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English
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Part 3 of Together
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Published:
2025-12-21
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2,834
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1/1
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Interval - Fracture

Summary:

Set soon after 'Still, together'.

Josephine comes to realise that some things are beyond her control.

Notes:

(See the end of the work for notes.)

Work Text:

10:47pm

Brigitte's phone buzzes insistently on the bedside table, like a small, intrusive insect.

She sighs.

She is braced on one forearm when the interruption comes, Josephine deliciously pliant beneath her. Her lips are trailing the sensitive skin just below Josephine's ear; one hand is threaded in her dark hair, her thumb brushing just below her jaw. Josephine’s breath hitches, one hand firm at Brigitte’s waist, the other cupping the warmth of her breast. Josephine’s lips are parted as she tilts her head in encouragement. 

The world had narrowed to skin and breath and the low murmur of the sea beyond the terrace doors. 

And now, this.

Brigitte’s fingers reluctantly slip through Josephine’s hair, her forehead dropping to rest against the skin she had just kissed. “Mon dieu,” she mutters softly, more to herself than to Josephine

“Mm…” Josephine agrees, protest and amusement braided together as her hands fall away from Brigitte's body.

Brigitte withdraws with visible effort. She exhales once - a sharp huff through her nose - and reaches for the phone.

Oui,” she says, already sitting up more fully, voice clipped into professional shape. “Desjardins.”

Josephine lies back against the pillows with a soft, resigned sigh, and watches Brigitte’s expression change as she listens; the warmth softens into focus. The mischief drains away. Whatever is being said on the other end is urgent - she can tell by the way Brigitte straightens, by the way she rises from the bed.

Ah bon?” A pause. “No. I will come.” Another pause, this one edged. “Yes. Secure the area. I am on my way.”

Josephine props herself on one elbow and simply watches.

Brigitte crosses the room naked, utterly unconcerned with modesty, the movement of her body unselfconscious in the low light. Josephine’s gaze traces her with a familiarity that still surprises her - the swell of Brigitte’s hips, the easy sway of her breasts, the lines of a body that had once been taut and lithe and is now softened by time and use. Strength remains, unmistakable, but it is layered with warmth, with something lived-in and deeply human.

Josephine finds it unfairly beautiful.

Brigitte ends the call and reaches for her clothes. A pause, just long enough to roll her shoulders, as if mentally setting something aside. Then she begins to dress.

Josephine watches the transformation with the eye of someone who has spent a lifetime studying people.

First the trousers - dark, tailored - drawn over sun-kissed skin. Then the blouse, buttoned carefully, each fastening closing off a little of the softness Josephine had just been touching. The jacket follows, shoulders squared, lines sharpened.

Authority settles over her like armour, familiar and exact.

Brigitte glances back, catching Josephine’s eyes. For a moment, the two versions overlap - the woman who had been kissing her neck and the commissaire about to step into the night.

Désolée,” Brigitte says quietly. Not apologetic, just… regretful.

Josephine smiles, slow and knowing. “Don’t be. I rather enjoy watching you become yourself.”

Brigitte’s mouth curves faintly. She leans down, presses a brief kiss to Josephine’s lips - affectionate but necessarily restrained - and then she is gone, leaving behind the scent of her skin and the echo of her presence.

Josephine lies back against the pillows, listening to the distant sound of the door closing.

She thinks, not for the first time, how remarkable it is to know someone in such contradictions. How rare. How dangerous.

And how utterly impossible it would be, now, to give her up.

 

++++++

 

The night has teeth.

Beaumont-sur-Mer in peak-season can still, occasionally, surprise.

Crowd disturbance. Marina frontage. Alcohol. Private security overwhelmed.

By the time Brigitte arrives, the disturbance has already shed its original shape, just as the phone call had warned. No longer a simple altercation, it is now the roar of voices, the sharp crack of something shattering, the churn of bodies pressed too close together. Yacht lights throw harsh white across the quay, turning faces into masks. Someone is bleeding. Someone is shouting in English. Someone else is shouting back in Italian.

She does not sigh. She does not hesitate.

“Police! Step back,” she calls, voice carrying, authority calibrated and precise. “Everyone step back. Maintenant.”

A few do. Most do not.

Private security are floundering near the centre - two men trying to hold a third who is bigger, drunker, and furious. The man tears free, swinging wildly, catching one of them in the jaw. He stumbles. Another body goes down nearby - a woman, wrong place, wrong time, nearly trampled as the crowd surges.

Brigitte swears under her breath and moves.

Her training takes over before her body has time to object. She cuts through at an angle, shoulder lowered, one hand up and open to ward off flailing arms. She grabs the fallen woman by the forearm, hauls her upright with a grunt that costs her more breath than it should.

“Go,” she orders. “Behind the barriers. Now.”

The woman does not look back.

Brigitte focuses now on the crowd. Mon dieu, she is too close. 

That is when the man turns on her.

He is taller, heavier, fuelled by outrage and drink, and he evidently does not like his evening being interrupted by a woman in a suit. He shouts something obscene, shoves her hard in the chest.

Brigitte staggers back half a step. She plants her feet.

Monsieur,” she says sharply, reaching for her badge with one hand, her other already positioning itself, “Lower your hands. You are - ”

He lunges.

She meets him with what she has, not what she wishes she had. Her grip is solid, textbook: wrist control, pivot, shoulder into his centre of mass. Her muscles protest immediately, breath burning in her lungs. She manages to turn him, force him off-balance, slam him chest-first against the wall.

“Hands behind your back,” she snaps. “Now.”

For a moment, it works.

Then someone else barrels into them - another drunk, another ego - and the impact is sudden and brutal. Brigitte is thrown sideways, her shoulder and ribs slamming hard into the metal railing. The pain blooms white and immediate, knocking the air clean out of her.

She gasps, staggered, vision narrowing.

She does not let go.

Her hands fumble but hold. She drops her weight, hooks a leg the way she was taught twenty years ago; uses leverage instead of strength. The man goes down with a surprised shout. She follows him, knees hitting concrete, pain flaring again as she wrenches his arm behind his back and snaps the cuffs on.

It is not elegant.

It is effective.

By the time uniformed officers push through and take over, Brigitte is on her feet again, breathing shallowly, one hand pressed against her side. Her jacket is scuffed. Her hair has come loose. Someone offers her water; she waves it away.

“I’m fine,” she says automatically.

She is not.

The adrenaline fades quickly, leaving a deep, grinding ache under her ribs that sharpens when she inhales too deeply. An officer notices her pallor, the way she keeps angling her body away from contact.

“Commissaire,” he says quietly, “you should get that checked.”

She doesn’t argue.

 

++++++

 

At the hospital, under fluorescent lights that make everyone look guilty and tired, a doctor confirms what Brigitte already suspects. No fracture. Deep contusion. Painful, inconvenient, survivable.

“Rest,” the doctor says. “Ice. Avoid exertion.”

Brigitte smiles thinly. “I’ll do my best.”

When she finally steps back into the night, jacket folded carefully over her arm, phone heavy in her hand, the adrenaline has burned off enough for the thought to land. 

Sudden, unwelcome, sharp.

Josephine.

She is not used to telling another person that she has been hurt - there has not been anyone to tell. 

She types the message twice before sending it, editing down the truth into something that might appease.

Minor incident. I’m fine. Home soon.

 

The reply comes almost immediately.

You’re not allowed to be ‘fine’ without elaboration. Call me.

 

Brigitte breathes out, slow and controlled, and allows herself to lean against the cool stone of the hospital wall.

Mon dieu,” she murmurs, not unkindly. “She will not like it.”

She dials anyway.

 

++++++

 

The line barely rings before Josephine answers.

“Brigitte.”

Not a greeting. An assessment. The word lands with quiet force.

“I am fine,” Brigitte says again, because she knows exactly how Josephine is standing wherever she is - spine straight, jaw tight, already cataloguing possibilities. “Truly.”

There is a pause. A breath, sharp and contained.

“You were injured,” Josephine says. Not a question.

Brigitte closes her eyes briefly. “Yes. Minor. An inconvenience.”

“Where are you?”

“At the hospital. I am leaving now.”

Another pause. Longer this time.

“You will come home,” Josephine says, voice precise, controlled but brittle. “Not to the commissariat. Not to your townhouse. Here.”

Brigitte smiles despite herself, “As you wish.”

“Do not be flippant.”

“I am not,” Brigitte says gently. “I am obeying.”

The line goes quiet, then disconnects. Josephine does not say goodbye.

 

++++++

 

3:26am

The villa is dark when Brigitte arrives, lights low, doors already unlocked. She steps inside carefully, movements measured now that the adrenaline has fully receded. Every breath reminds her exactly where she was struck.

Josephine is waiting in the salon, hair loose, a peignoir draped over her shoulders.

She does not rush forward. She simply looks - eyes sharp, taking in the set of Brigitte’s shoulders, the way she favours one side, the faint stiffness she is trying not to show. Her expression is unreadable, which is how Brigitte knows she is furious.

“You lied,” Josephine says.

“I edited,” Brigitte corrects mildly, shrugging out of her jacket with a wince she cannot quite suppress.

Josephine is there instantly, hands steadying her, fingers careful as they guide Brigitte to sit. The anger does not dissipate, but it refines itself - focus narrowing to action.

“Show me.”

Brigitte hesitates for half a second, then unbuttons her blouse. Josephine’s breath catches despite herself when the bruise comes into view, darkening already along her ribs, an ugly bloom against the warm skin below her left breast.

Her fingers hover, then settle lightly nearby, reverent and precise. “This is not nothing.”

“No,” Brigitte concedes. “But it is also not more, for which we are always grateful.”

Josephine exhales slowly, hands stilling. When she speaks again, her voice is quieter, stripped of its sharpest edges. “You shouldn't have to do this.”

“I know,” Brigitte says, just as softly. “But I will. It is the job.”

Josephine looks at her then - really looks - and something complicated crosses her face. Anger, yes. But beneath it, something else: the dawning understanding that this is not a risk she can bargain away, not with money, not with cleverness, not with control.

She leans in and presses her forehead briefly to Brigitte’s shoulder, careful of the bruise. It is a rare gesture, unguarded.

“I don’t like it,” she admits.

Brigitte’s hand comes up, resting at the back of Josephine’s neck, thumb warm against skin. “I know.”

They sit like that for a moment, the villa quiet around them, the sea breathing steadily beyond the terrace.

Finally, Josephine straightens. “You will rest.”

Brigitte smiles, tired and affectionate. “Oui, ma chèrie.”

Josephine smiles, faintly. “You are terrible at following orders.”

Brigitte smirks, mischief returning, “Not yours.”

Josephine huffs a quiet, disbelieving laugh, her eyes narrowing, then leans in and kisses her - careful, deliberate, loving.

 

+++++++

 

Josephine does not sleep.

She lies on her side, propped slightly on one elbow, watching the steady rise and fall of Brigitte’s breathing. The room is dim, the curtains half-drawn, the beginnings of dawn seeping through them. Brigitte sleeps heavily now, the kind of sleep that comes only after pain and exhaustion have finally negotiated a truce.

Josephine’s fingertips trace the edge of the bruise with care. She does not press. She follows its perimeter, mapping it, committing it to memory the way she does everything that matters. The skin is warm beneath her touch. Alive. Real.

She had always filed Brigitte’s police work under minimal risk.

Riviera crime, after all, is rarely dramatic. Financial improprieties. Permits. Marina disputes. Drunken arguments resolved by uniforms and paperwork. Brigitte’s role - oversight, mediation, authority - had seemed distant from fists and chaos. A woman behind a desk. A mind, not a body, in danger. 

That assumption settles now, heavy and unwelcome in its falseness.

Josephine exhales quietly, careful not to wake her.

She thinks of the way Brigitte had described it earlier - an inconvenience. The infuriating understatement. The same calm tone she uses when diffusing the egos of men twice her size, when stepping between tempers because she knows precisely how much force her presence carries. Josephine has admired that composure for years. Trusted it. Relied on it.

But now it feels like a trap.

Brigitte is not insulated from violence. She simply walks into it with her eyes open. Just as she walks into the professional danger Josephine creates.

Josephine’s thumb stills, resting just below the bruise. A possessive, useless thought flares - this body is mine to protect. She recognises it immediately for what it is: instinctive, emotional, and entirely impractical. Brigitte does not belong to her. Not even now.

And yet.

She shifts closer, careful, fitting herself along Brigitte’s uninjured side, her arm drapes gently, low enough across her hips to avoid the bruise. Brigitte murmurs something incoherent in her sleep and leans into the contact without waking. Trusting. Automatic.

Josephine closes her eyes then, finally, pressing her face briefly against Brigitte’s upper arm. 

She has built her life on anticipating danger - on identifying it early, redirecting it, profiting from it. She is used to being the one who controls the board.

This is different.

This is a risk she cannot run herself. A danger she cannot charm, steal from, or disappear.

Her fingers curl gently, protective without pressure.

I've miscalculated, she thinks, not with panic, but with the sober clarity she reserves for the most serious errors.

And already, even as Brigitte sleeps, Josephine is recalibrating.

 

+++++++

 

Josephine wakes as the bright Riviera light fully claims the room.

For a long moment she does not move. She simply lies there, breathing shallowly, studying Brigitte’s face with the same intensity she usually reserves for tells and weaknesses. Watching Brigitte, she thinks dimly, is the most dangerous habit she has ever acquired. She loses herself to it far more than is practicable.

Brigitte sleeps on her side now, one hand curled beneath her cheek, mouth slackened by rest. In daylight she is all lines and angles - authority sharpened by tailoring and posture - but now there is a softness to her that feels almost private, illicit. Her skin is deeply tanned, years of Mediterranean sun worked into it, lighter freckles dusting the bridge of her nose, darker ones scattered across her cheeks like a careless constellation. They trail down her neck, vanish beneath the sheet at her waist. Josephine follows them with her eyes, reverent.

Her lashes rest thick and dark against her cheeks. Her lips, full and still stained by yesterday's lipstick, are parted slightly. Josephine has kissed those lips in every mood now. Amusement. Anger. Relief. Hunger. She has learned the subtle differences in how Brigitte responds, how the kiss deepens when she is tired, how it softens when she is uncertain, how it grows into a deliberately mischievous grin when Josephine has provoked her.

Josephine imagines the expressions only she gets to see.

The way Brigitte’s eyes warm when she is amused in private. The unguarded tenderness she never permits in public. The sharp intake of breath she does not bother to hide when she is overwhelmed by sensation. The way her mouth curves when she laughs without restraint. The way she looks when she comes undone.

And then - without permission, without warning - Josephine imagines absence.

A bed too large. A room too quiet. A face she will never again memorise by heart. Her life stripped back to its cleverness and its distance and its impeccable solitude.

The image lands like a physical blow.

Josephine breath becomes a trembling exhale and only then does she realise her vision has blurred. A tear slips free, tracking silently across the bridge of her nose, soaking into the pillow below her cheek. Another follows. She presses her lips together, stunned by the betrayal of her own body.

She does not cry. She does not unravel. She survives.

And yet here she is, tears sliding helplessly down her face as she lies inches from the woman she loves.

Love. There it is again. Unavoidable now. A word she has spent a lifetime outpacing.

Her hand lifts, trembling slightly, and comes to rest against Brigitte’s shoulder. The contact is warm, real. Brigitte stirs faintly but does not wake, only shifts closer, as if instinctively seeking her.

Josephine closes her eyes, breath hitching.

This is the cost, she realises - not the danger, not the risk, not even the fear.

It is the knowledge that for the first time in her life, there is something she cannot afford to lose.

And she can do nothing about it. 

Notes:

As always, completely self-indulgent. I just wanted a bit of a fight scene.

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