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The Things Left Unsaid

Summary:

These three bonus scenes are the things I couldn’t fully place inside the main chapters of The Hundredth Tale.

Not because they didn’t belong—but because they risked softening characters who are usually hard-edged, practical, or quietly emotional in ways they themselves don’t recognize.

These are the whispers, the pauses, the letters that were never meant to be opened, and the love that never needed to be returned to matter.

A trilogy of what was left unsaid—but not unlived.

The Hundredth Tale Extras

Notes:

Go read the original first xd.

What wasn't in the original.

Chapter 1: The 101st Tale

Summary:

This is the tale I always imagined Ruri would tell if she were allowed just one moment to speak from her heart, without the weight of priestesshood or village eyes.

I rewrote it as the 101st Tale—her own addition to the oral legacy—not meant for the flames or the people, but for Senku alone.

Notes:

(See the end of the chapter for notes.)

Chapter Text

 

The Hundred and First Tale
As passed down from Ruri of Ishigami Village
Priestess of the Spoken Flame

Gather, gather—under star and branch,
For this is the tale not written in bark or ash,
But held in breath, in the hollow of the chest,
The tale I spoke only once, beneath the tree of beginnings.

Once, before the sky bore numbers and the fire remembered names,
There was a girl who knew every story ever told,
Except her own.

Her name was Ruri, child of dusk and duty,
Priestess not by ambition, but by legacy.

And she was taught to speak not as children do,
But as vessels do:

To let the dead borrow her tongue.


From the age when teeth were still growing in her mouth,
Ruri learned the cadence of loss.

Every tale carved by tongue and tooth,
She memorized by moonlight and marrow:

Tales of storms and sails, of fire and rebirth,
Of Byakuya who fell from the stars,
Of the Six who gave everything to remember the world.

But one tale was hidden.
Locked behind time and lineage.

The Hundredth Tale.

Passed from mother to daughter,
Not to be recited but received.

The last tale.
The secret tale.

The tale of the boy who would return.
The one named Senku.


In the silence after her mother’s voice faded,
Ruri sat beneath the great cedar tree,
Bare feet curled in the dirt,
Hands trembling around her knees.

She did not weep.
She did not smile.

But she dreamed.

Of a boy with fire in his eyes
And stars in his bones.

Of a prince made not of gold or prophecy,
But of knowledge and ash and defiance.

She dreamed he would come,
Not to save her, but to restore what was lost.

And she waited.

Years passed like birds—sometimes returning, sometimes not.

And then—

He came.

Not as she dreamed him.
Not tall. Not graceful.

But loud.
And wild.

And kind.


The girl was sick then.
Her breath thin as thread, her skin paper to the wind.

The village feared. Her sister fought. The flames dimmed.

But the boy from the Hundredth Tale did not kneel.

He mixed. He mended. He mined.

He cursed the heavens and scolded the trees.

And made medicine.

Not a miracle.
A formula.

Sulfa drugs.

And she lived.


Let this part be told slowly:

Though the priestess lived,
She did not return to life in the way others thought.

She had changed.

Because what he gave her was not only health,
But proof.

Proof that stories were not relics.
That they were equations, waiting to be solved.

That the Hundredth Tale was not an ending.
But a thesis.


And though she was wed to him in name,
He left the name behind with gentleness.

And though her sister watched him with her whole heart,
Ruri stepped aside.

Not from sadness.
But from clarity.

For the boy from the stars
Belonged to the stars.

And no woman
Could outshine his curiosity.

But still—
She loved him.

Not as a child loves a fairy tale,
But as a historian loves the truth.

Not to possess,
But to preserve.


There were nights she stayed late in the old lab,
Folding cloth. Listening to gears.

And he never said thank you.
Not out loud.

But he would leave water where she could find it.
Or point out constellations he knew she liked.

Their language was not of hands or mouths,
But of timing.
And knowing.
And silence.


The others left.
The village changed.
Science blossomed into metal and glass.

And she remained.

Not because she was left behind,
But because she chose to stay still
So others could orbit.

That was her role.
To keep the root steady,
So the branches could touch the sky.


Then came the island.
And the night when only he remained.

Alone, for the first time.

Truly alone.

Everyone else turned to stone.

And she called.

Not out of timing.
Not out of coincidence.

But because something in her spirit
Heard the crack
In his.

And she spoke.

Few words.
No promises.

But he heard her.
And she knew that would be enough.


This is where the tale breaks from its rhythm.
Because it is no longer about the past.

It is a confession.

It is a leaf,
Torn from a tree never meant to fall.

It is the 101st Tale,
Never spoken to the village.

Only to you, Senku Ishigami.


"You gave me the future,
Even when I didn’t ask for it.
Even when I didn’t know how to hold it.

You didn’t stay long,
But you stayed real.

And I will not carve your name into stone,
Because your story is still being written in fire.

But if the sky has ink
And the stars are scrolls,
Then let the next priestess
Find this tale in the spaces between constellations.

The tale of the boy who returned.

And the girl who spoke his name
Until her voice
Became the wind itself."


And so ends the tale,
Not with a lesson,
But with a leaf falling
Onto still water.

May it ripple.
May it remember.
May it begin again.


[End of the 101st Tale]

Notes:

This is something I couldn’t include in the original work because the voice felt too intimate, too poetic, and maybe even a little out of character—but it felt true. A whispered goodbye to the boy from the stars, from the girl who remembered his name long before she met him.