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Summary
He is incapable of pulling away, incapable of not kissing her.
The train is moving. Not just moving, flying, really—Amtrak Northeast Regional this is not—and it is quickly becoming clear that the engineer of this railroad did not design it with romance in mind. Because sometime during minute six or seven or ten of kissing Belly, it begins to feel like an extreme sport. When they round a particularly sharp bend, Conrad has to steady himself on a seat back with one arm so that he can use the other to hold Belly upright and continue to kiss her like the world is ending.
Honestly, he feels like it actually is, in some ways. Or maybe it ended five years ago and this is some post-apocalyptic fantasy. Either way, it all feels so terrifyingly good and new that Conrad is not about to tempt fate by letting her go.
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A series of canon-compliant vignettes about a post-E11 Belly and Conrad. While each chapter can be read on its own, there is a cohesive storyline from one to the next. That storyline is mostly that they love each other a lot (and have sex a lot).