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2024-12-19
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No More Dreams

Summary:

The Machine needs a new Team, in this new Time. Lucky for her, there's already one for hire.

Notes:

Hi! First off, I'll explain in bottom notes both media, so it's worth reading there first if you really need background. But if you know both shows, this should be a treat, and a teaser that gets my muse working!

(See the end of the work for more notes.)

Work Text:

The one-eyed woman was chewing on a massive sandwich when Sylia walked in. The mumbled "sit down" and pointing barely a greeting against the chewing.

Sylia tread carefully across the room. She projected confidence into the small but wonderfully furnished office, yet feared it was useless as her heels trod the marble floor. If the Sabers weren't hurting for jobs, she'd never have agreed to this meet. Admittedly, she'd had both her usual checks, then Linna and Nene quad-checking the situation before she even responded.

Thornhill Industries was a secretive firm, it was true. That's not what worried Sylia. The Sabers had worked with dozens of sketchy companies and people, and come out on top. Sylia was very careful, because anything else in their business got them dead.

What worried her was, first, that she knew that one-eyed woman. Or, at least, knew of her.

Wiping her mouth, the other woman in the room grabbed a cane. The older woman didn't have far to go to stand up, yet when she did, she was like an eagle, built as if her muscles just protected her from not only aging, but the world. 

She was lovely in her aging self, still striking even thru the decades and the clear disinterest in anything like beauty aids. A real body, Sylia thought. She's not even replaced that eye. She's clearly as dangerous as the stories make her out to be.

Which brought Sylia to her second, even graver worry. Because it makes Ernest Thornhill to be who she thought he was. And thus, Sylia was in...something new. Something she never ever dreamed she'd encounter. Something that made orbital kill lasers to be, potentially, child's play.

The woman growled into the air: "are we starting?"

"Of course we are, sweetie," the air replied. "Mz. Stingray, thank you for coming. You'll forgive my Wife, her -"

"- my manners aren't the fucking point, sweetie. There's a job to do, and the women's here for it, so let's get it going before I shoot someone or piss myself."

..."I know who you are," Sylia said. She looked at the woman. "Both of you."

"Of course you do," the air replied, while the woman scowled at her. "You know my name isn't really Ernest Thornhill."

Sylia tried for a small smile. "Well, forgive my presumption and gender assumptions; you don't sound like what I expect from an Ernest, among reasons."

The voice responded: "Well, there is some importance to me being Ernest, but..." And a new voice continued, one Sylia thought of as masculine, cultured "of course, Miss Stingray, you are correct. It would hardly fit for me to have only one voice. And so, to my lovely Shaw's urgings -- please, call Miss Romanova and let her know."

Sylia eyes widened, just a touch. "Know...?"

The original voice returned, playful and witty: "Know who I am, and that you are safe."

---

Nene knew she needed to be professional. She needed to help make sure that Sylia made it out of that wild-assed super-shielded Faraday cage of an "office" alive.

So screaming into the comms 3.78 minutes after she picked up Sylia's phone call was uncalled for, and unsafe. She knew that!

But Sylia told her who she was "with" -- well, one of the two, um, well not "person" -- and she couldn't help herself!

It was real! The Baba Yaga of the modern age, the most dangerous entity ever constructed, was so fucking real! And it wanted to hire them!

The Machine Was Real. And it paid! 

Nene *promised* not to babble. But in truth, it only took 1.42 minutes before Sylia said goodbye.

Nene told herself, again, she really needed to keep working on being more focused. 

----

Sylia closed the call, and sat up straighter. "I have questions. And not just from Mz Romanova, who is, I assume, eager to meet you. Mrs Shaw? I know time is short, but it is rare to meet the world's first Artificial General Intelligence, so I trust you'll forg-"

"Whatever," Mrs Shaw said. "Let's just get the fangirl gushing over with so I can walk you thru the job."

"Now Sameen," The Machine said with joy, "how often do I get to meet fans?"

The responding eye roll screamed in a language all on its own. "Too fuckin' often, given I just wreaked the plans of some 'fans' of yours just last week."

Sameen Shaw sat back down, grabbing her sandwich and stuffing it back into her mouth.

"Now, Mz Stingray. What did you want to ask me? I'm an open book."

Notes:

Two Cyberpunk tastes, that sound great together! As promised, an explainer:

Person of Interest (PoI) was a CBS television show. It, along with the slightly-later Mr Robot, do present-day Cyberpunk themes, which is very rare on the ground. That, in itself, makes it worthy for people into SF, and specifically the cyberpunk genre, to check out.

But there's more. In its 5 seasons PoI built up three things:

  • A rich and complex myth arc that was actually fully realized,
  • To meet the myth arc, a truly wonderful ensemble of main and side characters, making the PoI 'verse feel real, and
  • Slowly building the leads into a credible Found Family, from very broken starts.

Indeed, this started when I realized that not only would the Artificial General Intelligence at the heart of Person of Interest still be alive, but so too might the older woman in this fic. That Sameen marries an AI might seem odd; trust it makes sense in context of the show (and makes far more sense than what happened to the wlw relationship in The 100). If I do more on this I'll explain that bit.

Bubblegum Crisis (BGC) was an 1980s/early 90s Japanese direct-to-video show. Animated, each episode presents an adventure for the Knight Sabers, 4 women in power armor. In th early 2030s, they act both as mercenaries for hire AND vigilantes, mostly against a megacorp named GENOM. They are Heroes for Hire in a Cyberpunk age!

So why them? Again, found family! The storylines were powerful, especially early in the show's 8 episode run, a heady mix of Noir-steeped cyberpunk with Superheroics, all with a blazing 1980s rock soundtrack. Add to that the rarity in either the West or Asia for women-centered stories, and BGC was truly a landmark concept than ended far too soon.

At the end of the day, The Machine is used to Agents that have, at best, murky pasts full of angst and woe. There's no question she would see these 4 young women as more than capable to do the work she needs...

...whatever that is.