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Mail Art started as an art movement in the late 19th century after the introduction of the Royal Mail parcel post service, which meant packages could be send around cheaply.
This meant that people started to form Mail Art clubs where they send around parcels of albums or portfolios, including a notebook for comments, to each member.
Mail Art clubs allowed people to connect with like-minded thinkers without the barrier of geographical space.1
In the 1950s, Ray Johnson introduced Mail Art to the New York avant-garde scene.
Johnson, however, chose to focus on the communication aspect with the use collages.2
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