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Come On-a My House

Summary:

Sylvia has watched Lola build walls for five years. Tonight, she watches her open a door instead.
Spencer comes to see the show at Le Club Noir, and Sylvia—Le Club's business manager and Lola's closest friend—observes what it means when someone who never asks for help finally does.
(Or: The one where Spencer fixes a curtain, drinks club soda without irony, and accidentally wins over an entire burlesque troupe.)

Notes:

Welcome back! It's been a minute since I posted—life got delightfully chaotic in all the best ways. But I've been thinking about this story for weeks, and I'm excited to finally share it.
This is an outsider POV piece from Sylvia's perspective, exploring what it looks like when Lola starts letting Spencer into her world. I wanted to capture that moment when you realize your friend has found someone who actually sees them—and what it means to watch someone you care about take that risk.

(See the end of the work for more notes.)

Work Text:

Sylvia watched the pre-show chaos unfold from her perch by the coat check. The low hum of conversation mixed with the clink of glassware and the soft thrum of a jazz standard in the background. It was nearly showtime, and Le Club Noir was settling into its familiar rhythm.

The bar was pretty busy, of course. Always was. The regulars had already staked their claim at the usual spots, while the first-timers fidgeted with their drink menus, unsure of the atmosphere they had just stepped into. Sylvia couldn’t help the slight grin that tugged at the corner of her mouth—she’d heard it all before. The whispered exclamations, wide-eyed and nervous: Is this normal? Are they all— and then someone else would hush them, and the rumble of excitement would begin to grow.

The club wasn't very big, but that was part of its charm. A couple of booths, a long bar where most of the business got done, a dozen tables with dim lighting. It wasn’t some glitzy Vegas showroom, but it was real. Intimate. It had style. And the crowd that came in the evenings was there for one thing: the show.

Sylvia had the front of house in check, her team ready to handle the usual circus. No big surprises tonight. The show wasn't sold out, but they’d fill enough seats. Some new faces were wandering in, likely lured by word of mouth. Sylvia liked to think of the venue as the real underground—where people came because they wanted to, not because they had to.

Business usually picked up as it got warmer, so Sylvia knew it was going to be a good night. The theme was Spring Fling, a bit predictable for the beginning of March, but they weren't in the business of reinventing the wheel.

A couple more patrons shuffled in, and Sylvia caught sight of one of them. A lanky figure standing awkwardly by the door, scanning the room. She recognized him immediately. Spencer Reid—Lola’s boyfriend, Doctor Spencer Reid, Mr. FBI—standing there, hands in his overcoat pockets, shifting from foot to foot like a grad student waiting for a lecture hall to open, not a nightclub.

Well, well.

She weaved through the crowd, her eyes scanning faces, barely breaking stride as she approached him. When she reached Spencer, she offered him a warm, easy smile, one she saved for people she genuinely liked, not just tolerated. 

“If it isn’t Lola’s favorite G-Man,” she greeted him. She didn’t know why she enjoyed teasing him, but she did. “Weren't you supposed to pick up your girl after the show? Or are you finally planning to sit through the whole thing?”

Spencer gave a small smile, though she could tell he was taking in every detail around them, as if there might be some test later. “I was hoping to surprise her,” he said. “I managed to finish early tonight, so I thought I’d catch the show. It’s been a while.”

Sylvia gestured toward the front, waving off the ticket booth. “We could've put you on the list, Doctor Reid. You’re friends-and-family now.”

“Oh—no, thank you,” he chuckled and shook his head. “I appreciate it, but I’ll pay. Support the local arts and all that, right?”

Sylvia raised one brow. “…You do realize this is a burlesque club, not the opera.”

“Well, yes, but burlesque is an art form with a history of social and political commentary dating back to—”

She cut him off with a raised hand. “Fine, fine. If you want to hand me money, I’m not going to argue. Lord knows this is the only federal funding we’ll ever see," she quipped, a smirk playing at her lips. The club could always use every bit of support it got, and if Lola’s boyfriend wanted to pay, she wasn’t about to turn it down. 

That got a half-smile out of him, crooked and self-conscious, but it lingered. He really meant it, she realized. No pretense, no humblebrag. Just a man who wanted to buy a damn ticket to his girlfriend’s show.

She made a mental note to tell Lola later. She'd get a kick out of it. "Enjoy the show, Mr. FBI."

He flushed at the nickname, opened his mouth to protest, then closed it again. Smart man.

Sylvia watched him navigate toward the bar, all angles and awkward politeness in his pressed suit. He really did look like he'd wandered out of a doctoral defense and accidentally ended up in a burlesque club.

It had been, what, five months now? Six? Sylvia had watched the whole thing unfold from her usual vantage point at the periphery. She'd seen Lola's carefully controlled world get disrupted by the murderous stalker case, seen this FBI agent stick around after, seen Lola—against all odds and her own better judgment—actually let him in.

And Lola didn't let people in. Not easily. Not often.

In five years of working together, Sylvia had learned to read Lola's particular brand of self-protection. The way she compartmentalized, kept work and personal life in separate, sealed boxes. The cool professionalism that could edge into ice when someone pushed too hard for connection. It wasn't meanness—Sylvia understood that. It was survival.

Reid, somehow, had gotten past it.

The question was whether he'd stay.

Sylvia had seen Lola happy before—brief flashes, usually involving a particularly successful show or a choreographic breakthrough. But this was different. There was a softness that hadn't been there before, a loosening of that constant vigilance. It made Sylvia glad. And, if she was honest, a little nervous.

Because if this fell apart, she wasn't sure Lola would risk it again.


She’d just finished double-checking the stock when Vic nudged her, jerking his chin toward the end of the counter.

“Isn’t that the Fed?” he muttered, voice pitched low but carrying a dry amusement.

"Yeah. That's Lola's man. He's here to see the show."

Vic made a sound. "Really didn't think she'd go for G-men." He leaned one elbow on the bar, watching Reid like he was trying to puzzle out a trick mirror. “Looks like he wandered in from a chess tournament.”

“Be nice,” Sylvia murmured, though her lips curved.

Before she could say more, Reid edged toward the bar, apparently deciding that hovering alone was worse than braving Vic. The bartender pounced, smirk at the ready. 

“What can I get you?” Vic asked, leaning one muscled forearm on the counter.

Reid’s gaze ticked over the bottles—quick, methodical—before landing. “Club soda, please. With lemon, if you have it.”

Sylvia didn’t need to see Vic’s face to know the expression: slow, incredulous, like a man watching someone order milk at a steakhouse.

“Club soda,” Vic repeated. “At a bar.”

“Yes,” Reid said earnestly. “Technically, club soda was first bottled for bars in the late nineteenth century—so it’s not entirely out of place.”

Vic made a noise somewhere between a laugh and a groan, but he filled a glass anyway and thunked it down hard enough to slosh. “Sure thing. You want me to put a little umbrella in there too?”

Reid, utterly missing the sarcasm, considered the question. “No, thank you. Just the lemon is fine.”

Sylvia bit the inside of her cheek to keep from laughing. She'd seen plenty of men try and fail to hold their ground under Vic’s particular scrutiny, but Reid just sipped his club soda as if this were the most normal thing in the world.

Around them, patrons jostled for cocktails, sequins flashed under the lights, the air hummed with pre-show chatter—and there he was, in a perfectly pressed grey suit, holding his drink like it was the most ordinary thing in the world—but somehow, it only made him stand out more, like a puzzle piece that didn’t quite fit. But he didn't seem rattled by it at all.

And he was here.

That made Sylvia oddly pleased. She wasn’t exactly a romantic, but Lola deserved someone who would put in the effort.

Still, there was no harm in watching him squirm a little.


She slipped backstage with her clipboard tucked under one arm, scanning the pre-show chaos of rhinestones, glitter body spray and half-sipped energy drinks. The air smelled like hairspray and the particular brand of vanilla body oil that Jade swore by. Someone's bra was hanging from a light fixture. A makeup brush had rolled under a costume rack. This was the reality of burlesque—not glamorous backstage luxury, just organized chaos and a lot of double-sided tape.

Lola had the dancers in order—of course she did—but Sylvia liked to keep her own eyes on the clock. 

“Ten minutes to curtain,” she called, pitching her voice just loud enough to cut through the chatter. “Vic says the house is nearly full, so no stragglers.”

A chorus of acknowledgments followed, some more sincere than others. Lola, already in her costume with her hair set, glanced up from a quiet word with one of the newer girls—Chloe, who still got nervous before shows. She looked calm, collected, perfectly in control, hosting notes neatly stacked beside her.

Which was exactly why Sylvia let herself lean against the doorframe, caught Lola’s eye in the mirror, and said, almost offhand, “By the way, your guy's out front. Bought his own ticket and everything.”

It was like dropping a spark in a powder keg. The younger dancers gasped and grinned, the predictable chorus of ooooohs swelling instantly.

Lola, for all her composure, couldn’t hide the way her eyes lit up. “He’s here?” she asked, voice soft but warm.

Sylvia kept her face smooth, though she was quietly pleased at the reaction. “Mm-hm. Front of house. Looking a little like he took a wrong turn into the twenties, but he paid cash, so I let him stay.”

That won her a smattering of laughter from the chorus girls, but Lola barely heard them. She was already heading toward the stage door.

Sylvia didn’t follow—she didn’t need to—but from her angle she caught the quick kiss in the hallway, the mock-groans of Lola’s audience as she shooed him back toward the house with a laughing, “I’ve got a job to do.”

Jade—one of the veterans, mid-thirties with a sleeve of tattoos and a mouth like a sailor—couldn't help herself.

"Oh my god, is he staying for the whole show this time?" She fanned herself dramatically. "Please tell me he's staying. I want to see if he blushes during my number."

"Leave him alone," Lola said, but she was smiling.

"Does he know about the tassel malfunction from last week?" Chloe asked with wide-eyed innocence.

"There was no tassel malfunction," Lola said firmly.

"There was absolutely a tassel malfunction," Jade corrected. "One went flying into the third row. Some guy caught it and looked like he'd won the lottery."

"That was a planned comedic moment," Lola insisted, though her lips twitched.

"Sure it was, boss," Jade said with a grin. Then, to Sylvia: "Does he know what he's getting into? Like, does he understand that this—" she gestured at the organized chaos around them, the racks of costumes, the glitter everywhere, the bra hanging from a light fixture "—is what we actually do? Because I feel like people see the show and think it's all glamour and mystery."

"And it's really just double-sided tape and hoping your pasties don't fall off," Chloe added.

"Speak for yourself," another performer called from across the room. "My pasties are secured."

"That's because you use spirit gum like I taught you," Lola sighed.

She deflected further teasing from the younger dancers with her usual dry humor, but she didn't quite manage to school her expression back to its professional mask.

Sylvia filed that away. In five years, she'd never seen Lola let personal bleed into professional like this. Not once. Lola kept her worlds separate—it was practically a religion for her.

But here was Reid, sitting in the audience, and Lola was glowing.

It could be a good thing. People were allowed to be happy, allowed to let their guard down with someone they trusted.

Or it could mean Lola was in deeper than she realized, setting herself up for a fall that Sylvia would have to watch happen. And there wouldn't be a damn thing she could do about it except keep the club running and maybe refill Lola's coffee a few extra times in the aftermath.

Sylvia had learned not to push. Lola didn't respond well to mothering—she'd made that clear early on. But that didn't mean Sylvia didn't worry.

She checked her watch. "Eight minutes," she called out.

She'd see how the night played out. Reid was here, making an effort, showing up for Lola's world. That counted for something.


The show had begun in earnest, the curtain rising with a flourish. Sylvia moved back to her spot by the coat check, her attention drifting between the bustle of the crowd and the stage.

It didn't take long to spot him again, sitting near the front, posture straight and eyes focused on the stage.

Reid was somehow exactly as she'd expected: not gawking like some men who came to watch their girlfriends perform. She'd seen plenty of men come through over the years, and most who came alone either pretended not to stare or tried very hard not to look like they were enjoying themselves too much.

But him? No. He was sitting upright, eyes fixed on the stage like he was in an old theater watching something important, not just a late-night club show. She could see the genuine interest in his face, the occasional nod in time with the music.

The night’s theme, Spring Fling, was predictable enough for early March—pastels, playful music, light flirtations like the first buds of spring blossoming. The crowd soaked it all in—sparkling costumes, cheerful smiles, and cheeky winks. A few of the younger dancers wore pastel-colored bodices that looked like spring itself had come alive in the form of feathers and sequins.

From her vantage point, she had a clear view of both the stage and Reid's reaction to it. She watched him lean forward slightly during one particularly acrobatic move, saw the small smile when one of the dancers winked at the audience. He was engaged, attentive—but not in the way she'd seen from other boyfriends and husbands who'd come through. No possessive tension, no discomfort, no "look at me being so cool with this" performance for anyone watching.

He just looked... interested. Like he was genuinely enjoying the show.

She kept watching when she noticed Chloe's entrance was late. Not terribly late—maybe five seconds—but enough that Jade had to improvise, extending her bit of stage business with a fan to cover.

From the audience's perspective, it probably looked intentional. Sylvia knew better.

She made her way backstage during the transition to find Chloe near tears, Lola crouched in front of her.

"I'm so sorry," Chloe was saying. "My heel caught on the costume rack and I—"

"Hey." Lola's voice was firm but not unkind. "Did you get on stage?"

"Yes, but—"

"Did you finish the number?"

"Yes."

"Then you did your job. Jade covered beautifully—that's what we do for each other. You'll do the same for someone else next week." Lola squeezed her shoulder. "And maybe we move that costume rack. It's been in a stupid place for months."

Chloe nodded, wiping at her eyes carefully to avoid smudging her stage makeup.

"Good. Now go drink some water and get ready for the finale." As Chloe walked away, Lola turned to Sylvia. "Remind me to fix that rack situation tomorrow."

"Already on the list," Sylvia said.

"Of course it is." Lola glanced toward the stage, listening to the music cue. "God, sometimes I think hostage negotiators have an easier job than this."

Sylvia snorted. "Pretty sure your boyfriend would disagree."

"He's literally dealt with serial killers and bomb threats. I'm having a minor crisis because a costume rack is in the wrong place."

"Different kind of stakes," Sylvia pointed out. "But stakes nonetheless. This is ten women's livelihoods, their art, their community. That's not nothing."

Lola looked at her for a moment, something soft in her expression. "When did you get so wise?"

"I've always been this wise. You just started listening."


Sylvia headed back out front, leaving Lola to handle the rest of the backstage coordination. When Lola's number came up, she paid closer attention.

Pastels turned to deep, rich velvet, and the playful spring theme shifted into something more complex as Lola emerged on stage, wearing a tuxedo-inspired costume with a glint of rebellion in her movements.

From the very first note of the song—something old, German, with that distinctive Weimar cabaret sound—Sylvia saw Reid's whole body language change. He leaned forward, completely focused, and his lips were moving slightly, like he was following along with lyrics Sylvia couldn't understand.

She'd seen plenty of men watch Lola perform. Some leered. Some tried too hard to look respectful and ended up looking uncomfortable. Some radiated that possessive "that's mine" energy that made Sylvia's skin crawl.

Reid wasn't doing any of that.

He was focused. Intent. Following every movement like he was reading something complex and fascinating. When Lola did that little turn with the hat—the one that always got whistles from the crowd—Reid smiled. Not a proud smile or a hungry one. Just... delighted. Like he'd just watched her solve an elegant equation.

Sylvia had spent years learning to read people—you had to, in this business. And what she was reading off Reid was genuine appreciation. Not for "my girlfriend the exotic performer," but for Lola specifically. For what she was doing, what she was saying with the performance.

Huh.

Maybe the Fed really had more going on than she'd given him credit for.


Intermission came, and with it, chaos.

Sylvia was checking in with the sound tech when she heard the commotion backstage. She made her way through the narrow corridor to find the stage manager tugging at the ropes with increasing desperation. The curtain—a usually reliable piece of machinery—had decided tonight was the night it would misbehave. Despite several dancers pulling on it in unison, the damn thing wouldn't budge.

A quiet panic spread among the performers. If that curtain didn’t go up, half the acts would be off-limits; most acts needed the full stage, not just the apron.

"Shit," the stage manager muttered, throwing his hands up. "We’re dead if this doesn’t move."

Sylvia’s stomach twisted. She glanced at her phone—less than five minutes to the next act. She waved her hand toward the dressing rooms. "Someone get Lola. Tell her we need to delay."

They didn’t exactly have a team of techs on standby. There was her, a bartender, a couple of servers, a sound-and-light guy, and the dancers. Lola was the go-to for anything onstage. But this? This wasn’t something the dancers could fix.

A moment later, Lola appeared, moving through the chaos with a sharpness in her eyes. “What’s going on?”

Her voice was laced with irritation, but Sylvia saw the way her mind immediately clicked into gear. She flicked a glance at the dancers, then at the curtain.

And then, as if a switch flipped, her face changed. “Get Spencer.”

Sylvia blinked. "Spencer?"

"Get him here. He’ll know what to do. Fast."

For a moment, Sylvia just stared at her. It wasn't like Lola to delegate unless absolutely necessary. Lola was the one who fixed things, who handled crises, who refused help even when she desperately needed it.

But she wasn't about to argue. And who else was around?

She turned on her heel and headed into the main room.

Reid was standing by the bar, holding his usual club soda with the seriousness of a scientist clutching the only copy of a lab report.

She waved him over, and the confused look he shot her as he walked over made her almost laugh.

“Hey, you’re a genius, right?” she asked, half-teasing but mostly desperate.

Reid blinked, a bit thrown. “Uh... yeah, I mean—depends on the problem.”

“The curtain's stuck. We can't raise it, and we kinda need it up for the next act,” Sylvia said, her tone a mix of dry humor and tension. “No one here knows jack about stage gear unless you count Googling it.”

Reid frowned, eyes darting to the backstage door. “It’s a pulley system, right?”

“Do you have any actual experience with stage gear?”

"I have a PhD in engineering?" he offered with a shrug.

Sylvia gave him a skeptical look but, with no time to waste, nodded. “Great. Follow me.”

She led him backstage, where the dancers were still milling about in mild panic. Within seconds, Reid was kneeling in front of the curtain, tilting his head as he examined it. 

“A loose bolt on the pulley system,” he muttered. "This will take two minutes with the right tools, but I think I can adjust it manually for now."

Before Sylvia could respond, he was already loosening something, adjusting, tightening here, shifting there. His movements were quick and precise, no wasted motion. In less than two minutes, the curtain was rising smoothly, the problem solved.

The dancers stared at him, slack-jawed.

Reid stood, dusting his hands off with a satisfied little smile. "Good as new."

"Well, I'll be damned," Sylvia muttered under her breath.

But she wasn't looking at the curtain anymore. She was looking at Lola.

Lola was standing at the wings, staring at Reid like she'd just witnessed something miraculous. Her expression was open, surprised, almost vulnerable in a way Sylvia had rarely seen.

"Problem solved," Reid said, offering her a quick, shy smile.

Lola let out a soft laugh, but there was something self-conscious in it. "My hero. Saving me from the great curtain crisis of 2024. I'm sure this is exactly how you imagined spending your evening—not chasing down serial killers, just... fixing theatrical equipment."

Reid tilted his head slightly. "You know the statistical likelihood of dying in a workplace accident in the performing arts is actually significantly lower than in federal law enforcement. So in terms of immediate danger, you're doing much better than I am most days."

"Spencer," Lola said, amused but also a little exasperated.

"I'm serious. Also—" He glanced around at the organized chaos of backstage, the dancers, the quick-change area, the props and costumes everywhere. "This is impressive. The coordination required, the timing, the technical elements. You're essentially running a live production with minimal crew and a tiny margin for error. That takes a specific kind of problem-solving that most people don't have."

"You're comparing burlesque to an FBI operation."

"No, I'm saying they're both high-pressure situations that require quick thinking and teamwork. Different contexts, same fundamental skills." He smiled at her, and it was so genuine, so free of judgment. "Your work matters, Lola. Not just to you. To all of them." He gestured toward the dancers. "You've built something here."

Lola looked at him for a long moment, and Sylvia—watching from a few feet away—saw her blink rapidly, like she was fighting off unexpected emotion.

"You should get back out there," Lola finally said, her voice a little rough. "You're missing the show."

"Worth it," Reid said simply.

Sylvia stayed rooted where she was, watching them. Around her, the dancers were starting to relax, the crisis averted, but she barely noticed.

She was too busy processing what she'd just seen.

The last time they'd had a technical disaster mid-show—what was it, two years ago? A rigging failure ten minutes before curtain. Lola had been a controlled storm of efficiency and barely contained fury. Not at anyone else, never at the performers. At herself. For not catching it, not preventing it, not being prepared for every possible contingency. She'd fixed it herself, refused all offers of help, and spent the rest of the night wound so tight Sylvia had been waiting for her to snap.

That was Lola. Handle it yourself. Don't show weakness. Don't need anyone.

But tonight?

Tonight, in the middle of a crisis, Lola's first instinct had been: "Get Spencer."

Not "give me a minute," not "I'll figure it out." Just—him. Like trusting someone else to solve her problem was the most natural thing in the world.

Sylvia had been trying, gently, carefully, for five years to get Lola to let people help her. To accept that needing support wasn't the same as being weak. She'd mostly failed. Lola was too good at keeping people at exactly the distance she wanted them.

And here was Spencer Reid—all sharp angles and earnest explanations and "I have a PhD in engineering?"—and somehow he'd gotten through. Not by pushing, but just by... being there. Being someone Lola trusted enough to ask.

Sylvia wasn't sure whether to be impressed or slightly jealous that a man Lola had known for half a year had managed what she hadn't in five.

Probably both.

After Reid left, Jade sidled up to Lola. "Okay, I take back every joke I made about FBI agents. You can keep that one."

"How generous of you," Lola said dryly.

"I mean it. He looked at this—" she gestured at the chaotic backstage "—and didn't look confused or condescending or like he was slumming it. He just... got it."

"Yeah," Lola said softly, watching the space where Reid had disappeared. "He did."

Sylvia watched Lola's face and thought: This is what it looks like when someone realizes they're actually seen.

As Reid made his way back toward the audience, he nearly collided with another dancer, who was rushing toward the dressing room for a costume change.

"Oh! Sorry, Doctor Reid," she said, not slowing down much. "Nice work with the curtain, by the way."

"It was just a loose bolt," Reid said.

"Still counts." She paused just long enough to add, "Lola doesn't ask for help. Like, ever. So the fact that she asked you?" She gave him an approving nod. "That's something."

Before Reid could respond, she was already moving past him, calling back, "Second act's in five—you're gonna miss it!"

Sylvia, who'd witnessed the whole exchange from her position near the stage door, made another mental note. The dancers had accepted him. That wasn't nothing either.

She cleared her throat, cutting through the lingering moment. "All right, people. Crisis averted. Five minutes to places."

The dancers scattered, the usual pre-show energy returning. Lola lingered for a moment, still watching the space where Reid had disappeared, before she seemed to shake herself and turn back to business.

But that softness remained, just at the edges.


The second half of the show went smoothly, no more technical disasters. Sylvia found herself drifting back to her spot by the coat check, keeping one eye on the stage and one on the audience.

And, if she was being honest, keeping one eye on Reid.

He was exactly at the same spot, still watching with that same focused attention. When the finale came—all the dancers on stage together, a riot of feathers and glitter and synchronized choreography—she saw him applaud with genuine enthusiasm.

Not the polite golf-clap of someone doing their duty. Real appreciation.

After the curtain call, Sylvia made her way toward the bar, intending to check the evening's numbers with Vic. But she found herself detouring slightly, ending up near where Reid was standing, waiting patiently at the edge of the crowd.

She couldn't resist. "You know, it’s nice to see you here tonight, Mr. FBI. Makes a difference."

Reid raised an eyebrow. "Difference?"

“Well, last time you were off on a case, Lola wasn’t exactly her sparkliest self,” Sylvia said, a wry smile playing on her lips. “She tries to keep things separate, but... a girl’s feelings sneak through. Glitter doesn't hide everything.”

Reid looked at her, brow furrowing slightly. “I didn’t know it was that noticeable.”

“It wasn’t to most people,” Sylvia reassured him, waving a hand dismissively. “But I notice these things. Tonight? She’s got a glow. Whatever you two have worked out, I’m glad. This place is her home, you know? Having you here... I think it means a lot.”

Reid looked toward the stage, where the lights were dimming in anticipation of Lola’s next solo. “It means a lot to me too. Being part of her world, I mean.”

Sylvia studied him for a moment. He meant it. She could tell. There was no performance here, no saying what he thought she wanted to hear.

"Good answer," she said finally.

A moment of comfortable silence passed between them. Sylvia was about to head back to her duties when something occurred to her.

"I don't really know what was up with that number Lola did," she said, keeping her tone casual. "The whole Weimar Republic vibe. Wasn't really spring-themed, was it? But I guess there's perks to being the artistic director—you get to do your own stuff."

Reid's face lit up. "It wasn't about the spring theme. It's a political statement, really. That song, 'Das lila Lied,' was a queer anthem from the 1920s. Written by a Jewish, half-Polish, half-Russian immigrant, too."

Sylvia felt herself blink. Once. Twice.

Oh.

She'd known Lola was doing something different with that number—the sharp departure from pastels and spring flowers, the tuxedo, the Weimar aesthetic. She'd figured it was just Lola being Lola, using her position as artistic director to do what she wanted instead of strictly adhering to theme.

But a queer anthem. A statement about identity and visibility and history.

Of course it was. That was exactly the kind of layered, referential thing Lola would do.

And Sylvia had completely missed it.

"You know your stuff, huh?" she managed, keeping her voice light.

Reid glanced toward the door backstage. "Lola's got layers. It's what makes her performances so... well, different."

Five years. Sylvia had known Lola for five years. Had worked with her through hundreds of shows, watched her develop acts, sat through countless meetings about artistic direction and thematic cohesion. She'd thought she understood Lola's work, the way she used performance to say things she wouldn't—or couldn't—say directly.

And Reid, who'd been around since October, had caught something she'd entirely missed.

It should have stung. Part of her kind of wanted it to.

But mostly what Sylvia felt was something uncomfortably close to relief.

Because if he saw those layers—really saw them, cared enough to learn the references and understand the meaning—then this wasn't just novelty for him. This wasn't some FBI agent's walk on the wild side, dating the exotic burlesque performer for the thrill of it.

He was actually paying attention. He actually cared.

And maybe—maybe—that meant Lola hadn't made a mistake. Maybe, for once, someone would see all of her and not run when it got complicated.

Sylvia had been worried about Lola getting hurt.

She was starting to think maybe she didn't need to be.


As the night wound down, the club took on that particular end-of-show energy—performers filtering out in various states of costume and makeup removal, some heading for the bar, others for fresh air, a few lingering to debrief about the performance.

Sylvia watched the familiar rhythm of it. Jade was helping Chloe get a particularly stubborn piece of double-sided tape off her ribcage. Two other performers were debating whether the finale needed tighter choreography. The stage manager was already making notes for next week's show.

This was the part audiences never saw. The community of it. The way they took care of each other.

She'd built this alongside Lola—or rather, Lola had built the artistic side and Sylvia had built the business infrastructure that let it thrive. Five years of late nights and technical disasters and budget meetings and watching Lola slowly, carefully create something that mattered.

A space where performers were artists, not objects. Where they supported each other instead of competing. Where the work was respected.

It wasn't always easy. There were still interpersonal conflicts, still nights when someone was off their game or the equipment failed or the numbers didn't quite add up. But they'd created something good here. Something real.

And Lola was the heart of it, even if she'd never admit that.

She emerged from backstage, finally out of costume, her hair down, looking tired but satisfied. She scanned the thinning crowd and found Reid almost immediately.

Sylvia watched them come together, watched the way the other performers noticed and smiled, gave them space. Nobody teased, not now. There was something about the way Reid looked at Lola—like she was the most interesting thing in the room, even after watching her command a stage for two hours—that seemed to have earned their collective approval.

"Hey," Jade said, appearing at Sylvia's elbow with a drink in hand. "Think he'll make it?"

"Make what?"

"You know. Long term. With Lola." Jade took a sip. "I like him, but she's not exactly... easy."

"Nobody worth keeping is easy," Sylvia said.

Jade considered that, then nodded. "Fair point. Also, he fixed our curtain, so he's already more useful than my last three boyfriends combined."

Sylvia snorted. "That's a low bar."

"Yeah, well. I'm working on raising my standards." Jade watched Reid and Lola for a moment. "He's good for her, though. I haven't seen her this... I don't know. Present? In a long time."

"Yeah," Sylvia said softly. "Me neither."

They stood in comfortable silence for a moment, watching the club wind down around them.

"All right," Jade said finally, draining her drink. "I'm out. Good show tonight, boss."

"Night, Jade."


Sylvia made her way back toward the bar, where Lola and Reid had settled. For a long moment, they just shared space, and Sylvia found herself thinking that maybe this was what Lola had been waiting for all along. Not someone who fit perfectly into her world, but someone willing to learn it. Someone who saw her—really saw her—and stuck around anyway.

"Great show," Reid said.

Lola rolled her eyes in her typical deflection, but the smile that followed was fond. “Yeah, yeah. I'd say I owe you a drink, but I’ll think of something to thank you with. You’ve earned it.”

Reid’s eyes crinkled in amusement as he gave her a teasing, affectionate smile.

As they chatted, Vic drifted over with a fresh drink in hand. He set down another club soda in front of Spencer with a brusque nod.

"On the house," he muttered. "Just this once."

Reid blinked at the drink, clearly surprised, but he thanked Vic with genuine warmth, and Vic gave a reluctant nod before returning to his post, still not fully convinced but maybe a little less suspicious than before.

Sylvia couldn't help herself. She moved closer. "Consider it a sign of acceptance."

Reid glanced at her, a little confused. "Is that what it is?"

“You’re practically part of the crew now.” 

He looked at Lola, who also gave him a teasing smile. “Guess you’ve won over the bartender. That’s no small feat,” she said softly, resting her head on his shoulder. 

Sylvia stepped back from the moment, giving them their space. From here she could see Reid's profile—still slightly out of place in his pressed suit, still nursing club soda like it was top-shelf scotch—and Lola, relaxed against him in a way that would have been unthinkable six months ago.

When Reid first started showing up after shows, Sylvia had been... cautious. Watchful. She'd seen Lola keep the world at arm's length for five years straight, had watched her turn herself into a fortress that nobody could breach. And then suddenly here was this man, and Lola was letting him in, and all Sylvia could think was: what happens when he leaves?

Because people did leave, eventually. Sylvia had learned that lesson herself, years ago. And Lola—well, Lola had clearly learned it even harder.

But watching them now, she realized she'd been asking the wrong question.

It wasn't about whether Reid would leave. It was about whether he understood what he was being offered—this careful, hard-won trust from someone who didn't give it easily. Whether he valued it enough to stay.

The curtain thing had been small, maybe. A mechanical problem, quickly solved. But the fact that Lola had asked? That she'd let him help with her show, in her space, with her work? That wasn't small at all.

That was Lola choosing to let someone be part of her world instead of keeping them separate from it.

And Reid—he'd fixed the damn curtain, understood her reference to Weimar-era queer anthems, and sat through a whole burlesque show drinking club soda like it was the most natural thing in the world. Not because he was trying to prove something, but because this mattered to Lola, so it mattered to him.

Yeah. Maybe this one would stick around after all.

The club was nearly empty now, just the usual end-of-night stragglers and staff. Sylvia had receipts to count, inventory to reconcile, a dozen small tasks before she could lock up for the night. But she let herself have this moment, watching Lola laugh at something Reid said, watching him smile back like she'd just told him the most fascinating thing he'd heard all week.

She'd spent five years watching Lola build walls.

It was nice, for once, to watch her open a door instead.

Sylvia grabbed her clipboard and headed for the office. The receipts could wait five more minutes.

Notes:

Thank you for reading!

I know it's been a journey! I want to reassure you all that I'm committed to finishing this series. I actually have the epilogue already written (yes, really!) and the entire arc mapped out—I'm just not sure yet exactly how many stories it'll take to get there. Probably a lot. I'd say we're maybe a third into what I have planned out. The process right now is mostly editing, rewriting, and expanding on scenes I've had planned for ages, so while updates might not be lightning-fast, the story has a destination and we will get there. Thanks for sticking with me on this ride.

Kudos and comments are love! 💕

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