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Not Alone This Time

Summary:

When a Crawl seals behind them, Mike and Will are forced into the kind of closeness Hawkins never allowed—while the dark uses Will’s signal to try to pull them apart.

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Hawkins has learned new names for the same old fear.

Containment. Evacuation. Restricted Zone. Unauthorized Personnel.

Words printed on metal signs and slapped onto chain-link fencing like a promise, like if you label the thing hard enough it’ll behave. Like you can put a wound behind a barrier and call it healed.

From up here, the lights of MAC-Z don’t look like a camp or a base or anything human at all.

They look like a scar that won’t stop glowing.

Mike keeps his elbows braced on the lookout tower’s ledge and stares through binoculars until the black circle of the lenses starts to feel like it’s pressing into his skull. The wind slides through the slats and bites at his fingers. The cold isn’t the kind of cold that hurts, not exactly—just the kind that never lets you forget it’s there.

Below, floodlights sweep slow arcs across the cleared ground. They catch on razor wire and rebar and muddy tire tracks. They flare off the wet sheen of tarps stretched too tight, the shine of helmets, the edge of some soldier’s rifle as he turns.

And beyond all of that—past the fences, past the earthmovers, past the trucks parked like sleeping animals—there’s the gate.

Not the idea of it. Not the story people tell to keep their kids from asking questions. The real thing, the ripped-open mouth in the world that hums like a giant wasp nest, low enough you feel it more than you hear it.

Mike swallows. He can taste smoke on the air. Not a lot—just enough that it coats the back of his throat.

The burn is already underway.

Beside him, Will is so still Mike could almost pretend he’s alone.

Almost.

Will’s scarf is pulled up over his mouth and nose, and his hair keeps whipping into his eyes in soft black strands he doesn’t bother to tuck away. He’s holding his own binoculars, but he isn’t looking through them right now. His gaze is fixed on the gate the way it always is—like he’s waiting for it to blink.

Mike shouldn’t watch him.

He does anyway.

Will’s lashes keep fluttering, like he’s trying not to lose focus. Like if he loosens his grip on himself for even a second, something will get in.

Mike shifts his weight and forces his attention back outward. He drags the binoculars left, then right, sweeping the perimeter again like it’s a ritual. Like it’s a spell he can cast with enough repetition.

He checks the road first. Then the tree line. Then the shallow ditch where the ground drops away and shadows collect. Then back to the gate.

His breath fogs the glass.

He wipes it with his sleeve, irritated with himself for not bringing the cloth like Hopper told him to.

Hopper has been telling them a lot of things lately.

Rules. Procedures. Timers.

Sometimes Mike thinks Hopper would staple a checklist to the sky if he could.

Because checklists mean control, Mike’s brain supplies, unhelpful and honest. Because control means no one disappears again.

The tower creaks when Mike shifts. He winces at the sound before he can stop himself.

Will’s head turns slightly.

“What?” Will asks, voice muffled behind the scarf.

“Nothing,” Mike says too fast. Then, softer: “Just—wind.”

Will’s eyes stay on him for one beat too long, like he’s deciding whether to believe him. Then he looks back out, back down toward the gate. Mike feels the moment settle between them like ash.

They’ve been doing this for months, now. Not this exactly—MAC-Z wasn’t always MAC-Z, and the burns weren’t always called burns—but the rhythm of it. The sense that the world can’t just go back to school schedules and dinner tables and basketball practice when the ground split open like it did.

Life has turned into shifts.

Rotations.

Who watches, who sleeps, who eats, who sits at the hospital, who goes with Joyce when she refuses to be alone in the grocery store aisle because she swears the fluorescent lights flicker wrong.

Mike has gotten very good at being useful.

He has not gotten good at being normal.

A tiny crackle hisses from the radio clipped to his belt. Mike jerks before he can help it, fingers already grabbing for the handset.

“Overwatch,” Robin’s voice says through a layer of static, bright but careful in that way she does when she’s pretending not to be terrified. The WSQK tone. The this is just a broadcast tone. “Status check.”

Mike presses the button. “Overwatch is green.”

He hears himself sound calm. He hates it a little.

Will leans closer, like he wants to listen too without making it obvious he wants to listen.

Mike doesn’t look at him when he adds, “We’ve got eyes on the gate. No movement on perimeter. Wind’s picking up.”

A pause. A pop of static. Then Robin again, lower. “Copy. Hopper’s inside. Timer says six minutes.”

Six minutes.

Mike stares hard at the gate like staring can keep it from swallowing time.

He clicks the handset off.

Will’s eyes flick to him. “Six?”

“Yeah,” Mike says. He tries to make it sound like fine. Like whatever. “He said it would be quick.”

Will’s fingers tighten around his binoculars. The plastic creaks faintly.

“Quick,” Will echoes, and Mike doesn’t know if it’s sarcasm or fear or both.

Mike clears his throat. “You’re— you’re okay, right?”

Will doesn’t turn. “Why wouldn’t I be?”

It’s not defensive exactly. It’s just… practiced. Like he’s said it a million times. Like he’s said it even when it wasn’t true until the words started tasting normal in his mouth.

Mike’s jaw tightens. He hates that Will can do that. He hates that Will has to do that.

“It’s cold,” Mike says instead, because it’s easier than saying you’ve been quiet for two hours or you keep looking at the gate like it’s looking back.

“It’s November,” Will replies.

“So?” Mike shoots back, then immediately regrets the sharpness. “So it’s still cold.”

Will finally turns his head. His cheeks are pink from the wind and his eyes look darker than they should under the floodlights.

For a second, Mike thinks Will is going to say something pointed. Something that will cut, not because Will means it to, but because Will doesn’t know how to be gentle with himself anymore.

Instead, Will just shrugs.

Mike reaches into his jacket pocket and pulls out the spare pair of gloves he shoved in there earlier. He doesn’t offer them like a big gesture. He just holds them out, quiet.

Will stares at the gloves like they might explode.

“I have gloves,” Will says.

“I know,” Mike says, too tired for this. “Put these on anyway.”

Will’s mouth opens. Closes. He takes them.

His fingers brush Mike’s for half a second, and Mike feels it all the way up his arm like the touch is a wire.

Will slides the gloves on slowly, like he’s doing it for the warmth and not because Mike told him to. Like obedience isn’t the thing that makes his stomach twist.

Mike looks away. He watches the floodlights sweep, sweep, sweep.

Down below, a controlled orange flare blooms, then dims. The burn.

The smell of smoke sharpens.

Even from here Mike can see the faint lick of flame at the far edge of the cleared zone, contained inside a ring of men and equipment. It’s small. On purpose. Hopper’s voice plays in Mike’s head: No hero shit. We don’t need a bonfire. We need a window.

Burns don’t happen because anyone likes fire.

Burns happen because the other option is letting the dark grow its roots into Hawkins until it isn’t Hawkins anymore.

Mike shifts again and tries not to think about the way Will flinched the last time they burned vines. Not a big flinch, not dramatic. Just a sudden breath caught like something grabbed him from the inside.

Mike had noticed.

Of course he had.

He always notices Will first.

Will’s breath fogs through the scarf. “How long do you think this lasts?” he asks, quiet enough Mike almost misses it.

“What?”

“This,” Will says, and his eyes flick toward the fence line, toward the soldiers, toward the lights. “All of it.”

Mike swallows. The easy answer is not long. The easy answer is until El fixes it or until we win.

The truth is Mike doesn’t know what winning even looks like anymore.

He tightens his grip on the binoculars. “As long as it has to.”

Will’s gaze drops. He looks like he wants to laugh. He doesn’t.

“Okay,” Will says, but it doesn’t sound like agreement. It sounds like resignation.

The radio crackles again, and Mike is grateful for the interruption.

“Hopper’s exiting,” Robin says. “Overwatch, confirm.”

Mike lifts the binoculars instantly.

Movement at the gate. A figure stepping out of the shimmer into the floodlit mud, shoulders hunched, rifle in hand. The mounted flashlight flashes once across the ground like a searchlight testing its sweep.

Hopper.

Mike’s lungs loosen in a way he hadn’t realized they’d tightened.

“I see him,” Mike says into the radio. “Exit confirmed.”

“Copy,” Robin replies. “Timer—eight minutes. He’s fast. Everyone stand down.”

Stand down.

Mike lets the radio drop, his fingers still curled around it like he doesn’t trust the words to be real.

Will’s shoulders drop a fraction too.

For a second, it’s just them and the wind and the soft hum of the tower.

For a second, Mike almost forgets to be afraid.

He turns toward Will, meaning to say something—anything—meaning to make the relief into a joke, something like see, easy, like he can trick the universe into thinking they aren’t scared—

Will inhales sharply.

His hand goes to the back of his neck so fast it’s automatic.

Mike’s stomach drops.

“Will?” Mike says, low.

Will doesn’t answer.

His eyes are wide, staring past the tower railing, past the floodlights, like he’s seeing something no one else can see.

Mike takes a step closer, boots thudding too loudly on the wooden planks. The tower creaks again.

Will’s fingers dig into his own skin.

“Hey,” Mike says, quieter, like volume is what matters, like if he whispers the bad thing can’t hear. “Hey. Look at me.”

Will’s throat moves. He swallows. He doesn’t look at Mike.

It’s not the kind of moment where Will collapses. It’s not even dramatic. It’s just—wrong. Like a skip in a record. Like the world missed a beat and Will is the only one who felt it.

Mike’s hand reaches out without permission.

He grips Will’s arm.

Will jolts, just slightly—like waking up. His eyes snap to Mike’s.

“Don’t,” Will whispers.

“What—”

Before Mike can finish, a white circle of light snaps across the tower wall.

A spotlight.

It hits the slats, blinds them for half a second, then drags away, then comes back, steadier, deliberate, like a finger pointing.

Mike’s blood turns to ice.

A voice carries up from below, amplified by something Mike can’t see.

Unauthorized individuals! Hands where I can see them!”

Will’s breath comes faster, visible in the cold air.

Mike’s first instinct is to swear, loud and violent, but he swallows it down so hard his throat aches.

He leans toward Will, voice tight. “We’re supposed to be here.”

Will’s eyes flick down, down to the base of the tower where shadows move between floodlights.

Boots. Helmets.

A second voice, closer. “Move and you will be fired upon.”

Mike’s grip on Will’s arm tightens.

“We can explain,” Mike says, but it comes out like he’s trying to convince himself.

Will shakes his head once, small and sharp.

“No,” Will whispers. “Mike—”

Another beam swings up. Another shout.

Mike’s mind races in hard, panicked angles. Hopper’s out. Hopper is out. If they just—if they get down and get to Hopper, if they can get to anyone who can—

He hears the click of a gun being readied.

He sees it in the glint of metal below.

Mike’s body moves before his brain agrees.

“Go,” he breathes at Will.

Will looks at him like he can’t believe him.

Mike doesn’t give him time.

He yanks Will toward the ladder.

The tower groans under their sudden weight. The wood complains. Somewhere below, someone swears, and the spotlight jerks, trying to follow.

Mike doesn’t think. Thinking is how you freeze.

He climbs down fast, palms burning as they slide along cold metal. Will is right behind him—too close, stumbling once when his boot slips on a rung.

Mike’s heart slams into his ribs.

“Careful,” Mike hisses.

Will doesn’t answer. His breathing is loud in Mike’s ear. Too loud. Everything is too loud.

They hit the ground and the world explodes into motion.

Floodlights, shadows, orders.

“Stop!”

Mike grabs Will’s sleeve and runs.

They sprint through the gap between two stacks of equipment, mud sucking at their shoes. A flashlight beam slices past Mike’s face, bright enough to make his vision flare white.

A gunshot cracks the air.

Not aimed—warning.

Mike’s stomach flips anyway.

Will stumbles again, catches himself. Mike

hauls him forward without stopping.

“Mike—” Will gasps.

“Don’t talk,” Mike snaps, and it comes out harsher than he means. “Just—run.”

They cut between a fence and a truck. The world narrows to forward. Mike’s lungs burn. The cold air feels like knives.

Behind them, boots pound. Dogs bark. Voices overlap in frantic noise.

Mike’s brain flickers through options like a stuttering lightbulb.

Hopper. WSQK. The woods.

The woods are too far. Hopper is somewhere behind the fence line and the floodlights and the soldiers and the shouting.

And the fences—God, the fences—

They’re everywhere.

This isn’t like sneaking out of school. This isn’t like biking past a No Trespassing sign. This is a maze built to keep something in.

Or keep everyone else out.

They turn a corner and the MAC Z gate to the Upside Down is there ahead of them, glowing between structures, a rip in the air that makes the world around it shimmer like heat.

Mike’s legs want to stop. His instincts scream no.

Will’s hand clamps around Mike’s wrist.

His eyes are wild, but his voice is steady in a way that terrifies Mike more than panic would.

“This way,” Will says.

Mike’s breath catches. “Will—”

Will doesn’t slow. He drags Mike toward the glow like he’s dragging him toward the edge of a cliff.

Mike stares at the gate, at the way the light warps, at the way the air seems to pull.

“That’s the gate! WILL!" Mike chokes out.

Will looks at him over his shoulder, and there’s something on his face that makes Mike’s chest ache—something like apology, something like acceptance, something like I’m sorry, but it’s this or nothing.

“I know.” Will says.

And they run anyway.

END OF CHAPTER 1