet to eat.

What?” Heather challenges. “All that stuff we found that WE could eat?”

“I canNOT stay on the wrong side of the turtle’s shell, okay?” he whispers sharply away from the phone. “With this plan, I reckon we’ll pret-ty busy from now on.”

Pretty busy? PRET-TY BU-SY? Was she hearing that right? Verne says they’re busy all the time, but when RJ does, that has to mean something bad. Real bad. Heather pins these points together. He never calls it ‘being busy’. He calls it a ‘heist’ or ‘adventure’ or ‘side quest’ or something less boring or lame. ‘Busy’? How busy do they have to be for HIM to say it? The Log’s full. The entire SITE’S full, even, especially after last week. But the cave’s empty. They drained it in whatever nonsense they were doing last week. RJ sounds like he’s doing this for Verne. Verne LOVES filling things apparently. He’s not gonna stop for a second of fun until that cave’s full. That BIG BEEFY room in the cave. Normally going after that food would be a clap and a half for her fun receptor, but with VERNE at the wheel, there’ll be no mercy to get that work done. ‘WORK’. ‘Work’? Is this it? Is her life over?

Then, her fuse ticks off, until her security blows to pieces alongside the fruits of recreation. The walls come down on her leisure, and she goes: “Wait wait wait, no no no, HOW busy-?”

XXX

Heather finds herself in the midst of trepidation without warning or fanfare.

Next time,” RJ tells her before leaving her speechless to herself.

Not surprisingly, but not any more merciful to her disheartened soul, this little roadblock extends far past that basement. Far past. Leaving that sight of tragedy for good, being home sweet home in the forest doesn’t stop RJ from turning down her plans and leaving for his own. Her brain’s been moved from one bin to another. From work to play. Putting the responsibility of that speech on herself was the first mistake, and who knows if she’s even written a word. Now RJ’s got quite the bundle himself from Verne - play to work - and Heather quells her spirits into darkness, her front slouched down.

Oh for Pete’s sake...” Already she knows what pain’s been showered over her, and she just wants to dry.

Hammy appears in a homemade costume of a young rosy-cheeked boy stitched together and draped over him. “Hello feral, hormonal youthling! I’m Pete!” Pete’s toothy demeanor leaves cherries of cheer for her to pick, if she accepts them.

Instead she breaks it to him quite sourly: "Hammy, that’s not helping. RJ can’t make time for our regular doorbell prank session cuz he’s too busy trying to like, not make Verne mad, I guess."

“Oh sweet. Today’s not a good mad Verne day.” Unfortunately, Hammy completely misses the ballpark of her frustration, and she feels it.

She waits for RJ to return through the Hedge. Even with cheese puffs to snack on this takes hours upon hours or, in reality, a couple minutes.

"Now can we go doorbell pushing?!" Heather nearly begs.

Later.” Yawning, RJ repels himself with his swanky sack of food for the cave, nearly begging to, it seems to her.

The afternoon passes, and after supper they’re back at it with the heists. RJ has to grab her arm so tight it cuts her circulation, just to get her inside the front door of a house when Ozzie picks it open. But a bed of flowers outside, she stains over her mind. The whiff of many colors, a poppy pansy and petunia - 3 great ‘possum names, by the way - turned gray by the dim entrance hall of the residence.

When they’re at the mouth of Vincent’s cave after the fact, Verne oversees a marked list in a very satisfactory manner. None of that pleasure is marked on Heather. RJ sated Verne’s demands, now to pile them in the backroom. Heather doesn’t help to unpack the bottomless stock. RJ works too tirelessly in Verne’s metal clutches to notice her idleness, let alone her. Not a single glance comes her way. The cold stone wall makes for a better friend. It warms to her back the more she lets it have hers, when she’s otherwise alone with a mindless worker ant.

‘Next time’.

Why is she the only one particularly bothered by this? Why is she… the only one to see it at all? None of the others seem to even be. Be… at all. Over a day’s time, she remembers talking to RJ and not one other soul. ‘Talk’ generously describes it. She’s thrown dirty banana peels off her head and at his feet, when she’s a mole in a garbage can. She’s gotten so trashed by trash without ever cracking a smile.

‘Next time’.

She’s gone ‘head-clearing’ on the busiest roads, spinning herself violently in the frame of a car’s moving tire as they did together earlier, losing consciousness by the second. She thought she’d forget. RJ and possibly a few other heads make sure she never does. They’re unpacking a delivery truck. Not helping the humans of course, but helping themselves, and helping her assume his voice to be a hallucination.

“Next time.”

She’s gone metal-detecting in backyards, with RJ graciously pointing out he ain’t got time for dat. So she uncovers Hammy underground, with a vintage 1800s metal can of 'Lincoln's Premium Nut Jar'. And at the same time, he’s out of the roots of her head, and into sight once again.

Hammy happens to be here for her, even though she never finds the motive to address it. She works alongside him, maybe… After all she hasn’t counted one box, fruit or pastry of her worth to these heists. She’s counted time. Nothing but time. Time is a very boring thing to count. The higher it goes, the slower it grows.

And when their work the next day appears just about done, Heather waits for RJ to join her in the living room. That’s ambitious thinking. She waits, nothing else.

Flat, fat, and lazy across that couch cushion, she calls, “Keepin’ the fort warm for ya, dude! Thank me later.”

A while passes. “Damn, ya want those cheeks toasted or what?!”

Another while. “...RJ?”

She swings her head over the curving armrest, and creases her ears down her face. In a doorway some ways behind the couch, at the back of the room, Ozzie and the porcupine couple converse, while the rest of the house bustles with subtle movement and critter-y chatter.

Where is Heather?” Ozzie asks the couple.

“Eh, she’s kinda lazin’ about back there, y’know.” Lou rats her out with a finger pointed to the living room.

Heather tilts her head away when every eye advances into her lonesome.

“Lou, let the kid have her fun, dear,” Penny insists. “It’s what she’s here to do.”

“I’m just glad she’s not in harm’s way,” Ozzie tells them. “Not… that there’s any harm here, at the moment.”

They have a human man pounding on glass somewhere in a bathroom down the hall, locked inside a shower chamber. The trickling of icy water pelts the tiled floor.

Ozzie concludes on this note: “If she’s having fun, leave her be.”

Heather throws her head against the couch. They talk like they own her sometimes. “Maybe that’s just what I am. A kid.” An attraction of sorts, or some kind of burden. RJ even kept the golf bag on the couch too, for her, as a promise to return. What a burden she must be to condition a busy guy like that.

RJ… He runs through the room and leaps onto the couch like a hero for her at that moment, to her radiant delight. “Sorry I’m late-”

“RJ!” Verne calls before he’s at ease for even a second. “We need your help!”

Heather’s already placed herself upside-down against the back cushion with her neck bent crookedly by the mushy seat, hopes crushed, a grumpy gus.

RJ still has the inhumanity to sigh, “Next-”

Next time…” Her tail strangles his muzzle and bends his bones out of place. “You’re gonna be tied to me. Tail… to… TAIL!” She goes ahead and has her tail jerk RJ and his busy butt off the couch, sending him on whatever busy-ness he MUST attend to. She leaves too, by that moment.

Enter her into a brighter nook of the house, as she’s preparing to enter some white, polished pool. Water settles at the top when a faucet stops pouring. “I guess if he won’t enjoy me… I’ll just enjoy me.” She wades her legs in.

She settles into that bathroom sink, submerging up to her chest, breathing a big hum of relief when the warm water measures up her fur and protrudes the coat. Numbness it brings for the first second - a loss of reality and stress and responsibility, underneath the softly-lit bulbs above. Her eyes go up as if her pink skin had a sensation normally akin to taste buds. The drain is clicked in at the bottom to keep this warmth from leaving - perfect to allow her to swim and waddle through the small, circular pool like a bathtub.

I’m so bored I might as well get a bath while I’m here. SUPER unlike me, but…”

From a bottle leaning over the sink, she squirts soap over her head and down her back. It runs into the water, dispersing at her waist. She fuzzes her foamy fur with a flat hand and brushes it with the claws. Her tail relaxes in the water. She even improvises a little ditty to amuse herself as her natural odor disintegrates, without any remorse or regret in her captivating singing voice:

“OOOOOOOOHHHHHH…. If I could head to Ar-niiie’s, what sandwich would it be? They’ve got beef ‘n turkey, chicken, ‘n even fish fiLLEEEEEET! OH, but imma gonna build-my-own awesome fish bur-ger, and it goes: Buuuun and a fish pat-ty, then lots ‘n lots of cheese, ‘n I want ketchup, mayoooo, ‘n even lettuce please, but no pick-llles, I hate pick-llles, pickles are laaame, they can DIE-”

The bathroom door busts open, scaring her half to death. Whew, she nearly had a dad moment. Now THAT would’ve been embarrassing.

RJ  (a grave mistake for him to enter) spots her dripping with soap in the sink immediately. “Heather, where’ve you BEEN?! Chop-chop you gotta work; Your folks think I’m letting you live like some privileged white girl-! Wait… were you just singing? About Arnie’s?”

She stomps herself out of the sink and fumes at him over the edge of the countertop, seeping a hiss out the corner of her mouth, drawn back to show a tooth or two. How sharp she does it flinches RJ’s countenance into a frightened state. He scans her soap-covered balloon body for a way to sway topic. Suds and water plop in thick groups off her fur.

Ooooo, you’re wet. I could dry you off,” he offers. “Raccoon fur is super absorbent. That’s why the humans are so jealous they wear our skin like it’s a million dollars.”

Her dripping temper is a bit overdue to startle him. What she needs is consolement, though for what?

“Aaaaand… Oh! Our hugs are pretty great too! We’re uh… known for our hugs. Yep.”

But everything he says sounds sarcastic, even an objective phrase. Heather’s heat rises up her legs and to her heart.

So THIS is what you have TIME for!?!” It explodes from her lips before her thoughts respond. She lets it loose. Now her heat, her embarrassment - her pink skin turned red - has reached her face and been exposed, turned vulnerable, and the only thing she can do now is jump off the sink counter, slip over her wet and soapy feet a few times on the cold floor, have her warmth removed (all but her seething face), and stampede for the door.

RJ watches her pass. “Oh good, you’re coming to help?”

“I am so never singing again. Never. Nuh-uh.”

She stomps out the doorway. Water trickles in a sweeter trail behind the grumpy lump.

“Dunno what’s her problem,” RJ lets out. “She’s got a million-dollar voice. It’ll be perfect for her speech…”

All wet and practically submerged in soap, she gets back to working with Hammy packing up the wagon outside, food relayed by a ramp of plastic wrap. She sniffs. “I hate smelling good.”

I think you’re being clingy,” Hammy puts bluntly, continuing to work.

Am I?” she wonders, not continuing to work. Whether her situation with RJ is plain obvious, or just something Hammy is particularly attentive to, she doesn’t question.

"Yup."

“That was rhetorical, thank you Hammy.”

"Oh."

RHETORICALLY, she laments to him: “See, all this ‘doin’ stuff’ is kinda makin’ me thinkin’, like, it’s been a while since we’ve actually DONE STUFF together.”

“Whaddya mean? He always spends time with us.” Heather doesn’t even notice him eating up half the family’s food they load on the wagon - the nut-related products - as he talks.

“RJ’s spending time WITH us but not FOR us. Goin’ on these heists ‘n stuff, but not really… hanging out. I mean like, we used to dip our feet in cheese sauce and suck it off our toes.”

“Sounds awesome.”

“It was totally awesome,” she whimpers. “Where'd the fun times go, Hammy?”

“I dunno.” His basic responses make it sound like she’s puking her words at a brick wall.

“Whatever, and-... and everyone thinks it’s just for fun, but…” Her, a bouncy soap balloon, trails away and never finishes that sentence.

“Oh.” Hammy takes a second to process. “Oh! Okay! Bye-bye, Heather!... Have fun today!”

XXX

The suburbs call to her. She overlooks them on top of the Hedge, the sun’s love shredded over rooftops. Inflatable yard decorations and shouting kids, some bounce so high and shout so loud on trampolines she can hear them drag her heart from here. Her heart… is hungry. SHE’S hungry. She’s two KINDS of hungry, however that’s possible.

I just gotta see more of it…” she thinks. “Like, who knows when all this could just get, I dunno, TAKEN AWAY like we almost did. There’s NO WAY dad’d let me go alone… Barely doable as is” Her thoughts accelerate and heat like gas. “'Next time'. 'Next time'.” The massive behemoth food fortresses the family has built since last week don’t help her find justification. “LOOK at these dumb hunks! We’ve got enough food to last ME three weeks! Which is impressive.

RJ works somewhere back there, swaying between his bag and the ground to unload food like machinery. One by one, there’s Wacky Whip (that’s hers), some weird obscure off-brand snack food (that’s… hers), and a big fat bunch of bananas (there’s some kind of trend here). Each one is familiar to her, and each one pieces some puzzle together, some puzzle of curiosity and tightened confidence she is relieved to loosen.

Hey, mental narrative coach.”

Yo what’s up?” her coach answers.

"If I’m ‘just a kid’… how come I scored more of that food than anyone last heist? If I’m just here for fun, how come I’m the best player here?"

"Well you eat more than anyone too, so like, it kinda balances out."

"Honestly, I don’t even remember pickin’ that stuff up. I just know I did."

Yeahhh, it felt like you were focused on waiting for RJ the whole time, didn’t it?

“Still-! Wait wait, hold on.” Deep concentration is necessary for her to breathe in deeply through her nose and recite RJ’s steps to guaranteed narcissism: “I am important. More important than you.”

"Wut?"

“I’m tired of clinging around! Y’know what, yeah, I’m gonna DO something about this! MY-self.”

RJ works like machinery. And like machinery, she notices the repetition of RJ’s work. Some kind of… beat to it. Like music. Behind the willow tree… her and RJ have a collection of electronics. She can see it from here, just a glance from RJ further up in the foreground. Her fuzzy eyes make out the sunlit gleam of a CD in the grass, back there. By the time she’s looked back at RJ, he’s packing excess food into the red wagon, ready for transport to the cave.

“So let’s have some freakin’ fun, RJ,” she grins and vents very lightly as a snicker.

She jumps into action. Her new plan shines true, sure to open the cage locking her awesomeness in.

When life gets fun, the brain will take it and run. Be it a piece of warning or wisdom. Time will tell, as the week ticks down.


Her plan delivers itself as easy as could be - a delivery truck delivers a scraggy skinny surfer-lookin'-guy (with blonde wet spaghetti for hair, a dope chain necklace and slumped-out pelvis), who delivers a small envelope into the mailbox staked in front of their team’s fort. The weirdo delivery guy slips the envelope over her stomach - Heather there to receive it, lying in the red box with her legs and tail sticking out the front.

“There ya go, my furry freak!” the guy crashes as a wave from his lips, rocking out beneath his green beanie. “Hang ten with ya later, duuuude!”

“Thanks Surfer-Lookin'-Guy!” Heather calls from deep inside.

Surfer-Lookin'-Guy drives through the Hedge, leaving no mark in it. His radical music fades away, lingering as pumped-up vibes in Heather’s soul. She rips the paper to pieces inside the box and unravels a used CD, dull on one side and drawn over with a label of black sharpie:

‘Our Town’. The track hardly mattered. So long as RJ doesn’t recognize it.

Hey Verne!”

RJ’s voice snatches her attention. Shoots her curious head out the rim of the mailbox, so excited it knocks into the roof. RJ prepares to depart in the direction of Vincent’s cave with another red wagon-load of food strapped on top, and the golf bag on his back.

“Is this a bit overkill for the quota?! I've got enough in JUST the bag to last Heather three days! Which is impressive!”

“So long as that cave's full, you could go out 'n be as dumb as you want!” From the safe, not-dumb protection of the Log inside his fort, Verne backs out on that notion immediately. “Wait, forget I said that, you'd kill us all.”

Before RJ leaves, Heather flails out. She must secure her chance, the one and only. He may not notice her now, clinging onto the food wagon as he pulls the cargo along without a care, but he will. O-oh, he will. Until then, she sneaks her new CD behind her back.

The cave is no different. Steady as a queen in the backroom, the worker ant in RJ takes no account for Heather leaning against the opposite wall, while he works tirelessly to unpack and organize a cornucopia of food filling all available space. It’d put the outdated ‘Do not feed the bear’ sign - always having nudged tourists to do the opposite - to shame.

She holds the CD, ready. She examines it again, then RJ, crouched with her back to her, shoveling boxes of cookies out of his bag in her direction. Nah. He ain’t a worker. This worker has no queen, motive, conscience.

One item flings high above the rest. A much hairier fella, straight into her arms. Why it’s Hammy, out of RJ’s bag, now a baby in her arms. That’s all of Team RPS collected in one location - it seems like it’s been forever already. But what did she sacrifice to carry another? The CD slips from her hand, and before her tail can catch it… it rattles on the hard floor. Heather covers Hammy’s mouth before he can ruin her cover. RJ’s head perks up straight… but patiently holding her breath, Heather releases one once he simmers down.

Only now, pressure comes down on her like the roof of the cave closes in. And the walls. And the mounds of food here, colorful boxes, but demons inside. At least to her, patronizing her for the loss they’ve brought, the time RJ’s wasted away from her, and for crying out loud she can’t take it anymore! Beside her foot, she kicks the CD to slide across the uneven floor on its dull side to the dead center of the room, underneath a bright bulb shouting ‘I am here! Remember what’s special in me?’. Quit foraging for food and start foraging for fun.

Her teeth clench. She carries the sweet child, and herself, out of the room for good.

RJ empties every last piece from his bag, and glances around. The entire room is nearly full. He wipes off a sweat and stands up, beaming with pride.

Just when he’s ready to leave the room, a rainbow glare pierces his eye from where his feet walk in the center. A CD. He nearly stepped on it. It has no friends nearby among the food peaking to the roof of the room. Though maybe it is friendless entirely, lost for years.

He picks it up. The dull side is a solid navy blue, a piece of faint yellow scotch tape spread across in mediocre condition, reading in black sharpie:

‘Our Town’.

XXX

RJ sits behind the willow tree at home, marking down the new, unexpected CD in the back pages of his journal, where his and Heather’s electronic findings are listed. Their stash of board game boxes and other organizational items hold those gathered prior - memories perhaps, but this one from the cave draws a blank to him. No story behind it, no reason to exist at all. But it’s here, so he marks it.

Heather bounces herself into his composition. She alters his whole key when stuffing earbuds into his ears from behind like she’s about to mug him. That could hardly be the case. She hops back and deals him a good listen to what’s blasting through the wire, from a small green CD player she’s got in one hand.

Seeing him go blank has her grinning preemptively. His marker-held hand slouches off his journal. The ‘Our Town’ CD - merely a prop for her heist to his heart - falls out of his grip. His head collapses backward into the cradle of her cutesy feet. Snatched the frisky little raccoon for good, a fresh piece of his attention, his preoccupation, lying underneath her legs in a wide-eyed trance. Completely tranced. So expressionless by what fire’s being spat into his ears that his posture and ability to speak has burnt to a crispy marshmallow. Rough on the outside with a soft and fluffy inside she bites into with no concern for a burnt tongue.

Heather ejects the mini-CD - ‘Love in an Elevator’ by Aerosmith, duh - and leans down onto him to pluck the earbuds from his ears. Two pairs of blue eyes meet. Heather appears upside-down to him, and RJ to her. Even then they feel right-side-up, joined by the beat in spring.

And even listening as equals, Heather’s shadow spreads its playful wings over him as one perky mentor to student. “Paper beats rock…” Team RPS. Raccoon for rock. Possum for paper. He has much to learn to decipher the meaning, the TRUE meaning, of the metaphor, which will definitely never ever come into broad light again.

The tip of her tail wiggles a bit.

Lured by the music, snared by the DJ and staying for her smile, RJ submits. He can’t evade her rock ‘n roll awesomeness forever. “Well… played” puts it simply. Well played.

“What’re you waiting for? Let's stock this rack UP!”

Welp, RJ’s dropped his day harder than the beat. That does it - turtles turned to tracks and food turned to fun. His railroad shifts lanes and for once in ever, he jumps up in her name with an empty inner plate. She’s the chef.

So he helps her throw it together in a jiffy: a toilet paper holder nailed into a tree, where they slip their greatest CD tracks onto the roll. A large sheet of poster paper down the body of the tree, and Heather climbs up to slather her writing over it in red marker:

‘Heather’s Banger Roll’

Heather joins RJ in observing it. A sub-message waving from a flagpole stuck out from behind the tree reads:

‘Don’t forget to wipe…

WITH BANGERZ!’

RJ turns his head, volume low in intrigue. “...So how much of this ‘fun-fest’ have you planned?”

Heather’s ecstatic to be tugging his arm, so much so she just about sweeps him off his feet. “C’mon dude, we’re gonna be late!”

“Oka-ay, okay!”

Under her lead, he blazes a trail of vibrant aesthetic straight to the Hedge, straight out of words. She jogs each pace on beat, and he follows her notes. The world dims a bit, or maybe it’s just her face lighting up, but he sure can’t tell. She’s so prepped for this moment that RJ has just a second or two to repeat the path she lights for him before his commitment to her pleasure will die one killer concert short. He can’t miss it - miss her. When his legs throw him off, order him to stop, poke at him with hesitance, he laughs and tunes them out.

The Hedgies gather at the wheels of a parked car on the street, and make an amphitheater view around Verne leading them. RJ and Heather arrive last after some brief… shenanigans… to put a little worry in Verne’s face, witnessing the mischievous nature they carry when moseying in.

Something about a whole ‘receptacle raid’ they’re about to do on the suburbs this evening after the humans have just finished supper. Blah blah blah, RJ and Heather smirk at each other for about five whole minutes, poking at each other behind their backs and behind the family. They’ve put just an extra foot of distance between the rest of the pack.

Nudge-nudge from elbows to ribs - it’s all fun and games until Heather accidentally stabs RJ with her elbow so hard it knocks him to the ground in pain. But then it’s fun and games again when they have to justify it to Verne. ‘Evening rib pains. Typical for raccoons’.

‘Explosive nostril tremors’ - RJ jabs two fingers up Heather’s nose to counterattack. Now this is sounding like an RPG game.

Verne goes on for a while, saying something about filling the cave “all the way to the top” before the group splits up for the mission.

Well screw this.

RJ and Heather steer themselves off the family’s path to pursue their own, now riding in style on their signature red-hot open-top RC-Lamborghini. They drive far from the scene at MAXIMUM OVERDRIVE, with a trash can they spilled some ways back successfully distracting the family from their absence. Though a grim passover looms above, the clouds seem to completely clear for the two of them.

“Woo-ho-HOO!” RJ cheers.

Cool fingers shoot left and right. Every human they point their swagger at feels so lame they just have to move out of the way for RJ and Heather. Even at this time of day, the streets are bustling with those terrified, drowsy adults returning from work.

A whole sea of them disperse screaming at the true aristocrats of the suburbs, and RJ kicks back in his tiny seat. “Y’know, I’m something of a Moses myself.”

Heather taps him rapidly, pointing down the side of the nearest house. “Wait wait I smell it!”

“Well I trust your nose.”

So RJ at the remote swings them abruptly from the sidewalk to the alley, throwing out half of Heather. She asked for it. They leave the car and follow the neat grass to the backyard, where a plethora of upbeat tunes dances in their ears, mixed with the livelihood of a full family.

The backyard, as crowded as they imagined with pink creatures, runs down a far hill. As a child gains momentum down a colorful slip-’n-slide tube in the dead middle, the mania of the festivities collects wetness too. Sprinklers covering the lawn, kids drowning each other with water guns and hoses, and the whole place has a scent of fertilizer and chlorine. With the state of the warm setting sky the suburban setting would be very picturesque if it weren’t for it. Straight chaos with a musical beat to regulate it.

Yellow and white flower bushes line the hill, flashing the path down the yard like an airplane runway, all to acquire the human dad’s CD about to enter a radio at the very back, positioned just past the exit of the slip ‘n slide.

The sly spirit in RJ’s eyes gets broader. Heather catches his look. “Got a plan?” she presumes.

"Glad you asked," he winks.

Her arm is yoinked and she’s bombing head-first down the slip-’n-slide tube before she can space herself an inch from him. Swirling, glowing colors flash over her until another spout of water blasts into the tube over their coats, and she’s blinded briefly again, and laughing. Life’s cooler than lemonade down the squeaky surface, and when a small ramp at the end bumps their chins and they enter open air, water truly encapsulates her.

It’s never been so free.

They fly at the perfect angle to tackle the CD from the dad’s hand. Underneath the massive shade of an overhanging tree, everything blinds in a blur. Still the surface of the CD shines as a rainbow glare when Heather’s arms latch onto it.

It’s never been so facile to feel.

Over the back fence the opposite backyard beyond the border lands them inside a hula hoop. Gravity straps them to this wheel as the fantastic ride bounces them across the yard and onto a trampoline. Laughing or screaming, they fling as high as treetops and rain their wetness from their hair over the world below.

It’s never been so fun.

They can’t dangle in the air forever. RJ slings his yo-yo of neon orange and blue at the lightning rod of the nearest rooftop. Heather snaps a pic - she’s wetter than laundry - before hugging tightly onto RJ’s golf bag - the only thing keeping her jovial gratitude off RJ himself. And when the yo-yo hurls them planting onto the back face of the orange roof, they can rest, side-by-side, sitting against the curved bricks covering the top edge.

By that point, on that point, they’re home. As far from home they are, nothing quite matches the limpid sensation that laxes Heather’s arms when she puts the new CD in her tail through the finger hole and shoves it away into the top of RJ’s bag. One meets the mat at the door after trailing through the rain, and in the same way and without any strength left in her quivering body, she collapses as a hairy wet bean bag onto his arm. Her matted cheek squishes against the point of his shoulder, hardened by confidence but going welcomingly soft as a seat for her, while she also grips the spiked soft and soggy fur her right hand finds between his back and bag.

Every time she pants, another drip goes out onto him. His soaked fur drains out in trickles onto the roof, so together they work from their play to pour the moisture out of themselves. He cradles her against him to keep that kind of personality close - that kind of character she always spilled all over him - as genuinely and affably as the exhausting moment allowed. RJ just laughs.

As lusty and enraptured as she’s ever been, her mouth dangles open in hopes of absorbing the tree-fed air into her and fixing her lungs. He must be the craziest guy she’s ever met. Meanwhile his countenance fixes hers, as she nearly snorts or suffocates from her lack of breath, but manages a smile the whole way through. Combatant as these forces may be, they come across her independently, as though her heart sought to tear free from the lungs walling it. Heather laughs alongside him.

From this point she could’ve died right on him. He could’ve died as well frankly, in that orange sunset, like their souls are spilling free as water out of their fur, merging into one puddle drying in the cracks of the brick, to fade into the air.

RJ nudges her. “We’re in…?”

“We’re out,” Heather giggles.

Never without.” RJ throws her a fist to bump.

Instead of a bump, her fingers extend and wrap the hand as a sheet of paper over his rocky fist. Paper beats rock. Even RJ forces himself to applaud her clever move through a grin and a sly little nod.

Time passes. The other Hedgies run from a gruff gray-suited woman hunting them down with a newspaper (dunno how that happened). RJ and Heather? They run through the Hedge.

Behind the willow tree at home, a new CD added to their brand-spankin’-new Banger Roll gets introduced by RJ’s hand into his journal, doodled to perfection.

“There it isss…” RJ gongs over the complete portrayal.

There it isss…” Heather repeats at his side, so close she’s brushing his fur with hers.

“Do ya get me now? When you work hard, you’ll find lots of time to play down the road. But you are so focused on the play thing, you’re kinda…” He dizzies her with a finger. “...loo-loo- losin’ track, y’know what I mean?”

She backs off an inch. “Was I too big of a lazy-bum?”

“Okay, you… maAaAay have been an overachiever on the lazy-bumming,” he confirms in all non-insulting technicality, “But I think I get you now. What WE just did… This IS ‘work’ to you.”

Having no clue how he’d figured, she realizes this happens to be quite the perfect description to cling to. Work doesn’t have to mean breaking a sweat, but she is sweating. Her work wore her out as much as anyone else’s. Does a lazy-bum look like that? A map of the suburbs she has by memory. It’s beginning to show here, one CD at a time.

“It’s why you want the family back together more than anything, ain’t it?” RJ explains for herself to piece together. “You want everyone to live the good life, the fun life…”

She shines from everything he sends into her eyes.

Spuddiesss, Sludge Fudge, CDsss, even the luxurious novelty of family, it’s all food at the end of the day, some of it’s just…” Not much of a way to explain it, is there? He ends up shaking his head and putting a finger to the center of her chest. “...food for the heart!”

Certainly doubtful he’d ever truly know how much heart-food she ingests that warm evening. “You’re the best, dude.” His gesture put some fidget in her fingers. “Like really, I mean um… This’s more than just ‘fun’ to me.” Her two dorky teeth stick widely out.

Then she lets herself sink too deep into intimacy. Her tail, subconsciously, sways over to RJ’s and nearly hugs itself around it. It skids on his fur underneath. Heather breaks it loose with a jerk that reverberates up her spine. RJ jolts his back up straighter in surprise - a warning to her. Heather leaves to load up the CD onto the toilet roll. Her face shrouded ahead of him, she clutches the disc and puts as much space between him and her back as possible to keep her heart from accelerating to a pace twice as fast.

It doesn’t work. RJ chuckles, and they head to bed.

XXX

One narrator plays through static on the TV: “Now the peculiar shape of this fruit has sparked controversy among the religious community as of recent times - Why would God create bananas? With a take from Chesterton’s Pastor Honey, me and Mr. Mono may have found our answer…”

“Uh, well, it’s interesting, because uh, Jesus is believed to have been a big fan of bananas. And some say bananas look a bit like boomerangs- Well, uh, Jesus is like a boomerang, y’know, he always came back-”

RJ clicks the TV off. “This documentary stinks. I’m starting a banana church!”

On the purple throne of the TV set, hidden behind the fort of Team RPS, Heather lies resting on him. They’re alone. Only minor traces of any others’ watching and snacking can be found in the area. But life was slowly starting to return to be sure, after the neglectance of this sweet sound place last week. RJ’s leaning his back over the armrest, and his body’s in a mess of noodles with Heather, very innocently curled up over him with her head rubbed on his chest. Together though, it’s far beyond a snug fit on the width of that chair. It’s straight up squished. The longer RJ is awake, the number his back gets.

Heather has a banana peel on her head again. Goofball. With amusements like this RJ forgets the numbness anyway.

“At mass, every human has to feed Heather a banana. Then guess what? I’ll never have to keep her stomach full again!”

He picks the slimy peel from between her ears and flings it onto a pile full of bananas eaten off one bunch. Even then her stomach rumbles in grievance and greed.

Perhaps more than her stomach craves more. In this nightly silence, where crickets chirp, he somehow can hear the music playing on and on, just by turning his head and looking at the CD on Heather’s own rack. Through leafy vegetation and the green of the forest, he sees it somewhere back there, past the pond. The artificial colors of game boxes and of course, the CD rack, all for the purpose of storing their electronics and media. When the morning comes, Heather will open her bright eyes to match the tint of the sky, and they’d be off again. He’d make sure of it, just to experience the kid in this kid like that again.

“Oh don’t start, I didn’t ask you!” Who’s he talking to? “I don’t get her. I dunno why the kid’s like this, but… this’s clearly something special to her. She wants me to be a part of it, for some reason.” All this talk is something that would make anyone else suspect RJ of dementia. “I mean yeah, the food’s up there on the list. But we’ve got pleeenty, right?”

He visits two glaring pieces of evidence: the two forts, tall as the treetops, and the bandaged Mt. Feeds-a-Lot not too far away, now rising in comparative stature thanks to their efforts.

“And I for one think we’ve got PLEEENTY to show the girl. ‘Heart foragers’, the two of us. Whaddya think?”

His old raccoon plush, tattered and ripped, can’t find a complaint for that, over there lifeless in the pitch-black grass.

"Any more objections?"

No objections found in its dead face.

"Good! Good. Night-night, you typical 'possum." RJ remembers those words from some time back. But it feels ironic, somewhat, with the cuddly aspect seemingly being the only thing typical about her… “Tomorrow, I’ve got a plan…"

Forget the whole cave thing - like, it’s 95% full anyway. They're gonna fill that roll up by the end of the week. Start the timer; Start the music; Let’s see where they can take this.

One final empty page left in RJ’s journal, up to the challenge. The first CD he draws up becomes the exact same for Heather to catch the next morning, taking her turn spinning frivolously to score it on the banger roll. RJ nibbles excitedly on his pen for every CD she gets loaded, one-by-one. They all see their place in the journal. Every song, every memory, every one.

Somewhere not too far away, a coffee machine completes its dual-brew under the pink rising sun. Ozzie’s barely awake in time to collect it with Stella before those alleged ‘heart foragers’ set out on their own suburban antics with no fair warning nor knowledge lent to him.

“Now where do you think she’s off to, Stella?” Heather’s tail disappears into the Hedge by the end of that sentence.

Stella sweeps up her coffee. “Feelin’ a bit like Oz’ today?”

“Is it too much like me? If I am going to die out there I’m going to die a worthy parent.” Just a sniff has his paranoid claws gripping the air. “Heaven speaks, her donut breath?”

“Yea-uh?” From his entertaining overreaction, she snorts. “Donut breath?”

“Have you seen the kids when they eat that much sugar in the morning?” Then he slurps his caffeine-ridden coffee. “She has to know she’s doing it; Those donuts… are never a good sign!...”

Stella keeps chuckling, watching him go. “Wut? Think the girl’s up to… trouble?”

“That’s it, I’m not going to let my daughter’s sugar rush go unsupervised.” Thus, he smacks his knees. “Legs; fatherly instincts, let's get to work!” He runs after them, managing his old breaths as well as he can.

“Hmph. Have fun.”

All feels right, justified… until he arrives in the dead center of the suburbs, and car radios enclose his senses only on sound. Hideous, hideous sound that blocks his daughter’s morning-donut-breath from his detection, and thus her safety along with it.

“I won’t die… I won’t die without her…”

XXX

Alright, cue the killer soundtrack composed by exactly one millennial dude in his basement. Or however it goes, and goes. They're gonna need it.

The Hedge? That thing's THEIR Hedge now. When they’re through, they become new kinds of ‘animals’. Between leaves, between yards, RJ and Heather surf the shade on their heisting mixtape. Hand-picked by Heather herself, every previous operation for literal food with the family has been replaced by the metaphorical food hoarded by only her and RJ. Two names, don’t forget it. That big hunk of leaves becomes their worldly transit, for they experience nearly all cultures on their trip around the perimeter of the suburbs, from the most American of Americans (oh god) to lovely walks in Paris gardens.

It’s heads and tails for them.

So, CD after CD. Scattered everywhere; Practically a game of hide-and-seek with what random locations they dig up. Behind houses. Under the feet of garden gnomes. Under some tall guy’s tophat (who wears a tophat in the 2000s?). Around every nook and cranny, inside and out. RJ's packed the golf club to go. Now they're serious. They brought the whole dang wagon for their outing too. Halfway through the day they must’ve realized just how many CDs they could find by disregarding the food (not a painful struggle for RJ anymore, to be honest) and looking for these shiny circles.

And of course together as a team they trail the wagon behind them, hands on handle, side-by-side. And of course what that actually means is that RJ drags the thing while Heather lies back in the cart to ‘organize’ their stock. Every track she inspects gets placed into their respective ‘cool’ and ‘not cool’ piles, identified by smiley and frowny faces drawn on the discs.

And of course between every joust Heather needs a snack break. Let it be known, having fun is a very demanding occupation. Letting Heather HAVE fun is a very demanding occupation in itself, for RJ. How come it takes work to play?

But every time, they’re back to Heather’s ‘work’ not soon after. When she’s having fun, it’s not too hard for RJ to give in as well.

In that case, crank it up. Oh baby crank it up.

(To be a disclaimer, the following song names are fake; Any matching titles is purely coincidental.)

Men love trimming their own hedges. More importantly, they love listening to music when they do. ‘My Dad Ate an Onion Ring’ - BANGER track. Just like that, another score for the gang. The crew. The buddies. The, uh, what did RJ say? ‘Heart foragers’? Yeah whatever. That sounds clunky. They’re buddies. Heads ‘n tails; Rock ‘n Paper.

Another CD lying in a flower patch. ‘Spare my Stomach’. Do these guys just leave these things sitting around outside? Easter's over, idiots. Come to think of it, why would a rabbit lay eggs anyway?

Why would a bird poop? Why would a bird… poop soap? The closest the Sniffer ever gets to grabbing their grabby parts is in some dusty attic where he unveils to them his lovecraftian horror, his LATEST INVENTION - robot surveillance birds (heard that one before) that poop soap on animals like them. Soapy bird poo. Let’s not talk about it further, please no. Anyway, there’s a CD somewhere in that attic too. ‘Vending Machine Blues’.

As proud and omnipotent over the suburbs as their grip is now, RJ and Heather’s shenanigans map themselves like a grid between houses and roads, up invisible hills and down their slopes.

Last but not least… they find time of course, to dunk their feet in cheese sauce and suck it off their toes. Each others’? Who knows. Who cares. And it’s an ingenious deal they’ve got going on, and reassuring too, that Heather could never get rabies from him. That’s just how super awesome and chill possums be. It’s like they were made to be friends with peppy lunatics.

This rock n’ roll ride of a lifetime, this niche ‘foraging’ event, whatever it may be, lines up and livens their spirits together, and dares Heather to be free.

But for every ‘free’ man or opossum, another feels in chains. So then there’s Ozzie, taking the pain behind the scenes, and dying about a million deaths in the span of one day. A human adolescent throws a stick at his head. A beartrap clenches its jaws on his tail. Cars run right by without reservation, and for once he has to question how he ever managed to be hit by one in any place other than the wheels. For the family his path is clear. For Heather his vision shakes.

It cuts on its own just as often as he pulls the plug himself, instinct versus action. Witnessing her vulnerability running wild may be worse than watching it grow with her age. More daring, more dangerous, more lusting for the suburb’s deliciously musical treasures which will one day swallow her whole like a wicked carnivorous chest.

Flailing herself at humanity. Busting into party after party, making herself an honorary attendee (thief), with less respect for her well-being around those humans than a suicide bomber. She’s the soundtrack stealer with no rhythm to her mayhem. RJ’s only promoting it!

So, between every move busted at parties and car lock picked from the lot… where’s the Sniffer in all this? Behind the mischievous duo, he’s chasing Ozzie, the tail end of it, and the exterminator assumes to be chasing the front.

The technology of the beast is only advancing. Faster drones. Smarter drones. They can identify and display to Ozzie a list of his characteristics so extensive it could straight up be used to dox: species, gender, height, weight, everything the Sniffer could detect with a smell already, plus Ozzie’s last meal and an extensive scent trail marking his latest locations better than any smartphone or government can.

He’s suffered it all so the two troublemakers can live privileged and free.

Not by his own will of course, for he assumes the dangers he faces could transfer to his daughter as simply as possible, and by all accounts he assumes he cannot be wrong. She avoids each peril a second before it arrives on him. Following the sprinkling, sparkling trail of their success, he picks up each crumb by the foot, from diamonds to disasters.

The backside of the willow tree, where they’ve set up their CD shop on a mere toilet roll turned into a mountain, RJ scribbles and scribbles for every CD Heather pulls from her tail like rings. When his journal’s full he just throws it away. Just when this anxious fiesta may be over, they simply drape down a large roll of paper from the neighboring tree, and mark their recent finds there from the bottom up, and so it continues! They play a test run of just about every single CD on ‘Heather’s Banger Roll’, almost half of them at once, in every single CD player they’ve got available. Beyond what they’re playing out loud, they listen to select tracks by the headphones linking their heads together, ‘just like old times’, one might be saying.

Well if these are old times Ozzie HAS to be the young one! Every genre, every song echoes louder, crosses paths between his ears and through his hands when he so desperately tries to shut them. The music. THE MUSIC! It clogs his brain! The dancing and jamming and the drowning pleasure of it all, where he can’t hear his daughter’s voice or his own for that measure, nor the next!

All for what? Leisure? He faces liability! He catches her not once out there, but lingers close behind, close enough to see her escape the hell of humanity scot-free, not once feeling a prick with RJ while Ozzie is stabbed by pavement and plastic wonders again and again. A bird who cannot hatch the egg. He can only give it the warmth he cannot feel; hold its life full while his spills empty.

She will never know.

That’s why now he’s home, his head is throbbing, and still he hears it taunting from behind the willow tree.

Among the rest, Heather uncovers a CD smelling more foul than her fur after a garbage hunt. ‘Best of Beethoven’, it reads. That old guy’s face on the cover looks nearly punchable. Underneath the dust and slop so fresh this thing could’ve been found in the garbage. “Yuck.” She flings it away. “I don’t even eat trash THIS bad.”

She meant to land it in the pond, but it overshoots and touches down at Ozzie’s feet on the other side. Interested, he takes it to save for himself. But once he picks it up, the music stops. A blessing? No. A warning. The two are absent from their places at the CD mountain, to be expected with this curse. Nothing’s left but a CD player and those headphones.

He will now proceed to choose between this classical masterpiece and his daughter.

“YOU CAN WAIT, Beethoven!” He refuses to fall to any backtalk from the disc, as a true heroic father would. “I will NOT be left in the dust of MY DAUGHTER’s life! But we'll talk again…”

He retreats from his brief cozy silence to go back after them… again. Through night and day.

XXX

And so, after a whole day and a half of dad-mode-ing…

He remembers a fiery patch of orange-red flowers near the place he uncovers her.

It takes him until one day’s supper to pin Heather down beyond the Hedge, the suburbs, the crossroads that mark the rushing river between the old world of humanity and the new, in construction.

Amidst jackhammers and clomping humans he searches for her in the dusty place. Only a couple weeks in and already houses are gridded in rows, but nothing between them is complete - His feet only cross over soil shaken so loose it may be pure sand. Of course, everything is barren of vegetation. Everything that was once grass stripped away, along with everything resembling the sort. It’s an unusual place to find her daughter, an alleyway up the sides of houses without purpose - lifeless walls.

He sees her tail first, flicking innocently about. Gray fur, then, lost in the confusion of white, orange and tainted brown, in what should be glowing over green.

Free at last from his ethereal chains of regret and lost promise, free at last! The very sight of her makes him gasp with joy. Joy, the wondrous emotion, sweetly emphatic for pleasure, the light in the tunnel.

It dies. It happens when he removes the mountain of that tunnel. A bulldozer storms up the alley in their direction, endangering her before him, collecting rubble and other scraps of unused material. The frontal blade spans the width of the lane, slaughtering any chance of escape. Except for the slim intersections up and down the row, which Heather appears too naive, too innocent, to take into account. In fact, she hardly notices the dozer at all, staring up the tan wall of a new house, listening and attentive to someone or something, but not speaking a word.

Two opossums reside in this alley. It will not shrink to one!

Ozzie runs.

“I won’t die…”

Heather gets it in the corner of her eye as an image enlarging to a harrowing scale. “Oh.” She squirms squealishly to face it.

“I won’t die!”

Ozzie’s huffs pick up enough to clog his throat.

The corner of the bulldozer’s blade tramples across a slick window pane leaning against one of the new houses, waiting to be installed. It doesn’t stop at all to get jammed - It shatters the glass to sharp bits, good-as-new to good-as-dead.

Heather fidgets. “Eee…”

I won’t die without her!

Ozzie refuses to let his breaths stay uneven, so he grits and molds them together into one, before his oxygen cuts.

The distance shrinks to a few feet, between his daughter and the claws of frightening reality slashing any settlement into a realm fit for the jungle.

Heather turns to the wall for help. She calls for a savior from the name of another sounding nothing like him. “RJ!”

“Grab on, I got your back!” A fishing line and toy hook come down from the roof for her to latch her tail onto.

At the same time Ozzie lunges his caring arms forth to save her, her tail is hoisted into the sky. She disappears as he most feared she would, unexpected though in manner.

“Nnnno!” he cries before stumbling forth and bashing his head into the center of the blade as an arrow to a shield. It thumps with a rusty metallic ring that swirls and drowns in his ears. What does he do? He dies, out of instinctive trauma or conscious fear, likely the latter, for he feels his forehead throb throughout his brain.

At the same time Ozzie’s limp body gets dozed away, RJ and Heather laugh on top of that roof. Cutting it close really gets the blood pumpin’. It does not get them to notice his existence any more than a fly on the wall.

A bump over raw dirt lifts Ozzie off his back. In the blade of the bulldozer he’s cradled, then cradled by himself. Glass and wood and metal - his new friends - irk him too much, so he rolls out at the next chance he finds.

RJ and Heather laugh. Their humor floats in the air before zipping at Ozzie’s face one at a time to prolong the torture, and embarassement, and shame. The belittling punch they pack targets his dirty sack self of a dad so quick it’s nearly convincing enough to assume they laugh at him. They do not. Certainly Heather hasn’t even acknowledged her father yet. He pounds at the ground, sticks his full muzzle into it, and groans at the aching throughout his muscles and now on his head. His body and brain face the failure of himself. Heather’s still alive, however, so Ozzie scales the outside of a gutter on his way to her.

RJ and Heather sunbathe together on the sizzling roof, with pairs of black shades and sun reflectors at the ready.

Suffering a giant bruise, Ozzie barely manages himself onto the roof. “Hea- Heaven speaks, oh, my LEGS have given in!! My FATHERLY INSTINCTS gone dry!! I AM…” He crashes. “...elderly.”

To check who arrived, as bored of a sight Ozzie comes to him, RJ lifts his head up only for a second. “Mmmeh.”

Heather does it too. "Mmmeh."

Oh, oh lord-y…” Ozzie wheezes. They ignore his asthmatic, dying condition, motionless. “What are you two doing out so far?”

They don't flinch, but continue to feel the glorious rays of the sun bless their fur. Even on his deathbed they wouldn’t care to pull down their blinds to watch him go. Simply, he will. Ozzie clears his throat very mildly. Nothing happens. So he goes and peaceably tips down Heather's sun reflector.

Because of his intrusion, she’s forced to move her shades down at least one generous inch, but unmoved beyond that. “Wwwhat?”

"I talked to the family this morning. The others are worried about you two, going out like this repeatedly without warning!”

“…How come I haven’t heard about any of this?” Why hasn’t she heard about any of this? It’s been nearly two days and no one’s spoken to her, no one’s broken the mold, ruined her beat, except for him. No breaks, no interruptions - somehow her memory draws a complete blank on whatever he’s talking about, and she shows it in her befuddled glance.

“We’ve tried to get you to hear! Each time you return we’ve tried to stop you, but you’re already off with him again. They find it troubling with the Sniffer out and about, and whatever other dangers lie out here. And if I may speak for myself, I do too."

“Yeah, like we don’t totally PLAN these things. Right, RJ?”

So the rewind hits in Ozzie's brain back to the dead center of the suburbs. He's able to picture exactly everything Heather now mentions as if he lived it himself, and well, he did, as a spectator confined to rosebuds and spiky bushes.

~~~

To his terror, RJ and Heather cross the street without caution, somehow having collected enough luminous CDs already to turn Heather’s tail into a glorified hat rack.

“Hey, did you know somethin’ like 8.3 MILLION ‘possums become roadkill each year?” Heather casually chats with him.

“Good luck faking THAT death.”

An obnoxious engine rattles like an earthquake in Ozzie’s ears. Trapped behind glass, Ozzie watches in horror as a rich red car comes storming up the street at them.

In the presence of RJ and Heather however, it screeches to a halt as they stand and watch, erected in place. The front license plate is just inches from Heather’s nose. Heather starts to brew up a sneeze from the polluted dust blown into her nostrils, but the car already backpedals up the street into oblivion at the speed of a jet engine before her itty sneeze can even propel it.

“Luckily you are SO repulsive they won’t even try,” RJ claims.

“Wait, am I cute or repulsive? Like, you’re the kinda guy whose shallow insults sound like flirting for some reason.”

Repulsively cute.”

~~~

“Y’know why that car didn’t hit me, unlike you? Because I am totally awesome, dad,” Heather proudly points. “That’s my plan.”

“…That’s… a plan?” Ozzie tests.

“Yep. Like, my sheer awesomeness aura will overcome ALL evil. Just like mom said.”

“You weren’t even old enough to remember her-”

“It’s a headcanon, DAAAD,” comes her snarky, impeccable sitcom-esque delivery. Imagine a laugh track just happened because it ain’t happening otherwise. “I bet she was super hot too, you're just embarrassed to admit it-”

“I’ve warned you befooore, you should NOT be speaking of your BEAUTIFUL, loving and WHOLESOME mother like that-”

“Anyway, can you like…” Her head nudges towards RJ, cool as a raccoon popsicle in a freezer. Hopefully he’d get the gist. “…leave us alone, dad?”

“You’ve been alone for a day and a half!” Every shiver and chatter intensifies his urge to wrap his arms around her just to console himself. The inability… the inability… has him squeal, “Oh I say it’s a blessing I was even able to keep up with you two well enough to KNOW you weren’t dead on the streets or something awful.”

Heather’s brow furrows abruptly. As well as he’s ‘kept up with her’ allegedly, he poorly fairs cutting the distance she repels herself from him in a provoked reaction. “Eww, dad, you were STALKING us for a day and a half?!”

“No no, stalking is malicious intent. This is parental supervision-”

RJ breaks in, at last. “Oooooo-kayyy, are you two in the Issues household gonna be at this for a while? I’m sunbathing in peace, thank you.”

Heather’s face cringes up behind the silver screen, but makes guilty contact with Ozzie’s distress. RJ cracked into the conversation like lightning. Suddenly she undergoes an intense headache forcing her to part with the rain to address the thunder. Her tail returns a look she gives it.

“Why don’t you come back to the Log with me?” Ozzie proposes out of colossal exhaustion, “With us? So we all can stop worrying?”

Why, dad? Why can’t I just have fun, y'know?”

“Because I need you to think of me!” he argues louder then. “And the family!”

She’s not taking any of it. She’s thinking of RJ, and filling her cheeks with an outburst of air filtered through him. “Dad, WHY DON'T YOU, like- Oh jeez… Dad, can I have like, 5 more minutes?” She forces herself to spew it out tamely: “Pppplease?”

“This place is dangerous and it’ll only get worse, Heather. I believe the whole Hammy situation proved just that. And I care too much about you.” Clearly so. “Without cover we are more prone to attack-”

Heather terrorizes Ozzie’s paranoid ears when she whistles, “DROOOONE!!

"No problemo!" goes RJ. He shoots the Sniffer’s drone down with a toilet plunger loaded in a wooden crossbow.

"SOAPY BIRD POO!!"

"Say no more." A heavy-duty shield works just fine.

See? See, dad? Just chiiiill. Me ‘n RJ, we got a plan for anything,” Heather assures him.

No one has time to plan a reaction. A wrecking ball veers in and crushes Heather past the brick roof into the attic kept behind it, demolishing everything in the way. The ball tears a crooked line through the entire slant of the roof. Bricks fly everywhere like shrapnel. Miraculously none of it hits RJ or Ozzie. Heather’s been clobbered out of existence by a wrecking ball. Struck several feet from Ozzie, but he dies from the blow anyway.

“OH MY GOD that house’s STILL an inch off, Jerry!” Jack Sawood, the head of construction, shouts unreservedly between the picture-perfect street and this house’s dizzy position. “HOW MANY INCHES DO YOU NEED TO SCREW UP-?!”

A woman very sternly reminds him, "Sir, you haven’t taken your antidepressants today-"

"I KNOW-!" He breathes in deep and sends dead butterflies out his nostrils. "Whatever. Take ‘em down. Or… whatever."

“Oh no no no!” Beside the rubble left of the roof, his only daughter’s sure grave, Ozzie collapses to his knees. “The show doesn’t end here! Not like THIS!” He sends his voice at the wrecking ball and beyond into the heavens: “GREAT BLACK BALL of calamity, why do you CURSE MEEEEEEE-!?”

When the ball flops itself out, Heather's only planted into a Heather-sized hole pressed in soft, pink insulation in the back of the empty attic, where she’s suffered no broken bones - Maybe her muzzle bended a little, for a second.

“I get kicked into walls (so) all the time, getting pounded isn’t much worse.”

“Oh,” goes Ozzie. He bows. “I thank the humans for stuffing their walls with pink cotton candy.”

The two stare at him.

“Dad?” Heather starts.

Yes Heather?”

“Stop being all weird.”

Ozzie sighs, ends his act, and says to RJ, “So… what are you two doing out so far?”

Of course, as his dad senses guessed, RJ shows him the boombox somewhere on a table, with a CD track audible.

“Now we’re just waiting for the pinnacle of opportunity this blessed world gifts us,” RJ declares. “Trust us Oz-man, we got a plannn.”

He puts it simply. "RJ, this is too far."

"C’mon ‘Oznie’, how often ‘doth one get clobbered by a second wrecking ball in thou day’?"

A second ol’ clobber of the wrecking ball makes a near miss in the attic’s beams next to Heather. The whole world quakes and teeters in response.

Heather-”

"Nope." She gets back to chilling with RJ. The sun reflector flaps up even higher over her face to block Ozzie from her page for good.

Ozzie carries his parental authority soft, and gentle against her, rather so, for “Please LISTEN to me, Heather-!” sounds more like-

‘Please LiStEn to me, Heather’- Pfft. She holds her phone out for dad to see and plays the lowest-quality homemade audio footage of Ozzie’s titanic snores anyone will ever hear.

Finally, Ozzie prepares a vigilant approach - rips the sun reflector right away from her. “Heather!

Heather points into the distance and lets out an absolutely horrific scream. “Dad, Heather’s gonna die!!

Ozzie grasps his chest and flips around. Some birds in the horizon chirp beautifully at him. He shoots his head back. RJ and Heather are notably absent from their sunglasses.

“CHA-HOOOOOO!!” There’s RJ, somewhere close enough to hurt Ozzie’s ear.

Ozzie’s head shoots back, again. RJ and Heather jump straight off the edge of the roof. They both land on a white styrofoam plane placed on top of a large slide set up in the incomplete backyard. As large as it is, they take to either wing. A bump to the toy plane rides it down the slide before hitting the ramp at the bottom and launching them into the sky to take flight.

Later, dad!” Heather hollers wildly. They’re off into the stratosphere. “We’re stealin’ ARNIE’S!”

Another wrecking ball swing comes right at him. In panic, Ozzie too spins and leaps off the roof into the yard, and takes note of their trajectory, going over the crossroads and over the span of the established suburbs in the complete opposite direction from their home. Watching them abruptly leave into the horizon as if they’d anticipated him and set up this escape route, why, he clings his hands to his head and screams more girlishly than Heather just did.

He runs as fast as he can back to the Log. Hammy as well watches the big white plane go over the suburbs in awe, which is the only thing stopping him from sneaking a drink of soda.

Ozzie saves the can, or steals it, as he goes by and chugs it down to pep up every muscle in his body. He’s ready to chase the plane through the Hedge and into the suburbs until he takes out Stella like a bull towards a red cape. The coffee cup in her hand flies away and pours into the dirt, wasted. They both flail their limbs over each other on the ground.

“Oz’, WATCH IT!!” Home sweet home; Stella lashes out at the mat. “If you spilled my coffee I’ll spill your blood! I’LL SPILL YOUR BLOOD, MAN-!”

Ozzie, as a robot, picks her up and sticks her feet on the ground, facing the styrofoam plane so she can catch a glimpse for herself.

“Is that-?”

Ozzie, a major lump of worry in his throat, ends her thought with a frantic nod.

Hammy comes up to them casually, just to scratch his head. “Hmm, well that's weird, Heather said she was gonna go doorbell pushing with me after I bothered her enough about it.”

“We also promised tonight would be our game night,” Ozzie explains. “Um… I think I’m gonna have to call that off.”

“Wo-ow! How forgetful…”

Hammy doesn’t give it a second thought, picking up his ‘Innuendo DS’ console to amuse himself. But Stella follows Ozzie as he hurdles to the willow tree around the pond.

Ozzie tears the leaves out. On the ground… there’s a large sheet of poster paper with doodles covering it. He goes over and leans down to follow along with their ‘plan’ for this event. An airplane to the sky - that part’s complete. They travel miles over the suburbs - one fall means death - underneath commercial airliners and bird flocks clogging the route. Destination? Arnie’s. Infested with hungry, angry humans.

Once Stella catches up, that poster paper has Stella bumping her hip at him. “What’s the fuss? Ev-i-dently they have a plan.”

If that were meant to console him, it only thrusted the opposite feeling. Ev-i-dently they knew what destruction they were getting into. He falls onto his knees and puts his hands over his eyes.

“I am going to die…”


The pure white plane busts through the clouds, but dives swiftly into the troposphere again as a dolphin. A dolphin. This doesn’t quite express the maniacal panic seemingly shared by RJ and Heather as they have shared a single pair of earbuds across the thin body of the plane. They contain their own panic to either individual wing, but share it over the line between their ears, sourced from a phone gripped tightly in Heather’s hand.

“SHINEDOWN!” RJ urges in a list. “BACKSTREET BOYS! Gimme Ben FOLDS! Anything, ‘possum pal, ANYTHING?”

Heather’s finger mushes harder and harder on the screen of the phone, scrolling faster. “Uhhh…”

‘Aerosmith’. ‘Aerosmith’. ‘Aerosmith’. Under every song in the playlist, and identical in thumbnail.

“UHHH…” Heather scrolls faster than she can comprehend each song title. That album thumbnail flashes fanatically, over and over.

RJ leans crookedly over the edge of the plane into the far, far horizon. “UGH. We've still got 10 miles.” He massages his temples. “Just start up that auto-generated playlist. It’s A.I. It’s gotta know what we’re into.”

“But that's got that angsty guy whose jacket smells like old toothpaste!”

He jerks his head to her and bares his teeth. “AND HOLY MOLEY WE’RE INTO IT!!”

Now she has to press it, by the hesitant tap of a button. Nothing but the wind accompanies their silence then. The randomized song begins, acoustic and nostalgic in tune. RJ draws a blank. Heather seems to recognize it immediately.

It bubbles them in, like a blue sheet wraps the sky, and the sea. Free from trouble, a literal skyscraper’s worth of height departs them from worry, from Ozzie, from anyone to sour their vibe. By ‘their’ it mostly implies Heather, abrupted more by the change and fading chains than RJ, who is merely an audience at the moment. He’s left reality too, but sits on the wing, while Heather fully arises and bathes in vast sunlight.

“Wait, I know this song!” she says.

“Is it the kinda edgy song I’d have to call your dad over? The kind the humans would call - I’m just taking shots here - questionable?”

Edgy? With the strum of an acoustic guitar like that? “Nah, this was during his reforming phase…” Right. “Oh sick, I could totally sing this!”

Her feet ease towards the ledge, excited by itty wonder. The grass never looked greener from up here, even though by now she’d seen it all, thanks to RJ. The sun watches with her, omnipresent, preparing a fine shine through any sparse, grumpy clouds and over the land.

RJ scales her up and down. “Call it bluff, she is actually gonna totally sing this. Wasn’t expecting that.”

Their freeway’s clouded below by a magnificent forest of kites flown by younglings into the sky.

Heather’s singing voice actually… engages RJ now that he hears it unsheathed. It draws him in; It skims him over the tip of the water, just to pull him under. That’s the magic of Heather’s singing voice. Every word, pitch, and dynamic is enlivening and rich with energy, but precise and articulated. She’s wild to her own control, never backing down an inch, singing only out of her heart and soul instead of the mouth. And even on a smooth string like this, her voice sends upbeat fanfares to the clouds, for it sounds oh so free. So she sings. Freely.

(Heather)

I've never been looking quite down be-fore,

I bet it's a curse to be livin' on the floor,

Like, who ever said to show the sun your back,

When the sky don’t hold no enemies that will attack?

Believe it or not, she's replicating the song exactly. RJ can tell, and finds immense fascination in her. But she’d never recited this. At least he never heard it. Her immersiveness with the song grows with his of her, spinning and bobbing and bouncing and working every limb and muscle to express her whole body, and get that tail shakin’. Her hands fidget with themselves too. On the white of this plane, pure as the heavens, she glows brighter than its surface.

Well I'm up, I'm down, most days I’m rockin’ in betwee-ee-een !

Have I found the sun's chance to make a star of me…?

She glances over, winks, and wiggles her tail at RJ before continuing to the chorus:

Show the world what’s at your back, sun baby!

Show the world what’s at your back, sun baby.

Show the world some shade ‘n nighttime, baby,

I’m already alive!

What was once forest transforms before her eyes into the suburbs there now, as she sings. Such a boring, repetitive palette of trees remove themselves and shape into a palette of rooftops. Still repetitive, sure, but anyone’s a fool for judging outer appearances. Within each house there’s a new adventure, and new food for her insatiable hunger. Her stomach nearly rumbles. Her heart too. No matter what Verne or whoever could say, the suburbs were no home, but it surely was the world, full of mysteries and surprises.

Show the world what’s at your back, sun baby!

Show the world what’s at your back, sun baby.

Show the world I’ve got your back, sun baby,

I’ve been glowin’ so bri-i-i-ight!

She ends up leaving the young man to carry on. The high winds take place in her left ear. These gusts enrichen her fur, that which RJ humbly abides to commit his entire plane of thought. They must also be treating her avid gusto to the song of the silent, for the oddly soft-spoken breath of a child - a tender child - comes through her, rather than that vibrant, singing predecessor: “The toothpaste guy came up with it in a dream. Sick, right?”

That’s the kinda stuff you’re into?” RJ intrigues loudly after he finds his own words again, being in company that strung them more vibrantly than he ever could.

“Dude, music’s like a buffet to me. Some’s sweet, some’s sour, some’s like, SUSPICIOUSLY meaty for some reason, but in the end, I’m eating all of it.” She stretches her mouth back and squints a bit in abhorrence. “Except that one weird plate they’ve got that no one actually touches but always seems to run out anyway.”

“You are pretty soft in the heart…” he mutters. “Okay sure, also, I know I’ve already heard it (I’m sorry), but um… You’ve got a good voice. Seriously, go DO something with those vocal cords, girl!”

“Eh thanks, but I don’t really sing, like, in FRONT of people, y’know?”

“Why not?”

“Look, I… just sing sometimes, okay? No crowd, no pressure…”

“Then what’s even the point?”

“The-... Huh. That’s crazy, I dunno WHY I do it. Whatever, just PLE-ASE don’t catch me singing about something embarrassing again…” That’s where she draws the end of her interest, sticks her toes over the edge of the wing and hums to her wholesome rhythm.

Well if she wanted to sing about Arnie’s again, he’d let her go right ahead. They’re halfway to the restaurant.

Her tail continues wagging back and forth, swaying close to RJ every other beat. For some reason it energizes his eyebrows, lifts them slightly up. The wind comes over too, which her tail fans to him to share. RJ glances at the owner as she perches over the scenery, taking to every garden and yard and bouncy house to satisfy herself with the world RJ swung her high above.

The air is so fresh today, as though she could fly away. They almost feel dominant, even, at this height, where they feel more god than mortal, as if they built this world rather than resided within its dome.

But all that, all that curiosity she shows distracts him. Her metronome tickles at him every other beat.

P.S., your tail’s still doing the uh, the thing-” Heather hears him point out.

“Song’s still going in my head, dude.” She ruffles her skull vigorously. “If I don’t have a beat to follow, my BRAIN, my RAISIN BRAIN just gets all messed up. Meanwhile the tail kinda does whatever it wants, all finicky ‘n stuff. I call it the ‘happy tail’.”

But in addition to that, her happy tail wasn’t the only thing being finicky. RJ watches her toes rap against the wing and her head subtly bob around. Her body and mind seem to house and prolong the music they just heard, and invest themselves entirely in it. Every time the rhythm latches onto her, it becomes her strength. There’s something so juvenile about it, but oddly mature as well, to be able to contain such a ‘finicky’ beat as consistently as she is now. Every movement gets replicated exactly, over and over without end. And while it goes on, she’s keenly observant to the world below, her senses regulated by an endless playlist inside her head. Her sights are attracted to every distinct color, as RJ sees it, fancifully keeping track of their gradients and patterns.

Her tail treads closer to RJ’s side and taps against his arm repeatedly. He snatches the tip of it loosely, just to tease it for a response. It rips free and slaps him hard across the cheek.

XXX

Ozzie crunches his legs in when bombing his seat onto a black pillow in the lounge. He may be under the trees, but their shade only replaces the heat with dim, cold spirits instead of comfort. He puts his whole weight on that pillow, and rocks back and forth by his shaky knees. Stella just stares at him cradling himself like a baby.

What if she…” Ozzie takes his hand from his lips to start. “No, what if… OH I can't bear to imagine, Stella! What if the wind tore through their plane wings, and she’s now plummeting at a HUNDRED meters a second towards the earth? Before her itty bitty body hits the ground dead, and-... AND-... and I have no means against it, oh, why!?”

Meanwhile, RJ and Heather are busy reenacting (THE) part from Titanic on the front of the plane, unknown to him.

“Look, you need sum pills or somethin' man,” Stella tells Ozzie. “But it don’t sound like there’d be no pill for YOUR… problem.”

"I'm sor-ry, I just-" He must be haunted, the way he jerks his head as painfully as he does.. "UGHHH, I cannot STAND it!! When are they getting back?"

“They'll get back when they get back! Don't die on it, man.” Out somewhere else, she yells, “TIG’UH! How many minutes we got left on that soppy slop show, huh?”

She’s gone.

Ozzie sits there.

And he sits, and watches.

The wind blows. One crooked branch creaks over him as the blue umbrella over the lounge does fwoop. A yellow dandelion, that he could reach to pet if he wanted to, takes some psychological blow that cripples its stem and saddens its shape. That’s interesting. Then a black bird flies somewhere far over the Hedge, and crashes VIOLENTLY into a second-story window, as a plane to a mountain peak, so Ozzie’s legs are alerted, the instinct kicks in, and he runs.

That soda can Hammy’s about to collect off the ground again becomes Ozzie’s to steal, and he’s bolting towards the Hedge. “Thanks Ham-MYYYYYYY!”

“You’re WELCOME! Have a GOOD VACATION!” Hammy calls. “Maybe Ozzie’ll bring back a souvenir from Paris.”

Not a second after that moment, RJ and Heather’s screams imitate the sounds of a combusting engine. The big white plane crashes above Hammy’s head, tearing through branches and making unsubtle cracks through the treeline. They’re already back with takeout to boot.

Ozzie isn’t too thrilled to be crawling, crippled, on his way back through the Hedge.

So, did you meet any lovely ladies on your trip, nudge-nudge?” Hammy asks.

He almost goes dead. As painful of a sight the styrofoam plane in front of him already is, of course the blaring white hue of the monstrosity has to sting a blinding absorption of sunlight straight into his eyes and burn them from the inside out. Ozzie’s knees may be crippled, but his head becomes more involved in the show than ever. It’s still a show, right? His thoughts rubble to defy it. They grow and throb his brain. Rattling teeth and nails like a sonic boom.

An entire glass dome of sanity blows to pieces in his head.

No,” Ozzie almost sobs. “But my KNEES are about to… meet their grave.”

RJ and Heather help each other up from the fall.

“Where've they been?” Tiger comments to Verne, both bystanders even further settled in the background.

Verne shakes his head. “Who knows.

“I don’t believe they know quite where their home is. What is a home for one who never visits? And not family either, for they’re stuck to themselves, like two plumpdelicious fish in a salted sandwich-”

“You said you were on your diet, Tiger.”

“I am. I apologize.”

In that mess RJ and Heather retrieve their three-course meal of Arnie’s, complete with awesome fish burgers (that Heather could sing about) and a 9-piece-premium-deluxe-limited-edition-barbeque-barn-blast-dino-sponsored box of chicken nuggets. They're headed to the willow - what's become their headquarters essentially - right away.

And Ozzie doesn’t even try to stop her by this point. He’s tossed an iced latte from Arnie’s anyway, just to rub salt in the wound.

In a rush, Heather says, “Hi dad. Bye dad. Bye dad.”

“What was the 2nd one for?” RJ interrogates. “And why are you bribing him with lattes?”

“I’m not talking to him...”

Hammy watches Heather rush past him as well. He holds a stolen, old and degraded doorbell, scratched and tattered by its neglectance of attention. “Remember doorbells, Heather?” He hammers the button over and over. It makes a lifeless noise. “DOORBELLS?! They’re loud and obnoxious, y’know, kinda like me!... Heather!” When she refuses to acknowledge it, he throws it away.

Heather’s feet stop. Climbing up her totally stressed arm, she turns to find Hammy.

Now can we go doorbell pushing?” he asks as a charming kid would.

His innocence purged from her mind, it takes no effort to reject the idea at this time, when a billion cars are jammed on her highway of polluted stress from one look at her dad. “Hammy… Just gimme a minute, please…”

She tosses him to his waiting bench. In response, his bottom lip bulges a mile out. Denial, loneliness - they grow his saddened eyes to the size of moons.

For some reason, with his latte, Ozzie can’t find any words to speak, but sits on the empty floor. Something about her softens his soul as she departs, back turned, and the lost bond tugging by the broken end of a string.

He ponders curiously as one does hand-to-chin: “I’m her father! Why do I feel like I have no authority against this!?” He sips at the latte to job his mind on the matter.

Stella’s out here laughing when she trots over his feet, ruffling the hair on his head. “Imagine what'd happen if they went in blind.”

Blind, she says, but he presumes they never will be. The way they celebrate over the pond, adding a glittering CD to their wealthy stash, one they must’ve picked up at Arnie’s - it speaks awareness to him. ‘Heather’s Banger Roll’ is filled and there’s enough they’ve hoarded to fill a million more. When they go in without a plan, they will know. Just like Heather’s donut breath. As fresh of a spirit as the family does over every heist they complete together, they compliment each other as one. Just these two though, over such a baby step of a victory, they make it look more intimate. They can’t tell praise apart from sarcasm, even though it has to be all the former. They know what they’re doing. He can tell by a righteous ring in the voices. And that makes his ears fear they’ll know they won’t know what they’re doing. There’s a hint of danger in this party they have, their lives held by a thread, waiting for one degree hotter of a threatening flame to burn it off.

It will be disastrous. I’ll see before I doubt just this.

When it becomes calm behind the willow, and their ever-growing electronic collection has skewed to be 50% audial, RJ and Heather briefly gaze upon the claimed mountain with pride. Until RJ catches a look from Ozzie somewhere nearby, close to their team’s food fortress - an impressive feat of its own staked in the pair’s history.

“Wowie, really dodged that bullet back there, didn't ya?” RJ points out while digging through a bag of fast food.

Spoiling her mood, she pouts her arms together and taps her foot with a red flush of tension over her. “I already know what dad's gonna say. Why bother?”

"I'm sure he has a point with these things…" he feels the need to shrug and acknowledge. "Just… not a great one. Eh, why do I care, it's your daddy issue, not mine."

A pond’s length of distance between them, behind Ozzie’s back, literally, she munches vigorously on her giant custom-made (custom-stolen) fish sandwich and gossips: “Has he always been this… defensive? And my tummy’s been too full o’ Wacky Whip to SEE it?”

Ozzie acts the same, though he does not spread his dissatisfaction to any other. He sits alone on the other side, slurping vigorously on the bribing latte, and asking himself, “Has she always been quite so… negligent of this danger? And I’ve been too full of myself to FEEL it?

Ozzie gracefully flings his empty cup over the pond, landing at Heather’s side.

Heather hurls her empty sandwich box up and away, landing at Ozzie’s side.

They both take one vicious bite of each container. They feed off tough plastic and rough cardboard to add crunch to their troubles.

“Anyway, wanna go start a GoFundMe or somethin’?” Heather throws at RJ.

“Might as well, ‘cause we didn’t have enough dollars lying around to buy that rubber duck army from a while back, did we?

They’re up to amuse themselves. “Oh, yeah that too. I just meant getting people’s pity money sounds like a good way to de-stress.”

"De-stress from what? YOU DIDN’T EVEN TALK TO HIM, HEATHER!"

Ozzie heads to the bulletin board next to Verne’s fort and anxiously counts down the days to Heather’s birthday on the calendar.

Conveniently enough, Verne comes along to keep track too. The map of the construction pinned right beside it, routed through their home, which Verne takes greater, sadder interest in. RJ’s taken not a single glance at the issue since the start of the week. If Ozzie’s here, that must mean Heather hasn’t taken any glance at their own.

So Verne wanders near. Ozzie stands out among the world of the wild. Opossums do. A mixture of light and dark clouds in the middle of murk and mud. Ambivalent by nature they wear a kind of mask more subtle than the raccoon’s. One that can be greatly appreciated when seen through, as Verne sees through his. There’s something more to him - the pink under his fur. Verne slightly tucks up his shell to conceal more of his own self when he introduces himself to this jack-in-the-box of a character.

"Can I join you?" Verne solemnly asks.

"Please, please do. Worrying alone is quite uncomfortable."

"You carry truth, Ozzie. Truth… and really manly whiskers."

“Thank- thank you, I got that a lot in my twenties.”

“Go on.”

It seems together they’d be counting the whole night long.


ACT III: Heather’s BIG Moment


Verne’s dragged into the suburbs far before sunrise the next morning. Street lights remain lit to brighten his entrance, but not a single living soul more. An absent breeze would help to stir more in this mannequin place. Maybe a touch or two over his eyebrows hinting at life, only to never provide. Bushes are dark in the ominous morning - even the Hedge he wanders from stretches darkness over him, before a few steps enter him into the open, flat roadway.

Sounds flutter by here and there. Cars of families leave home for the day at the crack of dawn. Humans abandon their own homes, and animals like RJ take the chance to move in, whom Verne is after. “Um, RJ?” he whispers as he skitters houses, holding a sticky note. “R-JJJJJ… I'm not sure what 'Be ready for a duck maelstrom' is supposed to MEAN, RJJJJ… Are the ducks a metaphor?!”

Rather than anything climatic, Verne finds RJ hammering away on a laptop between two rose bushes against the front of a house.

The guy finishes typing and sighs hugely. “Verne, my good man… I have considered this notion deeply… and now, I have a confession to make.”

“So you actually listened to me?” he gasps out of shock prior to any other reaction. “Back- Back in the forest?! The start of the week!? Wow… RJ’s listening to me…” He smiles and crumples the note. It falls to the floor before he chooses to let it loose from his palm. It just does. Across days and nights, Verne built a collection of scraps - lost hopes of RJ’s actions. That bucket pours out, opening his heart again. “RJ, I just have to say… I still don't know what the duck maelstrom implies… but I am proud you’re finally changing your ways. We’ll need your leadership to keep the Log safe-”

“Me 'n Heather bought rubber ducks with all our GoFundMe money.” Shut eyes and squared shoulders. RJ breaks in quickly like he really is confessing a truth.

“W-What?” Not even a bucket would slurp up its vomit, so it leaves its stomach empty and confused.

“Verne… I know you were expecting better of me. Why rob some poor saps of their pity money for rubber ducks?”

“RJ this isn’t what I was talking about-”

He admits this too: “We didn’t make enough from the GoFundMe. So now we’re about to go campaigning too.”

Verne blinks rapidly. After a grave misunderstanding on his part, sour to his throat, he can’t move his eyes anywhere off RJ. “Cam-... Campaigning.”

“That’s right, Verne!” RJ announces. “CAM-PAIGNIIIIiiing- Ohhh hold on, Heather's eating a donut.”

Heather comes spiraling down the nearest street lamp by one hand and foot, carrying a big pink donut in her tail through the ring. “Hi, I'm eating a donut.”

‘Eating a donut’ pounds the entire thing into her open jaw, swallowed whole, leaving a wall of icing where her lips once were. She jumps off next to RJ.

“CAMPAIGNING!!” they announce together.

Two critter-sized shirts plummet over their heads, and the signs they bring out as well ring their new ulterior ‘save the environment’ incentive for their rubber duck purchasing. By all definitions the two of them are a part of nature, to be fair; These things are never more than partly a lie.

But from passing cars they’re only slobbered on by stale chips and half-eaten taquitos. RJ chucks his wooden sign to leave a dent in the side of the next poor passerby, hurting more in the end than his campaign would help.

“Darn road rats! We’re not ANIMALS! We’re POLITICIANS! Take us SERIOUSLY!” RJ rumbles. “The future of our planet WILL have rubber ducks in it! Now GIVE me power!”

The humans throw a whole uneaten banana at Heather’s forehead, too. Heather faces the same anger, kicking it into the street. But then, catastrophe. A speeding car runs that living soul over, exploding it through the peel, spilling its guts, transforming the banana into a gory mess of sad yellow roadkill.

Both gasp. RJ and Heather place themselves in the road to salute the fallen warrior. RJ gets out a depressed trumpet to blow. Heather brings out her solemn tail, holds it to her heart and droops her ears. They will never allow another prosperous youngling to have their life full of potential claimed by these streets again.

Verne’s ready to kick himself out there too. “Okay, I think you two have had a liiiittle too much fun for today.”

They return to him. “Whaddya sayin’?” RJ spouts.

“Just quit wasting time!”

“Oh yeah? What have you got done?”

On top of a roof, RJ and Heather are able to stare at Verne’s fort - a REAL fortress at this point, not even a title - at least triple the height of the brick beast they stand on, across the suburbs and over the Hedge. Visibly, it’s been upgraded with a militaristic set of food defenses and extended balconies and rooftop battlements.

Hi Uncle RJ!” the three porcupine kids holler from the top of that… thing.

“Hi Cousin Heather!” Bucky calls. “We stole your phone!”

“We’ve been taking vids of your snoring dad!” Spike tells her. A post like that makes the optimal camera spot.

“Woah, look, I think he’s even drooling right now!” Quillo announces, on top of the world.

“Ew,” Heather says.

RJ flicks a hand atop the house, unimpressed. “Oh please, I could build a Lego set twice that size in an hour or two. Nope. Rookie build.”

Verne’s sheer presence basically yanks them back to ground level. “RJ, we don’t have time to worry about rubber ducks, or… those little green sheets of paper those humans print. What’re they even worth? It’s paper.”

"Well, ya got one thing right," RJ says. "I find half our money behind public toilets; They can't be worth that much."

“I’m pretty sure one time RJ said it hypnotizes their brains,” Heather explains. What’s that paper even worth? Paper… she gets an idea. “Wait, RJ, we’re stupid.”

And?”

“I'm sayin’ like, y’know, why don’t we just print our own money?”

“I… don’t think that’s how it works,” Verne utters.

But anyway, RJ takes a dollar from a friendly printer hooked up in the nearest yard (that just happens to be handy). “Works for me.” He pops open a dollar slot in the Grim Retina (the laptop) as a cash register would and slips the printed money inside. “It's gonna RAIN ducks in 2 days, man, it is gonna RAIN!”

“Just dump them all on my head while you're at it.” Verne throws in the towel and very politely gives himself the boot outta there. “Drown me.” On his way to the Hedge he repeats it in a grunt: “Drown me…”

He bumps into Ozzie near the bulletin board at home.

Ozzie immediately goes, “How many days until my daughter inevitably tries to ditch me?”

“You SHOULD be asking if we’re ready to die yet…”

Verne smashes a marker onto the calendar and drags the date across:

DATE: 5/18/07

“...Because there’s ONE WEEK! There’s one week and RJ’s out there trying to hoard rubber ducks for himself! He still thinks we’re just gonna… leave home. Phooey.”

“Now, uh, it’s not MY problem to get involved in, but… well, perhaps you should just forget about him, Verne. Start focusing on what matters.” Like living in the trees - what’s on the floor is no business to him. The trick’s always worked - he’s found no interest in any figure but Heather in the instances he’s had. He’s put his sights on the bullseye.

Forget about him?! He’s trying to get THEM to forget me! My tail can’t take it with this guy; It’s JUST like last year! Now I’M gonna go dunk my head in the pond. Maybe I’ll wake up from this… NIGHTMARE I’m having!”

“But Verne, you’re not an amphibian! You may DROWN yourself!”

Good riddance.

XXX

In the suburbs still, and they’re now lazing about, facing each other near a lamppost, RJ and Heather. The money keeps printing away.

“What day is it?” Heather yawns. “Friday?”

Why is Friday familiar?

“Friday…” RJ nods. It clicks some switch in him though - a faint thought. No effect for a second. “Yeah, Friday…” Just then his back jerks itself up along with his feet, and he screams, “Wait, FRIDAY! THE END OF THE WEEK! You’re supposed to be giving your SPEECH this morning!!”

Crap.

Heather slaps her head as hard as she can. “Nooooo, the SPEECH! I haven’t written any of it…”

It’s like the world becomes real to them, resulting from the shattered remains of an aesthetic plane. Their spirits don’t part. They conjoin in different emotions: guilt, pain, heart-stopping realization.

“Oh nooooo… C’mon Heather, you’ve put us off-beat for REALSIES this time! We had so much time to prepare, and what did we do with it? Play ‘Love in an Elevator’ by Aerosmith?! You had a plan, you GAVE us a plan, ‘n then you blew it! POOF.”

“RJ, stop! There’s gotta be a way we can fix this!” Heather greatly resists the guilt her impulses try to deal to her by plugging her ears to silence his foul tune. It overtakes her anyway the longer RJ goes on about the truth of the matter.

This is why we should’ve stuck to MY plan! ‘GET ‘em to like us’! ‘GET ‘em on our side’! I HAD a plan! And so help me, if I don’t HAVE a Twinkie to stress-eat on right now, I’LL-!” He almost lifts himself from his seat, darting his momentum in her direction. Heather almost falls back from hers. Heather herself doesn’t wreck his train - her tail is the one to act, yanking a Twinkie from the golf bag and shoving it into RJ’s mouth. Thank you, tail.

Because, Heather herself can’t explain what she’s feeling now, in the company of him when he wants NOTHING of her. After everything this week, now he wants nothing.

The soul-sucking defeat takes RJ’s seat down just after being jolted up from it. “And even worse,” he continues while targeting his anger onto the Twinkie instead of her, “Verne must have some kinda funky voodoo doll or somethin’ because I am being stabbed like Caesar right now…”

The sky gets brighter and more red from the devil of the rising sun. “It’s my fault.” Heather’s breathing gets dangerously forceful, and her voice loses rhythm. “Like I- I shouldn’t of gotten you to do all these things with me, like-”

RJ refuses, and throws the Twinkie down. “No, I’m sorry, that was rash, okay? Heather, I loved EVERY single thing we did this week! ESPECIALLY sucking cheese sauce off our toes, that was AWESOME!”

“...But what does it matter now?” she whines. “I blew it.”

“No hard feelings; You’re the kid here, you are NOT taking blame-!”

“I’m just a kid to you TOO?!”

NO, but-” He’s flinching every second on different joints and muscles. It cracks his head to the sky and clenches his grip onto his forehead. “OOOOOOHHH Verne is now proceeding to stab me in UNFATHOMABLE places! Repeatedly in WEIRDER ones!”

“This is so totally stressfullll!”

We’re not DOING anything!

THAT’S the stressful part!!

“O-KAY-!!!” The hammer of his fist comes down. One house’s window slams shut at the same time. There’s commotion. Not theirs anymore. Until he shoots his arms like harpoons to hook onto Heather’s shoulders, and calmly asserts, “Heather, we are gonna write this speech like we do everything else…”

He slams a blank sheet of white paper between their pairs of squashed legs.

“…In ‘n out, never without.”

Heather takes a deep breath. “You’re right. Together.”

They get pencils and burn their hearts out on it, grumbling each time they scribble from the top or bottom. Marks from a giant eraser here and there (‘For REALLY Big Mistakes’), and a cloud of grinded lead causing them to cough. Each mistake proves costly to their own lungs, and to each other. They burn their hearts and lungs out on the mission anyway.

But in the end, instead of a masterful piece of literature, all they’ve done is drawn crude depictions of Verne and Ozzie as some vicious monsters with claws, both being beaten on the head by one baseball bat.

Heather brushes her chin. “I think your Verne needs a bigger nose-”

“OH, we are HOPE-LESS!!” RJ grits, slamming himself in a limb frenzy.

He yanks the paper and rips it to shreds, stuffs the scraps in his mouth, aims up and spits an eruption of paper snow over himself. He drags his butt next to her against the lamppost and tugs the Grim Retina in front of his lap.

“I’ve got no choice. I will now give fate to the lord above. I’m gonna steal an idea from our narrator and you are GONNA have to make it work!”

Well he asked, and he shall receive. He scrunches forward to type up the script furiously. Heather scoots close, closer. Then locks her timid hands and sneaks her muzzle over his shoulder only to peek, glancing constantly between the screen and his engaged expression of red. Her eyes are sad, and blue.

“I’m nervous,” she weakly strums.

Putting his frown in the freezer, RJ goes serene: “That’s not like you, ‘possum pal.”

The typed page prints at a hit of the enter key. He feels the fresh sheet from the nearby printer be encased by his hand, and he gifts that warmth to her. She glosses it over. Her brain refuses to comprehend any of the words. Black lines on a page, they appear to wall in her mind and confidence, put them behind barbed wire. They have no key nor tempo.

At a firm skimming over the letters, without reading a single word, her eyes play half-hearted notes. “Now that I look at it, a speech doesn’t feel… ME, y’know? I’d feel better if it were like, somethin’ with a beat, I guess…”

“You’re gonna get everyone on board this family outing, even VERNE, I’d bet,” he reassures her. “Now let’s MOVE IT MOVE IT!”

He bulldozes her all the way back into the forest. He pushes her to the location of a cardboard stage platform set up in front of their fort’s gate, with a cracker-box podium. He quickly throws a little black suit on her with a red tie, fit for a child’s doll.

“Alright, very brief and very NOT PANICKED pep talk, okay? We’re allll countin’ on you, ‘possum pal! And by ‘all’, I mean me. You know these folks inside ‘n out. Thankfully, I only know ‘em outside. No pressure. Just really get IN those guys for me, will ya? And, uh, again… no pressure. I hope you’re not feeling pressure by me saying ‘pressure’ right now.”

She takes a step forward with her paper. RJ watches from behind.

Get your voice out there…” she goes softly to herself. “Get the family together. Gotta impress him.”

Heather appears before the podium, calm as a leaf on a dirt road, and smacks the bottom edge of her foreign paper against the cardboard twice.

Attention! All… log-goers, I guess.”

She forces a halt in their wheels, working as sentries around the site. Robotically, nearly a dozen sets of eyes lock onto her little being. She finds no character in them, but intimidation instead, as nearly a dozen mannequins without hue. They only have eyes. No other features.

“If you all could um…” She twirls a finger. “...y’know, gather ‘round or something, that’d be great, thanks.”

Stiff movements crowd them in front of the stage.

“Awesome, awesome. Scooch in! C’mon!”

RJ wanders over and joins Hammy in the back of the audience, his arms nervous behind his back. Hammy leaves for just a second to assemble a bunch of rubber ducks, dressed in varying apparel, into a larger crowd spaced between the foragers and beyond.

Hammy then shoots a good ol’ thumbs up to Heather, and she groans softly at the addition to the pressure. Now she has something to prove to a bunch of rubber ducks as well. Awesome sauce. And then he brings out Jeffery to stare her down too, with those menacing chocolate chips of his.

“Anyway…” Heather clears two crinkly toads from her throat, then reads straight from the paper. To start at first, but to become a locked state of psychological insecurity, her eyes veer from the audience to the paper without ever looking up. Just the first words soak the emotion out of her voice: “‘Four score-’

A little beeping game console interrupts her. RJ marches up to the porcupine kids and tears the Innuendo DS away to snap it in half.

She continues. “…‘Four score and seven years ago… and two moooore… the war to end all wars ended.’” The writing of the omnipotent, currently-present narrator befuddles her. “Okayyy. ‘World War I ended with about 40 million human deaths.’ Wild. That’s like 5 years of ‘possum roadkill on normal years. ‘This war was pointless…’”

“Good show, good show!” A hushed approval at base, RJ secretly grinds his teeth through the lips and twitches his feet under the roof of the grass.

Hammy taps his foot furiously without end. “I’m bOOOOOred,” he yawns next to RJ. “I’d rather be watching Uncle Verne’s favorite racing channel. At least they pan in on the audience eating roasted nuts sometimes.”

Heather drones on. “‘...just like our wars were pointless last week. We had losses too, but then that night, when we saved Hammy from the weirdo human jaws of the Sniffer, we were united as a family, aaanddd-’” After she trails off, she never returns. She can’t find the will to read more. Because at last, she looked up.

What a mistake, to be peering her sights into a field of inner ghouls. The apathetic crowd stares her down. United in the action, but so empty somehow, and unmoving. The pressure she feels then. As hollow as the rubber ducks Hammy set up, but unlike them, they contain souls. They contain character. They may squeak from fear or excitement, with pure emotion behind it. She’s squealing from both.

Practically, the animals act as cardboard cutouts of flesh and bone. Through her lens, her filter, they look much different from each other, but the hive doesn’t buzz. Nothing is intertwined between them minus the disinterest tying her ears shut, plugging her nose, and numbing her fingers.

“Oh jeez the narrator’s analogy is stupid.” A stupid opinion. She thinks, “Crap, I need someone.”

That ‘mental narrative coach’ comes to her answer in some illusion of a whisper - almost as if the voice of hers sourced from somewhere in the physical plane, not just her head: “No you don’t! You just need inspiration, homie! Make it ‘you’.

You mean improvise? I’m so screwed.

Some muttering comes upon the group while she’s in a pause, preferring their own topics over her silence. It blisters into madness.

“What’s going on?” Ozzie shouts. “I haven’t made my coffee yet, Heather!”

Dad…

“I haven’t beaten Oz’ TO the coffee yet, Heath’uh!”

Stella.

This is a mess to my STRICTLY-SCHEDULED DIET!”

Tiger?

“What’s the big idea here?”

“I have to feed the kids!”

Lou and Penny.

“We want muffins!”

O-ey O’s!”

Morning GAME time!”

The porcupines… those little poop nuggets who stole her phone…

All Hammy does is stare down Heather, ringing his sad little doorbell with his lips shriveled dryer than a raisin.

Why can’t she just run away from this and call it quits? She escapes so many other stress factors as they come to her feet. Now they cage her head. She can hardly breathe in here, with breaths hastening and hastening before soon enough the dome will blow to pieces and her head combust itself! The glasses she feels she wears, though they’re not there, begin to shatter and snap.

Oh my god… This’s my fault I’m even in this.

Then her filter glasses come sweeping off, which once skewed her view only to latch onto one raccoon. Now there’s a crowd, but not just a crowd, a family, interacting with one another and herself as the greatest hive of character she has ever seen. They're no longer transparent, or lifeless. No attack is - they’re targeted by sole emotional motive. Pathos, in a different kind of response to her likability, or as she now finds it, gullibility to her use. The intertwining complaints and gestures targeted right at her mug, and the mingling between them. How did she ignore this? Words between species, between identities, between kinds, and personalities. Something can bring them together as her crappy speech can. Something like her, maybe. Verne speaks to everyone. He has grit and confidence. She has neither. Okay maybe the grit part isn’t necessary. But every family needs some awesomeness, right? Right now all claws are pointed at her. She can retract them; She can flip their frowns upside down. She can!

And it has to be interactive, just as the family is-

“That’s it, I’m comin’ on the stage, Heath’uh!” Stella attempts to get up there herself before Heather can decide on her course of action. RJ bodyguards the stage and shoves her back.

Someone large and green, with a neatly-shined back, comes to get a piece of the action. When he moves, the rest of the family follows soon. “What’s the meaning of this, RJ? I know you condoned it! She’s wasting the family’s time!”

There’s Verne, attacking the web she’s clung herself to.

The family?...” Is Heather trying to remind herself? It appears to be. “I’ve got like a family too, don’t I? Not just RJ.

RJ jerks his head around and urges her scathingly to continue as the crowd is lost from her speech. That same crowd overwhelms him quickly.

Maybe dad was right earlier. I- I need to think about the family. What brings a family together? Okay like, wait wait… Well what gets me ‘n RJ together?

Listen, stinky-pants,” her coach intervenes. “Do you remember like, anything that happened this week?

She does look for such inspiration in the forest around them, up to the high treeline where she’s naturally drawn to as an escape. Gravity seems to tug her eyes down as a motive. Weight flooding over her lower lids steer the ship to some grounded constellations instead, as the glint of the sun peeking past the overcast reflects off a shiny treasure. Past the corner of the fortress wall her head turns, where beyond the fort, over the pond and through the willow, one CD leaning against a stack paints rainbows over her iris. From this mental prism, she can nearly see through the disc to the black sharpie writing on the dull side. Her Banger Roll is there as well.

Her beat forms itself nearly subconsciously. One of her toes begins to tap. This is it. She can feel it. It’s growing. Her happy tail starts to swing. The music’s getting louder, bouncing and jittering around her skull, which plays the strings of her muscles and puts her body in that concentrated level of awesomeness she sought. She rides a crystal-clear view back to the crowd conversing and gossiping angrily on their own. RJ, sat down since a second’s passing, delves into his own matters, sorting through some album cases he’s got.

Ooo, hoot hoot, you two are music guys,” Heather’s coach chimes in.

Did you like just figure this out?” Heather snorts backwards to her brain.

She stares back down at her paper, then back at the CD collection. The music’s still going. From 8 to 9. It can’t quite max out - not without her. A speech doesn’t have a peppy beat to it. It’s just… words. Dull, dull words.

Music!” she proclaims within. “That’s it! I’ve gotta make this ‘work’ MY work! Coach, you’re right, I’ve gotta make it ME!” Though her tail goes from a happy rattle to a mousy one. “But dammit, I never sing in FRONT of people…

So suck your thumb ‘n DO it!” the coach snarks. “Be a kid. Be yourself. Get your voice out there.” With Heather currently sucking her thumb, one final nudge should end her switcheroo stumbling. “And RJ’ll like iiiit…

That’s the last bolt of her cage loose.

“Alright… SCREW this!”

She kicks the podium down, tears her page in half, and buries the scraps into the stage. In front of the public, she rips her suit and tie from her chest and unveils to them her bare, hairy, awesome, Heather self. No one makes a peep then.

On second thought, RJ does, trying to peep of anything without cussing her out: “Heather, what are you DOING-?!”

But Hammy’s ecstatic of her change in attitude, plugging RJ’s mouth and whispering, “Shhh, she's working, SHE'S WORKINGGG!”

“Uh no, she's NAKED! And CRAZY!” Verne chuckles loudly in response. “Who on Earth is gonna listen to this teenager-?”

Everyone but RJ and Verne attentively step one pace forward. Boulders shifting at once.

RJ tucks Verne close and quietly pats his head.

Heather’s voice sweeps over the scene like mist, overtaking from an unknown location, for she disappeared suddenly from the stage, to a gasp from all. “Now presenting… so totally the ONLY marsupial found in North Americaaaaa…” A star falls from the sky, hidden by emerging daylight. Heather pops down from leafy curtains, hanging upside-down by her tail from a high tree’s thin branch. Not too far from RJ’s entrance over a year prior. “Me.”

Ozzie coughs.

Heather points double fingers between their totally different stomachs. “No pouch. Don’t count.” She flips herself down to the stage, in front of the toppled, forgotten podium, to meet them again. “RJ, pass me that freakin’ GOOD stuff.”

He finds himself flicking her a random CD on command.

“I don't wanna break into song,” she starts with a grin. “Buuut…”

She puts it into an old green CD player she's got on deck, and goes smug.

“We’ve totally got the leg room to make this like… well… interactive.”

RJ scratches his chin from a bit of intrigue at her approach. “Interactive?”

Interactive!?” go the kids, plus Hammy.

Interactive?” Verne drops. “Oh no-”

Just the beat she needs comes to her aid. A karaoke track. Or more like a simple, moving beat her words can rhythmically clap: “Look, this ain't a Disney movie. But c'mon, follow me!”

She swings the player onto her shoulder like it's a boombox and leads them, singing full of the lusty energy she wields perfectly in check with herself and her proud, loud volume:

(Heather)

I got the questions, you got the answers, right? What's it you want from a fa-mily?

(Others)

What?

(Heather)

What's it you want from a fa-mily?

I'm talkin' places to be seein', meetin' fresh new faces, or just lyin' back in pillow hea-ven, ba-by!

The group picks up on the gist of her 'interactive' number and follow her closely down the Hedge, away from home.

(Heather)

So take a listen to the radio!

(Others)

-O!

(Heather)

Don't stop for breath, y'know I won't talk slow!

(Others)

-No!

(Heather)

I think this family'd grow if we found a place to let it… steal… the show!

Without any pause, a microphone suddenly falls from the sky into her raised hand, and her voice amplifies tenfold.

(Heather)

So bring the beat! Bring the beat!

Brought the gang all here ‘n now we’re on a roll!

Bring the beat! Bring the beat!

Get in the mix of it and take your chance to sing it, now!

(Others)

So bring the beat! Bring the beat!

(Heather)

Join the fa-mi-ly, together we'll bring the beat!

'N if you're feelin' he-si-tant we'll free yaaaaaaaa

She throws the mic to Hammy.

(Heather)

We will… bring the… beat… to… you!

There comes no pause between his words, just slow enough to be at the very least comprehensible:

(Hammy)

Uh, hey my name is Hammy, if it helps it rhymes with Sammy, I've got hugs as soft as jelly, and they're MADE- WITH- LOVE, but I'm quick to pull the trigger on the stuff I choose for dinner, cuz today I ate a worm and no it's not the gummy kind, but I was really hungry and it tasted really squishy, I thought it was a candy but then it wriggled on my tooth in the back, that's my story, oh and HEY did you get any o’ that?

Heather bumps the mic away from him.

(Heather)

Well thanks Ham’, we still got some work to do

It goes to RJ.

(Heather)

So, next up we will bring the beat… to… you!

RJ is unsure of what to say, having to complete his whole verse in one breath after all. Even though his face slowly deteriorates and suffocates itself, and his voice grows steadily higher, he builds up a catchy rhythm halfway through that Heather can get behind:

(RJ)

Well okay my name is RJ - that's one 'J' please - and I think you shouldn't toss it to a guy who isn't ready, like I get it's interactive but my brain is losing traction, like the oxygen I'm breathin's getting thin and gettin' heated, so guess what? I gotta bid- adieu, and I gotta bring the beat back- to- you! PHEW!!

RJ collapses face-first.

“Guys, singing super fast isn’t like a requirement, y’know,” Heather mentions out of song.

RJ only barely manages to pick himself up and inflate his lungs like a balloon. “Hammy set a precedent…”

“Whatever…”

She returns to the beat.

(Heather)

What's it you want from a fa-mily?

(Others)

Huh?

(Heather)

I'll show ya what it takes to be a fa-mily!

(Others)

Yeah!

Down the Hedge, the mob brainlessly follows her. Except Verne. “They're being herded like animals… wait.”

(Heather)

From my heart I've pulled this me-lody, and you've got-ta see, some u-nity will set us free.

And now I know you're thinkin'-

Verne tries his hardest to break in from the back of the marching crowd. “Uh?”

(Heather)

You think you've been mistaken-

“Hello?”

(Heather)

To be trailing along some stupid soooong-!

(Others)

No!

(Heather)

No? Alright, like keep it flow-in'-

She glances at RJ, who comes up loyally at her side, and directs her next words right at him:

(Heather)

-our music could take you 'n me anywheeere!

(RJ)

So bring the beat!

(Heather)

Oh!

(RJ)

Bring the beat!

(Heather)

Woo!

(RJ)

You brought the gang all here ‘n now we’re on a ro-OLL!

(Heather)

Bring the beat!

(RJ)

Yeah, bring the beat!

(Both)

Get in the mix of it and take your chance to sing it, now!

(Others)

So bring the beat! Bring the beat!

(Heather)

Join the fa-mi-ly, together we'll bring the beat!

'N if you're feelin' he-si-tant we'll free yaaaaaaaa

The mic goes to Stella.

(Heather)

We will… bring the… beat… to… Stel-la!

“Stel-la?!” Verne bursts from his lips in simple betrayal. It’s a ladder structure of cracking wood within, breaking platform-by-platform the more she contributes to his downfall:

(Stella)

Well- I'm not much for song, but well- I'm still- just singin' along. I've been hooked up on the TV, taking life a bit too easy, now I'm on my stinkin’ FEET, ready to blow for fa-mil-y

Now Verne-

He puts his full attention into the card reader now.

(Stella)

-You just sit back 'n let the girl work, or else you'll get your tail hurt, tryin' to mess up her skirt!

His face drops from anger to neglect, as simple as that.

Heather bounces back from the front of the line and quickly steals the mic from her to try and get Verne on board, instead of hissed at.

(Heather)

Just have some fun, take part like everyone

She spins away in a hurry.

(Heather)

I'll check back in just a sec' okay, this cab still needs a driver, now Tig-er-!

She holds the mic stoutly at his face beside him while his four limbs are occupied during the march. Tiger puts on a valiant show with the militaristic beat that follows his exact footsteps.

(Tiger)

To BE a prince you must be fit, not to binge on fishes and dishes your owner stuffs you with. Now I'm out of home, but not alone; My belly would agree, living with you all my spirit's never felt so free! So I've sworn my every life to this thing called fa-mi-ly, now it's time to bring to beat to… Oz-zie!

The mic’s thrown to him by Heather. “Daaad!”

“Oh.” Ozzie grips the mic carefully in front of him, unprepared for his conclusion under her musical regime, even a showman, he is. “Um, okay, well, here it goes…”

A slower, more orchestrated melody locks his feet in place. A complete overhaul of Heather’s fast-paced style. His words fall down like raindrops on a lilypad:

(Ozzie)

I've been spending life from making life…

With starry nights poured at the seams of my mem-ories…

Aaaaand instant regret. Ozzie’s already been more effective than Verne at halting Heather’s progress with getting the family down the Hedge. They stand still to watch him perform, and it peeves Heather. “Oh c'mon.”

(Ozzie)

To think you'd leave me torn at the sight of your risky hand…

It spoils my cards, so please, hear meeee

The pace picks up, and they both sing quickly in their distinct styles. Heather fights to get the mic back from him. He spins away each time she lunges her arms at him.

(Heather)

Dad, you really need to go, you're messing up the show-

(Ozzie)

I- need- you- to- re-turn- to- meeeee

(Heather)

No really, hit the road, this junk has gotta go-

(Ozzie)

I- need- you- to- start- see-ing- clear-lyyyyy!

(Heather)

This bridge's lame as hi-stor-y-

(Ozzie)

You don't understand me-

Heather finally manages the mic from his hand.

(Heather)

Yeah, like whatever- We will… bring the… beat… to… Verne!

The mic bonks Verne in the head. He doesn’t pick it up. Heather’s baffled, to say the least.

(RJ)

Just leave 'em be, we gotta run the show, let's go go GO!

Segments of parts of every other make a perfect harmony in the background of Heather’s voice above everyone else's.

(Heather)

What's it you want from a fa-mily? I'll show ya what it takes to be a fa-mily-!

(Hammy, in an overlapping opera)

I ate a wooorm to-DAAAAAAYYY!

(Heather)

[-DAAAAAAYYY!] From my heart I've pulled this me-lody, and you've got-ta see, some u-nity will set us free.

(Hammy, overlapping again)

I ate a worm to-daaaaayyy

(Heather)

[-daaaaayyy] And now I know you're thinkin' as we string this thing we’re makin’

Yeah I know that now you’re thinkin’-

(Everyone)

-we’re not mi-stakeeennn-!

The melody dies, coming to just the simple beat of a wood block. Hushed, the rhythm’s directed specifically at RJ next to her as she whispers in a more timid nature.

(Heather)

Please keep showing me the good life-

(Others)

Oooh!

(Heather, subtly pointing at Ozzie)

I can’t go alone with this price (dad)-

(Others)

O-o-oh-!

Heather directs herself loudly back to the whole group.

(Heather)

This family’s about ‘we’ not ‘me’ you’ll see-!

(Others)

We will… bring the… beat… to… Hea-ther!

“Oh, and, by the way,” Heather cuts the end of the track to say. “We're goin' on a family outing today.”

Everyone realizes how far they've already walked a bit too late to object. The Log is nowhere in sight anymore. Nothing of home is. Beyond that, across identical woods, it seems they’ve moved nowhere else. But they sense it - not just a fair distance down the Hedge, but an irretrievable distance.

Not a pair of feet move. Not even one. Not a single clue where they are, or how they got here. They did, is all that matters. Heather’s music guides this family into the future.


“Super duper there, Heather!”

“Jeepers, Heather had us in a boogey!”

“That was so better than game time, Cousin Heather!”

“Yeah Cousin Heather, we want an encore! En-core! En-core!”

“Are we there yet, Cousin Heather?”

“I knew you’d make it fun, Heather. I knew you would! I told you so, RJ! It was awesome.”

“Verne, take it from Heath’uh, SHE knows how to be a family.”

“I’ve never paid any attention to Heather but… I can’t even argue with that.”

“I suppose that’s our day covered. As a prince I say, lead the way, fair Heather!”

The name’s a complete blur to her. It flutters around her like a fairy shouting to her over and over, though she hears it as a broad praise. Why she’d done it, hadn’t she? Cussing her once, singing with her the next, and now, they unite under her name. Just like the Hammy situation. Just like she’d known it would work. Just like she planned. The interactiveness Heather brought upon them as a family have them follow her parade. They have no problem now, all of them, trailing to Heather’s beat - from the so-called kid of the group - for the morning.

RJ indulges himself a bit too far in victory in the back of the pack, spinning all around and bouncing by the soles of his feet. “YOU said it!” he reminds Verne, that speechless onlooker. “Under ONE lock! Feelin’ giddy or what?”

“This is NOT what I meant, RJ! They’re following her for no reason. They don’t know WHAT they’re doing!”

"Too late, ya got that ‘unifying force’, that ‘key’ ya wanted, man! Look at her go!"

Verne watches him spin off with a huff, and everyone wanders behind Heather's lead through the tame morning fog. Each step cuts a clear path to them, but Heather becomes the first to trek forward. The fog is only light, but that implies a light bit of uncertainty which Heather brushes away by lighting through. Verne halts his feet, but forces them to resume after a moment, as any ounce of hesitation draws him further from the mindless pack. Her performance left an impression on his startled face nonetheless.

RJ dances his way up to Heather and scares her with his energy. “I thought you were free-ballin' it for a sec' but that was GREAT!” he laughs breathlessly. “You recited that?”

Flattered in her cheeks, she inches her muzzle back from his praise. “Uh, no.”

Her one word snaps his arms down to his sides. “Oh so you WERE free-balling it. I respect the audacity.”

"That was for you, y’know."

"For me?"

“Yeah.” She’s real slick about it too. “Wanted to put my vocal cords to use, right? Now guess what? The family’s back together AND I'd bet they totally love you now. You’re welcome.”

Out of appreciation for her sudden sly nature he nods continually and replies, “Well consider that a 'thank you' from me…”

His open hand rises to the level of her head. An offering of celebration. She nods the same and offers her own. They reach back and slap their hands together like velcrow.

Immediately when their palms collide… frozen. The family must’ve stopped just behind them, for any sounds of shuffling stop. Their hands stick glued together for a second, all sprawled out and jumbled between fingers. They stare blankly from one pair of eyes into the other. Nothing from their blue-to-blue lets them process. Heather might’ve glanced up at their hands once, but forgets that instantly, in the pause.

Then… RJ gives in and takes his silent cue to slowly morph his hand into a tight rock fist. She crumples her paper all over it and grins cutely.

This is still just for fun, right? Is it? Not anymore. Not from the way he reacted, full of lively might and invigoration. A dance and song for her own ears and eyes it feels, like her heart thumps faster to match his tempo. The amusement in his countenance only further dribbles the aura of significance and worth she’s compelled to feel around herself. Just as it’d been proven to her, it’d been proven to him. She is the lock that needs no key.

I’m not a kid to you, am I? I’m me. Awesomely me.

As far as the rock and paper thing? Yes this metaphor has been made 3 times. The point's across.

RJ, bouncing in spirit, breaks his hand free. “Heather, you were right the whole time - You are important. So why don’t you try it out?”

“Try out what?”

“Your new place in the family. Take a look.”

He shows her the family behind them, awaiting the two to continue leading down the Hedge. They’re all looking at Heather, and she’s, simply put, in awe at it. Except Verne. He’s got his arms crossed instead, and pointed away. But who cares.

Heather utters, “What? These guys are all looking to me? Awesome sauce.”

“All these giddy faces are waiting for someone to do the thinking for them,” explains RJ from his typical experience in the role. He makes a popping sound when he takes two fingers and picks an imaginary object off his forehead and presents his little ball of air to her. “Heather, I will GRACIOUSLY allow you to borrow my ego just this once- er, leadership! Leadership…”

Heather stares at his fingers.

He pokes at her puffy chest. “Now TAKE it.”

Okay. She faces the family, takes a breath, and suddenly, RJ puts his journal in her hands, open to the page where their dream forest is drawn. She looks it over. From a purple waterfall, down a creek and to a willow tree, bursting with blue hotdogs, the wiener willow is there. What was even the point of it again? To draw some other animals in towards their awesome new home? Clearly she’s got the charm to draw some in on her own, yeah, she’s got that covered. But there are several other attractions in this dream home of theirs that could use some finding.

She smiles, raises her head, and flips the book to the group (with authority). “You guys see this?”

Everyone nods in perfect unison. And all their looks go transparent to show their personalities to her like gold behind glass. And oh, this feeling, it rocks her socks off! If she had any. So incredibly foreign. The sock part would be too. She hardly gets the time to process with every look locked on her. She HAS to answer.

“Jeez, this is like super weird… Um, alright, we’re lookin’ for somethin’ like this, okay? So put on your funky pants, or… whatever-”

“Mmm-hmm, funky pants,” RJ reiterates to the gang, proudly by her side.

“And also, I’m nominating RJ as our taxi driver for today,” she says while rubbing the side of her playful arm up RJ’s.

“Yep, that’s right-!” He drops his smug, RJ grin. “Wait what?”


This fic has been converted for free using AOYeet!

Chapter 5: Heist Buddies

Notes:

Note: This is the finale in the triad of 3 chapters I’m forever calling ‘THE GAUNTLET’. What I mean is that this is the last super long chapter in a row. If you’ve made it through this, you can make it through anything this fanfic might offer. I assure you that the rest of this episode won’t be like this, mostly. In Food Freak Fortress the long word count was a story tactic to emphasize how wasteful the family conflicts were. In Paper Beats Rock it was meant to cover a week’s worth of time. But this chapter takes place in the span of one hour. In ONE house. So why’s it so long then?

Well, because it’s my favorite chapter so far. That’s about it.

I mean, this whole chapter is more of a side plot than anything. Like a TV episode. It doesn’t HAVE to be here, but it’s more fun if it is. I treat this fanfic as like a time capsule for myself. So this’ll be an interesting phase of my storytelling vision to look back on.

XXX

I wrote a specific scene around "Run" by OneRepublic. It’s from 2021 and not y’know, 2007, but I don't care and neither should you. The actual song choice for the scene is up to you if you want though. Power to the reader, I say.

Chapter Text

“Let me tell you a story of two faces. On one rests a bond - a bound bond - between a party of 2, grown throughout the week by every CD they have collected. It has now reached its climax. But on the other rests the family, the strength of a bear. By Heather’s own doing, these fine fellows now look to them for the same. Perhaps time together… is just never quite enough. Yes, that is a reference! Hoot hoot!”

Word Count: ~25k


ACT I: Off the Rails


He… was once homeless… Nothing more than about 2 weeks prior.

This house had no detail. But it was full of potential.

A nighttime scene… A large man who carried him in…

Some wretched racket protrudes just the same as solid light through the open bedroom window. Far beyond it resonates, that commotion. That endless string of words that travels from the pit to tower, high and lone, where it spouts itself into the only room. Housed by the painted walls, any goer would paint a new coat like wrapping paper over this box to fill the space with some charm of their own, to escape from the lampshade of an early light. Even past the grip of the windowsill brightness scatters over the mushed cloths on the blue bed. Despite that, there is comfort still in their homely softness, and character in the sports posters all over the walls. Whether filled full or barren empty, a home’s a home, anyone would suppose.

One clumsy clumped ball comes to have the sunlight injected as a glow into the outline of his fur. The golden rabbit - once homeless a couple weeks prior, if he may recall - tumbles out a cardboard box on the corner of the floor, impressively remote in a confined space. He sprays some flimsy tan straw from the bed made of it, puffing the remainder out from the jittery cracks always left between his lips and teeth.

Some remains in his coat. It’s like he carries the only rustic item in the room on his own rustic, raggedy self, standing apart from the paint and plastic while standing up to view. Only out the window, where words rumble on beyond any ounce of context, do the leaves of oaks sway in the wind. The wind does a good job blocking out the tone of those conversing, or arguing perhaps, but the fact that anyone was speaking at all could only be a spawn of his imagination.

Imagination, huh? On the floor one foot gets cooled by sleek wood boards while the other scratches over the rough texture of an old carpet. Abstractly symbolic, maybe, but his thoughts take no part in speculation that strays past the walls of reality, or the walls of this room. And again, he shares none of the artificiality of the room as a walking hay bale inside of it. Caves are made of rock, but that rock is organic. If this were a cave, surely the echoing of the archaic cuts in the earth’s skin would come flooding through his raised ears. The image of a cave at all leaves him. This is a room. Not a cave. His eyes follow what he sees.

I've returned to my… fabricated domain.” His inner voice lacks the substance and life of an extrovert. It also lacks the freedom of an introvert trapped in the black dome of the mind. It’s neither timid nor dormant, but existing as just an entity. Just an entity.

Such a claustrophobic yet free space jumbles his emotions like knotted rainbow yarn.

He turns to the wall.

Before him he’s left by his own mind to view a golden rabbit encased in black, colorless lining. Comparable to a lake’s water surface rid of its wrinkles. In a tall frame from floor to roof, this image carries itself as a beam between heaven and hell reflecting the earth lying in between. Even the bed and old gym shoes contain, make up, belong to the earth. He’s there, through that screen, staring back at himself, and while the optimistic fitness-graphic poster crammed next to this thing encourages him to expel some weight from his stomach, his stomach in turn must’ve combusted entirely and left the hideous humps of his ribs to show under his chest. Underweight certainly.

The green of the puke anyone suspected would’ve brought his stomach this low into impoverished depths must’ve gone to his eyes… the only part of him that took a bit of nature wherever he went. Still, no one expects the hungry in the aisle of the full. Having incentive to lose weight at all had to be a blessing instead of a burden, he assumed.

Nothing in the room speaks to him the same way the song of the wind does in an open plain. Full of color yet, and so it distracts him from the otherwise flat, boxed layout of the room, as his cardboard shelter was. But no green forested vines to lift him from the pits. No dandelions to keep his seeds of thought tucked back so he can blow them all away and soak up the yellow into his soul. Only he, himself, and the creature (for what he may well be known) moving to replicate him in a time-freeze.

My mind is empty, but my eyes are full.

He turns back from it, and nothing changes. Bickering, as the tone suggested, does come louder and louder from the window, but the incongruous and sudden crash and rattling of leaves against each other storms these sounds away as something of the imagination. It was far too unnatural, for the crack of a branch meant a bird must be there, but no bird sang. It must be a placeholder for him, that sound, to fill some crack this bedroom split apart.

And there's no life anywhere

The door into the room creaks harshly open, and a man clomps in his slippers. Gray pants leaning a bit unevenly on one side. Stomach slightly bulged from a sweaty white shirt. Fortunately the armpits see the concealment the rabbit sought by a thin green jacket over both his arms.

The rabbit scurries back into his cardboard box, back into the straw.

...except for this hairy eater of cheese whiz.

He watches the man parade the room, then approach him.

A bowl of soft yellow gets thrown down onto the floor next to him.

He sniffs at its base carefully.

What is this object before me? Maybe it symbolizes the divot in my soul, just as the divot here is filled with empty- FOOD?!

Eat up, lil' fella,” the giant rumbles from overhead. “I’ll be in the basement if ya need me.”

How could it be… that someone could track a meal down for weeks, but then be fed to by some humble and terrifying stranger a meal that tracks its own hunter down daily? An omlet of spaghetti, tomatoes picked fresh from leftover pizza, and canned carrots to top it off. Why he… couldn’t think. Could he ever? As it hunted its hunter, the meal ate away his brain to replace it with only the vision of food down the stomach and flesh in the ribs; The noodles would coil around his bones to strengthen them; The wrinkled tomatoes would ripen up his blood; The carrots would coat his eyes in screens and screens of youthfulness and vitality! But young as he is, and hungry… he cannot think, again.

My eyes are deceiving me yet again, day after day. But I'll eat the food anyway because I am very hungry, and it looks very soft and delicious. Let's begin.

Somehow though, when he begins to eat and sends his taste buds into frenzy, his mind shares none of it. He eats. That’s all he does. By the time he munches it all down and fills his face full on the inside and out and lifts his head up, the man is gone.

A paper airplane comes through the open window and lands on the floor. He picks it up to unfold it. It's a note, which he reads aloud. The words that then exit his lips speak from a different, much more awkward fellow, completely apart and divided from the tone inside: “'Hello. We are about to launch an all-out attack on your house. Sincerely, R.P.S.'...”

He searches the room for the sender.

“Uehh… who? HUH? WHERE?!

A raccoon and opossum come flying from the window, rolling through the air, carrying the power of the sun on their backs!

Wait. Stop… How did the story get here?

XXX

Aaaalllllright, put the party bus in reverse for a few steps please, there’s some missing plot points here. Everyone’s probably wondering how RJ and Heather ended up in this situation.

There is a certain middleground between funny and serious. And that middleground is… awesome. Such perfectly describes not only the intent of this whole fanfic, but the birth of the hedges we know and love today.

It was just like any other day. The Bronze Age. 3026 BC. A happy married couple - let’s call them ‘Happy’ and ‘Married’ (they have a third wheel named ‘Couple’) - leave a hedgerow in place after clearing land for a farm.

Back then, hedges were a mark of human synergy with nature. Raccoons and opossums would flock in and out of these things to listen to the farmers playing tracks from Aerosmith’s ancient-ancient-predecessor: Arrowsmith. They were a little-known band, appreciated mostly by niche hedge-wielding farmers like Happy and Married. Oh yeah, the farmers also harvested some stuff from these hedges. Like nuts.

Here comes that random timeskip that changes everything significantly. Now we’re in the 21st century, bros.

First off, we have no clue how RJ came to be. He kinda just… happened. But he is a soldier under the banner of George Washington.

Meanwhile, Heather grew up (details withheld for lore purposes) into a little furry noodle the internet will regard with all due respect (said no one ever), and her and her dad joined up with Verne. Now some time later Heather saw new big guy on campus, and everyone knows Heather likes new big guy on campus. Big-guy RJ (he’s more like average size - so average-guy RJ)... Average-guy RJ does average-sized things, and everyone already knows how the movie goes so who heckin’ cares.

RJ wasn’t actually too quick to open up to Heather. It took about… only a week and a half. Okay point is, they’ve come a long way since dancing out their younger nights underneath the stars.

Like, some stuff happened over the year, y’know, like how Heather became friends with Bambi from a convention for animated animals. And then we get to Heather’s whole musical number last chapter, yada-yada-yada, now here’s a redundant flashback to remind everyone of what they might’ve just read about. That’s right, INITIATE FLASHBACK SEQUENCE:

~~~

The others finish the number. “ We  will… bring  the… beat…  to… Hea-ther!

“Oh, and, by the way,” Heather cuts the end of her track to say. “We're goin' on a family outing today.”

“Wanted to put my vocal cords to use,  right? Now guess what? The family’s back together AND I'd bet they totally love you now. You’re welcome.”

“What? These guys are all looking to me?  Awesome sauce.”

The family can’t keep their eyes off her now,  that kid.

~~~

Well this ‘family outing’ started with RJ… as Heather’s nominated taxi driver. That’s right, on their red-hot RC Lamborghini, RJ drives a mound of animals miles farther down the Hedge until it does, in fact, show an end. On the corner, in the most secluded edge of suburbia, RJ’s neurons party over the house there, sporting a completely open window.

A standard, white rectangular box from top to bottom. Two floors. Pointed as a toolkit by the red-brown bricked roof sloped up. No detail, but full of potential. On the side, a small open window proves the kit full for his desires. Well-concealed in the shade shrouding that face, and himself blinded better by the sun than an insomniac, he spotted it immediately yet.

Its untold riches lift him from his seat in the car, though not the edible kind of loot this time. Couches, knick-knacks and television - he practically sees it all through the solid walls. He’d packed an x-ray sense just for this. No one else sees anything but a wall and a window when they follow him around the bend of the Hedge. Here’s what they don’t know: It’s his window of opportunity.

RJ glances once at a certain little opossum.

Verne objects to his side quest, ‘to fill up the last empty bit of the cave’, he lies. From a misunderstanding by the rest of the family, Verne smacks a shopping list of magazine cutouts into his face and offers a deal: If he manages to get this bulky meal for the family in the next thirty minutes he promised to be gone, Verne will finally hear his case. Pluck the marshmallows from his ears. If he had any.

RJ snags Heather like a stuffed toy but of course Ozzie objects then. Then Stella objects to Ozzie’s objecting and pulls him to the side. Okay. Dunno what’s up with that.

Finally, for herself, Heather patters up close enough to block RJ’s path. “What happened to the whole family outing thing, y’know?”

RJ tugs Heather closer by her skinny shoulders.

“Are we seriously gonna leave ‘em hangin’?” She sounds so disheartened by just the idea.

He speaks as smooth and low as he can to send the message. He needs to in order to let her know, clue her in on some unwritten story up the mountain, through that window. A new page of the journal never before seen. “See the shopping list?” He waves it out.

She nods like a dumbo.

Screw the shopping list. The cave’s full. This ain’t for the food, no, not at all. Sweetheart, listen, we’re gonna have an adventure, you ‘n me. There’s no ‘next time’ for this one-time offer, riiight?

Their fur starts to merge side-by-side, perhaps for the first time that hectic morning. Heather’s heart rumbles, hungry enough for all the fish in the sea. RJ hoists up the netting, and there is her bounty all the way across the dock, a thousand steps that shrink to one. In song, she told him to show her. Here’s her chance. By the gateway of a high window, bubbling high with her wildest spouts of imagination into the greatest life with him.

It’s time for some food for the heart, an eager nudge of their hips together agrees. Some guilt that resides in her hidden grin, pretty blush and slight tail flick flush away at RJ’s resulting ecstasy to one simple “sure” she gives in.

Believe it that just a “sure” will HARDLY suffice what’s in store for the next thirty minutes.

Heather’s a bit reluctant to follow, but lets him take control. They approach the Hedge, humble and prepared.

Besides, we’ll be out lickity-split…” RJ faces the house and says it very cinematically, nearly as if he’s being sarcastic: “WHAT could go wrong?

Ooooooo, I like the sound’a that.” Hammy taps his foot rapidly in place before speeding over to RJ and Heather to join them, leaving just Verne, Tiger, and the porcupines to carry out the original plan. “Can I join? Can I?” he pleads.

The complete team RPS sets off on the valiant journey, wild and free.

“You have thirty minutes, RJ!” Verne reminds him. “A second later and your toes are done for!!”

From this distance RJ’s ears don’t flinch an inch before the three of them hug the tree closest to the Hedge and climb it. His brashness prolongs Verne’s steam-filled huff.

RJ forgets about the list entirely right after that.

Team RPS overlooks the house from the branch they take post on. The longest of these pine branches slants inward towards humanity's own, poetically. Only the Hedge separates them from the house and the captivating lure of its open window. As always, this intimidating structure was merely a landmarker rather than an obstacle. Just a way to remind them that this was no forest they were stumbling into. The world of ‘civilization’, as those creatures called it. Only for the sophisticated. But the Hedgies… they saw things a bit simpler. What did the humans truly possess that made that species feel so inclined to parade as they pleased, making executive judgements on what was this and what was that?

It was puzzling, certainly. There was no way they would ever make sense of it.

And who cares, they don’t NEED to make sense of it. Let’s blast this baby’s crib right open!

“There it is, gang…” calls RJ. “‘The Impregnable Fortress’...” After an incredible second of awe and awesomeness and ‘wow RJ you’re so cool’ and stuff, he completes a tiny diagram on his arm in marker and shifts the team into action swiftly. “Team RPS, group up-”

“Wait, RJ.” Very closely, Heather whispers, “Why don’t we just… y’know… Let’s leave Hammy somewhere this time? Or something?”

RJ draws an eyebrow down. “Hey, no, we’re a team; That’s not part of MY drill-”

“I know your drill, but there’s no next time, you said… right?”

Hammy eats a booger from his nose at the time RJ assesses.

“Wanna have a good time? Leave him out, pleeease. You wanted this.”

He did want it. Which is why RJ reworks his plan accordingly, bobbing his head around. “Alright, Ham-squad, scout us from the yard. You are officially… la sentinelle.” He passes a yellow walkie-talkie into his lap, then winks at Heather, “‘Possum Pal, you ‘n me. Let’s MOVE out!”


ACT II: Big World


In the bedroom, the golden rabbit still cannot make sense of that message, from ‘Team RPS’ or whatever.

“Being butt-naked is awesome by the way,” comes some teen girl’s idle chatter muffled outside the open window.

Alertness shoots its way up the golden rabbit and makes him stiff.

The window pane above the sill shudders slightly, tamer than him. It chooses to freeze when the hook of a fishing rod clinks onto the edge of the windowsill. That hook stabs into his vision and jolts the one sad sagging ear straight upward. The humble atmosphere, the tranquil nature outside does not justly portray the scars of murderous intent clawing their way up his raw skin under the aging, cracking roof overhead.

The rabbit shivers and raps his foot for too long and too silently at that.

Some feral man of the jungle trumpets, “MAKE WAY FOR UNIVERSAL HEALTHCARE!

Two feral bodies come flying through the open window and crash dead onto the bed. Just like universal healthcare.

This is RJ and Heather. So now they’re back at point A. Honestly, these are hardly ‘heists’ anymore - They’re kinda just busting into houses. ‘Heist Buddies’ rolls off the tongue a lot better than ‘home invasion buddies’ though.

RJ and Heather drop to the floor. Several personal ornaments, um, ‘decorate’ the otherwise dull room. Jungled piles of sweaty clothing - y’know, piles of ‘personality’ - smother the unswept floorboards abundantly enough to mean a lousy parent is responsible for the lack of laundry. No, whoever’s living here must be single. Several posters occupy the walls depicting those Indiana ‘sports teams’ they’ve heard about. And this place has that hotel room smell… Or at least, a used hotel room. A… very… used hotel room. Yeah nevermind, it smells like a basement cave. Yep, whoever’s living here must be single.

P.U.,” describes RJ precisely. “So what is this, that wrong stop we made on the way to our animated animal convention?”

Just then they find a golden rabbit, a scraggy twerp of sorts, peeking from blue sports shorts. He’s not even symmetrical - one shoulder lowered sadly more than the other, and a sagged ear on that same side. A pathetic kind of kid who trips out of his corner in a panic against them.

“Oh! Phew!” lets out RJ. “I was expecting a 30-year-old man in an oddly suggestive Easter bunny costume but this’ll work juuuust fine.” He cracks his knuckles and marches ahead.

Not a step in, and already this hangout’s becoming an unwelcome group call. Heather grouses over it.

“Ver- VERMIN!” The tall rabbit stumbles over his uneven feet.

RJ takes light steps towards the sack of a guy. He presses his voice between his lips, and out he sends slickly: “Awwwww, you look like somebody peed on the clump of wet hair clogging the sink, now guess what? I have a deal to make.” He comes up and grabs the golden rabbit’s cheeks. “I craaave. I crave caaandy. Milk Duds. Milk Duds are my soul. You ever had Milk Dud soul?

“Nnn-no?”

“Listen hobo, I’ve got blisters on both sides of my mouth but my will is infeasible. Unimaginable. Satisfy me with those scrumptious balls of caramel and choco-lata and you will be spared from 10 years of bad luck (rabies). Unle-eeess you’d like my sweaty vermin foot down your THROAT!” he ends on a stomp.

Spirit frail, the golden rabbit slips backwards and gets stanced up in place, or at least attempts to do so. “I- I’m not into what you’re into…” He throws some nervous fists. “But put ‘em up! I’m a… I’m a loaded gun, y’got that mates? I’ll whoop ya!”

RJ and Heather shoot one unamused glance.

A sick 3-pointer later (it was so sick), away the golden rabbit goes into a mock-up basketball hoop, down into a wire trash bin full of crumpled paper balls. RJ and Heather slam the doors of this closet shut and secure it with a backpack suffering from morbid obesity. It’s not long before wimpy objections come from the other side.

“Now that clear’s clear…” RJ gets out a yellow walkie-talkie and yells “HAMMY!” into it.

Hammy’s end of the line jumps frantically in his hands from his post taken on the backyard patio. He smashes the thing onto the side of his head. He observes the inside of the house through the screen of a big sliding glass door into a dining room. There’s a staircase coming down from the second floor to the back of a laser-infested living room, seen through the dining area’s faint green doorway.

They get rang up with the all-clear promptly.

“No humans?” assesses RJ to Hammy. “Got it. We don’t want any ‘surprises’, capiche?”

Surprises? Uhhhhm, I can work with that,” he reckons.

“Great. No surprises. Agents Rock ‘n Paper are movin’ in.” He tells Heather, “Thirty minutes on the clock. Ready to roll?”

Yeah, we’re gonna have some fun with this!”

Weakly from the closet the golden rabbit comes: “Can you guys let ‘Agent me’ out now-?”

The bedroom door smashes shut in response.

“Okay, that’s… fine,” he quivers.

XXX

RJ’s shadow runs the wall of the dim hallway outside the bedroom, and Heather’s scampers briskly behind, repeating his exact movements in order like student to teacher. They sneak through the vacant upstairs region of the silent fortress.

In the tan living room, the string of a yo-yo falls from a ceiling lamp shaped like an upside-down bowl. It works as a rope for RJ to slide down onto a nice coffee table. Wavy blue carpet covers the floor like the empty sea surface. He stands on the only island in sight, apart from the couch behind him, and the large flat-screen TV on its table in front, freestanding in the middle of the room. Messy cords snake from the TV over the waves of the carpet waters. Like the ocean its life and treasure only lie beneath, for the house as a whole appears to be suspiciously empty. Not even the carpet, not even the ocean itself rustles. Its life and treasure only lie beneath.

On the surface however, the entire room is covered from wall-to-wall by red lasers stretching in random directions, some not far from the longest hair on RJ’s fur. Warm sunlight from a window near the staircase on the wall of the room turns some tripwires pink. Those in the darkness? Sinister red. The coffee table becomes his hideout in the middle of the web. It’s so quiet he only hears the buzz of these lasers.

“Heather…” RJ breathes. “I’ve got a bad feeling-

Interrupting his adventurous lil bit, Heather’s tail flops into his face; butt plops on his head down the yo-yo string.

“Oops.” She joins him.

“Heather…” RJ tries again. “I’ve got a bad feeling about this. Let’s sneak around ‘n find out how to disable these booby traps.”

“C’mon RJ!”

She disappears from his side, diving deep into the sea. The bubbles of her livelihood and youth swirl around her as plays carelessly in the lasers on the floor, daring him to join.

Woaaaah horseeey what’re you doing?! Don’t mess around with those!” RJ shouts.

She shows those lasers who’s the dancing queen. “‘Don’t mess around’?” She even gets a pelvic thrust or two in there. “Then like why’d you bring me here, y’know? YA WANTED IT, BOZO!”

A little MP3 player - she snagged it from a drawer on the TV stand - comes flying against RJ’s foot, rumbling some peppy chase music. Vibrations come up RJ’s leg. They bake his blood but stir his anxiety.

All Heather’s dancing sets off the security system and bids the ‘booby traps’ away. A hideous, blaring ring fills the room when RJ flings a yo-yo at her. She throws her hip to the side to dodge it, shimmying her stubby legs farther into the room with a giggle.

She goes “whatever” as a taunt.

TeenagEEERS…” RJ growls intensely. “They talk weird and their palms are far too sweaty.”

The endless sea of carpet welcomes him into the great blue world of her own, the playful dolphin.

He goes flailing his yo-yo at her, marking every inch of the room with his footprints. For every miss his failures throb progressively louder at an identical rate to the blood in his head. In the very back, illuminated on the black rim of a billiards table, she throws another “whatever” at his swiftest, most aggressive shot.

Storming up a racket over shelves and seats, his efforts remain futile. He’s outclassed. The yo-yo mummifies his body as the snake of his anger strangles his torso.

RJ gets himself enraged trying to catch her - him the hunter and her the rabbit. “NRRRRGH, you’re so small, ‘n frail, ‘n fragile!

So in contrast to his bitterness, RJ little expects her to ask “Do I look vulnerable to you?” gentler than a cloud after shaking her tail at him from the open exposure of the coffee table. Every reason to believe she’s fresh meat teases him.

Something clicks in RJ from the humor in her grin and the bounciness in her tail waving his way in jest. His eyebrows loosen, just to tense up again from a thirst for fun instead of frustration. Now he is friend, catching friend.

A new pep bouncing his step, RJ sends the yo-yo at her one more time - more of a tickle at her kiddy sense of supremacy than a snatch. As expected, she escapes to the optimistic-orange couch behind the table.

Whatever.

RJ doesn’t mind it this time. “Don’t think you’ve won, buddy! The only thing that’ll stop this raccoon’s schemes is lo-bo-to-my, bay-BEE!”

Though the chase music from the MP3 player stops all of a sudden. RJ does too. With a grand, heavenly, ear-piercing entrance, Verne appears as a ghost swirling his head, hands clasped in prayer.

Woah woah woah, Verne, you’re DEAD?!” RJ thinks in shock.

“First off, gotta say, you are handsome as hell, RJ. Absolutely beautiful. The humans better put you on the front cover of ‘What’s MANLY Today’.”

RJ clues himself in. “Ah, so you must be one of my ‘figments’. The real Verne’s too baby to admit that.

“Now, I’ve been summoned by our great lord in heaven to kick you into shape, RJ. He says the chicks up here like raccoons with a hardworking personality and a tail length of approximately 11 and a half inches. Also, God said stop having fun.”

Why’s that?

“Oh don't tell me you ALREADY forgot it, RJ!”

Forgot what?

“Your ignorance, it’s KILLED ME! I gave you ONE job. Are you THAT unreliable? Untrustworthy?

He slaps that little list, that little grocery list onto his nose. It has the deadline written in fat letters at the top: 8:30. The clock in the kitchen, visible through the doorway from this spot, already reads 5 past 8.

For all the house has done already, he quells it. That reminder flips his bed into the water, his slumber from responsibility abruptly awoken. “Check the list… Check the time… Work work work.” he anxiously thinks.

See what she’s done?” Verne highlights.

‘She’ refers to a happy lazy Heather on the couch, slurping on a soda cup from Arnie’s and hammering the TV remote.

Verne’s angel folds his arms. “You don’t plan on getting the job done alone, do you RJ?”

Not particularly, though when he inspects her, his heart fights against his mind. Up there with earbuds in now, singing a song without any sort of embarrassment or hesitation her countenance would’ve had yesterday, her ‘happy tail’ going off the rails. But of course RJ of all geniuses can recognize the immense use in her even in her leisure. She’s always been one of the lightest and most agile.

Still, RJ has the instinct to express, “Look, I’ll take candy from a baby but I’m not taking the Heather outta Heather. That cuteness is… infectious.

“You know you can't afford another slip with me RJ… if you want me to give in

Watching the clock in the kitchen tick, both his ears face struggle and pain between a singer and a supervisor.

“…And you want the others to think you have a good record, don’t you RJ? After how Heather brought the family together you wouldn’t wanna be the one to… tear it apart.

He - reluctantly - looks at the list again. Every name comes up on the paper as another mouth waiting to be filled. His enthusiasm falters at the responsibility. So what does he do? He grunts deeper than a chasm and puts the paper in his teeth. As close as he gets to chomping it apart, it stays clenched there instead, so he can dig a multitude of the typical food-stealing artillery from his golf bag. He makes quick work.

And Heather makes a quick notice. “Errrm, dude, like… what’re you doing?

He gets up there and throws a lampshade over her head.

“Hey don’t kidnap me,” Heather throws out. “I’m not worth much.”

As he organizes the toolkit of his bag in front of her, he hurries his repining words: “Quit being self-depreciative for a sec’ ‘n help me work, okay? Once we get in the swing of things it’ll only take a minute!

A shot in the mirror sweeps his mood down. He put the thing over her head to save himself from her frown, but her arms try desperately to get it off with the same disheartenment. Then when it comes - when she cries “Wait, work?!” - RJ finds he’s done no more pain to her as to himself, toes clinging nervously to the couch cushion. “You mean like… y’know? Work work?!” Her fun-loving spirit shatters beyond a broken state, cracked in her tone, overkilled beyond recognizability. “Like Verne’s work?”

Only a minute!” RJ reiterates, just as distressed as her in response to a heartbroken reaction. He calms himself just for show. “One. Minute…”

“But what if it’s not?” Tension vanishes from her upright body to be softened with a melancholy display of sad knees and brushing hands.

“Then we’ll have to do the TV thing next-

Time… ticks down the longer they contest one another. He can’t see her face. Nothing above her chest, which itself is now unkempt from the fidgeting of her claws. RJ’s lower lip drips away from his mouth, his ears sag, and his eyes shrink to hide underneath the eyelids that come to repent for a time that may never have its next chance. As deja vu the suburbs can appear, the foreign setting they’ve drowned themselves in proves there’s a mark on their eyes yet to be left.

RJ grasps his hands around the lampshade. He promises, “We… will HAVE time… for a good time, Heather - all your ‘rad gigs’ ‘n ‘good feels that hit like the bomb’ - if we pull out all the stops… right now.

Pops the lampshade off her head, and now he sees her face over her body where it always has been, countenance not ignored nor obstructed any longer, expressing more distress than the alarms from the room’s laser system which have since fallen silent.

Heather tilts her head down-hearted. “But I thought we came here to like, just chill-

“Uh, nuh-uh, we came here to just chill under a… CONDITIONNN.” Surprisingly he takes the time to show her the shopping list, for he is real eager to leave the couch. “Which is why we should get the work done preemptivelyyy so we’ve got time before the half-hour!” He reflects her argument by executively declaring: “…To the kitchen!”

“Hey, no, wait!

She follows him hustling to the right of the coffee table, leaving them at the foot of the doorway into a kitchen luminescent with visions of edible wealth. All for a price, and a very fatiguing one. “What’s up with this, dude?”

“Priorities. Gotta set ‘em.” RJ checks over the list. “Now let’s get this heist started, Verne…”

Verne himself requested a smoothie cup somewhere there. It shines to them through the doorway, in perfect availability on a big oval table. Either RJ or Heather latches sight onto it first, who’s to say, for no matter what both pairs of eyes remain there. Wheels begin to turn, one clockwise and the other a counter rotation.

The latter comes upon Heather, switching a sulky frown to a sly focus on RJ’s little object of attraction. “My point!” She sprints ahead to challenge him.

RJ lets her games reel him in again. They leave the blue carpet and therefore abandon the welcoming waters of the sea, but with music again, Heather claims dominance at the foot of the doorway. Her tail flicks at a cassette boombox to start up ‘Duel of the Fates’ when they race across the planks of the floor to the kitchen table on the right side of the broad area - the dining room.

Up there, they fence with a pair of silver forks over the smoothie, clashing endlessly. Until then the prongs interlock. Their fork heads caught on one another. Prongs stuck between one another.

So uh… Metaphor?

Intertwined, foot-by-foot and eye-to-eye, Heather smiles at him after such a demonstration of hers. “See, this is all like… fun.

And the MOMENT she says that, that small frail fragile crook to his operation, RJ’s amusement dries from his body, ashamed at himself and in mental strife. His fork tears loose and he throws it to the hardwood, jittering loudly when it lands.

“RJ?!” Heather lets out. “What the hell?

RJ goes straight for the smoothie cup, declaring himself the winner of that bout in the name of progress and promise. “Pri-or-ities. I’m not dealing with an angry Verne today. I’d rather deal with-”

And the MOMENT he picks up the cup, the table cloth under his toes begins to wrinkle in confusion. The lid removed, the purple smoothie’s been drunk to the bottom already… by a tiny red ant girl staring back at him.

“Hello!” she waves.

RJ squints longer.

The existence of more residents in this lifeless villa dooms RJ’s shoulders to a permanent state of stiff concern.

RJ…?” Someone taps his shoulder nervously - Heather. “It smells like-... Oh god…

She directs his attention to the left half of the room, the other half of the room. Walled and fortified by dark wooden cabinets with white tops, fractured patterns of red scattered over them, a full fridge and all other appliances - clearly the bounty of the house… infested by thousands upon thousands of ants. They spill from all cabinets, high and low, many collecting themselves at the larger of the two counters. L-shaped, the stub side lined up ahead of RJ and Heather, just a short canyon between it and the dining table. Every ant stares at the two of them, yet not one speaks or crawls.

Something lifts them by their seats up from the table. Two baseball mitts made of ants - literally, MADE of ants, to their squirming displeasure. Heather literally squirms too, and hugs herself. Clumped together and morphed to mimic the objects, they have the power to defy all physics, carrying them through the air to the tiled floor of the counter area, some ants climbing over the undersides of their legs, making their consciences squeal.

They’re taken over the surface of a stainless steel tabletop in the center of the area. In the midst of the ant civilization they drop near cabinets at the back face of the room.

“RJ, I…” Heather grabs RJ’s arm and puts it over her. “I hate bugs.

What? You ‘possums eat bugs; You eat anything!

“Ewwww, not me.” She hyperventilates. “They crawl like, all through your fur, y’know, they whisper creepy things in my ear just to be JERKS, and some of them are… ARE-!

That young ant girl from the smoothie reads off a slice of cheese just at that moment: “Brothers and sisters and fathers and else: Now introducing: The one who steps on us more than all of humanity, our aunt ant, the big momma… our queeeeeeen!

The aforementioned silvertop now in front of them is well-maintained enough to work as the throne for some ant with an, uh, intriguingly-large abdomen that probably a thousand ants alone could fit within.

That… thing is the first to show, but the rest of the tyrannic ant queen comes out above them, wearing a blossoming crown of lettuce. And a scepter as tall as the room in one of her legs, created out of her own subjects. “Ohhhhh? Are these two thieves here to interrupt our family feast?”

RJ has his gut kick itself to reply. “Not our problem missy. You’re hostin’ a noob show here, c’mon look, it’s all subop-ti-mal!” He points fingers at the ants targeting the fridge before the cabinets. “You can’t get the perishables first - they’ll ROT, stupid! BAD money! BAD money!”

Disrespectful!” the queen gasps a bit sneeringly. “Complete heresy to my royal line; Who do you think you are?” She snickers.

RJ,” Heather warns him sharply in fear, “Seriously. Totally. Do. Not-

RJ pushes her aside to throw “Who do YOU think we are?” at the queen. “Your antennae are probably so stuffy you can’t even tell our gen-der.

“Let’s see…” The young ant girl zips onto RJ and then Heather's upper eyelids, feeling whether they have eyelashes or not to make an easy call. “Male… Fe-male…” Beside RJ, she gasps annoyingly. “Are you two DATING-?!

A handheld vacuum comes from behind his back like a loaded pistol and sucks the ant from the floor without a glance from RJ.

The other, like, 999,999 ants scream.

“That was my daughter!

“That was my niece!

“That was my daughter AND niece!”

Get ready for a wallop of an event, and its prelude - RJ blows on the open end of the vacuum before muttering to Heather, “Inbreds… Charles Darwin's ol’ nemesis.

“Ye-ah… mine too.” Heather forces her tail and back end to ready themselves for the circumstances just as they’ve been forced upon her.

Ask the narrator, and he’ll say the rabbit was the real prelude of today.


Recall a blur of black and white at the start of this? The two ‘adults’ of the room? Yeah, after removing him completely from Heather’s life outside the Hedge, Stella pins Ozzie into a big oak tree by his chest. He puts up no fight for their little ‘chat’.

“Now what in the hell wuz that, Oz’?!” storms out of her after such a simple and brief objection he made to Heather’s plans earlier.

Nowhere in the know-how but shaking for his life, Ozzie ignores the strange existence of her burning attitude that still portrays itself as being quite uncalled for. He just pleads, “Wait wait wait, I-I’m only in my 40s! I’ve only been intoxicated once and it was RJ’s fault, I tell you! RJ’s!! My heart is pure! I still have young, blossoming roses on my bush. I have so much left to live for, pleeeeease!

Stella blows the hair off one of her eyes and stares him down.

Ozzie screams. He squeals “Why are you looking at meeeeeeeeee?” as high as a mouse, whole body against the tree - now without Stella’s input.

She lets her hand off his chest, and he stumbles forward (theatrically).

“This is downright pathetic Oz’, yuh gotta put up some kinda fight!”

Ozzie sniffles like a whimpering toddler. “O-okay…” Cupcake claws poke at her body a whole foot short.

Stella is not intimidated.

“I fight with words,” she corrects.

Seriously, he sounds just like a baby when he asks: “Then- Then why did you shove me into a tree?

She pins him again.

“Got a machochism?”

“...I’m gonna say no.

“Then shut it.” When she lets him loose, his immaturity doesn’t respond. Stella shows him the house as bright as day. “Well go on, I don’t got all mornin’! Make your case!

He takes control over himself and finally begins to sound like an adult. “But you just told me to shut it-” Another scarring look from Stella drives him off that route. “I- I just don’t understand what you’re saying, Stella.”

“Quit stickin’ your nose where it doesn’t belong; I’m sayin’ that lil’ flower of yours knows wut she’s doin’!

“How can she know what she’s doing when she doesn’t know…” Flash a hand to the mysterious house. “...WHAT SHE IS DOING?”

Stella scratches her chin. “Well, yuh got me there.

Checkmate. Thus begins the next round of verbal chess.

At last, Ozzie’s regained passion for the topic. For the longer he stares at the immense walls of that house, the more saturated Heather’s image paints itself over it, x-rayed from the inside. “This is not something to take lightly, Stella! And especially not without-”

Her hips sway. “Without wut? Without you?!

Yes, without me! And without a plan! They’re going in bliiind; They don’t know what’s in there! WE don’t know what’s in there! Walls as high as heaven; doors as locked as Verne’s deepest, darkest secrets. What if the Sniffer appears? Alas, you suppose just the three of them-?”

“O-kay look. Is she clingy to the raccoon? Sure. But she’s got quite enough maturity to make her OWN choices, live her OWN life, ‘n take her OWN risks!

“This is her safety on the matter, not her maturity. I think that should be made clear.”

Stella doesn’t buy it.

He goes on. “Why, she… weighs less than a spec, she’s thinner than a twig, and so long as she is a child, I have the PARENTAL responsibility to keep watch over her. She’s-” He straightens himself and stomps not an inch from her foot. “No… she is vulnerable.”

The fire’s been ignited. It heats up in Stella’s face, hidden under the hair. Luckily, now that Ozzie IS putting up a fight, with words, she doesn’t have to hold back. A bit innocuous she’s tried to remain, and look how far that’s taken her. He looks as rooted to the ground in the feet as in the head.

Ohhhhh nowww, Mist’uh Big Man… sheeeee’s vulnerable?” Stella tests in a sassy demeanor.

“Yes.”

Sheeee’s vulnerable.”

“That’s what I just said.”

“The girl comin’ of age next week? Got a plan for dat? Huh?”

Ozzie, in fact, cannot help but concur. Just at the moment he goes to speak, he has no card in his hand to pick from, so his chest sinks low.

Stella’s breaths become larger and fiercer as she eyes down Ozzie with the one fully exposed from her hair, fully-seeing. Every word coming out of his mouth, even those he doesn’t speak, fuels the flame. And his form lacks flesh, for even if his shell is tough now, it is hollow within… The eye’s the gateway. Always the eyes.

“I’ll show yuh who’s vulnerable.” …Barely aloud. Something grows fierce in Stella’s eye, the gateway again to the soul. She has something threatening. Very much aloud… “I’ll SHOW yuh who’s vulnerable!!” She rips the white patch over her other eye away.

Waltzed right into a wall-less, door-less box of Stella’s inner chaos, Ozzie can hardly find security even on an open plane, in sight, in mind. That flame explodes into a wildfire. He has officially reached the point - THE point - of no return. A mistake he cannot comprehend until a moment too late. All his motive and confidence falls as does his face.

“All that stage play stuff is gettin’ to yo head, dude!” Stella shouts. “You’re not treatin’ her like a child, you’re treatin’ her like a… a human’s pet! ‘N I know, oh, I KNOW!

Ozzie slowly backs away towards the Hedge, as he consistently finds no opportunity to inject his objections. Woozy in the head, fingers numb, thankfully Stella’s relentless verbal outburst gives him no chance to pass out now.

Stella briefly notices the distortion in Ozzie’s eyes, but does not halt. The longer he cowers his neck down, the height he loses becomes hers to dominate.

“You don’t need to hold her hand and give her the say-so on everything she does!”

His breaths are sharp and weak. “I…” Her finger comes immediately against his large nose.

Not a bit of the momentum in Stella’s fire extinguishes, shown in her one green eye exposed from her hair, consumed by the rage of the sun. Meanwhile, Ozzie’s momentum makes him nearly tumble backward over his tail.

“Stop with all this babysittin’ nonsense, and let that girl… no, that woman make her own decisions for once!!” she booms as one final remark.

Leaves scratch at Ozzie’s back. He still can’t figure out quite where her attitude came from. He holds his surrendering forearms upward when he makes contact with the Hedge. Stella’s breath treads over his whiskers. Her short snout comes poking right against his. At twice the size of her head, she makes his shrink to nothing. His brain depletes with it, and then his heart stabs at him. The feet go first - Stella presses the claws into the dirt. Legs lose consciousness next, and before long, Stella’s image fades to black, even over her white, even over her one ardent green eye.

Stella jumps back from his feet when he collapses to the ground, effacing his fear.

Vulnerable.” Her satisfied grin stays briefly. “Alright, show’s ov’uh, Oz’. Quit bein’ so ‘possum.”

But it settles in when she kicks at his stomach. Yanks on his tail. Neither bring any response. If this’s still an act, he must be fully committed to the bit. Foam collects in bits at his mouth. This isn’t an act anymore.

It never has been. Something stomps on her flame. She mutters, stumbling in guilt and awe, “I knocked him cold…” There has to be help somewhere. None. Alone, but suburban bustle sounding near, she covers back her eyes at the carcass.

XXX

This wire can’t be growing thin. No no no. I won’t let it.

Click.

I promised… I promised Her…

Click.

What is that mysterious clicking noise?

Recall that basement? That jungled dungeon? No one is to blame for not. That felt like ages ago; That story was written in stone ages ago.

I can remember this moment. I remember that house. We were locked in. I was the key. I could’ve picked the lock, but my dreaded ‘possum instincts… I… failed… her. And I hear those clicks here too, like there’s something dangerous about this but I… don’t know what. Sometimes, it just be.

EXT. - LIMBO

An intense odor of gasoline floods the stage. A few cars beep in the distance.

(Enter Ozzie.)

His limp body is clung to the side of tarmac. His eyes slowly open as he gains consciousness over himself. The scenery builds in sprinkles. As though he is glued to the wall, a bottomless pit of sky lies below him, until he lifts his head up, and the planet is no longer lopsided.

His tongue returns to his mouth. His arms shake when he places them on the ground. Metal wheels race past his whiskers. Distress is not expressed. He hardly shows any sign of self-awareness when he finally lifts himself from his back to his seat.

He trips over himself as if he is peg-legged once he stands afoot.

Cracks in the pavement part like the seas and expand into fissures. Boulders and fragments of rock rise from the earth. Cars crash into them, but the sediment does not crumble. Ozzie’s feet stagger left and right, but he does not fall.

The plates of this suburban abstraction show their lines and break apart. Ozzie does not know what to make of the oncoming transformation, but his wide eyes wander everywhere. Walls from the nearest houses rotate and transform statically, crunching over the rigid terrain to enclose him on both sides.

Bricks shoot like concrete bullets, colliding one-by-one into the wall behind him in the formation of a staircase. Ozzie sweeps his head around with his hand gripping his heart for one farewell to the solid ground. He follows the path upward into heaven, struggling to lift his leg for each step, panting, faint-hearted.

INT. - THRONE ROOM

(Enter Ozzie across a red carpet spanning the middle of the massive, pillared interior.)

A faceless king (apart from a coyote-like jaw) sits on the throne - black hair; devilish arms, 6 of them; decked in rich antiquities and a crown topped with gray roses that have lost their color. Under his collar he has a living, twitching eye embedded on his studded vest, but none on his head where they belong. He has ears, pointed ones like a cunning fox, though there are no other clues as to his being, aside from the fact that he is bipedal. Nevertheless, he is distinctly non-human in shape, legs half the length, closer in kin to Ozzie’s own. He sits like a party host.

KING: So you have collected my invitation. You are already well on your way towards completing the ritual, Ozbat…

OZZIE: Oz-...-bat?

Wings hideously sprout from the top of his back at arm level, ripping through his skin.

The king has a slithering voice that weaves silk over his tongue.

KING: Yeeeesssss… you are the one. The one who carries the black veins on your back, but you are flightless. And weakkk. Child… You are my child…

Ozzie gasps and moans in pain on the cold floor, bat wings pulsing violently.

OZZIE: What… in the dickens are you talking about?

KING: You carry your own burdens on your back - dark wings that never let you flyyyy. You… belong to me.

Ozzie goes crawling over the blood-red carpet back the way he came, collapsing at every other movement.

He coughs repeatedly and dramatically.

OZZIE: All my life I’ve sworn to protect her. Keep her from harm. Even before the BLESSING of BIRTH spouted from the little bird bath fountain I swore I would cradle SOMEONE in my lonely arms. I would be a father. Now what am I? I may as well be eating cotoneaster if I cannot eat… the RICHES OF ADULTHOOD!... I have to get back to my daughter.

He manages to arise.

OZZIE: I have to…

KING: Insistent on leaving, are you? Then return to the mortal realm, if that is what you desire. I’ll be busy playing poker with the ladiessss. Please do return quickly, and join us, perhaps!

Ozzie clutches his fist towards the throne, about to die in a limp state on the carpet again. His nails claw into it.

OZZIE: I am not coming back, deeee-ceitful devil. This place unwinds the very fabric of my brain! Huff… HUFF… MY MOMMY’S NAME WAS MARTHA… Blehhhh…

His tongue comes out on the deathbed he makes of the floor.

KING: So I reckon we will not speak again for quite a long time. Unfortunate. But know this, Ozbat…

He leans his head forward, and his neck stretches twenty feet to talk and slobber in his face.

KING: When you return, because you WILL return, not a second will have passed. You will still be the same mannnnn…

He blips.

XXX

“Wussup, dead stuff?”

That voice rings, and for a while he presumes to be dead. Frankly, in one way he was. Stella stands- or, lies in front of his eyes in that smirky, hand-on-hip kinda pose. He feels as though he is glued to the side of the earth again, but he’s the fool for thinking the world’s waiting on him. What’s even the use? He’s dead, this time with some raspy foam squirming inside his cheek.

“How long was that?” Miraculously, this comes out. Everything’s fuzzy, limp against the planet.

“‘Bout a minute. Y’know, yuh smell worse than me when you’re out like dat. ‘N I had to clean up after your… ‘possum substances.

She’d left a pile of leaves next to his head, covered as napkins in his dried mouth foam. Everything past his teeth feels oddly sanitized. Ozzie sits up. “Oh.”

Stella stands up like a grouch, huffs, and trudges along the outline of the Hedge away from him.

“Where are you going?” Ozzie asks, suddenly distressed.

She turns around and holds an arm out to the Hedge. “Honestly, if you are so worried man, why don’t you come keep an eye on her?

Ozzie regains consciousness and tranquility. He lets out a deep, soft breath and looks to his feet.

“No… you’re right, Stella.”

His head falls into his hands. A lump forms in his throat as his voice grows shakier.

“But there’s something that almost kills me knowing that if she dies out in that world… It’ll be without me…

Stella’s fire extinguished the second he passed out about a minute ago, but now any lingering sparks fizzle completely out. Her face cools as she releases a large, quiet sigh at the opossum’s behavior - a hot mess, the manliest man being the weepiest and wooziest.

So she ambles back to Ozzie and places herself against him, gripping an arm over his back. He doesn’t flinch.

“C’mon, big guy. There’s nothin’ to worry ‘bout…”

Though he has everything to worry about. When he takes his face from his hands, the water in his eyes smears the setting like watercolor. Oh, what it paints - What does it paint? Twisted trees, pinecone bombs raining among them, striking at his fur. Not to speak of the gravest resting place behind him. The execution room. Ironically, he thinks for one second about hugging Stella close like a friendly teddy bear, for she is the most passive entity nearby.

“Y’know, you’re a strong man, Oz’.” Stella kicks one leg over the other. “Raisin’ a girl like that by yourself… heh, I know the parent stuff takes sum work.

“Thank you, Stella. I need a good while to think about all this…”

“It’s aaaaaallll we can do.”

The two continue to sit there alone and relax as a slight breeze blows over them. In this moment it becomes clear how drastically the environment changes by crossing merely a few feet of leaves. While they sit in silence outside the Hedge with the occasional disruption of the wind, a bustling realm of possibility and uncertainty honks and hollers behind them.


They’re at the pointed pincers of a million, or maybe even a billion. He lost count quickly. Point is, every ant flees far from the monstrous vacuum RJ holds. He shifts the ocean itself into the tightest corner of the planet.

The queen’s abnormally-large abdomen buzzes furiously as her abnormally-expansive family trembles past her. “NO! Stow your fear. Join me, my children and 700000 husbands. WE ARE AAAAANTS!

“WE ARE MIGHTY! WE ARE ANTS!” the army chants. “WE HAVE QUE-STION-ABLE MORALS!”

The ants join her. And then… what they create, what structure they create of themselves bloats the eyes of RJ, let alone Heather, twice as traumatized. RJ’s mask squiggles off his face. Heather’s eyes grow so large her natural eyeliner shatters. All for a dark red stadium shifting into place over the entirety of the kitchen, each joint and polygon defined by every individual ant crawling over the room like grains of sand. Many turn their backs to show themselves painted by juices and sauces for a moldable display of lights and colors all over the place.

The vacuum falls from RJ’s sweaty hand. “The animation team went to TOWN on THIS one.”

“Don’t you see?” the queen narrates from the silvertop as a boxing ring of ants enclose RJ and Heather, and millions of servants join in the stands on the kitchen counters to holler and cheer. “Don’t you see what the bees are missing? I, I have created one BIG, HAPPY FAMILY! They can become ANYTHING I DESIRE!” Unlike RJ and Heather, the ants mold and mingle as one unit, while they scooch apart from one another in the ring, sour to have their fur touch. “I have millions of loyal, brainless children to serve me. LOOK what I’ve birthed here before you. You are in MY WORLD! This is MY WORLD. We’ll make it tighter than Alabama in this place!”

She turns her ant-scepter into an electric guitar to orchestrate the oncoming fight.

The boxing bell rings, breaking apart the mental argument going on between RJ and Heather right now. A very pronounced, militaristic ant climbs out wearing an army hat from a cherry tomato, and crumb medals over its abdomen - A general.

A general who, in fact, sounds exactly like a raspy neanderthal, or… a drunk washing machine, or something. “Oh yewww dun did it now, rodents! I'm going teh SPANK YEH, MAGGOTS!” The general blows a whistle with her (this is a woman) antennae.

The ants morph into one big human hand. Well, she (yes) wasn’t lying, for it spanks RJ into the ground repeatedly like a fresh steak, leaving him limp.

“OOOOOO, now that’s gonna sting more than ant poison in a few hours,” some ant-announcer announces.

When Heather screams and stumbles into the ropes, every ant there bites into her skin and bounds her back with a slip of a yip. The general commands another league into a giant bunny slipper that boots her into the cabinet doors. Fortunately, she’s used to getting kicked into walls.

RJ picks himself up and throws a whole container of pepper over the ants to repel them, and grabs Heather into his arm. He pants and searches for any means of escape, but the ropes of the ring stack taller, and taller.

Heather shakes her head back into the game. She cowers over his brown coat, a seed yet to have sprouted. “Did you really have to do this to us?” Bruised and bent, the two of them are at the mercy of the ants swarming in crowds at them inside the ring.

“We NEED the food!” he ‘reminds’ her, even though he can see her ears flapped shut. “We’ll have PLENTY of time later, I promise!

The insides of Heather’s stomach twist. “You had so, so better let me eat extra for this.”

Cradled in his right armpit, RJ flips her around and grabs her ankles. He cocks her back end and wields her backwards body as a firearm in his grasp.

Tail flurry!” he screams irreplaceably war-like, “HYAAAAAAAAAAAAAAAA-!!”

He gets them through a sea of ants whipping the prehensile tail flurry wildly ahead.

“Now for the Furry Fist! HYAAAAAAAAAAAAAAA-!!”

Then flips her around to stick a boxing glove over her head when the ropes of the ring form an impenetrable wall blocking their escape. After being thrusted at it, Heather feels like an object. Stiff as a board, held tight as a bus handrail, holding his weight, but having her identity stripped away as her head goes into the wall, nothing but an expendable battering ram now in his arm. RJ shoves ahead, and cheers shortly afterward, which must only mean he’s reached the living room doorway in the midst of the bustling ant crowd, while she’s blind to it all.

The queen smashes her ant-guitar into the silvertop. “SEIZE them!!”

An ant-rope comes, hooking onto Heather’s tail and spinning them around, nearly jerking her out of RJ’s hold. Heather’s body is stretched beyond its limits from both ends as RJ resists, choking her out until by mercy the ant-rope flings her from RJ to slam her some ways away.

Two more ropes cut a yell from RJ short, taking complete unhuman hold of his neck and waist. It’s luckier to come to him than Heather, for she’d likely suffer a heart attack.

The countertops burn redder. Every low cabinet door turns loose to vomit crawling walls and morphing piles of ants that drive the room towards the edge of its sanity. It’s a plague. Utterly. However, what plague constructs the elegant buildings that come up now? The dainties presented before them from the ant-table set in between their new seats on opposite ant-chairs? Such rich dainties as a lavish mound of bite-size lettuce pieces, prepared with cracker-crumb seasoning.

What?

A couple mustached ants get two of the world’s smallest violins and begin to play some lovely French diddles for them, just absolutely splendid.

Every window of the house obstructed entirely by ants, Heather says “Paris” at the moonlit scene of gaiety and romanticized adornment. “Pretty cool. Needs less inbreeding.”

On these firm chairs, ants squirm uncomfortably against RJ’s thighs. “What the vanilla pudding is this about?”

The little girl ant (Wasn’t she sucked up by the vacuum?) crawls onto the tip of RJ’s nose. “It’s your date night meal! Congratulations!

It’s a good thing there’s a heap of lettuce scraps in the way, parting RJ and Heather and their stern disinterest.

“So are you siblings? Cousins?

RJ busts from his chair. “WE ARE NOT DATING!

Heather squeals her way out too. “AND WE SO AREN’T RELATED!”

“But guess what?” RJ hooks Heather’s neck proudly into the pit of his elbow and shows them the end of his golf club. “We’re our OWN kinda family, NNNERRRDS! A family of we!

“Yeah N-N-NERRRDS! ‘Family of we’, ‘n stuff.”

The cheeks of the queen flare, and her abdomen starts to twitch up. Soon every ant brandishes its pincers. The two violin-players smash their toothpick instruments into the floor.

“Uh oh,” breathes RJ.

The queen orders, “…Seize them AGAIN!

Again with the ant-ropes, corkscrewing in multiple layers up their torsos, paired together, fur tightly pressed. Despite that, they resist the predicament, and almost repel themselves from each other in response to this close contact. RJ bites and rips the ants apart to free himself from this cuff; Heather’s little body lets her squeeze loose.

At that inconvenient moment where RJ lies dead on the floor, angel-Verne’s ear-piercing entrance makes a second visit. Don’t miss this chance. At the corner of the silvertop surface, the freshest red apple RJ has ever seen twinkles at him. If he gets the job done quick he’ll have plenty of time for Heather. And after all this, he needs to be her hero.

Quite the hero he is, abandoning Heather to optimize his workload for Heather’s sake. He swings out a cabinet door as far as it goes, decreasing the distance between the side of the room and the silvertop. He climbs onto the end of it and stretches for the apple.

“Forget the food, dude!” Clung high to the wall over the countertop on the other side, several vermilion specks begin to collect on Heather’s fur. Beneath that, her skin turns pale now too. “They-they’re after our ‘awesome’ while you’re being… ‘whatever’!”

“If they could just… sneak… ONE… TO DADDY…” RJ strains in rebellion as he reaches.

A paint roller of ants comes up and down the wall in Heather’s direction. She abandons the counter entirely to flee to RJ on the other side.

This becomes a terror for RJ when by all good reason she slams into a hug against the cabinet door from below him. Her face begs for cover. Just before RJ’s anxious fingers scathe the apple, Heather’s force snaps the door shut and removes his progress. She tries her best to keep her terrified tail away from snapping ant-piranhas as RJ gasps “NO” and leaps in a desperate maneuver. The apple comes into his giddy arms. Landing on the ground, he adds it to his bag and marks it off.

A spine-chilling, girlish scream.

Head snapped in her direction, RJ finds her being engulfed by the ants. Her final scream gets cut halfway through once the very tip of her muzzle drowns in her greatest fear.

RJ cries “‘Possum Pal!” horrifically.

He lunges his yo-yo for her empty hand as if he weren’t far too late to set priorities! Just like the living room, he cannot catch her, not now. A fishing line of ants hooks him into the air by the foot, slipping the golf bag off his head and spilling the apple out to be consumed by a few ants on the ground. Wasted.

Down there, in the darkest realms of the kitchen, Heather’s hand is consumed like an apple too.

RJ can hardly peek one glance through his fingers. “What have I done?

The ants compile over where she once was, and for something of a humble moment nothing stirs but the unsettling legs of ants. Soon RJ’s hands fall from his face. He breathes and wades fully underneath that image which draws near, even though the rope raises him higher. He acquires perspicacity for the future, and for the friend it’s cost, he weeps.

Another ant-line fishes Heather from the pile to hoist her up to RJ, alive and well. It’s never enough time - They only get one scarred glance at each other before Heather’s line pins her against the opposite wall and ties her up with ants.

The queen raises herself to an ant-pedestal before Heather. “Now you will watch your boy toy here face his… consequences.

Heather abhors the sight of RJ being escorted to the opposite side of the kitchen, leaving her lonely and afraid. “No-o-o! I need you RJ-…” Another strand of ants gags her mouth.

Awww, ants got your tongue?” The queen cackles devilishly… whispered in her ear, just to be a jerk. Heather squirms for her life, eyeballs wetting themselves. The queen has a set of fifty teeth, no, more than that, larger and sharper than any ‘possum’s could be. Each one lets out another scream, stream of blood in the veins of her eyes.

Despite shouts and objections and all kinds of fake deal-making, the queen carries RJ to the large, shiny sink. The rope holds him above the drain in the center, gleaming brighter in sunlight than a pit of flames. From the window it reflects from the bottom surface into his eyes, burning him alive at the sight.

Plunge this pour soul into… THE HOLE!!” It seems lightning cracks out the window once the queen gives the word.

The army of ants goes wild around the pit. With this tribal display, he’s left to believe that the bottomless black tube of the drain is a pit of flames.

Heather’s trying so desperately to free her limbs from her cuffs, including her tail - RJ feels it, sees it. Nailed like a skin on the wall. Eyeballs crystalizing.

In that same line of sight RJ catches the distinct red hue of the apple on the ground as well. He growls, but quickly finds it hopeless to become a badger. “Ohhhhh I screwed up. Too close to the sun, too close to the sun, too close to the sun-”

One smug leg at her lip, the queen breaks it: “Spoiler: Icarus dies in the end.”

“No way Jo-se! I-I thought he just flew too close to the sun! Did he really die? No!”

The rope above him loosens instantly, and drops. Got no wings for that, in the harshest sunlight of the room.

“AAAAAAAAAA-!”

So once his butt hits the bottom of the sink… Wait, it hits it. Only two feet down, centered right on the little drain. He’s no fit for it, unsurprisingly now.

“Queen, what's wrong with The Hole?” one ant asks.

“I've thrown so many pathetic, defective drones like Jim from accounting down The Hole; Why? WHY can’t he be sacrificed?!”

Laughter festers and festers inside RJ until he becomes the true anime villain of the scene. Fear gone, all Heather’s limbs returned to circulation, and RJ’s butt nowhere near small enough to be an ant down a sink drain.

Here’s a ‘yare yare’ from the ants, for RJ channels his inner might and rolls it like thunder to bellow, “YOU FOOL. I AM FORGED BY THE INTERNET. MY BUTT IS THE SIZE OF GOD!

He busts himself free from their ant-forged chains with his fists. Even the general (who is a woman) hesitates to advance on him. RJ heads off the counter to the handheld vacuum left somewhere on the floor. The army of ants staggers and flees in terror.

Step one. He snatches the vacuum. Step two. The apple. Funny. He snatches the altruism to punt it into oblivion for now. Priorities. Gotta set ‘em. For the queen standing on the countertop of Heather’s wall, between him and her, he stabs the end of his little friend heroically in her direction. “Ants off my 'Possum Pal, Aunt Fanny. Looks like YOU’RE on a date with… the sucklord.

RJ and Heather play catch with a wink.

He lets the ants take in the constant sound of that whirring monster. The queen shouts for aid.

Hurh,” RJ begins to growl. “HurrrrrYYYYYYAAAAAAAAA-!!

Not a single ant comes. For the next minute RJ fulfills his responsibility. The one he should’ve set long ago.

Together with Heather free as a bird, they dispose of the ants upstairs, kicking open a set of doors that take them onto the platform of a second-story balcony over the back of the house. They dump the bag over the balcony, and RJ unties all wind in his body at once. One gratifying groan rids the house of this misdeed forever, he hopes.

Even though the entire ant colony lands on Hammy in the yard, removed from their sights ages ago.

“So now that clear’s clear…” RJ tries again.

That’s that. They find their way back to the mess of a kitchen those ants left for them to raid. Alone, at least. Finally, at last.

A moment down there and RJ’s eyes already go full-on monkey-mode over the plain clock in the room, ticking urgently at just about 8:15 - halfway to the deadline having no food nor fun in their hands or hearts.

Routine, routine. Now Heather understands it. She consoles his manic heist-aholic itch with a happy hand to lend, or three. Perhaps though, it’s just that she’s far too relieved to let his stressful visage sour her any longer. He needs her help, and he admits it. With Verne in the way of whatever he’s after, he should’ve just said it from the start. She would’ve helped without conflict. In her own words, “Duh, that’s what families do.

It all lines up. Heather, RJ, and the ghostly Verne within his head, appearing to kill his ears once again.

“So whadda we need?” Heather asks.

RJ looks at the list. “Whatever we need, Heather. Whatever we need.

XXX

In other words, the entire dang kitchen.

They go for Verne’s apple first, and shake an ant or two off of it. Siblings and spouses, probably. Apple - Verne.

Then BREEEEEE! goes RJ’s whistle.

A Bust It! nut bar - Hammy.

Coffee creamer - Ozzie.

A brunch box of Fritz’s - Stella.

Sardines - Tiger.

Who cares - the porcupines.

Together, they hold a box of PASTA™ brand pasta… only for themselves, actually. They go ahead and add their names on the list while they’re at it, and a lip-smack too.

Arms full, an extra tail loaded, they drop everything they can find in that kitchen onto a tablecloth on the floor, removed slick as a magic trick. They bundle their load into a pack and complete the heist with one final fish burger left unattended on the dining room table.

A ceiling fan between the L-counter and the table facilitates a rope out of RJ’s yo-yo. Blades idle, it allows him to get the yo-yo flung up there, and makes for an easy cross once Heather swings across the gap.

Aaaaaand there comes the fish burger. Heather comes collapsing to the floor, but she smiles beyond belief. Work complete lickidy-split, RJ promises the good life… and she lets her tail take his hand.

Together they prance towards the living room. On the inside, RJ whispers to angel-Verne, “Has God got some chicks for me now or what?

Angel-Verne checks in on heaven. And even though in the entry line, God is shoving every kinda animal but humans down a trash chute into the same free-for-all petting zoo without care or judgment, Verne comes back and tells RJ, “Have you seen The Emperor’s New Groove?”


Her and RJ leap abound on their own fun adventure inside the house. Hammy’s shoulders sag low. She’s having a rowdy rodeo at RJ’s side in the living room, and it’s a tornado in there, the goofy stuff they freely fling around. Compared to the empty space next to him on the chilly concrete, it saddens him. Now what could fill it? It’s a lazy barren field of a yard behind him - nothing but grass, and only a grill on this here patio. La sentinelle, he is. What a job. What if he had another squirrel next to him, just a silhouette in identical form to him, maybe a relative, or just SOMETHING- Oh wait, it’s just his shadow.

No matter how many times he throws his face at it, the invisible wall forbids him from joining the rest of the team.

Melancholy, left without meaning, he runs his hand down the glass. “I could’ve been your heist buddy, Heather. You used to spend time for me… not just with me.” He turns his back. His back tries to turn back. “No no. I’m going to find a new best friend. Goodbye.

He takes himself to the side of the yard, eyes closed.

Long story short, he finds a garden of wind chimes and butterflies, befriends a wood tick named Fred, and commits garden gnome genocide to rescue an attractively vivacious female squirrel… statue. Made of stone, its kind heart ‘n all. We’re just gonna censor everything because of the gnome genocide part. It’ll offend somebody, probably.

Naturally, he cuts a hideous hole in the backyard fence with a chainsaw to push the squirrel statue through.

Maybe Hammy’s too dizzy from the gnome fight to tell, but the voice of the brown bug on his shoulder is as high as a hot air balloon - “FRIEND power!” Fred celebrates. “Yeay-uhhhh!”

Hammy then assembles a whole doll tea party set for him and the stone squirrel back in the right yard, behind the glass door, for he does not care anymore. He brings some more friends, such as Jeffery of course, sitting the cookie in a pink chair next to him. Finally, he sets the mood by hooking up some classical music on the radio - …What is actually, in fact, a heavy-metal remix of classical music on the radio.

Ah.” Smelling the sweet aroma inside his doll-sized teacup brings a smooth spiced pie into Hammy’s nostrils. With a collection of rediscovered nuts to spare, “Today, Fred the Wood Tick, we live the good life.

“A-greed!” Fred goes back to sucking off of Hammy’s shoulder for a ‘tea’ party of his own.

A wink, maybe. From the stone squirrel across the white table. One passed back from him. “Wassup, sweet-cheeks? The name’s Hammy. Rhymes with Sammy. I’ve got some scars. Psychological, that is. Heard chics dig that stuff.” He flicks his tail at her. “Wanna help me find my nuts?”

It says nothing. But she has such a way with words.

“Wanna be my heist buddy?

Nothing.

“Wanna see how long I can go without blinking?” Hammy puts his eyeballs on the line for it, but somehow (don’t know how) he cannot best her at a staring contest. But for one second, everything is perfect without Heather, without RJ, and a new gang of insect friends to join him.

All goes swell until a few little legs tap on his toes.

“IS THE BOOGEYMAN HERE?”

No. Some juvenile ants, standing afoot, rub their thoraxes in front of his legs. Behind them, a massive crowd. A massive family.

“Mr. Squirrel, could you help us?”

“We’re reeeally hungry, Mr. Squirrel.”

Conveniently, a giant pile of food stacked up on the floor through the glass door makes itself known inside the kitchen. Hammy glances there. And even, it’s wrapped neatly in a nice tablecloth for anyone to treat themselves to. “Oh heyyyyyyyy, there’s a bunch of food in there! I’m sure it belongs to absolutely no one, especially not my closest friends or something. Over here! Lemme show ya this super secret hobby of mine.”

This is like pre-k level foreshadowing by the way.

So he helps them dig a big tunnel from the outside of the house into the kitchen through the floor. The ants go marching single-file.

“My super secret hobby is digging holes,” Hammy says.

Thank you, Mr. Squirrel!” comes all the ant kids at once.

“Now I am really hungry for a hotdog…

The queen of the ants puts her front legs together and chuckles mischievously.

Hammy does in fact steal a weiner from some hotdog stand down the street, and his speed leaves a great impression on the humans.

“Was that a squirrel?” a kid gasps.

“In quite the hurry, the little guy,” the hotdog man says.

“Oh, probably just off to find some nuts. They're simple-minded creatures,” one woman assures them sternly. “What else would wild animals be up to? We can’t go around letting our kids know they have feelings. Imagine what would happen to the farming industry! A vegan revolution? Come on, they have NOTHING to live for. Nothing.

XXX

“WOw, I have so much to live for right now,” RJ cheers.

“I know, it’s crazy,” Heather giggles, “I have never been feeling more, like, in my life.

Holding the end of her tail, RJ escorts Heather to the TV area, both dancing against each other like there’s nothing to lose, even humming to the tune of ‘It’s a Beautiful Day’ by Michael Buble. RJ throws his bag down in front of the TV. The two face its gleaming corners and polished perfection on the black screen, joining a grip on RJ’s club to boldly admire the diamond of the room, atop its wooden pedestal on the setup. From the window behind and kitchen to the right, a stream of golden silk swims around the living room and over the carpet. By their backs to the twinkling wonder of life streaming in from the outdoors, they claim the richest island of the fuzzy sea.

One foot atop the golf-bag-boat, RJ exclaims, “Alright boys and girls, feast your eyes on the GATE-WAY TO THE GOOD LIIIIIFE! WOOP WOOOOOOP!! Now available in an eye-ball incinerating fashion for just $298.00 a piece.”

“C’mon, say that thing,” Heather softly urges.

“‘BUT WAIT, I’M NOT STOPPIN’ THERE’! Call right now ‘n we’ll double your order for NO extra-!” They both break into an immediate spring of laughter, continuing to mock the human lifestyle further.

“Dad would never let me live like this.” Heather hugs the club to reel to his attention the reclusive smile squished up by the head of it on her cheek. “I shoulda known you wouldn’t break your… y’know, promise.” RJ witnesses her gaze somewhat longingly at him. Whether it's true he can't decide, but her irises might've just quite alighted since the crumbling horror of their pleasure he brought upon them during the tussle with the ants. Promise he shall.

“Promise you this too: When you’re with a raccoon you ain’t ever livin’ today twice. Now go spread your sweaty vermin butt marks ALL OVER that couch.”

“Alright, the Heather-spreader is comin’ out.” After a cameo from her dorky tooth, Heather heads for the couch behind the coffee table right away.

Meanwhile, RJ goes searching the movie cases. “For the record, she got her nickname game from me,” he happily thinks.

“Whoop!” Heather throws her back onto the best seat in the house and feels the soft fabric nurture the doughy structure of her pillow-like body. The couch holds her in the squishiest form of heaven, after a long, long few minutes of work.

After scooting the back of the Heather-spreader all over the area ahead, she makes some whalish kind of exhausted moan that disrupts RJ’s ear from behind.

“Hey I changed my mind,” says RJ. “Get up n’ help me pick a movie.”

Chill off my grill, dude.” She flips on her 'possum-mode switch for this one: “Like aaaaaaAAAAAAAaAaAaaa…”

He shovels a bunch of cases at her face and wears a derpy himbo voice. “OoOoOo, I’m hypnotizing you with moOoOovies so you’ll piIiIick one!” Then comes a deep, droning, alienish hypnosis: “‘My name is Hea-ther. I am go-ing to like, keep my big ba-hooty on the couch, and pick out a mo-vie, and be a pro-duc-tive mem-ber of so-ci-e-ty. Or what-ever.’”

Heyyy!...” She ends up shrugging browsing his selection. “My bahooty isn’t THAT big.”

“Alright sugarplum, I call the seat the humans left warm.”

“Jeez. Got your order, weirdo.”

RJ divebombs beside her and offers her the remote. “Your call.”

Thanks RJ.

Her arm fur seeps to the surface of his skin, scratching at him with a new itch… Something else itches him too. Leisure is too easy to come by, as clueless as his grin is now, but how abruptly will it fade? On the right, over just the top half of Heather - her lower brainwashed by the cushion - through the doorway, into the kitchen, and on the wall, the clock ticks onto 8:45. More than 15 minutes past the allotted time; Less than 15 milliseconds it takes for RJ to gasp and spear his arms down his sides.

“Uhh-h-hhhh on second thought, we’d better not.” Heartlessly chuckling as he talks, he’s not too thrilled to imagine her reaction already beginning to swelter down from the tops of her eyelids. “I me- I me-an, we're already late, and boy I’m sure the family’s gettin’ hungry, so how ‘bout we call it quits now, alright-?”

The rest of her… response never forms. Her countenance takes a U-turn. Suddenly she snickers, uncharacteristically mischievous. Anyone would figure it to be a raccoon, and RJ’d at least figure it not to be her, and she says, “I totally figured you’d say that.

“…What’s that supposed to mean…?”

He finds his answer gravely, without any uplifting reassurance. For he cannot lift his rear at all from that seat, patched down by a pink, gooey substance that claws him down at any attempt to rise. This is all some game to her, and he, he is the prey suffering the real blow. The clock ticks again. He doesn’t forget it.

And now, he finally says it: “You bubble-gummed my big bahooty to the seat.”

“Oops.” She wiggles the box of Sticky Stuff all in his face.

RJ stares at her incredibly sternly, so long without blinking that it puts Hammy’s staring contest with that statue to shame.

She sighs, stands up and paces around his exact perimeter on the couch. “Why’d you have to go and make things so complicated, RJ? It’s like, so simple… You got the food, now I get the fun.

RJ keeps his eyebrows lowered for a still moment. His eyes wander everywhere, multiple times over, nowhere on her - they trace a silhouette of her body. Finally, he lowers his chin to his chest and chuckles.

No objections, nothing like “we need to get out of here” or anything about Verne like the 15 timelines Heather’s envisioned for herself to tighten her bones against. His head doesn’t turn loose, or his soup bowl spill. She looks mindlessly, shoulders loose, the sheen of her slick facial presentation left without direction.

At the very least, she tries “Oh woooooow, chill guy, okay dude, gonna try and bribe me with your… good looks or whatever?”

Instead, RJ gets into his bag. Out comes the biggest bag of popcorn Heather’s ever seen - larger than herself, which would suit her insatiable appetite - and perhaps greed - for instant gratification.

“Alright, TV time is now OFFICIALLY in session.” His unreasonable enthusiasm wanders distinctly out of place in the silent house, and even in the demeanor that was just starting to heat and pop on this very couch.

“You’re… not… mad?

Nope.” He basically just cut her off.

“Not in ANY way… worried, or whatever?

Nope.

“Not even-?”

Nope.” - It boosts her uneasy heart rate each time his lips smack and slobber together from that word.

“…We’re… gonna be late. Verne’s gonna be all like y’know-...

“Nope. I’ve seen Verne hit on a clock a few times. Trust me, he won’t mind.

“Er- Wow… okayyyy…” Her fingers aren’t quick to grip the remote. Neither do they wave the case more timidly than string. “I, uhh, picked the most meta film of all: ‘[REDACTED FOR COPYRIGHT PURPOSES]’.”

From here she throws the disc into the receiving part of the TV. Static impresses upon Heather nothing different than the numbness her brain feels.

She leans her head humbly onto RJ’s shoulder to try and relax, and links him under her wing in leisure. A bump from his head knocks her unsightly nest away. She drags out enough space between them for the whole couch to look empty. Her spirits spoil, and her face drops even in victory, throat pained.

This DVD is enhanced with FastPlay.” Just on time. There’s the screen to distract her from his callous glare. “Your movie and a selection of bonus features will begin automatically. To bypass FastPlay, select the main menu button at any time. FastPlay will begin in a mo-m-m-mo-momen-momennnntttt…

After glitching out, the screen cuts straight to black and blue placeholders, frozen with the message ‘[REDACTED FOR COPYRIGHT PURPOSES]’ burning into Heather’s eyes.

“PFF-Hhhha-ha-ha-hAAAAAAAA!

A manic kangaroo releases from inside him. Taller and larger, larger and taller - RJ’s head blows up into a cherry that halfens her distance from him. That’s how a hallucination reminds her, of the blood-hued, family-breeding, sinister shark-toothed ant gnawing at her chance at the sweet nectar of life-fulfillment. Again, in no kitchen left to pull RJ away from her any longer. Maybe what comes is due, she dreads to accept: laughing, taunting, torturing. Addicting blue light sucks the moisture from her eyes also. The wide web before her screeches out her name in love just to break the back of her very own character. Her knees crumble on the couch. Why can’t she just shut the phone and focus on what’s right? The thing is, she’s already put it on lock.

RJ wipes a hysterical tear. “Ohhhhhh I get why they say ‘time flies when you’re having fun’. By god, I am having more fun right now than a-anything you’ve put me through the past thirty minutes!”

The kitchen clock ticks second-by-second even louder than before. By every one, the profuse sweat forming on Heather’s face multiplies exponentially. She tries to get herself to have in on his joke, but her expression transforms the redder the light besieges the room from all windows. A hiss takes that chuckle’s place without a hint from her posture. But inside, she knows the creases coming over her muzzle have bubbled long enough.

“So are you having fun yet, Heather?” Treating her as some human’s pet, RJ would be turning her cheeks into squash if he could reach.

“[REDACTED FOR MATURE CONTENT]!!”

He gets a ball pit of laughter from that cutesy anger of hers too. “Ooo, oh, now don’t get feisty. There are children watching, oh man. Like you.” He gets her an Arnie’s soda cup from nearby. “Wanna… wash down that attitude? Hmm?

Silent, her frown grows immensely.

RJ teases, “Aww, is someone giving me a frowny-frown?

I never needed you in my life. I never needed the human-anything. This whole… y’know… was like one stupid… y’know! UGH. Damn, I can’t like- like-!

Just as always, she struggles and trips more on her words when they shove at her heart most. In the end it spawns more, and she stumbles more, and the feedback loop continues. She gets up and runs for the staircase on the left, phone to her chest.

Any words of RJ’s she forgets from then on. Up the steps she goes, sitting at the square platform waiting for her at the top of the flight. The furniture is gone, RJ is gone, and all she can see of the living room from this spot is the vast carpet sea. Waving, in motion, and quiet.

Confining herself to these heights, her frown faded a little bit, yet chains the entire mood put out by the bend in her spine. Earbuds in, she turns to her music to enjoy herself, kept to herself.

"We make a good team, me and you, we do."

That won’t help. She needs him. She needs the human-everything. Doubtful that she truly knows it, let alone accepts it. For in the back of the kitchen, an old white door creaks open. One figure obstructs the basement past there, in fact, the entire entrance, from view. A young, heavy voice speaks beyond the ears of any little vermin around:

Moooom, I said was gonna have my new stray bunny come clean them up laterrr- Uh- Update: The ants are all gone. Love you mom.”

Even though the whole house shakes every second now, RJ dismisses it as his own heart pounding. Slowww and longgg, and dreadful. He watches her tail drooping down a few steps, limp, and his humor removes itself from his mask. He puts his hands to his forehead, either in annoyance or grief. Ghost-Verne nearly appears again and splits his ears open, probably to tell him not to feel bad or something, but RJ calls the Sniffer into his mind to taze him before he comes from the rug.

The bubble gum keeps his butt lodged in the underworld.

Heather…” The umbrage and anxiety he’s quelled apart from her sick ‘game’ takes cracks at his dam. “Do you plan on getting me outta this? Verne must be draggin’ his shell here right now! Heather? Heather! If I say it louder that means you’re more likely to listen to me! HEATHER!” Now he growls more intensely than her.

A massive shadow creeps over the kitchen light gleaming on the side of his head. What else clomps into view but a clueless, hairless ape with a whole pig packed in his stomach underneath that green jacket and greasy white shirt. He carries far more fat than RJ’s got nerve, though neither blink or let a single noise out.

One thing separates the raccoon from the human: By the man’s mass, his bear-ish presence in that dark brown, hideous hair, an extra layer of trauma covers RJ’s muzzle. “He-he… ‘POSSUM PAAAAAL!

What she thinks to be her signature nickname being shouted pops Heather’s eyes wide open.

A hideous crash down the steps shatters Heather’s spirit. Great lonely distress comes over her as she goes grinding down the handrail back to the room and gasps at the human standing frozen in the doorway on the other side, so fat and broad he takes up the entire space. A can of Triple C lies on the kitchen floor next to his foot, rolling away.

She gets to the couch as quickly as she can to safely crouch behind RJ’s arm. He instead places her as a shield in front of him.

“Did I ever mention I’ve developed a chronic fear of large, fat men?” RJ’s voice gradually rises to the pitch of a bumblebee. “That are, uh… kinda shaped like bears in a way, y’know what I mean?”

Thunder cracks when the man removes his belt, and his enormous stomach falls loose. On comical cue, they scream and dart up from their spots. Only Heather can get up though, for the bubble gum glues RJ down.

Heather, you TRAGICALLY quirky idiot, my bahooty’s STUCK to the SEAT!” he cries for his life.

She clutches her head. “Oh no, noooo!

“No, my mama’s couch!” The man comes running at them, swinging the metal head of the belt as a whip.

She gets back up there and hugs onto his head with both her arms and tail. She can’t undo what she’s done. So the last thing either of them see is a painful silver buckle cracking the top of their skulls. Two small fish in the big world, facing a blackout of their own troubles. That means the TV disappears too. All thoughts of leisure fizzle out. All thoughts at all.


ACT III: The Pop Song Tie-In


Pressure. There’s pressure. Pressure to be awesome, pressure to never live today twice, and pressure to… be responsible for the misplays of the rash and selfish, and pleasurable desires… Heather eases awake from a belt clenched on her stomach. She flinches at the feel of warm fur rubbing over her entire back when she squiggles her captured arms. The belt ties them in a tight loop around their waists, chaining their backs together while they sit upright on the coffee table. Butt-to-butted. Or more like, tail-to-tail, just as she once hoped and predicted they’d be. Foretold - in the most unintended of senses - by herself on a couch this week, when every time was left for ‘next time’ by RJ. It nearly happened again thanks to that dastardly clock and RJ’s irking list of to-do’s. She finally stopped it. Completely stopped it. And by such inconsideracy of her own they’re doomed because of it. Now she can’t even reach the half-dranken cup of Arnie’s soda at the corner, nor anything else in the dark dungeon this living room becomes.

Her jaw cringes, teeth clenched and tense. “Godfupitell, godfupitell… He told me that if I never knew what swear word to say… I could say- like, that.” She flails desperately, to no avail. “R-RJ! Like, what’s going on? What would the humans call this?!”

Her constrained movements slump RJ’s head farther to the side. She can’t make out anything of his face from this angle. It could be terribly scarred because of her, bled to death. Still, the belt gets uncomfortably tense now and then - he’s breathing. But doesn’t react. By instinct alone she has to sail her tail around his hip and - hopefully - slap RJ over where his muzzle should be. He jerks up. She feels it.

And to answer her question, the humans call it 'getting screwed'.

Ohhhhhhh…” RJ’s vision bubbles in a haze. The faded screen over his eyesight sluggishly diminishes, and he flinches at the feel of a soft bushy coat shivering over his back. Legs under the belt in front, he works out the terrible context. “Tail-t-tail, I take it?”

Heather refuses to speak of it.

“Grea-t.” Lashing out at her happens as the next thing on his list, ranting like a sullen mother: “We could’ve watched TV at home. We do it every night. We could’ve gotten out on tiiime with food out the WAZOO. Did you really have to do this to us, Heather? What am I gonna say to Verne? To the family?

You… promised.” Something grounds her voice, constructs an odd defensive front, taken to the walls of the room and boxing in on RJ. It forms solid in truth.

“Well guess what? Uh ohhhh, bing-bong, promise over, poof. Verne’s gonna take away everything you ‘n I’ve worked for this week!!” he whimpers, stuck as a mouse in a trap. “Everyone’ll think he’s more trustworthy than me. That’s baloney! And then what’s in it for you, huh? What are you gaining from screwing us over?”

“Look dude, this’s more than just ‘fun’.”

“Yeah, uh-huh, you keep saying that, but, knock knock… I dunno what it means.”

“I- Well, dad-” Who tells her to not speak a word on it? Her brain, and every hair shivering out of her coat. “C’mon RJ, I wanted to have some fun with you for once, y’know-?”

“Hold on, could ya bring it a bit closer? I didn’t quite catch that.” So she does naively, and the moment she opens her mouth RJ booms right into her ear: “FOR WHAT?” It comes so sharp he intends to stab her heart.

“Uh-”

“Food for thought: How many CDs have I helped you steal this week?”

Her head goes down. “RJ-”

“‘RJ’ isn’t an answer, sweetie. How many?” he demands.

Her chin reaches her chest. “262…” But then her skull busts. “RJ… I’m sorry!

YES, we- Wait… you say wuh?

Something… cracks in her, fractures, her brain splits open, suppressed passion as fiery as Stella exploded from her face. Her blood boils so hot she (might) be able to get rabies now. “We like so should’ve left on time! It’s my fault we’re… y’know!? But- but like, some awesome sauce dude told me that this’s like- this’s food for the heart! Not like Ar-Arnie’s and y’know, whatever - That it’s all food at the end of the day, like… y’know? And- And like, wasn’t, like, the reason YOU wanted to come here with me all for a y’know? ‘Adventure’, like, fun?! WHAT FUN IS THIS?

“It’s been NOTHING but you today, hasn’t it? ‘Oh no, WAHHH, I wanna watch the same movie on TV for the too-many-th time-’ NOTHING but you. YOU are getting in the way!

It becomes a fight between two 1900s cartoon characters inside that belt. But their hands cannot move apart. Neither can really reach half the distance they need to weaponize any other part of them.

I’m in charge and I am always in charge,” RJ asserts. “Quit trying to be the boss of me!”

“Stop being all lame ‘n just spend MORE TIME with me,” Heather blabbers inversely. “C’mon, me me me!”

“Your tail’s got better brains than you!”

“Oh wellllll, look who’s the sMaRtEsT in the room then, it’s my frickin’ BUTT-HAND!

He bites the end of her tail as she shakes it over his head and between his eyes. That’s as much pain as either of them manage to inflict on each other in any of this nonsense.

“STOP THE FUNKY MUSIIIIIIC!!” RJ roars at last.

They stop the funky music. It’s all meaningless. Lopsided they end up. Protagonist arguments are over-cliched anyways. Heather’s chest expands twice as far with each breath - RJ can feel the pressure on the belt at his stomach - as his does return to her, at which point their bones and flesh prepare to bust. RJ tries nudging himself even an inch. Together they remain. And together they lift their bodies upright through great trial, however united.

Heather must be startled by her own fury if she redundantly reminds him: “I said I’m sorry.” Then she just about breaks down. “Ohhhh my god, I said I’m sorry, I’m sorry, I’m sorry-”

Quit it…” Something silent and oddly un-meta of the room, the dull tone in the tan walls, puzzles his head. “If this’s meant to be a third act breakup then why can’t we… break up?

“You think the narrator’s tellin’ us somethin’?”

In very subtle, symbolic ways… perhaps.

“Hey hey hey… We had to have used our 1 4th wall break for this chapter by now, right?”

That doesn’t matter anymore.

“Weird. I can’t even like… hear him.”

That’s how things should be. They don’t need to. Just give ‘em a minute or two. Let HEADS and TAILS be bound to their coin, back-to-back, and don’t toil at carving over their faces. If they are to rust on the street, and fail to stop one face from landing down while the other stays up, then let them rust… together.

RJ and Heather… bound together. When a paragraph like this begins to rhyme, that means shit’s going down. And so it shall. Here and now. The memories. The MEMORIES. They steam down the railway, every CD a wheel. He heard her sing. Then sing again on her own note. If they were not alone, at home, he would never suspect she truly sang for him. Then again again, and beyond that he could’ve known her since the dawn of time for all he can tell - or at least the dawn of hedges back in the prime year of 3026 BC. Not just one sense justifies this. Her tail tickles his arm, and he’s forced to lean his head back, and when he does, Heather grins 100% au naturale, even if he can only make out the first 50. If only he were an owl, with the whole head-turning-schtick, just to uncover more of her innocence. Their eyes an inch apart, locked, and the sides of their mouths are too, breathing patiently. Heather raises the corner of her mouth, showing that one dorky tooth that ripens RJ’s nerves with nostalgia for a very recent time.

Half their faces are obscured to one another, back-to-back. That makes half a friendship. Half an understanding. So here, now, the only thing left to do… is talk.

“You know you’re my favorite of the family.” His voice mellows her lungs just as she goes to bend her neck down.

RJ hears her breath stutter, then slow. “No, really really,” he assures. “When I think of MY ‘family’, I think of you… before any of the other guys.”

“Right.” She blushes. “Um, y'know, ever since - what was it - our second dance last spring you've been… kinda cute- Er… yeah.”

Cute? RJ tries to straighten and stiff up in response, just to soften back down as her fur plays with his heart.

“Objectively and… y’know, the other one.” Thinking about ‘family’ any more has Heather’s guilt swelter. “Jeez…” Half to herself, half to him, less than half her face ready for him to see, ears down low, “Did I seriously forget about them again? I wanted to make it you n' me. For real, just… us.

“Still can’t think for yourself? We're never gonna be alone. The list, the rabbit twerp, the ants, THIS fatso- Even if we ran away from the family, started living in our own lil' snack-filled dreamboat, we're part of a world bigger than you 'n me.”

Underneath the coffee table waits an entire cloudy ocean for them to swim in, yet they’re two animals anchored back-to-back by a belt. RJ scoots a toe out towards the coast of the table until the weight starts to press upon his leg. If they set out on a brilliant venture in this state, they’d have stones molded onto their feet, and down they’d go. There ain’t always time for a second chance.

Regardless, Heather stares longingly at the giant TV, so dead on the screen that all the dust and human fingerprints come to light.

“‘Possum Pal, here’s the thing…” RJ articulates. “The list doesn’t just mean something to Verne, it means something to the whole family. I know his game - He wants to throw on extra responsibility because if he gets them to think we can’t hold their trust…

“Then they’re out on us?

That’s the cherry of it. Above you ‘n I, we’ve got a big, bigger family to run. We don’t have our whole lives for ourselves. In case you were dead as your dad when it happened, I found that out via a little detour last season.”

Heather lets out a “Hmp”.

“We do not have our whole lives for ourselves… Yeah… So we gotta make the most of the time we… do do have!” RJ scrunches his eyebrows tight and stretches his face inward far enough for it to hurt thinking about it, before he jerks up in place. Doing so, he slams his back against Heather’s, shoving an unexpected breath out of her. “‘Possum Pal! We can’t be kissing each others’ feet all day over this! We’re getting ourselves outta this Spuddies can and THIS time we’ll do it right. Together.

...Together,” she agrees for the second time that day.

RJ and Heather say nothing more, but think the same thing: getting their hands free from their sides and working to stand up. They both try taking the lead at once in opposite directions, and so they both trip off the table onto the sides of their faces having no synergy whatsoever.

“Yep,” Heather grumbles in response. “I so need to get back to selling fish burgers in Canada.

RJ spills his bag over the floor to search for anything useful. The family’s shopping list comes crashing out first.

From the corner of her eye Heather can outline his peeved, stuck-down head completely. She asks him truthfully, “Do you still want the food, RJ?”

“…Nah. Next time,” she hears.

She can’t accept such a thing so nonchalantly. She refuses. “I’m a total jerk for this…

Then RJ’s pinkies lock timidly and forcefully into hers, for some reason.

RJ has his muzzle sag off of his head, eyes as wide as baseballs, his whole attitude flopped to the floor. “So anyway… YOU have an escape plan, right?” By staring through the doorway he floods himself with trauma. For every rupture another footstep from the bear-human creates, the man comes across knives in shelves. A mixer bloodied by egg juice. A blender with teeth of stainless steel. It's not often for him to feel it through his veins, but vulnerable to humanity, his ego's down when his bullet's hit the wall. And he sweats profusely.

“Hey RJ.” Her cheek nudges considerately against the back of his quivering head. “I gotta make up for this.”

What is she talking about?

“‘N y’know we can’t work together without a beat!” she beams.

Out comes one old, green mini-CD player.

A pair of earbuds too.

Both chock-full of the playful intent honed in on the cheerfulness of her mood. “So let’s totally bring iiiiit.

“You’re nothing without music, are you?” His shoulders belittle hers.

Ehhhh…

RJ’s well flutters up into a fountain. “‘N I’m nothing without you, so let’s give ‘US’ another shot! It’s our time to make a sound in this world. And solve all life’s problems through HUMAN MUSIC!”

Heather springs up her ears at the opportunity.

IN!” and “OUT!” they say.

From the nearest set of shelves in the room, they stick their pinkies in the ring of a mini-CD among some memorabilia.

Never without.


The man in the kitchen settles on a can of air freshener as his pick. “Ha-hah, there's torture on the grill now!” The living room empty, coffee table left just a few stray strands of shed fur, he lets out: “Huh?”

Let the track begin. Render its rails. Maybe it’s ‘Run’ by OneRepublic, or another song only perceivable by the imagineer. And no, unfortunately, ‘Love in an Elevator’ by Aerosmith doesn’t quite fit the bill for this particular scene.

That tempo follows the hopping of alternate feet. Two-for-one, RJ and Heather share a pair of earbuds around the corner of the doorway.

Pep up the pace and swing up a symphony. These colors - all colors - swim around Heather’s ear linked to his. It seems she drinks them all up for herself, and channels her energy deeply into the music, sucks up every motive of a life worth living to prepare to burst into the hues of the loudest storms and sunshines. Heather’s putting an explosion of energy into it, as the belt jumps higher behind RJ than in front. All the loose fluff covering her noodle-y body flies every which way up RJ’s back. Her ‘happy tail’ is unchained. Half-hearted in his step, his attempts to sync with her passion simmer down. A glance at the brutish man in the kitchen deters him more. “Woah, uh I-I don’t think I got the moves for this, ‘Possum Pal!”

Says the guy who helped her steal 262 CDs this week.

“Just feel the beat!” she says. “That’s what ‘fun’ is - You’re never gonna live today twice, y’know that?”

RJ listens to the words of the song, and the constant, catchy beat, and starts to bob his head and hips. Just like any other day or night on a secluded log in the forest, he enters from the heavens to take the childishness put into her step, now into his. The only difference there ever will be are the circumstances.

“Yeah… Yeah, I do know that,” he finally states, proudly. “We’re gonna have some FUN WITH THIS!”

“Woo!”

At the same time, and on beat, they strike a pose in the doorway, confronting the man. They dance into the kitchen under its startled legs, tied back-to-back, and head for the protruding side of the L-counter.

“Prepare for a sweet taste of our pop rock, chump!” RJ yells. He handles the weight when climbing up to the counter.

The human comes slipping across the floor, crashing into furniture and adding more pizazz to an already chaotic scene. “That was my mom’s counter!” He gets to their part of the counter and rises over them head-on with his immense sack of blubber.

To that, RJ presents his stubby golf club. “Aha!

The man-baby presents a fat knife from the opposite counter behind him. “A-ha!

The sharp edge of the chef’s knife gleams a dull fate into RJ’s eyes. “A-ha-hoooh no…” Run.

At the first stab directly towards their faces, RJ and his dancing opossum friend split their legs and drop underneath. Right here, the roof could fall. From the teeth of a blade they could lose it all. But Heather’s music graces them. It ties every chance at death to every beat, punch after punch. The knife only succeeds at killing the air they leave behind as they dance dangerously around the frantic man’s shaky blows. When one stomach thrusts in, the other thrusts out to compliment - mind-blowing synchronization for two tied to the stake.

Humans have no beat, ha! The wild life is routine, though not ever full of breath. RJ and Heather navigate his stressed-out aim, managing their livelihood in the face of death.

RJ smacks her shoulder, yelling “Apples!”

On it!” She sounds like she’s having the time of her life, but that life is in jeopardy, isn’t it? Joints, face - neither express any desire of playing dead, imitating the knife coming to pierce her fragile skin. From a fruit basket, her tail chucks three apples pop pop pop at the knife, skewered up the blade. By the time the man bites each off, the two chained animals gallop to the edge of the counter towards the dining area.

Together they leap over the edge. They grab the yo-yo string dangling from the ceiling fan, left from its last usage. They take the full round trip, building up a high level of spin for the second swing back at the counter.

The man stands ready in their path, but a disco ball attack proves oh so effective against the human face, striking the man repeatedly with club and tail, spinning so fast they’ve become blades on a helicopter.

RJ releases the string to fly over the man. During their slide over the slick surface they pass a tall plastic cup - a wooden spoon inside for Heather. Paired with RJ’s club, they’re decked as knights.

Claws trample frantically over dirty metal. Inside the vent system of the house - the ‘burrows’, as they deem it, Ozzie and Stella reach a barred opening embedded high on the wall at the back of the kitchen, the former ramming face-first into the screen. Through the thinly-spaced flaps he’s able to make out the scene, the large and ferocious human picking his lofty weight from the floor. The knife the creature brushes up in its hand has Heather’s blood foretold all up the footlong blade. The vent doesn’t budge. He’s stuck as the audience for Heather’s final number.

Oh, Heather, you’ve ended up in harm’s way!” he cries. “I told you Stella: This was a death trap from the beginning and I failed to keep her in line-”

RJ!! HEATH’UH!!” Stella acts for him instead of weeping over it.

The open ears of the two flinch, but the music enraptures their senses better in the others.

“Screaming won’t cut it! She’s DROWNED me from her ears!!” Ozzie thrusts his hands onto his eyes, digs at his skin, wailing “OH, she’s going to die, she’s going to die-”

PULL those hands down!! Think ‘NEW plan’, man!”

“You’re right… SCREAM LOUDER!!” he begs.

They scream louder. Until as Stella watches further, she comes to bewildered silence. The music gets louder.

After sliding back in retreat, RJ and Heather bob the soles of their feet to the beat. Striking out to defend in a sword-fight against the man’s knife as they’re inched farther and farther back on the counter.

Radiating dangerously and fearlessly in passion, they shoot their souls in spikes against the human, a burst of energy behind every beautiful crash of sticks together. The strings shake, never break, striking electric guitars powered by lively blood, making them pulse. Nearly, they bust the walls, splatter the scene.

“Let’s go RJJJJJ!” Heather cheers.

No touch of death mirrors in one eye of RJ’s. He dance-fights now expecting to never live today again. Placed in tension when his club locks with the knife for a second, he just brushes his hair back. His fears depart, parallel to Heather’s.

They bump into the dish rack beside the sink. It takes a glance; They both reach for the handle of a serving plate, stuck right in the middle, and hold a firm, unified grasp on it, gripping the other’s hand without any dust of regret.

Nodding - to the beat. They alternate sides and hoist the shield out front. Just at the same time the man stabs straight for them, the plate comes up instinctively and instantly to block. Movements stay bound to the rhythm, wheels on its tracks, unrestricted ironically, and unparalleled. The tip of the knife dulls on the ceramic and sends it right back.

As RJ and Heather slowly lower the plate from their faces, they grin deviously at the feeble human.

“Goddamn I ain’t young anymore…” Stella does not blink for a minute from the stands.

A clank of weapons head-to-head, a bump of butts, they drop it all and stomp into the track itself at the next booming beat.

“Moon’s full!” RJ erupts. “HIT IT!”

The hour has come to this! Heather’s springly little tiger of a tail bounces them up onto it and holds their seats off the ground, where they never belonged for one bit of a fleeting hood of youth. This mounted defense equips itself with full 360 degree rotary ability for the final chorus in blinding daylight.

But in the span of a few seconds Heather loses her wooden spoon to the thrashing of the knife.

Their shield falls to another blow.

The music continues to pump anyway, even when a crumbling posture takes hold, and they stutter off the pogo of Heather’s tail. The strings that tightened their muscles snap off successively in shy squeaks.

It stops and shudders an inch in front of RJ’s eye - the fatal knife. Heather’s tail fights with the man’s hand for the handle, until the human retreats. RJ and Heather rebound. They hop back and back closer to the sink as the assault hits its climax. RJ works his club to its best, but at the last hard-hitting beat it goes flying from his hand into the sink.

The music goes still, or they might have deafened in those ears. The tunnel between them empties into nonexistence, imagination sealed shut. Defenselessness is awkward. Even if they’re animals. Who ought to wield nothing the humans privilege themselves with at all. Music, similarly. Speaking of which, “Heather, y’know, I’ve been meaning to ask…” RJ inhales when leaning in. “Where’ve we been listening from?”

With all hands on deck and no possible way for a CD player to be on them at any moment in the past couple minutes… Heather’s eyes widen blankly.

The man swings the knife down at their heads. God bless, they flinch, and the knife cuts the belt clean off. Both pop out the earbuds and disperse. They are plugged into nothing.

Heather’s light fur easily draws the man to the dining table. RJ takes post behind the cover of the L-counter, patching that sensitive conjecture of Heather’s danger on his back. Over there, underneath the table, Heather has permanently clung herself to one of the legs, the man patrolling the perimeter above, a shark in the pool. The distress in her eyes reaches deep into his.

At the proper time, RJ hurries her to safety and steals her cold hand away for his heated presence to warm.

“I- I lost my beat, I dunno how-!” she starts to explain.

I’ll take it from here. Just stick close ‘n…” What shall be his victim? The oven. “…start thinkin’ like a raccoon.

They heave a frozen pizza into the oven and smash the door shut. While Stella forcefully smothers Ozzie over his mouth and neck to keep him from reacting, an opaque wall of smoke envelopes them. RJ and Heather crank up the heat to ungodly, impossible temperatures with each loop of the temperature knob. The human builds a phobia over all the sudden noises and calls for his mommy.

As Stella nearly suffocates from the smoke, Ozzie breaks free and bends the bars apart with sheer buff dad instincts (pretend he has like a six-pack while he does it and everything).

Ozzie strains. “(ENTER - DAD),” he says in parentheses. He flies at Mach 17 out of the vent before Stella can grab him, a missile locked onto Heather.

A high-boiled sound pierces louder and louder. The walls of the oven extend and bend to the point of busting like a popcorn bag, shaking on its legs vigorously, pounding the floor. Just before Ozzie gets his loving hands on her-!

The oven dings.

Hammy sips up the last bit of his tea outside. Behind him, the kitchen literally explodes, just as abruptly. No, seriously, it flat-out explodes. Absolutely demolished. Pieces of the exterior skimming over his head landing as spears in the dirt. That entire side of the house crumbles to the earth before him. The gust thrashes flames his way. When he turns around to be appalled by the devastation, his sights only salvage what the black smoke and choking fire leave alive.

And guess what? That frozen, now-incinerated not-so-frozen pizza rockets into space on a full round-trip of the planet.

When it ends, Hammy’s tea party setup has fallen to ruin, and the stone statue of a squirrel shattered by an incoming toaster. He cries softly, “No… my love…

The big human carries himself from the wreckage first. His eyes widen in horror when the smug silhouettes of a raccoon and opossum approach from the terrible cloud left behind, with huge heads and sets of fifty teeth each.

“We’re in!

First emerges RJ from the smoky remains of the kitchen. Heather speeds right along at his hip, past the human as racing friends instead of vicious beasts. A flash of gold leads to a world of blue, fleshed out as the humps of the living room carpet by clouds illuminated brightly. Just like their eyes, one pair deep blue and the other its shallow neighbor, both pearly from the sun’s sprightliness.

“We’re out!” Heather spins back to face the house in the air after leaping all her limbs up and out. “Woo-HOOOOO!!” rings throughout the neighborhood.

The two run in a row.

“So NOW that clear’s clear-!” RJ nearly thinks it’s final this time.

Heather scans the flaming outlands. “Wait, so what ever happened to-”

“Our FOOOOOOOD!” RJ sees the enormous pile staked out by shards of the house’s wall, being sifted to crumbs in a river of a million ants. Definitely not final.

Hiding behind the toaster grave of his future stone wife, Hammy hears that, and plummets his ears low enough to touch Fred on his shoulder. “…I think I done-goofed.”

Ham-my!

“Uh, la-la-laaaa, bad communicationnnn, helloooooo? Not my fault.” The longer he watches them in panic and pain, the less he can sympathize. “Hmph. Not my fault,” he shrugs like an edgy teen. “Let’s go see what’s good in that house, or whatever.”

The ants watch the squirrel take his wood tick into the burning wreck of the kitchen. They bicker amongst themselves over its loyalty, and the insanity caving in. No matter to the queen… She shifts the army’s attention to those with their pictures pinned on her wall. “Ready everything.

Ev-er-uh-thing, mah queen?” the general asks.

“Ohhh, what do you think?” Her cheeks flame up more violently than the devil, stomping and kicking through piles of her live ‘children’ underneath the massive ant-throne. “I want them KILLED! I want them SLAUGHTERED! I want them SMOTHERED under my abdomen or else my, MY superior reign over you WORTHLESS mating drones and working slaves has been undermined by two buffooning TONGUE-KISSERS!! Exterrrrminate them, I say. And OFF… WITH THEIR HEADS!

Tidal waves of ants cut short the panic of RJ and Heather just to replace it with one of new. These coastal tribesmen hurtle in starting from both sides of the yard down its whole length, reducing the width of their only path towards escape down the middle, closing the door to the tall wood fence at the end slowly but alarmingly so.

“Okay we’re not getting out with the food we are getting out with our LIVES,” RJ presses quickly into place. He grabs her arm before she can seek the former, and when she tries to resist he yanks her closer on the leash. “C’mon! It’s now or NEVER!” RJ has them sprinting an Olympic event down the war-like field, riddled with burnt remains of the house.

“We can’t ditch the food!” Heather expresses.

RJ stuffs her words back into her piehole. “We have to ditch the food.”

“We can’t!

“We HAVE to.”

“What about the family?

“Who CARES? We’ve got enough food at home to last you-”

3 months 2 weeks ‘n 1 day - Yeah I know my tummy, but like, we need it!

“We DON’T!”

Ants collect around their feet, and the waves appear to grow ten feet taller until a tunnel wraps around them.

“YES!”

NO!

“YES!”

“YES!”

NO!... Oh screw off dude.”

They crash into the fence, leaping out of the ant ocean just to claw as instinctively as the animals they ought to be.

RJ thumps his foot on the ground anxiously at the wall. “Oh MANNNNN…” He feels his own fur behind him, instead of his golf bag. “…I seem to have misplaced a salient object.”

Hammy curiously enters the burning kitchen with Fred there to support. The glass door has been shattered away, the barrier gone. Thus they locate the living room, much more kept.

It’s the first time Hammy strolls into open water. The carpet takes him gladly into care, bubbling with memories under the roof of the soft waves. Somehow the festival looks untouched, unloved, yet some other animals have left their junky fun everywhere. Even if, he captures his own wonder in a net, experiencing it firsthand.

“Ohhhhhh-HO-HO-HOOOOOO-! What first, Fred? We could jump on couches ‘til we pass out, binge TV so hard we need to wee-wee every 10 minutes-”

“Hammy Hammy HAMMY! Don’t get distracted! Your team needs you! Right now… YOU COULD BE THEIR HERO!

“I don’t know if I wanna be part of the team anymore!… They locked. Me. OUT.

His ears go low until he sees a lump of black floating in the waters of the blue carpet - a certain golf bag. He gasps.

“I think Uncle RJ lost this.” After a second of thought he yips in panic and runs straight back to the remnants of the kitchen, taking the trouble of the bag with him. Hammy comes out of the room with his spirit regained, and energy at peak. So just before he scampers over the floor, a charred can of Triple C - Cool Carb Cola - catches his eye, bleeding the fizz of caffeine a bit out the lid.

“You cannot flee from me, troublesome brats.” Back outside, the queen surfs up the ways of RJ and Heather. Borderline insanity, too. “You two are NOTHING but a mouthy ring-tailed FREAK and his… pet white RAT! What do you have? You have NOTHING! You own NOTHING!”

With dozens upon dozens of ant-made claws she grabs up pitchforks and chainsaws and everything she can get her ants on from the neighborhood. “I have an army! I have a family! I have mindless children and nieces and nephews and cousins kissing at my abdomen! You mam-mals live out your days licking each others’ crot-ches while I have constructed a pure-bred, superior race! You two are seriously- You two are one step below me for every hair on your filthy, freakish, trash-ridden rabies-infested bodies!”

Before Heather goes off about how she can’t get rabies, that very inhale of hers gets them pinned to the fence, choked out by the pincers of a giant ant figure her children form for her to mount. “You had better bathe in antiperspirant later, now listen here, and look what I can do, little ones…

The giant ant roars horrifically in their faces over all the suburbs, just as the ants chant “WE. ARE. MIGHTY! WE. ARE. ANTS!”

A storm of ants flood past their toes. Some… in between. Streams of them spill into the mouth of the giant ant to harvest its life from the inside out. They mold out of its eyes popped as far as theirs. RJ and Heather quake from top to bottom, sunken to their seats instantly in distress. And the ants completely overtake the mothership.

What the ants manifest out of its corpse is startling - faceless replicas of RJ and Heather just as they were in the kitchen, bound to the same coin. There must’ve been a devilish spy slipping by. How else would what is built before them be built, horrifically-accurate? Backs tied together, they carry a club and spoon, a large ant-plate presented as a shield over their side. The ant-pair smacks the heads of their weapons onto the plate to shock intimidation into them, and prepares to dance. RJ and Heather glance once at each other, with no words to describe what incongruence they’re feeling right now against a pair so united in motive.

The queen performs an evil cackle as she waves from the sidelines. “Bye-bye, lovebirds…”

“We aren’t DATING!” Heather insists like a flame.

“You’re brainwashing yourselves with your own headcanons, people!” RJ carries on as the smoke.

RJ and Heather climb over each other as their loathsome copies advance inward in a boogey.

Heather tugs gently on his arm. “About the food, RJ, I- I like already messed this up a lot, y'know, like a lot a lot, ‘n you said the family-

“Look, I didn’t COME here for the food. Verne? No. Family?... Not even them, ‘Possum Pal.” He covers his frosting fur in sprinkles of sweet, solemn softness. “...I came here for you. Because I wanted you. Your you smile. The smile that… has you in it. So much you. Y’know, I said you were cute objectively last chapter but it miiiight also be nice to acknowledge that I think you’re, uhhh-”

Just as her energy deflates, her curious dreams take flight. RJ tries, but slips and stutters over his words like she’s mopped up the floor and left it only for time to dry. The orange sky turned to blue. He offers her no food, no novelties - only offers he. To that, her coat - every hair - softens into something heartwarming. Hands clung by her heart, she draws her nose closer. “Keep talking… I’m not secretly recording on my phone.” And she smiles too.

Ant-RJ raises his club overhead, ready to execute on command. Not an inch comes down before it thunders through the air, leaving the ants in a silent mess:

Ooooooooooh my name is Ham-myyyyyyyy… I’ve got hugs as soft as jell-yyyyyyyyy… and they’re mmmmaaaaade with love…

No one finds anyone singing.

Raccoon for rock. ‘Possum for paper. And squirrel for… SCISSORRRRSSSS!!

20 feet in the sky, wearing a black and blue golf bag more than twice the size of himself, Hammy bombs right into the ants with nothing but a wood tick on his shoulder… and a sharp pair of garden shears. He strikes and slices, leaps and bounds between mounds to chop up the army into measly peasants that choose to flee, leaving the queen’s control dismantled. He commits to them the same he did to those Verm-Tech gnomes in the garden (STILL TOO BRUTAL TO SPEAK OF).

When it’s done, RJ’s passed his bag. He catches it with just one overhead hand. As he slowly erects himself, he rises carrying the empowerment of Thor. He shows Hammy and Fred an honorable nod.

From Heather’s gasp comes a smile next. “Hammy?”

“The ONE and only, he-heee!”

Sooooo sorry I ditched you by the way.”

“WUh?”

“Oh, I mean uh… Whaaaaat? Nope. Didn’t wanna ditch you. Totally didn’t ditch you… Okay I kinda ditched you.”

“Oh yeahhhhh…” Hammy cranks his mood to the next degree and throws himself sobbing over Heather. “WHYYYYYYY? I thought we were a team, Heather. I’ve been talking to a wood tick. A WOOD TICK.

Heather screams across the suburbs at the sight of Fred on Hammy’s shoulder, right underneath her nose. Maybe it’s deserved. Yeah, it’s probably deserved.

Meanwhile the fat Mama’s Boy, his clothes burnt halfway off, carries himself across the remains of the kitchen and gets the phone off the wall, perfectly intact. “9-1-1. I need a fire department. I need an exterminator! I NEED MY MA-MA!

Meanwhile meanwhile, Team RPS unites against the remainder of the army.

“STAWP THESE HAIRY LOOSAHS, YOU LOOSAHS!” the ant general yells out.

RJ unsheathes his club. “Alright… Team RPS is back in the biz-biz!” He stances up with it as a heavy sword, a blue knot tied beneath the head blowing back in the wind.

“Wow, they look all the same, almost like they’re inbreds or something,” Hammy now notices.

“Mmm-hmm. Kinda funny.” Fred sucks off of Hammy’s shoulder in the meantime.

“So whadda we do?” Heather asks.

A convenient firefly goes over RJ’s head. “I’ll let you eat extra,” he briskly winks.

Heather jumps into one of his arms, this time elated to do so.

Then a wink to Hammy. “You too.”

Hammy clings to the head of RJ’s club.

A ‘tail flurry’, ‘furry fist’, and ‘use Hammy like a golf ball move’ (he didn’t really have a name for that last one) strike the army down in one ePiC bAtTlE. The yard is now ruined by decayed, exhausted swarms of ants and shrapnel from the kitchen stuck as spikes everywhere. At last, in the queen’s vulnerability, RJ prepares to strike her down with his club.

“WAIT!” the queen coughs.

He waits, but he won’t for long.

The queen spits away the dirt she’s been crushed into by a fleeing stampede of her own children in the midst of war. “How… How did you best me? Twice? I’ve built a kingdom. I executed my strategy perfectly. My family is-...

-Inbred,” RJ finishes for her. “Yep. That’s the true lesson of today for all you kids at home.” He pats his allies. “Go try a real family, loser. Oh yeah, and your abdomen’s developed quite the tumor too, might wanna take my advice and mmmm, bathe in antiperspirant or something.”

“It’s… not a tumor-...

Even worse. FOOOOOORE!” A simple driver swing bonks her head and knocks her out.

XXX

With RJ’s yo-yo, Team RPS (feat. Fred the Wood Tick) fling themselves over the fence for their heroic farewell. Their feet touch down on the slightly-less-green grass through the Hedge. Grass never defined them anyways. They shine from the upkeep of their limits. Never will they shatter from experience, for if they did, the three would certainly not live to tell the tale.

Jumping and jumping over each other, celebration overtakes the empty row between Hedge and forest, stomping down some grass and sweeping the rest their way.

“Now that is what us raccoons call a successful operation! Bring it in, knuckleheads!” RJ joyously swings in Heather and Hammy to either side.

Fallen victim to the pit of his elbow, Hammy tries to remind him with “ISN’T THIS UNCOMFY FOR YOU?!”

“That’s what chumps say - We’re champs today, baby!” He thrusts the head of his golf club into the air. “Yeah!

Heather halts their party. “Guys, that was fun ‘n all, but like… We didn’t even get the food because of me-

“Yeah we did.” That was Hammy, hand raised all of a sudden.

RJ’s eyebrows drop. So does his gaiety. “…What?”

“Check your bag. I left a little surprise…

“Hammy, I said ‘no surprises’-” But he takes his bag off just to check.

His eyes go wide when he looks inside. He flips the bag over and dumps out their stolen pile of food - everything on the list - reconstructed exactly as it was in the yard (no ants included), wrapped in a tablecloth once more.

“H-How-?...” RJ stutters. “No, there’s no way - How did you get this?

Mayyyyybe I mmmaaaaayyyy have posssssibly-

"Hammy-"

He’s really reluctant to break it: “Ok so baaaasically while you guys locked me out I found this preeeeetty place with flowers and butterflies and then I almost got assaulted by a bunch of weird little men but I KICKED ALL THEIR BUTTS and caved in their skulls with a hammer and saved the day (woo, yeah, Hammy) then I met a bunch of reeeeally nice ants-

Heather just about vomits at that.

“-who I helped steal food from the human house but I didn’t KNOW it was YOUR food in the human house so then we had this tea party and then the kitchen exploded and I lost my MATE FOR LIFE but it’s okay though because I ran into the house found your bag and I needed to save all the food so in the end I-...” He plugs his big mouth right after saying, “I injected myself with multiple hundred milligrams of caffeine.

“HAMMY!” RJ instantly retaliates. “Without my strict permission? You know that’s against our protocol!...” Then as he looks longer at the squirrel, that missing niche - honestly forgetting it was there at all for most of the operation - patches itself. “...But I guess that’s the problem, isn’t it?”

Hammy…” An incredible smile and euphoric spout of glee given to the salvaged food, Heather feels her fault in the matter patted on the back. “You’re our frickin’ hero, Hammy.” A hug on his head into her puffy chest, goes into a nurturing scratch behind the ears and a full kiss on top.

Aww…” Hammy’s foot raps wildly beneath his fur-smothered face. His tail throbs as a heart for her.

Fred begs for it too. Heather abhors the bug for a moment, then grins weirdly and pats the tick with a finger.

“Well, Hammy,” goes RJ, “Guess we shouldn’t of left you out to dry like that. You saved our tails, among other places.”

“Oh, is this when we recite all the lessons we’ve learned today?” Heather asks.

RJ nudges her. “We’re not the only characters in this big world of a story.”

“Yeah yeah, I know, say to say, preach it to preach it, bro.”

Fred then tells Hammy, “Mmm. Your blood tastes like hotdogs.

“You all make me blush. Come on, Fred! Wanna go doorbell-prank some humans?” When they leave, they’re doing a conga into the horizon.

“Take care, Hammy,” Heather waves.

“Ok! Away I go-!”

Heather laughs. RJ remains at her side, arm over her back. “So now… that clear’s clear?

“Oh yeah… RJ?” A different kind of ‘surprise’ awaits him. She looks as gentle as waves nudging up the shore - in both form and behavior - as her tiny toes nudge up to him.

His heart rate rises by one more grass stem of distance she closes. And another. The shadows of the trees sway over them like an umbrella in the rain, or some secrecy in moonlight. Until she sends one breath from her nose, and then…

Without warning she throws herself into a full-on embrace - twice as much snug impact against him as her little sisterly gesture to Hammy. Everything above her legs clings to the white of his fur. Lighter than a feather, softer than a pillow, she surrenders herself under oath of gratitude for a completed mission, a dance between work and play.

He’s too startled to address the ‘Possum Pal with his arms in return, for they hold a lock on hers over his ribs. At most, stupefied in delivery, he can manage “Uhhh…”

Though internally he knows… “I’ve never, ever had someone like her.

She thus hugs his soul back into his body. Hopefully it may stay. And her 'happy tail' wags for every worthwhile memory made in that hour. “Best. Day. Ever.” She rubs her cheek over his chest.

And as she rubs it thoroughly, RJ has slid too deep into his head to object the fact. Eventually he thaws his arms. Takes them up… one around her neck, the other on her back. He hugs her fur closer. It’s too soft to resist. On that sunny day, they glow brighter than the wealth of suburbia. Maybe… they’ve found a greater treasure after a full orbit of Earth.

As possibly the longest minute of his life passes, cuddled fully against the partner of his dreams, Heather swings “So what were you gonna tell me back there?” back into light.

“Oh! Um…” He stimulates his confidence by tapping his foot, brushing over her leg. “When I say ‘cute’, I mean it objectively and-...”

Heather arcs her chest and chin higher up. “Yeahhhhh?

“Mmmmmmmm- Okay fine! Subjectively. Objectively and subjectively. Happy now?”

Bloop!

That little noise as she saves the video lets her hold a ransom against RJ. “HAAA-ha!” Heather leaps loose from him and shakes the phone hidden, held by her tail all up in his flushed face. “World’s first Heather-and-RJ HUG cam!

RJ runs furiously after her and tackles her into a patch of white dandelions. The seeds poof up all around them as he ends up on top of her, fighting for the phone. Though now he laughs. Laughs hard. Her tail comes over the back of his head to nuzzle him. They blow those white, fluffy dive-bombers as they hover down, now a game of volleyball between their faces. RJ ends up sneezing his temper away when one gets into his nostril, just like when his yo-yo tried so earnestly to catch her for himself in the living room. Now she’s right where he needs her to be, nowhere closer. A seal stamped today with respect for the mystifying future of what trees of hers he could climb.

A playful joust cocoons their subconsciouses together, longing for a friend, or maybe a bit more. It’s never been there before, not yet, appalled by the common thought of it. It’s just so easy for these instincts to take over, even with who should be a stranger to them in this bond, for the bond itself is not written. Not a single wall has come up, let alone a door.

Heather throws the phone away and giggles at him. From then on, who knows what happens in the next few seconds. Unmistakably, they won’t regret it. Record it like a secret video for just themself to binge. Likewise, they’ll know the other possesses it. But they’ll never view it again until some other day, some far away day, when they’re sober enough from affection to yearn for it all, all over again. Eventually they will feel their fur touch from head to tail… again.

So really, truly, if it’s the best day ever - and he believes her - did RJ meet all ends in the end: Heather, Verne, and-?

Not one. Not two. There comes in a pair of charcoal-black masses, some creatures. After a jump in his senses, RJ shrivels his lips. Demons? A cult? RJ knew the answer far sooner than to make such baseless assumptions. Ozzie comes running in from the Hedge alongside Stella, his fur painted as dark and rough as the skunk’s.

They catch them in quite a deception, over top of each other in a cotton bed of dandelions. RJ flings his red hands high off Heather. He creates about the least deadpan look to ever exist (more like dead dead), and through a mask too. 10 feet should be enough for him to repel.

“Oh!” Heather jerks up to face the burnt figure she smells, even ashen in the look herself. “Dad…” A panicked instinct takes her an even farther jump from a stunned RJ as she fidgets her fingers nervously. “Wait dad I can expla-!”

Ozzie shows no care for RJ when he rushes to her aid. He grabs his daughter, then cranks her arm straight out to the side so he can run his eyes over the back of it it with worried breaths.

And now it’s annoying. “Dad what’re you-”

“M-m-mmm, IIIII knew it I knew it!” Ozzie jabs his claw at the very spot - a noticeable patch of fur on the back of her right arm charred down to just pink skin.

Heather snaps her arm away and stings everyone’s ears with a yip. The place is lightly stained red with blood.

“What were you two thinking back there?” Ozzie detests. “Anyone could have died in that oven trick, and not as an act!

When Heather leans back, a soft mark embedded in her pink skin makes her overwrite her concern for the injury to be replaced by interest. “Whaaaat? A birthmark in the shape of a burger?” No way. “Awesome sauce.”

Ozzie goes, “Look what happened to my girl because of you, RJ-”

“Oz’, your entire hind-side’s toast!” Stella suddenly exclaims.

Indeed, the entire back half of his coat is shaven down to pink skin, from his neck to tail end. He squeals. “Oh, well isn’t that something, uh…” Cough cough. “Look what happened to US because of you, RJ!”

“Uhh, dad…” Heather shoots her eyes to the side away from the angry company she faces, which now faces her. “The whole human thing in the kitchen was kinda like… my fault, y’know?” she shrugs.

Even Stella puts on the same reaction as Ozzie: Startled, maybe as far as appalled by the idea. They don’t dare imagine it. Why, she’s half the mass of the raccoon. She’s twice the innocence. That look of a caught mouse though, with her heart seen beating through her chest, takes their eyes an extra step out. At least they drop RJ from their grips. Their hands come off his neck. Big bro - the obvious chaos element here after having just blown up a kitchen for crying out loud - comes off their radar.

“Uh, then…” Ozzie stutters at first. “I guess we have new things to talk about.”

Heather grunts, “Stuff my pouch…” and steels herself for the punishment - potentially an hour-long endeavor even if she gets lucky.


ACT IV: A Hero


It sounds like an axe chopping into a door inside the bedroom of the house. The axehead never becomes lodged, however, for the banging coming from inside the closet repeats itself too quickly. Skull-cracking pain. The weighted backpack set by that raccoon and opossum earlier proves daunting even a whole trip later to the golden rabbit ramming his face into the door on the inside.

“I’ve BEEN IN HERE… for AN HOUR!

The backpack outside starts to nudge. Only a little.

He stops to rationalize. “Aight. Stop breathin’ faster than a wallaby. You’ll use up your ol’ O2.”

Holding his breath bursts his lungs very soon, and as a result he pounds harder and faster on the door, hyperventilating faster than he would’ve without self-therapy.

He goes flying out of the closet and skids his puffy cheek over the bare floor when he finally breaks free. For the first time in years he can feel the daylight, smell the trees.

Feeling the light spray over makes him scream “YESSSSS!” until he sees super glue dripping from the cracks of the bedroom door as a safeguard against his escape. Then he dips into “NOOOOOO!”

He has to climb out the open window to escape. The grass below hardly breaks his fall more than it breaks his bones when he fails to slide down the wall.

The front porch is no less welcoming. He whines “Bugger. Bugger. BUGGER.” over the locked doorknob, bringing no response to him as he suffers alone in the darkness.

Tears nearly form. They might as well, if they’d worsen the personal ignominy of his newly-renewed feral state. He punches at himself, his sad, deformed self. His own paws don’t even hurt. Then when he looks through the nearby living room window, he expects to view a pest in the mirror. Instead, behind his brain in the reflection, the entire kitchen burns through the doorway, set ablaze and demolished, in just as pitiful of a peril as himself within.

What?

The Mama’s Boy has said mama cradle him - the fat nugget - in the ant-infested tragedy left of the backyard. “There there, sonny. I bought you insurance.

Thanks mom.

At the same time the fire department arrives, so does an exterminator.

“What seems to be the problem sir-? Whoa. Who’s making pizza? I want a slice.” In a standstill at the wreckage of the kitchen, a burning pizza comet from outer space plops onto the Verminator’s bald head. He sniffs, and his nose jumps back. “Ew. Anchovies? Nevermind, you are a problem.”

His ownership abandoned and hope lost, the golden rabbit hops from the miserable scene and doesn’t look back. On his way, he picks up an ol’ stick and napkin (the best he could find as a sack, thanks to the gore of the kitchen being spread beyond the yard). It doesn’t matter. He has nothing to hold anyway.

Though… something about the open suburbs speaks to him. Not the local hotdog vendors or front-yard soccer games, but the aesthetic of the ‘open’ part of it… enthralls his expression. The grass under his paws, the wind brushing up his tail, he tastes right now what his mouth cannot. Every sense has ‘taste buds’ of its own, y’know. The pads of his feet taste the silken soil and his eyes taste flowers, decor, greenery richer and more quenched than the summer leaves of his irises. He stakes his stick in the dirt and hops free across the street, braver than he ever has been in his life when he narrowly avoids the path of a speeding car.

XXX

A rapier loyally hugs the hero’s hand, and him to it. Hoppy tugs at his side, nervous not of the fall from this height, but to fall itself. Up here, her white and her texture blend considerably into the clouds, only set apart from her light brown splotches throughout. Though when the clouds turn gray they add no sorrow to her. In part by the motion of the sky she becomes a cloud-waltzing sunflower, ears uplifted for once from her cheeks. Ultimately, she is merely a speck. A happy speck.

The hero stabs into the thick clouds and plays the slice of a narwhal through them to bring forth sunlight onto the land. The legendary relic leaves a broad slash of a contrail over the entire sky. He carries her down to the earth, where her shadow can run free because of the sun’s generosity.

She must now warp back and plant herself into the world of man, Hedge, and herself. It’s such a pain to be rooted so deeply. In a way it’s essential, isn’t it? To be fed and to be flourished, even how dearly she begs to be rocketed loose. On the raised wooden patio of her backyard, Mr. Shady manifests himself in reality to her side. And stuck in reality, she has to impersonate his voice: “You were day-dream-ing again, la-dy Hop-py.”

Her gaze into the clouds breaks. “I am simply trying to return to that lucid dream of yours, Mr. Shady. I thonk-a-donk ‘til I cannot thonk any harder, but… every time I return back here, where I watch… and wait.

“You are sim-ply try-ing too hard.

As she softly grabs her ears and tugs them together at her heart, she yearns, “Then why, why do I feel as though I will never try enough?... I’m a bunny in a…” Left and right, there’s only more human dwellings around her “...not-so-bunny world.”

She stares over the railing in the world out there. Up, more precisely, over the Hedge, over treelines and over everything into the peak of the troposphere and beyond.

Maybe…” She has to sigh. “I may not have friends but I have me. And I can be a better friend to me than any friend could be… Right?

Ferocious dogs rat him out and sound the alarm. The golden rabbit slips into the yard from the side, crawling through tall grass and hurrying himself under the nearest crack he can find in this empty patio. He doesn’t care to make an excursion or mark any detail of the place. Under there, in that darkness, he bumps his head hard into a floorboard above him.

“Ow!” He reserves it for himself, even if he has no clue whether he may be a family of one here.

An abrupt knock on the wood stuns Hoppy’s feet, with nothing on the patio to explain it. The clouds wash over.

Then her shadow is gone.


This fic has been converted for free using AOYeet!

Chapter 6: Awesomeland

Notes:

Spoiler alert - The third act of Heist Buddies was about as intense as the RJ x Heather content gets in this episode. I wanted to add in a satisfying reward for anyone sticking with the fanfic thus far.

Remember in the Prologue when I said I was shooting for a 10k word average? I gave myself a mission with this chapter. Like the last 3 chapters I gave this one its own little narrative, but this time it’s much more condensed and minor. I’ll leave you to judge the word count.

My new writing approach allows for more storytelling. “Show, don’t tell” is an overrated philosophy. Not every point needs to be illustrated, I’ve realized. Sometimes it’s better if the reader gets to decide how they want to illustrate it.

This is a very humble chapter. I like it.

Chapter Text

“Let me tell you a story of a voice. Always there, never in fear, but suppressed by the CHOIR OF THE WORLD. Following one ecstatic adventure, the family reunites in the midst of a fantasy one turtle never expected to claim reality. He hardly seems to care. But alas, one girl with one voice looks to make one day paradise. Does she know limits? Hoot hoot!”

Word Count: ~13k


ACT I: She/Her


“Dad, why can’t we go meet them? You’ve never, ever let me-”

“Heather, we’ve discussed this many times! We stay in the trees for our own good.

“I just wanna talk to some animal, dad!”

“...When you bloom,  Heather, you may… finally understand what I-...”

~~~

Through the wild woods, RJ, Stella, Hammy (and Fred) hurl themselves over the top of a hill, leaving a smoke-infested sky as their legacy. They heave a giant sack of food over their heads in a tablecloth.

“Hammy, you are God’s second child for this!” RJ congratulates him for his help.

“The place is this way, my friends!” Tiger, full of breath, now guides them in the pack as their reporting scout. “Stella, you are going to look absolutely lovely in the tulip tree!”

Stella starts, “Is, uh, anyone gonna ask Hammy ‘bout the-?”

“I’m layered with infectious diseases like a birthday cake!” the tiny wood tick on the squirrel’s shoulder announces.

“His name is Fred,” says Hammy.

Great. Another bug in my life.” Speaking of which… After they bounce down the broad slope, Stella steadies her feet at the base of the forest. The opossums pull themselves, or each other, in line at the back of the hasty train. She squints her lips at them. “Tig’uh, hold this for one sec’.” In the meantime, Stella chooses one side of them, instead of the 50-foot canyon left between their sluggish feet.

She hooks Heather by the grumpy ear and whispers firmly, “Really. Heath’uh. Yuh shouldn’t of gone on that trip. Don’t matter how show-off pretty-prancin’ you can get with yuh dance moves, whenev’uh yuh gets reckless with the raccoon, all it’s doin’ is piiiissin’ yo dad off.

She leaves it at that, giving Heather a word to pout about, and Ozzie some curiosity to delve into as well. Ozzie puts himself nowhere near the vicinity of Heather, arms folded behind his back. His neck stretches forth like a turtle, although Verne’s incongruence they’ve yet to meet. One foot clomps after another across the mud. He scratches over his shaved, burnt back, picky and scabbed between the edges of every wrong part of the kitchen stunt Heather attempted with RJ.

Then Stella joins Tiger’s shoulder under the food load. “Sheeee’s a lil’ spider clingin’ on the raccoon’s web.”

“I do hope this doesn’t keep up, my passion flower. I know it nips at you so.”

Ozzie glances once at Heather. Her zombie-like arch of a wilted flower. A patch of fur burnt off on the back of her arm, and the burger-shaped birthmark underneath. Neck bent out crooked like Stella’s. How naturally then does it water itself after staring at the others for some time. He envisions those gears turning in her head, or whatever they may be. Her chest rises over her stomach and her eyes lose that cynical focus, now dream-filled, star-studded, and innocently naive, but never so sure. Then he looks at her tail.

A father’s tail yanks back on hers just as she throws her arm out to offer assistance to the payload of snacks. “You can’t be for real.” He’s knotted their tails together - She must be in kindergarten. It’s shown in the way he wags a finger at her.

“Nuh-uh-uh, you are not running off from my side anywhere in this forest, do you understand me?”

“Cool. My feet’re killing me.” She makes the delivery of her attitude spicy as she shakes her end at him: “So go ahead ‘n spoil me, dad.” She lets herself fall to her stomach into the dirt behind him. Not surprisingly, Ozzie drags on without trouble.

Her nose makes a great plow. “‘Course I weigh (like), NOTHINGGG, la-aaame. Like I don’t even exist sometimes…”

“Don’t say that - You did a good thing for the family this morning,” Ozzie admits, “And I care so much about you, you just need to… sense your limits,” he expresses. “Feel the ‘possum inside you and leave things to their own.”

What makes her eyes roll and put a badger inside her instead.

“That means over the Hedge, in this family, in- AUH!” The herculean strength in Heather’s tail yanks his ghost out of his naked back end, nowhere in synthesis with the frailty of her limp body in the dirt. It keeps his walking foot trapped in the air as her tail clenches his upward in an iron grip. Sometimes - well, all the time - the incoherency in what she proves she can and cannot do, what tools she has available and the masses of them she lacks, terrifies him.

She picks herself up and approaches his side in caution, not care. “But I kinda wanna be the family girl as (like), y’know, a full-time job.”

The bundle of food, 10 times her mass at the VERY least, flies through the air and crushes her into the dense green floor.

Oh, great to hear,” RJ eavesdrops on the opossums. “Well, everyone say ‘thank you Heather’. C’mon, one, two-”

Thank you Heather,” goes everyone pathetically.

Hardly gets to her feet after climbing a mountain to one knee. But she carries it - pokes holes in shadows of doubt that sway over her. The leaf-line of the roof opens up at one crook of the forest where she arises in a bruised state under pulverizing weight.

“You’re right, dad. RJ already gave me one chance. I’m gonna make the world see me.” She strains, “‘N I’ll do… whatever… it takes.” One foot after another.

Finally Ozzie slicks up his heavy whiskers and lends an extra set of hands. Heather becomes amazed at the help.


Just when the others left for that house, Verne took the others - discordant to him - flailing into the brush with a grudge on his face, no grin. Outside the Hedge, a man-patrol intrudes on the no-man’s-land between man and nature, one heavy boot after another. Verne organizes Tiger and the porcupines behind the nearest tree quickly. They shudder as shrub leaves shake.

A hearty laugh of a reign higher than billowing smoke fills Verne with yet another quake. Behind the tree the porcupines huddle tightly against one another, Verne’s head becomes a permanent resident of his shell, and Tiger does not quite experience such trembling fear. He sticks his head around curiously, watching the axe in the chubby man’s hand gleam, not feeling its sharp presence as a threat to himself, but only to those friends and family of his who cling desperately to each other for dear life, for they are not welcome creatures in the domain of humanity.

A boot shakes the earth at the corner of the stump they use for cover.

That machine of a man faces the forest with keen intent. “I heard herrr… ” Jack’s chin curves up in a mound against his lower lip, weighing the bottom of his mouth down on his face like 2 dripping chunks of maple sap.

“Heard- Heard who,  sir?” his typical clipboard-laden assistant stutters.

She knows her name…  Jerry?” He lobs his axe over his shoulder and readies it for a kill. “My daddy calls this shell -hunting…” He slices down the tree right in front of him with one powerful swing. The axe head penetrates the trunk and misses right above the heads of the animals hiding behind it.

The tree collapses to the side, slapping them with leaves of the fallen branches. When it crashes down, the human thing towers up before Verne, rugged in the beard as fat in the stomach. Verne panics into the deep woods with the others.

As Verne’s slow pace lingers him behind the rest, the massive figure is left lingering longer in his backwards view as the bushes collect, and it leaves. “I’ll have yer head SOON,  Velma!” the human warns him. “Your time’s RUNNING OUT!!  A-WOOOOOO-HA!”

The kids yell for help in the back of his head. He zips around. The three kids are jammed by their long quills in the messy branches of the fallen tree. Now that man prepares to chop them. Verne gasps and sprints a mile. His fears grow larger and larger as an elevator drops, or more accurately, as he nears the doors. His feet try to kick around the closer he gets to the axe-wielding man, but then he finds the kids’ helplessness to be tightened to his shell. Verne plucks the three from the tree. The axe comes slicing down next to his tail, and he gets back into the forest as quickly as possible, the kids hugging onto him. Deep into the protection of the trees, he looks at the kids and grins breathlessly. He must be traversing the forest for minutes before he gets anywhere.

~~~

“Verne-o? You’ve been standin’ like stale chips for an hour, there.”

Between a line of trees, Verne snaps back into reality with Lou staring straight into his face, concerned.

Penny comes in holding RJ’s journal open to the page of the ‘dream forest’, muttering to Lou, “Why, there’s the creek they were lookin’ for, there…”

“And that tree’s almost as beautiful as you, hun.”

To anyone, it’d seem like Verne was seeing it for the first time, though his eyes haven’t been able to adjust for a full hour. The forest skyline leaves ample room over a broad clearing for faint, scented streaks to roll over the littlest hills and slopes like waves. The beautiful, faint landscape arcs to the right in a feasted crescent moon around a central cliff face. Flowers are scattered about - all kinds.

A creek trails the outer side of the semicircle, making its trip from the top end to the bottom and further beyond. Past the end, it seeps farther into the feral forest, into the shadows on nothing short of a prickly fairytale cruise. It flows only a few feet in front of where Verne and the couple stand, past a rooted spectacle into the muddy divot. They spectate from outside the moat the creek provides, between a pair of rustic oaks, x-marked. Lou and Penny’s kids splash each other in the calm stream at the rightmost peak of the creek’s curve.

Nothing compares to the sightseeing paradise provided by the major ridge climbing up to a towering cliff from its grassy hill on the left, clothed in abundant pines guarding the clearing and the outlands of the creek. Like a slanted house roofed by a garden, light brown dirt and sediment harden together for a clay cliff face to the front and right.

In the bottom, embedded halfway into the ground, a richer younger brother to Verne’s crusty Log at home sticks just a couple yards out of the curved face. Almost twice the diameter to take in. All bark, no wood - the arch of bark leaves cuttings of mystery on the hollow space within, for it appears as a tunnel, a safe gateway sifting into a trans-dimensional portal. Verne rubs his eyes at it. It has no cracks.

At the top of the cliff, ascending to the sky, a tulip tree leans bravely over the ledge, making a seat of its hunched trunk. Out of the open roof, the soft yellow radiance of starry flowers stretches higher, and higher. The top of the tree curves upwards to retrieve love from the high sunlight, honing in as a golden halo rounding the tips of bunches of tulips. The flower buds glisten.

Verne finally wipes the impressed, awe-stricken, horrified look off his face. He goes inspecting the place firsthand, not buying into whatever it's selling. Leaning his head into the giant half of the hollow log, it leads into a small, cozy cave inside the face of the cliff through a protective tunnel. “This isn’t the Log…”

The creek circles, ties, strangles him until he’s nonplussed. “This isn’t our lake!” He shivers from how perfectly enlivening the water the kids splash onto him is. In fact, the whole area is so unbelievably pristine - indubitably superior to his own - that Verne can’t stand it, clasping his head while his eyes burn from wonder. “What… IS THIS PLACE?!”

So what’s stopping him from wanting it?

He rushes as fast as a turtle can towards the porcupine couple, who admire the amazing foresight RJ left in this journal.

“Ooookay.” Verne goes for it in vain. “I think we’ve had e-NOUGH of a ‘vaca’ for today-”

Penny nearly impales him in her back quills after she flips away on her own page. “Why this’s… just what they’re lookin’ for, there.”

“I know, I know!” Lou bubbles high.

The little triplets beg to keep it.

Verne puts his hands out at their ridiculous reactions. “I- I saved your kids.

“Well jeepers, maybe they’d be safer in a lovely place like this!” Penny throws back in a surprisingly sudden offensive.

“We shoulda gone on the heist with Uncle RJ!!” The kids rally against him.

“Oh come ON, he left us to do his dirty work. Don’t you see what he’s doing?” Verne sobs in his speech. “Giving up on my home- Tearing apart what makes this family special just to have something NEW?

“Well may-be HE’S embracing the future, there,” Lou asserts, arms crossed.

“And Heather would love this here if we do.” The porcupines share delightful agreement in Penny’s word.

So the louder they cheer, the lower Verne’s shoulders get. He prepares an argument to mouth, until he puts his beaked lips together and returns his muscles to their status quo. In favor of their own, the porcupines part from his sides. His hope dies like a coaster peak just about to dip below. And he’s alone again, thinking about what she had done, what quick work her musical number did to brainwash them this morning. His ride runs wild down the drop. His leadership has never lost fragility, but has now fallen to a new teenager-y force.

“…Oh no. Heather…

Erm, (like), AWKWAAAARD!!” that very opossum screams.

Oh dear god, a giant sack of food compiled inside a table cloth bombs from the sky, crushing Verne into his shell. Most of the family rains down gracefully - Hammy, Stella and Tiger, and Heather, now dragging a limp Ozzie in their linked tails, exhausted from her energy.

Hammy bounces by. “Sorry Uncle Verne! Forgot you existed!”

“MY name’s Fred!” the tick on his shoulder says.

Verne moans in his shell like a balloon slipping out air. Turns out, RJ abandoning the trip wasn’t for himself.

Such a calling ushers a loud, jazzy melody on a clarinet behind him. “You sound like a happy camper.”

R-J…” That gets his head and a fist out.

“Or are you packin’ some hard feelings in that shell for bein’ the… mmmmm, how do I say it… STINKY LOSER-PANTS?” RJ slurps on a soda cup up in a tree with a clarinet in his other hand. That’s just a taste of his prize awaiting the family. He makes his descent and rubs Heather and Hammy on their heads. “A gift from suburbia, my friends. Where one feast fits all digestive systems.” RJ introduces the feast in delectable terms that revive waterfalls pouring off their tongues. Everyone works on unpacking the food excitedly.

This part of the forest already becomes their canvas, and Heather takes the lead. She takes orders and passes food in return. Verne takes his cheeks down his face. He pulls so urgently until he pops himself free and can dig his distress loose from under his stomach. “No! No picnic! Kids, don’t you take ONE bite of that delicious-!” They team up chowing down a big sub sandwich, shaking their bite-sized tails at him. “NRRRGH.”

“PFFFFFT, no wor-ryyyyy! Why don’t you stir up that shell ‘n give your hips a lil’ more breathing space, huh?!” RJ shakes his own to demonstrate, lost in his giddy, victorious raccoon mode. “It’ll just be for one nighhhht, c’mon, loosen up.”

“And then how many nights will it be in the morning? 2, 3, 4-”

“Oh yeah?” RJ pulls out a photo. “Here’s a picture of a sad dog to make my argument objectively more valid.”

Well I can’t top THAT, can I?” he retorts.

Stella opposed it as sternly as Verne until he mirrored her crossed arms. Unoriginal perhaps, or outed as being the rock in feathers, her lips pinch out their strife while the wind muds her hair. Verne’s measly argument brings the rest of the family to start a circle materializing around him, muttering in opposition. As a red hue begins to stir, she eats it up quickly.

She wraps her arms as gently around Verne’s shell as her inner temper allows her too, calmly inching him out of the line of fire. “Now heyyyyy, man.” Her teeth grit and an eye twitches beneath her hair. “Let’s not ripen up sum trouble we don’t wanna ripen up. Just give everyone a break today, ‘kay hun’?”

There’s no way he can lose her from his side too. “W-…What are you talking about?” Verne gulps, bemused.

DON’T make tuh’day another tussle.” Now, seriously, she dips his face into the white bush growing on her head. “I’ve already got the girl’s dad to deal with, ‘n I’m through with y’all’s TUSSLIN’.

Verne brushes himself after her hip bumps him away into the rest of his growing multi-colored crowd.

Tiger pounces to his side. “In your standards I reckon some *spoofiness* would make this place fit for a real prince of the outdoor woods.

“You’re making this too much-” Verne pleads over his headache.

Heather flicks up to his other. “So you totally need an off day. Consider it done.” Aaaaand she’s off. Like a fool.

Verne sighs miserably, “…This’s all a joke I’m not in on because I’m old, right?”

RJ bends his head forward into Verne’s face, taking up his frontal view. “We’re laughing AT you, pops.


ACT II: Pink Flamingo Mini-Golf


She snaps up a phone; grips earbuds. Heather sits her back up wholeheartedly, youthfully from her seat in a tree, and flips her hair past her back. She watches RJ bounce over some lucky clovers on his way into the clearing, happening to kick some into the remarkable winds coming to her future. Time’s passed, the picnic’s through, the family’s all pooped out but she sure hasn’t flushed. Verne remains on his own island out to sea, marking the third hour inside his shell in the middle of a clover patch past the peak of the creek’s arc. Mushy as the hue of his skin, ill grass makes his nest. He hardly looks warm - or loved - in his uncracked egg. For him, she scrunches her face in displeasure.

For herself, she kicks off ‘Love in an Elevator’ (by Aerosmith).

She patrols the airspace as deftly as a hawk by the tiny glint of her bluest eye from place to place. RJ rubs his back down the bark embedded in the cliff face and yawns. Hammy zips around everywhere on a brave nut mission, only for the acorns he does find (re-find) to turn up half-eaten. Tiger wails to no end for an escape from the natural elements: mud sucking the princely-ness from his paws, leaves blowing into his face, oh my… Sequentially, Stella can’t find a pair of dandelions sound-proof enough to focus on her anger-management meditation. Dad has no game-time partner for his checkerboard - Frankly, she scrunches her face just looking at him too.

Every problem gets remedied by mixing in her own bowl. On beat the whole way home, she first heaves herself back to the Log, then two heavy speakers on the way back. Heat waves at noon boil eggs down her shoulders. Round trip? A handful of miles. To the family, the speakers explode her color emphatically over everyone’s pages, while she limps over her stubby knees to haul them down.

Not a drop of ink touches Verne, left in that croaky field, visited by earthy insects. Now her knee pads ache harder.

Yet the world doesn’t care to stop for her. The waves only come in floods, request after request, like she is the president and her calories are her stamp. She stocks her tummy up on energy a few months early for winter, to haul it all onto her shoulders once again. A second round trip. She holds a metal detector like a fat log with twice the weight on her little messy body just to give Hammy a new attraction. A third round trip. Tiger gets his cat climby thing in exchange for two very-broken arms and an about-broken tail on her end. Stella finds her inner peace. Akin to the pain inside and out, Heather helps the rascally porcupine kids pluck stray quills out of each others’ noses after an apparent fight broke out over the song choice on the stereo.

In the end, she’s to blame if she can’t keep her vibe spinning with the world. So she’ll put the record in and let it go. Let it go beneath the raving sun, and partake in a party for the animals. Cheese dust blasts all over each other from chip bags suited to be party poppers, spreading cheer and making the grassy floor an orange tie-dye. RJ and Heather celebrate their success in the family by jetting whipped cream like rocket trails over their heads to blot out the sun.

However, contrary to how the others rejoice, Heather pants with a stone in her lungs until her legs nearly collapse. On the slightest hilly elevation, she still has twice the merriment as Verne while her muscles reduce to none. No progress, not from any of the work she’s done, over in the clover patch. The mythical creature hasn’t awoken from his shell. His door is shut the whole time the sun shines through the open roof.

Her once-scrunched face drops into a gruff frown. “I wish you were here…”

XXX

“Hellooooooo younglins and oldwings!” A sturdy-shouldered human man with deep tan skin, bushy black sideburns and a mustache with showstopping swirls flickers into view on a bright television screen. His attractive red tuxedo leads up and parts at his broad chest for a white buttoned shirt and a stiff black bowtie at his neckline. “My name is Mr. Ropeley and I have INVADED YOUR TELEVISION STATION with my loyal pal Saltiney-

From a flat post on that colorful boardwalk, a twitchy green parrot squawks to his shoulder. “SQUAAAAAWK! Some of our friends look old and crusty. SQUAAAAAWK!

Heather lies the bow of her ship forward, stomach under the grass, watching the TV she just hooked up to a shaded corner of the new joint. She gets a trusty crayon and RJ’s journal ready.

“Well you know, fun is rated E for Everyone,” Ropeley explains, “And here at Fun Land we have EVERYTHING it takes to have a good time…”

Heather, pupils now bigger than space, jitters her tail anxiously to learn what she’s gotta do for Verne. Anything she’s gotta do for Verne. The shadows of high leaves speckle over her, and she draws out everything the human man tells her. Her art skills aren’t impressive, but damn does she have the passion to paint the world.

And y’know what, just face it, the best ideas in life will be the ones you steal. So steal ‘em (from your enemies, preferably!).

As Verne’s first act of ‘sabotage’ to this mess, he sneaks RJ’s spiral journal from the floor and heads for the creek. Don’t be too hard on grading him - he’s new to the whole ‘deception’ thing. He pinches the top corner in front of him and shuts his eyes. But just when he releases his judgement, he backs out on his final decision and goes right for the notebook headed into the stream. He dives into the creek and hugs the journal tightly to his chest as the water rushes and surges all over his body. He screams the whole way. The water constantly flails itself to blind him, and the rough rocks at the bottom stab relentlessly at the back of his shell. He COULD be dead.

Aside from that he can’t remember a thing other than Heather’s abundance in joy to find him soaked and beaten at the end of it… and not a drop on the journal clenched in his scaredy arms.

“Awwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww-”

Verne blinks.

“-wwwwwwwww, you saved RJ’s draw-y thing? No way, I’ve been lookin’ everywhere.

She helps him up into the grass at least, before she steals it with delight. He wasted his chance, all on backing out over something so trivial, now to stake a nail of pain in his forehead. If anything he suffers a measurable loss, for he drips colder in the morning wind than a popsicle, and now an incomprehensible teenager pesters his non-existent ears.

“Y’know Uncle Verne, I know we don’t hang much but…” Heather’s cone-like eyes expand into spheres. “Like, RJ kept saying you’d tear it to shreds or something weird. He’s gonna be totally all like ‘WOW’ when I tell him that (blah blah blah blah)...

Verne chokes on his saliva for a moment once she says that, but he plays it off down his throat. “Oh, he-heh, well y’know, uh… I had to ride Splash Mountain 7 times to get it, if you know what I-” The words ‘Splash Mountain’ wave around her lips in a telegram signal. The sudden firefly flash over Heather’s head stuns him into panic alongside the enlightened glow that stretches the lower half of her mouth down five feet. “Wait Heather I think your dad just called-

“Verne, my G, your brain is freakin’ HUUUGE.” She knots her hands together clear-sighted to her heart and declares doggedly, “I’ll grab the oth-ers!” She starts drawing vigorously her gameplan in the journal.

NO, wait, don’t grab the-!” It’s too late. He pushed her down the hill, and piled up with snow she goes…

Mr. Ropeley lists off attractions as they ripple in Heather’s head like chain lightning between firefly rods: “...A fume ride…

Heather takes the family down the creek on a large board of bark. Hammy’s ready to snap a photo at the biggest drop.

…and our star attraction: the Switch-Rail Swinger!

SQUAAAAWK! It surrounds the whole park,” Saltiney recites. “You’ll see it on your way in.

Hammy’s eager to help Heather construct a giant roller coaster of nothing but sticks, boxes of food, and *love* around the entire clearing - something anyone could see on their way in and then some. Mostly, Hammy just likes pounding things with a hammer. Nonetheless, the family enjoys their rides in cereal-box carts.

We have other ornaments to satisfy your thirssssst for ssssavory fun-having. Like race tracks!

The group drives their RC cars from home just for this and, honestly, Verne has to stomp on his own tail to not yield his stern spirit to this one. Just like on TV, he stares at the little cars race endlessly in laps on the course they build out of, well, other things they pillage from home, and it steers himself to stimulation. After another grudge he stomps on his tail again. This time it hurts more. Heather’s game is sucking their home dry of its belongings in favor of these attractions. He must put an end to it, he tells himself.

…His failed tricks just inspire another idea of hers. At least he’s never caught. Then again, could it be any worse?

Experience our exquisitely-themed assortment of schportsamatem with Frontier Mini-Golf!

Pink flamingo mini-golf, close enough. And by this point things are pretty much self-explanatory. It’s mini-golf. With pink flamingos. By this point too they’ve raided his ol’ home of half of its human souvenirs by setting up this (exquisitely-themed) 9-hole course, but y’know what, everything’s fine, no it’s real fine. Sure, everything’s fine, yeah, whatever!

All this time he’s been targeting RJ’s plans, as the guy’s aggressive golf shots clobber him in the head over and over, but… Heather’s image increases in searing brightness by the hour.

“So come one, come all!” Mr. Ropeley parades. “Take your kids, your significant other, your donkey (who may or may not be a significant other), I DON’T CARE! Just, listen to me you schmoolapoofs, you come on down for our grand opening in less than 2 months here in Chesterton, and we’ll give you memories that last from the cradle… to your grave.” Ropeley ends on a deep chuckle. “Oh and by the way, here at Fun Land, we never punt pretty possums into walls. Tooda-loo!”

Heather screams “YES” and finally shuts the TV off after manifesting paradise. She joins up with RJ, Hammy, and Fred at the entrance, while everyone else has a ball of a time inside. She almost trips over the balls of her feet making a delayed arrival. “Oh. Oh- Whew… Guys, welcome… to ‘Awesomeland’.”

Beneath an overhang of the rollercoaster’s largest swinging hill, a brief stick tunnel leaves plenty of time to appreciate everything inside less feral than the forest and themselves. If it controlled the weather itself, Awesomeland would generate a food-topia of winds circling against and with each other in a set of jovial directions. She’s created the one spot in the forest that always makes a sound - a ringing bell of suburban glory. Not only on the coaster and the terrifyingly avid screams from it, but fireworks of lawn sprinklers blasted straight into the sky, golf balls plopping into red plastic cups, and the swishing of ocean waves recreated right at the doorstep. Artificial amenities climb up the central cliff as vines of man-made leisure animal-suited. Sunshine pierces impressively into the eye from the peeking tops of snack boxes, some for savoring and some just for show. A vibrant show. A vibrant empire.

“Aren’t you outta gas yet?” RJ surveys her despite his awe. “Maybe you should slow down on this.”

“I’m a family girl now, RJ. Y’know I like it like that.”

“Hammy, Fred, you’re catching her once she collapses from exhaustion.” He sighs and leaves. “I’m getting back to pink flamingo mini-golf. THE BALL CALLS!”

Aye-aye!” Hammy flocks Heather’s space anxiously, tempted for the longest time as she dances happily into Awesomeland, always keeping no more than an inch between his fingers and her.

Heather spends her time allowing everyone to experience the best Awesomeland has to offer. She becomes a real great hit with the kids too, who follow behind her bottom the whole rest of the afternoon, making her tail into a mother’s caravan.

XXX

Tiger and Stella trash themselves at a big soda bowl (a classy alternative to a fruit punch bowl). Going straight to town on the stuff while they show each other their buttholes or whatever cats and skunks do together. ‘Til now, Stella lifts her fizz-full face up to see Verne deny Heather two make-believe paper-slip tickets to the rollercoaster, and seclude himself inside the log tunnel. “Aaaaaalright, I’ve had e-nough.” She throws her drink down and drives her feet like a tank towards the tattered wood in the cliff.

She kicks down a non-existent door into the small dirt cave. “Verne. GET out here ‘n put on a smile for my gal or I will light your crying corner like in that one action movie, YOU HEAR ME?!”

“You came in here?” Verne releases from his lips in the lowness of an underground rumble. He sits facing the back wall - his insane asylum. “To the place where the sun don’t shine?

“You dunno the real meanin’ of anything the humans say, do yuh?”

That snaps his twitchy head in her direction, and now that she can see his veiny eyes and misshapen neck, she knows he’s gone insane, especially the way he rasps, “OOOOOO, BUT I KNOW ALL ABOUT THE HUUUUUMANSSSSS!

Of course he does. The human mouth is called ‘a blabbering sack of skin brainwashing his entire family’. And the human being is called ‘an egotistical bastard who sits on a fat phony recliner of lies’. Time. Time is a lie. They always think they have more of it than they have, because they WANT more than they have, and meanwhile Verne has NEVER lost track of a single day of any season. Because y’know why? - He isn’t the one hoisting up their fat butt cheeks and massaging their feet. He isn’t chowing down the sugar-infested party food they get themselves drunk on, party or not. He is a forager, through and through.

The flume ride is called ‘a waste of time’. The ROLLERCOASTER is called ‘a waste of time’. The race track is a ‘waste’; The GOLF COURSE is a ‘waste’. And the picnic - OOOOOH the picnic - He never should’ve released his grip on RJ for one second. The humans WORSHIP food. The family all worship the humans because they WORSHIP food. They’ve become just like them - they’re LIVING to EAT, because they think they can’t live otherwise if they’re not up to date on what lives the HUMANS want them to live. Even if that means shoving them out of their home, overrunning THEIR way of life and controlling every aspect of their lives from dusk ‘til dawn. And they’re all letting these otherworldly ‘THINGS’ rule their lives because they’re not acting prudent enough to realize that not everything those apes do is what’s ‘best’ for them. Every single one of those creeps wants to KILL us and not a single one in this family seems to care anymore!

He rants out this vomit hurricane at her presence. Poor Stella. If he kept it inside his shell he would’ve quite literally blown to bony bits. That makes for a poorer Verne. The cave walls bloat outwards at the release of such pressure inside his throat.

“Nice argument.” Still, Stella nudges her elbow at him. “But have yuh tried ‘beat-the-gnome’?

A squirrel rumbles “DIIIIIEEEEE!!” from afar, possibly from the deepest depths of a volcano. Stella and Verne shoot their heads out of the cave. At beat-the-gnome, Hammy absolutely dominates the garden gnome with a hammer, with Fred the Wood Tick cheering him on.

LEAVE THIS MORTAL PLAAAANE!! DIE. DIE. DIE. DIE. DIIIIEEEEEE!!” He doesn’t stop until he turns it into a thousand fragments. “I am the winner of EVERYTHIIIIIIING!!!” He clobbers the hammer into his head and screams a roar of victory before collapsing unconscious.

Verne and Stella blink at the same time.

Then Verne beats her to the conversation. “Stella, we have one… week until Heather’s birthday, and until ‘the doomsday scenario’,” he mutters like the apocalypse. “ I know RJ’s tricks, his little ‘schemes’. The more time we waste the less time we’ve got to prepare so when the time comes he’s gonna say ‘oh let’s make a break for it’. And the Log is as good as dead.” He huffs. “I know we can’t stop them. But we have to try. So I’ve been trying to stop him… and Heather… all day.

“And how’s that goin’, huh sugar?

Verne’s eyes pop farther open. His lips shrivel into his mouth. None of his schemes today ever worked. He inspired every attraction of Heather’s trying to destroy them, one after another. He’s rewritten par numbers on the golf course, riddled the race track with boxes and boxes of toy jacks. All in all, no one in the family seems to care about any of that either, like he was just adding in items to one of those ‘fighting games’ he’s seen the kids play. Well, they’re in it for the casual play. Because he hasn’t taken a single crack at the icecube of their human-loving amusement, frozen solid and hard.

Then he put a chili bomb in the beams of Hammy’s coaster… A, uh, very stable and safe chili bomb… It hasn’t exploded. Yet.

“Look, Verne, don’t let everythin’ get yo tail twisted!  I got yuh a lil’ somethin’,” reassures Stella. She passes an envelope to his nose. He gets it open and finds one of those human ‘cards’ fit for a birthday party.

“What- What is this?

“Invitation.”

“Yeah yeah, got that part. For… what?

Heath'uh invited you to a 'family campout’ tonight in yo-ur name.”

My name? Why my-” His confusion ticks down to a cherry of warmth struck by his heart. Stella slowly folds her arms at him, high and stout on her chest below her smug chin. Life from the great outdoors finds the perfect crevice between the far treetops to shine greatly into the cave, over Verne’s nose and face. “Wait, you mean I'm invited?

“The whole family…”

Verne stares at the card - a copy written individually for him. “That… sounds pretty nice. And… oh, a bit tingly. Why-” he chuckles, dumfounded, “Why am I tingling in my tingly areas?”

“We’re bringin’ snacks. In just a couple hours. Catch yuh there.”

Verne appears absolutely ecstatic now. “But- But that's too long to wait! How am I supposed to pass the time?

Stella jerks up so astonished her irises start to show under her hair. But then, she smiles, and points to the core of Awesomeland. “You blind, man?”

Verne’s cheeks go aglow like a child to a regal carousel.

Right away, he rides the fume ride down the creek with the family. Then the roller coaster with Hammy (And who could forget the gift shop at the end?).

And to everyone’s surprise, he wins it all at the RC car track after a bet of a 2-liter and some stale potato chips. Heather never looked happier losing her winning streak and her wager of 15 hotdogs. Because as Verne’s NASCAR-style ride overtakes her monster truck around the final bend and speeds on home, Verne chucks his controller into the sky higher than his spirits have climbed that evening. She - no, everyone - delves their eyes into the fountain of laughter he takes leaping from his two feet into the air.

Via a ‘formal’ invitation (involving a fishing hook), RJ hosts a hunt of his own on Verne’s rare bout of kiddy glee. Only under these shining circumstances does Verne agree to partake. He does so with a smile.

So to end the night, Verne gets to one-up RJ’s perfect run at pink flamingo mini-golf with a hole in one of his own.

“Isn't there something the humans say after they get it in one?” Verne exclaims.

Heck yeah!”

“TOUCHDOOOOWN!!” they trill together.

Er… whatever. RJ and Verne roll beside each other in the grass, filling the empty sky above them with swirling stars.

“Oh I could get used to this,” Verne jokes (a rare occurrence).

“It’s been a long time since I’ve seen lil’ Verne leave his shell.” RJ pinches his cheek.

“Ah well, y’know…”

“Yeah I do.”

They both long for some color the scheme of the sunset has to offer. Something from each other too as they glance that way. The colors of the leaves haven’t changed all month. If autumn never came again, why would they? Delving endlessly into screens over eyeballs, they insist on remaining trapped in an affable, visual conversation. The end of the sun’s reign - they feel as they gaze high - means another night unbelievably routine to the last. There could’ve never been a gap in the past weeks at all as they rock on their backs and fix a fixture there.

As his first and only win today, Verne lets victory rain over his forehead like the lazy tips of grass cradling them on the hump where they rest. Despite losing the war, subdued to a lower dirt lump, Verne stretches his torso up not to be on top, but to belong. He expresses that now, scooching closer in. A plane comes in and roars in the distance overhead. He keeps track of it with RJ deftly, relaxed under the eyelids. It doesn’t rumble anything to him. Instead, being here among leaning towers of pizza and little racing automobiles makes Verne feel no use for walking ability anymore. He settles his feet in his seat.

“Remember this, Verne? This is the good life I’ve always been preachin’…” RJ starts. “Haven’t done a 9-hole like that since the humans were still getting VCRs.

“He-he-he… Ohhhhhh…” Amused as he is, he never understands RJ’s human talk. “What- what is that, a type of disease?

“Hey Uncle Verne, hey!”

He sits up to discover her bouncing onto his feet. Contrary to the bags shriveling up for her heavy eyes, Heather’s ecstasy waves in the pink tips of her ears flicking into place at her last hop. Back to the golden ball diving into the land past the eye’s limit, her face stands out completely from shadow. “I need your help on somethin’, (like) come check it out.”

“Me?” Must be the case if RJ’s pushing him along. “Oh. Oh okay, not a problem at all, Heather. Not a problem at all…

Over the creek, she has him return to that empty patch of camp thriving with wild flowers, where he spent much of the day, well… not thriving. Now how far he’s come, to be playing the card and laying the hammer down on where the welcome sign for her campout should be.

“Sick!” she says to his pick.

Her fur brushes a softer edge over his shell when she runs out to string up the sign. A warmer crook between the scales of his skin begins to collect a bit of orange from above the trees. The hairs of hers send unusual numbness down his tail in a bubble wrap tunnel, popping down the funnel until his whole back end fizzes like sprightly-shaken soda. Everything above his neck stays apart, enraptured instead by the flurry of herself she lifts high into the trees in the golden sunset. He smells maple. Sweet, sweet maple.

Why does his tail tingle more intensely than ever, gazing from below? It’s not danger. It’s not deception. She presents her whole self, her full age for him, and suddenly he feels his years climb from the bottom to the top. From his toes to his head, from the cradle ‘til now, his clumsy awed grin catches amusement, confusion, and else from the wind.

Finally, he mutters, “The tail’s never tingled like this before…”

She gets the streamer hung up between two tall trees with long branches hugging one another.

“Wwwow… you’ve done all this?” Verne speaks speechless. Between dorky pillow cases as sleeping bags, cookies to go around, and a pile of earplugs ready for Ozzie’s imminent snoring disaster, she’s got this whole campout thing figured out.

“Yeah! Thought we needed (like) some sorta get-together tonight if we’re gonna be a family again for real. Lookin’ good?

“Looks, uh… totally… awesome sauce, Heather!” Though now even his grin locks in some concern. “But don’t you think you’re overexerting yourself?

Heather blows a puff and leaps to the floor. “Everyone’s been telling me that all day, jeez; Just c’mon Uncle Verne,” she insists more gently than her feet prancing uncontrollably.

He hesitates to let her tail take his hand.

“I don’t bite,” Heather assures with her fifty opossum teeth. “Not unless you want me to.

“No. I don’t want you to, Heather.” He lifts his hand up.

As she runs past, her tail strangles his wrist before he can react, and his face trips into the ground.

She drags him over every element of the forest, across all of Awesomeland. Through the creek, under the roller coaster, down the mini-golf course, and to the steep hill at the back of the cliff characterizing the western edge. She takes him up to the golden, weaving tulip tree. When she leaps to the first branch, tied in her tail, naked Verne pops right out of his shell.

“Woah, hey, take it easy!”

“Lol.”

She doesn’t stop until she’s up to the highest one, ruling over the roof of the forest while Verne dangles below in a clouded scent of chilly air. The platform of the cliff peak gets farther and farther away. Verne’s breaths in his nude form get wearier.

“So how far away do you think you could see the sign?” Heather fidgets a hand.

Focusing not on covering himself any longer, he takes his eyes up. After adjusting to the eagle’s view, he scans over Awesomeland as the world turns, and Heather’s firefly lanterns - her ideas, unintentionally sparked by him - flicker up all over as the sky warms. The cutesy campsite’s big pink streamer shines brighter than any of that. “Well, I could… probably see it from anywhere in this place.” And he could SEE anywhere from THIS place. For instance, he catches a glimpse of the suburbs over a mile of forest. “Hey, there’s Steve. And that house you three- Wait, why’s it blown up?

“Oh, ha-hah, ha- That chapter was 25000 words, dude.”

“Oh ok.”

He spins himself in Heather’s tail like the top of a lighthouse until, several miles down one side of the Hedge, one pine tree shivers up its great height… Wait, why? There’s not a single breeze anymore. He switches on his binocular vision. The rhythmic beat he once knew of Awesomeland silences.

Then… That tree tips, and crashes into the field of the rest. Then the next. And the next. In a perfect row. The more that fall, the clearer the opaque emissions of machinery get as they cloud the empty horizon. The tingling in his tail returns to the dreaded kind. His time’s running out. He gasps, and jerks himself out of Heather’s grip as a pin shoots through his bare back. He falls right into his shell on the very edge of the cliff face.

Heather mentions “Being butt-naked is awesome by the way” without a single piece of his knowledge and terror.

Can’t say I agree,” he grumbles as he straightens up his cover. When he does, a patch of tender pink skin on the back of Heather’s one arm flashes into his attention. “Hey hey hey, uh… Is your arm okay?”

That flops a sigh out of her, and as a more panicked counterpart she tries to claw her fur over to hide it. It stings at contact, what overcomplication was her fault to begin with. “25000 words…” She hops down from the tree and breezes past. “Got other stuff to do. I’m totally fine.”

“No, really, I helped your dad earlier,” he insists. “I mean I’m still sorting out the language butchering going on but I think this one works…” He holds up a thing of petroleum jelly from his shell and pronounces the brand like “‘Vvvase-linnnne’” in a slow dragging of his tongue.

“No time.” Off on her next chore, she puts out too much of a hustle to go down the soft side of the hill instead of, y’know, jumping straight off the cliffside. “Smell ya at the campout, Uncle Verne! OOF.”

“Er- Sheeee’s gonna kill herself isn’t she?”


R…J?

Honestly? EFFECTIVELY so. The pure-steel robotics inside her lower with the eyes of the sky. Next RJ met her the second the sun sunk into its den. She messes up his last shot at pink flamingo mini-golf but it doesn’t mess up him. He removes his too-large-of-a golf cap and turns to capture a vision of her fur and frail shape outlined more purely in white by the moon.

She leans on a noticeable sway in her voice. “I just- I just wanted to show you we’ve- or I’ve been going through the food I- or we stole earlier and we- we got marshmallows.” She doesn’t even seem to be forming sentences all too comprehensively. “The campout's about to start 'n I thought we could (like), y'know. We could (like), start a fire, and… My butt’s kinda like a… marshmallow…

All of a sudden, Heather topples backwards into the grass. Is she playing dead? No. She never plays 'possum. Not anymore.

Heather?!” yelps RJ. He almost runs over top of her, kicking against her legs when he stands over her as a doctor does. “Oh goodie, she’s talking about her butt again.” He gasps, “That means she’s losing it! STAY WITH ME, soldier.”

Her eyes droop open for him, one after another. “Heh-heheheh. Butt.” Her fingers crawl over her chest as she speaks, “Sorry. Nearly hit the snooze button right there.” She yawns a very yawned-out yawn. “Kinda-... Kinda looked like I was playing dead for a sec', y'know? Yeah right, idiot. WOOOOOOO-”

She rises onto two feet somehow, but it takes her falling forward into RJ's ready arms before getting balance. RJ shakes his head at the poor girl.

He tips her up. Her eyes look painfully skewed and squinted, faint in consciousness. “Holy potato chip heaven, you need to rest. Just shut those sweet eyes for me, and me n' Hammy'll handle your sleepover, 'kay?”

Heather patrols her head between him, herself, and the campsite. “What're- How're-”

“Well that’s the easy part. I'll carry you.”

That forces a fart sound from her lips and woozy laugh to her, and RJ has to snag her hands to keep her from tripping backward again. Her smile drops. “Hey, this- this’s (like)… MY campout. My campout. Me.” She’s too tired to even be sulky successfully. “I’m not gonna let YOUR roguish beauty take my… vibe…

“Nah nah, you need to stop stealing my load. Really. Quit DOING this to yourself today! It makes me feel all sad 'n mushy inside.”

“Dude, I was… helping you.”

“Yeah, I know.” RJ pats the back of her head. He nods proudly, but speaks softly. He looks more solemn and even a tad curious now, looking down at a microphone left on the floor. The same she used for her performance 2 chapters ago - singing for him - to get the family to this forest in the first place. “I know.

She squeezes out a lump of vulnerability and acceptance forming in her throat and lets him pick her torso up with both arms. He hauls her up snugly onto his front and tucks her head over his shoulder. She wraps an arm inside the pit of his and the other around his neck, and feels her eyes slowly black out once RJ leans back, and her body tilts forward away from the pressure of gravity, the weight upon her eyes, mind, body and soul. Her forehead throbs. His shoulder begins to bob her head up and down, and her feet begin to dangle in the air as he walks.

“Night-night, RJ.” She’s still woozy, but her mind feels more clear letting her voice ripple the water as the nearby creek meanders by. “You’re the best.”

“Nighty-night, ‘Possum Pal.”

By the third step, her senses simmer down her head in his caring embrace. Maybe that heisting event really did break the mold for the forever future, tender it be.

XXX

Crickets chirp (only from a sound machine). Akin to this, the air fills with snores (Ozzie’s the loudest) from the family, tucked away in thin pillow cases that fit at least two critters apiece as suitable sleeping bags. Secluded out over the creek, their clover camp surrounds a masterful fire, its light slowly losing out to the stars. Marshmallow cream covers the mouths of many.

…Except for Heather. Hilariously snuggled in one bag with RJ.

A bit more of an… unconventional duo occurs opposite them. Ozzie nudges Verne away, who clings tensely over his arm, asleep. Eventually, after repeated frustration, Ozzie gives in and attempts to fall asleep while minimizing any physical contact he has to endure.

Heather’s sleeping breaths coming into prominence on his neck, RJ sneaks one eye open and breaks his feigned slumber. It’s amazing how someone can feel like heaven but smell like hell, isn’t it? The campfire crackles lower and lower.

Verne tosses and turns against Ozzie’s arm until he awakens with a gasping breath and repels himself immediately from the man.

RJ scratches the good part of his back as he goes. Verne wanders anxiously, a finger in his teeth. He sits down at a small retro TV and watches the most uneventful channel ever - NASCAR - to ease his flesh. By fate or luck, RJ bumps straight into him by the dying campfire.

RJ’s countenance sours. “So why're you awake?” he dumps out.

“I… just couldn't sleep. What’s your story?”

“I’m just roasting Heather marshmallows. She was basically - oh what’s that silly thing those opossums do, uh - dead… during the entire cookout. Dead.”

“Yeah…” Verne pushes through his teeth in an inelegant smile. What RJ responds with visually isn’t any more palpable to the brain. “Just tell me: She- She did all that for me didn’t she?”

Apparently so…

“What’s with the tone?

“Um, look, I’m gonna go do some, uh… raccoon things. Leave a message.” RJ escapes that question entirely and steals the TV too.

“What do you need the TV for?” Verne asks.

“...Raccoon things? Don't… don't come by. Thank you… bro-mie.” On one last note, “Oh, and keep that fire going, will ya?!”

Verne stares into it as it slowly withers from his neglect. “She did all that for me…

Just when RJ escapes into a bush, it rattles loudly. Crickets don’t chirp no more. The forest goes pitch-black. The wind blows colder, slight as it is. Verne’s heart jumps. Rushing creek water rumbles the floor and surges in his head as the enhanced reddened light of the fire only strengthens the darkness in contrast. He feels as though someone isn’t safe. With RJ gone, Heather finds little in her pillow case to grip onto other than the case itself. She grunts in her sleep as her hands and tail search relentlessly, and it rocks Verne’s eyes into a furrowing spiral splitting apart from what he once thought the night was. He feels as though he is not safe.

“You have got to keep this fire going, Verne-o,” he urges himself, passionate and afraid.

Does he really? He wanders over the creek entirely, biting his nails in doubt of it. He comes to the nearest firefly jar - the first great idea inside of Awesomeland - and stares to his feet. Out of the family’s way, he is alone. Everything he broke his shell over in the daytime to correct comes back to him. He won’t need to pretend he can scheme like a raccoon for this one.

Now’s his chance to put an end to all this madness.

He picks up the jar and just about smashes it into the ground before the dying fire blazes into the corner of his eye.

Back over the creek.

He tries fanning the flames carefully with his hands but that just leaves it smaller. Heather groans in her sleep nearby, ears shriveling up. Verne grabs absolutely everything useless he can find to toss into the fire (even the porcupines, nearly), panicked like a crippled bug.

Somehow, he hears it laugh from the center, MOCKINGLY, and he feels like this has to end, SOMEHOW. He swaps his stance away from the campfire and covers his ears, wherever they are.

That doesn’t stop the same little kid he just heard crying horribly for help. Another glance and the fire’s malnourished down to smoke! He has got to keep the fire going, and in the next second it may only have left to live.

Make sacrifices. Bundles of leaves, twigs, anything, ANYTHING that doesn’t have to be what Heather and friends spent hours to set up. For one second he crosses the creek again, abandoning an aneurysm of anxiety. Then back. Heather’s infernal restlessness sharpens until it is unbearable. He clogs her mouth with marshmallows. She eats them. He tries THROWING HER IN THE WOODS. She comes back about to sleep-walk into the fire. He hurls her into the creek and the next second a cold, wet clump of hair slaps the back of his head, Heather hugging his neck, clinging to his shell like a baby, unnerving him past the lengths his screw can twist.

Resistance is futile. A bush rustles. Verne pelts her fur down with an air dryer and returns her to bed in terrible paranoia of RJ, and thank god he doesn’t return.

The fire’s still crying! But then why does the past he sees in it laugh louder at him as he fills it back to life?! Over the creek. Back again. Because when he fails to do so, Heather’s relentless shivering motions parallel the fire’s torturous siren. The winds intensify and toughen his task. At the largest he gets the flames to burst he just about starts a wildfire. His legs agonize as far as a turtle’s legs can take him.

He’s soon left without resources. Obsessive over its tears, he engulfs his body in flames trying to save it, but it begs desperately to be fed while the fabric of his own skin falls apart in great trial. He can only watch, and scream, and grasp himself in anguish as the last twinkle of a spark makes its last shrivel of a whine, its dying breath, before the last light at the campsite disappears from his life forever. There is no way to ever bring it back.

In the end, a child dead, no damage done to the scheme taking over his entire family either, he accomplishes nothing.

I let another one go,” he whimpers. “Oh no.” After a realization shoots up his neck, he convinces himself, “RJ’s gonna kill me.

Right now RJ (secretly) watches NASCAR on TV behind Verne’s back, too embarrassed to let him know they share the hobby.

“...Or worse, he’ll… He’ll tell everyone I keep a special vibrating toothbrush at home just to scrub my hyperrealistic reptilian BUTTOCKS! THE HORROR! NOOOOOOO! WHYYYYYYYY-?”

Just in time to catch him bawling out of his shell, RJ returns from his break.

“RJ, you GOTTA believe me, I did EVERYTHING I could to save this kid- er, fire.” He crushes RJ in an avalanche of soppy apologies, but RJ gets out of the frigid snow unharmed by frostbite. He finds a lighter in his bag and starts up another rich flame as nonchalantly as that. Verne immediately silences.

“Don’t let everything get yo tail twisted, c’mon man, just hand me some marshmallows.”

Verne’s panic died out far more abruptly than the fire, and now he's simply dead inside. “…Not a problem at all, RJ. Not a problem at all.” Maybe… it’s lost its truth.


ACT III: Approaching


The next time Verne jolts awake after another bout against the nightmare-scape, Ozzie drools all over his arm instead. The man snores up an avalanche. Verne’s reaction remains the same. This time Ozzie shoots his eyes open too.

This might be starting to break what RJ once called “the bro code”.

Warm colors in the sky arise, cool, and harden into white adornment to begin the day. What day becomes the needle in the haystack for Verne. “Ughhh…” For the first time in his life he feels as though he’s forgotten, rubbing out a headache installed by the more eye-drugging palette Awesomeland offers like one TV screen he cannot keep his eyes from. “Is it 200-... 200-something…?”

Verne lost track of this day, in this season.

As he stumbles almost peg-legged in mud, Heather passes to the blue cooler, splattering her roasted marshmallows over her grubby, sluggish face. “Oh, morning Heather!” Verne greets rather jocosely. “What’s the ‘goods’... or something?”

Sleep-eating.” She flops all but her feet and tail inside the cooler. “No joke, RJ had to carry me outta bed.”

“Is that any different from your… eating-eating?”

“Nope.” On that second note, she lifts her chin over the brim as her eyes wander into a blue sky daydream. “Hey don’t snitch, but when RJ holds me like a baby I’m kinda into it…

Verne spends minutes kicking back in a lawn chair - his man-made turtle’s best friend - before her comment leaves him wondering, “So where is R-?

RUSTLE!

Rustle…

A boom overhead first, then a worrisome crackle. The hollow end of a log, a massive brown contraption, juts in from the dense brush. RJ’s hands carry forth first and flip Verne’s jolly mood off the chair. The lawn chair folds like a bear trap that snaps him into the mouth before he can eject. He wasn’t prepared for the payload over RJ’s back, but to RJ he was acclimated. Not until ten feet of moss spurt into Verne’s sight crawling over an ancient pillar. Debunk architecture, a myth that all stone must remain grounded in stone. For RJ - along with the porcupines at the rear - flash alarmingly onto the screen. Cracked and chipped at the seams, it is revealed: THE Log unearthed, covered over the underside in mud oozing down their backs.

Another wound HAS to be added when they throw the Log carelessly to the ground not far from his nose. He gasps. He inhales a bleeding whiff of history. They flail their limbs about relieved, and nothing else comes from the rest of the awoken family, naively nonchalant. RJ stakes the painted mailbox of Team Oak next to it. The vibrating sound, like a wall-bound door stop, rings of bendy wood. Verne lets a tremble stutter through his bottom jaw just like that. Sensual specks - no, the opposite once again - pop all over his tail. It tingles in the old way. The bad way. Mouth full, Heather lingers unfazed, he knows it, putting a dangerous, unnerving stress over his neck like a backstabber’s taking her place, no matter how tame, or even unknowing of the knife she holds. Everyone collects nearby, and on a matted island past the moat of them, he finally remembers: He’s losing all of them to her. The moat doesn’t protect him. It snares him. It awaits the flood. It awaits the day a beaver’s dam will come down. The whole world turns red for one second.

“WEW! Can you BELIEVE how ripped a few protein shakes makes a fella?” RJ exclaims.

“You-... You all-…” Verne’s ears elevate into a rupturing siren. “Are you INSANE?!

The sun crashes through the treeline. His furrowing spout of words fully drowns the family into the blazing light of day, cranky at him already just to have been in the peaceful morning. Everyone else becomes drawn into his berserk behavior, especially Heather, baffled beyond belief.

“Take it back, take it BACK!” Verne waves furiously.

“WHAT?!” Irritated alongside Lou and Penny, RJ yanks out the other end of a tight argument. “We just spent an hour breaking our spines to get it here!” Verne lifts his foot up, and RJ jumps back defensively. “Woah, hey, no no no, PUT AWAY THE FOOT-”

Wuh?” Heather pipes up, frittering over Verne’s hardened stance. “I thought if we (like) brought home here, you’d like-”

“This was YOUR idea?!” Verne threatens his finger her way.

Heather can’t defend herself. She just plays with her hands. Fortunately, Ozzie spins and throws himself into the scene between Verne and her, bumping her around.

Dad?” she inhales.

My daughter has served her LIFE for the good of the family here, and you, Verne, have NO right to be dumping a thunderstorm of CRRRAP on her good intentions.” He knots his tail onto hers again. “‘Awesomeland’… is a wonderful name.”

Dad…” she exhales over her shoulder.

Stella wags a finger. “Uh-huh, show ‘em ‘Oz. We’re just tryin’ to do what’s best for yuh, Verne.”

“NO-O!” Verne shakes his head vigorously with his hands. He rocks to every flank, banishing the spirits crowding in on him. “NO, none of you know what’s ‘best’ for me!”

He trips over his own toes to trample into the Log. Roughness on the chipped surface ruins the flatness of his feet that once brought such balance. In the darkest part of the tunnel where light struggles to penetrate into his typical sleeping nook near the back end, he tears every hanging overgrowth and blanket of leaves away that conceals an inscription on that side of the bark. He grips his hand onto a big patch of moss and rips it apart like innards, then scrapes his fingers at damp mud so fresh he must be replacing it regularly. Beneath it all, the archaeologist uncovers his past.

Hand stencils, plenty of them, precisely turtle-shaped and recorded on the bark in purple berry juice dried as blood, halfway faded from existence. Most of them are smaller, but one has a similar size to his own hand right now, which he fits onto reasonably well still. It’s haunting. But the one at the end of the row is tinier than the rest, and the most aged. Wiser, yet. Wiser than him. Wise, small, helpless. Terrified. Verne trips back. His bones lose substance.

Nonetheless, they are all intact. He dresses the area back up in layer upon layer of leaves, dead and alive, before Verne sighs in relief and puts the top of his head onto the spot. One hand goes to his heart.

“Hey, umm, hold the mayo on this one,” Hammy announces loudly, “I see weird thing.

“Wow. That is VERY weird thing,” Fred confirms for Verne to hear.

Verne joins outside to watch in speechlessness. For in the base of Hammy’s rollercoaster, underneath the largest hill, a bundle of unstable chili peppers hidden within the beams smoke and fizz. VERNE REMEMBERS.

Too late. The instant explosion cannons pepper juices over the faces of all onlookers, who become impaired, somehow begging to watch it happen even with the hearts it might break. Verne survives the blast. He watches the end of an empire, the last alive to witness a world’s end. If they can’t see it, they’ll at least hear it - twigs snap and shred like the full felling of a frantic forest; boxes crash to the ground and dent; glass ornaments shatter. Dominos - Just because the largest stands at the end of the line does not mean it cannot fall first. Once the family is able to wipe off their eyes, it’s ashes. Everything. GONE. Nothing, what one day of passion and love and admiration created. Nothing but a toxic landfill in a toxic land-filled place.

“So check out this HUUUUGE piece of popcorn in my front teeth-” Before Hammy digs it out, he lets out a bloodcurdling scream at a real weird thing just spawned before them.

“Verne, was that a… chili bomb?” Penny puzzles.

Hammy doesn’t believe it. Who would? He runs laps around the area trying to fling everything back together, but it’s no use. A pink flamingo’s head snaps off when he digs its legs into the earth. He smothers his face in himself, curled up in somber song.

In everyone else’s bewildered silence at the wreckage of Awesomeland, Heather takes her sadness Verne’s way. Breathless, dead- No, it’s not. It’s very much alive. And breathing… She breathes deeply, trembles a bit in the lip, pale on it too. Her ears dip without any wetness to make the tips as soggy as they appear. Fingers on one hand creep towards her chin like she’s ready to say SOMETHING, but now Verne can only speculate what she would, had she the will to.

Despite the look she gives him, and the family gives her, Verne locks his feet in place and stands his ground, backed into this corner at the stump of a tree. “We’re NOT HUMANS. The humans are after our HEADS. We are foragers. Have all of you forgotten that?

One by one the agents of regret approach, and one by one he shuts them down:

Ozzie, you quote this Shakespeare guy because the HUMANS like him.”

Stella, I don’t wanna ruin that action movie but spoiler alert: the HUMANS watch it.”

“And RJ… Shut your mouth. Right now.”

RJ hides away and fiddles with himself. He forms some cloud of a scheme in his head, and despite it all, he lets it rain. “Verne, Verne, Verne.” His wingspan spreads to the family. “C’mon folks, I’m tellin’ ya: If they WANTED to kill us THAT BADLY, they’d pick their bahooties off their couches already and do it themselves-!

Verne knocks his shell into the trunk of the skinny tree behind him. One ‘decoration’ of theirs - a deer’s head mounted on a wooden plaque - crashes beside his foot. There’s a hollow hole in its styrofoam forehead, gray smoke stained around it. “And one day they’ll do it… themselves.

That’s how RJ looks - brain-dead, head empty, a bullet shot through his skull by the bitter looks given by the family after that. Suddenly they can’t feel so benign anymore.

“So pluck the marshmallows from your ears. Come on, I’m waiting.”

Everyone hesitates, but they pluck the invisible marshmallows from their ears.

“Don’t you see? This parasocial relationship you’ve formed with those… CREATURES… See, they- They decorate their houses out of our likenesses!”

A gasp.

“They could make clothes from our skin!”

Another.

“They want to kill us, USE us for whatever their sick gEniUs brains want, and you think you can be one of them? Shame on you. As foragers… Shame.” It comes with a cold eye. “What’s our motto this season? We look out for who we love…”

“…and where we live.” Thus, the children of him admit defeat.

“We haven’t actually used that motto all spring,” RJ retorts to himself.

“Take everything home,” Verne orders the slumped pack. “Right now. I'm sticking my foot down where it always ought to be.” And he does into the dirt, releasing a stunning quake.

“No,” Tiger gasps, “Verne, not the foot-

Yes Tiger, the foot.” He does it again to send a shockwave into everyone that blasts them to the ground. Then he grinds it, and their bones twist. By now they’ve settled on it, shaking against each other. Verne marches through the crowd and begins the long trek back through the forest from where they came, motioning assertively for them to do the same.

They can’t do anything now to climb out of this hole. Just sigh, and pack some bags.

“Nice try there, Heather.” Lou pats her shoulder as he passes.

“But Verne’s right - we got nothin’ done.” Stella shakes her head. “I shouldn’t of tried to stop ‘im. I just didn’t want another tussle, dat’s all.”

“Do not take it harshly,” comes Tiger. “The attractions were what you would call… fun!... Well, too fun.

“We know what we are, but not what we may be-” Her dad quits quoting Shakespeare. “I’m… weak, aren't I?”

RJ doesn’t even stop by. Instead, over his shoulder, he claps two fingers in front of his nose and spreads them apart, twiddles his lips, then flaps his arms while spitting out bird calls. She absorbs his secret code - finds herself nodding very crossly to him out of instinct. She submits her authority right back into his own by signing his pact, fusing into a bilious solution. Verne must be stopped.

Still, Heather puts her shoulders down. “…Why didn’t I ask what Verne wanted?”

Awesomeland will have to wait for the inevitable Christmas special headed their way. Heather scoops up RJ’s journal, open face down in a pit of mud. She grieves at the ends of her mouth depressing off her face when, flipping it over, the Awesomeland she drew has been murdered by brown splotches over all she’d made to end up wrecking the family’s fun and RJ’s entire operation. She loses all focus diving into it, and jumps back when a squirrel’s hands slap onto the pages and rub the mud off in a second, leaving just faint, painted tracks.

I liked Awesomeland, Heather.” Hammy grasps his muddy hands tightly around her waist, dips his head in her fur. She flinches at first when Fred climbs to her cheek to hug too, but settles into it. For the lucky moment the little guy’s on her, her mood improves, but goes numb, happy, and dumb at that. She killed her thoughts like they killed her dreams.

As Hammy leaves, his nuts startle her. Literally. Hammy takes a bag of a million acorns with him that he gathered here. He speeds his sad legs towards the others, one ton of weight behind him. What goes out may never come back in, she fears.

But when they finally reach home after enduring the mile with no song or dance, Verne does not meet them there… No, under the smell of empty shame diluted by fresh cardboard boxes, the food fortresses don’t stir. The vacancy becomes a point of quick concern… Stella doesn’t find him in Team Oak’s fort. Heather doesn’t find him at the willow tree.

“Don’t bother, he left us.” Hammy must’ve scouted it out beforehand as he sobs to report. The apologetic bag of chips he prepared for Verne is now worthless. “He’s gone, oh, GOOONE…” He sniffles. “The only thing he left to remember him by are these convenient footprints tracking his exact path of exodus.

RJ jerks his torso down to investigate this trail of fat, flat mud-prints in his magnifying glass starting to trail from the entrance of the Team RPS fort up along the side of the Hedge, in the directions of the crossroads on the other edge… towards the main construction site. Why he went, nobody knows, but he has a motive. What motive? Lungs start to work faster. Can more knowledge really lead to being more clueless?

He has to take matters into his own hands. Snuff out the mysteries of ground zero. Inside his fort, inside the tower, grass covers the whole carpet. However, a little surprise - damp from the night, a bulky patch spreads the floor apart from the dropping of an empty bomb, an artifact stolen from its pedestal. The very first footprint flees the scene from where his golf bag was.

“I left it right in here, where’s-? …NoooOOOOOO! The bag, the bag, the BAG! That’s the most POWERFUL object in the UNIVERSE!”

“A disgrace! We will not stand for this!” Quick on the trigger, Tiger clomps to the door behind him first, a full rebellion to join next.

“Right-o - He’s got our endless supply of Milk Duds and hot fries in his clutches,” RJ rallies the group. “Not just that - our dignity. So come on!! Our perfect-o paradise will NOT die in vain! Ladies and gentlemen, boys and girls, for Awesomeland, it’s time to riiiIIISE UP!!” he sings.

The incited mob rushes westward by wagon, united underneath RJ’s banner.

XXX

Verne senses their arrival here as commotion builds like mold between bushes in the dark verdure in front of him. At the corner of suburbia, he stands firm at the very naked edge of the old tall hill, one step from getting to ‘think about it’ all over again. On the red wagon, the family wheels in from the brush just on time for him to say “Now, I brought you here to remind you all that two weeks might seem like nothing for us, but THIS… is two weeks for them.

Verne steps aside to let the sun through the dark gray clouds reveal the peril. Over the edge of the old cliff, what once was a one-acre project has developed into a land of devastation and construction as far as the eye can see past the road. From dead to deathly frightening.

Whereas nature allows for tranquility to be nested and secure, man overhauls the peace just to make war. To bang a drum, break its skin, hammer the earth in a resounding quake of deadly innovation. An endless reverse sound alarms their progression in hatching the start of a suburban city over there on the flipside. A whole neighborhood has almost been put up by now, but desolate as a ghost town. Mechanical beasts haunt the streets - those completed by concrete and those still tarnished by sediment and rubble in a lifeless realm. All vehicle windows are pitch-black, opaque. They hide the evil spirits underneath, or lack thereof. The process seems automatic. Like this is how it’s meant to be.

But it’s not. It can’t be meant to be. Unless they’re still accepting their end of this one-way street, this group of specks on a cliff. Even when all tails go high, they refuse to believe. Even when the forest they knew dies from the infectious plague of humanity, they refuse to yield. Even though their noses become clogged with smog, they are united subconsciously, forming a union between fur, quills and paws set on conserving the gift of naivety. This is the good life.

“Oh please, just give it up, Verne,” RJ yells. “You know only an aficionado can wield that kinda power.”

Verne just chuckles. “Y’know, you’ve always been a kidder, RJ.” He thereby exposes the golf bag on his back. “Come at me.”

RJ’s rage lunges immediately, but from one scooch to the side Verne dooms him to take the plunge head-first off the cliff. Verne hooks him to the ledge by stomping onto RJ’s last foot… again, staring straight at the family when he does. Right at the signal, church bells ring stressfully at the hour.

Hanging by his crushed toes over the verge of disaster, the dirty horizon unveils to RJ. One foot closer to burning in the light, he comes one inch closer to the truth. Now he knows it - This is not merely a portrait. He lives inside the painting, suppressed to a two-dimensional image making his crooked neck dizzy. His tail faces the gravity over his back, scratching at it. His heart pumps three times faster now that he’s at the bottom instead of the top, after his act to Verne last week. His arms - no part of him - can reach anything in his freefalling state, somehow stationary. He dangles like a fish on a line he knows must be slowly being cut.

A sign plants into the ground opposite the intersection leading into El Rancho Camelot Estates, reading:

‘Welcome to

Gran Reino Pandora

Suburbia just got newer-ia!’

New Suburbia…

All interest he has plummets down when his foot slips a bit. Nervous moisture forms on the pad of it. He silently pleads for his life, flicks his head all over the place, and ends up staring at the back of Verne’s shell. He can’t see his eyes. Not even facing the victim, it is far more insulting. Terrified bursts of air fall from RJ’s throat and out his mouth like his golf bag Verne wears capsized. Upside-down. A new perspective. Vulnerable.

Meanwhile, the family retreats from Verne after his deed. On the edge of the cliff, he’d be thought to be the wolf of the sheep.

“Uncle Verne, we are foragers,” Heather hesitates, pupils diminished. “Like you said? Y’know?”

“That’s right, and we- we forage food,” Ozzie shivers.

Everyone suddenly acts so apologetic, huh? That prehistoric virus, now thawed out of the ice in Verne’s brain. Not much has changed since the outsider arrived on his perch. Existing since the very birth of its being, left to remain contained for so long.

“Food? Well then…

RJ jerks his head up to the ledge once Verne - the boulder - moves a fraction of an inch from the mountain. He crunches his eyebrows tensely into his face at the golf bag on Verne’s back, and readies his foot underneath his sole.

Verne fixes eyes on the family.

The family fixes eyes on him.

RJ fixes his eyes on a completely different target.

No one moves.

“…Five second rule.

Everyone gasps when Verne lifts his foot into the air. They gasp louder when RJ thrusts his freed leg up, latches his toes onto the corner of the golf bag and takes Verne down in a kamikaze, the strap strangling his neck.

Ozzie dies.


This fic has been converted for free using AOYeet!

Chapter 7: The Doomsday Scenario

Notes:

Congratulations on making it this far, reader!

Recently, I went through a HEFTY period of reorganization. Some of the later episodes have changed completely. I’m also trying to shift my writing style to something that dedicates extra words only towards the details that are actually important. The slog days of this story are (hopefully) done for.

I’ll be honest, I just want this episode to be done with. I screwed myself with chapters 3-5 on pinning down a solid direction for this episode. There’s gonna be like, a STORY story for Episode 2.

I’m not saying this episode is pointless - because it’s VERY important in transforming Heather from a side character to a main character - but the episode isn’t as consistent in style as those that’ll come later.

Chapter Text

“Let me tell you a story of man. They put a price tag on everything the world offers them… or, they offer to themselves, perchance. Rollercoasters, golf courses… Some animals want to become part of it. And following the untimely destruction of Awesomeland, Verne backed himself onto the edge of a cliff in his resistance. He can try to size up, but all he’ll do is take RJ along for the fall. Cliffhanger chapters don’t come often around here. Hoot hoot.”

Word Count: ~10k


ACT I: The Issue


 

Next thing anyone knows, two meteors of RJ and Verne plummet down the cliff. With Verne blazing in a spinning torpedo over him, RJ catches every last snack, gadget, and a couple embarrassing magazines that sneak out of the golf bag.

They thrash hands, tails, and shells immediately upon crashing into the deforested ground with no care for the impact on their spines. The joy of tossing RJ’s belongings every which way turns Verne into a sugared-up leprechaun spilling a pot of gold. He leaves breadcrumbs of Milk Duds that twitch RJ up. By the time RJ salvages each, Verne’s manic laughter has made it over the crossroads outside town.

RJ throws his life onto the sediment melting under the sun. A new hedge marks the next age of humanity, fortified by a construction yard of a hundred acres. He acrobats through the portal and watches the world he knows flip over in a second.

Inside, RJ and Verne fight over the bag like animals until they end up on the roof of one red-orange house sitting behind a climactic opera of machines and hammering metal. They ignore the turf’s strange abnormalities foreign to anything the suburbs have ever offered as a battlefield. Forks in the perimeter of the roof make it more than a single, consistent shape. Wealthy windowsills and more Victorian architecture spike an uneven range of points and ridges.

Random formations of stratuses tumble over the sky. The incoherency improvises the mood for them, from light to dark and white to black. Pushing them against each other creates the gray matter of the brain, lost of its connectivity and squeezed into a rogue mist.

Then there’s the flipside.

Jack - THE BIG MAN - belches a massive yawn from his dusty lunch desk. To his skinny secretary, Jerry, he tells, “My daddy took me to this homestyle dinner place with the darn-dest bread rolls-”

“I think you can just say ‘rolls’, sir.”

BREAD ROLLS, iiiiidiot! And I WANT THEM! Nowwwwwww!

The family chases down RJ and Verne.

“Just think of it,” Jack goes on. “‘Jack ‘n Jerry, dinner joint pioneers of the galaxy-” He shoves the table down after his troll ears alert themselves to a group of feisty, dirty specks wrestling atop an otherwise sanitized home. “AH THEY’RE BACK!!

Jack rips binoculars off Jerry’s lanyard and squeals girlishly after settling on his blasted old pet turtle and her newfound companions.

Where are my homestyle BREAD ROLLS?”

“Bread rolls, sir.”

Jack gobbles up the warm plate Jerry brings him. Next, he flails all over the outdoors like a fat house fly expelled from the window. Clouds are even quicker to riot.

Before that monkey found his banana, two chunky underpaid workers were able to enjoy their break in peace with National Geographic (or something) set up on an archaic type of TV table making use of backyard outlets.

Maaaan, brother… That lion's got more ladies than I ever will.”

“He's got a lotta things you never will.”

“Like a mane.

“I want that mane.

Now, Jack (the big man) bulldozes the foldable chairs from under their jeans. “GET UP, HOSERS!! The homestyle dinner buffet from my childhood just got run over by some charity center looking to contribute good things to society, and if ALL YOUS gonna top the loss of my bread rolls as today’s biggest disappointment, I’LL ROLL YOUR HEADS DOWN MY LAWN!

At last, after reaching a small black post in front of a cover, he smashes a giant red button with his last breath. It’s something he’s been waiting on for over a week.

Blaring bells within the construction site synchronize to the family’s alarm. Hammy squints at a dark brown cloak covering the cubic mantelpiece of a carefully-contained set, house-sized, supported by a frame of iron beams. Fiendish red caution lights circle some kind of hangar prepared by a team of human workers slaving away, its top hidden in the darkness by the largest cranes he’s ever seen killing the sun. A heavily-bearded man splits his legs apart assertively in his supersized jeans as the cranes slip the cloth off its dinner platter.

The gigantic wheels inside the belts of its rotating platform growl. Four mechanical arms plant into the ground one at a time from all sides, gripping what tangibility lies in the loose, dry dirt. Clouds of dust twist up the three-fingered claws of each. Hammy’s mouth falls open from the stands, but he can’t scream. It seems no one else in the group could hear anything but each other right now. When the particles settle down, a machine comes into play by a flashing beacon activating at the head, far past thirty feet into the sky. Gears web its bulking, bolted yellow-plated body together, doggedly, and fearfully so.

Time’s ripe, my mechanical beauty…” At the foot of his Frankenstein creation, Jack leans a bit forward, eyes devious, almost crying in joy. “Let’s plough that turtle into the GROUND! YE-HAHAHA!”

Each house is a castle, but this one… this one starts to move.

Hammy tries tapping them, and Fred the Wood Tick yelps as the machine grinds over the scaffolding of house-work and draws increasingly near, spewing out a wildfire of foul exhaust. No one listens to either.

The family fight continues as long as they allow it to. “Just gimme the bag and we can go HOME!” RJ rapid-fires his words as he latches onto his golf bag.

“You’re gonna kill MY home! You don’t KNOW what I’ve been through!” Verne roars out of his struggle. He heaves back from RJ and Stella, who joined in.

The roar of an engine’s stomach expands, and some things made of metal clink onto all four corners of the roof.

No one saw it or smelled it. Funny, because its mechanisms are already louder than the inner earth. It blended so seamlessly into the tones of their voices, and now it kills them off. Ignoring the yellow, cautionary fortress it rides, the forefront cockpit facing them is a windowed box as wide as two couches. It sports many industrial pipes on its shoulders that pump its rhythm into the sky, a factory itself. The chunky driver in the orange chair has plenty of levers and buttons to work with on the control station, a combination of which could surely pry out their innards in at least 50 different ways.

Verne repeats it in a breath as his grip on the bag slowly pulls the shutters: “You… don’t… know what I’ve been through.”

The family doesn’t look for an apology, or instruction, or anything, and they don’t know what to say anyway. Verne chuckles for a second, until he figures out that not a single other animal is gonna think about chuckling too.

RJ stares. “You’re the devil.

The machine pries off the roof and juts it into the air. They hobble over the sloping bricks on the pointed peak of the building as they rise like heat into high daylight.

“Okay RJ… what is that?!” Although Verne’s question is genuine, he makes a slight parody of his naivety.

“You see,” RJ explains calmly at first, “That’s what the humans call a Goddamn ISSUE!

“Shut your stupid, squeaking mouths,” cuts in the mastermind behind the solid gray screens of the cockpit box. “Prepare to face justice, Velma. For all the fingers you’ve bitten (one), and THE CHILDHOODS YOU’VE RUINED (ALSO ONE)!!”

The arms snap the roof in half. The Hedgies disperse into the house below and run more rampant around the system than mice in a maze.

“What is he on about?” RJ shouts at Verne.

“I don’t know; That human thinks I’m a girl! And if I had to guess, he probably punts baby animals for fun!”

Jack steals a pair of plastic flamingos from nearby yards and plays house with his vehicle’s four arms. “Oh, why hello there, Mr. Flamingo.”

“Hello, Mrs. Flamingo.”

“Say, did ya hear about that tush-sniffin’-tree-humpin’-stiff-gutted box turtle who’s been choppin’ around the wood stack?”

“NoooOOOOooo, could ya tell me mOOOOOOORe?

“Oh I’ll tell you more alright-” He smashes the heads of the flamingos together. By the time he’s finished fantasizing about animal abuse, he finds Velma running slower than all the other pests into the open lane. They carry pink flamingos over themselves to disguise their pawprints on the sidewalk’s soft cement. “OOOOOOOOOO!”

The Hedgies escape down the street. No worker on the scene catches onto them. Some stop and wave to the passing flamingos. From scaffolding heights that creak in line with their backs, to drowsy-hammered nails forced to tighten their pain into wood, entertainment - as bonkers as it is - is a godsend to their sad ant-like lives.

That’s how everything feels here. The dead street - an empty mall - the framework in place - vendors absent. The cement feels fresh, with hardly any wear. Same goes for the paint of blue mailboxes established identically between front yards. Even so, something eerie about the artificiality of it, the capitalistic sorrow used to create it… is irking. It’s like the real suburbs have been stripped down to the simple fakeness Verne suspected of it since the start.

“What is this?” The most concerning part is that RJ’s the one asking. “Nobody cutting their lawn? No humans sitting in their cars on their phones for WAY too many minutes before actually pulling out of the driveway?”

No decorations, no frills. No birds. Turns out, what lies on the other side means nothing if there’s nothing to steal from it.

They move left foot, right foot, faster, faster, from the droning construction array. The atmosphere drains them. If only they had a green carpet to keep them dry from sunburn. They won’t find anything of the sort here. Not where it’s a bright red, like the rooftops, and sparkling white - all advertisable colors. Everywhere they can look shoots lasers into their eyes, the way light reflects off Picasso painting homes.

Jack tears down such lifeless structures while pursuing the flock past a stone fountain at an intersection roundabout. He forces all his arm’s might into the conveyor wheels. This Goddamn Issue of a machine is an unstoppable force, a perfection of engineering. The mechanical arms - like prehensile tails - contain the strength to pluck telephone poles, puncture foundations and drive yard obstacles into the ground.

The Hedgies take to the rooftops and locate the closest high-rising shelter. They choose a window, and RJ hurries them in. Lusterless wheels thunder near the yard soon after.


Next objective: Abandon the second floor. Especially inside, this new settlement reeks of staleness. Mixed with foreboding emptiness. So silent, their panting resonates. The bare living room segment is right down gray, carpeted stairs… with absolutely nothing alive. As expansive and irregular as it’s shaped, corners upon corners have nothing in between. A hollowed chest, striped a faint green memory of the wilderness near the top and bottom. Their feet are held responsible for the first marks ruining the spotless boards of the floor. There’s hardly anything inside the mansion. Nothing. Nothing but themselves. It’s nothing fit for a heist.

They collect each other in a circle. Shades over the large windows across the room shudder from cold vents underneath, dimming their faces.

“See anything like this in your nine lives?” Stella asks.

Tiger shivers before Stella embraces him. “This house is more intricate than anything in our division. We’re not putting square blocks in square holes anymore. No, I’ve never seen a home like this.”

“Whadda we do now?” Lou says.

The doors to every labyrinth thump briefly out of their frames.

Startled faces pop up like nails in broken wood. Hammy lets out a “hoo”.

Verne diverts the attention of every judgmental eye coming his way. It doesn’t stop them from heating up the nerves in his shell. In case the boxes on his shoulders weren’t obvious enough, there’s an aching weight in his gut. Though he was silent on the stand, Stella claps the court awake with a shout.

“Alright Verne…” Shhk-shhk cocks her behind. “Gimme a reason why I shouldn’t make yuh FILTHIER than ME.”

“I… have a charming personality?” Verne tries.

It has no effect!

“Gosh, I was only trying to make things right!” Verne finally whines. “If everyone had stopped goofing around yesterday, this wouldn’t of-”

“We had everything we could have dreamed of.” Tiger put himself up to bat before even Stella did. “I was never treated as lushly as this family's just shown me. You got us into this mess.”

“I got overwhelmed. My shell’s jammed on too tight. I’ve got an ache in my tail. I know. I’m sorry.”

Their reactions mix, mouths untightened just a little. The signal that flicks between their ears plays a different pitch for each individual. While the others maintain their distance in the dark, Stella nods pretty firmly. “Good. Heartwarming. So, step 1 done, what now?

A frightening boom in the rigid roof breaks white flakes off of the hard material. They sail gracefully overhead in the seemingly tender resolution.

“Awww, look! It’s snowing!” Hammy cheers.

“Snow?” The crumbling bits start to give Heather a unibrow.

Ozzie catches a piece between his fingers. “Very flaky snow…”

Hammy deposits one of the paint chips in his mouth and almost chokes to death on it. Fred smacks it out of him.

Danger lurks more prominently once the roof coughs again. The next ‘snow’ pelts aggressively onto their fur and eyes. As the bone starts to crack, RJ watches their last line of defense plea.

Those definitely aren't the hooves of 8 tiny reindeer.

Three metallic fingers gore the weak point in a blur that makes the shaft look twice its size. The claw stabs straight into their likenesses, forcing them apart just in time for it to prey on a chilly rug. It remains dug, tearing in search of a texture quite similar - that of warm-blooded fur - as they stare grotesquely, too stunned to move.

The kids cry for their parents. Heather jumps into RJ’s arms, and Hammy into Heather’s. “Everyone link up!” RJ commands. “No. Tail. Left. BEHIND!”

They form a line between their arms. RJ thoroughly janitors his nose before putting his mop out for Verne at the end.

“I am not grabbing that thing you call a hand,” Verne declines.

“O-K,” RJ continues without him. “THREE TWO ONE GO!

Another alligator claw busts through the wall and snaps for Verne’s shell. He decides to link up after all.

They speed to the closest bunker they find - a bathroom. A couple shards of glass from exploded windows slice them along the way.

As they attempt to hide, the bathroom is punctured with bullet holes until there’s not enough left for there to be more air from inside the house than out. Soon enough, after one politely knocks before smashing the window, RJ spots the consistency: Verne is the target. They want him.

It replays in RJ’s head too: “That human thinks I’m a girl!

So there’s the imaginary firefly.

An arm fragments the wall behind RJ and nearly scoops him up on its predictable path to Verne. Ozzie’s tail sweeps him out of the way.

He watches everyone else in the collateral front of danger. As they crouch around his safe zone under the sink, RJ snickers up his face. His petrified children nod at the exact same time.

There RJ goes, strolling, meandering over the tiles into the death zone created around Verne. He rummages in his bag all of a sudden, catching Verne’s confused attention. RJ comes out with pom poms, a stolen tutu, and pounds of makeup. “Eh-hem - We’re gonna need you to wear this.”

“Okayyy. What for?

“Fanservice DISTRRRRACTION!” he rolls off his tongue.

“We love you, oomfie.” So Heather says as she hands Verne his script, and RJ boots him through one of the many swiss cheese holes in the wall, bare-shelled in a cheerleading fit.

Into the outdoors, the Goddamn Issue scares all five of Verne’s senses to jump over his head, overlapping him in fright. It consumed the entire area of the neighboring house, the wood fence sprayed beneath the wheels. Disgusting and loud, bigger than life itself, Verne skips like a tap dancer about to trip when he realizes the tracks of those conveyor feet are right in front of him. He had to look so high to reach the cockpit that it hadn’t become apparent the tires alone were over twice his height.

“Uh…” He reads off his script: “‘Mind if I… BUTT in?’- I’m gonna puke, Heather.”

“Ouch. That pun was so bad I could hear it through your DUMB, DUMB SQUEAKING!” Jack yells all the way from his seat.

“She better at least teach me her… ‘rectal scream therapy’ after this…” He recites as apathetically as the machine is heartless: “‘5 6 7 8, you know who you wanna date.’ ‘(Shake that bahooty like the bomb, dawg’)- Oh wait.” He does it as instructed. “‘My butt. My butt. My butt.’”

When its belligerent reflexes kick in, Verne hugs the closest thing he can cradle, which happens to be a fire extinguisher posted on an exterior brick wall. He jumped on that thing so hard it snapped off the hook. Now it crashes into the concrete plates surrounding the perimeter of the house. A small spurt leaking out of the can ensures an entire set of typical Verne-antics too messy to describe.

“What kind of distraction is this?” RJ watches his jet-fueled performance coat everything in sight from the broken window. “Even if it works, it’s stupid.

While Verne goes crazy flying on his foamy jetpack, RJ sends Hammy and Fred out there on a remote-control UFO to check it out. Only until the idiots abandon ship at the sight of a worker eating lunch. How wholesome - The man just politely provided the cute squirrel with his drink.

RJ fumes on the window frame. As he does, something… grows. A few things, in a few places. It quickly becomes many, and Hammy’s hairs rip apart from his coat like a werewolf to the moon.

Ozzie checks for himself, and throws his hand over his chest. “Um… Anyone care to explain what happened to Hammy?”

A monstrosity?

“You mean aside from the usual?” Stella joins. “Oh, yup. Surprise. He drank somethin’ weird again.” Hammy’s unusual not-unusual transformation brings up quite the crowd.

Meanwhile, RJ yanks the hair on the sides of his head in the corner by the trash can. Hammy punches his signature through the wall with his NEW, SUPER BUFF tail fist, among a thousand other muscles.

“Hey everyone.” His voice turned… nearly pubescent. “I just discovered my favorite flavor of protein shake. All of them.

Yep. A protein shake.

Talk about fanservice…” Heather jumps at the opportunity to sweat her fur all over him. “Now draw me with those nutty abs.”

Fred slaps her nose and calls, “Can someone pry her off?”

I made a mistake. Fanservice. It’s FANSERVICE APOCALYPTIS,” RJ writes in his notebook. “It’s catching up to the bodies of everyone I love.

The first one of them he sees is a (currently) untapped Heather.

Someone save the baby.

At THIS point in the fiasco, Tiger whispers to him, “I don’t mean to be rude, but you’re letting this climb into absolute idiocy.

“Yeah. Almost… tactical idiocy… THAT’S IT!!” he exclaims louder than Charlie Brown.

Is anyone taking this escape mission seriously anymore?

So anyway, it’s a thrilling, idiotic 3-step plan. ULTRA-BUFF HAMMY must bend the porcelain toilet so far in on itself that he completely jams the thing. Then, the NOT-BUFF KIDS stack onto each other and flush the poop deck. The toilet gurgles, the fuse lit.

And now, with the appropriate musical selection of Indiana Jones from Heather’s phone, the Hedgies adventure into the kitchen area and throw themselves into one of many empty fridges. Hammy - with his giant pecs - crushes everyone into the corners barging in with them and slams the door shut with so much force that, a bit too moronically, the door breaks right off and leaves them exposed.

The toilet gets feisty in the bathroom. It sounds like somebody puking.

“Good thing I cannot smell.” It’s a very good thing for Tiger, the only one not screaming over the threat of nuclear fallout.

Unable to flush, the toilet combusts on itself and rockets from its bolts. A magnificent, opaque spout of weirdly-toned water blasts it into space, taking the entirety of the house springing with it. All but that fridge, conveniently enough. At the ground zero of a launch pad, yucky gross toilet water exploded in surges over everything in the ghost neighborhood - animals, people, and construction wreckage included.

And thus, as the second house the gang has blown apart (so far), Toilet Apollo completes the house’s heavenly ascent to space and collides with a satellite over the United States. As if the giant bandage wrapped around it from one prior incident wasn’t enough.

As it turns out - and despite the absolute toilet-water-drenched chaos of the suburbs around them - their ingenuity accomplished nothing. Paired with what Verne somehow accomplished with a fire extinguisher though, it’s a disaster. The humans glare at them.

From his arms, RJ flings Verne’s shell somewhere into the wet crowd and points fingers. “…He did it.”

The workers pounce onto the tiny green cheerleader as the Hedgies flee to a manhole constructed in a strip of turf by the sidewalk.

Verne pries himself from underneath the pool of human flesh unnoticed as they continue to tackle each other just for fun. He rips his dumb costume off, smears the oversaturated makeup over his face, and turns his head right before getting into a turtle’s clothes.

RJ waves timidly from the sharp grass trench. “Tooda-loo.” For now, they just try to clean off the substances soiled into their fur and forget it ever happened. The kids blow the all-expected raspberries at Verne, and they clap the cover shut without him.

“Don’t treat your uncle like this! I apologized!” Either way, Verne must find more cover. Before he alerts a single human being, Verne runs for the nearest shade far from the congested plaza.

Jack snares those vibrations of a turtle’s feet moving into the muddy outskirts of the site. In the cockpit of Goddamn Issue (appropriately abbreviated as G.I. from now on), he switches off the engine in a snap.

Beyond there, Verne hustles between a silent alley of houses stripping themselves to bare bones. Past the darkness slowly diminishing, sunlight returns very briefly before being suffocated by thick dust. Giant concrete pipes are piled in a stack like the log trucks nearby. An endless graveyard of lost forest leaves no hedge in sight. Tan, dirtier, and certainly dustier than the woods, the marks of man grind up all those berry bushes and hollow cavities. He reaches loose dirt once again - the first sand dune in a vast desert. The further he treads, the more it becomes clear that this influence may as well be limitless.

He comes across a rusty, immobilized crane truck. A wrecking ball is unlatched and buried beside it, hardly recognizable as steel anymore. And to think it only could’ve been here for what, a couple weeks? That’s when all this appeared. It rusts as quickly as it shines.

The second he hears an angry, massive voice behind him, he dives around the truck, expecting to be shot through the shell at every… single… moment.

A car screeches somewhere nearby. The thud of a door.

The voice draws closer, and the enraged shouts louder, but soon a woman’s barking breaks in. The two deflect back and forth for a while, and Verne attempts to dial in. The clouds, the wind, the apocalyptic haze - they forbid him from doing so. But they seem to fade. For now…

The voices silence themselves. Confused, Verne takes his head around the corner of the wheel, where a tall gray-suited woman wearing black sunglasses has a round plastic bucket to promptly encapsulate him.


Marco…” Heather whispers through the pitch-black sewers. Her voice carves a path. Water drips into foul-smelling pools between the ends of everyone’s words… of which, there are few.

Polo…” RJ responds.

A second passes.

Marcooooo…

Polooooo…

Stella eradicates the uncomfortable quiet by yelling “Could you two CORK IT?!”

It’s echolocation, Stella,” RJ explains, “If she says ‘Marco’, ‘n I say ‘Polo’, we can’t get lost…”

…A second passes.

Marcooooo…

Everyone but Stella comes on board, echoing “Poloooooo…

OHHHH MY GOD.

Wow, this place REEKS,” Fred comments.

Hammy laughs, “Yeah. It makes Stella smell like a basket of roses.” In an instant, a painful punch is heard. “OWWWWWWW! My comical AAAAABS!”

“I do not smell anything,” Tiger makes another point of.

You’re an inspiration to all of us,” Stella snarks again.

XXX

Kept in a capsule, several thuds over Verne’s head vibrate the walls of the white bucket and harden their reserve against his resistance. They sound like a sack of potatoes spilling loose. The weight placed upon the roof becomes unconquerable. The one thing left of the world around him - aside from his rapidly-depleting oxygen - is sunlight flaming the rims and outlines of his unfriendly cage.

“LOOK, LADY.” It’s the hairy beast who’s out for his guts. “I don’t know yer name, I don’t know yer reason, but sign-ups for the hands-on deforestation tours were back at the front.”

“Rebecca,” the lady in question immediately replies. Precise and shrewd, she could challenge Verne for his punctuality. “Rebecca Wright. Spokesperson on public health. Acknowledged by the local government…”

Jack drops into a snooze halfway through the tall lady’s speech.

“…HOA president of 14 months. Self-proclaimed investigator in the…” She yanks him by the suspenders. “...animal situation.”

Jack yawns through his beard and stretches his back over the wrecking ball lying in the sand. “Jack Sawood. MAN. So whaddya want?

You called me.”

“…”

Yes. You did. And by the way, I know your tours are just a cheap ploy to get my people to do your work hands-on.

“…THEY’LL NEVER KNOW IT’S A PLOY IF IT WORKS!

A second set of laughter never returns.

Another vehicle arrives, this time with the whacking of a hammer that truly makes Verne tingle.

Rebecca watches Dwayne practically trip out of his truck door. “What’d I miss?” he yawns too. “And which one of you two smells like a turtle wearing mascara?”

The construction disaster nearby answers his first question, at least.

“…My advice? Call a lawyer.” Dwayne tries to leave it right there for the sake of his half-dead eyes. “That looks like a loooot of property damage.” Except Ms. Wright sidesteps between him and his battle bus.

“This is unacceptable. For what I’m paying you? The ANIMALS knocked back our expansion progress by at least a few DAYS.

A few days? Verne lets that soak in for a bit of needed rejuvenation.

“Are you hosers gonna keep HOSE-Y-ING,” the construction man yells, “or are you gonna let me SWING AT THAT TURTLE ALREADY!?!”

A ferocious strike knocks the bucket - and the bricks holding it down - off Verne. That’s the last thing he sees before his blinding exposure to the open world burns his sockets like a vampire on TV. Nothing important, nothing that could SAVE him from his terrorizing fear returns, because he’s in no position to make a break for it against the trio of human creatures circling him.

The construction man acts particularly belligerent. His leather boot pins Verne’s shell before he could even crawl. And he tries to attack with a chainsaw. Instinct squeezes Verne tightly out of his shell. Nude, he starts to run.

Turns out, that heavy thing is what’s making turtles so slow anyway. The muscles in Jack’s bearded face unwind. A swarm of workers desperate for instruction and consolement flood him.

He shakes his fist. “This is the LAST round you’ll win, Velma! I don’t even want your stupid, STUUUUU-PID, plastic toy trousers!”

The shell comes hurling to the ground a few inches in front of Verne. He accepts it without thought.

Meanwhile, the Verminator slips out a little “Whoops” at the opportunity. He points a black handgun nowhere farther than the belt on his hip it was holstered in. He shoots. It’s almost silent. And what comes out flies slower than a bullet, but still subtle.

Just before Verne gets himself fully covered, a weird clump of air shoves him in his back, like a paintball - or a blueberry substitute - that doesn’t make a splash. It must be a bad memory of the kids. Because there’s nothing there when he rubs where he thought it hit, between the backs of his arms. It could’ve been a bit lower, but he can’t reach far enough to know for sure.

Something ticks red inside his shell for a couple seconds before going still.

“Go after that thing,” Rebecca tells Dwayne, leaning off her heels but not making a full effort herself.

“I’m gonna need you to take the loopiness down between a 1 and a 0. Your vermin-killing sensei just marked the whole pack for death.” Dwayne opens his little handgun and takes one of the purple and black discs - no wider than half-dollar coins - from its case. “You got no idea how much anesthesia you can pack into one of these bad boys.”

“Our rabies cases are off the charts, property values lowered, there’s C8 in the blood of EVERYONE in this town, and you have the audACity to tell me I’m paranoid,” she rants in response. “I’m telling you to up your game.


ACT II: Deja Vu


No matter what kind of trip his family endured next, Verne doesn’t find them in his initial line of sight when he returns to the Log with no breath to spare.

Do the tufts of mud spot more of the ground than usual? Shorter puddles of grass? Verne can’t place his finger on it, but something’s changed here. The wind whispers gossip. A big duck floatie in a kiddie pool bumps into the edge. Somewhere behind the Hedge, a truck shuts its doors and whizzes into a higher, quieter pitch. A lawn sprinkler runs without supervision.

“Uh, helloooo? Rise and shine, I've got great news. The humans said we pushed the construction back by a few days! A few DAYS! That means we-!”

“Oh that is great news,” RJ snorts from far away.

RJ?

KING RJ.” His family advances into view carrying the back of the purple seat from the TV set. They show their tails, and RJ sits decked out on the ‘throne’, ‘crowned’ by a tall can of Spuddies taped around his head. It covers him like a dunce cap. He looks moronic. “Hello, dear friend. You missed the coronation.”

“I had 15 different outcomes I was planning for… and this was not one of them.

“Hey, check me out after you show your face in COURT.

“HEYOOOOOOO!” his subjects jiggle.

“…What is going on?” Verne begs to know.

De-buffed Hammy smacks himself in the face with a ‘gavel’ (more like a party popper jammed onto a popsicle stick). Apparently, he sounds just like wood.

“You will now appear in court, dear friend,” RJ reveals, “as established by Article IV of the forager rulebook.”

“You made that up.”

“Hmmm… Can’t argue with that. EXCEPT I CAN! Good luck in court, dear friend.” He snaps his fingers twice. Those under the seat begin to carry him to the ‘court’, set up between the food forts.

Verne strikes his neck outward. “Stop calling me ‘dear friend’.”

Heather scurries to seize him gently by the arm for the short travel. Her fur orders his shell at least a brief sheen of protection, for the checkered plates on the one he’s rented are mushy and hurt.

Glancing around - the same way a gnat flies - worries Heather immensely. Every animal hurries to judgement day, mesmerized by the light of the event. Like a game. They’re fixated on a mimicry of Awesomeland built with Verne’s so-called ‘atrocities’ in mind. The court consists of two food-stacked towers and one central image behind the purple throne - a pink flamingo.

Her ears grief themselves into shriveling up. “I kinda, so don’t wanna do this either. But you gotta. So gotta. I’m starting to get (like) this kinda feeling, y’know, that they wanna kill you. For real.”

Verne takes her word for it, and follows.

Heather sneaks as far back into the semicircle as she can. It curls around Verne once he arrives at court. A million familiar faces - once his to feed - judge every movement his cautious pressure forces from him. Their feet angle in towards RJ’s smug, brown, wiggling toes. When they’re grouped up, the look and smell of gunky residue over them exerts to a degree he notices. Verne’s back faces the direction of the Hedge, and he stares into the woods beyond this insultingly-playful courtroom as if it’d help to think of his homeland right now. They stare the opposite way because all they care to see is the land with the open sky.

Hammy sits in a baby’s dinner chair, carrying a weird accent. “The cooourt will now proceeeeed.” He assaults his nose with the gavel multiple times.

“OPENING STATEMENTS FROM THE DEFENDAAAANT!!!” Fred, on his shoulder, screams so that everyone can hear the tiny wood tick. Also, screaming is funny.

“I-I don’t even know what this is about,” Verne begins a little weakly in his defense.

“Dementia - 1st offense,” rules RJ. “Can I get a donut?

Tiger brings it.

“For every offense, I become a greedier, greedier pig. Do you really want my thighs fatter than Stella’s, Uncle Verne?”

Verne watches RJ indulge worse than a dog.

“Oh yeah, remember that lovely demonstration you gave us this morning? Well guess what: We didn't do anything wro-ooong. Gaslighting the family - 2nd offense. Another donut, please.

“Are you sure this is okay for your diet-?” Tiger asks.

“DO-not keep me from my DO-nut!”

Tiger gets it.

RJ switches to sitting on his back instead of his bum like the old geezer’s already bored him, or his gut and thighs are just too fat from donuts to stay upright. “Alright, opening statements are over-”

“OPENING STATEMENTS ARE OVEEEERRRRR!!!” Fred repeats.

“Hey Heather, say somethin’ stupid.”

“Uhh, like-”

“Good. That’s what our dear friend here sounds like. And he’s already at 2 offenses. (Who’s keeping track)?

One of the kids screeches a dry erase marker over a board to tally them.

RJ smashes his hands onto the armrests. “NOW, Uncle Verrrrrne, let’s cut to the chase:”

He flings a handful of printed photographs into Verne’s face, knocking his new psychological prisoner to the scraggy mat. These tax forms to his worth explode off his nose and settle near his fallen side face-up. Stella runs to help him up. Together, all heads shift towards the evidence.

‘Evidence’ points to Verne using a paintball gun to pelt RJ with blueberries, putting a big smelly pair of underwear over RJ and Heather’s heads while they snuggle, getting RJ to burn off his armpit after turning his body spray into a flamethrower, and - evidently - choosing to print out every one of these things that would incriminate him. Although he’s seen in each photo, his shape is jagged, even a bit chipped, and the lighting on his shell and skin never matches the crime scene exactly. The photos have an incredibly shifty quality… down to the traces of white glue seeping from Verne’s devilishly enraptured poses in the acts.

Some patches of the grass-work are tenderly green or yellow. Here’s what it is: the Log. The Log’s filled with dead leaves - in all of them. Winter’s not over yet. He’s still asleep. Even though Verne wouldn’t be lying to point it out, for his first reaction, he can’t figure out what kind of fear or disappointment to put on his face.

The moment Heather recognizes the faulty quality of the photos off of memory rather than logic, something comes over her. She barely tries to speak up, though. Her throat makes a cracked effort.

“Sooooo… What’ve you got to say about this?” RJ chuckles maniacally.

“Wait,” Verne thrashes, “those must’ve been pictures the kids took when they were pranking you! Count the number of leaves missing from the trees! That was still a week before spring!”

The kids, of course, have to bury it behind their quills.

“Ooo, yeah. He’s a real hibernator. Hibernators sleep like that.” Lou has to be silenced by Penny for not keeping in line.

“We have to let RJ win, dear.”

“I think the conclusion is clear…” RJ sits up. “You’re trying to trash me.

Everyone gasps, half of them faulty in their own quality.

“Wha-!” Verne nearly made that a laugh. “WHY would I be trying to trash you!?”

RJ emerges from his throne like a king ready with a gambit. The thrust of his arms into the armrests is abrupt and noisy.

So Heather acts off intuition. She nervously but hurriedly sneaks out her phone, hits the record button on the camera, and clutches it behind her back. It picks up every sharp word, initiated by his dramatic diatribe:

“Because you did it LAST YEAR and you’re doing it AGAIN!” RJ swipes one hand near Verne’s nose, swatting what is a fly to him. He stomps Verne back up his paces. Prancing, ‘enraged’, he slips hardly a squint of relaxation into his smoky hiss.

“And I had good reason last year! You used them so you could-”

That ‘insults’ RJ. “And are you still calling me a LIAR?!

RJ puts on an intriguing show. An imitation of Ozzie that the group is heavily invested in. Stella’s flame finds itself nailed by RJ’s foot as well. His tail spikes up like Tiger. Heather sneaks her eyes an inch. She gives in, bends her whole head around to check on the phone, make sure it’s still recording, until one of the rivals speaks again and nearly puts her heart into paralysis.

No! RJ, I-I-I don’t know what you’re talking about-!”

Even the thickest of tree trunks rattle when RJ stomps again. Verne flinches back to hold his hands far in front of himself. RJ accelerates his footsteps until he’s chest-to-chest, competing for territory, surrounded by the things each of them call home on their own, nudging him back over his feet at a rate of a rush hour.

Last year I came in and changed all of your lives for the better,” retells RJ. “You think we’d be living like this? Eh? Free to live like ourselves and have the same cuddling joy as those humans? Wanna go back to being on the verge of DEATH all the time?”

Ozzie dies.

I had to live too, Verne. Crossing your poor family was just a fluke. A FLUKE! And that RJ’s GONE. But you’re still LOOKING for ‘em: The cheat. The liar. Some savage, rabies-holding BEAST!” More tirelessly than Hammy, he brays, “Hide the chips! ‘HE’S COMING’! ‘HE’S COMING’!”

Verne watches RJ grip his eyes and crash to his knees to pretend to hide. They thump into the dirt. But behind his back, his tail repulses, stuck upward. One side masks the other, and the one chilling smoothly away from the sun is one only the family can see. To them, it’s obvious that he wants to keep it held up like his seat is from the ground, and his ears rounded backward to pick up any of their subtle cues.

The crowd appears benign at heart, but almost entirely uneasy. Except they can’t find any reason to act during the rest of the argument. It’d be for the worse, ultimately. Their toes bend them forward, and their paws lean up.

Verne’s feet freeze for a second. This means RJ’s unbreakable determination will crush his toes, rolling him onto the curved face of his shell with no means of getting back up. His limbs are frail, helpless, and soon enough, everyone surrounds him in his vulnerability, boxing him in with frowns tantalizing him with the hope of friendship.

Stella makes up her mind, lowering her eyebrows underneath her hair and nodding to herself.

“RJ, you are selfish,” Verne decrees like a king himself. “Stealing the family away from me so you can have YOUR way-!”

“Dat’s been your plan all along, hasn’t it?” A voice he wasn’t expecting to object.

Stella, who could’ve once been thought of as his right-hand skunk, shoves RJ out of the way so she can put up a stout block in front of Verne herself.

Verne drains into a paleness greater than her stripes and hair. His hands and the inside of his shell feel clammy. He rocks on his back faster in the wake of her dark arrival. Beside the Log, he loses his last feeling of companionship, and for a second he loses his ability to speak, preoccupied with tasting spoiled air seeping from her as a skunk’s stench does. He didn’t mind it then, but he dreads it now. “St-Stella?

“Verne, I’ve known yuh longer than anyone here. You’re actin’ older th’n dirt ‘n got the muck of a dump truck. Get with the tiiiimes!” Her foot claims his shell, and she jabs him a few times in the neck. “I think we all agree that our lives mean more than sum dead, smelly, wrecked up ol’ MESS OF A LOG!!!

Her life and her motive feel threatened by him at once. She turns around in not a second and immediately sprays whatever ammunition she has stored, knocking him ruthlessly onto his helpless shell again right after he got his hands on the ground and head faced frontward into his fate.

No one helps him up this time. In fact, they freely enforce the opposite. Opinions let loose from the dam clogging their mouths:

First, Penny. “Think of the kids!

Next, Ozzie. “We can’t stay here, Verne. Do you reckon it’d be any better than lining our graves with flowers already?”

Then, Tiger. “It’s ‘we’ or ‘it’. Make your choice.”

He feels like he’s heard things like this a million times, even if the voices and harsh attitudes are quite new.

The quirky horn of a truck parades their way.

What’s up, party animals?” The Surfer-Lookin’-Guy jamming out in his delivery truck comes by for his second visit this season.

“Oh yeah, we ordered these yesterday,” recalls RJ (also known as 3 chapters ago by this point).

“P.-U., this rig smells AWFUL. Here’s a MEGA load of come-and-get-some rubber duckies, yo!”

Surfer-Lookin’-Guy backs up right behind Verne’s head and summons an avalanche of rubber duckies to be the next hungry pack to pile onto him. The family goes crazy feasting their hands on the hilarious human collection. They treat it like a game, and horrifically, they win it.

Within the chaos, RJ finally hammers his verdict: “The court sentences you to-”

Hammy prematurely unleashes the celebration, blasting the party popper on the gavel into his face.

…-exile.

Everyone pipes up, at least in Verne’s ears.

Once they’ve hoarded enough duckies to get him free… not that they meant him to… the abandonment settles in. They progress past the willow, and on to the TV set. Once desolate, now brought back to life. At the cost of a life.

Verne shuts himself for good inside his cardboard fortress gates, where he stubbornly resides to bring the sick Log its tea. He sips up his own back pain, snaps his spine into place, swats at his tail for its tingling, and grabs the bars of his voluntary isolation to shout: “Ok. Fine. Go back to blue-blinding your eyes so you can act like these humans AREN’T the problem!”

Marshmallows pop out their furry pockets and into their ears.

“They think they own you! They do not! JOIN THE REVOLUTION!”

“Shut up, Verne,” Stella grunts back.

RJ tries to skim past.

“RJ.” Looks like Verne stops him in time.

The turtle - he’s bruised in all the spots between his shell and limbs. Smells like a sewer too, and RJ would know. “I thought by now…” The brim of Verne’s mouth shudders like he stepped on a tack. “...you’d know what family’s about.”

RJ rolls his eyes after Verne stakes a sign next to the Log: ‘Home is where the heart is’. “I’m just keeping my family safe,” RJ says. Some genuine depression is enkindled. It’s not a front anymore… “If you’re in the way… whatever. No one ever died being too careful. Isn’t that what you’ve always said?”

Even if they plan on returning to ‘Awesomeland’, as RJ hypes up for the others just now, Verne vows to anchor his trembling tail into the same gravelly dirt as that sign. Swear his life by it. Sign his name in red marker. They can return to the land that brings them no pain, but take a glance back just to feel one more thing. One comes from Stella. Heather, two. Nothing else comes served. Except for Hammy and Fred, who wave bye bye a bit too somber to not come off acerbic, and rustle Verne more.

A rally later, they bounce up and down and prepare for departure. They tear apart both freaks of food fortresses, for no ‘teams’ survive that day. They take the blue umbrellas - every single one. They pack anything and everything edible into one gargantuan mountain atop the red wagon, tied and plastered together in a Seuss-like contraption. Mt. Feeds-a-Lot too. They leave him scraps that he can hardly even stack. Verne is only left in the damp mud left by the eroded grass underneath the foundation of his fort’s grave, along with the Log beside him, aging every second. He becomes distant from it. He’s losing his grasp - on everything.

“What’d I do wrong?


Rolling back into Awesomeland feels oh so new - a cliche of yesterday. The trees stagger an impressive, authoritative height above them. They accept it that way. Helicopter seeds fall, fertilizing the creek’s arch and its tulip cliff. The edges past the moat and in the camp on the other side sprawl with berries and bounty. Light grass carpets muddy roots, as do layers of leaves over silk-woven bodies of trees and other plant life.

Ahhh. The spring pollinator smell. It brings me back,” Ozzie admires.

“But now it’s full of rubber duckies!” Hammy exclaims. “It’s a haven! It’s a…”

Rubber ducky haven!” Fred decides for him.

“Yeah!” Hammy laughs himself to death.

Still… Heather moves her feet in horrible sync to the tempo of every critter. Naturally, that weirdness - the weirdness all the way down the tip of the tail, to her sheer existence among them - keeps her lagging behind as quiet as her little toes. But her beat itself isn’t consistent. She frequently glances behind her, and even though there’s nothing but a brush by the time she enters the beautiful clearing, something must be compelling her to have her body language be so discordant.

Her expression fights itself. It squirms. Her teeth stick somewhat apart from her mouth because of an uneven bottom jaw. Tension in her cheeks presses up the bottoms of her eyes. She combs beneath her arms as if to stimulate her senses among her own form instead of the new future she unknowingly helped to create.

Well, she knew what she was doing all along, it’s just…

What’d I do wrong?” she asks herself in petty denial.

She unpacks nothing of her own like the rest of the foragers do - it’s all RJ’s doing.

Regardless, the family acts especially eager to show her something. Her specifically. Around the cliff, bushed up in the back corner, a relic of the Log’s agents is revived. Then again, if RJ and Verne are apples to oranges, it’s hardly affiliated. ‘Welcome home’, it greets. A string of gold lights hugs the ground and orbits the freestanding TV. The blue cooler. A smooth tan rug for Stella and Tiger. A golf bag houses Ozzie as a bouncy chair. Hammy and kids rounded up on the closest dock. The parents guard the food hidden in cardboard boxes underneath a big blue umbrella. A purple chair. RJ sits there.

Ok… she can’t tell what they’re so excited about. Nothing’s changed about their television setup. She knows every piece by heart like she’d put it there. She can tell it’s suffered no loss of spark from the move.

That wave of yard lights runs around the setup and cleans dark corners to create a nostalgic, unbelievable atmosphere ready for her. As familiar as it is, her attracted eyes draw not-so-familiar colors into the irises. It’s never been from her short-legged perspective that the family’s fur conjoins. But RJ’s lived the initiation already.

She still can’t tell what they’re excited about. And now, her feet nudge closer together below her, shrunk in the friendly grass. The influence of everyone’s undivided attention seeps into her face. It takes her heartbeat into her cheeks, then her brain. She plays with her fingers near her chest as a distraction.

Then they tell her, through Spike first: “We want you to be the queen!

“Wait wait wait…” She points at King RJ, unsure. Despite such an abrupt reveal, surprisingly, her first question is: “Is this seriously like, our home home now, or what?”

“You made us feel things we’ve never felt before, there,” Lou hums. “Like puking out carbonated beverages as we hurl down a rollercoaster hill in a cereal box.”

King RJ smirks. “C’mon. Y’know why we’re doing this.” He takes a microphone and a green CD player from behind his back and drops them at the foot of the throne.

Heather carefully backpedals until she can quit staring at an excerpt of her crude decisions. “I- I mean, I was just here to have a good time, y’know, I had no clue you guys really think I’m some kinda head honcho with this. I’m totally not cut out for that. I don’t got that kinda responsibility, right? Do I?”

RJ steps over the lights to bring her comfort inside the golden ring. Hardly in her own will, he hooks her hand and steers her in the right direction, from her guilty isolation into the face of the laudatory crowd. He hardly expresses any knowledge of the significance of her reclusive posture. He just tips up his crown, puts himself on the throne, and makes as much room as he can.

“Awesomeland needs a queen,” Tiger urges. “That queen needs to be you, my friend.”

“Didn’t you leave a little… personal pizazz somewhere? Oh yeah, I remember…” RJ gives her no time to react before the universal remote hits her chest.

She turns it to the back. Sure enough, over the battery slot, she left her name in black sharpie. Of course, what an idiot she had been back then. The remote’s dark gray, for crying out loud. Look at the awful handwriting. It was probably the first time she even held a sharpie. There’s no way anyone would be able to see it unless they know it’s there. It doesn’t matter. Everyone does.

“This’s been your gig from the start, sweetheart. I don’t forget, ‘Possum Pal,” RJ ensures she remembers.

She put this together, last year.

“Get yo bum up there, kid!” Stella smacks her back and sends her forth. Heather keeps the remote tight against her torso, unsure of where her eyes should be headed. The others have direction - concentrated on her, of course - that leaves her lips uneven.

Alright. She sits down.

“Tell me… You want chocolate or vanilla icing on your birthday cake?” is RJ’s first question in the interview.

Instead, Heather brandishes her hair on the spot, unusually loud and sulky. “Nuh-uh, I can’t DO this, guys. Can’t you at least go with ‘princess’? You see any of those like, collectible cereal rings on me and RJ’s fingers? Nah! You guys are weirdos!”

Ozzie gets her to breathe for a change.

Tiger flicks his head. “Is that the only cause for alarm… princess?”

“Totally, um, n-no, but-”

Hammy pleas, the adults (appear to) threaten, and she looks into the woods as if it’d help to be thinking about Verne right now.

Her torso sinks, she grips her hand, and her tail sort of hides itself behind her uncomfortably. “…Um… Yeah. Yeah, that’s the only… whatever,” she frowns, dismal.

“Lookin’ a bit Verne-y there.” RJ pops up in her face to smuggle that attitude with his charm. “Don’t need any o’ that! Now put on that dorky grin ‘n let’s make YOU suburbia’s next hottest vermin gal!” He stretches her lips past her dorky teeth into the gaping width that corrects her.

Heather keeps her shoulders tense when the kids come and fwoop a pink, stickered paper crown over her head. Her face drops the second it hits. She feels terribly loose in her coat. Celebration ensues, which she, obviously, does not take part in.

But then Hammy brings her a soda. “It feels like Groundhog Day for some reason. But I haven’t seen one today.”

Unbelievably, it took this long for her stomach to speak of a wish. Her head darts into the sky as a response. Where else would they keep all the food? Incredible peaks - heaps and heaps of supermarket treats disorient her. Their attention showers upon her like if glazed donuts were poured abundantly into a cereal bowl. She breaks apart her crunched limbs for this kind of acknowledgement.

Aaaaand cut.” RJ lets his mask down. “What do I have to put on the table to keep your negativity at bay right now?” he whispers urgently into Heather’s ear.

“Binge-eating tends to do the trick.”

The cracking open of Hammy’s soda cap spurts bubbles up her neck. She grabs everything they present. Her tail works double time. She heists from them herself, starting to giggle like a kook. When she asks, they spoon-feed her ‘til there’s no room left in her mouth. She eats so much at once that she gets a hiccup.

They’re eager to please her at a hastier pace in line with the delight she exerts. The kids plug in the TV as that simple, animalistic exuberance wires between all of them. It’s her part in a blissful circle she can’t let slip away.

And it’s the food that removes Verne completely from her life.

“Oh yeahhhhh, YEAHHHHH, SPOIL me to DEATH. I NEED this!”

Ozzie, beneath his breath, realizes that “Heather with RJ’s ego sounds terrifying.

Stella overhears, so she bumps him in the hip. “Let her insecurities have their break, hun.”

“Her ‘insecurities’ are the only thing keeping her away from death. DEATH.

RJ really has to herd the others back to their places, as much as Heather demands to be pampered. “Today, my friends, we claim back the lives that are rightfully ours. The sun is shining, the breeze is breezy, and there’s enough time on our hands to build Awesomeland as high as it started! Best of all, someone’s special day is coming up. Heather… Wanna handle the remote?” the king offers, this time.

“Yes I would like to handle the remote, RJ,” the princess (not related) puckers out of her dignified gills. “With you guys around, these channels are never gonna get old.”

She clicks the TV on.

XXX

He’s deciphered what the doomsday scenario is. It’s here.

Surprisingly, the family was organized enough to take the bulletin board, its maps, diagrams, and its calendar with them - something only he… and RJ, he supposes… ever made full use of. But he knows it's coming.

Eventually, Verne finds a bit of uneasy company, something that feels like a relic already - those photographs. The evidence. Before a breeze can take them from him too, he runs sluggishly to retrieve them from the ground.

The jagged cutouts of Uncle Verne lift slightly from the edges to reveal shadows. Once he can get them pried off the glue, the culprits behind those pranks - the kids - don’t surprise him. But deconstructing those blatant lies brings a whole new misery.

He has a plan.

He digs deep in his shell to find it. It’s practically a memory book. Deeper, older, until he finds a photo dated back over a year ago. Stella still had her bangs… before they cut them, and she grew them back later on into a sort of nest-y, proud mess on her head. The kids were shorter. Heather was a bit less quirky, in look and attitude, before RJ really hooked her by the tail. Speaking of which…

No, forget him.

As for himself, standing grumpy in the back, out of frame… He pastes one of those happy cutouts over himself. He is now one of the pack. They have one mind, and one thought at a time. They’ll all take turns with the brain cell. It’s simpler like that.

That might not be true anymore. As humanity progressed, famine lost its ring. Leisure time allowed everyone to explore their creative potential, become individuals rather than animals, and there’s no reason the same couldn’t be said here. Overall, they’ve lost their forager dialect. They talk with a distinct attraction for human concepts and redundant abstract philosophies that Verne doesn’t see fit for himself.

They don’t act like animals and they don’t act like humans. They’re playing Twister trying to decide who’s the status quo here. They’re so indecisive. Maybe they prefer the side that needs less argument, then. Conform to the will of the mighty.

Verne finally figures out where this one creaking noise is coming from. The father tree behind the Log drips a concerningly large branch right over it, starting to snap loose. The part at the body where the shoulder has splintered croaks in pain. Invasive insects have eaten apart most of the old tree’s support. The thread holding the branch makes it a gallows over the Log, puppeteered by the wind.

His stomach rumbles. They hardly left anything for him to scrap up. Bark will have to do… only for so long.

He rummages through the garbage somewhere - he doesn’t care where - but the diapers he finds only make him more sick. There’s only 1 option left. A far walk, though - for his unsteady legs.

Night falls. Trucks rush over the street through the forest, blowing empty bags of chips off the road and onto Verne.

Verne hears a soup of angry grunts and poundings under the dirty, buzzing light. Turns out, he can’t escape the guy. RJ’s already occupying the vending machine, and when Verne rounds the corner behind his back, he immediately falls backward onto himself.

He waits for RJ to be done - no luck for him, as always - and hides in the trash until he’s miles away from the rest area.

Verne takes his turn. As always, the quarters are in his shell, they slip into the slot without problem… but those Snazzy Ranch chips remain stuck on the edge.

He knows how it feels now. It makes him want to smash his giant nose into the glass. And he does. Over… and over. It’s never been that way. He could’ve been accepted for those chips even last year.

For once, he shares a boat with the younger guy.


This fic has been converted for free using AOYeet!

Chapter 8: RJ + Heather

Notes:

This note is very important. I don’t want to have to make a big change to the episode by this point, but I’ve dug myself into a weird hole that I need to get out of. But you have to understand my original intentions first.

Hoppy and the gold rabbit (name not mentioned yet) are the 2 rabbit OCs introduced in this episode so far, if you recall from chapters 2 and 5 of this episode (Hoppy started as far back as the Prologue). They don’t have a purpose until Episode 2, but they’ve been in the story this early because they were gonna be woven into the main plot of Episode 1.

Yeah, I’m not doing that anymore.

It’d be distracting, and convoluted on their behalf to have their ‘origin story’ be as spaced out as it’s been, so they will not appear again until we get to the last 2 chapters of this episode. Forget about Hoppy and the other rabbit for now. EVERYTHING about them will be recapped once we get to the final chapters.

Chapter Text

“Let me tell you a story of… You- You know where we are, right? Did the thing happen? The thing did happen. Yes. Okay. It’s a story about chips. That’s where we are now. Just those yummy yummy, yum yum yum ranch-flavored chips. Nothing else of significance to see here. Hoot hoot!”

Word Count: ~7k


ACT I: Jailbreak


The next time RJ and Heather meet comes a few days later.

RJ plus Heather. It’s engraved on the side of the vending machine.

The web-ridden light on the ceiling struggles to keep the rest area lit enough for the eyes of humans, but a couple nocturnal animals should do just fine. Vincent’s cave howls from here. Nobody’s planned it, nobody’s seen it, so it’s a bit of a surprise for the vending machine to draw a couple visitors on this night.

One would think: With all the food in the world, this stupid bag of Snazzy Ranch chips wouldn’t be causing such a stir, but no. RJ, in his Spuddies crown, rubs his chin. Between the vending machine and the satanic drawing of it he’s crafted inside his journal, he just can’t figure out how to approach this anymore.

Heather’s eyelids slump. She examines her paper tiara, and sits sluggishly against the tiled wall. She folds it, pokes at it, swishes its sides inward like she’s trying to figure out its meaning, and her countenance wants to know whether she likes it at all. “Yeah, genius, I’m pretty sure it’s just a vending machine-”

“You wouldn’t understand, Heather. He’s a capitalist menace. He smells. He looks at me weird. I hate him.”

Heather suddenly emerges from RJ’s golf bag to wisely place her head on top of his. Her tone is moonlit in the absence of all creatures but him. “RJ, being your ‘Possum Pal makes me a little like your therapist sometimes, y’know?”

“You’rrrrre on the start of something. Please translate your vague statements of intent.”

“RJ…” She yanks his head up so their faces come point-blank. Her eyes and ears look embarrassed to admit it: “I’m insecure.”

That’s crazy. Like the One Direction song?”

Real crazy. And I kinda get you because of that, y’know? Look.” Heather crawls over his head, tumbles down, and shows him her phone. “They’re so… freakin’… hot. With all (like)… creamy bods, and… long, velvety legs.

It has her drooling over the screen, but RJ doesn’t see quite the same in the hyperrealistic, innocent opossum images she found from a quick web search on the antique version of Google they had in 2007.

“And my-… My legs are fatter than chicken wings,” Heather broods.

“I like chicken wings.”

Point is, RJ, like me, I think your whole grudge against this vending machine is because it has something you don’t.”

“What would THAT be?!”

She thoroughly investigates RJ’s luxurious brown build. She spends too long looking at the vending machine in comparison before she turns back and says… “Clout.”

“I don’t care how much everyone likes his glorious cheesy flakes with that magical dust you lick off your fingers. I have a foot to kick butts with, and he doesn’t. Bring it on, tin can!”

He ends up stuck inside the vending machine after tackling himself into the flap.

“I didn’t know they sold raccoons in vending machines,” Heather grins.

Heather. You can’t just reference OTHER fanfictions IN A FANFICTION. NOBODY’S gonna get it! Jeez lewis.” RJ loses himself trying to squeeze his giant head row by row towards the last chips.

If he’s going through his typically comical struggle, emptying his bag for an answer, Heather has nothing to do but go through her phone. Her camera roll has some good laughs. The first thing she finds staples her eyes open. RJ’s angry voice leaks from her phone. She drives it deep into her arms. She has to strangle it before he notices, and doesn’t think to just turn the recording off at first. In the initial second of it, she hears the phone jump to hide in the fur on her back. The screen goes black and dark red. After turning down the volume, Heather finally decides to put her phone to her ear and listen carefully. The audio’s fine enough. She gathered Verne’s ‘court case’ in its uncut entirety, ready to present. Several pieces she zoned out on back then return to her now:

Uh, helloOo? Knock knock? Is that Verne in there? Fight or not, the humans are taking the forest! If you’re trying to keep that log safe then congratulations, Uncle Verne. You’ve saved it from me about to bash it in with this nine iron. Because the gig’s up. We’re done. We quit. You can paintball me with blueberries, stick underwear over my head, burn off my armpits with a body spray flamethrower, as alllll my photographic evidence here PROVES, but if you don’t like our family… then go start your own, and they can die alongside you at your place. Peace… out.

Those photos didn’t prove anything, Heather knows. Now, though, she’s hit a brick wall. As RJ envelops Verne in an unblockable offense on the phone, she slowly nudges her head towards the RJ who grunts and growls in real time within the vending machine. The pads of her feet get cold when she steps from her spot. She breathes in deep. The impulsive movement of RJ’s tail becomes more animated and aggravated the closer she creeps towards the glass screen. Apart, for now, she has to pull herself together and close this gap.

From outside the blinding interior of the machine, Heather intercepts RJ right before his hand snags the tip of the chip bag’s corner. He hears her quietly shout his name behind the glass. Her tail gives his the death grip. She drags him into the black depths away from his prize - his escape route - and back out the hatch.

“Why’d you make up a million things about Verne?” There was hardly a second to waste there. Now that it’s off her chest, Heather’s phone goes in front of her. The footage is mostly meaningless, because the camera’s swimming in Heather’s gray hair at the time of its recording, but he only needs to listen.

“Uh-”

RJ’s own voice patches up his utter lack of explanation. It plays out, and even though it was a few days ago by now, it’s sounding fresh and new. The way he sounds on camera earns a sting to his ear. Did he mean anything he said? By definition, no. Even without choppy technology to fuzz up the details, his provoked rage was purely artificial.

“Uh, eh-he-heh, heh-” RJ one-ups her by asking, “Oh hey, what's this little thing doing here?”

He flips to a page of his notebook covered top to bottom in her purple ink. It reads ‘I’m insecure’ over and over and over until every line is obscured. That’s right, she’s been venting there… a lot.

She avoids his face like the chilly wind just took over her neck, then taps him on the closest place she can reach. “I touched Hammy’s tick and now it’s on you.”

“It’s on you again NO BACKSIES!”

In an incredible match of social inadequacy, neither have an answer prepared, but RJ takes his bashfulness one step further. He takes a sprint for the open road, because she couldn't POSSIBLY try bugging him then. Like a flooding river, a massive semi-truck rockets near his path and steals his soul from his body, freezing him up before he would’ve fallen dead from fright.

Heather grabs her chin and runs out to bug him some more. In the river of roadway trash, a raging gust from the next set of wheels flips RJ and Heather over each other into a clump of dead meat in the middle of the street. They lose their crowns. Their cheeks kiss concrete.

By no will and all survival instinct, they rise at once with hands and torsos clasped together. They never dare to pry them apart as they dance the tango in shot-by-shot frames around every max-speed truck wheel. The white hair on their stomachs become static from rubbing together. Their eyes steer towards each other until both tones of blue connect over the double yellow lines of the road.

RJ scrunches his eyebrows and bites his lip. His mask shrinks.

The next vehicle rattles them. They keep going.

At the spot the pavement slumps into the untouched forest, they release one last breath.

Now they lie exhausted, having fallen into and having their fur matted by the wet grass. Heather has climbed over RJ like a stuffed toy, tongue out, eyes smushed shut - plenty like her dad. RJ’s mask has frizzled up. He stares at the rest station way over yonder.

The ceaseless airstream highway between them and their vending machine returns the hats to them. After all the trouble that a few words of truth can cause, they don’t hesitate to fix them even more tightly onto their heads.

“You’re making-... You’re making me insecure.” RJ’s spiked hair to the sides of his mouth are completely shaken up. “About Verne. I didn’t know that was possible.”

Heather hears that and awakens, one eyelash at a time. Maybe she understands him a bit more, after she’s gotten him covered by herself with no chance to escape her any longer. He’s so confused from staring dead at her, with his elbows backed up behind his shoulders from gripping the ground.

Heather exhales onto his nose. “So you- You didn’t wanna… y’know. But we gotta… because y’know?”

He nods because she said it best, but he still needs an answer of his own. “So why are you… venting in my notebook instead of social media?”

“It’s ‘cause I can’t take another night thinking about Verne, RJ. It’s gonna kill me for real.”

“How can I help?”

Her ears spark up. “Binge-eating tends to do the trick,” as always.

“Then let’s get your face so full it puts Hammy to shame.”

After about five cups of leftover popcorn, she lets him know that the mask is strapped on tight.

XXX

Their feet can’t tell if they’re ready to hop over the creek again and return to Awesomeland, and even more so when they have to pace into the glare of the open moon, nearing the face of the cliff. A sleeping quarters has been created out of that snug cave within it, hidden perfectly by the hollow, young log stuck out of the cliff. It’s a Den now.

Something in the trees feels like it’s about to move. Not to mention, the chime of classical symphonies began the second they set foot into home. Then it crescendos behind their necks, stiffening the hair.

“Do… Do you hear Beethoven?” RJ vigilantly deduces.

“Do you smell cheap air freshener?” Heather squeaks. She halted a few steps ago. Her fingers squirm a little.

Beethoven’s violin sustains a menacing measure, snickering behind the edges of food mountain peaks and even farther, into the trees. Then… MENACING…

“SCENE - SNEAKING HOME, LATE AT NIGHT.”

All Heather does is cringe and try to smother her face with her tail. RJ’s already looking upon her embarrassment.

“They say being a ‘possum is about balance, parenthood, and above all…” Ozzie bids a cape (baby blanket) off his body to reveal himself hanging in a tree behind them. “...respect. You lied to me! Not even that: You never even mentioned you would be gone 3 hours into the night.” He grasps his chest as his jaw falls into dismay.

Heather starts, “Dad, hold on-”

“Now what in heaven’s name-

“Dad-”

“-were you two-”

“We were getting chips, dad. Not like they’d kill us or… whatever.

“Unless the Sniffer laced them with rat poison,” mutters RJ.

Ozzie would’ve lost his balance just from RJ blowing on him ever so slightly. Heather elbow-jabs RJ for it.

Upon rising from the ground, Ozzie brushes himself off. “Either way, you are going to your room.

What Ozzie doesn’t understand is that Heather is an innocent, wholesome creature living in the completely open wilderness. “Dad, I don’t even have a roo-”

So Ozzie writes ‘Heather’s Room’ on the front of the cardboard box once he’s done cutting out a window on the front for her to see from. He trims out squares with scissors until Heather’s frown from inside reveals itself.

“Dad… Just ‘cause I don’t like playing dead anymore doesn’t mean-”

“This isn’t about playing ‘possum anymore, Heather. This is about you going out into the open world and trying to put on the most unpredictable performances only because RJ’s around. If I can’t tell whether my grown-up daughter is dead or alive unless I keep her forever in my sights, then it shall be as such.”

“Can you just get over that thing we did with the oven already? And like, every other sort of stupid thing we’ve ever done… like, ever?

“No. Because I love you. And because I love you, you are grounded until your birthday. Now, I rest my head. You rest yours.” Before Ozzie hits the sheets, he adds, “And DON’T touch your phone.”

In fact, he put her phone under strict rubber ducky surveillance a few feet from the box.

Why do I have a mouth?” Heather whines.

Conveniently, RJ passes by, free to chew on a big chocolate bar while she’s barred inside. “I could tell you. Ahem. Number 1: Profound human scientists have observed that food is better digested when inserted through the entrance, not the exit. Number 2: Injecting whipped cream directly into our bloodstreams was not as cool as it sounded. And number 3-

Heather’s tail flaps out like a frog’s tongue to snag the chocolate bar for herself.

“…is so anyone’s actions can be freely and brutally scrutinized by anyone.

Heather grabs the window bars and whispers, “How’re you sneaking me out?”

RJ already looks sour enough that she nicked his Choc-Louis, and now his head jolts backward, terrified. “Hey, woahhh, let’s make this clear: I will gladly help you with anything that DOESN’T involve daddy.” His pupils contracted as he said that. “That’s not my drama to facilitate.”

“But- but-” The back of Heather’s hand wipes some theatrics off her forehead. “You wouldn’t leave your objectively-and-subjectively-cute princess to be… locked away in her tower… would you, you jerk?”

RJ stares at her, before flipping his tail end at her.

Heather slams her face into the box. “But Dad’s gonna keep me in baby jail all dayyyyy.

“I’m not involved in your little… oo-ooo, family drama.” RJ flees into the dark horizon. “HA! I’m never having kids! Y’know what babies do? They cry. I CRY AT NIGHT ENOUGH ALREADY! WOO-HOOO!”

He eventually realizes he doesn’t know where he’s even running to, and directs himself to the Den with everyone else. Heather watches him fumble over all the rows of little hills for a painstaking minute while this happens, and sighs. They shouldn’t have let themselves get so blissful from sugar after venting their problems at the vending machine. His insulting, large grin was so numb to the situation that it didn’t come from the same raccoon she knew. They’re nowhere in the same boat anymore.

The sparse stars continue to sweep over her head. The busy street carries on without her, keeping the same pace like she wasn’t even there… ever. When a heavy thrust of wind throws a can of Spuddies off the peak of the new Mt. Feeds-a-Lot, her short stubby arm can’t reach the offer. The clearing remains exactly as it is without her, almost pitch black. The moon comes over her from the tulip tree on the hill. She can imagine it in an ice cream cone. Moon-flavored ice cream doesn’t sound appealing, but what if it were vanilla?

Vanilla happens to be Verne’s favorite flavor. If it were his birthday in two days, he wouldn’t have to remind anyone, and if it were his birthday in two days, he wouldn’t be the only one left to care for the Log. No matter how many bushes and shrubs he’s torn through to gather enough leaves to fill the entire Log, his shell’s still so cold on the inside.

Heather and Verne sleep in shifts from however many miles apart the new family is from the old. One manages to acquire some sleep whenever the other is awoken with a cramp in their neck.

The Spuddies go frolicking over her home. Heather NEEDS a bite of that hyper-processed junk. Not just because she’s hungry, because everyone should know by now that she’s always hungry, but because her stomach’s talking to her brain and her brain’s talking to her stomach and all in all, Verne isn’t leaving her system any time soon.

Somehow, suburbia shines in her eyes all the way here. There’s another solution to this. But it’s no route any part of the family EVER should’ve been qualified to take, with humans being the most deadly invasive species to ever walk the forest. RJ makes the magic happen, thus, he makes her life happen. Without him, she doesn’t know if she’ll even make it through before being eviscerated by whatever super-accurate laser death beams the Verminator should just hide inside the Hedge itself. Luckily, humans are too smart to actually be smart. She could use this to her advantage.

So come close to morning, she has to make a move. The sky’s heating up as a warning. She’s getting microwaved, as boiled in the stomach as she is blood-flushed in the face. Her heart’s pounded its share in her cheeks and ears, and she’s so done with it. A single firefly flares up outside. Heather sends her tail to snatch a pair of scissors from the ground and attacks the cardboard.

The side of the box explodes once she stabs enough holes to make her break for it. In a stealthy stance, so fed up that she doesn’t care if her muddled claws appear somewhat rabid, her nose examines her circumstances and she works quickly with the rest of the night she has. She comes to the doorway of the log embedded in the cliff. The complete family sleeping inside the Den produces a collective, happy hum without her. She picks out the scent of Ozzie’s gross air-freshener. Dragging him by the tail doesn’t awake him, and only creates a light rustling of his hair against the soft floor that disturbs no one.

The box is Ozzie’s room now.

“Oops. Almost forgot your phone. ‘Don’t touch it’!” Heather throws a ladybug phone at his nose and laughs.

“Heather, you come back here right now young lady. This is NOT how opossums-”

“Whatever… DAD… I’ll let you out whenever you wanna be cool like possums again. I miss the cool Dad.”

Ozzie searches for an escape, looks out the window, and discovers she wrapped everything in an impenetrable layer of duct tape.

Heather cures her Verne regrets with more of the popcorn she never ate on any of the movie nights they've forced her to have since the thing happened. It’s even more stale now. She splashes across the creek to get to her and RJ’s giant mountain of CDs kept in the corner of the campout patch. One of them, a solid navy blue, has been rated a smiley face by both her and RJ - titled ‘Our Town’. Yeah, it read her mind, it is time to make it her town!

RJ caught every step of her jailbreak ever since her sinister shadow engulfed the Den in a furry cloak. Out of his sleeping bag, he gets his golf bag and follows her through the forest as the sky heats up from blue to purple.

Curiously enough, Hammy’s wood tick, Fred, was disrupted enough on the squirrel’s sleeping back to hitch a ride on RJ and spy on her too.

“I want to be part of the family. I want to help,” Fred begs RJ. “I want to help if it kills me.”

“Yeah, c’mon, Fred. You’re a real one in this family.”


ACT II: Our Town


It’ll be no cinch. That early morning, at the time every girl and boy should’ve been heading out for the last day of school, a special broadcast infiltrated every TV in suburbia. It was the Verminator. He came to make an announcement. He brainwashed the town into lockdown under the threat of nothing more than the tie-dye mix of infectious diseases the vermin certainly carry. He wouldn’t have needed to explain how ‘mating season is the breeding ground for the plague’. They would believe anything he says anyway. Half of those diseases were made up. Half of them involved symptoms of unpleasant toilet trouble.

The suburbs have been placed in complete Vermination quarantine, most likely as a direct offense against the animals’ prior construction meddling that set back their pace of deforestation by a few crucial days.

The idiotic part is that the humans are still bravely stupid enough to form an angry mob against the death-bringers to mankind. In fact, whoever manages to catch one of those freaks will be awarded a lifetime of Verm-Tech services… and the latest flat-screen TV model.

Speakers on rooftops make up a universal intercom that the Verminator alone controls. Until there’s an interruption by Rebecca Wright: “Mr. Dwayne. When I said ‘up your game’, I didn’t mean you’re now the one who runs this town. Half of the things you’re installing on our real estate are outright illegal-!

“Yeah? Well all’s fair in WAR!

“That is not even factually true-!”

The Verminator boots her off the signal. “Sirs and ma’ams of Camelot Estates, welcome to your honorary Verm-Tech employee training guide, starring your elder graduate: The Verminator. Follow the steps inside your Verm-Tech instruction booklets closely. Calibrate your taser sticks by hitting the button- No, not THAT button, the OTHER butt- Forget the taser sticks. Just go into your homes and grab a flip flop or something- No, not to WEAR, to BEAT… VERMIN… BAHOOTY!”

The Hedge rustles ever so slightly.

Now, Einsteins, turn on the pair of smell receptors located somewhere above your mouth and below your eyes. You can identify a raccoon by the scent of a portalet. There’s a possum - smells like tuna. I hate tuna.”

WE HATE TUNA!” many human beings repeat brainlessly in the street. You’d think they’d be wearing mind-control caps, but no. They’re just humans.

RJ trips into the suburbs following Heather, gripping desperately onto a mini-CD player in her tail. This one is green. “Wait a minute! Fred hasn’t come back with the recon yet!”

Heather is completely unmoved by his presence. She’s sick, VERY tired, and determined. She fends off Ozzie’s inevitable phone call to her flip phone, loud, bugged, and firm: “Voicemail. Being cool. Bye.” She has one hand reserved for her popcorn, and she forks the other at RJ. “Gimme a soda already.”

RJ isn’t inside her pair of headphones like he always is. She wears them alone, plastered around her neck. Before her drink - he gets uncomfortable allowing her to down it like steroids - she stood having a depression in her waist like she didn’t truly belong in this unusually stubby possum’s body.

Across all corners of suburbia, in every front lawn going miles and miles, small Verm-Tech-issued net sentries beep in her direction. They lock aim at RJ and Heather one by one. It pans down the endless road, lights on a runway illuminating at their arrival. Heather was so absorbed in the music that she hadn’t yet looked ahead. Her peripheral gets sucked into a tunnel.

Gathered here today is the entire town’s population, armed and ready. Their ugly, naked faces are ready to kill. Kids, adults, pets - every human in the cavalry has shown up. Skinny humans, fat humans, tall humans, short humans, humans from all walks of life joined, facing the two of them with pet cages and kitchen knives and crusty rakes. Heather has a dorky CD player, popcorn, and a pair of headphones. The line the humans have formed on the street is impenetrable.

RJ catches Heather at such a loss now that he can actually cling at least one of his arms around her. Still, he’s not any less terrified than her.

NO, it’s- it’s not going down like this!” Heather pounds into her head. “I’m on vacay! I should be invincible!

“Who’re you folks waiting on? Paul Revere?” the Sniffer yells over the intercom. “‘The vermin are coming, the VERMIN are coming’!” He screams as long and as cracked as a middle-aged man can.

ATTACK!

The humans commence the race for that sweet flat-screen TV, sprinting towards them like bulls from a mile’s length that rapidly shrinks. RJ snips his hand out randomly towards the Hedge to catch a leaf of it and abandon the plan. Heather has other impulsive ideas. She cranks the volume in her headphones up to max.

She gets a few feet before RJ locks his hand into her popcorn cup.

“You won’t last all day in there, princess! The Sniffer will be up your flank in no time! Humans have GUNS. REAL-ASS GUNS. Ever think about that? NUKES. POODLES!

She rips him away from her coping mechanism and jumps up the nearest fence. “Go back and chill. If you stick with me, you’ll get in trouble with Dad.” As if that’s what this is about.

“We can talk something out with your dad! Look, getting in your dad’s way could cause SO many more problems than it solves… but you’re worth it. I’ll help.”

Heather faces him. He wasn’t gonna help last night, when he possessed the food and not her.

“‘Possum Pal…” RJ reaches. “Take my sweaty hand and come back to your Awesomeland place with me. You don’t have to spend the day hanging out with anyone but me if you don’t want. We could have the TV all for ourselves. I’m sure we could get the kids to leave us alone, and y’know, maybe Hammy’ll be too busy with Fred to care. It could be just like it’s always been - you and me. Every one of your folks would want it like that.”

But Heather can’t bear the flashing image of that purple throne. “I just can’t go back to being you guy’s princess, alright? Everyone is making me totally stressed out of my fur because I missed my chance to fix EVERYTHING with Verne!” She pulls her hair until it just about comes out of her head. “And if doing SOMETHING that only I want makes me look like some edgy rebel to any of you guys, then what-ever!

She leaves him to go enjoy her day out, if she can, with an electric guitar inside her headphones blocking him from her life. RJ barrels after her as the mob closes in with flaming marshmallow sticks and pepper spray.

Heather runs through the first abandoned yard and glances in the rearview. It becomes very clear right away that RJ - nor any human in the entire world - will leave her mind or body alone.

“Heather, look out!”

That single electric guitar note in the intro of her 80s song continues to reverberate to a deafening degree. The raccoon’s voice swiped too much of her focus to process what’s ahead: a garden gnome. Ceramic bashes against her skull, and she falls into a grid of red lasers. Popcorn flies everywhere. There is already an incident with some unfortunate animal - small as a bug - left evident by a little smoked stain in the fake grass in front of her muzzle. The enclosing cage of red lights flicker repeatedly in sync with what sounds like a car being stolen. At the same time a heavy alarm sounds from the other end of the yard, with unparalleled adrenaline, her headphones shout:

THREE!

TWO!

OOOOOONE!!!


Sunrise. Thursday, May 24th. Mostly sunny. Moderate winds.

A special broadcast on the TV wakes the Hedgies up a bit earlier than anticipated. They were too sore to see it in time. Nevertheless, the TV set is unclaimed. The seat is empty. There is not a single sign of neither RJ nor Heather among them.

Most confusing of all, Ozzie is inside a cardboard box wrapped in duct tape, trying to dial the same number repeatedly on a ladybug-looking phone.

“What happened, Oz’!?” Stella kicks through clovers and rubber ducks until she's cleared the path for everyone.

Blue light only shines very dimly on Ozzie’s side curled in the corner. "…I’m grounded until my birthday."

Stella has Tiger claw apart Ozzie’s dum-dum-dad box.

“Heather and RJ ran off with about a million pounds of caffeine!” Ozzie exclaims. “Do you know what that means?

Stella rolls her eyes immediately and, honestly, she wishes she would’ve just left him in there. “You're in dad mode?”

“…Is that what they call it?”

“Look,” Stella continues, “you're too far up your own… dad places. And you must be mighty tired, cuz your eyes look as dark as your daughter's.”

“She snuck off to 'buy chips' last night. I couldn’t bring myself to sleep until I could make sure she would be free from the claws of uncertainty.

“And did the girl come back with any chips, Oz'?”

“She did not!” He hoists a finger into the sky.

Awww, she made you miss out on the best chips in town? What a shame.”

It takes him a few seconds to try to accomplish anything else in front of her. “Stella… Unless you have chips for me, not a single one of my dad places will be feeling any better.”

Courtesy of Lou and Penny, the local coffee machine already finished brewing, and the last drop dribbles into the pot with meaning, graceful… and delectable. The ripples of smooth liquid ping into Stella’s ear. Ozzie smells his daily brew ripening.

They shout “MINE!” like seagulls.

Everyone’s in the way of Ozzie and Stella’s aggressive fixation on the coffee machine that particular morning. It’s the perfect object for them to exhaust their disagreements onto. Half of it spills and scolds the fronts of their fur by the time one gains dominant control over the big black handle, and now there’s only enough coffee for two adults to share. Somehow, they jab and shove and claw at each other so poetically that they serve up two cups of equal volume.

“You shoulda picked decaf today, Oz’,” Stella says.

“Speak for yourself!

Stella just stares through her hair and takes another slurp of her good coffee. “By my stinking bum, every time I catch you talkin’ ‘bout your girl anymore it’s cuz you’re upset she’s out in the open world trying to live her own life with the raccoon there to look out for her! How bad do you think the humans have it goin’ in there? Does anything ever change around here? Tig’uh, talk some sense into the man.”

“Ozzie, dear friend, I don’t know if there’s a simple way to put this, but… You’re wrong,” Tiger bluntly explains.

Something has changed, because it hasn’t become apparent until now that someone other than Heather, RJ, and Verne is missing from Awesomeland.

Suddenly, with one head in the family not counted, the dark backs of every shrub turn inward and become grimly whole. Nearby, someone - someone rather young - weeps. In between a cliff and a creek, Hammy kneels in the mud like his legs are paralyzed between the stiffness of a rock and the boneless flow of water. His ears have lost their straightness. His tail hasn’t flicked once. He’s unbelievably concentrated on something in his hands… Stella weaves around his side and finds it looking like a burnt piece of popcorn, but it can’t be that. It has leg stubs springing off of its body, all of them snapped over their tiny joints. It’s a bug. And it’s smoking.

Hey, Hammy, hun-?”

“Fred’s dead.

The sun hasn’t even fully risen, and it may be possible that it’ll stay this dull all day. There’s more yellow on the ground itself, where their personal belongings have been drowned by the rubber ducks they’ve realized they might have absolutely nothing to do with. The blue umbrellas that came from the Log and the old home block out the oversaturated, artificial emotion bleeding in an unrecognizable hue that makes enemies with the mud and the roots, the trees - some of them carved out by emerald-sheened insects - even the rustic, natural colors of most of the animals’ fur.

Hammy, however, is typically bright orange, and one of the umbrellas does its best to let him cover that too. Upon entering underneath, the white stripes on Stella wear down. She can’t think of anything to say about Fred for a while, until she asks, “How’d he-?”

“I think he went to find them. It’s too scary in there.” Hammy shakes. “There’s killer robots everywhere. There’s red lights in every yard. The red lights killed him,” he cries well before his eyes do.

Tiger walks closer. Stella sits parallel and sets her hand on Hammy’s hip over his back. With color stripped away, their tails are almost one in the same breed. “C’mon, hun’, it’s okay. All your bugs come and go like that someday, ‘n then we help you pick yourself up and see that life goes on jus’ the same. Me ‘n Verne did that all the time when you were a younger squirrel. Life goes on, right? You have a family, you have friends, you have Heath’uh. You like your cousin Heath’uh, don’t yuh?”

“But she could be dead too.” He takes his last look at Fred. When his eyes go there to say goodbye, they freeze.

Time seems to stop too. After he can weakly tame his lungs and his tears, he sets his next dead bug into the soil and lets him lie still, out of his quivering hands. He finds a small white flower. He’s alone again. Stella, Tiger, Ozzie, Lou, Penny, Bucky, Quillo, and Spike wait motionless in their sympathy for him to return to reality. The rest of the forest doesn’t move either.

He almost screams as he runs for that suburban glow in the horizon. The fate of his crumbling world rests on his shoulders.

All the others see is one point in time where Hammy’s there, and another where the entire path towards the Hedge is paved with the fallout of a sonic boom over the grass. He also left a flower over Fred’s grave during that time.

“What was he talking about with killer robots?” Spike wonders. After all, it sounds like something out of a game.

Red lights?... What’s that Hammy language for?” Stella decides on her best guess. Her eyebrows tense. “We gotta grab those two.”

When they follow Stella to the creek and are about to cross, Ozzie’s feet abruptly stop. “…Maybe Hammy’s just finding nuts. He could be finding nuts, right?!”

“Nah.” Stella grabs his shoulder. “He’s finding THE nuts. The fat both of ‘em.”

XXX

The Hedgies rally together to track Hammy’s wind-wave into the quarantined suburbs. A big burst of light from over a fence provides Stella with her first bit of harrowing validation. Next, the planks of wood blast apart in front of their faces. They storm through the flaming hole left behind.

The situation is just as maniacal as the rest of the town is. RJ and protein-boosted-Hammy huff to death in the weapon’s aftermath, planted into gardening soil with their hands on the bars of a metal cage. Presumably, they moved it in time, considering the tips of their backs are lit like candles and the mud underneath them has been spread forward like paste.

The green, militaristic abomination must’ve been aiming for whatever was once inside it. Instead, it blasted the giant hole in the fence. The machine lies in wait from its camouflaged post within large, stringy bushes at the end of the yard. A bit above its omnidirectional wheels is the signature Verm-Tech seal. A few missiles are missing from its plated array of vermin-assured destruction. The separate black control panel installed near the house’s patio is labeled ‘Depelter Turbo’.

But Heather’s not in that cage. She escaped, if that were even possible.

What?” RJ wheezes. “She’s out of her mind. She’s gone rogue.

“Answers, funny-man!” Ozzie barrels towards him with dad-like poise.

“I don’t HAVE answers! She dipped! Like chip dip!”

“Ozzie, look out!” Tiger calls out of nowhere.

A second before he runs into a misplaced garden gnome, Ozzie grips his throat. To drop dead, he falls as slow as physically possible right over a red laser.

Noooooooo-!

The Depelter Turbo activates again, after an alarm. Everyone takes cover from the missile.

It went right over RJ’s head, and his body was traumatized. Despite everything, he can’t ignore the dead bug Hammy shows him.

Fred never came back from his recon.

“H-Hammy… I had no idea, I’m- I’m so sor-

“We gotta find Cousin Heather, RJ. Or else she’ll end up like that rabbit…” Every time the figurine smashes the white rabbit on the Sniffer’s truck in the street, Hammy’s limbs get clammier.

Ozzie swims through the grass and brings himself upright in front of RJ. “I can’t rest until I know Heather hasn’t ended up like that.” He rocks the raccoon’s shoulders lividly. “What have you done to get her like this?!”

“Oz’. I know I’ve got something of a reputation, but I swear down, THIS was not the doing of your good pal RJ, right, pal? Heh- Y’know what, blowing up that kitchen last week wasn’t even my idea!”

Stella mutters, “I don’t buy it.”

“All she wants is to see what life in suburbia’s really like for these humans. That’s why she sticks with me. You guys aren’t just foragers anymore. You’ve got real lives, AMBITIONS…

“So what’s really up with the girl, huh? I’ve got a hunch that Grandpa isn’t overreactin’ dis time.”

‘Grandpa’ fell dead yet again when the laser system flashed back on, after the porcupine kids played around with the control panel. Subsequently, a round of hyper-accelerating incineratory missiles hurl through yards and take out another twenty-four hundred square feet of real estate somewhere in the open suburbs.

Tiger clears his throat and sits up straight.

Task at hand, please,” Stella snaps.

Lou and Penny don’t appreciate the epic prank either, so they go and plug the kids’ quills into their own and wear them like clothes on a hanger.

Verne…” RJ sighs when answering Stella’s question. “Verne is what’s up with her, ‘kay?”

“Well gee, what a guess, Tiger.”

“So it’s a front,” Tiger translates.

“Yeah DUH it’s a front! And I know fronts!” says RJ. “Your ‘princess’ is a royal mess right now.”

Why?” Quillo asks from Penny’s back.

“You gotta understand, kids… She feels guilty about our uncle.”

On Lou’s back, Bucky pipes up first: “So what? We like human things and he doesn’t. Uncle Verne’s just old and LAME!

Spike quickly gets pressured into sticking his tongue out too. “Yeah! Old and lame!

“Enough with the attitude, kids!” Lou commands them. “Verne is a good slice of pizza. He may have all the wrong toppings, and they may have messed up our order there, and our eating experience may be completely ruined because of that, but he’s still tasty in his own way. Tell them about the pizza metaphor, hun’.”

Bucky’s the blunt one, and Spike follows along with any of Bucky’s opinions, but… What kind of Verne hate club has RJ spawned? It’s hopeless to try and contest it right now. RJ gets out a small house phone and dials Heather immediately. “Heather, please, Hammy’s tick is dead, Stella’s peering into my soul and your dad is worried sick.”

Voicemail. Being cool. Bye.” That’s Heather’s pre-recorded message from earlier.

RJ slams the phone into his bag and twitches in frustration. Quietly, he wishes, “Come back, ‘Possum Pal.”

“So how do we find her?” Ozzie pleads.

RJ has a plan for him, at least. “Alas, Ozzie.” RJ shoves Ozzie’s torso down into a feral position. “You out of us would be the one to memorize her nautralle odeur. Start SNIFFING, boy!”

Ozzie's pupils widen and he sniffs the entire lawn, crawling wide-legged like a lizard. He finds something puffy and yellow. It tastes stale in his mouth. “Popcorn. Heavily buttered.”

“Atta boy! He’s got her trail. Let’s go find our princess.”

XXX

Heather, please, Hammy’s tick is dead, Stella’s peering into my soul and your dad is worried sick-

In the meantime, Heather forces her ears to listen to some of the calls that have pestered her all morning. She leaves the rest of her body dug into garbage inside this cold, dented can.

“I can’t believe, I CAN’T BELIEVE I just ran away from them like that. It was such a selfish thing to do. Whatever, RJ, I get it. Like c’mon, I already got Verne dumped. Now I probably got Fred killed somehow. I’ve pissed off Dad all spring, just ‘cause- I dunno, Mom couldn’t have made herself look like this much of an idiot, I guess. So Dad has to be all weirdly obsessive over everything I do, otherwise I’ll kill myself out here.” She can’t stand the look of her own dark hands on her eyeballs. “I’m just the stupid, clueless teen everyone thinks I am… edgy rebel… insecure prick… Obviously I can’t handle any responsibility. I can’t even eat junk like normal ‘possums anymore. Everything smells so gross right now, eww.”

Jam jars and scraps of rotting produce line the layer she uncomfortably lies upon. Not many champagne corks and wine bottles deep, a slip of paper grabs her attention. Its border is discretely multicolored, and there’s tons of fancy writing inside the box, which she’d love to let her gray sights enter. Invitation. Something about a moving-in party, and a birthday bonanza fest for their son. It’ll all take place on May 24th. Funny, that’s only a day before Heather’s own birthday - That’s today!


This fic has been converted for free using AOYeet!

Chapter 9: Party Crashers

Notes:

These typical “Over the Hedge heist” chapters are very fun to write. They’re simple. The concepts of these chapters are simple, but the messages are easily expanded. I’ve seen it executed like this in practically every serious OTH fanfic I’ve read in the past. And for good reason, because using a heist like this is a very safe, staple way for someone to push a narrative with these characters. Personally, I don’t like to do it too much because I like to go for the less obvious plot point options.

Heist Buddies tried something I don’t think many other fics have: The heist involved more than 2 factions. This one is somewhat the same. It’s weird if the title of this episode implies there’s only 2, right?

Chapter Text

“Yes, this bit is probably getting old. You don’t even need my introductions anymore, do you? Too good for it, aren’t you? Who cares. It’s just a lousy way for the author to compensate for how unreasonably long it takes to write another unreasonably long chapter. I’M AN OWL! Did you know that? I doubt it. That’s because these introductions don’t matter. You’ll forget everything you just read within the next half an hour. Go on, then. Shoo. I understand that you are very busy DIGESTING WRITTEN CONTENT right now. No need to say it - I can tell from your expression alone that you would much rather enjoy this incredibly invigorating and complex story. Hoot hoot!”

Word Count: ~12k


ACT I: Verne Cameo


After another long conquest to the Log, Heather is met by nothing more than an earthy green shell hidden upright among young, thriving plants taking the old log in arms.

Heather knocks on the plates of Verne’s shell in tune.

“Uhh, nobody’s home” rises out of the top like a cloud. “So you can… you can be on your way now.”

Heather grins at that. She yanks the shell off Verne’s naked body. Once she realized that his hairless beauty had been revealed to her, she smashed it back. At the very least, it got him out of his shell.

Verne spits, “What’re you doing here?”

C’mon Uncle Verne, you’re hungry, right?”

An open blue bag of corny chips come from her. Flavor?... Snazzy Ranch. The best chips in town.

She still apologizes. “It’s all they had left. Sorry.

She must not know what sour luck he’s had getting them. Verne nods between her and the chips, clenching his eyebrows in suspicion, for it’s too good to be true, and while refusing to lay a finger on the twinkling, seasoned chips inside, he squints rather keenly, muttering “…What are you bribing me into?”

He’s surprised to see her throw her tail at the ground and huff, “Don't tell me you're just as bad as them. I so CANNOT right now. Just take the chips and thank me never.”

‘Them’?” And as she steams towards the Hedge, Verne grabs quickly at the legitimacy of her clenched claws. “WAIT! I'm SUPPOSED to be paranoid! That's just what turtles are! Aren't you and RJ in charge of them now?”

“Only 'cause they made me their princess. And I don’t wanna be a part of some stupid family hierarchy where whoever's getting all the flame has to get the boot, 'cause they think you’re all lame and whatever, but really you’re all… not!

“Gee, uh, thanks Heather. I wish I could understand a single thing you’ve ever said.”

“Yeah. It sucks,” she gripes, tugging at her fingers as if gloves were there. “I talk like such a dweeeeb.”

Verne takes a close ear to her.

“Look, they want me to be whatever for them, but when I try to be whatever for me, I just get someone hurt, or ticked off. And I thought I could keep them chill by letting you GET all the flame ‘n whatever. And it’s like uuughhhh.

“So then, what would make you feel chill?” Verne intrigues.

She cuts to the chase. “You’re coming to my birthday.”

Shaking the initial jut of excitement off his mug, Verne asks, “You’re serious?”

“Yeah. I was hoping it might be a good chance to get them to, y’know, not hate your guts anymore?”

“And what if that doesn’t work?” His stomach rumbles when he consults the floor. “I mean, you all… left me to starve here. I- I wouldn’t bother, you’ll just get someone hurt or ticked off.

She puts her legs down and apart, and sits at his side. “Uncle Verne? What’s so bad about leaving the Log for a change?”

More than the company of anyone else, Verne feels comforted in hers. His face completely pales, though, and his breathing becomes irregular and he feels lightheaded. His hunger must be catching up to him, combined with the extreme anxiety carried in the air’s dropping temperature.

“Do you still not trust me?”

Aside from a hooting owl far off, Verne finds them to be completely alone. Strange, for the Log, its willow tree, and its lake used to be something of a haven for their poor foraging family. It seems as if the next generation has finally come, and this time, it won’t leave any of the older ones intact. The oaks and the bushes haven’t been farmed for nuts and berries for more than a year. It’s terrible how his age has caught up to him twice. Everyone deserves an explanation by now, maybe, and Verne recounts their loneliness several times before he’s prepared to spill everything out of his shell to the only one he knows will listen.

“Why would you rather starve here?” Heather edges on.

Her bugginess forces it out of his mouth: “I wouldn’t be the first turtle to starve-

Marco?” …RJ appeared abruptly from the Hedge in search of Heather.

Without losing any of the momentum from the tension crawling up his neck, Verne hurls the rest of his adrenaline into one angry “YOU!

“…Oh Polo.”

YOU were gonna leave me here to die, SAD AND ALONE, weren’t you?!”

“I was never trying to get rid of you! We’re waiting for you to give up that dumb hunk o’ wood and come to Awesomeland with us, where we’re actually allowed to ENJOY THINGS!” RJ yells through a megaphone. He’ll never stop using it. By this point, it may as well be symbolic. “And on the topic of enjoying things… I’ve been trying to go at vending machine chips my whole life. I deserve them. Not you.

Verne contests him in a point-blank stare-off. “I am starving.”

“NOBODY'S getting these chips ‘til you guys start being grown-ups in front of someone younger than you!” Heather turns her back to them and crosses her arms. “It’s so embarrassing.

3 years,” RJ highlights by pointing his megaphone between him and her. “That’s all it is. Meanwhile, Verne over here is making that log look baby-fresh. He’s the problem. He's supposed to be contributing to societal balance by keeping wreckless millennials like me and you in check!”

“Ugh. Whatever.

When RJ tries to get in her bubble, she flips her ears to reject him in true teenager fashion. That's the most disapproval he's able to handle from his closest ally. Surprisingly, Verne is more affable to his presence, allowing him to get close enough to grumble, “I SUPPOSE your exile… has been pardoned. Welcome back, Uncle Verne.”

Verne grits “Gee. Thanks.” between his teeth. They shake hands and share a smile for an awkwardly long time until Heather stops judging them.

“What’re you guys waiting for? Are we crashing this party or what?” Heather bobs enthusiastically.

“Party?” Neither RJ or Verne knew about it until Heather showed them the human-written party invitation in her tail.

Now you’re speaking my language.” RJ hops over mushrooms on his way to the Hedge. “Let’s get your birthday started the old-fashioned way.”

Verne’s coming too, y’know,” Heather reminds him.

Verne gives RJ a look that is uncharacteristically smug. He has to keep his mouth shut for the sake of protecting Heather’s innocent look in comparison. “I can work with cold-blooded,” RJ concludes after slinging his bag strap onto his shoulder.


ACT II: Blind Heist


When RJ mentioned over walkie-talkies that a special guest would join the heist this evening, everyone was hoping it’d be Dr. Dennis, the psychologist on TV. But it was not Dr. Dennis, the psychologist on TV. It was Verne.

Heather’s return outweighed their sharp disappointment and progressed it into a cliche turnaround of heart, luckily enough. The Hedgies meet all together at the prima eventus… which, in RJ’s terms, refers to this one place with a giant pink castle in the backyard.

It’s at the end of a circle, lined by the other houses on the street to prep for its grand arrival. Signs on telephone poles everywhere brag about the welcome-to-the-neighborhood party. Marked with an orange tint by the sunset, cars clog the entire circle with enough shade between tires to keep the Hedgies hidden without much effort at all. The party house of new townsfolk in question is wide, boasting its accentuated, rich dark roof, and scenic enough to host more than enough Party City goods to supply Heather’s birthday and more. With the family’s evident wealth, then, it’s surprising that the house only rises a story and a half, with the second floor only making up a watchtower over the rest. But the house is expansive nonetheless.

Then there’s the pink castle - a landmarker only halfway obstructed by the rich-enough house. Pink, but opaque, unlike the sky. Broadly, the brick walls appear to be topped with blue roofs and circled by pointy purple balconies, creating a skyline of sharp, elaborate towers and flat intermediate multi-storied halls. What purpose it serves in the backyard more than an ornament, and who makes use of it in that case, brings a great load of conversation between the animals. Humans pile into the circle in the masses, and if it weren’t for the party, it’d certainly make the imitation palace seem like merely a roadside attraction.

This all is happening after the Verminator put the entire town into quarantine, for the record. The humans must’ve wanted any excuse to be able to spread vermin germs among each other again.

“So this gotta be the only place that ain’t closed for the season,” Stella observes alongside the others.

“Yeah. Whoever just moved in here hasn’t caught onto the memo,” says RJ. “WHICH MEANS they are the perfect target for a little thing I like to call… the initiation.” He cracks his knuckles.

“He cracked his knuckles. This is gonna be good,” Lou beams.

In-deed…” RJ snakes deviously between his teeth. “Party, party, party - That’s the name o’ the game this evening. We’ll split up into 3 groups: ONE for the food, ONE for the advising team comprised of me and Verne (what could go wrong), and ONE for the booty. The booty Heather wants is a new guitar, but don’t talk too much about her birthday because it gets her a little hissy.

Heather responds with “Jeez.

Verne finds himself nodding in interest alongside the rest of them, maybe because of peer pressure or his own desire to be in a family again.

“Call it party planning,” RJ explains, “only we crash… the… party. In other words, we’re not actually party planning. POSITIONS, EVERYONE!”

They sneak as one unit into the open trunk of a van. While the Hedgies spy on the humans pouring into the house, Heather stands to the side, alone. Turns out, no one ever claimed those chips from earlier. She would’ve had them for herself just now, but Hammy’s slumped over the edge of the trunk, dangling his head and his limp arms. She knows what it’s about. Maybe the chips could go to better use.

“Hammy… RJ told me what happened about… your bug thing. Fred came looking for me, didn’t he?” Maybe that was the wrong thing to bring up. “Anyway… How can I make it up to you?”

Hammy doesn't care.

“Want these chips? They're the best in town.”

A second later, Hammy takes them from her in a split second. After being so peppery, he grabs hold of her waist. “Ohhhh Heather… I guess you’ll have to be my friend now.”

“I thought I was.

Hammy releases his arms and stares blankly for a second. Then he bursts into tears, and has to hug her again. “OH COME HERE!”

“...Yikes.

As quick as it resolved, the impression Heather left when she went rogue leaves something in her stomach.

XXX

The team takes the recon to the backyard as ‘planned’, if it could even be described as such. All while the party rages on, RJ speaks from the sidelines: “Humans… are social creatures. That means they need to establish their 'superiority' to boost their own self-confidence. And they usually do that by being overly extravagant.” He lets an overly extravagant “HA-CHAAA” out of his mouth when he shows his head over the solid wood fence. One lens of a binocular covers an eye.

“Why do they do that?” Hammy appears with the other lens.

“They don't realize their lives are just as meaningless as everyone else's.”

RJ and Hammy scan the pool of squirming human bodies like a panorama. Three rows of fresh wood tables precede the desserts with snack-filled appetizers and squeaky balloons being inflated by the dozen. One birthday boy in an enormous party hat waits impatiently at the double-layered chocolate cake locked and sealed within a glass cover like a diamond. At the end of where they look, which is still only about half the massive yard by now, a dark cyan stream of water divides the place from end to end, decorated cutely with lily pads.

Suddenly, Hammy starts clapping and smacking his hands together in front of RJ’s eyes. When RJ looks for an explanation, Hammy says, “I thought I saw a mosquito near your face.”

“Why aren’t you-!?...” RJ sighs. “Thank you, Hammy.”

RJ goes to slowly pull the binoculars up to his eyes. He hovers onto some sort of bridge over that lily pad river. A rope latches onto the edge of the bridge - it’s a drawbridge for the castle. Something lies atop it. A large, pale white paw drums at the board with its sleek black nails. A tiny shiver sneaks through RJ’s spine. He doesn’t know why. But then, he continues to draw up, revealing the beastly muzzle of a ferocious animal.

“AAAAAAAAAA!”

RJ flies backward off their post. The Hedgies ignore his warning signs and all stick their heads over the fence to peek and be kiddish.

It’s a dog resting underneath a blanket, harmless enough. Pure white in the skin and pink in the fluff, clothing just about everything on the dog’s upper body other than the arms. In fact, she’s so thickly-furred in those regions that her ears drop all the way past her body and into the moat, taller than waterfalls. A proud polka dotted bow crowns the front of her hair, which spikes out in one coordinated dome of fluff over her skinny head and pointed face. All she does is toy with a ball in her front paw like a dead mouse.

“What kinda somethin’ is THAT puffy pooch-?”

RJ said “Poodle” well before Stella finished. “It's- it’s a poodle… Not that I care.”

“What’s the matter, RJ?” demands Verne.

“I… don't like poodles.”

Verne takes notice of the usual smoke clouds and sawblade fumes rising into the distant air.

Oh, what I’d do if I weren’t a turtle,” he whispers to himself. With everybody fascinated by this minute detail of a spoiled poodle, and RJ apparently struck by PTSD over the darn thing, it represents something bigger to him. The golden suburbs, rained upon by the virtues of good food and a comforting but uninventive future to those rather impressionable, has put Verne on a mirror Earth with the rest of the family. He stands upright and challenged where RJ would rather lie down and surrender. If RJ’s surrendering to his own ambitions too, then changing his agenda could finally do the trick.

“Well,” Verne hints at him from above, “if this childish poodle phobia is enough to put a damper on this heist altogether, maybe I could offer diverting your attention to some more pressing matters than a little party…”

Verne is unlucky. RJ has a whole team to back him up, such as Tiger, pushing right through. “Scooch aside, peasants. If we require a diversion, then someone as sophisticated as I should do the honors.”

RJ and Verne commence in having a bit of a nonverbal communication - one which Verne loses.

RJ clears his throat and tells Tiger “There is one option.” before pulling out a cork.

“…What is there a cork for?”

Everyone puts their hands together and dirties them in mud to transform Tiger into a majestic and hideous stray cat. The wine cork stuck in his eye adds to the stray-ness, apparently.

“I hate every one of you.”

“I consider those the words of a satisfied customer,” RJ replies to Tiger’s comment. “Alright Tiger, just act like a stray cat and it’ll work on her, trust me. Whatever you do, do not talk about prince-y stuff.”

“Hmph. It’s not exactly my style, but I could go on for hours about how my father started off stray, before he saved his true love - a rich Persian pet - from a cucumber… And from that day he was adopted into a prince.

“No princes! There are no princes at this party!”

“What-ever.”

All the while, Stella tells herself: “Even when he’s uglier than a skunk, I love that cat…”

“I have to admit, RJ: You really have this heisting thing figured out,” Verne plays nicely off his face as his tail tingles intensely behind him. He keeps his word until RJ and the gang load Tiger into a lacrosse stick. They hurl the stick catapult-style from the bottom, smacking upright into the fence and bumping Tiger’s slim face straight out into the artificial lawn about a mile short of the poodle. “…You do have it figured out, right?”

“Sure,” says RJ. “See that? Tiger landed on his feet. He knows what he’s doing. And if he doesn’t, well… we have seven more chances.”

Tiger - still completely apathetic - does some derpy walk through the crowd of partygoers, surprisingly attracting no attention to himself like he always does… yet.

He takes a second glance at the yellow sign on the palace wall - ‘beware of dog’. Awful grammar.

The poodle’s front paws rhythm louder on the drawbridge. It turns out, they’re the size of Tiger’s head. A play on perspective - in her isolation from the tall humans - lured him into the assurance that her scale would be any less intimidating than theirs. Tiger places himself stubbornly at her lap, forced to break his neck lunging his eyes up towards hers. He only ends up being able to see the underside of her muzzle. “AHEM! Fairrrr maiden!

“Yeah?” comes sailing out of her, without even staring at him, without even eyeing down. The informal greeting startles Tiger. He has his dignified posture deteriorated not by the warnings, nor her size, but her unstereotypical, bored voice, not sounding AT ALL full of itself like royalty’s accustomed him to.

“Um…” Tiger looks for the script that must’ve been written on his arm or something, but it was never there! His adorable attempt at small talk slips out: “My, what a… lovely… ‘dog house’ (?) you have.”

“Is this your way of begging for food?”

There her tone is again, paralyzing his lungs. RJ stares at him deadpan from the fence, scared in his eyes, waiting… and watching.

Tiger departs from her question and shoehorns in a script for himself: “MY FATHER- I mean… I… was born as nothing more than a common stray-”

“Hurry up.”

“Excuse me?”

“Tell me why I should buy into your scam when you’d be better off stealing from my owners than me.

He doesn’t have anything to say to her, just at her.. “…And then I saved a lovely Persian feline from a cucumber-”

“Lies.”

“LET ME FINISH MY RAMBLING!”

No. I don’t care.” She latches her pearly blue eyes onto him for the first time. “You’re a filthy, filthy scammer and you mean nothing more than a raccoon wearing a bag on his-”

Tiger pops the cork furiously out of his eye, launching it straight at her bow. She’s silenced. All attempts at stray-ness have come to a close.

I am a PRINCE!”

“And I’m literally a queen.

She’s prepared to talk back. Her valiant blanket removes itself in the wind when she gets her legs rising, a large motion that flinches Tiger on the spot. She looks just as clumsy as he is watching her double in height. Underneath the blanket, she hid a thin yet muscular body much like Tiger’s, with sturdy hind legs for kicking the surrounding ropes of the drawbridge she bumps into, struggling to control her own reflexes, it seems. Her overwhelming stature is spectacled with imperfectly-aligned spots of black dots freckling her white skin. Completed, her fluffed tail draws upward from between her legs with patches of pink hair linked like chains, holding a red axe at the peak. Her tail is an axe.

It becomes crystal clear to him now what makes her different - she doesn’t sound any older than someone like RJ. Smooth, secure, and highly feminine, she has every ounce of energy and animalistic instinct carefully restrained to create a low line that dots over itself with bits of sass and slang. She’s done with everyone’s crap, especially a liar’s.

“A queen in the house of whom?” Tiger challenges after his eyes climb her entire height.

Humans call me Dottie Waffles. Dottie of the Waffle House-”

Tiger tries to hide his tears of laughter.

“Yeah, shut your trap.” Dottie drags the explanation on, bored herself by having to recite it. “It took generations of French breeders over hundreds of years of selectively breeding size, ‘beauty’ (whatever the freak that means), and intellectualness to get to me. The Waffle House was purely poodle but then a dalmatian or two somehow got tied into it as well.” She huffs after ending that breath. “There’s also a very niche part of my tree that came from a Bri-... a Bri-!” It takes a lot to force it out. “A BRI'ISH line of royalty. ARE YOU DONE?”

Tiger hasn’t been listening. He’s only been wheezing inside his mouth. “Sorry. I’m still stuck on the waffle part.”

Behind the fence, Stella grunts, “He went ‘n messed it up, didn’t he?”

“Exactly what I planned all along,” assures RJ. “Alright, listen up! We've gotta get in, grab that cake, 'n get out before the Sniffer finds out. Interior Decorators; Yard Work; Delivery Men - Let's crash this party!” Once everyone has hurried to depart, and all tails have rounded corners (that aren’t a turtle’s, because they’re slow), RJ asks Verne, “How well can you kazoo?”

“Uhhh…” he shrugs, “I can’t?” Subsequently, a kazoo is thrown at him.

RJ snickers and rubs his hands. “Perfect.


While Tiger - the Yard Work - keeps the poodle occupied in an argument he was definitely instructed to create, the Delivery Men get to work, infiltrating from behind the dog’s castle. The royal gardens and pools are the most hidden areas of the yard. But in order to loot the outdoor table set unnoticed by the horde, they’ll need the most hasty gatherers they can get: Stella, Lou, Penny, and most importantly, Hammy. Soon, the time will be right to snatch the cake from its diamond case…

Lastly, the Interior Decorators line up just outside the view of the house’s window wall. Disco lights flashing inside the long, dimmed living room hypnotize the human beings into a fascinating dance of eating and socializing. Bucky, Quillo, and Spike spread their heads apart from every corner of the back of Heather’s body, having hitched a ride. The four of them salivate over the snack bowls being filled on a table under a bright ceiling light.

Ozzie tries to make himself fit within the younguns, wondering, “The waters are infested with these sharks, and we’re expected to steal an entire party in one evening?

“Not without these beauties.” RJ offers a multicolored rack of sunglasses on his arm. “Everything looks better with sunglasses, and my bobblehead of hipster George Washington agrees.”

“Do they fit all sizes, y’know, especially those cute and tiny?” Heather asks.

“All things nocturnal. These’ll keep your sensitive eyeballs safe from the copious amount of party rocking and stuff.” He throws Heather and Ozzie a pair and yells “Party on!” before he jumps off.

The glasses hit Ozzie in the head, and he hits the floor.

Heather warns him, “Dad, if you can’t keep up with us, maybe you’d better stick with Verne.”

Her words couldn’t prove to be more true. He hasn’t lifted a single finger before her and the kids have barged through a vent and entered the back corner of the den. There, the party rocking RJ spoke of comes into full swing! Yes, the party rockers are IN the house tonight (stop). It’s jolting, loud (VERY loud), and most of all, exciting. If it weren’t for the humans practically piling onto each other in a net with how packed it is in here, they’d be free to blast that fun song all night and make off with some goods to spare. And for Heather and Ozzie in particular, those sunglasses really humble the flashing lights.

By the time Ozzie has adjusted to these frighteningly pleasurable circumstances, Heather and the kids all have their fingers on their noses and stare at him.

“Alright! Uncle Ozzie’s getting the broken one!” rules Quillo.

After passing around walkie-talkies, Ozzie’s having its writing picked apart, the triplets take ball formation and follow Heather’s lead along the window wall until they make it under a lamp table swimmingly. They dive behind a black recliner. The techno groove fires up, putting thuds through the carpet as Ozzie just about tears through a jungle trying to pursue his oblivious daughter.

“Heatherrrrrr,” he warns, “it’ll spell disaster if any humans see you. You might not get lucky every time you run away.”

“Run away? Um, I’m waiting on you. So… yeah.”

“So yeah!” the kids parrot at him.

“Dozens of arrests were made in Chesterton today after repeated malfunctions of an illegal and highly destructive backyard defense system known as the Depelter Turbo,” a TV explains in the background. “A few innocent homes were destroyed, and all of the violators were found to have legally bound themselves by their contracts to any consequences of its installation, though authorities report that the seller’s name had been redacted from every single one.”

A police officer munches on donut after donut being fed to him by an orange-sleeved arm off-screen. “Yeah… We don’t know who needs to be put in the time-out corner for this one.”

“Now there’s a question on everyone’s minds: Is humanity pitting itself against one another? Worse yet… Is world war 3 finally near? ‘Absolutely not’, says famous TV prophet on his new show, after taking sponsorships from five multi-billion corporations.”

Ozzie gets caught in heavy human traffic trying to leave his cover, until he finds himself a dark, claustrophobic corner of the living room tucked beside a couch, right next to the doorway Heather just led the kids through.

Just the sight of another possum taking things not-so-seriously flames him up. “Heather!” he shouts. “It’s like she’s trying to get rid of me…”

“I think we got rid of him,” Heather reports through her tired breaths, meanwhile.

“Sweet. Go upstairs and find the presents,” Spike says, “and we’ll do our thing.”

Quillo says, “We’re stalking people.”

“Cool,” Heather reacts.

The kids unlatch a vent screen at the bottom of the steps. The beat drops when they jump inside and make a clamor on the metal. The rhythm of the music climbs continuously, galloping, whereas Heather stops at the first stair. Feeling her hand touch the wood puts her tail up. Every time she does this, it happens. Her hair raises. Her heart tells her not to go up a staircase anymore after that first time.

“What’re you waiting for?” Bucky yells. “GO!”

She races up with her nose locked towards the top, always giving her a cautionary line of sight, but she never encounters what she had prepared for. Simply enough, she finds a stash of birthday presents lodged inside the closet of a kid’s bedroom, curtained by hanging clothes.

“Well that was easy.”

That’s great, but there’s one problem: The wrapped boxes are all at least double her size. It’d take two of her to carry just one of them. She makes do with her own arms in spite, insistent on filling her niche. As for getting them out, well… she ends up slamming the open window pane on her fingers after failing to squeeze the box between the narrow frame.

Heather takes the walkie-talkie anxiously to her lips. “Guys, these presents can’t even fit through the window.”

“We may have to abort!” Quillo exclaims to her. “Abort the mission!

She hisses back, “No, just-! I’m- We’re gonna look so dumb if I can’t steal a single thing. Where else can I take them?”

“There’s no viable option but the front door,” Spike says. “But downstair’s loaded with enemy humans and they’re probably all able to kill you in one shot.”

“I’ll be fine.”

“Heather, I recognize that tone. You’re trying to prove to me you can do this yourself, aren’t you?”

Heather honestly forgot that Ozzie was on the same talk line. She pushes the speaker away from her face and mumbles “…Nooooo…

“You’ve tried this before. Many times, actually.”

His statement stops her dragging a present over the carpet. “Getting kicked in the stomach didn’t even hurt the first time.” And blocking the walkie-talkie, she mutters, “Or any other time.”

“Okay Heather, but if anything happens, just remember to play-

Heather can’t get an answer from him after his signal cuts out. She continues with the presents - or, the only one of them she can push herself.

From Ozzie’s post, he couldn’t tell exactly when the batteries of his old walkie-talkie gave out, or when Heather could no longer hear his plea for her safety. In a sea of legs without faces, him being shorter than a human infant forced to crawl, he helplessly watches a pair of parents trek inversely from the crowd and towards the staircase. He cuddles the power strip next to him and chews off his nails.

One of the parents crosses foot with a long white string stretched between the vent and the other side of the staircase. Upon triggering the tripwire, the string slowly slithers itself into the tattered back of a cowboy doll sitting inside the vent.

Somebody’s poisoned the water hole!” echoes down the system to the porcupine kids.

All three exclaim: “The water hole!” They run back to check the dashcam they brilliantly stationed near the doll. A man and woman just passed the checkpoint.

Spike hurries to grab the walkie-talkie. “Your flank’s in trouble!”

“My flank?” Heather returns with cheek. “What does that even mean?”

Quillo thus bounces urgently: “It means they’re coming for your butt!

...And Heather immediately flips her head over her shoulder. The tail at the end of said butt flinches toward her side. It doesn’t want to be seen. She sees them clomping up the hallway. She scampers into the closet. The mom grabs the closet doors and thrashes them open. The dreaded silhouette of a human woman flashes lamp light off its edges and upon the top of the box Heather holds herself behind. It’s cowering in the very back.

Something smells fishy in here…” the dad suspects before polluting the inside of the closet with air freshener. “I’ll be sending the old owners a nicely-worded email.”

Heather squeezes her lips over each other to keep the purified air from making her gag out loud.

“Look, little Benny’s been trying to get to his presents early.” The mom picks up the one stranded box Heather tried to push at least 12 inches (to debatable success). “We might as well take them downstairs. It’s almost time to sing happy birthday.”

They stack two piles of presents into their arms, one hitchhiking possum included. Right before they’re out of the room, Heather utters a stutter from her mouth towards the walkie-talkie, and the mom’s foot kicks it away before a real sentence forms. She slaps her own cheek with her tail.

Luckily, from the end of the hall, the kids quickly catch on. They climb into the attic through the vent system. Bucky huddles their quills into one bush. “Heather’s in trouble. This is just like Duty Calls. Let’s make mom n’ pop proud, men!”

“YES SIR!” hollers Spike.

“I’m a girl!” Quillo barks at the same time.

They discover the jump rope they need in a dusty box. Just as they heave the hatch in the roof away, the parents cross their line, and the opportunity rapidly fades away. They drop the middle of the long rope into the hall and trip them right as they turn towards the stairs. Heather finds herself in a bit of an… unfortunate position.

THUNK! THONK!

A new arriving family busts through the front door.

BONK! WONK!

Let’s fill the time Heather and the birthday parents spend crashing down one loud step after another with whatever suburban-dad crap the collar-shirted man tells his wife as they walk in on it. Ahem:

“I went to go pick up those chairs from the man and his wife in their 60s 5 streets away and they were BAR HEIGHT and it never mentioned bar height on the listing and I CERTAINLY didn’t read the listing wrong and I said ‘I can’t buy THOSE chairs because my 7-year-old daughter would flip over the back and kill herself’ and if that old couple thinks they can scam me out of my hard-earned cash, I would be ready to inform them that I work a medium-wage job answering phone calls for 23 hours a day, 6 days a week, and if you think I’m ready to waste my college education buying a set of BAR HEIGHT chairs I can’t even use (wasn’t mentioned ANYWHERE on the listing by the way), you’d be lucky I haven’t earned my black belt yet, because I am currently taking lessons in taekwondo on Sundays (the one day of the week I don’t work) specifically for homeowners like yourselves, AND your dog, because you may be living 5 streets away but your dog still manages to litter our yard with bombs, and unless your dog knows taekwondo as well as I do (which he does not), he will NOT stand a CHANCE the next time I have to run out in my underwear at 5 in the morning to protect my territory, and if it’s MARKING TERRITORY we’re talking about, OH-HO NO, your dog should know that (if I wanted to) I could pee in all my neighbors’ bushes and flower beds at least SIX times as efficiently as he can-”

Two grown-ups land unconscious at their feet next to an open beer case against the wall. The mom, upon witnessing it, turns to her kids and says, “Adults.”

Heather shows herself from behind the drinks after the caboose of the family continues towards the living room. The presents have been passed on to those parents, and THOSE parents train through the living room where they’ll be able to leave for the backyard. In case it wasn’t obvious, this is a major problem. The porcupines recognize that and meet Heather near the doorway they spent all their energy getting to, only to have to make it back to where they started after all.

“We gotta get over there!...” The kids’ smacking lips become too distracting from the tense music for Heather to lend it an accelerated state of urgency in her vibrating tail. “Okay, what the heck are you chewing on?”

“All the human teens are sticking free gum under the kitchen table,” Bucky explains to her calmly. “Pretty soggy and bland if you ask me.”

“That’s disgusting. Where’s mine?”

“Say no more, babe.”

Bucky gets her some wet gum from his quills. Disgustingly, but unsurprisingly, he saved an entire rack. Her and his hand make a sandwich over the gum, but it’s so sticky that it won’t come off until they just about pull themselves to opposite ends of the hall. Suddenly, Heather craves a lot more of it.

Be the raccoon.” RJ’s voice guides her in her head. “Do it like a ‘coon.

She’s looking at the ceiling safely built above the human sea. It’ll be enough for her hands and feet, she guesses after placing one on the wall each as if about to climb a tree.

So then Ozzie comes around the corner to be his next customer. Bucky doesn’t mind. Ozzie scales the wall, losing to Heather’s tail only by inches in the race. It jitters at his face, but Heather doesn’t notice the alarm.

She scurries, lizard-like, by her sticky gum suction cups on the roof of it all. She keeps up the pace in whatever direction in the crowd of heads above that the humans plan on taking her loot. She stops at nothing to crawl rampant in the reach of dangerous, sweaty hands that thrive in the action-pumped song in the stereo that she, for once, cannot.

They pass a storm of party-goers into the backyard, and Heather freely utters: “Shhhit!

She rushes forward, stirring with determination. Between her and the exit stands head after head, looking upright to them and not-right to her. What a bizarre, blood-rushed feeling. Her heart grips to her chest and her ears stay stiff.

As much as she tries, she can’t close the gap in that mere second. Because on one dire step, her gum goes dry. She pops off of the roof. She flies towards the smelly heads full of hair. But something anchors her tail. It keeps her swinging like a balloon. Her sunglasses fell off, and she went blind from it all.

“I’m sorry! I didn’t mean to help!” Ozzie calls from behind, having her held hanging - barely - between the blades of a ceiling fan.

“Can someone turn on the air?” Neither of them knew how grave that human’s sentence would be.

The beefy man’s hand that chokes out half of Heather’s torso assumed her as the string. Her fur invades the fingers’ indents and forces a violent response. Her tail yanks straight out of Ozzie’s grasp. The human recoils - shrieking at Heather shrieking at him - when he discovers what ugly-toothed creature he held in front of his face.

“RAAAAAAAT! It’s gonna give us rabies!”

Heather lands hard - CRUNCH! - in the chip bowl on the snack table. It flips over and crashes over her back, sending chips cracked in half into the circle of witnesses.

Heather tries to get up. Her ankle snaps backward and puts her down. Under the relentless golden spotlight, hotter than summer and brighter than headlights, she watches the humans put enough distance between themselves and the table edge to cast her out of their range. The children who aren’t horrified abhor her hairy back up close. No mouth from the adults remains composed or sensical in its expression. She’s bowing to stares and faces, not receiving one without the other… “Roses with thorns for petals and they’re like vines, here to subdue her instead,” Ozzie describes it.

Many of the teens hold their phones to her face and snap away. Without her shades, she cripples in place. She feels nothing from anything, and everything all at once too. Smashing her small hands against her big ears to cope turns the insides of them red.

Somebody gets a broom from the kitchen.

Ozzie gasps. He drops to her aid.

…Thud.

As blind as a bat as she is, Heather slaps her head aggressively at that sound.

“Die,” Ozzie shoots.

“Why?”

“I said die.

“I don’t wanna die.”

“We are GOING to die if you DON’T die.”

“But the way you die is so cringe!”

Ozzie’s eyes water from the flashing lights too, matching her immense pain. “Then die however you WANT TO DIE!!”

Heather collapses to her side. That’s it.

“I’ll be honest, I… expected a bit more of a show,” Ozzie clues her.

“I know, (like) you think I have any idea what I'm doing? I’ve always just said whatever you say - That's why it’s YOUR thing!”

“This’s no matter for argument, just let it come naturally. You have to start with something! Like, right now, I’d say: OH, I am a poor seahorse with only ONE EGG!”

“I’m still totally gonna blow it. Anyway, top this:” She grabs her twisted ankle. “‘Oh no, my leg, it’s broken! The automatic flash on their cameras… it pierces into my hot, irresistible fluff.’”

Imagine what any of this looks like to about a hundred human beings lost between fright and befuddlement. The two opossums choke themselves out and beat themselves on the table, and the guy with the broom asks, “Is someone recording this?”

“I’m calling the exterminator,” someone says back.

The next flash from the teens hurts Heather more than her leg. She throws herself into the closest lap and clings herself there. Ozzie will hold her in arms until the last stand. It’s probably been months since it’s ever been this way. He can’t look upon her with warmth or sincerity as if he felt at home with her close scent. Once she figures out his face is a safe sight to open eyes to, they stare into each other, down at their pressed stomachs, and her neck starts to retract.

Feeling the way she’s grossly postured in his arms, paired with her awkward, toothy frown and a lack of further eye contact, Ozzie comes to a heart-stopping and ear-dropping realization: “You don’t appreciate anything I do anymore, do you?”

“I just wanna be the star of my own life.”

“But the only star I have left in my life is you…

After his eyes reach the roof and part numbly in different directions, struck in his chest, he falls to his back. Heather squeals. He left her alone. The humans step daringly and in mass towards her. They won’t stop talking.

“Dad? Dad! You can’t do this! I can’t do this! Stop playing dead, or ‘playing possum’, or whatever the hell you’re doing! Dad, GET UP!” Heather moans trying to get his lifeless body to do anything. “Did you pass out again? Why are you like this?”

Ozzie barely cracks open an eye to spy on her reaction. He fooled another opossum, somehow.

XXX

“You’re late. You’re always late.”

The Verminator parties out of his rocking truck, which hits that hard bass when he swings the metal door shut. He shows up for Rebecca Wright in appropriate fiesta attire, meeting her with a big case of drinks and an insulting level of stoicism at the front door. “Fashionably late,” he corrects.

“No. You’re just late.

Dwayne chuckles. He drops his smile and gets to work. The box of beverages transforms into the toolbox it really is.

XXX

Tiger keeps that poodle talking as long as the Delivery Men need to sneak away with the snacks. But eventually, Dottie takes a real-ass axe, smithed from a hard bone, into her jaws. Tiger pounces onto his hind legs in panic over its chewed, finely-trimmed and heavy-bladed head, tattered in tan markings - signs of its use. Implicitly, its successful use.

“Enough!” Dottie drills into his ears. “You’re a human-loving knothead who takes advantage of other innocent pets for sport. We’re not alike, prince.”

She darts her head and front claws closer to his likeness, splashing up violent surges from the moat behind the terrifying encounter with her colossal size against his mouse-like presence.

“Now play nice, peasant.”

Just then, the glass door of the house comes flying open, smashing at the end. “ANIMALS!” a human screams. “THEY’RE IN THE… HOOOOUSE!!”

All the visual noise fades the poodle’s irises and stuns her clueless mouth. The axe drops to Tiger’s feet. He runs for RJ and Verne, where their cover in the yard has been blown by whatever the Interior Decorators messed up.

“Good thing you can’t teach an old dog how to overcome their physical incapabilities,” RJ very oddly states in gratitude.

“There’s something going on here you haven’t told us about,” Verne suspects.

“Nothing. You read too far into things, Verne.”

Whaaaaaat in the whaaaaaa?” drools from Dottie’s lips at them. The edges of every backyard object no longer exist to her. Only the colors remain. Messy figures of multi-colored dots move inconsistently all throughout her straightforward vision. Nothing at all in her peripheral scope is not this hazy. Yet, somehow, a brown raccoon in the middle of the picnic tables shakes its striped tail, and that one piece alone draws the outline of a young guy with the same blue and black golf bag on his back he’s always had.

“…R…J?

The lack of motion from Dottie’s deaf eyes stuck on RJ’s mask make him push Verne forefront for cover. “Kazoo-man, go!

Verne’s random imitations of dying birds on the kazoo in his mouth don’t break her focus.

“This isn’t working.” RJ gives him his usual tutu and pom poms to put on. “Let’s try the mushy cheerleading stuff again.”

Verne chucks the kazoo into the turf and stands on the tip of his feet. “Are you trying to help, or make me look stupid?”

“…Both?

You.

“AAAAAHHH!” RJ flails backwards over Dottie’s traumatizing voice and throws Verne’s shell over her pointy muzzle.

It slides off her ink pen nose. She runs straight for him. Her paws crush his entire front as she perches over him in front of the drawbridge with her face cutting into the stripe down the center of his head.

“Please! I don’t consent to dying as waffle doggy’s next toy!” RJ begs. “I wanna go out with my face smothered underneath a MASSIVE, dump-truck-sized, load of delicious cheese dip.”

Verne quietly departs with his shell. He certainly doesn’t want to get involved.

“Anywho… Sup, Buttmunch?” RJ greets the dog.

“I thought you were finally DEAD.

“Heyyyy, that’s no way to treat your high school sweetheart, now is it?”

“We were NEVER dating!”

“That’s what an ex would say.”

Dottie pins her nails into his chest and bares her teeth.

“WOW, you’ve been seeing the vet more since I left, haven’t you, honey? I mean, your eyes are still awful as ever, but those chompers are lookin’ sharp! Too sharp… too sharp…

“A little more. Turns out your pet bird was hard to chew.”

RJ gasps and gives a wild attempt to free himself from the earth around him. “You ATE RUFUS?! You mean my number-one partner in crime?!”

“I wish. He was just as unbearable as you. He was so bothered by what we THOUGHT was your funeral that he flew south to a magical land called ‘Mexico’ and I’ve never heard of him since. Now enough from your mouth. I’ve had to know you’re still alive for a minute and a half and you’ve already exceeded your word limit with me.”

XXX

Heather curls over Ozzie. At least now, she’ll have her back to whatever the human beings do to her and her dead dad.

“I don’t wanna die…

A firm claw digs into the fur beneath her neck and sets her shivering still. Ozzie arises, holding her like a baby, fully conscious if not a little impaired in the eyes, no different from her. “You don’t have to want me now that you’re older, I don’t have to think I can be in your life anymore, but I do think, and therefore, I am.

Ozzie steals the fresh air that sneaked in from outside. It steams out of his nose. He prepares for battle.

Without a second to waste, he crystalizes his thoughts into one gleaming whole. That’s when his whiskers straighten and align. Dad Mode.

The clocks themselves fall back an hour with how stupendously fast he leaps off the table. Time slows as he takes to the air, the first three humans to stand in his way left unable to retaliate. He kicks himself around and his tail SLAPS them over their cheeks. He falls to the carpet beside them, but only he lands on his feet. Heather’s in a dream. Her ears have perked up. Next thing they know, a broom lashes at them from under the table. The attacker freaks when he pulls back his shot to find Ozzie holding Heather while sat upon the long handle. Ozzie holds absolutely no resentment, using the fleshy, screaming face as a stepstool onto its head and to a parkour over the haired nests of each and every remaining human, causing every one he touches to faint on the spot. With the Sniffer’s intrusion, caught in traffic at the other end of the room, Ozzie takes his chance to escape with Heather safe in his arms.

No one ever shut off the radio, and Heather listens to that intense rave become mute the further they make it from the house. During its playlist, she hadn’t managed to accomplish a single thing. Dad’s staring straight ahead as they go, but she still can’t bring her healing eyes to make contact with him, or say anything about how impressive he was. She’s useless. Her muscles and her feet have nothing to do in this embarrassing state. She’s red over the nose.

“If anyone’s gonna steal anything, it’s gonna have to get on the wagon now!” Verne points, which is still empty at the moment. Heather’s group had nothing to offer.

“Look, presents!” calls Spike alongside the other kids. They point at the presents abandoned in a fret on the side of the yard.

Before Heather moves at all, Ozzie sticks his nose right in her direction and says: “If you leave those presents alone, I’ll tell everyone that you saved me.

“Y-You would do that for me? Why?

A loud wheeze of “THE CAKE!!” by RJ under Dottie’s paws interrupts her confusion and skepticism. “GRAB THE CAKE!!!

“Good with me. You keep getting choked out by the hound!” Stella jumps onto the cake table right in front of the poor, pre-teen birthday boy sucking his thumb nervously.

The kid screams horrifically at the sight of a skunk’s rear end and flails around the party like a madman. He knocks himself into a tree and gets a pinata stuck over his head, to which he then reacts by going completely feral in a blind fit. He grabs the cake table by the bench and flips it over, launching everything skyborne. Lou and Penny catch the cake in its glass seal amid the raining ice cream that splatters between their quills. The kid tramples over Ozzie and Heather and kicks them both at once. His shoe steps onto Verne. He continues to roll around on top of his shell until Verne slips out of his feet like a rubber ball and dunks into the castle moat. After tackling his own pet poodle off of RJ’s chest, the pinata child finally does every animal a favor and knocks his lights out.

Among the confusion between all these mixed slices of the scene’s cake, Dottie gets up, her movements terrifyingly large and uncontrollable while she’s stuck on her giant ears, one of them thwapped over her face. When Dottie’s able to get it off and refocus her eyes, a squirrel and his fellow animals have a red wagon loaded ten feet high with one present, one cake, and all the snacks from outside.

“THRUSTERS, Hamilton, go!” RJ commands.

Verne’s hand comes flying out of Dottie’s castle moat and waves at the family.

“Um, but Verne’s drowning!” Hammy reports.

RJ cares more about the Sniffer and the net gun he just barged into the backyard with. “He’ll catch up when he’s done.”

“If no one’s thinking about racing over to help him, I will,” Ozzie says before he leaps off the wagon.

RJ yells, “Ozzie!”

Heather yells, “Dad!”

Hammy continues to ask, “Should I go?”

No!” RJ and Heather yell at once.

‘Go’? Was that a ‘g-o’? I can’t hear you!” Before the Sniffer gets a step closer, Hammy shoves his hands onto a pack of mentos. “The bad guy’s gonna put us in the back of a white van again. I’m going! C-ya!”

Without Verne or Ozzie aboard, Hammy stuffs a 2-liter soda with the mentos and launches it at the back of the wagon.

“‘Au revoir’, vixen!” RJ calls to Dottie as the wagon takes off and demolishes the fence. “WooOO-HOOO!!

Faire chier, orbiter male,” she cringes in perfectly affluent French, a mentor of RJ’s imitation. “Go bite a power line.” They fuzz up out of her view even before they reach the street, and all alone, she has to ask… “How’d that bear not maul you?...”


ACT III: Queens


So, Verne and Ozzie find themselves as the only animals left at the party. Ozzie fishes Verne out of the moat.

“Thanks, Ozzie. But how are we getting home without the wagon?”

He didn’t notice they already left.

“Why… I don’t know.”

Turns out, they forgot one more animal… They seek to have refuge supplied by the one thing the humans got at this party that won’t try to kill them. Well… not immediately.

“He’s called the Sniffer. He smells us here.” Ozzie kneels with Verne at the blue gates and pink arch of a tremendous castle. “Wouldn’t you let a pair of poor woodland creatures reside?”

Their last hope, Dottie, drags her paws down her face at the possum’s plea. “I don’t run a foster home! Not for anyone who smells like you.

Verne conjures up a big bag of dog treats out of nowhere.

Fair play.” She scoots from the entrance and lies still. “You may ‘reside’, if you need to be so formal.”

They hurry past the giant poodle into the palace. The magenta, mirror-laden hall offers one large mirror leaning on the wall for them to huddle behind.

The Verminator detects a harsh, mucky smell. Each individual joint in his body moves as robotics after his nose. It points him to this big, dumb, pink-haired poodle dribbling its tongue remarkably stupidly. His boots flood with intent after he pulls his belt up to his stomach. He picks up the pace, and no one comes to stop him in the yard until a firm man takes him by surprise, only a few feet short of the dog’s excessively-themed paradise.

“Excuse me sir,” the man jabs into Dwayne’s glasses, “but it’s my son’s birthday and I believe we all deserve a little explanation. Who’s controlling this madhouse?

“Hhhheh-he-heh, nooooot important. Pop, I’d like to ask if I could, eh, give your… ‘dog house’ (?) some spring cleaning.”

Subsequently, of course the mom shows up in the conversation to put another wall in front of him. “Our poor Benny’s birthday is ruined.

After all, the wildest party ever held in El Rancho just concluded, and the hangover comes next. Picnic tables have been knocked over, as well as other people, left thrown over the lawn like loose piles of clothing, all of these stragglers knocked unconscious in the hysteria.

“Who are you?” she cries.

“DWAYNE LaFonTANT! 8-year graduate from Verm-Tech Industries. I come from my battle bus like your first born from the heavens. And guess what? Your first born’s never held a high-voltage taser stick in his life! For your own safety ma’am, step aside please, and leave your pests to the Verminator.

Why would there be a single wild animal living in our dog’s castle? She’d kill it before it got a foot in there. Thank you so much for the offer, Mr. Fancy-Pants. Now get out.

Dwayne frowns at her. He crouches into a chicken’s posture and bends his head over the drawbridge. He eyes that dog so intensely it makes him the idiot, for she scratches at her ear now and then but otherwise puts out absolutely no evidence of human comprehension in her lazy, parted eyes. “You can’t fool me, canis lupus FAMILIARIS. I know the smell of unfound vengeance.

Once the poodle’s sloppy tongue drools out of its mouth and subsequently heads for the crotch, Dwayne finally calls it a day.

“EUEH,” he barfs. “And just so you know… I’M A CAT PERSON!” He could’ve spat that at either the actual human beings or the dog. It wasn’t clear.

Regardless, he turns his back, sniffs through a nostril, and sets off. Every (conscious) human being avoids him like an animal until he leaves through the destroyed backyard gate. Rebecca Wright practically rolls out a carpet for him to screw off back to his fortified bunker, scolding him all the while: “First the construction site, and now here. You’re slacking off, and the entire fate of the cohesion between our two towns for this suburban expansion are on the line. If you want to remain employed any longer, think DRASTIC measures! We need DRASTIC measures!”

A moment later, the figure atop his truck hammers the rabbit, and the Verminator takes off. Dottie listens until it’s rumbled away. She sighs in relief, repels from her grooming act and takes her head to the sky, not thrilled to announce:

“CLEEEEEAR.”

Verne and Ozzie peek out.

She doesn’t acknowledge them with eye contact. “Get out. Go be feral somewhere else. It’s impressive enough that your family’s drove someone hired specifically to kill you insane, so don’t make me want to kill you for free.”

The blur of a pink finger in the corner of her eye takes her to the possum.

Ozzie fiddles over the words “Um, actually… That’s not our family. We’re not with them.” He sneaks his tail over Verne’s lips before his confused stare objects. Ozzie points Verne to the missing cake on the lopsided party table. Verne’s eyebrow just raises even higher.

“Wow.” Dottie allows herself to slightly smirk. “You mean the emo teen isn’t in blood with the solemn poet?

“She’s…” It takes even more conflict in his throat to bring up “…not my daughter.”

Dottie observes his nervousness closer. Even closer, for she has trouble making out his features. His sagging ears cradle themselves anxiously.

What do you want?” she bluntly asks.

“Hear me out-”

“You’re wild animals. Go back to picking bones with human beings so they stop throwing bones at me.

Ozzie is the one to materialize the Barkin’ Good dog treats this time.

Dottie makes it clear, long, and drawn-out, putting her warm breath in their faces - “NO.” She chomps onto a squeaky bone lever that boots the two out with a trapdoor.

Ozzie and Verne find freedom over the fence. Though Verne, in retrospect, holds Ozzie tightly by it: “Ozzie, what’re you talking about?”

“Heather’s party will be the death of me, Verne, if I just stand here and watch,” Ozzie jitters, troubled. “I need help from someone who can make a scene. I need just one chance to put a hold on this madness and talk to Heather like a real dad again!”

“She’s your daughter and it’s her birthday. Why aren’t you, y’know, blowing up balloons, telling her about the day she was born… like fathers do?”

…Ozzie’s countenance shifts into another gear. He falls furiously onto fours and pounds the ground after a swift change of posture took all the disgruntledness out of his spine and tail. “Oh, what was I thinking?!

He stays there silently for a second.

Then, he rotates his muzzle in Verne’s direction without letting much of his face show. “I don’t know whether she wants to go on in life without me, and I may well lose my entire coat before I find the answer, but she’s my daughter. I can’t forgive myself for what I did just now. Let’s go home.”

“She’s your real family, isn’t she?”

“She’s not just that. She’s my home.

“Your family is your… home… Or… your HOME is your family…

He hears a firefly ring over his head. Verne glances through the suburban surroundings, but nothing interests him. Only the neatly-rowed trees hiding him and Ozzie - in their upright logs - put any relaxation into his shoulders and mind. The fireflies get brighter in their leaves by the hour. There might still be a chance, but it won’t last past the next dawn.

“Wait, so, let’s go back to that…” Verne excites himself. “You said you wanted help from someone who could… crash the party?”

“‘Crash’ is a mild exaggeration… But Verne, don’t listen to anything I said. I had somebody else in mind who could’ve helped, and it’s just… No. Just no.

Ozzie starts to walk away. Verne swims around his little reveal, and pursues. “Say… um, Ozzie… Is this ‘someone else’ a someone you’ve… met?

“Heather and RJ have. She’s completely despicable. She’s a queen too, but with an army. It’s a miracle they didn’t die by her blood red hands. She could RIP the life out of a party like this in half the time we did,” he explains while ripping at his own tail.

“Oof. Ozzie, that sounds like something worthy of a complete retelling in elaborate detail, doesn’t it?”

“Now that’s ridiculous. NO one wants to listen to my tales of woe. I’m old and infirm.

“No no no, we’re old and infirm together, Ozzie. When’d this happen?”

“Okay, I’ll tell you. We lay our scene in the house on the farthest corner of town. Two households, both alike in dignity- Am I going off track?”

“Maybe. Maybe.”

“So it was that house on the corner… Okay. Yes. The house on the corner. Heather, RJ, and Hammy blew that thing up like a sausage in the microwave. It all started when-”

The house on the corner. Verne’s already tuned out. He’s plugged a couple cheese puffs from the party into his ears (still can’t figure out where his ears are). He’s gotten everything he needs to know.


Verne finds him having gotten himself into something of a wasteland. The orange sky makes it outright apocalyptic to him. Zombies ate the kitchen of this house alive, unless of course, this is the place he witted out of Ozzie’s mouth. A triad of heist buddies left it in ruin, only half-repaired a whole week later. The yard is completely dead and ridden with large spikes of white exterior walls stuck in the dirt in pieces.

As deep into the barren yard that Verne dares to tread, he encounters no life. He gets so uncomfortable in his exposed loneliness that he starts to long for it. However, he gets more than he asked for. Much more. Dark red streams spill in rivers of blood from every point of what he thought to be the least habitable corners of the yard. They trap Verne around his ankles, and he starts to scream. Little red pincers, little black eyes… It’s an army of ants.

“WHO IS IT?” a loud-mouthed woman of royalty barks. There she comes - the queen ant, carried atop a mound of her own children. A hundred alone are needed just to hold up her abdomen built like an obese burrito on the brink of bursting. “Oh, food! Glorious, glorious food! The great crumb famine is over!

Verne never intended on being a meal for some bugs. But now, he’s strangled by a rope of ants all knotted together like molecules. “I- I don’t know who you are, but I need your help.”

“I could listen to you, or, I could eat you. Oh, decisions, decisions… life is just FULL of DECISIONS!” With the powerful authority contained in her front legs, she uses telepathic force to squeeze the ants tighter and tighter on Verne’s neck.

“I think you should eat him, ma queen,” a large ant says like a neanderthal. This pronounced ant wears an army hat made from a cherry tomato.

“I don’t care what you think,” the queen replies to the general, and ponders it still. “Oh, I know! I should eat him!”

“Don’t eat me!” Verne bawls. “I have a family! We’re foragers! We have plenty of food! A bit too much, even!”

“Wait…” She releases her hold just before his eyeballs pop out. “Do you happen to know a raccoon?”

“Yes.” He struggles to bring out his weak breath.

“What about a possum?”

Two, actually.”

“I think there was also a squirrel there- Does anyone remember a squirrel?”

“YEZ MA’AM!” the general salutes.

“I wasn’t asking you. Do you know a squirrel?

Her specificity turns Verne hesitant. “…Yeahhh…

“Well then. What was your plea for life going to be?”

“I need you to, um… well…” Verne pulls his shell up tight and gulps. “I need you to crash a party. It’s my last chance to save my home.”

“That can be arranged.” The queen taps her front legs together incredibly nonchalantly, spreading a mischievous devil’s grin over her face.

“So… how much would convince you to help?”

“Oh, nothing at all. I only want to feast upon… a morsel or two.

“So if I can lend you some food, you can force them to move out and promise that not a single animal will get hurt?”

“Sure sure, whatever. It’s a deal, then?

“Deal,” he answers without hesitation.

Verne rips the queen’s arm off trying to shake it, and promptly fixes it back into place.

The moment he hears it pop, he shoots his head up like he just stepped in a beartrap. After shutting off his autopilot, it occurs to him: He doesn’t know what he just did. He wanted them to be forced out of their home so that they might flock back to his. But then, what if they started theorizing? Forming a conspiracy? What if RJ’s blatant lies over his devilishness turned out to have merit? His tail tingles up through his arm, which shakes convulsively as he continues to clamp on the queen’s stick-like leg. Paired with a scream, he jerks it out of her body again.

It doesn’t come off his palm. It’s stuck. He can’t remove it. The deal has been made.

“No. No no no! What was I thinking? I can’t do this to Heather!”

Tomorrow is her birthday. That’s what the party’s for, after all. It’s been a distraction from the construction for the second half of the month, sure, but it came with Verne bouncing endlessly back and forth with his affiliations and motives until he ended up where he is right now, confused and left completely void of a plan, choosing whatever feels right at the moment, and being very wrong.

‘Heather’?” the queen repeats.

“She’s the only one who’s been trying to help me out this whole time! Even if I can’t tell her the truth about the Log! Even if I can’t tell anyone the truth! All we’re doing is tearing the family apart!” Verne stumbles rampantly, banging the queen’s wrist onto rocks and broken pieces of the house to scrape it off, but now his hands are even more moist and sticky from his new sweat and the dark red needle won’t eject from his skin.

Heather.” The queen plays around with that name. “‘Possum Pal’. HEATH-errrrrrrr…”

“I- I- I- Forget I said anything- Oh, AND I’m tingling! This is bad. I’m just gonna grab my shell and be on my way!”

Yeeeeeeessss… THAT’S one of the pricks’ names!”

Verne feels the ants crawling up his back. The pale green skin inside his shell rises to his shoulders and neck with a dark red rash, infecting him from the inside out. The ants form a cocoon around his body and swing him back to the queen’s lap.

“A deal can’t be broken.” The queen toys with him. “Especially when I have a few hundred servants listening to everything you say, writing everything you agree upon into law. Instantaneously.

“I don’t agree! I want to take it back!”

The disease running rampant over Verne goes from tickly to pinchy, and the queen turns from foxy to bitey: “If you try to keep me and my children/husbands/slaves away from that Heather and her unfunny boyfriend, I’ll eat the rest of your family alive along with them. GOUGE their brains out and STICK them ON THE GRILL!!”

Verne must’ve dismissed it as part of the grave aesthetic of this corner of town, because he hadn’t noticed the masses of trees being removed and replaced by thick smog just outside of the Hedge. Verne also doesn’t understand why the ants - even the queen - are quick to leave him just after burning the warning into his forehead. Verne then bumps the back of his shell into a fat pair of smokey work jeans.

“We meet again, Velma. For the first last time.” The man named Jack lifts his heavy work boot. “I’m not playing games anymore.”

Verne jolts his head straight upward. Behind his massive stomach expanding outward from his waist, the man’s bearded face reminds him of his place in the hierarchy of life. Playing one, to be played by everyone else.

A truck door slams shut at that same second. From the street, the Verminator inhales the air through his nose. His face pops wide awake like he smelled nice lavender. Tampering with an interface on his watch, he says to himself, “I’ve tracked the bomb carrier all the way here… If I can draw those other vermin around him, it’s game over…

He creeps up on the turtle in the backyard, only looking up to find another giant, ugly man when he’s close enough to step on the animal.

Jack and Dwayne jump back in sync, and move their eyes off of the turtle. It’s clear that they’ll have to fight for the prize.

“Hey!” Dwayne exclaims. “Do you have permission to be trespassing on civilian property?”

“Did you, as an avid boy scout, have a runaway pet turtle who bit your finger off?!” Jack rips a black glove off one of his hands to show his first 4 fingers intact, and the pinkie absent, a cosmetic replacement in its place.

Listen Mr. Jack Sawood-”

“Ohhhhh, ooo,” he imitates all baby-like, “don’t ‘listen Mr. Wack Wawood’ meeeee, oh no- That turtle is mine.

“Why should I listen to you?

“Because I EAT TOAST… without toasting it,” Jack employs as his top-level threat.

“No no no. I need that turtle.” Dwayne taps his watch. “I’m on payroll.

“OH HO HO! How ‘bout the big man with the bigger wenis comes out on top?”

“Fair. Show me what that wenis can do.”

“I’m not scared.”

“Neither am I.”

Buena suerte,” they wish each other just before rolling their sleeves up.

“Hmm.” After a keen arm-to-arm comparison, Jack concludes, “It seems our wenises are evenly matched, in look and application.”

Dwayne sniffs, to get an empty result. “Oh no.”

They hadn’t glanced or grasped at anything below each other’s necks since however long ago the turtle left their feet.

“RJ’s right to make a fool of me,” Verne admits while running into the forest. He grabs at the nearest bushes and shrubs for support. Carrying the weight of his shell up the hills makes it a tedious trip. “The Log’s doomed. It’s doomed! It’s doomed and you’ll just have to deal with it, Verne!”

By the end of the evening, the trees in the forest lose everything but their silhouettes. The pines become ink blots, and Verne, too.


This fic has been converted for free using AOYeet!

Chapter 10: Heather's Birthday

Notes:

Dottie, from last chapter, won’t be an important character until Episode 2. I’m putting her in the story now so there’s less exposition in Episode 2… which is important because next episode is gonna be much more like a movie, so things have to start being concise.

She’s the new character that I think would be most likely to be a real Over the Hedge character, since she comes from Dotty, who is the oldest Over the Hedge character (besides RJ and Verne) to ever exist. Read the earliest OTH comics if you want to see what I'm talking about. Dotty only existed for 4 days, mind you, but she WAS the first.

Chapter Text

“The time for celebration has arrived. In true RJ fashion, they stole a whole party from the humans to make it their own. Everyone waited patiently for Ozzie to make it home that night, even if Heather didn’t give him a glance. Verne, meanwhile, was lost for quite a while until they found him making it back completely pale and out of breath… Turtles are just that slow. Hoot hoot!”

Word Count: ~5k


ACT I: Taking the Cake


In the clouded sky that covers the following morning in eeriness, a glimmer of the day exposes the pavements to the glossy backs of the ants on their march through the town. The streets are empty enough to set the scene. Another glance at them would flash the catastrophic image of this suburban nightmare - Human kids hurried in their parents’ vans for the last day of school, their stomachs now turned inside out by the squirming streams of ants weaving in and out between the insides and exteriors of their houses. Along with their neighbors, everyone busts down their front doors in a heap of confusion, crawling to safety atop their automobiles. From surrounding blocks, the blood red colonies become one massive exodus through the heart of El Rancho, a horde stretching from one sidewalk to the other. An uprising of the most oppressed members of the animal kingdom has begun.

“That’s right, little humans!” the queen parades. “Surrender your deadliest artillery to our superior regiment! The ANTS WILL RULE THE FOREST! HAHAHAHA!”

To the incredible eyewitness of anyone awoken by the clatter, ants invade their homes and flinch at nothing. They remain bold as they get sprayed, trapped, lasered to death by automated technology and human hands alike. They suffer every trick in Verm-Tech’s book, yet turn less antennae to the dangers or casualties than the meaningless dust on the floor. The survivors never stop marching. Amazingly, their numbers alone drive them to loyally retrieve every resource they’ve been ordered to.

They leave no one’s home alone - not even that of the HOA president, Rebecca Wright. The gray-suited woman never takes her sunglasses off, even in the darkness of her work room. The only light source - between the shades of the window in front of her desk - flickers on and off from the caricature of a thousand ants right outside.

Her concentration is lost. At last, she slams her hands on the desk. These circumstances leave her accusations gripping onto one name only:

MR. DWAAAAAYNE!!

It was very bizarre for an infestation of pests to not be the Verminator’s fault. But as quickly as they swept havoc through town, they trailed at once through the far edge of the Hedge, underneath its leaves as though the wall didn’t even exist. The lasting impact - the only lasting impact - they left was equally mind-boggling. Some very particular belongings were being found missing from every household. Kitchen knives. Hammers.

XXX

Hammy was bashing Verne’s head in between pots and pans. Verne knew it was him, because… who else.

The ugly racket from the top of the hill brings all the animals out of their covers and away from their peace for today’s big event. On exactly May the 25th, Heather’s birthday overshadowed any anticipation Verne might’ve had. Such anticipation that the bearded man and his construction crew would have deforested the Log by now despite Verne’s childish fight with RJ at the construction site some days back messing up the humans’ plans.

And while he dreads this day as much as he has since the start of May, grumbling underneath his pillow, he can’t lift the pillow off of his face until it comes to mind why he lost out on so many hours of the night. There’s absolutely no time to wait. Too far from the suburbs to be jolted into his paranoid shape by car horns, he has trouble finding his own will to show his burning eyes to the fiery forest roof and to fix his neck straight. Whenever he goes to blink, the inside of his eyelids flash red. Something seriously itches down deep in his shell, too far to reach. Symbolic, maybe?

Heather did say he was coming to her party, and it looks like she meant so whether he liked it or not.

Thanks to his irrational skepticism, no one in the family gives him any strange looks when he rushes to turn over every rock and manufactured good they have, trudging his feet under his shell like he’s being held back by mud. There is nothing. Not at the TV. Not at the miniature campsite set up over the creek. Not inside the broken face of the cliff and the log tunnel embedded in it, which everyone had already replaced the real Log with. Not in any of the mountains of food, in anything that was stolen from the birthday party - junk that the Hedgies finally cared enough about to arouse suspicion. There wasn’t a drop of that shade of red. Instead it’s the orange of the morning and green of the midday, and by that point plenty more hours had been lost of what little remained.

Now his face became flushed exactly like that intense hue he couldn’t find. “Oh no no no no,” he says to himself, “how could a crazy red torrential flood of ants be easy to miss?

Hammy finishes blowing up his 100th balloon, and suddenly Verne has a new problem to contend with. “What do I do when I find them? If I find them? Shut down the whole party?” None of the heist plans pinned on the bulletin board have ever been drawn over, erased, or crossed out, as none of them have ever been abandoned after RJ conceived the details. The only thing keeping them in place, however, are the pins holding the papers against the wind. It’s absolutely horrendous how unknowing his family is. Hammy just made his party hat into a unicorn horn.

Exactly like Verne, Heather stoutly avoids everyone’s attention this morning. For hours, she retires to her purple seat alone with the TV. She bends her short self as far as she can handle over the armrest and comes close to feeling her coat rip apart, all for a stack of CDs she refuses to leave her chair for. The chair kills her back, but the worse it feels, the worse it feels to try to leave. CDs in glum hands, she sifts each fragile one away from the others while her eyes go weary from reading all the covers.

Verne hides a deeply puzzled stare behind his bush. He softens his knees to let himself approach her. A loud bump of his shell into the nearby cooler terrifies him back into the shadows. Regardless, her weird repulsion from the family on her own birthday leads Verne nowhere. “She can’t be left alone for much longer. I bet they’re just waiting for their time to strike.

Then Verne covers himself in a snack bowl and crawls around the other side of the hill to tune into the adults setting up the party. Stella, Lou and Penny, Tiger - They give him no mention of the color red.

I can’t remember the last time everyone was this happy about change.

He never gets caught up in the actual birthday affairs. He doesn’t have time to, and he doesn’t care how harsh that sounds in his head. Those ants are nowhere to be found. The forest is perfectly pristine under the blanket of white clouds. Nothing about the light glint of the streamers and signs hanging from the trees gives off anything other than a peace of mind. Verne was strictly opaque to it, but watching everyone add their share of icing and decorations to the large birthday cake soothes his heart for a minute… until Ozzie has him endlessly, nervously intrigued.

He’s the only one not in the circle around the large cake hidden from Heather. He carries a stack of photos and makes himself an outlier, putting himself past the creek.

“Ozzie? Hey, Ozzie. We need to talk about what happened at that poodle’s house.”

Right when Ozzie’s eyes blew up from what seems like the picture he wanted, the wind blows the neat stack haywire.

A familiar set of photos circle Verne’s face - it was the pranks by the kids on RJ, photoshopped crudely with Verne’s cutout over them to make him the culprit - all for that nonsense ‘trial’ they held as an elaborate way to get him ‘banished’. Verne hadn’t yet fully appreciated what Heather did to get the family to tolerate him again for the birthday heist and for this party. He numbly frowns anyway.

Before Ozzie’s one of interest hits the creek, Verne catches it for him from the other side of the water. Ozzie falls backward and catches his old breath.

“You have to warn me before you go saving my life, Verne.”

“Don't be dramatic…” The dated creases on the surface of the paper take Verne off track. “...What’s this thing for?”

Ozzie takes it from him and flips it gently with a scent of gloom. “Just a little piece of lost history…”

From inside the frame, a younger Heather on the purple chair stares wide-eyed at Verne, the edges of her mouth pulled up by Hammy into a giant grin. She has pulled a cookie as her gift from RJ’s bag. The whole family (including a slightly less old Verne) takes part in the celebration. They have everything the TV set has had since last year, but not much else. The strangest part… is that Ozzie isn’t there.

“This was her last birthday,” Ozzie explains. “We were having such awful luck after we lost everything to that bear. But she looked happy. Happy to be with everyone. Happy to be with me. I took the picture. Now here at home we have everything a teenage possum could possibly want, and she doesn’t want to talk to anyone today. Especially me. Why is that, Verne?”

“Why… I don’t know, Ozzie.”

“That’s what I was afraid of… because that’s what her father said too.”

The creek separates Verne from Ozzie’s shame and solitude, where he remains seated with his arms around his knees. Verne feels more of these ends loosen. His only remaining thought is: “Oh brother, what’s happened to this family?

Pinch.

That’s when the inside of his palm takes him by surprise. He slowly releases his fingers to greet none other than the queen ant’s missing arm, stuck hopelessly to his hand. It waves its broken end at him and points somewhere in the vague direction of the party tables, where all the snacks and cake wait in the back to be served soon. “So you are going to steal the food we stole.” Verne tries one last time to pluck the red stick, but the deal was sealed and now this handshake will last an eternity.

But from all Verne has seen today, or lack thereof, he closes his hand tightly and says aloud, “Sorry. You’re not the reject who was invited.” So he stays put away from the ongoing festivities, where he can bring no harm.


ACT II: Stopping the Spread


The twenty feet of distance between Verne and the dinner table strikes Heather as odd. She herself waits on a little hill near the trees with her ears open. A small fervid talk between RJ and Verne ends with RJ leaving Verne to his corner and letting out a defeated puff. Heather keeps herself looking occupied with her phone while RJ heads to the table.

“Well y’know,” Hammy ceases her focus with a shout, “when two characters are fighting, it always means something good’s gonna come in the end.”

Does it?

“Oh yeah. I’ve watched TONS of movies. Which doesn’t make sense because I can’t sit still. Can we eat now?”

Heather mumbles to herself as she hits the foot of the table. She feels like a bat meeting sunlight as she shows herself for the first time. For this final dinner, she avoids eye contact with the possum at the center of the row.

"Well, there she is." Stella's sly comment does immense work on making Heather skittish at her feet. "Did you really hate the decorations that much?"

The adults find it humorous. Hammy and the porcupine kids poke and prod one another at the other end of the table. Heather doesn’t feel comfortable approaching either sugared-up group. The margin between her woozy, mundane pace and their pounding hands on the table make it apparent what today’s time in the closet has done. Ozzie’s empty look creeps far into her head, not only because it’s the only thing matching her lack of enthusiasm, but also due to the only empty seat being the one rubbing against his chair.

Lou calls out as jolly as can be, "Take a seat there, Heather! We put you RIGHT NEXT TO your pops."

Heather’s reflexive laughter is out of tune. She makes a fool of herself by playing all sorts of weird Twister moves and tripping on her tail. "Ohhhhhh, wow, you’re all so thoughtful!" Then she uproots her chair from the ground and, grinning way too hugely, drops it a yard away from Ozzie while he tracks her every move.

RJ comes crashing in with a giant silver lidded plate that demolishes the center of the cardboard table. He dives into the seat opposite Heather and Ozzie. The covered plate blocks his view of all but their tall party hats. Unfortunately, as he was too busy ruining things to take notes, he can’t sort out which possum is which. Shooting his head to the right, he sees a grumpy, hunched-up man with big whiskers, and finds that he bet wrong.

The stare-off he has with Ozzie while the man just sits there munching on ice cream chills the hair on RJ’s back like nothing else.

Something feels so off about all this.” The town and its automobiles sound so quiet to RJ, not on their own accord but strangled out of their words. The gray sky concealing the inner forest makes everything past the edge of this clearing look motionless like winter, where the forest is so empty but alive that it feels like a dream.

RJ instead, cautiously, brings his head to the left of the lid and slowly reveals the brunt of his troubled look to Heather’s already discomforted, stiff posture.

Heather disappears under the tablecloth in a blur. RJ almost skips a breath.

RJ starts in his appealing voice, “So… you wanna get this party started, Hammy-?”

“As long as I get my slice of cake second!”

“…Cool.”

So, while Hammy keeps everyone’s mouths nicely occupied (with ice cream), RJ bends under the table after her. Their muzzles appear to greet each other from the tacky fabric.

Heather immediately sighs as though her mouth has been taped shut for a while. “RJ, somehow I don’t feel like I get anyone anymore. Except maybe you, sorta.”

“You used to say I was the ‘mysterious’ type.”

“You’re the only one who’s not shutting up and eating ice cream so I guess you must be like me.”

“Yeah, I can’t eat anything in peace right now. Your dad’s still giving me the… dad stare!

“What do I do about it? I really pissed him off yesterday. If I have to talk to him I will literally die.”

Behind their chairs, Ozzie steers his tail until it taps the end of Heather’s. To his dismay, that tiny touch sends her head flying into the bottom of the table and taking everyone’s food into the sky. She hollers in agony as everyone watches her emerge rubbing her forehead.

Ozzie puts his eyes in his hands.

Then, he raises them just enough to see RJ’s head peeking towards him around the plate, eyes bulging like a tiny chipmunk. Ozzie slashes his own throat with a finger. RJ darts impishly behind his cover and never shows his face again.

“Who's ready for cake?” RJ quickly ushers to the whole table.

Great. That sounds great,” says Heather. She refocuses her look to be dumb and adorable, just as she needs to be to draw away all the little gossip that came from her concussion.

Ozzie bumps her tail yet again. “Heather…

Uncle Verne,” she announces at once, “it’s time for singing! And cake!”

Uncle Verne, off so far by himself that he’s almost camouflaged in the brush, takes off a large set of binoculars suctioned against his eyes. Why he would be bird-watching isn’t clear. What’s more, he does it with a panicked, shaky tail as he tries to stutter: “Uh- No, I’m not hungry, really! You know delicious foods always upset my stomach. Yuck yuck. Did you know I love licorice?”

“…And it’s time for cake-flavored ice cream!” Heather growls back.

“Well, when you… put it that way…”

Verne’s paranoia towards the innocent trees doesn’t cease. He crams his way into the table between the porcupines and Stella, who happily volunteers to be the one crushed by his shell.

“Ohhhhh Verne, why don't ya join us,” she says. “The possums have gone feral.”

“No we haven’t,” says Ozzie, as he fights with Heather over getting to use the cake plate as a shield for their social anxiety.

Behind the silver cover, Heather mumbles slowly at him without moving her lips. The words she stitches together form a code: “Start… singing… and we can… leave.”

Ozzie claps her hand into the rim of the silver plate before she sneaks it onto the lid.

Heather is shocked silent as her snout zips over at Ozzie’s arm.

“No! Not yet!” Once Heather falls back from the tone of that voice, Ozzie releases his pent-up shoulders into his chest. “Can I tell you a… story?”

“Yeah? A story?... How important is it?” She can’t swat away the attention of everyone outside her and her dad’s bubble, as their ice cream has lost their fixation, down to even Hammy’s full carton of the sugar-free kind.

Likewise, Ozzie quickly finds that she has become stiff all the way through her tail.

“It is unbelievably important,” Ozzie remarks.

“For some reason I think you’re exaggerating.”

“Like it or not, today is your birthday, Heather. I think it’s time you and I started acting like a real family again. Because, well, it was 18 years ago that…” Swinging his tail in front of their faces, he blocks out the quiet orders Lou and Penny whisper to their kids. He then finishes by revealing to her, “…your mother made me promise something.”

Heather’s gut drops.

“Mom?” Her illuminated eyes show interest, but her low tone shows skepticism. “What was it?”

“She-”

Ozzie can’t continue. The silver case. It just rattled underneath their hands.

What happened to the cake? They couldn’t find something to make of it, though Verne raised his hand towards his face and drew his neck a little deeper into his shell - The number of ants he’d found would fit on those 5 fingers. He stares at that plate encased in solid silver. And he knows… that he doesn’t know. Yet there wasn’t another explanation to be found.  He knows that the wooden walls this deep into the forest could keep out the deadliest exterminators and even the most daring lumberjacks. Instead, there was a vague reason - a chaseable notion - that made him keep his feet out of the grass while sitting at the table.

Stella breaks into the opossums’ sharp conversation after the plate shakes violently. “Now what the heck is going on with y’all?”

Heather ignores these distractions. “Dad, what was it?!”

Here’s one thing: They were already inside.

“Everyone away from the table,” Verne says stoically out of nowhere.

“What’re you yelling about?” Stella yells at his ear.

Get away from the table!

They don’t make it an inch by the time the ants pile up from inside the cake, destroying all the hard work that went into what now becomes an explosion of icing. From underneath the table, they storm through their legs and knock almost everyone to the ground. More ants pop out of the party balloons, the whole forest of them, spreading all the germs that come from a sneeze. The rubbery gunfire would send anyone’s ears into shock.

Again RJ and them didn’t know how it happened, and neither did Heather, but she had been caught in the initial outbreak. It was then that the queen of the ants slid out from under her prey and commanded her mobile mound of living ants.

“They’re back!” Hammy exclaims. “RJ, they’re back!”

“They’ve clearly got a hit out on Heather! Find the emergency bug spray! It’s in my bag!”

RJ has to stumble around all the ants flooding his way. He doesn’t have his bag on hand to make use of. He’s caught off guard by Heather’s wild scream.

“Last night,” he hears the queen converse with her, “I had a talk with a delightful delinquent who told me of this perfect opportunity… to crash your party.

“All we need is a can of bug spray,” Heather manages to speak while trapped in the grip of her ant colony.

“You poor piece of crap. Let’s not fool around in your fantasies of some ‘human world’ this time, shall we? This is the natural order, with ants on top of the hill where they belong!”

“HEY!” someone else shouts. RJ garners the queen’s attention from wide open in the field standing behind her overwhelming size. She advances over him on her mound, so RJ flaps his hand quickly before he’s snagged. The Hedgies take their mark from him. “You still pissed we beat you fair and square?” he asks the queen in a heavy breath.

“Oh please. The only reason you and your sweetheart won was with the help of those ‘hUmAn tHiNgS’ you spoiled yourselves with. Now, back to killing.”

“Just admit you got outplayed,” he continues. He manages to get her riled up and turned away from Heather.

“Ugh! Unlike you, I have no need for material goods. Let’s see how fair it gets when I take it alllll away.”

With RJ and Heather strung from a tree by their feet, the queen sends the rest of her ants on a hunt to devour everything they can find. Thus, the dirty work commences at full speed, ravaging Awesomeland in unstoppable packs, infecting the masses of their leisurely plastic goods, the ants even taking the forms of wrecking balls and large devouring monsters to brandish their own material goods, their sharp and heavy tools. The little devils leave their leader particularly impressed by the mirror they found for her. The queen’s reflection interests her more than her bloodthirsty vengeance towards RJ and Heather.

Nobody sees more than a glimpse of the apocalypse. They each see only one broken piece of their history and hard work fractured in an instant. The ice cream - gone. Antique paintings - broken. Toys - eaten to pieces.

Turmoil ensues among Verne’s group as everything they knew Awesomeland to be falls once again in a tragic wave like the wood cutters they had feared above all else. They can’t see their belongings or anything left of what used to be a birthday party anymore, for all its decorations and food were covered in red.

With a heavy heart and a determined beat, Verne takes responsibility upon himself. This time, THIS time, he commits himself to a new course. “Kids! Evacuation protocol! Now!”

They operate the nearby laptop, stationed and hooked up to a jumbled tower of speakers and communication equipment by the top of the hill, though they panic and fight over each other.

“Everyone inside the Log!” Verne orders.

Tiger breaks the news to him: “The Log is at home! We do not have the Log!”

The surprise and slight embarrassment that comes from this realization goes away once Verne looks at the snug cave inside the cliff with its large hollow log entrance. It’s sturdier, less exposed. This log looks healthier than what he remembers of the Log in almost every way. “This will do.”

Everyone quickly gets inside, not before Ozzie pushes backwards through the crowd. “Verne, they’re after Heather! Someone has to put a stop to this right now!

“Get in the den, Ozzie! I’m telling you, she’s only here for food. No one will get hurt.”

Suddenly, Stella’s ear perks up inside the den. “How do you know?” Tiger tries to stop her from going, but she can’t be stopped either. “And y’know what, why am I even listening to you, Verne? You never cared about this place anyway.”

She likely didn’t hear him slowly respond after she shoved him away: “But I care about... you.”

Meanwhile, the kids storm their way through the laptop files to locate the emergency protocol. The signal relays up the tower to the loudspeaker on top of the electronics. It wails the audio of a tornado siren into the open forest roof and overrides every sound. The high-pitched chaos shatters the ants apart from RJ and Heather like the glass of the queen's mirror. They lie wiped out in the dirt. The last hints of a party have died.

“Oh! My arms!” The queen cries so loudly that it’s the first thing anyone could hear above the siren. “One of you idiots reattach my back legs!”

Ozzie and Stella, with stinging ears, carry RJ and Heather to safety. They rehydrate the pair with any of the red punch that hasn’t been spilled in bloody puddles over the ground.

“Are you okay, Heather?” Ozzie asks. She nods a little bit, enough for him at least. However, her arm won’t stop shaking once he lets it go.

“You leave our family alone!” Verne barks at the queen. “If I see a bug bite on any of them, I’ll-!”

“Cut the act, you oversized green diaper,” she hushes. “But that’s the thing - it’s not an act, is it? You’re still fuming over the fact that I got what I wanted out of our deal and you wimped out. You still have something that belongs to me, yes?”

Indeed, the queen’s one arm - the one he deliberately hid behind his back all day - remains frivolously stuck to Verne’s wide palm. To his distress, the Hedgies, who have inserted themselves into the mess, take notice and take an ear to the situation.

“Why don’t you face your own insecurities already?” the queen laughs out loud. “You knew EXACTLY what you were doing, coming across town to ask me to screw with the exact animals I’ve been planning my revenge against for ages.

Verne doesn’t dare glance at anyone surrounding him.

“Come along, my worthless drones!” says the queen. “Let’s rectify this failure in peace and quiet… personally.

Verne doesn’t quite realize what this means for his fate. Something sweeps Verne onto the back of his shell, and the ants whisk him away. Now he’s forced to face his family behind him, where Heather’s feet advance in front of everyone else’s. He’s not ready for it. She stands before him in her disastrously-shaken fur, shoulders heavy, rubbing the back of her hand, frozen at the sight of him.

It proceeds in the somber demeanor of a funeral procession. The siren reaches its end and leaves Awesomeland to nothing but emptiness… like winter. Verne feels no motive to resist the ants as they haul him across the short field. The Hedgies don’t even contest it, too busy collecting themselves. They’re unarmed, anyway. Verne leaves Awesomeland for good on a caravan as tall as the Hedge.

Hammy finally brings RJ that bottle he was looking for. “Bug spray… RJ.”

“Bring it,” he mutters in an irritated breath. “Let’s go get Verne.”

They leave at once… all but Heather. Verne's party hat fell off when he was abducted. Now it's sitting in the path they cut themselves - the doors to hell. She takes the hat. She serves it to the creek.

XXX

The queen dumps Verne against the Log. He watches her smile spread from antenna to antenna. “Deal’s off.”

What?” He has no intuition to call this place home anymore. Instead he shoots his back straight up in the ant-ridden land, foreign to the oncoming darkness of the night and appalled to be in her company. “You- you- you ate everything we had at the party! Isn’t that enough food?”

“You didn’t read the fine print, did you? I was promised revenge.

“…Huh?

His obliviousness ticks off a twitch in her swelling abdomen. “YOU IIIIIIIIDIOT! You ruined everything for me! I needed to eat the raccoon and the little possum alive! You promised me that morsel or two… but now…” she snickers, “I can’t let my family starve because of a little turtle like you, can I?”

Nightfall descends upon the Hedge as she laughs louder and louder, faster and faster.

Her ant general hollers to the pack, “Feast yer EYES and yer MOUTH THINGS on this lad!”

The cultish chant begins. “WE ARE MIGHTY! WE ARE ANTS!”

Verne pleads for his life as the swarm takes over his limbs and the transformation runs wild. “No! Wait! NO! AHH!” He ducks into his shell, into pure darkness. The last thing Verne feels is the outside - and inside - of his shell being infested with the pincers of a thousand ants, claiming all parts of his skin.


This fic has been converted for free using AOYeet!

Chapter 11: Homeland Defense

Notes:

I want to talk about what's going to happen with Episode 1 now that we’re moving into the climax. Long story short, once we’re done, I’m going to be revising every chapter in this episode and the prologue. No plot points are going to change - not even the ones I don’t like and that were band-aid fixes to major issues. Instead I’m going to be whittling down the word counts of lengthy chapters, tying the themes together by making them more apparent early in the episode, and improving the interconnectivity between chapters. It’s been so long since I’ve written the overloaded early chapters that I honestly forget what they were about. With how many years this episode has taken to write, I reckon it will be difficult to put all these ideas in harmony. But I want to start prioritizing the reading experience. Yes, I still want OTH2 to be the ultimate amassment of Over the Hedge sequel content, but I also want it to be fun to read.

Chapter Text

“Let me tell you a story of a storm. One that has been brewing in the sky above where nobody shall notice. The treetops, the middleground, are left to owls, the wisest of them, to watch over the fighting taking place on the ground below. They’ve been caught in an unfortunate trap of their making, those animals. Where’s there left to go when all the agents of their bitterness are vanquished, and they must return to fighting the war themselves? They’re going to find out why the calm doesn’t truly come until after the storm. The illusion of stability in a standing house of cards is a dangerous view. Hoot hoot.”

Word Count: ~7k


Tick. Tick. Tick.

It’s definitely not a clock, otherwise it would be going tick, tock, tick, tock. Instead, it’s a tick, over and over again. It’s not mechanical, either, but a digital noise. Nothing on the inside of whatever’s in his head is moving the pieces around. It’s just an artificial sound distracting him from any meaningful reflection on the past few days. It’s something to fill the void with a rhythm, to fill the cup with water, to fill the forest with a breeze.

Verne, on his last leg of sanity, releases some words that form his first coherent sentence within this dark cage. “Ohhhhh, there goes that awful sound again…

It’s still going.

I get it. I’m a timebomb. I’ve been a timebomb the entire time. I already blew up. You can turn it off now.

It’s not going to.

In addition, the muffled voice of a young boy enters his mind and conquers it from the inside out, remaining crude in its disposition as it sings, “Ring around the rosie…

No,” Verne calls upon it. “No, no.

The wheels on the bus go round and round…” it tells him, louder and clearer than before.

No, that’s not it.” Verne doesn’t know what he’s talking about.

The berries on the bush turn brown, brown, brown…

“Do I know you?”

He appears in the midst of a damp, wooden tunnel filled with a flowering essence. Already afoot and ahead of where he thought he was a second ago, he exits the Log. A mat of brown leaves at the doorstep crunch lightly at his departure from the cradle inside. In near silence, the dense forest’s beauty extends its reach to him by the rays of the bleached sun. Being in the open light doesn’t feel any less airy. The constant circulation proves that there’s an edge to this reality, for the wind comes at one side of the trees and comes around at the other. The disappearance of the Hedge from this landscape leaves the wet spring field in a peaceful state. The forest seems to become blurred into nothingness at every edge of the brush, though it looks so expansive at first glance. Everything else is just as it must’ve been before any animals inhabited this place in the middle of nowhere, aside from, mysteriously, a little toy airplane sitting sharply intact. Verne doesn’t have one thought dwelling on it. The inside of the Log looks good as new, untouched by any hands, not a missing piece anywhere. Perfectly cylindrical. Nobody inside.

Out of intuition, Verne heads for the nearest berry bush at the nearest edge of the space. Their healthy shine makes them easy to find. Picking each purple one off and collecting them on a nest of leaves beside the Log, he soon finds himself content.

So this is heaven, isn’t it?” he says subconsciously as he looks for another soul once more. Unfortunately, he’s the only one here to enjoy it. That makes collecting so many berries a pointless task, but he doesn’t think of it that way. He might not be thinking at all. Returning to the berry bush, Verne, alone, selects another handful.

Then, the first thing he felt in such realistic proportions stopped him in his tracks. He felt the tingle.

His tail rings such a hot red alarm that the rest of the forest stopped swaying leisurely in the wind. There’s nothing left to hear, yet the melting paper coming down in the stress turns him into someone suddenly aware of everything. Another bush rustles not far away, apart from everything that had frozen still. First he shoots his head into his shell, another alarming act of consciousness.

Then, he creeps towards the direction of the sound. He scans over the tall grass. He scans past the willow tree. In the center of his view, he catches a moving green figure camouflaged in the vegetation. Another turtle. Back turned away, they continue to pick from a bush identical to the one Verne used. He physically restrains himself from making a sound. The turtle has the same checkerboard pattern on the back of their shell.

He slowly puts one foot forward. It’s a long way over the flat lawn to reach it. The tingle burns hotter behind him as the figure shifts closer. The turtle is shorter than Verne now, he can see it. The subtle chirping of the forest rises constantly in pitch like the trees are scraping off their own skin in greater, louder numbers. Verne can’t tell apart any more important features of the turtle as he crosses more and more dangerous boundaries. As desperately as he tries, he can’t get at the right angle to see his face. The turtle, his kin… suddenly ceased to move. Verne must be only a couple feet behind this character.

But Verne's foot doesn't hit the ground on the next step. Instead, he takes a plunge into the pond right in front of him.

“AHHHHHH!”

Verne jolts out of a pool of mud he lies in, screaming like he was hit with a defibrillator. It’s nighttime again. Of course, what is he talking about? It’s always been nighttime. Nothing happened. The storm drizzles cautiously over his face at first… before it hails down with no mercy. He repels himself from the muck that made his bed.

“Wait… I’m not dead?” he pants, neither relieved nor terrified.

A big can of bug spray hits the bottoms of his dirt-covered feet. Someone threw it at him - He looks up and discovers the culprit: RJ. It’s not until the real world flushes him out of whatever hole he was in that he notices the mounds. Masses of dead ants stacked in piles everywhere, specks that look like rotten cherries over the ground. One bottle is all it took - It was that easy. With the queen utterly gone, any surviving ants completely banish themselves at a moment’s notice. They’ll never be seen again.

“Come on, if you were dead,” RJ starts, “we would be left with one extra, lonely slice of cake, and that would be plain sad. But you weren’t planning on eating cake with us, were you?”

“Y’know what, if I were dead, I don’t think you would even have a cake. Because y’know what, I was the best kazoo player you could’ve asked for on that heist.”

These ramblings shouldn’t last. The rain picks up at an unprecedented rate.

“Better get your rain boots,” RJ sighs. “Zeus oughta strike down two wretched souls tonight.”

“You or me first?” Verne sends back an impish remark.

The sky sends one of its strongest soldiers to touch down at Verne’s rugged, ant-bitten head. It shimmers for a fraction of a second at the exact height where the suburban lights on the other side of the Hedge can hit it. The heavy raindrop misses its mark, grazing the side of his leg. A loud clap of thunder condemns its failure right as the drop splashes out a crater in the mud underneath him. He stiffens his neck… a little.

“We’re about to find out,” RJ warns him, devoid of color.

It’s clear to everyone now that the night would be covered in storm clouds.

Such dark clouds bid Verne's shadow away, revealing any obscurities hidden in his figure. The next sight of lightning, as it brings it back to him for a split second, turns his skin cold. The other family members squirm. He sees them for the first time be unnerved by the graveyard that the Log and its forest have turned into. He exchanges his pale feelings with them. They’re about to have another night ruined by something beyond their control. It’s the worst possible time for them to come home to the Log, in such a state of grayness that Stella hasn’t lashed out at him, Hammy remains still, and the porcupines hug their kids into their fur to block them from the rain, though Verne knows they’re keeping them from him, too. No matter what happened, and no matter who’s to blame, the wind right now is making sure that everyone gets rattled down.

The leftover trash and popcorn littered in sparse places near the bushes remind them all that there used to be something special here, in a warm, little oasis once home to dozens of fireflies. Nothing gives them any light to see each other with other than the lightning strikes growing their concern as they hit harder, burn brighter, and reverberate faster. It’ll soon be right over their heads.

The bulk of it is on the horizon. A brief but dramatic burst of wind silences them and their few words by drumming them in the back. The storm before the storm blew over from deep within the hills of the forest to ring the wind chimes in town. Trash and popcorn won’t keep them safe. There’s nothing left here but a log.

An opposing whirlwind fills them with panic as it hurls the whole suburbs at them from the Hedge. Stella shoves Tiger out of the range of a lawn chair. If they won’t bring their things back here, the storm will. And it has murderous intent. Somehow, even a box TV no smaller than theirs hits a tree and falls beside their huddled group.

The screen turns on.

…ladies and gentlemen, tonight we will be experiencing the largest storm to hit northern Indiana this season-” It stutters. “Close your windows and stay inside-” Those were the last words of a weatherwoman before the lightning cut the TV’s signal in mere seconds.

Penny draws the kids even more tightly into her belly. “Kids, go keep safe under the willow tree. And don’t mess around, there.”

While the kids hurry off to the pond, nobody else budges from the council they’ve formed in front of Verne.

“So whadda we do?” asks Stella. “Sit here and wait to be decapitated by a flying-”

"We must wait out the storm." The interruption from Tiger catches Stella a little off guard. "It’s too dangerous to go back."

"We can't go back, stupid." A different voice, from a snotty squirrel, tells them.

Everyone faces Hammy to remark at the uncharacteristic gloom that has swept through one another tonight. They turn to him in waves, not saying a word.

Heather prudently makes her way forward to fit herself in as a puzzle piece. The rain washes her fur down to the ends of her face, leaving her eyes and her shivering ears exposed. She has her arms crossed from the endless chills that remind her of the evening.

“Didn't you see?” Hammy flaps his arm neurotically. “They destroyed everything!

RJ laughs breathlessly, “Well let’s not be dramatic-

“You didn't see what I saw! Everything is gone, RJ! Why don't you believe me?!

“Ok, Hammy, calm down!” RJ turns to Verne in a considerate manner. “Ok Verne, while we're standing comfortably in the pouring rain, go ahead and explain.”

Following a small spike going through his heart from hearing RJ address him, Verne says, “Thank you. For keeping this civil.” He holds a line onto everyone looking his way, one that’s impossible to balance the weight of. So far, no one could predict what anyone would say.

It terrifies him, but he can’t seem to look away from Heather now that she’s appeared. Soulless, she hits him with an endless stare, no line left on her face. Her head is tilted slightly downward. It helps him focus more intensely on the miniscule vibrations at the ends of her fur. Only someone with something special would see her shaking.

He must explain himself to them confidently. But that something special lasted just long enough to hurt. But any doubt in what he did to them would make the storm even worse-

“YOU TRAITOOOR!!” Right as Verne opened his mouth and lifted a finger, Ozzie jumped out bizarrely and screamed.

They fish for a clue to Ozzie’s outburst. By that time, Ozzie approached Verne angrily but kept within a tight bubble of space. Still, he’s on Verne’s toes. Ozzie is tall. Verne’s neck gets shorter. He backs up and holds tightly onto his Log, marking his territory in disarray.

“Ozzie-”

“No. We had something in common, Verne! You and I, we were left behind! But you lost my trust! You lost everyone's trust! You brought it upon us - the storm that'll tear this family apart!”

Obviously, he’s just being philosophical again. It’s exaggerated. Right?

Heather, not knowing the answer to that question, or any answer she wanted, puts her foot forward. “Let me ask him something.”

“I'm doing this for you!” Ozzie shouts.

She puts her foot back to zip her mouth shut again.

“If you hear me out, I would be able to tell you I tried to stop it,” Verne insists.

No! No ‘try’.” Ozzie drives him into his corner, where the water on the edges of the leaves above come pouring onto Verne’s head. “I should’ve known history would someday repeat itself. You used my daughter’s naivety.”

Heather doesn’t take nicely to it.

But she didn’t say anything, so Ozzie never heard. “Let’s get this straight. You used her to get back into the family, lead a pack of murderous ants - which she’s deathly afraid of, by the way; I raised her - to our home on the most important day of her life, ruined it, and then tried to masquerade as the hero on your stage of lies.”

“Damn,” Stella whispers, “I’ve never seen Oz’ like this.”

Heather is beyond embarrassed by it. Her face and Ozzie’s are both flushed red for completely unagreeable reasons.

The rain starts to attack in an uneven flow, settling back one second and pelting them the next.

Ozzie paces in front of Verne and the Log. He's hardly phased by the storm anymore. Verne holds onto the Log the way a child would, grabbing the edges of the pieces that were torn away over the years. Ozzie looks just as decomposed in his wet, spiky fur coat. "Their queen was purely psychopathic, but luckily for all of us but you, she wasn’t a liar. She called you out when you wouldn’t let down the mask yourself."

"What’re you talking about? You know her. You said you did. She lied right to my face." Verne tries to hold back his stutter. They'll think he's a fool. "You think I… meant to have them attack her?"

"THEN WHAT WAS YOUR REASON, Verne??"

Heather scurries to one of the trees behind her family to escape the terrible downpour. Everyone else, then, must love to suffer. She prepares her phone to record the argument. Then again, it's the same old story, isn't it? She reminds herself what an insufferable snitch she must be to keep partaking in a mob made of losers. Giving in with a grunt, she drops her phone to the ground and hates her reflection on the screen. She takes everything into her eyes and ears as the moments flash between the distant surges of lightning.

"Why do you continue to deny your wrongdoings?" Ozzie keeps yelling at Verne. "What happened to your honesty? Your leadership?"

"I’m done with the accusations," Verne vows to himself. "I haven't denied anything… Fine. Fine! Everyone listen VERY closely because I will NOT say it again…"

While the wind and rain mistake them for plastic bags, Verne remains steady, amphibious and hard-shelled.

Let’s get this straight. Every winter, I go to hibernation believing in my heart that you guys will just stay in the Log and stay safe, just like I told you. I trusted you until just last winter… when RJ didn't listen. I wake up after 91 days and suddenly, no one's in the Log with me, Hammy has burn marks, and somehow half of a house got blown up. RJ had you doing the same insane, dangerous heists the second I went to sleep, didn’t he? This has turned into nonsense. Behave yourselves!”

Nonsense, it did reach. With the weather calming down for a moment, they throw shades of shame around to pass to the person beside them. Occasionally, in the pause, Stella or Hammy would shake the water off their tails, or Ozzie would lift his finger ready to speak, until the rain weighed it down. Being back at the Log, having no toys in sight, certainly has humbled them down to a silent group of kids who have mustered some sympathy for the restless parent.

Verne inspects the structure of his Log like a house. Except it wasn’t made of brick or concrete. Running his hand down the cracks always leads to a broken fragment, lost forever.

“I have to hold onto this… Just one bad hit would do it in…” The purple fatigue covering his eyelids shows itself more as the night keeps up its sad cycle, and he talks in a tone low enough for even RJ to ignore his hunger and watch Verne’s heart break. “And it's all I have when RJ has you abandon ME because of some cheap lies and left me just as lonely as I was years ago before I helped ANY of you survive up to this day. RJ's spoiled you.” Verne’s losing his peacefulness again. “It used to be life or death! Now you let the humans do whatever they want while you throw parties and kick out anyone who tries to make a difference on this endless cycle of losing every part of the forest we still have left.”

The Hedgies are terrified to hear Verne deteriorate into maniacal laughter as the lightning flushes the sky. “I forgot until now what we were fighting about TO BEGIN WITH. You gave up on the Log, and for what?”

Heather loses her senses in the same stagnant boat as Ozzie, having something to say on the matter but no way to move herself from the mud.

“Uncle Verne-” RJ breathes, pacing towards Verne with his golf bag and club protruding from his side.

“You’ve given up on me, haven’t you?” Verne snarls.

The storm gradually returns to a magnitude tempting everyone to take shelter. And they do, in one mess of a pack, sloshing through the flooded hill until they reach the brush on the opposite side, directly facing the Hedge and the roofless horizon.

RJ takes a backwards step and warns Verne one last time, “This is the last chance I have.” RJ takes off for the trees. “Stay safe, Verne.”

That’s when the nightmare started. It got deafeningly loud. Ironically, it was the work of a real tornado siren. Black clouds took over the skies, covered the Hedge and all of town. The wind from the forest ramps up into a violent storm of its own, blasting them harder than if they stuck their heads out a car window at eighty miles an hour. They throw themselves against the tree trunks and hold onto one another for dear life. Verne hides just inside the Log. The rain hammers the ground just outside it. Clumps of leafy twigs glide down and drown. The animals cling tightly under the canopy and avoid the quills flying sharply out of Lou and Penny’s backs.

An incoming snap heard from one of their flanks takes everyone’s eyes to the deep corner of the field. It came from somewhere near the willow tree. Hammy called out the big tree right next to it. It was already weak - flimsy arms and a wide body that bends away from its hollowed-out trunk. The storm tosses it around and around gripped by the neck. Not long after its struggle began, it happened - the tree splintered apart from its roots in an awful sound, and it’s toppling over the willow tree. It crashes upon the blanket protecting its soft roof, the only basement from the storm.

“The KIDS!” Lou gasps. He was right. It’s the perfect place to escape the thunderstorm. And they’re under there. Alone.

Despite the bitterness occurring in this pivotal snapshot of time, everyone lays out their closed fists and runs to the pond. As they pull through the drooping tangles crushed from the willow tree into the ground, they find one stubborn branch disconnecting them from the screaming kids inside the grubby net. The falling tree took down the main support and waits to make a move from its gloomy nest on top. The mass of the thick wooden beam will surely break the last leg holding the willow branches slightly aloft, the cracked roof keeping Bucky, Quillo, and Spike from being wrecked into the dry dirt.

Something tempts Verne away from the emergency, however, as a similar crack shot his way back by the Log. The disfigured branch of another old tree - the one he knows to be the oldest around here - dangles on a thread above the Log. Although he can't worry about it now, it makes him hesitate for one crucial second.

"Help me out here, whiskers, we don’t have much time!" RJ sticks the blunt head of his golf club under the broken branch trapping the kids inside the mesh. Ozzie arrives at his side and immediately rips the handle from him. RJ shoves him back.

Verne forces himself to run around the pond as fast as a turtle can. The intermittent slipstreams blasting him directly in the face don’t make it easy. He pulls apart the fingers shielding his face to watch Ozzie lock the club on the side of the kids and quickly work his flimsy old arms on the handle. RJ yanks it from him, Ozzie yanks back, and nobody makes progress while the kids remain under the willow, waiting to die.

Verne throws his shell between them. "For crying out loud, stop pulling! Push! We need to push, all of us!"

Luckily, it took them a couple exchanges of dirty looks, but they understood. When the time comes, all 3 of them grab the slippery rubber handle, some hands overlapping. They're going to push down on 3, they call… And with the countdown completed, the time to cooperate actually arrives, and RJ throws himself half a second too early and Verne trips in the mud. Another affair erupts between them in the cold. As fate would have it, the combined strength of their anger was still enough to pry up the branches.

Verne scolds them. "Nice teamwork."

"Come on, Heath’uh!" Stella calls among her pack of the family.

Heather helps her and Tiger pull the 3 kids and their bushy quills out of the mess. She takes Quillo into her arms. The little girl's cries ended abruptly within her care, and it feels like a spectacle that nearly has Heather wanting to cry herself. She poked herself trying to hold Quillo straight. It doesn't feel quite so good.

"Thank you, Heather," Quillo sniffles, putting her face into her gray fur. But the thing is, Heather doesn't feel heroic. Quillo has a cut on her cheek, right below her tears.

The other kids slip out right before the tree crushes the willow to dust. And with the willow tree dead, that's the first sign that this storm will be one for the history books. It’s already erased a piece of theirs.

Stella turns to the loud clash that comes afterward, an ear risen from her hair, not from the tree, but from her own family. “…Those dang animals…” she curses. “Worth for nothing but their blabbering mouths.”

They produce a cloud made of themselves and the laps they run around each other, one greater than the leaves flying up from a timbering tree. Lou and Penny scold the boys for their performance, and Hammy never stops yelling to them all about the disaster that was Heather’s birthday party. When it came to a hard-working family, the end was nearby. Nothing would stop them, except for… a fire.

“If no one’s gonna shut up this mess, I will.” Stella loads her gas and gets ready to march on them.

Please.” Tiger conceals her from the rest of the foliage so as to not fuel the flame. “There's no time, my love. The storm is only getting worse.”

“…Fine. Find some shelter, Heath'uh. But stay away from that Log. I know there's no way that thing’s livin' another storm. Knock some sense into those guys for me, while you're at it. Damn this whole thing. They won't listen to anyone’s blabbering but yours.”

Heather takes a look at the Log for herself. The storm takes cracks at its loose, moldy strips of bark. There’s also a figure looming over it - one that can only be noticed by the broad shadow it leaves over the Log at every lightning flash. She sees, up the side of the old ash tree accompanying the Log, the heavy piece of wood breaking apart from its support on the trunk. The elbow of it had split wide open into veins and muscle, and it wobbles up and down. The branch is at least a foot thick. Heather startles herself with how she just went idle from worrying about it.

Meanwhile, RJ herds the kids back to their parents and says, “I can’t believe that almost happened…” He can’t control the urge he feels to take it out on Verne. “I can’t believe you made us come out here to save your wrinkly bum after you tried to get us killed!”

“I didn’t know they wanted to kill her! That was your job to warn us!”

“ENOOOOUGH!” RJ and Verne jump in place at Ozzie and his call.

Heather hurries towards them with her observation. “Hey, something’s seriously wrong with that tree by the Log. I think it’s about to fall.” She stops upon realizing that the trio are stuck at ends. They didn’t hear her, or they just didn’t care.

Ozzie continues to shoo Verne out of his space so he can pursue RJ around the wreckage of the willow. “We wouldn't be in this mess if you hadn't gone on that heist with Heather to begin with.”

“What's that have to do with anything?!” RJ freaks out.

“Think about it, RJ. Why does Heather continue to have these targets put on her back? Because of you. You’ve led her time and time again into the darkest corners of town, and these are the consequences. Your negligence has put this upon her, me, Verne, everyone, and yourself. RJ, if we survive until morning, you are never to take her into the suburbs alone again, is that clear?”

It's how little they care about the storm and what it's taking from them that baffles Heather at first. As she listened, though, she picked up on a disturbing trend. The family didn't need the storm, the Verminator, the construction man, or a poodle to tear them apart. It was their nature, the one that the humans surely knew and referred to as ‘instinct’ in their everyday ramblings. Heather shuts her mouth again, and this time doesn’t look back. She sets up her camera by a tree to record them, out of spite. It could be on TV. It didn’t cross her mind that maybe she was contributing to the endless finger-pointing spectacle. But Ozzie just proved that it could ruin her life.

She searches deep inside herself for something to ignite. The fuel is plentiful like the campfires they used to cook up every night. And all around the open flame, they'd throw their marshmallows on their sticks. Just like this course, they overcooked, of course, silver lining drawn over their grins.

Having received no word from RJ, Ozzie once again asks impatiently, "Is that clear??"

Treating everything as life or death is as exhausting as it ever was in the history of RJ and Verne's scrambles. Mostly everyone accepted it as truth. It's like every spring there would be a new incident to politicize… as if politics were something from the humans they wanted to inherit. This was it. This was the year's incident. And once again, it's life or death. It's always life or death between RJ and Verne. Ozzie wasn't meant to be a third party in the campaign. Now it's life or death for her.

Before Ozzie repeats his question a third time, RJ raises his chest until he’s reached Ozzie’s level. Next, he utters three slow words: “No can do.”

"Then it all must be worth it. To die for."

RJ is shook. He felt his bag slither off his shoulder smoothly but in an instant. Ozzie caught the strap with his tail and stole it from the raccoon.

“What are you keeping from me, RJ?”

One of the first things he lands on is… a notebook. Edge by edge, he works it from the bag. RJ, in response, leaks out some pieces of a word. Ozzie could see his distress at the blue notebook's presence, so he opens it to the rain and reveals what witchcraft lies inside.

It's just bright enough still for him to make out the colors of the ink. There's blue. Purple. The lines start from the edges like butterflies out of their cocoons, and on the first page, in the absence of his thoughts, and being dealt now a tearful stain, they crystalize around each other and read ‘The Heisting Almanac’.

He doesn’t know what to make of it. ‘By RJ and Heather’.

‘The Vending Machine’. Naturally, it was the first foe they faced after freeing themselves from Vincent’s grasp. It’s drawn and diagramed extensively with the blue and purple overlapping in many places on the outline, the opposite of yin and yang. The colors are tied wholly to each other except for the numerous labels and strategies covering the outside of the page. This, to him, is the only thing setting it apart from a children’s coloring book. Considerably different is the style of writing in each color. The blue words flood the page and the purple quips are crudely written. Ozzie doesn’t need to point out the obvious.

What they kept from him was a year of deep, loving friendship. He had no idea what he found.

He spins through the pages of the book. Not a single one was blank. Then he found a divide near the end marked by the empty pages he somehow hoped he would see, but beyond that point he opened his heart fully to what he discovered. There was a neat assortment of round discs that each had a title. Heather and RJ drew them all in here. There were whatever those were - CDs - as well as phones, movies, remotes. He remembers their names. The Revenge of Open Wound. Sherk 3. By god, who could forget the great Rodeo Man? Alas, more of the collection's drawings he now understands bleed between the lines of the paper. The rain threatened to hide from him the only piece of the puzzle he never knew how to start - why he was the brick wall. Now that he knew how to start, he knew the formula, where Heather's love could've gone if it hadn't gone to him. He tries to protect the notebook with his arm. RJ fell silent with his hand extended.

The longer he takes to grapple with the moral behind the harsh lesson he wishes to tell, the more his intentions wash away alongside the pages sodden in his pause. He raises the notebook and looks to the pond. It ripples from a heavy stream of tears. Ozzie freezes at once. He holds the book back in both hands. He stammers.

“I know what it's like to lose everything you love.”

I'm grown up now,” Heather whispers to herself. “I make my own decisions. And I've decided I’m sick of being their little princess. They're gonna watch me fix this mess and I'll never try to help these jerks again.

And the little coach inside her head agrees. “You’re right,” it utters unnervingly.

That branch on the tree creaks for her help. It too is about to snap. Being denied by everyone has led it to a tipping point. No matter what it says, nobody will hear it. Except for her. She hears it. She knows exactly what it’s doing. It’s not a plea - It’s a warning. A wake-up call. Just as the Verminator’s hammer waits in the figurine’s hands to come down on the rabbit. The foot will come down on her.

There’s nothing she’s sure of anymore. She thought she knew everyone by now by heart. She considers all that they don’t know about her. Dad has never seen the journal. She’s kept it from him because she knows he wouldn’t understand. Maybe there is at least one thing she’s sure of. Family used to mean something; Everything they collected mattered, but now it’s all worthless junk unquestionably caught in a torrent back at home, a normal girl’s life destroyed by Dad’s insistence that she stay in her little cardboard box and not ever move while the rest of the world moves around her, and never get to appreciate how suburbia is perfect, and live like a spoiled brat because she is stupid; She’s stupid.

But let’s not get ahead of ourselves.

Family, after all, did used to mean something. Something special. Rain gets in her eye. But it did, it absolutely did, mean something. She should stop thinking right now. It’s never worked. The branch holds on with no one left. But no, it was Verne, Verne and his con business that only RJ from a year ago would’ve stooped low enough to match. She’s been caged. Verne tore apart everything she accomplished, and all because she gave him a bag of chips. She should’ve left him grounded in this inch of the forest, and maybe he would’ve humbled himself eating the Log with all of that bark he loves so much. They could be living a normal life. But the ants. Why’d he bring the goddamn ants? Everyone’s fighting. Yeah, everyone’s fighting and they’re not going to listen to her. Something something something Log Log Log. It’s not even about the Log anymore. She can fix that.

Why didn’t RJ do anything to stop this? He blinded her.

She steals his golf club from the remains of the willow tree. Nobody catches her.

“Listen to Ozzie, RJ,” Verne slams. “You won’t tell us about the poodle who you’ve apparently met, you didn’t tell us about the ants-”

I'm not helping you, Verne.” Ozzie keeps it blunt as he’s lost in the notebook. “Neither of you are responsible enough.”

Responsible? Okay, Ozzie. ‘Heather’ this, ‘Heather’ that. What is Heather doing right now?

Metal struck loudly on a hard surface. Struggling with a golf club, and, jagging it over the line of pointed rocks, pricking its head and propelling sparks, Heather lifts it like a boulder to the base of the old ash tree. She drags it furiously up the protruding root she stands on as the lightning hurls down in bigger waves.

From 10 or 20 feet away, the family stood frozen in the cold rain and perilous winds. Verne frees himself. He emerges from the pile of Hedgies and looks upon her with an intense mixture of confusion and dismay.

Above Heather towers the cracked wall of the ruined tree, the world and its puddles crushed below her feet placed defiantly up a single step that feels like a thousand. Their eyes - of friends, cousins, aunts, uncles, and a dad - no longer intimidate her. Wherever this gut feeling leads her must be right. The branch is on its absolute last stretch of life, hanging in balance directly above the Log.

She tries to raise the club.

Gritting and growling, she gets it just above her head when the metal rod grabs the biggest lightning bolt it can find in the clouds. Simultaneously, a deafening roar imbued the club with power. The TV flung here from the suburbs jolts awake on a blank screen. With her heart stopped, Heather flung the club harshly into the most vulnerable wound gnawed into the tree. It rebounds and strikes her in the head.

Through the Hedge, suddenly, came Hammy. “Here! I found an umbrella! Wait, did I miss something?” RJ grabs his head and twists it.

As the wind takes that umbrella straight from him, it almost took everyone else off their feet. The heavy porcupines cling to the ground and try to make out, with everyone, anything through their squinted eyes. The ash tree sways off balance. The stutter snaps the branch’s last string.

What panic overcame them as Verne threw himself on top of the Log.

“Verne, WHAT’RE YOU DOING?!” That came from Stella.

Heather picks herself from the smoke left of the grass on her post. That weapon she held lay far from her reddened hands.

The battering branch fell like a guillotine growing twice as large every instant. Verne held his shell high. It only hurt for a moment. The roof of the Log split wide open, and he was buried in his grave.

The wind hesitates. The Hedge no longer brought any wreckage to the forest. The Hedgies assessed the damage. The TV produced a droning wave. The bundles of leaves swept from the trees tumbled slowly to the ground. The rain then trickled slowly onto them. The golf club nevertheless dried itself under the old tree. The site was left with nothing but useless, decimated junk from the suburbs that never belonged to the Hedgies before the storm, and flamingos turned into sticks, and grills into bowls of coal. The family saved the kids from the willow but not the Log from the ash. Verne was somewhere in the rubble.

The fighting was finally over.

Ozzie raises his tail, carefully, and says, “…Heather… What did you just do?”

She feels her chest clog up and her arms sink as she gets taller at every breath. “I-... I-..” The bottom of her eyelids fill hot with water. “I don’t know.”

She gets pushed face-first into the mud. Stella, almost camouflaged in the enshrouding darkness, ran through her with so much force that her muscles gave up. The remaining adults, not Heather at all, follow suit in a race for the Log.

The rain drips onto her ears. It’s cold. But when the lightning comes, it’s safer in the open than under the trees.


This fic has been converted for free using AOYeet!

Chapter 12: Caged

Notes:

We’re almost out of the woods with the super serious chapters. Conveniently, this came at a time where I’ve not had any motivation for Over the Hedge stuff, so I can handle writing a slew of emotional scenes like this more than goofy shenanigans right now. I’m trying to ease myself back into that mindset.

It’s funny how it worked out. This chapter is all about rebuilding bonds and putting the family back into place, restarting with nothing left after the storm. I am currently rebuilding everything I knew about Over the Hedge for my 5 year anniversary feeling like I’ve lost my grasp on everything I’ve written in this canon so far. This is a big chapter. You don’t wanna miss it.

Chapter Text

…Brother Verne… A forest grows from both the sunshine and the rain…

Word Count: ~13k


ACT I: Shaking


In an era so isolated from time itself that its place in the history of El Rancho Camelot Estates was lost, the memory of what lay under the trees decades ago resides solely in the mind of a turtle who watched his beloved log lay to rest and his butterflies fly away. Only in him did anyone know what took place in these woods, the disasters that lay beneath their feet. The Log was once a Tree, as tall and as grand as a signal tower. It counted enough years to be a stone sundial to the clock of a more recent time. Its hollow trunk made it a cornucopia, a tent, a place of refuge or a cave for food. It absorbed sunlight like asphalt, giving it a dark highlight over the forest that, back then, stretched fifty feet or more into the sky, full of maples and white oaks. The forest stretched endlessly in a mix of hills and little fields, creeks and teal ponds.

Sticks fall at the bottom of the tree’s cavity. A large, young lad named Verne, free of wrinkles and purple eye bags, steps back to admire his work. He wrapped the shelter completely in sticks and vines, a turtle’s own dam.

“That'll do it for winter.”

The inside of the Tree he insulated with leaves. It was the perfect nest. The Tree sat on its mound over a protective, rocky fence and the dandelions that made their presence in spring known more loudly over the years. Spirals in the Tree’s roots led up to its crest that opened like a ribcage to hold the foliage Verne offered to decorate it.

“Might as well get it done,” Verne says to its wide stem. “One day I’ll get out of this babysitting job…”

“It’ll be just you and me…”

“…Someday…”

In the wooded area waiting down the smooth hill, the pond and its lone willow tree brought the richest array of plant life to his home. And with it, the other littler turtles dispersed amongst the bushes.

Across the water, one of his sibling’s checkered shells faced him. Verne raises an eyebrow. The smallest turtle picks purple berries from the pointiest shrub.

“Matthew!” Verne calls commandingly.

“Yes, brother Verne?”

“It’s time for roll call. And stay away from those dark bushes, they’re the ones that have thorns.”

Matthew shows his puffy cheeks and mossy arms full of a dozen berries. He was a bard with his words - the ones he knew. He shows Verne his gatherings and preaches, “The thorns are only there to scare away the animals who aren’t cautious. The ones who see their beauty get to take their fruit.”

Verne just rolls his eyes. “Enough of that.” He gets over there and grabs Matthew’s hand to drag him to the Tree.

Dinner proceeds at the cobbled circle of flat stones dug into the ground surrounding their hollow tree. The handful of turtles receive a fitting handful of berries each from Verne cycling neatly between their seats. Left with two handfuls more, Verne leaves both to himself.

“Why do you get more berries, brother Verne?” asks a greener turtle with captivating round eyes, dark shell rings, and short brown head hairs.

“Because I need my energy so I can get you guys ready for winter,” Verne drawls.

“Do you think we’ll ever run out of berries?”

No, Plushie, we have an entire forest and it grows back every year. I know what’s best for us, okay?”

Constantly, the little ones did their best to make Verne’s duty more difficult than it needed to be. He was the only one who knew how to survive in the savage wilderness. The more he taught them, though, the further they strayed from the Tree and from Verne’s deft field of sight. He counted a couple missing at every roll call, which drained his patience.

Matthew, solitary as he could be, hoarded his own hidden pile of berries apart from the stash in the Tree. Verne found him in a muddy divot and chastised accordingly.

“What’re you doing?” Verne smacks.

“I’m getting ready for winter, brother Verne,” Matthew tells him.

“Matthew, it’s 8 months away. We’ll make a pile when we need it. Those will turn dry and gross by the time we make it even halfway through spring.”

“They’ll still be edible.”

Verne sits him down and interrogates him. “But why are you keeping those berries to yourself?”

“Well… I don’t think we have enough in the Tree, because we need to save for a rainy day. I don’t want you to do all the foraging yourself.”

“I can’t keep track of everyone. Just please don’t make this complicated. Put them by the Tree. We’ll be out of these woods by next spring anyway.”

“Are you still looking for a better place to live?” Matthew glooms shyly. “We have everything we need right here. If we open our eyes to what we have, maybe we won’t have to worry about what we could have.”

“The quicker we get out of here,” Verne grits, “the quicker I can teach you all to find your own forest and start your own families.”

“You’re not going to stay here by yourself, are you?”

Verne was getting sick of the youngest one always knowing the truth.

Everything Verne saw for himself began to change thanks to the simplest things. The year was marked by a plentiful spring and beautiful summer. The berries stayed ripe all year long. The supply the forest left for them could last four seasons. When he could keep his large family fed so securely, the food didn’t have to be all they lived for anymore.

The simple things. Verne couldn’t snap a bundle of sticks on his own. But each turtle could help him with one stick each, and together, the bundle was done.

They collected funny-looking rocks, ones they found for him. They liked to see Verne grin. They sat on a bank of berries, so there was no need to conserve, and the Tree instead found room for their gifts to the oldest brother. They swam through creeks. They beat bark and other pieces of the earth with sticks to hear how they sounded. They collected bugs in their leafy hands. Every day under the willow tree, they… contemplated.

They told stories. Verne even started to listen.

“…Imagine a berry,” Matthew told one time, “filled with so much sugar that it was the best thing a fox had ever tasted. It was so sweet that the fox would do anything to get it, even stealing, lying, and cheating.”

“That’s ridiculous,” Verne said to him and the many siblings. “Imagine some food that was like, layers and layers of soft fluff made out of pure sugar stacked up with even more impossibly sugary berries on top just for decoration. Nothing that tastes that good exists.”

“No, brother Verne,” Matthew began to deliver solemnly, “but when the fox finally got it, after stealing and lying and cheating, he found out that it was the only thing he had to eat for winter. He made everyone in the forest mad and they abandoned him because he didn’t care about them anymore, only the sweetest berry to ever exist. So he had nothing to eat, and no friends either.”

The thing scaring Verne most was Matthew’s inexplicable curse, his ability to foretell tragedy by imagining it too late.

Autumn encroached upon them in a peculiar creep. Coolness floated from space to cover the floor slowly, over weeks. It didn’t last, however. An unusually warm current cast over the forest. The leaves above kept their fresh color. Verne lost track of how many days were left before winter. The weather rebounded from the natural cycle they were familiar with.

The day the strange warmth came, Verne awoke with a numb tail. His shell crushed it in his bad sleep. Though he arose long before dawn, it tingled all morning.

That evening, storm clouds arrived. Verne held the children still underneath the willow tree. The storm rolled over them as the wind battled in circles. In the dimming landscape, a beast was summoned that grew from the heavens and descended like a spider on a coiling string to touch down at the bottom of the forest. It tore through a mile - that tornado - leaving Verne and his siblings behind a forest of decapitated maples, devoid of shade and the willow it tore off their heads, covering as far as they could see in a spiked blanket of branches, exposing the hollow trunk of the Tree, leaving a battered Log in its place, killing the colonies of berry bushes that would never recover in time for winter. Torn by his responsibilities, Verne saved his younger ones nothing for a stormy day.

The few bushes that were spared by the tornado hardly spared the turtles from sinking into their bones. With the Tree uninsulated, its husk of a Log was the only thing that could keep them warm once the real freezing began. In the wake of winter the ground rumbled louder than their stomachs, and they could only pray it wasn’t an earthquake. They hid in the Log from the long, dragon-like sound, never looking past the trunks of dead trees to see the commercial airliner.

Verne’s desperate foraging attempts often came back with one berry - or less - to show. He gathered the turtles for a roll call each day, the only thing of normalcy in the ruined, broken, empty children he knew, but never appreciated until too late. Winter came in on a relentless snowy endeavor to stomp out any hope they had left in a forest of no life. The first day, one tragic day, he called the turtles from the Log knowing that whether they strayed too far from him was the least of his worries anymore. He noticed immediately the mourning, trudging demeanor, the heartless spirit that came out in the turtles as they emerged for him to see… all except for one.

“Matthew?”

No one comes out of the Log.

“V-Verne-?” Plushie stuttered.

“What happened to Matthew, Plushie?”

Verne aged ten years the moment Plushie hesitated and only left a whimper.

“What happened to brother Matty?...” he repeated in vain.

Winter stormed in too hastily for them to grieve. It became too cold and dangerous to try and climb out of this hole. They had a Log in an empty prairie, and nothing else. Without berries, they couldn’t hibernate.

Without a filled log, his brothers and sisters disappeared one by one.

Verne and Plushie couldn’t both make it on just one handful of berries. He sent Plushie out into the bitter cold and promised him that if he walked far enough, maybe he might’ve found his own place to survive, just as Verne trained him to do. It was their last plea, their final option. Plushie dragged himself through the unwelcoming remains of the forest, his skin white and his shell weighing his starved body down, and Verne never saw him again the second the last hair on his head went behind the hill.

The remainder of winter was tough for Verne, but he made it. Every day, he risked his limbs searching for the last scraps of food through unbreakable ice and insurmountable snow. When the warm winds returned, so did the berries. They were enough to comfortably feed one turtle for the next season and save for winter.

Over the years, the forest grew back anew, Verne stayed full, and his skin absorbed its color back to him in harmony with the rising greenery. He had it all to himself. On the outside, he grew; On the inside, he was hollowed out by the famine of the storm.

Tick.

Tick.

Tick.

“What’re you doing?”

“We’re recording, aunt Stella.”

“We have 2%, Spike, hurry up.”

BZZT.

“They don’t think it’s gone. Everything’s gone,” Hammy rants to himself. “Verne too.”

BZZRT.

“It’s one of those things,” RJ remarks, “where someone pushes you over the edge, and you don’t realize you didn’t want to hurt them… until you go out and do it-”

The battery of the kids’ video camera dies.

Heather spent the night glued to her phone. Her eyelids feel like they have iron weights on them.

She looks up from her position in a bundle of leaves on one of the trees. The storm last night cut out all of the town’s power. No light is coming from the Hedge, leaving the world just an empty dim gray. The streetlights and lamps have gone missing. What’s left is a feeling that isn’t there, one that can only remind her of what nightfall in the forest was like before RJ. Even then, at least they had stars.

Without light, the rubbish - trash bags and half-dranken sodas - started to look unnatural in a home that she helped their family remove themselves from without a trace, leaving nothing but a Log, and Verne. One storm later, the willow tree by the lake is gone, and half the Log. The latter, however, had nothing to do with the wind. She did it herself. Maybe the lightning that struck the golf club when she held into the air fried her brain - she’d be better off that way now. RJ, Ozzie, Stella, Tiger, Lou and Penny - They’re all gathered inside the Log stuck in the brush, the house that is withering away.

Verne lies in the dark end of the Log. They covered him with a kiddie blanket brought by the storm. The broken roof sits right above him, which would only serve to make the Log useless as winter shelter now.

“Careful, everyone. Give him space.” In the absence of all other noise, Ozzie's speaking overwhelms Verne’s hearing. “That means you, RJ.”

Verne opens his eyes to a brown blur with a tan front. Leaning over him is RJ, but not the angry one he knew from the storm. This RJ had a sly smirk, different from the surrounding family members’ dolorous funeral-like faces. It’s like the RJ he knew last year was somehow frozen in time. Someone must’ve hit him with a hammer.

“Oh good, you’re finally awake,” RJ says.

A number of other hammers are making their way through the group. The way Verne knew it a month ago, everyone was in the Log together, greeting each other, sharing smiles, taking the morning to mingle and prepare for the next heist. Perhaps some life was coming back to the forest. He was feeling a bit normal himself, shockingly, despite his aching neck and back. And that beeping sound in his ears never stops. Nonetheless, he would be glad to rehabituate himself with this version of the family. Everything seemed… right.

The green in Verne brought Stella back to her voice. “Thank the stars.”

“You were out all night, Verne. The storm’s over,” RJ explains. “Whenever you’re up for it, there’s a lot we need to talk about. As a family.”

At that, Verne draws his head back. “Please don’t go after Heather for it,” he chastises. “I know exactly what she was thinking. It wasn’t personal. It was against all of us. I deserved it for what I did to her anyway.”

“Sure, sure Verne, but I was talking about your Log, and that big construction guy with dead fish on his breath. But frankly, we haven’t seen Heather all morning, although I know she’s lurking around the trees somewhere. How’re you feeling?”

“Oh, well, y’know… bruised.” Verne pats himself. “The ol' fort only takes so much.” It took him until now to feel well enough to find that his ‘fort’ was missing. He was shell-less. “Wait, am-... am I butt-naked right now?”

“If it makes ya feel any better…” RJ replies sweetly, “we’re always butt-naked.”

All this normalcy created something bitter swelling in Verne over what Jack and the humans have done to smoke them out of the forest from the inside out. The soreness from the branch that fell on him was intense - his shell dispersed the pain, so instead of getting a killing blow to his spine, he was left alive, but sitting useless. Time was running out. He couldn’t be hospitalized forever if his Log was at stake.

“I need to get up and get the blood pumping.” He grabs the side of the Log and tries to lift himself, to the distress of the others. “Those ants did a number on me.”

Stella, always the realist, pushes him into his makeshift bed. “Verne, you just got crushed by a tree-”

Then, he stops joking. “I need to see what happened.”

XXX

They respect Verne’s wish, including helping him back into his shell. It was tarnished by a large black scar torn through the center. He can’t imagine how bloody it would’ve been had it been his rough skin. The crack was a warning, like the branch that hung over that old tree. One more good hit would do the shell in. It took a beating, but the Log suffered it most. The Log couldn’t be repaired. It wouldn’t ever come back. It’s a part of him that he needs as much as his shell.

The storm was too reminiscent of decades past. But Verne had to face it. They helped move him out into the weird land of fallen tree limbs and stray backyard remnants they don’t own. It was as foreign as what’s left of a forest after a tornado. Verne makes Stella and RJ at his shoulders guide him to the lake, where a ripped umbrella floats. Endless trash cans spilled loose in the suburbs and blew onto their side. Bags stuck on trees, metal cans in the water, they turned the forest into a garbage dump. Verne held one tin can, no different to him than a piece of a splintered tree. He couldn’t find his reflection in the lake anymore through the pollution of canned beans and dirty clothes. Rather than killing it outright, the forest suffocates from the storm, so, weeks and weeks later, it’ll starve to death.

“It’s like I’ve watched this whole forest grow since I was young… and now it’s full of junk.”

Lou strums one of his quills shamefully. “You’ve been here longer than all of us, Verne. We know how much this place meant to you. And we gave up on you anyway.”

No. They didn't know all of it.

The willow tree was the most painful loss. It sacrificed itself trying to cushion the fall of the tree next to it. Its curtain of leaves took its final resting place in the field, some dribbling into the lake, weeping. The willow was the place the Hedgies would go for a refreshing nap, or to tell secrets. Stella even took up meditation at one point. It’s gone. And with it, the recollections Verne had of he and his family, his first family, the one he once wanted to forget, lost their glass seal. There were no photos they could take 30, 40, 50 years ago, whenever it was.

He only has this:

To think, there’s a young child wasting away somewhere, trapped in a car, caged by the world that taught them to live with heads high, turning hopes low. They were abandoned by the parent who gave their life the routine it had, taught them how to make their bed, clean the dishes, but not how to change, or come out stronger from change, leaving only the stillness of never knowing why. Verne was that parent.

To Plushie, Matty, and all his other siblings - Verne’s sorry. He’s sorry that mom and dad never came back. He’s sorry he didn’t take their place. When the turtles all met under the willow tree every day before sunset, Verne thought it was stupid to join their circle of hands and wish for their parents to return. He stood against the tree and crossed his arms, like a coward. Sometimes, he plugged his ears. He couldn’t bear to listen to their soppy prayers because he knew the truth. They were gone for good. But he’s sorry, because he can’t hear the voices of the children anymore. Their singing. Their… togetherness. They’re not ‘still here in his heart’ - Verne didn’t have one back then. They, too, left forever, the words they spoke left buried under the weeping willow tree.

“I remember we used to sing at the old willow tree that used to be there,” Verne says aloud, and he doesn’t care who hears it anymore.

Stella approaches him. “…Who? What’re you talking about, Verne?”

…But he’ll have to overcome his second thoughts.


So Verne told them everything. After he finished, they sorta looked at him the way they did when they found out the suburbs had cleared out the berries of the forest, unsure and unwell. Some of them asked questions, and he did his best to answer them without bringing back any pictures of his younger years. RJ was poignant, interjecting on and on about his own weed whacker lies and stories of the family he never truly knew. Verne’s story sounded so real.

Verne was too mortified when it was done to leave the Log again. That’s where they told him to stay to shake off his injuries while they figured out their next steps. Every now and then, one of them would nervously wander in to leave a comment, some word of thanks, give him something to drink, or to cover him from the light coming through the gaping hole blown out of the Log as the gray skies let the sun highlight the sloppy forest strewn with litter and yard waste. He didn’t hear anything they said outside, except for the fact that it went on and off like a rollercoaster. They said almost nothing immediately afterward, then it grew into a heated debate before their voices dissipated by the end of the morning.

And as he laid there, it wasn’t comfortable against the muddy wood, but it was home. The forest of his childhood was crumbling around him, yet as of two minutes ago, he’s been fine. There was no tingle. Now that they knew, though, of how he failed to prepare his family’s food supplies that they would’ve needed to survive a tornado, let alone the whole winter, he wondered what they thought - at this point - of the hell he brought to their new camp, destroying their hand-made amusement park, roping them into the construction site, and letting the ants engulf the last friendly gathering they had prepared in the midst of this madness. Although she was there when he gathered all of them to tell them the whole truth, he never saw Heather a single time again.

Stella, however, checked in on him frequently.

“So all that was a lie?” she bleated to him. “All that fighting ‘cause you said the Log was our family’s heritage and we needed to-!”

“I didn't lie, Stella. I just never told you the truth.”

“You just said the same thing twice, Verne.”

“Listen. I told you when you and I met Hammy that I’d never taken care of anyone before. I never took care of my brothers and sisters. Because of me, they're-…” He moves his hand to his head to fight off his guilt before the beholding eyes of Stella, who stood as a shadow with her back to the sun. “Every turtle gets humbled by something. Those kids were humbled the day our parents left, but I was too old to be anything but mad at them. I never figured out why they abandoned us. All they left us was the Log.”

Pulling back some foliage in the back of the Log, Verne uncovers the markings and mud stencils left by his siblings’ small hands, very faintly alive. His are twice that size now. Their carvings were engraved into the bark, but weren’t immune to the passage of time, its chipping and rotting influence.

Then he hears Stella ask him, “How come you were never gonna tell me, even if it was just you and me wasting away here for our whole lives?”

“I hated myself for how I let those kids starve, and I realized I was no better than our parents. I stayed in the Log because it was the only thing that I had left to care about.”

He sits up. “When I met you, you scared me. I didn’t want to look weak. You were strong and assertive, the kind of person that my siblings weren’t. I just wanted my relationship with you and this family to be genuine. I wanted to start my life over, and do it right as a leader this time. Then I went and made the same mistake.”

“It’s better now that we know why you’re so cautious all the time. Verne, I… This isn’t your fault, Verne.”

“This is my fault,” he boasts proudly. “I never told those kids how much they meant to me. Or myself. I never told you how much this meant to me. It’s bad communication.”

“I’m talkin’ about the family. Do you remember why you and I kept Hammy around? Because we loved the little guy, and he was all alone. Remember why I stayed with you at all? ‘Cause we were losers, Verne, with nobody’s shoulders to lean on. But we knew if we learned to get along, we wouldn’t be losers anymore. We never knew we’d pick up ten more losers along the way. It’s been hard to make it work.”

Verne tucks himself into his shell.

“Verne,” Stella insists, “I know it’s never been the same since the raccoon flipped our whole routine upside down. I’ve spent more time watching TV with Tiger than we ever did foraging. But things are changing, and when they do, we’re always gonna find new folks who’ve lost something and need help just like RJ. We gotta stop pretending we’re different from one another. ‘Cause right now, there’s a giant hunk of metal standing between our forest and all of us. This isn’t a mess you started. It’s just… been a stressful spring, okay? Let’s get over it.”

“I just don’t want to make the same mistakes with this family, driving us into starvation. I’ve put everyone in danger by dragging this out, and I don’t know what I want for us anymore.” His train runs off the rails until a sniffle comes from his shell.

Stella wanted to leave him to his moment, she figured at first, because she found it painfully out of character to give him the consolement he probably, actually needed… Too late. She continues her walk out of the Log worried sick.

“Now where did that girl climb off to this time?”

To distract herself, she peruses the highest branches for Heather, until the near future catches up to her - the black smoke billows over the forest some ways down the Hedge. It fills her eyes with flame.

XXX

Heather felt like she could escape any awkward conversation by staying far away from everyone until, somehow, they found that part of their neck they were trying to crack and were set back straight. However, she wasn’t prepared at all when they asked her to come assess the damage the ants did to Awesomeland. They left Verne in the Log to rest. Heather was too afraid to look ahead as they made the trek through the forest.

RJ gets ready to pull apart the bushes. Hammy blocks him and keeps whispering “no”. RJ makes the same mistake of not taking him seriously. He opens the curtain widely. He retracts his arms when he sees what was left of last evening.

The truth, the whole truth, was that there was absolutely nothing.

“Oh my god…” Stella gasps. “The ants, they-”

They made the party into a heartbreak. The dinner table broke into a dozen chips of cardboard, the ripped tablecloth drizzled around them like torn flags. The plates fell into the grass, the ice cream melting off of them like wet paint. Chair legs snapped off. Popped balloons wither on their strings. On this cloudy day, none of the colors that remained seeping into the ground were illuminated. Signs and streamers dangle from hooks on the cliff-side and in the trees. Party hats float down the creek until they get exhausted and roll over onto the bank.

They made their new home into a wasteland. It was a jungle of worthless heaps of plastic they’ve only seen in basements. The legs of pink flamingo figures break like twigs. Sleeping bags and pillows, cushions rip in two. Stuffed cotton bleeds out of the holes. Paintings and photo frames fall out of place. The glass cracks. Playground slides and towers and skateboards were eaten apart, marked by thousands of tiny dotted teeth. Their laptop, the Grim Retina, fizzles out of its shattered screen.

They made their mountain of food into a landfill. The can of Spuddies rolls off the summit and leaves nothing but its crumbs inside. The stack, enough to fill a hundred logs, toppled into a wave of eaten remnants, into a rainbow-colored vomit of no substantial fat or flesh, only bones. Ice from the cooler covers the dirt field in hail. Drinks continue to drip oozing rivers from their broken bottles. A hungry few days were ahead of them.

Heather cuts through them to crash into the circle alone. She falls on her hands. A kid with her toys, she picks up the remaining halves of everything she can find. “No. No no no NO!” It was worse than when the amusement park they built came crashing down. Heather digs her nails into her lips and rips her own face apart. “It’s all gone.”

The tulip tree at the top of the hill in the center of the woods was stuck on an island surrounded by a sea of sharp red, yellow, pink, and blue pieces of garbage that left its small yellow flowers the only thing of nature that could withstand the corrupting influence of the humans on the Hedgies.

“Hammy was right,” she says under her breath. “There’s NOTHING left.”

“…Heather… What about our-?”

RJ doesn’t have to finish for her to take his warning through her brain like a bullet. She grabs her ears as her tempo skyrockets. The two of them run around the hill to find the secluded corner of their home ruined as well, but not to the same perpetrator. The eldest tree fell from deep in the brush over the cradled nook they hid from the open sky, with RJ and Heather’s stash of electronics right in the way. The two-and-a-half foot log upended the dirt on its hill and dove straight across their collection, now smashed and flung all over.

RJ finds one broken case among a hundred more. “Our treasure… the CDs… the DVDs… We risked our lives for them… We spent a year collecting them…” Then he raises what’s left of his youthful visage towards Heather’s. “We got to know each other through them.

One by one, bad news rounds the corner.

“Our games are broken,” Spike whines.

“And all the snacks,” Quillo says too.

Bucky relays, “The blue cooler and the wagon…”

“They ate everything on Mt. Feeds-a-Lot,” mumbles Hammy.

“They tore apart our cat house,” Stella says.

Tiger adds, “And all our antiques.”

Lou stops behind RJ and Heather to again reveal the whole truth: “We lost every human thing we had.

It wasn’t the ants that scared Heather the most anymore. They take notice of her completely frozen stance, her hands over her mouth. The worst loss of all was a needless one. If they were there, they could’ve gotten it away from the tree, just like her and RJ’s possessions… The purple chair and the TV were nothing like themselves.

Heather falls to the ground, prostrated by the remains of the TV set.

RJ calls out for her. She doesn’t hear it.

Ozzie dives to her side and flips her onto her back.

Her eyes are blank. Her tongue turns pale and drools out. Ozzie examines her chest closely, breathing, but only through slight movements. Her teeth stick out sharper than knives. He holds her in his lap, giving his diagnosis: “She’s gone possum, everyone.”

Everyone watches Ozzie hold his baby in sad silence.

XXX

“Remind me, Stella: How did it all happen?”

You weren’t around, Tiger… She put more heart into that thing than the golden age of TV itself.”

~~~

‘It was her idea, at least. We spent all week putting it together behind RJ’s back, when he was out doing devil’s work for that bear we didn’t know about. Heather wanted to put something together for him, she didn’t know how, but we found a way to gather up all the extra junk we got while filling up the Log.’

‘The first night after we let RJ in, Heather came up to me and asked if anybody ‘told me’ yet. She was too shy to get everyone together, so she told her idea to Hammy first and whispered her way through the rest of us. It was gonna be a place RJ could feel at home, instead of sleeping up in that tree every night. He told us he used to have a special place like that - lying like he does - but that didn’t matter, ‘cause she knew what he really wanted were somebodies to talk to, to make him feel like he belonged.’

‘One day we were lucky enough to pick up a TV, and things just took off from there. Heather was so excited once it finally started coming together. We had seats, shade, snacks and the kids somehow got the television working. We had furniture and all the other things we didn’t understand, but we knew RJ did, and we’d sure seen a living room before. That’s the first time Heather and her dad got us all together with our stuff, and we made it behind the willow tree in one morning.’

‘RJ had no idea what went on behind the scenes until Vincent was gone, and he had time to be a family man. But he didn’t know how to take that mask off and act like a real guy. Except he had done it all week long, especially when Heather took him to the TV with all of us. The very evening we escaped the Sniffer and the bear was the same evening we got right back to the TV, and RJ must not’ve been with it before to catch all of Heather’s signs. And you had no idea of anything we did that week, Tiger.’

‘When the TV came on, he slouched there in his chair with that smug look on his face, the girl right in his peripheral, and I was watching his eyes move everywhere but the screen. After a second, his fake smile went away, and he said out loud:’

“So, uh… Whose idea was this?”

‘And then Heather went stiff like she didn’t want him to know, but I could tell he already suspected her with how close she liked to lean towards his chair. With her hands in her lap, she turned to face him with her eyes wider than cherries, and then, like their hearts stopped… I’ve never seen them look at each other that way again.’

‘It was all for RJ.’

‘He was the most important thing to her. He was the only one of us she ever looked comfortable with. Y’know what they did that same night? They danced their hearts out again. The raccoon must’ve seen somethin’ special in her from then on. Heather’s had her tail wrapped around the guy since. Remember that, Oz’? Next mornin’ they already had nicknames and everything. Quick as Hammy.’

‘She was a little bummed out the first time we showed RJ his new home, ‘cause he didn’t stay long, and she never got to tell him it was her in charge. She didn’t even get near him much the rest of the week, like she was too embarrassed about it. But I guess she got what she wanted. She showed him there. She gave him the remote she stole herself. I think she secretly wished it was just him and her, but she knew what we needed to give RJ was a family.’

Heather brought RJ home.’

~~~

Sometime later, RJ and Heather went through their notebook inside the den, hoping for anything to salvage.

Heather points at one of their drawings. “What about-”

“None of them work.” In one of their many players, RJ tried all of their CDs, at least the ones that weren’t smashed apart. “Wait… this whole player’s broken.”

Heather folds into herself.

“Hey, Heather… I know how much all of our stuff meant to you.”

Her eyes remain hidden as she shuts the book and moves away from him in the small cave.

“You always said it wasn’t about the food or the loot.” RJ’s voice echoes louder. “It was about the heists it took to get it, all the walls we scaled, all the windows we opened, all the yards we crossed. As long as they’re here, in this notebook, we still have them, right? …Right…?”

RJ falls against the mud wall defeated, depressed. Nothing in him can heal this pain of falling to rock bottom - that is, until Heather’s hand slips into his. They look at each other with eyes as wide as cherries.

“‘When Terrence and Cindy go in, they go in all or nothing…’” Heather recites slowly.

RJ, awestruck, carries on with her: “‘When he flips heads, she flips tails. They never knew they’d lose everything but each other. But that’s when they knew they needed to be more than ever. They’re a gun and a trigger, a circuit and a switch, and together they must change their world forever.’”

“‘They go in, they get out, but above all else, they’re never without.’”

“‘Possum pal…” RJ gleams. “That’s where you stole our signature catchphrase. The one I hate with all my body.”

“From the back of the box of World Order 2: The Scars of Open Wound,” she grins.

“We drew that one on the first page of the book, didn't we?”

“Mmm-hmm.”

Together, they’ve learned how to make the most of their time with each other. In the rare stroke of luck that they had a house to themselves, they took everything they could get. And when danger struck, they could move their feet like one mind even as they were tied by the waist and head-to-head with a kitchen knife. They had a shared subconscious too special to ignore. All the while, they leaned closer and closer ‘til the masks came off.

Upon an instant of reflection, RJ draws himself from her. “I shouldn’t have ousted Verne. And damn it all, I’m gonna say it like it is… I used you to do it. I thought we could make him change if he had time to miss this whole paradise we created. We lost a whole year of hard work because of it.”

“Once we’re out of this mess, we’ll get it all back,” Heather reassures him. “Even the…”

“TV?”

Fallen silent at the thought, she nods.

RJ has an airy laugh. “Y’know what, though… I can’t wait to build it with you all over again.”

He wanted nothing more than to fly her on their styrofoam plane wherever they could go, to hear her singing again, and to be amazed at the way her tail liked to follow the motions they felt from the music. To find their catalog of lost CDs was a mission on the horizon he yearned for, for it meant traveling through history and rediscovering what likeness they shared in their affinity for what the woods couldn’t offer.

Heather thinks about what he said and replies, “Me too.”

“Are you mad at Verne?”

“…Yeah. I haven’t talked to him all day. Or dad.”

Someone (not naming names) peeked at them from outside. RJ caught a glance. “You need some food for the heart,” he tells Heather. “And I’ve got just the squirrel for the job.”

With a loud “GERONIMO”, Hammy knocks them into a pile of friends lying face-up in a row.

Using the last air Heather had left, she asks, “What was… that for?”

“I came here to cheer you up. Or ask you if you found any cheese puffs lying around. I forget which came first. Oh look at that, we’re an idiot sandwich.”

“Wait… so who’s the idiot?” Heather asks now, stuck in the middle.

All of us!” Hammy yells. “That’s the best part!”

She finds herself grinning, as weakly as it starts. “We are so… back…

“Heather?”

They fall off each other so that Hammy can glue his arms to her sides.

“I think Fred forgives you in tick heaven,” he says bittersweetly.

...Really?” The hug was nice at first, but Hammy won’t let it go. “Aren’t you supposed to be watching Verne?”

“That’s okay. I can be in two places at once.”

A new, sophisticated voice comes out of the blue. “Um… excuse me?”

Heather sinks.

“Do we have time to talk?” Ozzie requests.

XXX

“I just want to know why you’ve been pushing me away since this picture, Heather.” The picture Ozzie showed her was from her birthday last year, where she was beaming on the seat behind the TV, and Ozzie was manning the camera.

“I haven’t been pushing you away,” Heather snorts. “You have.”

“That’s just not true.”

You didn’t even help decorate that cake.” The top of the birthday cake, left as sludge after the ruined party, was decorated by each of the Hedgies on all slices except for one. “Yeah, I noticed.”

“Heather, darling, I-”

“I miss you, dad. The real you, y’know dad? You used to be more than just a… babysitter. You used to do things that made me embarrassed because I felt like I had a dad who was special. We even got along… kind of. Now it’s just… embarrassment embarrassment.”

Ozzie sighs. He did his best to stand behind her, not in her way. She needed to see the cake, the one the ants blew into goops of icing and powder, and know that he once was considering doing much worse to win her attention. “You have every right to be upset with me, Heather.”

Heather lifts her nose.

“But I have every right to be upset with you. Can we tie our tails on that?

She refuses. “…No, dad.”

“Then you leave me no choice, young lady!” His voice drops to the floor. “Actions speak louder than words.

He kneels behind her seat in the grass and wraps himself, tail and all, around her body. She rebels at first, but as their pelts become one, her back settles down and her fur rubs against his chest. His nurturing care reminds her of living in the trees as a child, inseparable from him. They became softer together, each of them relieved of their worries.

At night, Ozzie’s snoring would always keep her awake for an hour longer than she wished. She hasn’t heard it for weeks. She knows exactly why. She pushed him away.

When the two got lost at the house of the party, surrounded by disgusted humans in the light above the living room table, he made her believe she was doomed without him. Next, he took her in his arms and, in a daring escape, brought her to safety. He promised he wouldn’t tell a soul that in the toughest situations, she needed him.

He spoke up for her even though she didn’t want it, yet nevertheless, she needed him. He told Verne off for not understanding what she’d done to try and open the Hedgies up to him again. Her dad was on her side through it all. He helped her even though she took him for granted and gave him no room to be himself for her.

That was worth crying for.

An itch of nostalgia was sitting in his pouch waiting to flood back to her. In her tears, Heather starts, “Wow, it’s been like, months, since-”

“So can we tie our tails on that?-”

“-Yeah duh we can tie our tails on that.”

Their tails squirm around the other’s for some time, struggling to find their way, before they make amends at last and twist. Boop.

“Can we go back to being a real family again?” Heather asks.

“Of course, Heather.” He looks into the unusual sky. The sun cut a thin bore through the thick screen of clouds. “The forest will be back to normal soon, I promise. It might look a little different, but we’ve been through this before. We need to help Verne with his bear this time.”

“So what… did mom make you promise?”

The question surprises him. Remembering how he didn’t finish his birthday speech before the ants attacked them, he springs up and begins, “Oh! She said-”

“Sorry to interrupt,” Lou sings, “but we still wanted to get you a present for your birthday there, Heather.”

The whole rest of the family greets them.

Lou continues, “It’s no cake, but ehm… It’s us. It’s all we’ve got left. I hope that’s alright.”

Heather finds it sweet.

While they’re locked in a group hug, RJ spots something golden among the junk. He sees it - a ribbon - behind the toppled Mt. Feeds-a-Lot. “Hold on a second.” He goes for the bush it's caught in, and upon digging it out, gasps. “Even in Pompeii, not everything was lost.”

He holds a yellow present box up for everyone to see, perfectly preserved aside from a chip at its corner.

“What’s that?” Heather asks.

“A miracle, Heather. It’s yours.”

He gives the big box to her. She sits down and anxiously opens it up, layer after layer. Inside all the paper, she finds a stubby guitar bigger than herself, crudely covered in a light purple shade and yellow stars.

“We got it from the human party,” RJ explains. “The decals were all us.”

She can’t believe how much time they spent for her through the chaos they’ve confronted the past few days. They went and made her a guitar of her own. It’s heavy, but she can hold it fine. Even still, she hesitates to run her hand over the strings. She doesn’t even know if it’s tuned.

“Let’s give a hip hip hooray for birthday miracles,” Lou suggests, “right?”

“No, let’s give one for Heather,” Stella objects.

“What’re you waiting for?” RJ throws at Heather. “Try it. Throw your hand on that thing and let ‘er rip!”

“It-It’s beautiful, guys,” she announces, “but I don’t know how to play it. I’ve only seen videos-”

Before they knew he left, Hammy came rocketing from the woods. “Verne’s… gone!”


Verne limps along the hedge-side with his shell on a stick in a blanket sack. He takes one last look at their ugly forest full of plastic before he steps out of view. The wind sends a message through the trees, hitting Verne’s sack and knocking it into his shoulder.

“Come on,” he sneers, “don’t give me that talk.”

The Log gapes its mouth open to bellow at him silently. The season already left its flowers for it in honor. It had a TV - though it’s broken - an umbrella - though it’s floating in the water - and all of Hammy’s nuts hidden underground to keep it company in its final stretch of life. There was no point kicking it on its hospital bed. The Log as he knew it left him the time a red wagon paraded into the field. He’s been drowning it in duct tape and glue trying to preserve his spoiled past.

“I can’t keep forcing them to kill themselves over my problems. This is best for the family.” Head hung low, he takes a stand. “Well… Thanks for the memories.”

To his confused intent, a raccoon from some ways off comes sprinting his way, alongside an entire assortment of colorful friends.

RJ kicks his heels into dirt and halts his gang. The sight of the naked turtle carrying a dorky little bindle answers all their questions, and asks plenty of new ones. “...Verne?”

“I’m coming with you!” he yells as he trots towards the wall of Hedgies. “We’re going home!”

The more they close the distance, the more of the animals stop in their tracks. By the point where the porcupines, possums, and Hammy the squirrel were as motionless as cardboard cutouts, Verne had to stumble up to RJ himself. Verne’s brazen appearance was met with RJ’s jutted fingers and empty countenance.

Verne thinks for a moment. “...What were you guys doing over there?”

“…We’ve lost everything, Verne.”

What?

“There’s NOTHING left to go back to!” RJ rips from his chest. “Not the TV, not the party, not even our food. Everything we’ve ever put our lives and souls into stealing is destroyed. Our good life is GONE!”

He can see that he’s successfully startled Verne, too much in fact. Verne drops his sack, nearly becomes sick, and covers his face in his hands. “I- I should’ve known the ants would’ve- It’s my fault any of this happened. I’m sorry. You should be the only one in charge, RJ. We can get it all back, right? We could make a list of everything I lost just like last year.”

“Ehh, I don’t think that’ll be necessary.”

A gray blur bungees into Verne holding some piece of origami. Tail bound to the bush over him and RJ, placing the paper crown onto Verne’s bald head, the lopsided Heather returns to him the very adornment she wore when they ousted him from the group. RJ slips on his crown of Spuddies, marking the return of the two kings of the hedge-side.

“And so it comes to pass that the forest family begins anew. They weathered the storm and remembered that with all else lost, they had each other to start and forever. So they started foraging… just as they have time and time again.” Ozzie left his thoughtful narration.

“I don’t understand,” Verne tries to stammer. “You said we lost everything.”

To which RJ responds, “That means we get to rock the suburbs all over again.”

Heather, swaying on the branch, tells him, “We’re gonna keep the Log safe from that smelly fat guy who wants to kill you or whatever. We’re here to stay. And by the way, I think we’re even.”

He can tell, even upside-down, that she has a devilish grin.

“Let’s get to work, team.” RJ divides them into groups of clean-up. Not long after, the trash from the storm was already piling up, and the forest was looking pristine.

“Really- You don’t have to do all this,” Verne insists. “I’ll be fine without the Log.”

We’ve got nothing left to lose! Except these rain boots.” RJ takes the doll-sized boots from his bag and hands them to him. “What’d ya say? Feeling young and spry again? We could always use another hand.”

The family circles in front of him carrying their bags and tools and personalities, just as he wished they had from the beginning. It felt too good to be true. The construction wouldn’t stand a chance against a team of wild animals united by one crazy dream.

RJ prods him. “Hey. Maybe once we’ve sent that bearded balloon of baloney to outer space, we can do some renovations on the Log. Finally get it some carpet and indoor plumbing.”

“Y’know what? I’m… a proud uncle.”

“Better be.” He throws his hand in the center. “We’re family. Right-o?”

“Yeah. Right.” Verne’s hand tops it off.

So to recap, the Hedgies found their forest slated for development, pressing the question of whether they had a home worth fighting for. Three weeks later, they finally found an answer, and it only took a civil war, two blown-up houses, an encounter with a giant machine that is a tree cutter’s wet dream, an overthrowing of the monarchy, one party gone wrong, a category 5 storm, lots and lots of ants, and lastly, Verne’s deepest secrets. That’s all that the boomerang hit before it spun them back right where they started, living the good life with nothing they thought they needed.

As great of an ending as it is, Verne is still naked. “I’m… gonna go put my shell back on now, thanks for that.” When Verne turns his back to them, something installs a fear that nobody had been struck with by looking at a turtle’s backside before. No, not his nudity.

A blinking metal disc.

“VERNE, there’s something on your back!”

“Yep, my ‘bahooty’. Good one, RJ. Back to your old tricks.”

“I’m serious!”

Stella grabs Verne and puts him against the ground like a cop. She stares in dismay at the coin-shaped object gripping the skin on the center of Verne’s back. Purple on its ridges and black around the frame, it’s plated in stainless steel. She doesn’t dare touch it. Every second the Hedgies hear it make a tiny ticking sound at the same time that a small red light flashes in malefic secrecy, too meticulous to make itself known. The disc is not very thick, but incredibly dense - For all they know, it could be alien technology. How long it had been beeping there under Verne’s shell, nobody could even speculate.

They don’t have much time to synthesize their thoughts into one word or another. They’ve heard helicopters before, but never this close. The chopping of blades becomes so close and so terrible, in fact, that the trees too feel shaken. Suddenly they feel a rush over them like the wind before the storm. Somewhere in their faces lies a plea for mercy. In their terror, a black chopper emerges right above the treeline and blows their fur off their coats. From the hood comes a spotlight aimed directly down at them in the darkened sky.

A man in an orange jacket steps out of the door. They can’t really believe what they’re looking at. They hope it’s just an effect of the blinding light.

The helicopter was too imposing for them to see the giant metal structure hanging by a hook below it. A house-sized dome rains down over their snippet of the forest and launches the trees out of their roots. Verne flies from Stella’s arms. He lies face-up at the Verminator standing on the skid.

“I bet you’re all wondering why I just dropped a cage weighing hundreds of tons over y’all whilst riding a helicopter.”

The Hedgies are too outright exhausted from this past day to wonder exactly that.

“I commend your silence,” he says. “Maybe we won’t need to do things the hard way.” He takes a PDA from his belt. It has a thin antenna and a red button.

“What’s that thing?” whispers Stella.

“‘You’re so smart Dwayne’. I know. The Verminator made it himself. It, in fact, is a remote-controlled, long-range, instant-transmission detonator. When I caught your reptilian friend alone at the construction site last week, I tagged him with my newest prototype: The Pin.”

That would explain Verne’s persistent weeklong headache.

“That disc attached to your scaly friend is filled with a potent mix of nitrous oxide and isoflurane gas compressed within a 2 inch diameter. With a simple touch of a button, any living creature in the vicinity will be put into an unconscious state. Practically vegetative. The Pin is one nasty, nasty pimple.”

Verne has a BOMB?!” Ozzie exclaims.

“It seems like you have two options. One. Stay put and we’ll have no trouble with the construction team. Then you will be dealt with mercifully using swift vermination. Two. Unmerciful and un-swift vermination.”

“I don’t like either of those options,” Hammy heeds.

“Why don’t I put you all to sleep now, you may ask? HA HA HAA!!... Blame the Verm-Tech Animal Welfare Committee. But mess with this construction operation and I’ll give you all a night to remember.”

RJ already seems to be scheming in their newfound prison. The Sniffer just stuck them in a reality TV set. The cage covered their scene in scaffolding. The annoying spotlight from the chopper completed it. The Sniffer goes on about the genius of provoking the enemy and claiming self-defense. If they fight Jack, it’ll be lights out. Nothing personal, it’s just the natural order.

They’re stuck in a cage, and Verne has a bomb. That doesn’t leave much leg room to work with. “…This just got a million times more complicated.”

Verne breathes heavily. It was a mistake to ever think they could just make things normal again. The world was telling him that he would be the death of another family.

Right before flying off, the Sniffer points at Verne and the sleep bomb he planted on him. “Let’s make one thing clear between us and Jack, reptile: You’re mine.

They’re left in an enclosure straight out of Jurassic Park.

Tiger’s freaking out. “I cannot do this. I can’t go back to living like a garden statue!” Next, he’s rolling on the floor, babbling, “Stuck in the house! Stuck in a cage! Living with nothing but a collar and some climby thing. I was plump and WORTHLESS!”

Stella slaps him.

“Thank you. I needed that.”

Nothing’s going back the way it was,” she blows at all their noses. “That looks clearer now than ever. Well… We’re in for it now. What’s your master plan this time, raccoon?”

However, Stella sees now that she’s the only one willing to be at arm's length of Verne. The others huddled by the Log far away from them, shivering away. Verne notices it too. When he steps towards them, they flinch. When he moves a hand, they jolt their limbs upward and outward in defense.

“Oh come on.” With a broken TV antenna, Stella thwaps the bomb on Verne’s back over and over. “The guy said it wouldn’t go off without his say so.”

“Don’t do that, Stella,” RJ warns her.

From the loneliness that comes over Verne, Ozzie finds a reason to stand up in the crowd. “No… By god, Stella is right. Everything he said must’ve been a ruse. The Sniffer wants to keep us away from Verne so that big bearish man can take him himself.”

Hammy shudders. “Excuse me, did you say ‘bear’?”

“Are they going to kill Uncle Verne?” Quillo asks.

“No, no, of course not,” Penny says to her too hesitantly.

Heather might hurt herself trying to figure out what’s been going on amongst their lack of sleep.

Ozzie breaks from the group and paces. “But what do we do about this? We have nothing left to defend us, and we can’t escape.”

“I…” Watching the thick, imposing bars of the cage, RJ lets out the three most ruinous words for them to hear in that dangerous moment: “I don’t know.

Cage rage took over them.

In the midst of it, Heather found the guitar they gave her - it was a productive thing to do, as the alternative was running around screaming and banging her head on the cage. That option, which everyone else chose, made it impossible to hear what any of the notes sounded like as she tickled the cords quietly with her small fingers. A minute of getting nowhere challenges her patience, so she plucks a string really hard. It produces a long, high sound that shuts everyone up. Suddenly she wants to kill herself.

“Quiet everyone, quiet.” Ozzie becomes her music instructor. “That’s a beautiful note, Heather. Play it again.”

“I really don’t know what I’m doing, dad.”

But with everyone’s stress resting on her, she puts her one hand somewhere up the strings and moves the top string again. It’s a bold acoustic sound. She moves down to the next string, but it sounds higher. So she draws her one hand further up the guitar, and matches the pitch. It sounded like an ‘A’, she knew that much. Those videos might have paid off.

On the fourth string, she found the next octave. Following the second and fourth white dots down the strings, she finds her scale, a middle A, C, E… F. It’s not a bad melody, she decides.

There’s something in those notes that are… hopeful. Her top hand jumps two spaces from the top of the string to hit the first note, then three more to the next, then four more, and finally… one. It has an awfully pleasant rhythm. The last high note leaves something to look up to, something that rings in their ears and tells them that there’s indeed change, but they can change to face it. They can turn up to the roof over their heads and feel that, with the cage upon them, they at least have something to stop some of the drizzling rain, even if they don’t know the meaning of anything that’s waiting in their path.

It’s fine…

Heather begins to enjoy the music of her making. The movements on the string become second nature soon. The Hedgies crouch beside her in the flower bed of the Log, nothing but themselves.

Verne backs away even though Stella ushers him in. He’s alienated with the knowledge that he’s a walking timebomb, a sign he only thought was figurative. Either he goes out or everyone. He can’t find himself completely believing Ozzie’s theory. He knows the Sniffer wouldn’t give up a chance to end them once and for all. Thinking, and wondering whether he should get back in his shell to stop the cold, he looks to the lake, and his reflection still isn’t there.

The guitar grows closer to him. His suspicion turns him around, and Heather stops in her tracks not far from him and the certain death he carries. The rest of the family stays a few feet behind her. She continues right to him, shuffling, slightly afraid, and she removes her hand from the guitar strings.

That’s how the music stops. She presents her hand to him. Verne goes alert.

“We’re gonna kick their butts…” she promises. “And keep them away from the Log no matter what.”

Don’t do this for me. That ticking thing on my back looks pretty real. I don’t want anyone to get hurt.”

“We won’t. Not with you here to look after us, anyway. We thought we knew everything about you, but like, we didn’t know a thing.”

“…Thanks for everything, Heather. I didn’t know it until now, but you’ve been the key to holding the family together through all this. The place you built in Awesomeland made me feel jealous and alone. But when I started to remember all the things we’ve stolen, all the crazy situations we’ve gotten ourselves into just to make ourselves a home in this strange new world, I felt a kind of tingle I’d never felt before. You gave me 3 chances when I only deserved 1.”

“It was a little selfish on my part. I wanted to be the one to save the day. I shouldn’t have tried to force you to go along with us. I just didn’t know about your family-”

“Don’t worry about it. I should’ve told them I loved them when I had the chance. I didn’t know how good of a home we had.” He takes her offered hand. As he joins them, though, he keeps his grave distance. They don’t know what trouble they’re getting themselves into, and it’s his fault for it.

I’m shaking…

RJ takes the night in a tree looking through the bars to the suburbs. The power came back a few hours ago, and the humans couldn’t be any less different. The cars were honking again, the kids were yelling, and no fanfare was made for the fifty-foot cage right next door. A storm meant nothing to them, as they lived in fortresses and drove armored tanks. In here, what could he possibly do to get ready for a brigade of mechanized beasts? The Log must be saved. But really, what can they do? There’s nowhere to go, nothing they could use. Hammy’s been trying to chew through the cage for hours and hasn’t made a dent. The bars are gigantic, the few of them that surround the dome, and it’s enough to trap the forest. RJ doesn’t get any sleep over it.

He sends a guilty look to Verne lying with the others in the open end of the Log. Verne, the maker, returns it.

At the start of May, he, Heather, Verne, and Ozzie spent the night in the Log after the movie night wound down. The starry sky was clear, the camping lamp brought comfort to them in the dormant crispness of the damp forest air, Verne lay pleasantly in the back in the Log, he and Heather left Ozzie to snore away so they could plan the next heist, and in the distance that separated them there yet was peace. RJ can’t tell what must stand between them defiantly enough to overcome the strongest of resolutions.

Maybe the difference is a bomb.

RJ browses his bag for anything more helpful than a spare snack. He gets his hands on something sizable and round, like a CD, but thicker. One hand is too small to get a hold of it. Determined to not let it slip away, he dives in, then by the moonlight he reads its oval shape, its green color, its headphone jack. He can’t believe he just found it alive. Of all things, he had his and Heather’s old CD player stored safely away. Amazed, but feeling his throat burn seeing it left as the last survivor of their stash, he throws it back inside.

I’m still shaking…

The next day pours over without any progress. The Hedgies and their hopeless brainstorming disorganized them, isolating them one after another into different corners of the cage to lament their captivity. The smoke to their right bellows higher, the saws get louder, and the trees fall closer. Verne keeps the Log for himself, slouching against it with his arms and legs put to no purpose, and a ticking sound on his back every second.

The Hedgies meet one last time at sunset. RJ leads them to the rim, to the foot of the cell where the Hedge called to them, just out of reach. Heather stayed back to strum her simple song on the guitar once more. RJ captivates himself with the enthusiasm she showed them throughout the month, when they convinced the family (all but Verne) that saving the Log was a fruitless endeavor. They had a duty to Verne now he couldn’t possibly give up.

RJ grabs a bar with one hand to peer down the Hedge for the construction. He stretches his other arm to hold onto another, only for no stick of metal to be there.

At that moment, it hits him.

Even with an eagle-armed spread, he can’t hold two of the bars at once. Seriously? Each bar is literally so far apart from the next that RJ literally just steps out of this cage with no trouble. The cage is too big for its own good. There’s NOTHING stopping them from leaving.

“Oh, now that does make a lotta sense,” Lou admires. The weight of tragedy trumps common sense. Nobody saw the humiliating gap that was right in front of their noses.

There was hope, sure, but they wasted a whole song number being sentimental already. The construction should’ve arrived two days ago. The hilarious contempt the Hedgies held for the cage illusion turned into confusion when RJ continued walking at the Hedge. He looked like he planned out some places on his bucket list had they actually escaped the Sniffer’s trap.

“Where are you going?” Heather quickly calls.

He tenses up. “Honestly, Heather, a place way more dangerous than that ant nest. It’s a long shot, but I’ve gotta try. For Verne.”

He peaces out, then jumps into the Hedge. That didn’t alleviate anyone’s uncertainty on where he thought they could find something fit for starting a wilderness revolution.

The cage wasn’t all an illusion. The one thing, Verne realizes, that they have at home big enough for the oversized cage to trap isn’t them, the log critters… but the Log itself.

And yet…

…I’m still standing strong.


ACT II: Let’s Not Bite Each Other’s Throats


There was one last bastion that RJ knew of, the last card up his sleeve. Unfortunately, it relied on help from somebody who hated his guts years ago, and who he had recently demonstrated his absolutely chaotic leadership skills to. It wasn’t going to work. Maybe he just wanted to see her again, knowing how befuddled she was. He didn’t intend on explaining himself. It would tarnish his image in their plea for help.

The yard of the wrecked party was just beyond the tall backyard gate. The pink dog castle gleams from its paint and plastic the moisture of the post-storm sunlight. Under the orange sky, the flags on its towers glow. He can’t see it through the wood fence, but everything sitting in front of it and its pleasant moat was a picnic area left devastated by a group of party crashers who left it abandoned with bowls of popcorn spilled off tables and a cake missing from its plate.

‘Beware of dog’, the gate says. RJ strikes up his shoulders, gives off a confident puff and a rev in his throat, and he reaches his knuckle to gate.

Before he even knocks, though, it flies into his head and probably knocks all his teeth out.

The poodle Dottie stands there, 5 feet tall, 20 pounds of pink fur like the mane of a lion, with an axe made of bone in her mouth and looking down at him like she’d just been laid off from a job. To the dizzy RJ sprawled out with spinning eyes, she mumbles, “This is awkward. I was coming to kill you in your sleep.”

XXX

When she took him inside, RJ wasn’t quite with it, as his face was still disfigured. “Good evening. We have a lot to talk about… uh, madam.”

I don’t.”

“…Ever since we were tragically separated in our innocent days of youth, my darling dotty dog. I remember it started as any other tale of tragic lovers-”

By the time he can see straight, he finds himself falling ten feet behind her in a narrow hallway of mirrors, where on both sides he’s staring at nothing but himself, and all the copies of him on the opposite wall. Talk about an ego. Dottie’s tail drags its way up the spiral staircase at the end of the entrance hall. He scampers to the stairs but, upon stepping up, finds them to be unusual. They’re clearly designed for 4 feet, each step split in half with pads of alternating height, paw-prints embedded into each. RJ watches as Dottie’s feet don’t fit them even in a dog house of this immense scale.

The place only gets bigger as RJ covers more of its surface with specks of turf rubber caught between his toes. Even on the first floor he missed sight of what lay behind any door. He knew that the dog house was way bigger than the real one. The philosophical question of what any dog could possibly want with this made it all the more confusing. Living entirely alone, no less. The owners certainly didn’t care about a raccoon getting in.

“Y’know, I only remember you ever having a dog house,” RJ emphasizes. “You’ve been investing, haven’t you?”

And she still hasn’t said a word. Not one glance. He follows her through the lobby and up carpeted corridors until they reach the door to her room at (what his legs pray to be) the highest floor. She makes no effort to let him catch up when he falters or tries to make small talk to her.

As she puts her paw on the door, he raises, “Now I KNOW we’ve had our, uh… OCCASIONAL kerfuffle along the way… BUUuuUUT I just had a little request-”

“Shut the [CENSORED] up.” There’s only one of those allowed in teen-rated media, and Dottie’s gonna make it challenging to conserve it.

“No no no, listen, I know you, you know me, and you’re clearly a very affluent doggy, so I was just wondering if you’d be willing to help an old friend out.”

“You’ve already taken everything from me,” Dottie says, “What else do you want?”

She thrusts open the door, revealing the room.

“Take your pick.”

RJ creeps inside. It’s unlit, making it feel like an abandoned mansion… one built for a dog, anyway. It’s strikingly similar to any old bedroom, like what a living space would look like if humans gave their pets the same level of high treatment as themselves, rather than a bowl on the floor and a not-washed-enough little bed. She told him to look for something useful. With all the dog toys and generic fodder, though, he quickly realizes that the only useful thing he could get from Dottie, as she throws away her bone axe onto the big blue bed, is Dottie herself.

RJ mutters, “Shoot.”

“And we’re not ‘old friends’,” Dottie reminds him.

“Now, with all due respect, your heinie, was I… really as bad as you think?

“On Valentine’s Day you gave me a box of chocolates.”

“It’s the thought that counts.”

“You tried roping me into tea parties with you and Rufus and a bunch of little dolls because you thought I was into that for some reason.”

“Mmm-hmm I remember that one, yeah. Keep talking.”

“Then you-”

RJ jumps in front of her. “Blah blah blah- Okay? What’s the issue here?”

“You were annoying.

Hey! In case you didn’t catch on, I am always annoying! But if you ask me, it is sim-ply a matter of perception.”

Dottie leaves the conversation open. He watches her scan the room, lost. The next moment, she’s digging under the bed.

Not getting any further acknowledgement, RJ raises a finger. “Let me be blunt.”

Dottie pops her head and poofy hair out from under the bed frame and moves just her eyes in his direction.

I was a hormonal teen, and you were the only woman in a fif-teen mile radius,” declares RJ. “By that I mean you were the only woman who didn’t try to eat me. In other words, you were the only dog who found me repulsive enough to NOT kill me.”

Her muzzle comes out. Her teeth grasp a strange switch. She comes at him, and calmly she goes, “Hm, well… sucks for you.

The switch falls to the floor as she scoops RJ into her jaw. His guard was deathly low for someone who would like to see him dead as badly as Vincent. To his greater dismay, she throws him at her large feet and larger flame-shaped bracelets of fur. She steps on the lever. Suddenly the floor moves underneath him, out of the outline here on the ground. The circular platform in the center of the room starts to raise them on a piston. They fit through the hollow central tower, where the spear-headed roof opens like a hatch and fits their pad right into place at the top of the tower, exposed to the outdoor wind. The entire suburban block stretches endlessly down below.

Welcome… to suburbia,” Dottie announces nearly sarcastically, though frankly it’s impossible to tell with her. Her eyes are blank, unfocused on any of the concrete scenery, as RJ squirms like a plastic bag.

“How-… Why are we up here?”

“I don’t know how you did it, RJ, but you single-handedly [BLEEP]-ed up a neighborhood this size. Eventually you will come to destroy everything on this side of the hedge and ruin my life again. Then - by coincidence - we’ll all get shipped away to the same new town where we’ll keep [BLOOP]-ing things up until the end of time. Such is the life of the victims of RJ.”

RJ sees the construction site far in the horizon, and look, there’s the house he and Heather blew up in the other corner of the hedge-marked square, and then he wonders about his visually-challenged ex, “Can you even see past this yard?”

“…Not really.”

“Why don’t they buy you glasses?”

“Because they just think I’m stupid.”

“I could steal some from that old lady down there if you want.”

“You’re buttering me up again.”

“So you’ll help me?”

Dottie smacks him across the skull.

Please, your greatness-ness,” he begs, “we’re in desperate times! We’re about to have our lives ruined by a hairy beast who kills everything he touches!”

It was planned out in his head since the start, but it was particularly poor timing. RJ’s stench just killed the daisies in the garden downstairs. She bites into his neck again and hoists him by the skin of his back far over the ledge of the 5-story tower.

Give me one reason why I shouldn’t kill you right now,” she growls with her ellipsed diamond irises.

“Because everyone wants to kill me and you’re not special.”

Just like that, she swipes him back to the edge of the platform. He knows he’s the only one who can humble her.

“And by the way, they want to kill my whole family too.”

Dottie tells him, “Your family wants to kill your whole family too.”

RJ is struck. “How do you know what’s going on?”

Eating from a bag of Barkin’ Good dog treats like popcorn, she simply says, “I put the pieces together.”

“Well… We figured it out.” RJ turns his back, coddles himself and lowers his ears. “So… It’s just man versus nature now. You come from a different world. Romeo and Juliet. We were never meant to be friends anyway.”

“Okay, you are insufferable.”

The change in her tone from mild to spicy signals to RJ that he may have yapped too hard.

“I would bury my owners under this castle if I could. The deal is that these stupid people give me whatever I want as long as I screw off in the yard and rip nobody’s face off. But YOU ruin everything you touch. I’m at one strike because of what you made me do last time. I don’t give a flying [BARK] about killing your family.”

Dottie grunts.

“There are the kings and queens of man and nature, RJ…” As Dottie settles into her spot on the nest, he feels her black nails against his side begin to contract. Her chin falls, her face dulls, it gets to be more unnerving in her lap, the giant pink ears pressing closer to him. Still, he listens closely to her series of thoughts:

“...They all hold a grudge…”

“...They all have something to prove to themselves…”

“...They’re all only animals.”

“They never think about who they’re fighting or what there is to gain. They want power…”

“...They’re insecure.”

“If you let the smarter ones play you, turning you against people you’re told to hate, you’ll spend your whole life chasing a grudge you never cared about.”

Captivated by her ability to leech the town below them without seeing a thing, RJ scoots deeper between her front legs. “Wow, that’s… beautiful, Dottie… And I have no clue what it means.”

“I’m saying that I’m the one who really wants to kill you.”

RJ thinks twice about his position. “Oh, good.”

“But you’re right, it’d be more satisfying to let someone kill you who doesn’t even care.”

“Aww, you care about me?”

Before he knew it, she kicked him out the front door of the castle, and she yelled from inside, “More than anybody else in your miserable life.

The drawbridge swings shut.

RJ looks at a rubber ducky floating in the water. It explodes.

Wonderful. What thought-provoking things RJ has experienced today.


This fic has been converted for free using AOYeet!

Chapter 13: The Final Anthill

Notes:

I promise I did not mean to get nothing done during the dog days on purpose. I had stress-related heart and chest problems starting in June that I spent the entire summer calming down from. And now I’m back in college, so…

I’m wondering whether I should keep writing dialogue in quotations like I’ve been doing, or if I should switch it to a script. A script makes it easier to keep track of who’s saying what, which is why I use it for first drafts and it might be better for a fanfic as long as this, but quotes can be used in paragraphs and can also describe exactly how a character says something. Script can sometimes interrupt the flow of things or ruin suspense. But converting the script to dialogue is getting repetitive and feels pointless much of the time.

If anyone wants to tell me whether or not you think I should keep the style like this or turn everything into script in the revisions for this episode and for future episodes, PLEASE do.

Chapter Text

“Let me tell you a new story for once, one quickly coming to its end. Once everyone had resolved, the facade of a broken family tale came down and our heroes realized they had been Caged the whole time, and our villains Jack and Dwayne might not’ve had to detain the animals at all if they kept fighting amongst themselves. Now it’s time to take down the greater villain - the only villain - in this story of construction, destruction, and rebuilding again. Hoot hoot!”

Word Count: ~8k


ACT I: Countdown to Extermination


Dwayne kicks it back in his desk and heaves his boots onto the clunky, paper-ridden table for the Ms. Wright lady to see. “Drastic measures…” he echoes of her previous instructions. “Now we just bide our time, killjoy.”

“Did you let Jack know?” Rebecca Wright intrigues.

“For both of our sakes, ma’am, you’d better pray that The Pin takes him out so we can euthanize him too. It’s way more potent than those old sprayers I used to use.”

“Whatever. This operation needs to be a success, Mr. Dwayne. If those animals disrupt our development plans, Gran Reino Pandora and the new parking lots in El Rancho will fall behind schedule. Our residents and our investors are sick of your actions and technology.”

“Evidently you are mistaken,” Dwayne rejects, “because as you may recall, I brainwashed them into conducting a full lockdown. No pure-blooded American gives up their freedom like that.”

“They sit on their couches all day. They don’t care.”

“That's what you'd think.”

The head office of Verm-Tech is a place housing the hubris of a mad scientist. For every piece of furniture there were two more machinations presented in the engineering of the prototypes posted on the walls and in glass cases. This location, belonging solely to the headsman the Verminator made himself out to be, contains the metal dreams of a failed entrepreneur and a successful personality. He had on his desk opposite the window wall a gold plaque of the iconic Verminator, not to be confused with Dwayne LaFontant, as a medallion that he awarded himself.

Rebecca stares at a black gun posted above his set of drone and turret designs clumped up on the otherwise antique wooden shelf in the corner of the room. It has the fork of a cattle prod stuck to the barrel. The tips look brown, black, burnt.

“You’re dealing with illegal devices, illegal manipulation, illegal authority. You don’t run this division,” Rebecca reminds him. “The removed HOA president - Remember what you did to that woman?”

“Was it something illegal?”

Yes... And,” as she recalls, “you completely evaded testimony by disguising yourself as a taxidermist and sneaking your way onto jury duty for you and her case. Somehow.”

“Affirmative. I don’t know how either, ma’am.”

That won't work with me,” she says after returning to his desk. The panel of windows behind him shines orange, melding into the paint and branding of the plaza of Verm-Tech two stories below. A touch of purple descends over the staircase outside the main entrance while the forest gives the parking lot a dark, jagged perimeter. The logging nearby has removed half of the clutter since her last superfluous meeting in his room full of valor.

The watch on her wrist tells her that the end to another inefficient day is in sight. “In less than one month, there’s a brand new be-all-end-all vacation destination opening in Miami, Florida. It’s completely booked, Mr. Dwayne. Practically everyone but the U.S. president will be there.”

“Even you?”

“Of course,” she responds with her beach towel and floaties as evidence. “The animals need to be exterminated by then, or else the estates will be left completely up to their will. If this project sees any more delays from their interference, we’ll lose trust and funding. Do you understand the potential consequences at stake for you here, Mr. Dwayne?”

He spins the pencil on his desk a few more times. “Let me guess: You’re gonna fire me? Typical.”

Earning himself a shirt-tug from her was the closest she ever allowed herself to his chemical odor. “The only reason you’re not fired, Mr. Dwayne, is because you’re needed. If you’re no longer needed, I will not HESITATE to replace you with someone reasonable!

This ends their conference twenty minutes early. Ms. Wright is ready to march in her heels out of his office when an urgent alarm beeps frantically high-pitched from just down the hall. She throws her head around the doorframe and lowers her sunglasses to investigate.

“What is that?

Dwayne pushes her shades back against her nose and blocks her from the exit. “Classified” is his clue that there was something not meant to be seen by bare eyes. Rebecca is nosy enough to follow him into the metal door at the dark end of the hall with a blinking white light making it a beacon to her suspicions. The door scrapes from the wall like a bunker, revealing a large array of computer screens joined by a control panel of buttons and labels as wide as the secretive room. Devoid of color, each screen flickers between dozens of sources of surveillance footage.

Dumping himself into the chair, Dwayne hammers at a key hopping the main screen of the supercomputer between cameras. After ten seconds, Rebecca retrieves more than enough evidence to point out that the surveillance cameras in question are… concerning. Room corners, dog beds, something a rat or any animal would see, these are the angles that each camera captured, and all in live time, and there lies an increasingly dangerous realization that El Rancho Camelot has been bugged, top to bottom, by the Verminator hired to protect them.

“Is that-?”

Dwayne continues tapping at jet speeds on his keyboard. “Shh.”

She rips his hand off of it and yells, “You have cameras hidden in everyone's homes?!

“Uh, hidden in the collars of everyone's pets, actually. Officially sold by Verm-Tech and our collaborative pet companies. Gives the owners full surveillance of their little angels. Sells like hotcakes. No one ever reads the fine print that says that they’re also surrendering their entire privacy for our practical purposes.”

Even over the alarm, Rebecca’s shouting comes as violently as their fight for the computer. “This is an irresponsible invasion of homeowner rights! HUMAN rights, even! I’ll do everything in my legal power to order a full investigation of-”

“SHUT UP, SHADES! Send the cops or whatever! GOD!...” He knocks her from her post beside his seat and resumes control over the interface. “You don’t know what those creatures are capable of,” he pecks. “No, you don’t understand how valuable these animals could be to our research.”

He pushes up his glasses. “Luckily I now have them safely secured in an oversized cage- What in sweet dreams of famine is this?

The surveillance camera they stalled on was one he now recognized far too well. It was inside the house from the Smith family’s birthday party, where the dog's collar is capturing the backyard from the living room carpet. Beyond the glass doors, he zooms in on that giant poodle leading a brazen raccoon inside the dog castle on the other side of the family’s garden.

“Uh oh.”

That’s what the alarm was for, then.

If it wasn’t enough that he was monitoring and spying on the town’s people the whole time, the Verminator couldn’t even keep the wild animals in one place when it mattered.

His failure, combined with everything he must be hiding from her about Verm-Tech, disgusts Rebecca to her core.

Dwayne nervously arises, kicking the chair out of the way. His eyes wander the room trying to escape their sockets.

“Mr. Dwayne…” Ms. Wright bursts from her chest. “YOU’RE FI-

Sleeping gas suddenly smothers the room, rising into her nose and mouth from below. Dwayne gets his gas mask in time for her to faceplant on the tile. From the stubby gun armed halfway behind his back, the disc he shot under her feet was left as nothing but a bursted black shell exploded into a blown party popper. Lifting his hand from the detonator on the desk, Dwayne inspects the remains of the sleeping bomb.

“Yep, The Pin works,” he concludes. He locks his snoozing test subject in the computer room leaking pink smoke from the reinforced door.

That dog was being manipulated by the vermin. He knew it all along. How’d they get out of the impenetrable cage in the first place? He trips back into his office phoning the first number written on his sticky notes. It leaves him on voicemail.

“You have an exceptional piece of machinery there, Jack.” He twitches. “I sure hope it can handle a ragtag gang of superintelligent misfits who can apparently chew- uhhh chew through metal bars with acid teeth and hypnotize dogs to do their- their bidding. The vermin are out. As of right now we have twelve hours at most to get those animals shipped to Verm-Tech before this lady wakes up and sends me through the nine courts of hell. You NEED the Verminator if you want that turtle, Jack! Don’t forget it! Be prepared for anything, Jack! Toodaloo!”

Hang up.

“Darn Animal Welfare Committee,” he curses. “Why do we even have one?”


Once construction signs go up lining the cage, the Hedgies, absent of RJ, become well aware that the nails have been hammered into place. The orange signs could be mistaken for Verm-Tech. They achieve the same purpose. Humans have rolled in to detain wildlife and prepare the area with a coat of seasoning. Wide trucks fill the spaces between the logs extracted from around the cage. When it’s over, their home would remain as a green pimple in the gravel for Jack Sawood to pop soon.

The stakes are cast and the engines flared. None of the Hedgies left the safety of the cage after RJ set off on his odyssey which destinations remained unbeknownst to them.

One man in a hard hat cups his hand and proclaims: “Alright, it’s time to clock out for the night. Be back at the main site by six in the morning. You heard Mr. Sawood. No tardies!”

The workers disperse in a trudging manner worse than the plowing of treads over the hills rummaging the turf with the muscle of a buffalo’s hoof.

“RJ hasn’t come back,” remarks Verne. He felt pale. “Do you know what place he was talking about, Heather?”

She shrugs, guitar in hand.

Stella says, “Don’t break your tail thinking about it, Verne. The raccoon is basically Jesus. He's unkillable. If he gets whatever he’s looking for, he gets it. If not, we’ll see him coming through that Hedge in just a second to tell us about the crazy plan he came up with in the meantime.”

Nothing is brought from the Hedge.

“Huh. That usually works.”

“I’m going in there and finding him,” Verne aptly decides.

“No, Verne, you can’t!” Ozzie’s call rings through the bars. “If you get lost in there too, then our last hope will be out the window. Nightfall is coming and we’re running out of time to think of a way out for the Log.”

“We need RJ more. What if Jack or the Sniffer caught him?... He could be dead. I’m not losing him too.”

Verne had placed himself at the gates of the world changing outside their feeble dome, where the hills swept into dust clouds. Stella places her hand on his shell. “We all lost something before we came to you, Verne.”

She lists them: “Hammy lost where he was going. The pokey fellas lost their home. The possums lost someone special. Tiger lost his loyalty.”

“What did you lose?”

“Myself,” she lifts outward. “And RJ lost his decency… if he ever had any.”

Tiger’s smooth fur and long whiskers brush against Verne. “When we stand together, there's nothing else we stand to lose.”

“Do you need a hug too?” Hammy invites him.

“Thanks, Hammy, but I’m fine. See,” Verne sighs, proceeding to impose another lamenting of his grizzled origins. “The awful thing about the past is that - before the humans - we didn’t have cameras to immortalize every second of our lives.”

He draws an old photo from his shell, one family picture in their untouched home, touched only by RJ and the new plethora of food he stuffed into the Log. It was last year, when he had to tape his own cutout onto the picture to make up for RJ’s head blocking him out. “So once a moment’s forgotten, it’s gone forever. Or so I thought. I tried my hardest to forget my family, to forget what I did to Matty, to Plushie. You ever wonder why this part of the forest has almost no old, tall trees? It’s because that tornado killed everything but me. When you lose something, it is forever.”

“...At the same time,” they find Verne mumbling on, “if you forget what even happened to make the photos we have now, should they might as well have never happened? We’re only in this cage because we forgot what being a family is about. It’s about understanding each other’s needs and trusting each other to be there when they’re needed, and listening to everyone’s voice, putting family above all…”

“We need to find him,” Verne concludes, though he believed it first.

Nobody else was quite as eager to leave the uncomfortable safety that the cage provided them from the signs, trucks, and chainsaws making no reservations for any obstructions to the humans’ unstoppable plans. Stella returns to her previous half-commitment. “Look, I just mistimed it. Let's try this again. RJ is about to come through that hedge with a crazy plan ready for driving those humans back to their couches where they belong.”

Too little was left of the forest trove for old tricks to remain true.

“Where is RJ?” Verne whimpers.

XXX

If only that pooch said anything smart that wasn't encoded in RIDDLES.

It was typical every night that his mask would come down alongside the sun. The sun came down on the west end of the Hedge at the entrance to the estates in RJ’s defeat and uncertainty. It wasn’t just Verne. He couldn’t tell what he wanted anymore either.

The construction site across the street was on fire from the glow of the orange sun charring everything into black scraps of ash stretching as far as he could see. Look at just how deep the construction has picked its nose north of the suburbs, where the Log is, and the cage that he could even see from here. It wasn’t so impressive, though, for Dottie’s castle was made of plastic and was way taller. He’d never seen the suburbs in such a dying light as when he stood atop the castle and saw the woods only as paintings in the distance. He puts his feet over the off-side of the Hedge, and now he can put his smile behind his back and meet the road with his straining eyes. This is how it felt to be devoid of everything the suburbs could bring a wild animal, for the storm left just a speckle of nature, a browning leaf moving like the wind exuberantly between houses, apart from the fact that it was dying inside.

The rain returned briefly after he left Dottie, or rather, when she decided he would leave, and for some reason it smelled like crayons.

He pulls his map of the suburbs from his bag to review it. Yes, as the prophecies foretold, their home would be completely surrounded by the suburbs until they were trapped and stuck out on brochures like an unwanted Central Park. That was assuming, of course, that their home wasn’t trampled as easily as what had already gone. Houses were being laid out like lawn, and the power of man crept over him.

It distracts him for a moment, at least, that a series of cars and pickup trucks were leaving the construction site in an impatient yet orderly line from the entrance, the workers driving right back to their homes in the suburbs some 30 seconds away.

“That's it,” RJ declares. “The only chance we have is to nip them in the bud. But how?

XXX

“Everyone ready?” Verne says.

The family is prepared to go through the Hedge after RJ. To Verne’s upset relief, though, he comes out just a few feet away from them. Everyone trips into Verne when he stops to watch that uncommunicative hero return.

Where the heck were you for the past hour?!” Verne shouts, slightly shaky. They flood RJ while Verne beats him in the head.

RJ doesn’t greet any of them. “We don’t have time for this! Here’s my crazy plan-”

Stella nudges Verne.

“-We don’t have long before they tear this place down. But we’re not going back to Awesomeland.”

“I have a feeling we’re here on borrowed time,” Verne admits to him, the caution signs stuck around the cage as evidence.

“That’s where we come in. We bought ourselves just enough time last week to hit ‘em when they least expect it.”

“You can’t be serious.”

“Oh yeah. We’re heading back to the construction site. The big beef. And it's gotta be tonight.

Verne grabs his head. The rest of their skepticism doesn’t fare any better.

“Look,” RJ tries to convince them, “remember that giant claw machine… thing that Jack’s got? G.I.? If we can steal that, we’ve got our hands on a queen piece that can take out anything coming the Log’s way. Even the Sniffer. He’s got nothing quite like this.”

Hammy prods in. “In case anyone forgot, Verne has a bomb in his shell right now. Oops. I touched it.”

“The Sniffer said it’s not going off unless we mess up the ‘operation’,” recaps RJ. “But what if we put an end to this operation before it even begins?”

“Sounds crazy enough for RJ,” Stella says.

Verne steps on RJ’s foot. “That is way too dangerous even for you! We almost died last time we were there!”

“Well…” Heather taps her arm. “We also like, blew up a house and set them back a few days. Without even trying.”

“Right!” exclaims RJ. “We’d be dead already if it weren’t for that. I’m telling you Verne, with the kids’ help, G.I. is as easy as a can of refried beans. Let’s finish this family feud once and for all.”

Ozzie makes himself seen. “Just one teensy, tiny, itty-bitty trivial little question: How do we find it in a thousand acres of concrete wasteland? You’d need a… plane to get high enough to see the entire site.”

For some nondescript reason, RJ and Heather look at each other as if they do have a plane.

XXX

The large styrofoam airplane RJ and Heather used to take all over the suburbs was at least partially alive in Awesomeland. Its chewed remains would - hopefully - fly well enough for one more scouting trip. Outside the cage, the Hedgies built their launch ramp of scrap and litter. They had no tools for the job. It took hours.

Their target is the suburbs, aimed straight at the moon. Their speed would have to be nothing short of astronomical.

“I’m no Charles Lindbergh, but the wings look functional, at least,” calls Ozzie, circling it.

“Tail?” RJ asks next.

“Check,” Hammy says to the one on his bottom.

“Alright, listen up, this is your captain speaking. We’ve got clear skies towards the New Suburbia construction site. We’re gonna fly over until we find Jack’s ol’ G.I. Joe hiding in the midst of le chantier. Everyone ready?”

Verne wouldn’t ever be.

“What you mean is ‘are they ready for me’,” Stella articulates. “I’m not waiting for you to wet yourself before we go, Verne. Hold on!”

Her gas explodes behind the plane like a blown out engine, or a rocket ship. In a snap they break their necks flying through the ramp throwing them into the sky. A trail of green skunk stink follows them up and out until they’re soaring freely hundreds of feet above the suburbs, and Stella runs dry. The wind stabs their eyes and rattles the chipped plane wings. On a brighter day, they could’ve shot from the earth to the moon.

“Right turn, Hammy!” Ozzie orders on time.

Hammy jumping onto the end of the wing knocks the kids into the air for Stella to catch.

Easy, boy!” she hollers.

“That's it…” RJ hushes. “Slow hover…”

New Suburbia To-Be is on the horizon. At first Verne wondered whether their zombie plane would get high enough to reach a fatal falling height before the turbulence kicked in. He didn’t have a particular fear of heights more than a fear of everything else. However, the construction site, a treeless waste housing the wooden skeletons of giants and the fields of deserts struck in him a fear that was cureless. An existential fear.

RJ kicks his legs over the wing, joining Verne and his wavering of the caution lights detesting their arrival.

“It’s, uh, nice to finally be on a family outing again, isn’t it, Verne? …Verne?”

“How many thousand acre chunks of forest do they have to take before they’ve got all they need?” He never saw the aftermath of a tornado from the view of a god. This perspective was the opposite of power. It was being strung up and bound.

“I- Well, that’s the part we’ll never know. Maybe they’ll be paving the world with parking lots forever, if we watch it on TV and let it happen.” To save himself from the same sermon, RJ guides Verne towards one of the finished, pleasant houses. “Here. I wanna give you a good look, Verne. Lemme give you an example of how we make their world into our world.”

Verne looks, but doesn’t find. It’s like any other house.

“Look close,” RJ says. “Closer.

In fact, its larger, grandiose scale compared to what they had to deal with in El Rancho just makes him anxious. Not to mention that the roof was growing bigger, fast.

“Uh, is it just me, or are those houses getting closer?” Verne shudders.

“Relax, Verne, it’s just flying nerves. Me ‘n Heather had it the first time we flew.”

Heather had to check for herself. “Nope, it’s not flying nerves. We’re falling.”

“LOOK OUT!” Ozzie screams.

The shadow of a tall crane encroached on them too unexpectedly to react to. Their drastic loss of altitude pulled them downward exponentially. The side of the wing hit the crane. They spun ten times turning their brains into liquid. RJ yelps for what it's worth. Verne grabbed him by the foot before he fell off. As grateful as RJ was, Verne throwing himself onto the nose put all the weight of the plane into an instant divebomb against the air at the unpainted streets waiting to catch their dead bodies. The wings snap off. This warhead was all they had left to hold.

“WE’RE GOING TO DIE!!”

From anyone’s TV stand, it was a cosmic and serene sight to behold. A shooting star disappearing into the bright rim of the night over the soon-to-be promised land for the civilized man.


ACT II: The Big Beef


Stranded somewhere in a far off place, on a block well-kept for nobody and shared by none, this was luxury stripped to nothing, for at its core, without suburbanites to feed from, the bird feeders were empty, and the bear feeders that they lived in, even less so. A pile of empty boxes next to an unloaded storage truck broke their fall. The front yards looked pleasant, but left nowhere to hide. They could only hope they were alone here, but even that wasn't comforting.

Each mailbox was spaced perfectly. Each box was sitting open, and in each box there was nothing. No maps, no brochures had been fed to any of the hungry mouths for their indoctrination into 9-to-5 thoughtless bliss. The animals could feel that they weren’t welcome here. The air couldn’t be any more different than home, or any less full. A forest was kinetic. It had trees for swaying, creeks for flowing, and rocks for mossing. It felt awfully like it was made by someone, designed meticulously down to every bug, and left for someone to see, even to forage. New Suburbia was being made too, with a dollar on the line and a perverse desire to perfect what was already working, and working fine. Their problem? The forest was made by someone, but it wasn’t by man.

When those perverse desires are stripped to nothing, then nothing is made for anything. Paradise at last.

The houses next to them settled for nothing less than three stories, hundreds of vertices. It was the alien architecture they saw here exactly one week ago, fully realized and emptied.

In these 25 square miles of development, there is one doomsday device capable of and itching to pave a hundred more. The driver is an untactile man in all the cold wrong cases and a rigid battering rail in worse ones. He has red herrings left along every street, one for each worker that fronts his ambitions holding none of their own. The needle to find here is so garish yet so fitting of these other instruments of perfecting touches that it’s less conspicuous than an axe in a room full of hammers.

Welcome to the final anthill.

“Is everyone okay?” Lou asks.

“Just a little shaken up, dear,” Penny breathes heavily. “This dead place is giving me the-”

“Inescapable dread of being lost in the middle of nowhere.” RJ doesn’t toil pulling himself from the boxes. “Yeah I know the feeling.”

“How’re we going to find that ‘G.I.’ now?” Heather asks.

“By doing what we do best, scavenging, for a vantage point. We’re mammals, not birds. No time to lose.”

Wait…” Verne stops them before they pave their feet over the lack of road waiting for them in the long sand pit. “It seems like Jack can hear everything I do. Everywhere I go, he seems to show up. If he’s still around here-”

“I saw everyone drive outta here earlier, Verne.”

Verne finds it difficult to talk over the brick wall RJ built for himself in a mission already tainted with failure. He reiterates, “I mean it feels like he can hear me from a mile away. He thinks I’m some pet turtle he had named Velma who bit his finger when he was a boy scout or something, and now he’s powered by pure hatred towards me because he thinks I’m that turtle, and that’s why he has super-hearing!”

He made everyone as boxed in as RJ. They got no sleep.

“Verne, buddy…” RJ sighs, “...we have no idea where we are, or where this machine is.”

“Then let me lead, RJ,” Verne returns with enough snark to give themselves some direction. “We turtles have such good eyesight we can even see into the future sometimes.”

RJ lays his hands out for him, open and ready for the supreme leader to proceed. Verne takes the lead, three snail steps at a time, down the perimeter of the unpaved street. Three steps later, and they quickly get sick of it.

“I’m gonna have my stink reloaded,” Stella echoes into the night, “by the time we make it past that dirt hill ten feet in front of us. Bring it on, Jack!”

Verne tries to warn her of the noise. She shuffled through him. Her paw hits a short steel pillar that pops out of the sand. It sends vibrations through the ground under their feet. None of them dare to move past Verne. The bubbling robot tracks Stella’s leg with its red glowing camera. A few seconds pass. Then it submerges into its hole. It clicks into place, leaving a flat circular step.

“You win this time, Verne.” RJ knew the waves it sent underground were searching for exactly them. “Our pleasant next-door neighbors have been expecting us.”

“You mean the Jeffersons?” Hammy asks.

No.” A number of other coin-shaped heads were peeking out and about periodically at a breeze or a moth fluttering around a light. “Motion sensors.”

“So just follow them.” Everyone looks at Heather.

“What?”

“Y’know, if the humans think something's important, they’ll have more traps around it… What?”

“Good. Good idea,” RJ admits. “Let’s go with Heather’s idea.”

Thus commences the most exciting part of any mission: walking slowly.

Heather’s line of thinking was the enemy of Verne’s inner tragedy, his unwanted mistakes pulling the family further into the sinkhole of the new development stronger than a giant’s arm. Traversing the street brings into close contact their fur and the live wires crackling from one garage to another. The crates and signs walling off pit after pit of exposed, veiny sewage lines make it an endeavor to sneak about in such a way that their footsteps made no sound and their tails brushed over nothing sensitive or deadly.

Their jailors in this escape were pulsing underground. Never could they tell exactly where they were, but the motion sensors could be felt getting stronger, the vibrations doubling up on their robotic heartbeats as their fields of vision overlapped. Verne was getting queasy.

Nonetheless, RJ had no patience for fair justice, a trait so overtly antagonistic of his old self that his determination in this mission was forced. More a state of body than of mind.

In a vast dirt field, G.I. was orbited by the forest’s own scaffolding left over from when the rooted foundation was torn roughly as skin to be retrofitted into a cul de sac and its neighbors over the buried carcasses headed towards the furnaces at the center of the earth. All that thinking was too thoughtful for what G.I. really was. It’s a Verne-killing machine.

“Wait…” It was in vain, for everyone followed RJ to hijack the weapon endangering them most, second only to himself, Verne thought. He couldn’t tell them that he was in that field once, though he can’t remember what went down in it for G.I. to be so intentionally stationed at its center in wait. If the humans knew he had been there, and it was like any of the other streets, there’d be hundreds of whispers below the surface.

The foot of the field, marked by the beams of house frames covered in tarp, presented them a pile of gravel bags to narrow the gateway to a life devoid of greenery or green paint. Only rock, and a long sightline to the contraption that looked like a black factory in the distance. The only lights were that of the gray barrels spread over the field full of all the gasoline G.I. needed to feed on, and the string lights laid haphazardly about in the absence of any construction projects to speak of, though maybe, Verne thought, the field served a more fulfilling purpose now, and it was waiting for him.

Over a hundred feet of dirt they pitter-patter on tips of toes hauling themselves behind a metal board stuck in the ground within earshot of the gargantuan vehicle, and its silent exhaust within earshot of them. The two amalgamations of parts - one of fur and another of steel - confronted one another on the bay over which the ghostly neighborhood could see them, but the animals showed no more to their opponent than whiskers.

G.I. ran on two sets of tracked wheels like a tank. A box, one that could fit a room, fit inside it all the guts manufactured to create life that lived for one purpose, to dominate, to subordinate under the tracks that stiffly held it regardless of who it may be subordinating upon, responding only to the will of the driver. In the Hedge family they had kids who spoke its language. What they couldn’t speak for were the four arms it had on the rest of its boxy shell, two on each side of the cockpit with their joints locked in gray pistons and looking malformed as they slept with their orange nails exposed.

The cockpit box for the brain was gently rocking, then a creaking noise grew in power from the belt of the wheels. RJ started to feel as though G.I. was… snoring.

There was some large sack of coal shifting in the cockpit seat that could barely be seen through the wide frontal panes or the caution-taped side doors. The dark figure rises up and down. The man inside the machine had his elbows and face hunched over the metal dashboard. His back rose and fell. He shows his crooked teeth from the center of his shaggy, muddy beard.

Hammy spotted the sleeping bear and nearly screamed. Heather saved a dozen lives that night not with a guitar, but a hug.

“Shoot…” RJ draws his brow tightly against his nose. It hadn’t occurred to him that Jack and Dwayne were two of the same blubbery, blabbering sacks who slept in their offices and ate their paychecks for breakfast.

Verne’s caution proved to be invaluable. They went so silent now that the ticking of the bomb in his shell was the only clock counting the time leaking from the glass. Had they awoken Jack, he would’ve had a trap set for them an hour ago. Verne’s potentially overreaching caution now was that he had one set anyway. While they confusingly pieced the remains of their plan together, Verne kept his jaw still so only his throat could voice his quiet orders. He couldn’t break his eye contact with the hump on the chair now that he feared that the movement of his eyelids would - to Jack’s big ears - be unmistakably Velma’s.

“Get… everyone… back to the… woods.”

“No…” RJ couldn’t stand leaving the Log after the madness of the food fights, the arguments, the storms and shattered objects it took to get to the center of their problem - the construction. It was always the construction. “No, no, it’s not right. We’re getting out of here with G.I. or we’re leaving no G.I. standing.”

In fear of causing a shout, nobody makes a peep. RJ knows best, so they’ll follow him further up the line, if only cautiously. Verne gets antsy at any bit smaller they become in the face of the machine.

“Verne, if you’re right about this freak, you’d better not take one step closer to that thing.”

Following the waving of RJ’s tail, they maneuver the minefield avoiding every peculiarly obtuse and disturbed lump in the dirt left from some truck’s excavation, or toppled sand castles, or illegal tampering. Upon reaching the conveyor wheels, RJ knots a yo-yo through the gears of one foot.

“That’ll hold it… I hope.”

Jack was dissatisfied with their presence near his cave. A deep grumble smoked out of the dented door up the plated steps into the hood. Verne hugged himself. He tried to remind himself that Jack was just tossing and turning in his sleep. Jack’s breath made the air muggy and full of oily charcoal mist. RJ and the others smelled it only once they could open their mouths to breathe again.

“Sheesh. Dead fish.”

Stella snaps, “This is when we move into the ‘destruction’ phase, right? So we can get back to sleep already?”

“Don't worry,” Bucky relays from afar, “we got the perfect weapon for mass destruction.”

The kids wandered a few dozen yards away and were attempting to jumpstart a truck they found carrying a wrecking ball from its crane. Spike’s wrenching inside the frame brings as little success as a short stutter, but the stuttering engine’s wailing across the mountain range of houses surrounding the field startled even RJ’s desperate group. It attracts the hostility of Jack’s mumbling and pounding.

RJ slashes his throat. “Shh. SHH! No! Nada! Zilch! Cut it out!”

“What’s he saying, Bucky?” asks Quillo amongst themselves.

“I’m almost done tampering the transmission!” Spike interrupts them.

Bucky dismisses RJ’s charades. “Yeah. Yeah. Keep at it. We’ve only got an hour before the coffee pots go off.”

The second jumpstart is louder. The third shakes the ground and brings the truck to life. The engine roars.

Verne stood in dismay at the signals RJ and the others were sending to the truck that weren’t being caught. “Kids! You’re gonna wake up-!” When he was too anxious to simply stand and stare, he moved his foot once. And that was what awoke Jack.

Hey. HEY!” Jack throws his arms onto the controls. “Ohhhh, my BEAUTY SLEEP! You couldn’t have waited ONE NIGHT, could you? Ohhhh my god, you came right to me. Why would you do that, Velma? When you’re gone, I might just be cutting trees for no purpose. How could you be so goddamn… STUPID?”

“Come on!” Verne shouts to his terrified family. “Save yourselves!”

WHERE ARE YOU, VELMA?!”

The way they came into the field hadn’t changed the way their priorities did at the four headlights of G.I. burning the path. They run over the hot sand and the motion sensors waiting to ambush. The traps - darts for tranquilizing, nets for catching, lasers for blinding, rakes for stepping on - spring from the depths. The lucky pair of RJ and Heather collided head-first where the sensors failed to catch them. A pair of chattering teeth hooked Ozzie in the leg. Verne, the last survivor, drowned in the warfare and the felling of each of his nephews and nieces he brought out of the covers of their perfect woods. Duty told him to run towards his only family, and he did, until two steps put him in a cage with a silver-headed guard.

With Velma detained, Jack kicks the side door open and steps onto the deck, holding a long, long rope.

XXX

They were tied to the track encasing G.I.’s steel wheels. All of them in a row.

Jack cranks the forward lever next to the controls for his factory of torture. It grinds and pops on its unwaxed geared teeth. He jumps four yards off the deck in his heavy boots. “You done did this to yourselves.” He chuckles, which quickly morphs into the hawking of a crow. “None of you had to get yerselves involved in the turtle’s inevitable demise.”

SQUEAK! SQUEAK SQUEAK! MEOW!

“Oh boo hoo,” Jack pities the animals. “Lemme snack on my comically large bag of popcorn. Wait, I didn’t pop it. Oh well. SAFE TRAVELS!”

His uncooked, comically large bag of popcorn kernels satisfies him as he eats them raw watching the animals jolt their heads towards the machine hearing the engine rumble and shake them on the conveyor.

They scream for help, but there’s no one to care. RJ squinches hard as the wheels draw him on his metal plate towards the underside to be fed to the crusher. He was the first in line, and Verne the last. Yet a clutter and a clank come from the wheels following just a second of acceleration assuring everyone that it would be a hasty end. Juttering and stuttering, they jerk backward, and G.I. wails as it gets stuck at an inching pace. The Hedgies fall as silent as the dead.

It’d be at least a minute or so before RJ went under.

“What the-?” Jack exclaims. “IS IT OUT OF GAS?!”

Actually, RJ could lean his head over the edge of the belt and see his yo-yo tangled throughout the gears.

“Well that’s just great,” Jack mopes. “All this popcorn and I won’t have any left for the Velma’s-dead-after-party I’m throwing with no one but myself and my dad’s pathetic ashes. He's going to finally see that I’m stronger than the frontier he told me to cower from and respect. I can kill whatever I want. And who’s going to stop me now, pops? HUH?!

We can!” the porcupine kids shout from behind Jack and the family. A pair of headlights grow over them. A wrecking ball strikes the nightcap off of Jack’s shiny bald head. He yells like a goat upon witnessing the hijacked truck coming at him.

“He's getting back in the machine! Watch out!” Verne calls.

The arms on that contraption thrash at them. They pierce the crane, seize it, but the kids rear back from the range of the four claw-like limbs and their sliver tubes shifting elastically at their movements. They couldn’t back down. They’d topple G.I. like a house with their wrecking ball, for it was just the right, formidable size. They give their steel ball a drive at Jack in the cockpit, but they’re underleveled. The wrecking ball smashed into the headlights. Glass flies everywhere. It triggered Jack’s next-angriest phase, counted by the number of veins popping and wriggling out of his head.

“You little-”

He grabs the wrecking ball with one of the mechanical arms and yanks it up on the string. The kids pull the crane back. In this match of strength they win… only because Jack let go. The ball flies through the hood that protected them. When they recovered in some forty feet of retreat, a barrage of fire hydrants thrown from G.I. headed their way. They shield themselves in their broken windshield from the red missiles that explode into iron fireworks every time they block them with the wrecking ball.

The front of the track was reaching RJ’s head, and as it turned him first in line on the animal kabob, the blood rushed in. “Hey Hammy, just checking in, how's it going with that rope?!”

“Almost got it.”

He chews free the ropes around his chest and flings his free body about like a clueless bird, hurrying to untie RJ and the others.

Verne falls to the hurt side of his shell. He’d endured worse. The sight of his family trapped in his peril might never heal if they’re in Jack’s way any longer. “Lou, Penny, we’ll get your kids back. We need to evacuate everyone to the sewers. We can get back to the suburbs that way.”

“Give it a second, Verne,” RJ starts. “The kids almost hit him right in the pancreas. They’ve got ‘em.”

“No they don’t! You’re always trying to push us to our limits and I respect that, but when things don’t go the way you planned it in your head it’s not worth risking a limb going even deeper just to prove you were right.”

“We’re this close to saving your home, Verne. We’ve hurt each other way more than anything on this side of the Hedge has!”

“Let’s keep it that way,” Verne suggests.

Ozzie had thoughts on that matter. He sat in Heather’s arms with one leg too weak to move. It felt crooked.

RJ saw that they were taking for granted the fact that they still had a choice to abandon the cage and start anew - A creek, cliff, and a lovable pile of junk awaited them. “…You got it, Uncle Verne.” The pent-up anger he felt swirling his stuck-up hair releases from his shoulders. “Let’s boogie.”

Trying to walk, Ozzie limps. Heather locks him onto her.

“Heather, if my leg gives in, leave me be and get home safe. I’d die for you.”

“You’re going to be okay, dad. You just twisted it.”

“But I’m… fading.”

“Stay awake… Tell me the story about how you named me.”

She kept him talking. Escape was the only thing on their minds. Luckily they were reckless enough on the last attempt to trigger every one of the Verm-Tech traps in the way. They just made the field more of a dump now. Along the way, they pass some instructions to the kids. They needed to distract Jack. Breaking his scope on Verne, though, would be challenging.

“Didn’t you get the memo? You’re DEAD MEAT, Velma.” A glass hatch protected a big red button of death in between Jack’s drive lever and his drive-faster lever. He braved the pain with his bare fist. A thick black cord ported into the back of G.I. begins to tremble and spark plasma blue.

“I sting like a scorpion,” he chants, “and cut like a knife. You’re the salmon in the river and you taste JUST RIGHT!

The cord stretched as far as the other end of the field, where it leeched power from every telephone line in this division and beyond. G.I. didn’t need gas. EVs were in spirit anyway, if only not in his.

G.I. rolls the hills flat at full speed. RJ’s yo-yo broke instantly. RJ, Verne, Heather and Ozzie almost made it to the scaffolding before G.I. ripped from its cord and tore down the power lines surrounding the field. They hit the ground and throw lightning bolts at RJ’s face. A ring of sparkling electricity trapped them in the arena.

The headlights grow as G.I. barrels towards them. The four tackled one another into a deep hole in the sand, leaving Jack to crash into the power lines and short-circuit his machine.

“Over here!” Stella, Tiger, Hammy, Lou and Penny hid in a concrete pipe waiting to snag them. Like everything else, the pipe was cold and homely.

Bucky makes it to the wheel of their truck. “Activate our special move!” Spike pleads. “Super spinning attack! Do something! Kill the final boss!”

Verne’s footsteps were a deep boom, a sporadic heartbeat that Jack heard every beat of. G.I. was dead. The wrecking ball came at the cockpit, a haymaker swing breaking off the door and knocking G.I. sideways until one of its back wheels fall victim to the sand pit, leaving Jack stuck with both tracks hardly on the ground.

Now!” Penny pleads just the same. “Get the kids! Go!

The Hedgies run to the damaged truck ready for a rescue. Instead, the door opened for them. There they were, the three knights on their rusty horse, ready to lift each one of them to the seat. With that, they jump the fallen telephone poles using a flimsy board as a ramp.

A foul scream - “VELMAAAAAAA!” - chased their wrecking car out of New Suburbia. It brought the town a bowl of peril to start out their day. The humans had quite the show waiting for them behind the curtains of the Hedge.


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