Chapter 1: Boy At The Door
Chapter Text
The knock still rang in Nova’s bones as she set the towel down and stepped aside. Aurora made a small strangled sound behind her, somewhere between swearing and a prayer.
“Come in,” Nova said, because her legs would not do anything else.
Victor the Sixth crossed the threshold like a person entering a museum with a backpack of water bottles—careful, apologetic, prepared to be told to leave. Up close he looked nothing like a ghost. His curls were unruly, his shoes were scuffed, his olive skin freckled along the cheekbones as if the sun had posted little notes there. He held an envelope gently, edges frayed, addressed in a handwriting Nova recognized with a shock: her own.
“I think this is yours,” he said.
Aurora slid the syrup bottle across the table as if offering bail money. “I’m Aurora,” she said, voice steadying. “Sister. Witness. Occasional bouncer.”
“Victor,” he said, tipping his head. “Technically the Sixth, but usually just… Victor.” He looked at Nova again, not with the startle of recognition but with the gravity of recognition fulfilled. “Thank you for opening the door.”
Nova’s fingers trembled around the envelope. “You have my letter,” she said, dumbly. “The last one.”
“We have more than that,” he said. “We have… a lot.”
Aurora gestured at the table. “Sit. Everybody sits. We’re a ‘sit’ family.” She set out plates by reflex. “Do you eat pancakes?”
He blinked. “The question assumes there are people who don’t.”
“Correct answer,” Aurora said, and slid him a short stack like a treaty.
They sat: Nova at the far side of the table, knuckles white on the chair edge; Victor perched at an angle like a bird pretending not to be ready to fly; Aurora between them, referee and mother hen.
Victor set the envelope on the table and smoothed it with the side of his hand. “My family kept a chest,” he said. “In my great-great-grandmother Ruth’s house. She used to tell us stories when the power went out, all of us on the floor with flashlights under our chins like goblins. She would say, ‘Once there was a girl who wrote to the wind, and the wind wrote back.’”
Nova’s throat tightened. “Ruth braided hair,” she said softly, surprised by the immediacy of it—how the name could cross two hundred years and still feel like a person who would scold you for forgetting a hat.
Victor smiled with relief. “You know her.”
“Only through ink,” Nova said. “But yes.”
He took a breath. “The legend changed every generation. Some parts were constant. Some… creative.”
Aurora leaned in, elbows on table. “Okay. We’re a facts-and-myths household now. Hit us.”
“Facts, as far as we can tell,” Victor said, ticking them off. “There was a Victor—my namesake, the first. He was eldest of four. He wrote letters that appeared under the roots of a big oak near the fields. He fed a stray dog his supper. He feared thunderstorms and pretended he didn’t. He named an ox Lemon and sang to him in storms, which did not help.”
Nova laughed, raw and real. “He told me it didn’t.”
“He wrote about a girl whose words made him braver.” Victor’s voice softened. “He wrote about a ribbon. We still have it.”
Nova’s hand went automatically to her wrist, where the blue was tucked under her sleeve. “I still do too,” she said, showing it. “I’ve never stopped wearing it.”
Victor’s eyes shone. “Then that part was true. Ruth always said it was.”
Aurora cleared her throat gently. “And the… creative parts?”
Victor considered. “There were versions where you—‘the girl under the tree’—stepped through a door made of roots and never came back.”
Nova stared at the wood grain. “That one’s false.”
“Good,” Aurora muttered, but her voice carried both pride and grief.
“In some tellings,” Victor continued, “my ancestor waited at the oak every night for twenty years until his hair went white. That’s… unlikely.” He smiled, apologetic. “He did marry. Not immediately. But he did.”
Nova’s breath left her in a rush she hadn’t expected. She didn’t want him frozen, tragic under the tree forever. She wanted him to have bread and laughter and a hand to hold in storms.
“Do you know her name?” she asked.
Victor shook his head. “Records are spotty. We have a parish book that lists a Victor with ‘issue 3,’ one deceased in infancy. The pages with names were water-damaged.”
Aurora slid him berries like an absolution. “And the part where the hole eats paper?”
“Documented.” He tapped the envelope. “We still have the box of letters, wrapped in waxed cloth. Your final note was the only one with an address and a date. When it turned up—”
“Turned up?” Nova echoed.
“The chest keeper checks the hollow every Sunday,” he said, as if saying ‘mailbox.’ “It’s ceremonial now. Most Sundays it’s empty. On the fifteenth, there it was: your handwriting, your date last year, your address in the corner. My grandfather called me before he called the rest.”
Nova’s eyes stung. She had written that letter as a goodbye, a sting that healed as it sealed. She hadn’t really believed it would travel. She had written the address because her therapist had said to leave the door unlocked. The door had opened, not to the past, but forward.
“What did they tell you about me?” she asked, wary and oddly shy. “In the versions that mattered?”
Victor pressed his lips together. “That you were brave and honest and stubborn and that you loved our Victor without hope of getting to keep him. That you taught him to breathe like the earth. That you gave us a different kind of inheritance: attention.” He spread his fingers on the table. “They told us to notice things. ‘The girl under the tree liked noticing,’ Ruth wrote in a margin. ‘So we will make a family of noticers.’”
Aurora sat back, struck. “I like Ruth,” she said. “Invite her to brunch.” Then, softer, to Nova: “That sounds like you.”
Nova did not know where to set the swell in her chest. The ache of loss and the odd, glowing pride braided together like Ruth’s quiet hands in someone’s hair.
“May I ask,” Victor said carefully, “what was true for you? And what would you prefer… not to pass down?”
Nova held his look. She could feel Aurora’s gaze as well, warm at her shoulder like a shawl. She chose her words the way you put cups on a high shelf: steady, deliberate.
“Truths,” she said. “I loved him. I still do, in a way that doesn’t compete with this life.” She touched the ribbon. “The letters saved me when nothing else could reach me. Your family—by keeping them—kept me too.”
Aurora’s hand found her elbow. Nova covered it for a heartbeat.
“And the parts not to pass down?” Victor asked.
“That I was broken,” Nova said at once. “That loving him ruined me. It didn’t. It hurt. It healed. I went to therapy and learned my brain is a loud, beautiful machine. And—” she met his eyes, wanting no slant or shadow “—that there’s any romance between you and me. I need that untrue forever.”
Relief crossed his face like shade in summer. “Me too,” he said. “I have a partner. We’ve been together seven years. She thought this quest made me a lunatic and also booked my ticket.” The corner of his mouth tipped. “She’ll love you.”
“Good,” Aurora said briskly, pouring more syrup she didn’t need. “We are pro-girlfriend in this kitchen.”
Nova exhaled. The tension she hadn’t wanted to name loosened. They were people on the same side of a river, not trying to build a bridge where the water didn’t want one.
Victor reached for the envelope, slid the letter back toward her. “You can keep this copy,” he said. “We made a scan for the archive. My grandfather cried like a thunderstorm. I recorded it for blackmail.”
Nova brushed her thumb along her own careful handwriting. Goodbye, Victor. Thank you for everything. It was like reading a prayer someone else had written in her voice.
“What else did the legends get wrong?” Aurora asked, settling her chin on her palm as if prepared to be delighted or offended.
Victor counted on his fingers. “That the ox was gentle. Family consensus: Lemon was a menace. That the river sang like bells—turns out that one was true, at least to our elders’ ears. That the girl under the tree disappeared forever—false, demonstrably.” He gestured at Nova, at the pancakes. “You are here. You made breakfast.”
Nova laughed. The sound landed on her own ears like a bird tapping the window to say still flying.
“And one more thing,” Victor added, thoughtful. “In some versions, the first Victor dies young. We have reason to believe he did not. We found a tool ledger with his initials from twelve years after the letters end. He kept living. I like that version.”
“I love that version,” Nova said, throat tight.
They ate, and as they ate the oddness wore off the moment like steam from a mug. Victor told stories of the chest: how children weren’t allowed to touch it until they could recite what it held; how every new baby got a ribbon (blue for tradition, a joke that turned into a rule); how the Sunday keeper still talks to the oak on his rounds, listing everyone by name.
Nova shared small truths the family did not have: that the instant camera photo had been taken in a rush and her hand had shaken; that sometimes she still counted pulses to find herself and sometimes she didn’t need to; that the hole had been just earth the night she tried to force it, and that “just earth” had become its own kind of mercy.
Aurora watched the two of them, something like relief loosening her mouth. She interrupted to ask practical questions (what city, what transit line, does your partner eat gluten), then fell quiet again, content to lean her chair back and listen like a person who has finally located the frequency of the station she wanted.
When the plates were an aftermath of syrup and crumbs, Victor wiped his fingers on a napkin and cleared his throat. “I brought something else,” he said, almost shy. He reached into his backpack and produced a shallow wooden frame. Inside, under glass, lay a strip of blue ribbon—threadbare, smoke-scented. Beside it, a small card with tidy handwriting:
Ribbon, believed to have passed through the hollow tree.
Keeper’s note: belongs to the story, not the chest.
Nova’s eyes stung. “You brought—”
“A loan,” he said quickly. “Just for today. It felt wrong to come without him.”
“Without him?” Aurora repeated, amused.
“Our Victor,” he said simply. “The first.”
They sat with that a long moment, the framed ribbon on the table between plates, old light beside fresh crumbs.
Nova reached out and rested two fingers on the glass. “Thank you,” she said.
Victor hesitated. “Would it be alright if I… saw the tree? Not today—whenever you want. I don’t want to turn your life into a pilgrimage site. I just… I’d like to stand there.”
“Of course,” Nova said, surprised by how right it felt. “We’ll go when the ground is dry. It gets muddy after rain.”
Aurora pointed a fork. “Boots. Wear boots.”
Victor nodded gravely. “Noted.”
He rose at last with the carefulness of someone leaving a museum with a backpack of water bottles, the frame packed back into his bag, the envelope now in Nova’s pocket, soft with the heat of her palm. At the door he paused, flustered.
“I don’t know what happens next,” he admitted.
“Nothing dramatic,” Nova said, and the words settled like good bread. “We live. We check on each other. We keep the story true where we can.”
“We invite girlfriends to brunch,” Aurora added. “And bring gluten-free options.”
Victor smiled, relief and something like gratitude moving through him. “Deal.” He took a breath, looked at Nova. “Thank you for opening the door,” he said again, and this time she heard all the people standing just behind his shoulder when he spoke: Ruth and Lemon and the frogs and the man who had feared thunder and fed dogs his supper. She nodded to all of them with one tilt of her chin.
“Tell your family,” she said, “that the girl under the tree says hello.”
“I will,” he promised. Then he stepped back into the late morning and down the walk, sunlight catching on his hair like a traveling lantern.
Aurora closed the door with her hip and leaned against it, exhaling. “Well,” she said, “that wasn’t the weirdest breakfast we’ve ever had.”
Nova laughed, wiping at her eyes. “It was pretty up there.”
Aurora came close and squeezed the back of her neck. “You okay?”
“I think so.” Nova touched the letter in her pocket. “It’s strange. It doesn’t make the old ache ache less. It just… makes it make sense.”
“Good,” Aurora said, and kissed her temple. “Because sense looks good on you.”
They washed plates shoulder to shoulder, clinking forks in a rhythm that felt like a new hymn. When they were done, the kitchen held heat and the faint smell of syrup and a feeling like air after rain—clean, not empty.
Nova went to her room and slid the envelope into the shoebox where the unsent letters lived. She left the lid ajar. Not because she expected answers. Because doors could be closed and unlocked at the same time, and she was finally learning the difference.
On her wrist, the ribbon sat light as a promise—no longer an anchor dragging at the seabed, but a small blue thread she could trace to remember how to breathe.
Chapter 2: Ribbon and Root
Chapter Text
It was months before they went.
Not out of superstition—out of respect. Nova wanted the first visit to the grove with Victor the Sixth to happen when the ground had stopped being temperamental with spring and started being generous with summer. When the path would hold their weight without sucking at their boots; when the air would carry the smell of clover instead of last year’s rot.
On a Saturday morning in June, she texted him: Ground’s dry. Bring boots anyway. And a small pocket for something blue.
He arrived with a backpack and that careful posture of his—like he’d rehearsed how to enter someone else’s holy place and chose humility over certainty. Aurora intercepted him at the door with a thermos and two paper cups.
“Provisions,” she said. “Mint tea. Team Noticers stays hydrated. I’ll be at the farmer’s market if you need bail money.”
“No crimes planned,” Victor said.
“Those are the most suspicious words in English,” Aurora muttered, but she smiled and looped a spare lanyard around Nova’s wrist—an old camp habit, a silent I’ve got you. Then she let them go.
They walked the long way to the park. Nova pointed out the places the city had quietly repaired itself since he’d last been: the new bench with the memorial plaque for a woman who always fed the pigeons; the mural some teenagers had painted on the utility shed that made it look like the shed contained a forest; the stretch of path where a storm had pushed up the asphalt like bread in the wrong pan and the city had sanded it flat again.
Victor kept pace easily, backpack thumping. “I brought a thing for him,” he said.
“For… him?” Nova asked, though she knew.
“Our Victor,” he said, with the family’s gentle shorthand. “It’s not much.” He tapped the bag. “A stone. From the river my grandfather swore sounded like bells, even though I think he mostly meant like itself. Smooth enough to keep a thumb busy.”
Nova nodded. “Good. I have ribbon.” She touched her sleeve, where the blue still lived like a vein. “And a lantern.”
“A lantern?”
“A small one. Tin. It’s more metaphor than flame.” She smiled. “But metaphors count.”
They left the paved path and stepped into the hush under the trees. The grove announced itself the way it always did to Nova: not visually but auditorily—the sudden softening of sound, the way footsteps went from civic to woodland. She felt the familiar tightening in her chest loosen a notch. Here, the air made room.
Victor stopped when the oak came into view. He didn’t step forward or reach for it. He just looked, jaw set like a person who understood that reverence is a verb.
“There,” Nova said, indicating the roots with her chin. “The hollow.”
He crouched. A squirrel scolded them from somewhere overhead; a spider web glowed like a minor constellation between two low twigs. He put his hand on the bark and didn’t say hello aloud, but she could feel it in the way his shoulders softened.
“I’ve seen it in drawings,” he said. “In the family chest—a childish sketch labeled tree-hole in someone’s best letters. But it’s different, isn’t it? In person.”
“It always is,” Nova said.
They stood like that for a while, resting in the ordinary miracle of being where a story was truer. Then Nova cleared her throat and set down her backpack. “Okay,” she said, adopting Aurora’s briskness on purpose, because ritual needed a little structure. “Order of service for the assembled congregation of Noticers: one, we tie a ribbon; two, we place the stone; three, we light the not-very-useful lantern; and four, we read him something.”
“Approved,” Victor said quietly.
Nova pulled out her small tin lantern, its glass clean and a tea light rattling inside. She set it in a shallow cradle where the roots made a natural little altar. Then she took the spare ribbon from her bag—blue, worn at the edges from being folded and unfolded, not the one around her wrist but its sibling from the same spool. She looped it around a low branch and tied a square knot the way her therapist had taught her: two over, two under, you are safe.
Victor took the stone from his pack: river-smooth, palm-sized, gray with a vein of white. He held it up for the tree to see as if presenting a child to an elder, then set it beside the lantern and pressed it once with his thumb, making a small crescent in dirt.
“What should we read?” he asked.
Nova had brought a few candidates, folded in the back of her notebook: his first reply to her by the oak; the one where he explained thunderstorms and umbrellas; the fierce goodbye. She knew which one she wanted but felt shy naming it.
Victor saw the shy. “Say it,” he said gently.
She unfolded the letter that had changed how she breathed—the one where he wrote: If our love is going to break you, then let it break me instead… Our love cannot be. It had made an ending bearable, not because it softened it, but because it respected the truth of it. She’d read it to herself a hundred times. She had never read it aloud.
“Are you sure?” Victor asked, reading her face.
“Yes,” Nova said. “He made a choice for me then. Reading it is my choice for him now.”
They sat. Nova balanced on a root; Victor on his heels, forearms on knees. The oak watched them with the part of a tree that knows how to hold a wind.
Nova read. Her voice did not crack on I will always love you; it cracked on Do not wait for me, Nova. Find your peace. When she reached the end, she folded the letter carefully and set it under the lantern—the small light pooling over the words like a blessing.
Victor cleared his throat. “Can I—” He touched his backpack again; when he pulled his hand free, it held a narrow notebook. “We’ve kept a Sunday book for as long as anyone remembers,” he said. “The keeper writes one sentence a week. Sometimes it’s weather. Sometimes it’s gossip. Sometimes it’s just the names of everyone who came to stand here. I brought a fresh one. If you want… we could start a grove book here too. Or not. Your place, your rules.”
Nova considered. The hollow had been a private cathedral for so long it felt strange to let anything sit in it that wasn’t hers or his. But the feeling wasn’t no. It was careful.
“We won’t leave it here,” she decided. “But we can keep it with the lantern. Bring it when we come.” She smiled. “We can be a two-person congregation with occasional guest stars.”
“Aurora will demand liturgy,” Victor said gravely.
“Oh, she’s already written it,” Nova said.
They laughed, quietly, the kind of laugh you use in churches and art museums and rooms where babies sleep.
“Your turn,” Nova said. She offered him a folded sheet from her own notebook. “Write him something. Or write the tree. Or write to the river he loved. No rules.”
He took the paper and turned a little, not to hide—just to listen. The sounds here were stubbornly themselves: leaf-friction, distant lawn mower, a dog’s disgruntled huff. After a minute, his pen moved.
He read without preamble, the way you talk to someone you’ve been talking to for your whole life even if you’ve never met.
For our Victor,
I brought you a stone from the river your son’s son said sang like bells. It does not sing in my pocket. It warms there. Maybe that is better—pocket-music.
We tie a ribbon because you tied a life to ours. We light this small flame because the girl you loved taught you to breathe like the earth and we intend to keep breathing on purpose.
I am not you. We do not need me to be. My life is cities and trains and noise you would call witchcraft. But some things match: my sisters (who boss me), the way thunder still thinks it has something to say, the wish to be kind in a world with sharp corners.
You told her to find peace. She did. She also found me. I will keep the story honest.
—Victor the Sixth
Nova’s eyes warmed, the good burn.
“Thank you,” she said.
“Thank him,” Victor said, tipping his head toward the roots. Then, after a beat: “Thank you.”
They poured mint tea into the paper cups like pilgrims emptying their pockets of coins. They drank in silence. The lantern flame stuttered and steadied.
“Can I…?” Victor asked, hand hovering over the hollow.
“Go on.”
He pressed his palm to the packed dark, not trying to push, only letting his hand memorize the texture of the bark and the lip of roots. “In the family legend,” he said, “the chest keeper knocks before he leaves. Lightly. Once for the past, twice for the future, three times for whoever needs it most.”
“And four?” Nova asked.
“Four if you brought a child,” he said, smiling. “Five if you brought grief. Six for luck. Our ancestors were chaotic.”
Nova pictured Ruth, bossing even the air. “Let’s do three,” she said softly. “For whoever needs it most.”
They knocked, listening not for a reply—there was never a reply—but for the way the sound settled into the wood and made something inside them both incline toward steadiness.
When the tea was gone, they tidied their altar of small things: the ribbon knot checked, the stone turned just a little so its white seam caught the light, the lantern wick snuffed with a light pinch. Nova slipped the grove book into her backpack and tucked the used tea bags into a zip bag because Aurora had trained her well.
“Do you want to see where I took the photograph?” she asked as they stood.
He did. She showed him the angle, the way she’d balanced the camera on her knee, hands shaking. He laughed when she admitted she’d taken three because the first two had looked like an advertisement for ‘girl haunted by sap.’ Then his laugh faded when he looked past the angle and saw the place, not as a frame but as a fact, and his face did that thing again—the gravity of recognition fulfilled.
“Thank you for letting me in,” he said.
“Thank you for coming with your boots,” she said.
They took the long loop home, because all sacred walks end with a little aimless movement to burn off the holiness before you get to a crosswalk. Victor told her about his partner’s grandmother, who kept a windowsill of river stones and gave each visitor one, saying, “Pick a weight that fits your pocket.” Nova told him about the time Aurora had tried to crochet and produced an aggressive rectangle that their mother used as a potholder until it melted into a shape that could only be described as conceptual art.
On Nova’s porch, they didn’t hug. They didn’t need to perform intimacy for the sake of narrative. They just stood, two people who had done a thing carefully and correctly.
“I’ll scan what we wrote and send it to the chest keeper,” Victor said. “So the Sunday book there and the grove book here can be cousins.”
“Cousins,” Nova echoed, liking the shape of the word.
He touched the strap of his backpack. “We’ll come back,” he said.
“We will,” she agreed.
He nodded once and headed down the walk. At the gate he turned back, not to wave, but to see the house in the light that made it look like a place where a person could be okay. Then he went on, and she went inside to find Aurora pretending not to hover in the living room.
“Well?” Aurora said, eyes bright with nosiness and love.
“We tied a ribbon,” Nova said. “Put down a stone. Lit a metaphor.”
Aurora smiled. “My favorite kind of physics.” She peered at Nova’s face. “How do you feel?”
“Like I put a book back on the shelf it belongs on,” Nova said. “And it didn’t fall.”
Aurora stepped forward and tugged the lanyard on Nova’s wrist like a bell pull. “Rooted,” she said.
“Rooted,” Nova echoed.
That night, when the house had quieted and the day had folded itself neatly into memory, Nova took out the grove book and wrote one more line before bed—not a letter, exactly. Something between prayer and punctuation.
June 12 — Ribbon tied; stone placed; lantern lit. We read the hard letter because we can carry it now. The hollow is still a wall, and that is a kindness. I am happy. —N.
She left the book by the door with her boots. In sleep, the ribbon on her wrist left a soft blue crescent on her skin—no longer an anchor, just a reminder of direction. The grove held its own quiet, the lantern dark but not useless, the ribbon moving almost imperceptibly when a wind made a decision far away and sent its answer through the leaves.
Chapter 3: A Year Turns
Chapter Text
The train curved along the river like it was tracing a sentence someone else had started. Nova sat by the window with her thermos and her tote of snacks Aurora had over-packed (“you’ll thank me when the café car’s closed”), watching the landscape smear into spring.
It had been a year since the memorial. A year of slow, human things: therapy appointments tapering, morning walks, letters she wrote only to herself. A year of messages from Victor the Sixth—texts, photos, little updates from a life that hummed forward without fanfare.
from Victor VI: If you ever come this way, the museum downtown is running an exhibit on 19th-century letters. Thought of you.
from Nova: You think of me every time paper exists.
from Victor VI: Accurate.
When he invited her to visit, it felt simple. No ghost pulling at her. Just a friend with an extra room and a partner who wanted to meet “the girl from the story.”
He met her at the station, waving a cardboard sign that read HISTORICAL CORRESPONDENCE, ARRIVING TODAY.
Nova laughed loud enough to startle a pigeon. “You look like someone’s unpaid intern.”
“That’s the brand,” he said, taking her suitcase. “Come on. Nora’s making lunch.”
Nora turned out to be every kind of warmth Nova had hoped for: tall, sharp-eyed, flour on her jeans, the sort of person who asked questions because she actually wanted the answers.
“You’re the Nova,” Nora said, shaking her hand as if being introduced to a myth who’d graciously agreed to exist. “The letters are practically family scripture.”
Nova flushed. “They’re just words.”
“Everything’s just words,” Nora said, “until somebody needs them.” She slid a plate of grilled vegetables toward Nova and kissed Victor’s temple on her way past him. The casualness of it—of their domestic rhythm—made something unclench inside Nova that she hadn’t known was still tight.
They ate at the small kitchen table by the window. Victor’s apartment smelled of basil and printer ink and a faint trace of river wind from the open sash. On the wall hung a framed photograph of the oak—his shot from last summer. The ribbon showed as a blur of blue; the lantern glinted faintly.
“You hung it,” Nova said.
“Of course. It’s our family’s weirdest heirloom,” he said. “Had to earn wall space.”
After lunch, he showed her his world: the studio where he digitized the family archives, the Sunday-book project he was compiling into a digital timeline, the shelf labeled KEEPERS where the old chest sat in a climate-controlled box like a heart in a glass coffin.
Nova touched the glass lightly. “I used to think you’d all be haunted.”
“We are,” Victor said. “Just kindly.”
Nora leaned against the doorway, grinning. “Kind ghosts make the best roommates.”
That evening they walked along the river. Victor skipped stones while Nova narrated his failures with mock solemnity.
“Do you ever get tired of being the living sequel?” she asked after a while.
He shrugged. “Sometimes. Then I think, sequels get more room to breathe. The tragedy’s already happened—we get to be the aftermath.”
“I like that,” she said. “The aftermath being the point.”
He looked at her, serious now. “You ever miss him?”
“Every day,” she said. “But not the way I used to. Missing isn’t bleeding anymore. It’s remembering the shape of the wound and knowing it closed.”
He nodded, skipped one stone that made it four hops before sinking. “Progress.”
She smiled. “You’ll get five next year.”
Back at the apartment, Nora poured wine and pulled out a photo album. Inside were snapshots spanning a century: stern ancestors, ribbon ceremonies, the first color photograph of the oak in 1937. One picture showed a boy about eight, holding a leash attached to a yellow-white mutt.
“Let me guess,” Nova said. “Lemon the Fourth?”
Victor laughed. “Close. That’s Butter. The naming tradition went through a food phase.”
They stayed up until midnight swapping stories—Aurora’s travel disasters, Nora’s museum antics, the time Victor accidentally mailed a love letter to his department chair instead of his girlfriend (“autocorrect betrayed me”). By the time Nova crawled into the guest bed, she felt the soft hum of belonging that used to feel impossible.
The next morning, Victor made coffee and pancakes that were slightly raw in the middle. “Inherited my ancestor’s baking curse,” he said. “Family legend: he made ‘honest bread.’ I make ‘underachieving pancakes.’”
“They taste like sincerity,” Nova said.
They ate on the balcony, looking out over the city. A barista across the street drew a heart in someone’s latte foam; a busker tuned a guitar.
“This is what he wanted,” Nova murmured.
Victor glanced at her. “What who wanted?”
“Your Victor. Mine. The first. He said he’d step through if he could, but maybe he already did. Maybe through you.”
He didn’t answer right away. Then he said quietly, “Then we’re both doing the job right.”
At the station that afternoon, Nora hugged her and whispered, “Thank you for being real. Stories need witnesses.”
Victor loaded her bag onto the train, then handed her an envelope. “No pressure,” he said. “Open it later.”
She waited until the train was moving. Inside was a postcard: a photograph of the oak at dusk, the lantern just visible. On the back, in his neat handwriting:
Dear Lady Nova,
One year. The ribbon still holds. The stone hasn’t moved.
Sometimes people stop to rest there and don’t know why it feels kind. I think that’s the point.
Yours in friendship and weather,
Victor VI
Nova pressed the card to the window glass until the reflection blurred. Outside, the river kept its steady language, and she whispered back to it, “Here we are.”
Chapter 4: Paper and Gold
Chapter Text
He texted first, a week after the leaves finally committed to their colors.
Victor VI: Are you home Saturday? I have a hand-delivery that deserves pancakes.
Nova: I accept bribes and mysterious parcels.
Victor VI: Pancakes it is. Parcel is optional. Bribe is mandatory.
Aurora read the thread over Nova’s shoulder and said, “If he doesn’t bring maple syrup with a wax seal, I’ll be disappointed.”
“Please do not bully our friend into artisanal sap,” Nova said, but she smiled. She’d learned to trust the way good days announced themselves ahead of time, like polite weather.
Saturday arrived wearing a crisp sky and a breeze with opinions. Victor showed up in his careful posture and a sweater that made him look like a graduate student in a cozy movie, a tote bag slung across him like he had smuggled a small library. He also had—Aurora’s approval secured instantly—a brown paper parcel tied with twine.
“Is that my artisanal sap?” Aurora asked, arms folded, delighted in advance.
Victor looked at the parcel as if discovering it anew. “It is… paper. With… a seal of… tape.”
“D minus,” Aurora said, already moving toward the stove. “I’ll make the pancakes. You provide the mystery.”
He set the parcel on the table and slid a smaller envelope from the tote. He held it in both hands the way one offers a passport at a border crossing.
“For you,” he said to Nova.
The envelope was heavy, thick paper, the sort that insisted on being held with clean fingers. Inside, the invitation gleamed creamy and formal:
VICTOR HALE, VI & ELEANOR SOTO
REQUEST THE HAPPINESS OF YOUR COMPANY
AT THEIR WEDDING
… and so on in graceful fonts that made Nova immediately imagine precise place cards and a dance floor where the lights would look like stars that had learned manners.
“You’re really doing it,” she said, surprised by the gentle rush behind her ribs.
“Really doing it,” he said, something like laughter and gratitude braided together in his voice. “And we’d… both be honored if you would come. Nora insisted the RSVP card should read ‘HECK YES,’ but the printer said there were rules.”
Nova ran her thumb along the edge of the paper. The last time she had been invited into someone else’s forever, it had involved a hollow and a mercy. This felt like a steady door held open in daylight.
“I’ll be there,” she said. “Obviously.”
“Obviously,” Aurora echoed from the stove. “We’ll acquire respectable outfits. I’ll glue sequins to my shoes in case the ceremony lags.”
Victor set the tote on a chair and pulled out a folder, then a second envelope, smaller, softened at the edges from being held too often. “There’s something else. We’re picking readings. Nora has a poem from her grandmother in Spanish that’ll make every aunt weep in a line. I wanted… something for my pocket.”
“A reading for your pocket,” Aurora said, flipping a pancake midair and catching it with indecent competence. “The most important kind.”
He put the small envelope in Nova’s hands. Inside lay a photocopy of a letter, cut cleanly at the margins: Lady Nova across the top in handwriting that still rearranged the air inside Nova’s chest. It was the one about noticing, about the river, about questions that make room.
“Good choice,” she said quietly.
“I was hoping,” he said, almost shy, “we could fold a piece of it into something I carry. Not a big gesture. A… talisman. If that’s not stealing.”
“It’s stewardship,” Aurora called, flicking butter into a pan like a benediction.
Nova smiled. “What did you have in mind?”
“Origami,” he said. “A boat. Pocket river. Courage that fits in a suit jacket.”
Nova felt the idea settle into her like a key into an unseen lock. “Yes,” she said. “Let’s.”
They ate first because Aurora wouldn’t allow ritual on an empty stomach—pancakes that were just this side of over-browned, blueberries that had decided to burst at the edges, maple syrup without wax seals but with sufficient nobility. The kitchen filled with that particular happiness that only happens at a table: clink, low laughter, a silence that means contentment and not absence.
After, they cleared a small space and Nova fetched a board from her closet—the one she used for cutting paper when she wanted straight lines to stand in for control. Victor laid the photocopy on the board with reverence. They stood close enough to share air but not so close that it felt like a performance.
“How do you want to fold it?” he asked. “I learned the little paper boat in second grade and immediately attempted to sail it in a puddle. It capsized with dignity.”
“We’re not launching this one,” Nova said, amused. “This one learns to float in a pocket.”
She touched the paper and thought, not of the ache of the letter’s origin, but of its use now: to hold calm like a tiny ark. She trimmed the photocopy into a square, leaving Lady Nova whole in one corner and Yours, Victor in another, and showed him the first steps—half, then half the other way, then corners to center, the satisfying geometry of obedience.
Victor folded with a care that felt hereditary. “I keep expecting the paper to fight back,” he confessed.
“It won’t,” she said. “That’s the point. It knows how to become what it is.”
When the boat stood on the table, a small, sturdy thing ringed by words, he breathed out like someone who had been holding a note.
“May I…?” he asked, and when she nodded, he took the boat gently and set it on his palm. The phrasing of the letter drifted around the hull—questions about kindness, how to walk beside someone when the weather turns, how to be tender without performance.
He tucked it into the inside pocket of his sweater as a rehearsal and patted it once. “There,” he said softly. “Stowaway.” He looked up at Nova. “Would you… pick a reading for me? For the ceremony itself? Something you think he would approve of—and that Nora’s abuela would not side-eye.”
“I have mines of content,” Aurora volunteered. “Half of them are legally actionable in three countries.”
“Pass,” Victor said, grinning. He looked back to Nova, gentler. “I mean it. I would like your eye here.”
Nova’s mind went where it always did first—backward, to letters, to him. But this was not a wedding that wanted archaeology; it wanted weather. She crossed to her bookshelf and ran fingers along spines until she found the slim volume she’d carried around for a year: small poems, mostly about daily awe. She flipped, found the one she always returned to—two lines that made the world align without needing magic.
She read them aloud: a poem about choosing each other every morning like you choose to open the window, about the kindness of repetitive acts that add up to a life.
Victor put his knuckles to his mouth as if to catch something. “Yes,” he said. “Yes.”
“Abuela-safe,” Aurora judged. “Zero side-eye risk.”
“We can ask her to read the Spanish,” Victor said. “Nora will sob. So will I. It’ll be contagion.”
Nova’s eyes warmed. Better contagions exist, she wanted to say. Instead, she said, “May I see your vows?”
He looked startled and then—because boundary was muscle memory for them—he nodded and handed over his notebook. She read quietly while he and Aurora cleared plates, her breath catching at the parts that were simple: I promise not to turn you into a story I like better than the truth. And the parts that were very him: I will notice with you on purpose. I will ask, “what did you see today?” and mean it.
When she handed the notebook back, she tapped the margin where he’d written I vow to be kind without making a stage of kindness. “This,” she said. “Keep this. Don’t let anyone talk you into fancier words if they make you leave this behind.”
“I won’t,” he said, and the gratitude in his face felt like a cousin of the gratitude in his ancestor’s ink: a steadying, not a dependence.
They moved to the living room, where light pooled on the carpet like a mild blessing. Victor set the paper boat on the coffee table and fished another object from his tote: a narrow velvet box. He opened it to show two bands—simple gold, clean lines. Nothing fussy. He handled them with a reverence that was the opposite of possessive.
“Does it feel real yet?” Nova asked.
“More real now,” he said. “Real in the way bread is real when it’s still dough: you can smell what it will become.”
Aurora, who had returned with a bowl of clementines because she believed in benevolent citrus, said, “Do you want us at the rehearsal? We can clap at awkward times to train your nerves.”
“The rehearsal is chaotic,” he said. “You’re welcome, but I fear liability.”
“We’ll arrive with glitter and leave before anyone can assign us tasks,” Aurora promised.
They spent the afternoon doing nothing in the precise way that turns into everything later—talking about seating charts (harder than siege warfare), about music (“no lyrics that threaten eternal ownership”), about how to instruct the DJ not to accept request slips from uncles who still believed in the YMCA. When the sun got bored and slouched toward the horizon, Victor stood and patted his pocket again, as if checking on the little boat.
“I should go,” he said. “Nora’s parents are arriving with casserole theology.”
“Go,” Nova said, standing too. “I’ll text you the poem.”
At the door, he hesitated, then spoke the thing that had been moving under the surface of the day. “I want to say this out loud,” he said. “So no myth can rearrange it later. I am happy. Not the kind that forgets; the kind that remembers and chooses anyway.”
Nova felt the words land inside her and stay. “Good,” she said. She touched the ribbon at her wrist. “He would like that.”
Victor nodded, the small bow of someone accepting a blessing without theatrics. He stepped onto the porch, then turned back like a person remembering his hat. “Oh—the parcel.”
“The parcel!” Aurora cried, as if he’d left a puppy.
He laughed and retrieved it from the table, thrusting it into Nova’s hands. “Open it after I go. It’s a… contingency plan.”
“Against what?” Nova asked, amused.
“Panic,” he said. “Of all kinds.”
After he left, Aurora leaned against the door with the theater of a stage actress whose cue had been delayed. “If his wedding doesn’t make me cry, I’ll sue.”
“You cry at insurance commercials,” Nova said.
“Correct,” Aurora said, unashamed. “Open your mystery.”
Nova undid the twine, peeled back the paper. Inside lay a small box, and inside that, a folded square of fabric—blue. Not the ribbon. A handkerchief, soft and neatly hemmed, stitched at one corner in tidy thread: RUTH.
Nova touched the initials like a relic. A card lay beneath it. Victor’s handwriting:
For your pocket on the day. Blue for the ritual, Ruth for the bossing. If the weather inside you turns, you have permission to step outside and breathe. Text me: I’ll come out and breathe too. No performance, only presence.
—V.
She closed her eyes. When she opened them, Aurora was already holding out her arms.
“Come here,” Aurora said, and Nova did, letting herself be rocked in the familiar way that meant you are here and the window is open and the room is safe.
“I’m okay,” Nova said against her shoulder.
“I know,” Aurora said. “I just like to practice.”
The wedding was a week later at a conservatory that had found a way to make glass look like kindness. The ceremony site was a small indoor grove—figs, ferns, the air wet enough to curl hair. Nova arrived with the handkerchief in her pocket and the ribbon at her wrist and the poem on her phone like a secret code. Aurora sat beside her in a dress that looked, in her words, “like a tuxedo fell in love with a disco ball,” and passed her a clementine as a talisman.
When Victor took his place and Nora walked down the aisle on her grandmother’s arm, the humidity conspired with everyone’s eyes to turn the room glassy. Nova felt the first little knock in her chest that used to mean storm. It did not rise. She touched the handkerchief and whispered, “Here I am.”
The abuela read the poem in Spanish, and even Nova—who knew the words in English, the cadence of them, the way they stacked—felt it land like rain on thirsty ground. Victor read his vows without flourish, his voice steady, catching only once on I will notice with you on purpose. In his pocket, the paper boat did its small work, unseen.
After, in the bustle where weddings turn into logistics, Victor found Nova near a fern and tapped his jacket. “Passenger intact,” he said, a whisper of relief behind the joke.
“Of course,” she said. “Boats know their job.”
Nora appeared then, radiant and mildly feral in the way joyous brides become during family photos. “You,” she said to Nova, pressing her hands. “We did it.”
“You did it,” Nova corrected.
“I’m delegating credit,” Nora said, then lowered her voice. “There’s an aunt by the crudités who believes the letters were a cult. Please rescue her or me.”
Nova laughed. “I’ll run interference.” She squeezed Victor’s arm once, a quiet go live, and went to introduce herself to the aunt with her most reassuring eyebrows.
Later, after cake, after three uncles failed to understand the boundary around music requests, after Aurora led a conga line that refused to become a conga line and instead became a small walk with rhythm, Victor pulled the boat from his pocket and handed it to Nova.
“Keep it,” he said. “Museums rotate exhibits.”
She shook her head. “It’s yours.”
He held her gaze. “It’s ours, then. It can visit your shelf between holidays.”
She nodded, accepting the custody agreement of talismans, and tucked the boat into the small purse she’d borrowed from Aurora that had just enough room for a phone, a lipstick, and an impossible object.
At the end of the night, when the paper lanterns were dimming and the conservatory air had cooled into a different kind of clarity, Nova stepped out onto the stone terrace alone. She pulled Ruth’s handkerchief from her pocket and smoothed it over her palm, the stitched name a tidy bossiness in thread.
“Thank you,” she said to the dark—not to any one person, but to the line of them, the way time had closed and opened like a lung until it made tonight possible. Inside, music shifted to something soft that people could leave on.
Victor found her there, not to pry, just to stand beside. They said nothing for a while. Then he tipped his head toward the glass, where Nora was laughing with her grandmother, whose earrings swung like punctuation.
“I did not capsize,” he said.
“No,” Nova said. “You sailed.”
He laughed quietly, then sobered. “I keep thinking—if he could see this…”
“He’d be pleased that you chose on purpose,” Nova said. “And that you noticed.”
Victor nodded, accepting the translation. He touched the hem of the handkerchief with a finger, as if greeting Ruth across a hand’s breadth and a century, then stepped back. “Thank you for holding a corner of the day,” he said. “It felt like the right kind of shared.”
“It was,” she said. “Go be married.”
He did, disappearing into the gold light with the unhurried confidence of someone who had learned his route. Nova stood there a moment longer, pocket light, boat safe, door open, not to magic but to a life made of small, precise kindnesses.
When she went back in, Aurora handed her a clementine for the walk home. “Benevolent citrus,” she said, voice smug with tradition.
“Benevolent citrus,” Nova agreed, and together they stepped into the soft crowd, which parted for them like a river that knew its job.
Chapter 5: Things Big and Small
Chapter Text
When the text came—two words, no punctuation—Nova laughed before she cried.
Victor VI: She’s here.
No preamble, no statistics about ounces or centimeters, just the announcement of presence. She sent back three confetti emojis and You did it, then immediately started gathering things she didn’t need to bring: the baby blanket she’d knitted over the winter because Aurora had dared her to “try a rectangle that stays rectangular,” a small plush ox, and the grove book.
Aurora peeked into the hallway as Nova wrestled her coat on. “Is the child earthside?”
“She’s here,” Nova said, still grinning. “Eleanor texted me a photo—tiny, furious, perfect.”
“Bring my congratulations,” Aurora said. “And my recipe for sleeping through the night, which is to be childless.”
Nova kissed her cheek on the way out. “I’ll be back before you start worrying I’ve joined a diaper cult.”
The hospital smelled the way new beginnings always smelled—too clean, too bright, like the world was trying to make itself sterile enough for hope. When she stepped into the room, Victor looked like he hadn’t slept in a week and had been reborn anyway. Nora sat propped in the bed, pale and calm, with a bundle swaddled against her chest.
“Meet Ruth,” Nora said, eyes wet but amused. “Ruth the Second, or maybe the Tenth. We lost count.”
Nova approached as if the air might break. The baby’s face was a small, serious punctuation mark, one fist escaped from the blanket like a declaration.
“She looks unimpressed by the world,” Nova murmured.
“An inherited trait,” Victor said. “She already judges my lullabies.”
Nora laughed and looked at him with that exhausted affection that made the air around them warm. “He’s been talking to her nonstop,” she said. “Mostly about trees.”
“I wanted her to know the vocabulary,” he said.
Nova offered the gift bag. “For Ruth,” she said. “A blanket that’s only moderately crooked and a plush ox named Lemon, obviously.”
Nora gasped. “You didn’t—”
“I did,” Nova said, handing it over. “Tradition deserves whimsy.”
Victor took the ox reverently. “Our child’s first heirloom will be a stuffed agricultural menace. Perfect.”
They laughed softly together, careful not to wake the baby. Then the room fell into that hushed awe new life commands. Victor set the ox on the chair, kissed Nora’s forehead, and looked at Nova like someone remembering to thank the architect for a bridge they’d just crossed.
“She’s beautiful,” Nova said. “And she’ll never have to learn where she came from through rumor.”
“Only through very long family dinners,” Victor said.
A month later, they met at the grove. The ground was still thawing, damp enough to scent the air with earth. Nova carried the tin lantern and a small copper tag stamped with RUTH. Victor brought the baby, bundled in a sling against his chest, her eyes huge and solemn.
“She’s skeptical,” Nova said, peering at the tiny face.
“She’s evaluating the lighting,” Victor replied.
They knelt by the memorial. The blue ribbon was faded now, edges frayed; the river stone had darkened with rain. Nova polished the lantern glass with the hem of her sleeve. Victor handed her the tag.
“For the tree?” he asked.
“For all of them,” she said.
They looped it through the ribbon so it dangled against the bark, catching the thin sunlight. Ruth the Tenth gurgled—her first commentary on ancestral rites—and the sound made both adults laugh with the kind of joy that doesn’t need translation.
Nova touched the ribbon and whispered, “Look at what you started.”
Victor adjusted the sling. “He’d be insufferably proud.”
“He’d have written you twelve letters about how to raise an ox,” she said.
“And three sonnets to the smell of baby blankets,” he added.
They stayed until the baby began to fuss for milk. Before leaving, Victor pressed a folded sheet into Nova’s hand.
“Something I wrote that first night,” he said. “For her, but maybe also for you.”
When they’d gone, Nova sat on the root and unfolded the note.
For Ruth
You will grow in a world that has more doors than walls.
You will learn that ghosts are only people who loved something enough to echo.
You will have a story older than your name, but it will never own you.
If you inherit anything from us, let it be the art of noticing.
—Your ridiculous family
Nova wiped her eyes and laughed, a sound that startled a bird into flight. She tucked the note into the grove book, wrote beneath it:
April 3 — Ruth’s first visit. Blue ribbon, copper tag, laughter. The hollow is quiet but not empty.
Then she closed the book and walked home under a sky that felt newly washed.
That night she called Aurora on video. “She’s perfect,” she said.
“I never doubted it,” Aurora replied. “How are you?”
“Better,” Nova said, surprised to hear the truth of it. “Watching him build what I only imagined… it makes the world feel less impossible.”
Aurora smiled, soft and teasing. “Imagine what else you could build, then.”
Nova looked at the ribbon on her wrist, the faint copper glint in her mind’s eye, and said, “I think I might.”
Chapter 6: A Seat at Christmas
Chapter Text
The postcard arrives with a doodle of a pine tree wearing sunglasses and the message in Victor’s neat hand: If you have no plans that involve cousin drama or passive-aggressive casseroles, come to us for Christmas. Nora insists. Ruth insists louder.
Aurora is in Thailand, sending voice notes of monsoons and night markets. “Go,” she tells Nova. “I demand you borrow someone else’s chaotic relatives and eat their pie. I’ll FaceTime in for carols and snide commentary.”
So Nova goes.
She rides an afternoon train that fills with people carrying packages dressed like planets. The city where Victor lives has already turned its lights on by the time she steps off—every shop window is practicing a thesis on joy. She walks the last blocks because she likes the way the cold makes her sentences tidy, and because inside her coat pocket her hand finds the stitched corner of Ruth’s blue handkerchief and relaxes on contact. Here I am, she thinks to the night. It answers by fogging her breath into little clouds.
Victor opens the door before she knocks, as if he has learned the exact sound of her footsteps. “Nova,” he says, and the name lands like a log on a fire: more heat where there was already enough. “Welcome to chaos.”
“Approved,” she says, and steps into a foyer flooded with coats and zippers and the smell of cinnamon and cumin and hot metal. A paper chain garland zigzags like a drunk comet. Somewhere in the back, a child is singing the alphabet with the wrong melody and absolute authority.
Ruth is taller now—four, almost five—curly hair escaping its clip like a thesis about motion. She charges the door, then stops to receive Nova’s hug with ceremonial gravity. “We have a tree,” she announces. “It is from the parking lot.”
Nora appears with flour on her cheek and a dish towel slung over one shoulder like a sash. She hugs Nova with one arm and gestures at the explosion of people with the other. “We annexed three aunts and an uncle for the weekend. My mother is making flan with religious fervor. Are you allergic to nuts, dogs, or opinions?”
“I thrive on opinions,” Nova says. “And benevolent citrus.”
“Kitchen,” Nora says. “We have a crate of clementines self-identifying as benevolent.”
They put Nova’s bag in the guest room, where a quilt waits—the heavy, hand-stitched kind that knows how to be a winter. The window looks out toward the river; someone has taped paper snowflakes to the glass in that way children do, with too much tape and conviction. On the dresser sits a framed photo: the oak, pale with frost, ribbon a faded sky. Beneath it, the little paper boat from the wedding sleeps in a shadow box, hull ringed by vows like a shoreline.
“Home base,” Nova murmurs, and sets down her scarf.
The house is already in motion when she returns to the kitchen. Victor is making gravy as if it’s a lab experiment, Nora is conducting logistics like a benevolent dictator, and Ruth is assigning ornaments to volunteers with the seriousness of a UNESCO chair for Holiday Decor. “You may have this one,” she tells Nova, placing a blue glass ball in her palm. “It is Very Fragile and also Pretend Lemon.”
“Perfect,” Nova says. She hangs it low enough that small hands can admire it, high enough that small elbows cannot test gravity.
As evening folds itself in, relatives arrive in gusts. Victor’s mother hugs Nova and calls her la amiga del cuento—the friend from the story. His father insists Nova try his roasted almonds “with too much rosemary, the way God intended.” An aunt in red lipstick teaches Ruth to fold napkins into shapes that claim to be birds. Someone plugs in a strand of lights that has already committed to only half working; the refusal looks festive anyway.
“Place of honor,” Victor says, tapping a chair at the long table they’ve built out of two old ones and a board from the basement. A name card leans against the water glass: NOVA in Ruth’s careful block letters, the O drawn as a star.
“I didn’t know we were fancy,” Nova says.
“We fluctuate,” Nora replies, tucking a sprig of rosemary into the napkin ring like a small necessary flourish. “Eat your soup. It’s the kind that forgives.”
The meal margin-walks between abundance and confusion with grace. A candle gutters and is reborn. Ruth demands an explanation for wassail, does not accept any offered, and decides it means “hot juice with history.” Nova passes dishes without flinching at overlapping voices. When she feels that old internal weather change—the place where noise might tip into storm—she squeezes the blue handkerchief and names three things quietly: spoon reflection, butter knife balance, the way a clementine skin unstitches in one long peel. Whole hand, she reminds herself. Here I am. The moment passes like a cloud that thinks better of raining.
After dinner, they open one gift each because Ruth has negotiated with the calendar. Nova unwraps a small silver charm in the shape of an oak leaf. “For your ribbon arm,” Victor says. “Or your keys. Or your pocket.”
“It knows how to move around,” Nova says, touched by how precisely seen she feels, always.
They take a walk to see the neighborhood lights. The cold makes conversation bright. Ruth rides on her father’s shoulders pointing out “architectures”: a snowman with what looks like a vendetta, a nativity where the sheep have been replaced by llamas, a house that has chosen to specialize in inflatable dragons that wear Santa hats with ominous self-confidence. Nova laughs until she has to put her hands on her knees.
Back at the house, cocoa happens. So do carols, with a rotating choir of relations who all know verses Nova didn’t realize existed. Nora’s abuela sings the song about the river in Spanish and claps on the beat; Ruth improvises a solemn dance, part bird, part tree, all conviction. Nova sings softly and does not cry when a melody brushes her shoulder like an old friend. Aurora FaceTimes in from a balcony strung with lanterns and a gecko that refuses to leave the camera frame. “Looks chaotic,” she says, approving. “Eat a cookie for me.”
“Eat three,” Victor’s mother insists, pressing a plate against the screen. “Technology must be fed.”
When the small ones reach the feral zone between awake and asleep, Nora declares TV for the elders. They negotiate consent about which classic movie to watch and land on a black-and-white one where people speak in fast sentences and miracles clock in as plot points. Ruth, already half-under a blanket on Nova’s lap, murmurs, “This is in the olden times,” and Nova thinks—not for the first time—how elastic time becomes when you love across it.
Midnight approaches like a gentleman who knows to knock. The house dims to a whisper. Tucked in the common hush, Victor catches Nova’s eye and tilts his head toward the back door. She nods. Nora sees and smiles, already knowing what they mean without needing to ask.
They step into the cold.
The yard is a small square of frost and old summer. Victor carries a tea light in a jar; Nova has tucked the tin lantern under her arm. The river is a low shush at the block’s edge. They cross the yard without conversation, two people keeping an appointment they didn’t schedule.
The grove is too far to walk tonight and too soaked in myth to import to every backyard, but they have made a place that honors without imitation—a corner under a maple with a flat stone, a blue ribbon tied to a hook, a smaller river rock that Ruth chose because “it looks like it knows secrets.” Nova sets the tin lantern down and lights it. Victor sets the jar beside it.
“Do we say something?” he asks.
“We can,” Nova says. “Or we can listen.”
They listen. Somewhere a car door thunks. Somewhere a train lays out its litany. Above them the winter sky makes promises it cannot keep and is forgiven anyway.
Victor clears his throat and speaks softly, less a speech than a weather report. “We’re good,” he says. “We’re not dramatic about it. The days happened; we noticed them; some were ordinary; some were too much; we tried to be gentle in both.” He glances at Nova. “We’re glad you came.”
“I am too,” she says. Her breath makes a small cloud that becomes nothing in an instant. “Thank you for saving me a seat.”
He huffs a laugh. “You have a permanent chair in this house.”
“Even when I spill cocoa?”
“Especially then.”
They stand like that, side by side, the light doing its small work between them. Nova touches the ribbon that lives under her sleeve and is startled by the brief throb of old longing—the wanted door, the impossible crossing—arriving and then receding like a tide with new manners. She admits the ache and does not let it lead. It is one of many truths, and tonight the louder one is simple: I am here. Across the fence, a neighbor coughs. An airplane drags a string of sound across the high dark.
“Ruth asked me if Santa uses the hollow,” Victor says, a smile in his voice.
“What did you tell her?”
“That the hollow has excellent taste, but it only eats paper.”
“She’ll grow up into a very precise person,” Nova says.
“May she also keep her chaos,” Victor replies.
When they go back inside, the house has performed its midnight magic: all the small bodies are flung sideways over sofa arms and relatives, the television is asking no one whether it should continue, half-drunk cocoa lingers in cups like abandoned plans. Nora is asleep with her head tipped back and her mouth open a little—a trusting tilt at the universe. Ruth has slid to the floor and is curled like an apostrophe at the end of a sentence. Victor gathers his daughter with a practiced fold and she sighs, aware and unbothered. He carries her to bed with the soft, ridiculous reverence of a person who knows the shape of his blessings.
“Guest room,” Nora mumbles when Nova tucks a blanket over her. “Take the good pillow. The one that’s a little mean.”
“I love mean pillows,” Nova whispers.
In the guest room, Nova brushes her teeth in the small bathroom where someone has taped a paper sign above the mirror: COMPLIMENT YOURSELF IN THIS REFLECTION. She obliges, pointlessly but not uselessly: You came. You laughed at inflatable dragons. You were soft in the right places. Back in the room, she opens the dresser drawer where a small bowl sits holding a handful of river stones and two clementines. She peels one slowly and eats it standing there in her socks, sticky and amazed at how often sweetness sneaks into a day like this and does not apologize for itself.
She texts Aurora a photo of the clementines, the rocks, the paper boat in its little frame. Aurora replies from the other side of the world: Looks like a still life I’d buy. Proud of you, friend of holidays. Sleep and dream of benevolent citrus.
Nova slides under the quilt. Before she reaches for the lamp, she takes a pen from the nightstand and opens the small notebook she keeps in her bag—the analog cousin of the grove book. She writes:
December 24 — Seat saved. Crackling nuts, loud opinions, quiet lantern. Ruth renamed the napkins “birds” and no one contradicted her. The backyard memorial understands the job. I did not need to count my pulse tonight, but I did anyway for practice: here I am. Here I am. Here I am.
She closes the notebook. The house breathes around her: pipes settling, someone turning over, a random jingle-bell from an abandoned sweater surrendering to gravity. Outside, the train says the word it always says in a language that is mostly whistle and history. The handkerchief under her palm is cool and specific.
In the morning there will be pancakes that believe in themselves, paper crowns that do not fit anyone, ribbon chaos, a visit to the park where frosted swings shine like bells, a FaceTime with Aurora who will narrate the weather in Chiang Mai as if it were happening in the kitchen. They’ll stop by the memorial on the walk home, tuck a sprig of rosemary into the blue ribbon, and Ruth will declare it “perfume for ghosts.” Nova will laugh, and it will feel like clean water.
But for now, she lets herself be held by a borrowed house, a borrowed holiday, and love that doesn’t need to be named twice to be true. She breathes.
Here I am.
Chapter 7: A Walk Across the Stage
Chapter Text
The spring sun was indecently bright, the kind that made caps and gowns look like spilled ink on the quad. Nova stood in the crowd clutching a paper program that smelled faintly of toner and nostalgia. Across the green, a banner declared CONGRATULATIONS, CLASS OF 2045! in colors too cheerful to argue with.
She had insisted on coming early. She liked the quiet before celebration, the hum of microphones warming up, the way parents practiced their claps. Victor had saved her a seat three rows up from the center aisle—the same kind of seat you had at Christmas, he’d joked, except outdoors and surrounded by pomp.
She spotted him now, near the stage, hair streaked with silver and sunlight, a proud, tired grin on his face. Next to him sat Nora, eyes already glassy with tears, and between them Ruth in her gown, her mortarboard crooked, holding her tassel like it might try to escape.
Ruth Hale, Bachelor of Environmental Studies, Honor Roll, Research Fellow. Ruth the Tenth, the baby with the ox plush.
Nova waved when she saw her glance back; Ruth’s answering smile was all dimples and disbelief. She mouthed, You made it.
Nova mouthed back, You too.
The ceremony did its usual dance—names read, diplomas handed, cameras flashing, toddlers crying, speeches performed with varying degrees of self-awareness. Nova tuned in and out, catching phrases like journey and future and building a better world, filing them away under Human Things That Try Their Best.
When Ruth’s name was called, Victor’s voice carried above the rest, a proud, unashamed shout that turned a few heads. Nova’s throat went hot and tight; she clapped until her hands stung.
On stage, Ruth took her diploma, shook the dean’s hand, and—just for a moment—looked past the crowd toward the far edge of the campus, where old oak trees drew a familiar line against the sky.
Nova followed her gaze. She knew what Ruth saw: echoes of another tree, another century.
After the ceremony, chaos bloomed. Parents jostled for photos; mortarboards became weapons. Nova hung back, content to watch. Victor found her first, his tie askew, his eyes soft with disbelief.
“She did it,” he said, like it was a question he still needed confirmed.
“She did,” Nova said. “And you didn’t even cry until name forty-seven. That’s restraint.”
“Years of practice,” he said, laughing. Then, quieter: “She’s talking about a master’s. Wants to research reforestation. She says she wants to ‘listen to what trees are saying.’”
Nova smiled. “They’ve been waiting to be heard.”
“She learned that from you,” Victor said.
“From us,” she corrected. “From all of it.”
Nora joined them then, flanked by a swarm of relatives. She hugged Nova tight and said, “You’re family. You know that, right? You’ve been family since before she could spell her name.”
Ruth came running, cap in hand, gown unzipped, glowing with that new adult energy that is half pride, half terror. “We did it!” she said, and threw her arms around both of them at once.
“Yes,” Nova said into her hair. “You did.”
They picnicked afterward under one of the campus oaks—out of habit, maybe out of reverence. Ruth’s classmates wandered by, laughing, crying, doing both. Victor passed around sandwiches and told stories that made Nora groan (“Dad, that’s not even true anymore”) and Nova laugh until she felt the years fold in on themselves.
When the group thinned, Ruth sat cross-legged in the grass beside Nova. The sun turned her curls copper; her tassel was tied around her wrist like a charm.
“You used to write letters,” Ruth said. “Dad told me. To him. To the first him.”
Nova nodded slowly. “Yes. A long time ago.”
“Do you still have them?”
“Some. Most. The tree has the rest.”
Ruth plucked a blade of grass and twisted it between her fingers. “When I was little, I thought the letters were spells.”
“They were,” Nova said. “The kind that don’t try to change the world—just help you live in it.”
Ruth’s eyes lifted to the sky, that particular mix of wonder and defiance youth always carried. “Do you ever wish you could still talk to him?”
“Every day,” Nova said. “But I get to talk to you, and that’s almost the same thing.”
Ruth smiled, a small, secret smile that looked too familiar, too much like the past revisiting kindly. “Then I guess we’re all still writing.”
By late afternoon, the crowd had scattered. Victor and Nora packed up the picnic with domestic efficiency; Ruth went to say goodbye to friends. Nova wandered toward the edge of the quad where the oldest oak stood, gnarled and patient. Its roots broke through the grass like old hands.
She laid a palm against the bark. “We made it, you know,” she whispered. “She made it.”
A breeze moved through the branches, rustling the new leaves—a sound she could almost mistake for applause.
That evening, back at the house, they celebrated again with takeout and laughter and too much cake. Ruth opened gifts—books, a tiny compass, a carved wooden pendant shaped like an acorn.
Victor poured wine for the adults and raised his glass. “To Ruth,” he said. “To the girl who taught the trees new words.”
“To Ruth,” everyone echoed.
Nova lifted her glass, but in her heart, she added another name quietly, the one that still lived between the roots and the letters: And to you, Victor the First. She’s everything you hoped for.
Later, when the dishes were done and the house dimmed, Nova found herself sitting by the window, the night full of the soft percussion of crickets. Victor joined her, two mugs of tea in hand.
“She’s moving out in two weeks,” he said. “Says she needs to ‘go listen to her own wind.’”
“That’s good,” Nova said. “That’s right.”
He nodded. “And you? You’ve been quiet tonight.”
“I was thinking,” she said, “about how the story keeps going. And how I get to be here to see it.”
He smiled. “You’re part of the story. You always were.”
She looked at him, silver at his temples now, steady and human and kind, and felt the rarest kind of peace—the kind that wasn’t an ending but a continuation.
“Thank you,” she said. “For letting me stay.”
Victor shook his head. “For staying,” he corrected. “That was all you.”
They sat in silence for a long time. Outside, the night wind moved through the trees, carrying the scent of rain and new beginnings.
In the grove book, the next morning, Nova wrote:
May 18 — Ruth walked across the stage. Victor cried. I clapped. The trees listened. The story continues, but quietly now. That’s enough.
Chapter 8: Retire in the Riverlight
Chapter Text
The banner over the multipurpose room is too sincere to be stylish: CONGRATULATIONS, NOVA! Someone has drawn a little star inside the O as if spelling her name correctly required astronomy. On the long tables: paper cups arranged like constellations, napkins folded into what might be birds, and a cake with frosting that reads Thank you for noticing in piping so shaky it looks like earnest handwriting.
“I didn’t authorize that,” Nova whispers to Aurora.
Aurora—silver at the temples now, still a menace with tape and scissors—leans in. “You built a career out of paying attention. Let the cake have its thesis.” She straightens the banner by an imperceptible hair and steps back, satisfied. “Do you want me to bodyguard the microphone?”
“No smiting necessary,” Nova says, and tries to breathe around the feeling of her life having edges. Retirement party. The words refuse melodrama and choose tenderness instead.
Colleagues arrive with arms full of flowers and questionable punch. The department chair makes a speech that lands, miraculously, more on gratitude than on clichés: “Nova taught us how to ask better questions,” he says. “Also to keep a bowl of clementines in the office because hope likes vitamin C.” Laughter softens the moment. There are slides—photos of field trips, workshops, a decade of students holding projects like newborn ideas. Nova sees herself in the pictures the way one sees a familiar landscape out a train window: changing and not.
Victor arrives late, on purpose; he told her he would. “You deserve an entrance,” he’d texted. He stands in the doorway now like a man who has long since stopped trying to look younger than his age—hair silvered through, lines pleated at the corners of his eyes, a kindness that winks from under all of it. Beside him, Nora, whose laugh still lands in rooms like a small bell. Behind them, Ruth—grown, broad-shouldered, practical—holding the hand of a boy about eight and the wrist of a girl about six who dangles a ribbon like a flag.
“Nona!” the little girl shouts, and half the room turns because the word sounds like a name and a title at once.
Nova opens her arms. The children crash into her with the honesty of their age. The boy—Mateo, solemn, inventor of elaborate pillow forts—offers her a folded paper star. The girl—Lucía, critic of everything and believer in most things—holds up the ribbon.
“Blue,” she says. “Like yours.”
Nova shows the line at her wrist. “Family color,” she says, and the girl nods, satisfied; taxonomy matters.
Victor makes his way to her through well-wishers with the slow efficiency of a boat through a crowded harbor. When he reaches her, he bows like a person greeting the head librarian of his childhood.
“Dr. Nova,” he says.
“Mr. Hale,” she returns, and they grin at the game.
He presses a slim wrapped rectangle into her hands. “From the chest keepers,” he says. “And from us.”
“Is it legal,” Aurora mutters, appearing at Nova’s shoulder, “and is it going to make me cry.”
Victor considers. “Yes, and yes.”
Nova peels the paper back. Inside: a frame, clean lines of dark wood. Behind the glass, a photograph of the oak at evening—riverlight caught in the bark, the blue ribbon a quiet insistence. And beside it, mounted like a caption: a printout of the very first reply she ever received, digitized from the family archive, the ink steady and young:
Lady Nova,
Advice: speak to him as if you are already friends…
Fact: I once fed my supper to a stray dog…
—Victor
The room blurs a little. She puts a palm to the glass, as she once did at the hollow, and the years braid themselves without knotting. She looks up to find Victor not watching the gift but watching her, taking a mental note like he always has.
“It belongs on your wall,” he says. “It lived on mine while I corrected the color. Nora can confirm I fussed.”
“He fussed,” Nora says. “It’s perfect now. Put it where the morning hits.”
Aurora is already scouting the best spot in Nova’s house in her head. “I’ll bring the hammer,” she declares.
The speeches continue, mercifully brief. A former student reads a poem about quietly heroic work. A current student gives Nova a tiny plant that promises to become basil if treated with dignity. There is a slide of Nova wearing a poncho in the rain and scowling at a clipboard; the room cheers because everyone loves proof their mentors are human.
During the clapping, Ruth edges to Nova’s side. She has her mother’s watchful eyes and her father’s patience. “We stopped by the grove on the way,” she murmurs. “The ribbon’s holding. I did a litter sweep. Someone had tucked a thank-you note under the lantern; I left it.”
“Good,” Nova says, throat tight. “Leave the kindness where you find it.”
The boy, Mateo, has discovered the snack table’s structural weaknesses. He returns with a paper plate and a theory. “Aunt Nova,” he announces, because in Victor’s family the title has stuck, “the crackers sink if you put too much hummus. It’s physics.”
“Architect of hors d’oeuvres,” Victor says, touching the boy’s hair. “Write your grant proposal.”
The girl, Lucía, is trying to balance a clementine on a cup. She succeeds. “See,” she says, triumphant. “Benevolent citrus.”
“Tradition,” Nova says gravely, and winks at Ruth, who grins.
In the corner, the department chair’s speech wanders into numbers again, but no one minds; the room holds Nova like cupped hands. She catches Aurora’s eye across the crowd. Aurora mouths, Here you are. Nova nods. Here I am.
When the cake is cut, the first slice goes to Nova, the second to the child nearest the knife because that’s how good parties obey physics too. The frosting tastes like a bakery’s guess at nostalgia. Someone toasts with punch. Someone else insists on decaf coffee at a volume that suggests legislation.
By late afternoon the room thins. Boxes of gifts find their way into Aurora’s trunk under her ruthless packing regime. The banner comes down. The tablecloths shed crumbs and confetti as if molting. Victor lingers until the last polite goodbye has been dispensed.
“Walk?” he says.
“Always,” Nova replies.
They carry the framed photograph between them like a fragile idea. Outside, the river throws back the sun in sheets. They take the long way to her house—the route that crosses the small park where children have lined up leaves by color, where a bench plaque reads For E.S., who fed pigeons and patience in equal measure.
“Retired,” Victor says, tasting the word.
“Retired from paychecks,” Nova says. “Not from noticing.”
“Unretirable,” he amends.
“Not a word,” she says.
“A good one anyway,” he says, and she lets him have it.
Inside her house, Aurora has already done the sacred work of post-party triage: recycling organized, flowers revived, fragile things placed high enough that curious small hands must ask permission. She holds the hammer like a scepter.
“Here,” she says, tapping the wall opposite the window, where morning light will spill. Nova stands with Victor and sights along the frame as Aurora measures, pencils a dot, and then, in three quick knocks, makes the world obey.
The photograph hangs. The letter glows faintly in the late afternoon. They stand back together, the way museum-goers do when they have found the right distance.
Ruth appears at Nova’s elbow with a tiny level she carries because she is now the kind of person who carries a tiny level. “Acceptable,” she pronounces.
“Your blessing honors us,” Aurora says, bowing.
Nora corrals the children toward the door with the calm of a seasoned shepherd. “We’ll leave you to your aftermath,” she says. “Text if you need help translating gifts you didn’t register for.”
After they’ve gone—after Ruth has hugged her around the ribs with her adult strength, after Mateo has solemnly bequeathed Nova three flat pebbles he insists are lucky, after Lucía has whispered, “I like your house; it smells like books and clementines”—the house quiets. Evening begins its slow blueing.
Aurora kisses Nova’s temple. “I’m going to run these flowers to vases before they remember they were born for drama,” she says. “Call if you need me to bully the kettle.”
“I can still bully a kettle,” Nova says.
“True, but I do it with flourish.” Aurora disappears kitchen-ward.
Victor and Nova sit on the couch with the kind of sigh that recognizes a day has been not just lived but honored. He takes a small parcel from his bag—another frame, slimmer.
“One more thing,” he says. “For your desk. Well. For the desk you’ll pretend not to sit at anymore.”
Inside: a print of the paper boat they folded from the letter on his wedding day, photographed in a pool of river light on a windowsill. Beneath it, a line in neat type: We will notice with you on purpose.
Nova laughs softly, surprised by the way her chest fills. “You know,” she says, “you have been bringing me the past my whole life, and somehow it keeps arriving as the present.”
“That’s the trick,” he says. “We never bring it alone.” He touches two fingers to his temple, then to his heart; it’s a family gesture now, something like remember and proceed.
They sit without hurry. The quiet between them is substantial, not empty. Outside, the river keeps doing its job, and the street goes on pretending it’s an ordinary street.
“Do you ever think about legacy?” Victor asks finally, not as a prompt for a speech but as a curiosity out walking.
“Less than people assume,” Nova says. “More than I admit. Mostly I think about… continuity.” She gestures vaguely—at the framed oak, at the ribbon under her sleeve, toward the window where, if she squinted, she could almost pretend she saw a particular set of roots. “I like that the story outgrew me. That it became a community garden instead of a potted plant.”
Victor smiles. “Weeding included.”
“Oh, I yank rumors out by the root weekly,” she says. “If one more well-meaning stranger tries to romanticize the hole into a door, I will make them clean my gutters.”
“Strong boundary,” he says, approving.
She leans back. The couch sighs, also retired. “Do you ever feel tired of being the living sequel?”
“Sometimes,” he admits. “Then Ruth texts me a picture of a sapling with a caption that says ‘two new leaves today,’ and I remember sequels get more room to breathe. Also more jokes.”
“More jokes is a form of mercy,” she says. “I used to think mercy had to be huge and glowing. Turns out it also looks like a level in a twenty-two-year-old’s pocket.”
“A very Ruth mercy,” he says. He hesitates. “May I ask you something possibly impertinent?”
“You’re allowed,” she says.
“Do you miss the letters like letters?” He glances at the framed page, then back at her. “The… format.”
She thinks. “I miss the wait,” she says. “The permission to take time and be careful. We text now because it’s honest to the era, but part of me misses sealing an envelope with an ache and letting a tree decide the speed.” She smiles at herself. “That makes me sound like a museum exhibit.”
“The good kind,” he says. After a moment: “I write paper on Sundays still. For the chest. Sometimes to you. I never mail them. I file them in a box I labeled ‘weather.’ It helps.”
“Keep doing that,” she says. “One day your grandchildren will mine the weather for wisdom.”
“They’ll mine it for jokes,” he says, and she nods. Both are acceptable futures.
Aurora reappears with two mugs. She sets one in front of each of them with a flourish. “Tea. And—” she presents a plate “—one slice of cake that tastes exactly like congratulations and bad decisions. Share politely.”
They do. The frosting is indeed mostly enthusiasm. They scrape the paper plate with forks the way children do when they haven’t yet learned to be embarrassed by wanting the last sweet.
“Do you want to go to the grove tomorrow?” Victor asks, casual the way ritual is casual—offered, not demanded.
“Yes,” Nova says. “Before breakfast. I like the light then.”
Aurora nods at this division of labor—she is the type to have bacon waiting when they return. “I added a note to the grove book for today,” she says. “If that violates the liturgy, you may impeach me.”
“It’s a two-person congregation with guest stars,” Nova says. “The rules flex.”
They talk of small things—Ruth’s latest research plot, Nora’s museum exhibit on “Domestic Marvels,” which features ironing boards like strange birds; the fact that Mateo has begun dismantling clocks to learn how time hides; the way Lucía has decided to hyphenate her name with “Dragon” when she grows up, for tax purposes.
The dark moves in with the calm competence of an old friend. Finally Victor stands. He crosses to the framed photograph again and touches the edge of the wood with his fingertips, a greeting and a goodbye.
“I’m proud of you,” he says, and she knows he means not the resume but the living.
“Likewise,” she says. “You kept the story honest.”
“We kept it,” he corrects, because he has learned to edit compliments into plural. At the door, he pauses. “Tomorrow, then.”
“Tomorrow,” she echoes.
After he leaves, Aurora nestles beside Nova on the couch and tucks her feet under her. “How’s the air?” she asks.
“Clear,” Nova says. “I keep waiting for the grief to reroute itself on days like this. It doesn’t. It just… sits nearby, well-behaved.”
“Trained grief,” Aurora says. “We should offer classes.”
Nova laughs. “Prerequisites: time, therapy, a lantern.”
“And benevolent citrus,” Aurora adds.
“Always.” Nova rests her head on Aurora’s shoulder. “Do you remember the night I wrote the last letter?”
“I remember,” Aurora says, and her hand finds Nova’s hair in the old, unembarrassed way. “I also remember the first time you went to therapy and came home furious that your brain was not a machine built to obey strangers.”
“It remains disobedient,” Nova says, pleased. “And very useful.”
They sit a while with no need to fill anything. Eventually Aurora sends her to bed with orders to drink water, to text if her dreams try to mount a coup. Nova obeys, because some rules age well.
In the bedroom, she sets the small frame—the boat in riverlight—on the desk, at the left edge where her hand will land when she reaches for a pen without looking. She runs a finger along the rim of the frame like a circle traced on a map and feels the coordinates settle into place. Window. Desk. Photograph. Letters. Here.
Before sleep, she opens the little notebook she keeps now not for grief but for gratitude. She writes:
September 6 — Retired from a title, not from attention. Cake that says thank you for noticing. Children who speak ribbon as a first language. The oak on my wall. Tomorrow we will go to the grove and leave nothing but names.
She closes the book and the lamp. The room accepts the dark like a true friend: without rearranging anything to flatter it. Beyond the window, the river throws its old, patient language across the night.
Here I am, she thinks, and the thought is not a plea anymore. It is a report.
In the morning, she and Victor will walk early, the air thin and honest. They will carry the grove book and a sprig of rosemary because traditions enjoy company. They will stand by the memorial and knock quietly—once for the past, twice for the future, three times for whoever needs it most. And when they go home, Aurora will have coffee and benevolent citrus waiting, and the framed letter will catch the day and make a small, precise brightness on the wall.
For now, the house breathes. The photograph holds. The boat keeps floating where riverlight knows how to find it.
Chapter 9: The Last Letter
Notes:
So this chapter was a big one for me, I rarely write notes in my more serious works, or the one’s I'm afraid to admit mean something to me, but I’m not afraid of that truth this time.
I write a lot of sad works, ones about loss and delusion and brains that just won’t quit, but for the first time writing I managed to make myself cry.
So grab some tissues or stiffen your lip, and enjoy the concluding chapters of this sequel (and the series overall).
Chapter Text
The hospice room smells faintly of lemon oil and lavender, a clean softness that settles over the machines and the hum of air. The curtains are open; Nova insisted on that. She wanted to see the river, to watch how it keeps its promise to keep moving.
Victor sits beside her bed. He has been there since morning, since the nurse with kind eyes said, “She’s awake, and she’s asking for you.” He had driven without the radio on, because silence was the only thing big enough to carry what he was afraid of.
Now, in the quiet between them, he watches the sunlight thread itself through the sheer curtain and turn her hair silver-gold.
“You came,” she says. Her voice is thin but playful, as if she’s scolding him for being late to tea.
“Wouldn’t have missed it,” he says. “You’d haunt me for the paperwork.”
“Maybe I still will,” she teases, then smiles, and it’s that smile—mischief and mercy in equal parts—that nearly undoes him.
On the bedside table sits the grove book, the ribbon, and the photograph of the oak. A nurse helped pin the blue handkerchief above her bed like a flag. The little paper boat rests beside a vase of rosemary.
“I had a dream,” Nova murmurs. “The tree was there. The hollow, too. But it wasn’t dark. It was… warm. Like the letters lit it from the inside.”
Victor leans forward, elbows on knees. “What did it say?”
She shakes her head. “Nothing. It didn’t need to. It was just there. That was enough.”
He wants to answer, but his throat is full. So he reaches for her hand instead, the old instinct between them—the kind that never needed ceremony.
“Tell me something true,” she says softly.
He takes a slow breath. “Ruth’s kids planted a sapling by the grove this year. The youngest named it Lemon Two.”
Nova laughs, quiet and airy. “Of course they did.”
“They think it can talk. Sometimes they leave it questions. I found one that said, Do you think ghosts get tired?”
“What did you write back?”
“I wrote, Only the happy ones.”
She smiles, eyes closing briefly. “Good answer.”
They sit in companionable silence, the rhythm of the machines keeping time with her breathing. When she opens her eyes again, they are clearer, steady.
“I’m not afraid,” she says.
“I know,” he whispers.
“I just… I don’t want to forget what it felt like to be alive. To love. Even if it was… impossible.”
He squeezes her hand. “Nothing about you was impossible, Nova.”
She lets out a breath that might be a laugh. “You always were the kindest historian.”
He shakes his head. “No. Just a witness.”
She looks at him, really looks, with that quiet accuracy that once made every student of hers nervous and grateful. “You kept the promise,” she says.
“What promise?”
“To keep the story honest.”
He swallows hard. “You made it easy.”
Her eyes drift to the table. “Will you do something for me?”
“Anything.”
“Write in the grove book. One last entry. I want it to be you.”
He nods, fighting the tremor in his hand as he takes the pen. He writes slowly, carefully:
October 12 — The light found her window today. She smiled at it. Said she could see the river. Said she was ready. The grove is quiet, but it will speak her name when it rains. We will answer. —V.
When he finishes, she’s watching him, tears glinting but unshed. “Perfect,” she whispers.
The nurse comes and goes. The clock moves, but the room does not. Outside, the river keeps shining, indifferent and holy.
Nova’s breathing grows slower, like a tide remembering where it started.
“Victor,” she says softly.
“Yes?”
“I’m going home.”
He nods, voice failing. “I know.”
“Tell them… tell them I kept the door unlocked.”
Then she exhales, one long, light sigh. The kind of breath that sounds like a word leaving the body and finding a place to rest.
Victor doesn’t move for a long time. He just sits there, holding her hand, until the warmth starts to fade but the world doesn’t feel colder yet. He places the ribbon in her palm, folds her fingers gently over it.
When the nurse returns, she understands without speaking. She draws the curtain halfway, leaving the window open, the river still visible.
Victor stands, touches the photograph of the oak, and whispers, “You have her now. Be kind.”
The service is small, at her request. Aurora’s Daughter reads a letter Nova wrote years ago to her sister: a reminder about peace, about how not all goodbyes mean leaving. Ruth speaks of the grove and of stories that grow roots. Lucía reads a poem about doors. Mateo plays something soft on the guitar.
Victor doesn’t speak. He just listens. Every so often, he catches himself half-turning toward an empty chair as if waiting for her commentary.
After everyone has gone, he drives to the grove. The oak stands older, larger, its roots tangled with the new sapling. The blue ribbon is weathered but still holds.
He kneels and lays the paper boat at the base of the tree. The hollow hums faintly, the way it always did when it was listening.
“I kept my promise,” he says quietly. “She found her peace.”
The wind stirs, gentle, deliberate.
And though he knows it’s only wind, he hears it anyway: a whisper, shaped like her laughter.
Chapter 10: The Door
Notes:
(See the end of the chapter for notes.)
Chapter Text
At first there is only breath. Not lungs, not effort—just the old sentence she practiced for years, spoken without fear: Here I am. The words widen. The dark is not dark. It is the inside of a seed just before it splits.
A sound gathers—low, patient. Not machines, not clocks. River.
When she opens her eyes (if eyes are the right word), sunlight is already everywhere. It comes from no one place and from all directions at once, the way kindness does when it forgets to be noticed. A path waits. It’s narrow as ribbon. Blue.
Nova puts one foot on the ribbon and it holds like a promise kept. Wind moves across tall grass and the grass answers with small applause. The air smells of cut bread, rain on dust, clementine peel. She laughs once—the quiet, disbelieving laugh of a person who’s found a room she drew as a child and then forgot how to reach.
Ahead, an oak stands the way oaks stand in drawings drawn by people who have loved one tree long enough to think it stands for all the others. The roots make their careful ladder down toward a hollow. The hollow is not dark. The hollow is a window in the ground where light pauses to take off its shoes.
She walks, feeling no pull of gravity—only a persuasion toward what is true.
At the base of the tree, a paper boat rests as if it sailed there on purpose. Its hull is ringed with sentences in a hand she knows the way she knows her own pulse. Lady Nova. Questions to borrow. If our love is going to break you, let it break me instead. She touches the boat. The paper is not paper. It’s water learning to hold a shape.
“Knock,” she says, amused at herself, and does: once for the past, twice for the future, three times for whoever needs it most.
The ground answers in weather.
Across the field, a boy becomes a man as one becomes the other in memory—no seam, just more of himself drawn in. He is walking toward her from the river, boots wet, trousers muddy to the knee. He carries a lantern not because anything here lacks light, but because some habits become blessings when they outlast their use. His hair is the color of harvest and storm at once. His face is exactly as she knew it from ink: a map drawn by someone who never lied to paper.
They stop an arm’s length away, as if remembering all the rules they wrote for kindness, and then forget them in the same breath. He laughs first—a sound like frogs ringing metal bells by a bend in the river. She answers with her old small laugh and then the new, bigger one that learned to live.
“Lady Nova,” he says, and his voice is the letter she carried under her pillow for a year.
“Victor,” she says, and it lands like a blue weight on a page, the way a name does when it finally finds its place.
They don’t reach for each other immediately. They look. They do what they taught each other to do: notice on purpose. He takes in the ribbon at her wrist, frayed to softness. She takes in the lantern in his hand, unlit and unnecessary and perfect. He sees the way peace has changed the angle of her shoulders. She sees the way the worry he carried like a second person has slipped from his ribs.
“You’re here,” he says, half surprise, half gratitude.
“I kept the door unlocked,” she answers.
He nods toward the oak. “It learned how to be a door.”
“Or we learned how to be a key,” she says.
They stand in the shade together, and if there is time, it is not the kind that measures itself with teeth. The river goes on with its recital. Lemon wanders up—as himself or as memory, it hardly matters—and noses Nova’s palm with the old wet insistence. “Sir,” she says, laughing, and the ox accepts the title like a crown and wanders off to eat a theology of grass.
Victor tips the lantern as if saluting. “I promised I would step through,” he says.
“You did,” she replies. “I heard you.”
He looks at her hands. “Do you still count?”
“Sometimes,” she says. “But the numbers changed. They count me back.”
He grins, the grin that always ruined her plans for stoicism. “Good.”
“What do we do first?” she asks.
“Nothing dramatic,” he says, without missing a beat. “We live. We check on each other. We keep the story true.”
“Same job,” she says.
“Same job,” he agrees, and now he reaches for her hand—not to pull her, not to prove anything, but the way you touch a doorframe on the way through: to feel the wood, to say thank you to the hinge.
His palm is warm, which surprises her and then does not. They walk.
The ribbon-path leads them to the river, but the river here does not divide. It remembers everything it ever bridged and takes that as its task. They stand where the tide would be if there were tides and watch light practice being water. In the shallows, three small boys try to launch a paper hat and fail gloriously; a girl collects round stones and lines them up by color, beginning at gray and arriving, somehow, at blue. Further down, a woman with Aurora’s laugh and a map of stamps on her arm is teaching a crowd of strangers how to fold napkins into birds that consent to be birds.
“Family,” Victor says, eyes bright.
“All of them,” Nova says.
“Do you miss them?” he asks gently.
“Yes,” she says, because honesty is a kind of awe. “And no. Missing turned into carrying. They’re heavy in the good way.”
He nods. “A weight that keeps you from floating off.”
“A weight that makes a center,” she says.
He gestures toward a path she didn’t see until he showed her. It loops through a field of wheat that hums without wind. As they step onto it, a breeze rises that has opinions but no malice. The wheatparts them the way years part for true things.
“What’s here?” she asks.
“Everything we meant to do,” he says, a little shy. “And everything we did instead.”
They pass under a clothesline strung with ribbons of every shade—the one he sent, the one she wore, the ones Ruth tied, the ones children chose because blue was too narrow for what they felt. They pass a table where tools sit oiled and content: a plow that never again needs mending, a hammer that only knows the sound of frames finding their true nails. They pass a small porch where a cup, a coin, and a clock tick their one stubborn tick in a harmony that used to cost her work and now costs her nothing.
Victor stops at a fence. It is not a barrier; it’s a memory of one. He lays his hand on it. “It tried its best,” he says kindly. “So did I.”
“You did,” she says. “And you left the gate open often enough for the wind.”
They climb a little rise. From there, the world shows more of itself: a grove that is all the groves, a village where the roofs are paper and never burn, a field that looks like a sentence practicing grammar until it makes meaning. Children race in a game whose rules would break if you wrote them down. Someone hangs a ribbon where a robin insists it belongs. Bells sound far off with the apology metal makes when it remembers it used to be ore.
“Do you want to—” Victor begins, then stops. He is looking at her, and in his face is the question he never got to ask without costing one of them something impossible.
“Yes,” she says, to whatever it was. It turns out to be this: they sit.
They sit the way people do when they have finally learned that presence is more articulate than speeches—the way they did on roots and porches, near kettles and riverbanks, anywhere there was a surface that would take the shape of their weight without complaint. He puts the lantern between them out of habit. It throws no light and all the light.
“Tell me a small truth,” she says.
He thinks, pleased to discover that thinking is as delicious now as it was then. “When I was alive,” he says, “I preferred the heel of the bread because it made me feel like I’d arrived early to the loaf and could welcome the others.”
She laughs. “When I was alive, I talked to crows and asked for performance reviews.”
“Did they give them?”
“Always,” she says. “Mostly they favored concise feedback.”
“Smart birds,” he says. “One more?”
“One more,” she says.
“I never told Lemon I was afraid in storms,” he confesses. “I told the song. It was easier to let the melody hold it while we both pretended to be brave.”
She nods. “Hunger is not a debt,” she says, and they both smile at the way an old sentence can arrive and still do its work.
They walk again when walking presents itself as the next honest thing. The ribbon-path takes them to a door that isn’t a door until you look at it. It’s the size of a page. It’s set into nothing and opens onto everything. There is no lock. There never was.
“Will it close?” she asks.
He considers. “It closes the way eyes close when you’re not using them. Not to deny the world—just to rest.”
“Then we’ll leave it like that,” she says. “Open enough.”
They pass through. On the other side is a room with windows that refuse to decide which horizon they prefer. A table waits with two cups already warm. He pours, not because they need to drink, but because the act itself remains a prayer. She wraps both hands around the cup, an old map of an old body telling a truth that still describes her: whole hand.
“What shall we be called here?” he asks, tilt of a grin. “We used to try on names like coats.”
“People,” she says, pleased with the answer. “That should do.”
He nods. “Lanterns, perhaps.”
“Lanterns,” she agrees. “Rooms with windows.”
They sit at the table with the quiet of those who have stopped auditioning for their own lives. Outside, the river turns without hurrying. A child on a bank whispers a question to a sapling. The sapling answers by growing. Somewhere, a sister with silver at her temples argues a kettle into boil and laughs into a phone, and the laugh arrives here as light on water.
“Do you want to see the ocean?” he asks, softer than a dare, more certain than a wish.
“Of course,” she says, as if agreeing to step into another room.
They walk until the ribbon becomes a shoreline. The sea waits like a book she has not yet finished rereading. It is exactly as she described to him: salt in the air, breathing that belongs to the world as much as to bodies. They stand where the tide pulls back and forward. It folds around their ankles with the curiosity of a dog, then returns, satisfied, with a report they do not need to read.
He takes her hand again, and this time they do not let go because there is no reason to. Holding and not holding are no longer opposites here. They are simply options. They listen until they know the rhythm. It does not take long. It takes forever. Both are true.
When the sun changes its angle, it does not set so much as step into a different verb. Shadows become invitations. The lantern offers itself to the dusk, and the dusk nods, amused, already luminous. They turn back toward the oak because some centers do not get replaced; they get revisited.
On the hill, the door has not moved. The ribbon hums with a wind that learned its manners. The hollow is neither wall nor floor. It is a kind of mouth that knows when to be quiet.
“What next?” he asks, still fond of asking.
“Everything,” she says. “And also—enough.”
He laughs, delighted at the precision. “Then we will do that.”
They walk down to the roots and sit. The habit will be hard to break, so they decide not to. He knocks—once for the past, twice for the future, three times for whoever needs it most. Somewhere, on a morning with ordinary weather, a child visiting a different oak for the first time feels brave without knowing why.
They begin writing—not on paper, which has other work now, but in the air that remembers how to hold meaning when two people look at the same thing and agree to call it by its right name. They write the way rain writes on river, the way lanterns write on bark, the way blue stitches its way through a life without needing anyone to tug.
Later (or before; it does not matter), a figure appears at the edge of the field—the silhouette of a man whose posture is familiar as truth. Victor stands, and Nova stands with him. The figure lifts a hand, and Victor lifts his, and the distance between ancestor and echo collapses like a well-told joke. There is no awkwardness, only recognition of Nova’s reunion with victor and its quiet miracle. They do not need to talk about letters. They have become the letters.
The river keeps its promise. The wind keeps its manners. The oak does its best work, which is to remain.
And when, now and then, the living put a palm to bark and ask for mercy, the answer moves through root and water and ribbon and door and arrives—not as thunder, not as trumpet, but as two voices that learned the same sentence long ago and speak it now together, steady as a room with windows open in every direction:
Here we are.
Notes:
I REALLy hope you enjoyed these works as much as I enjoyed writing them. It was a pleasure to build this world of mystery, magic, and legacy.
I’m sure a lot of you have ideas of where the source material came from, and I’d love to hear about the books/movies/tv shows you think could have inspired this. Mainly because I want to continue to consume this type of media but also because I love a good competition.
First person who gets it right has the honor of requesting a certain work, original character, or genre for me to add to my ‘to-do list’
:)

Wyvernicsnake on Chapter 1 Sun 05 Oct 2025 05:09PM UTC
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Hieroglyphically on Chapter 1 Sun 05 Oct 2025 06:08PM UTC
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Wyvernicsnake on Chapter 3 Sun 05 Oct 2025 05:18PM UTC
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Hieroglyphically on Chapter 3 Sun 05 Oct 2025 06:07PM UTC
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zinnamon_Axolotl on Chapter 6 Sun 05 Oct 2025 09:23PM UTC
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Hieroglyphically on Chapter 6 Mon 06 Oct 2025 01:45AM UTC
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Wyvernicsnake on Chapter 9 Sun 05 Oct 2025 06:00PM UTC
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Hieroglyphically on Chapter 9 Sun 05 Oct 2025 06:06PM UTC
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Wyvernicsnake on Chapter 10 Sun 05 Oct 2025 06:11PM UTC
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Hieroglyphically on Chapter 10 Sun 05 Oct 2025 06:47PM UTC
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zinnamon_Axolotl on Chapter 10 Sun 05 Oct 2025 09:41PM UTC
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Hieroglyphically on Chapter 10 Mon 06 Oct 2025 01:46AM UTC
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zinnamon_Axolotl on Chapter 10 Mon 06 Oct 2025 04:04PM UTC
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Hieroglyphically on Chapter 10 Tue 07 Oct 2025 01:09AM UTC
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drewski_B on Chapter 10 Tue 07 Oct 2025 02:19AM UTC
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Hieroglyphically on Chapter 10 Tue 07 Oct 2025 02:40AM UTC
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