Actions

Work Header

Wake-Up Call

Summary:

After an X-ray is delivered to the house, Barney, Wilma, and Betty work together to keep Fred awake

Notes:

SETTING: September 4, 10,959 B.C.
CONTEXT: Fred and Barney are secretly cheating on their wives with each other

Work Text:

The sun is a blistering, unblinking eye over the Slate Rock and Gravel Company, a relentless orb of heat that seems to bake the very history of the earth into its jagged horizon. Fred Flintstone feels every single one of his forty-some years in the marrow of his heavy bones, a skeletal ache that no amount of dinosaur-tail soup could ever truly soothe. The quarry is a symphony of industrial primordialism—the rhythmic thud of stone hammers, the groans of long-necked brontosauruses serving as organic cranes, and the constant, choking veil of grey limestone dust that coats everything in a ghostly pallor. The whistle of the bird atop the quarry derrick finally shrieks, a piercing, prehistoric cry that signals the end of another back-breaking shift.

 

The creature looks as exhausted as the men, its beak hanging open as it hops off its perch. Fred heaves a sigh that seems to rattle his ribcage, wiping a thick smear of sweat and grit from his forehead with the back of a hand that feels like sandpaper. His orange tunic, once vibrant, is now a damp, salt-stained rag clinging to his broad frame like a second skin. All he can think about—the singular, shining beacon of hope keeping his massive, calloused feet moving toward his stone-car—is the promise of a steaming hot shower and the sweet, dark oblivion of his brontosaurus-skin mattress. He imagines the silence of his bedroom, the way the moonlight will hit the rock walls, and the blessed cessation of being Fred Flintstone, the Provider, for at least eight hours.

 

"Yabba dabba... don't," he mutters under his breath, a tired subversion of his usual catchphrase, as he cranks the engine of the car.

 

The wood and stone machine sputters to life, and as he begins the leg-powered trek home, his quadriceps scream in protest with every mechanical rotation. When he finally pulls into the driveway of his cavernous home in the suburbs of Bedrock, the prehistoric evening air is beginning to cool, turning the sky a bruised shade of purple. Fred is too numb to appreciate the aesthetics of the Neolithic sunset. He trudges through the front door, the stone floor cool and unforgiving beneath his soles.

 

"Wilma, I'm home!" he bellows, though the shout lacks its usual bluster, sounding more like a plea for mercy. "Start the water, honey! Your man is ready to hit the sack before he hits the floor! I’m so tired I could sleep through a saber-tooth stampede!"

 

Wilma emerges from the kitchen, but she isn't wearing her usual apron. She looks suspiciously polished, her red hair perfectly coiffed, wearing her signature white dress and the heavy stone bead necklace that Fred had saved up three months of granite chips to buy her. She offers a bright, brittle smile—the kind of smile that makes Fred’s stomach drop into his heels.

 

"Oh, Fred! You can’t go to bed yet," she says, her voice lilting with a forced, manic cheerfulness that sets his teeth on edge. "Did you forget? We have a double date tonight with Betty and Barney! It’s a special occasion. We’re going to the Pavilion for dinner and dancing, and then the skating rink!"

 

Fred freezes, his hand halfway to unbuckling his tie. The silence in the room is heavy. "A double date? Wilma, have a heart! I just spent eight hours hauling boulders the size of suburban bungalows! I’m beat! I’m bushed! I’m practically fossilized in place! My back has more kinks in it than a woolly mammoth’s trunk!"

 

"Nonsense, Fred. A little music and some light dancing will wake you right up," she insists, crossing the room to pat his dusty cheek. The smell of her perfume, a scent of crushed tropical lilies, usually entices him, but now it just feels like a funeral wreath for his evening. "Now go get cleaned up. Barney and Betty will be here any minute, and you know how Barney gets when he’s excited."

 

The mention of Barney sends a sudden, sharp flicker of heat through Fred’s exhaustion—a spark he carefully smothers before it can reach his eyes. It is a dangerous, delicious secret they carry between them, a hidden architecture of longing built in the shadows of their conventional lives. It’s the way their hands linger a second too long when they pass a bowling ball at the alley; the way Barney’s laugh feels like a warm hearth against Fred’s side on a cold Bedrock night. They are two men trapped in the stone-carved roles, secretly cheating on their wives with the only person who truly understands the weight of their world. But right now, even the thought of Barney’s golden hair and soft, reassuring voice isn't enough to outweigh the leaden weight pressing down on Fred’s eyelids.

 

An hour later, the Pavilion is a blur of neon-lit pterodactyl signs and the rhythmic, driving thumping of a rock-and-roll band playing "The Bedrock Bop." The air is thick with the smell of roasting meats and the sweat of a hundred dancing couples. Fred finds himself on the dance floor, his feet moving in a mechanical, heavy-handed shuffle. He is performing the role of the jovial husband because it is what is expected of him, but every muscle is in revolt.

 

He spins Wilma around, his movements jerky and uncoordinated, but his eyes keep drifting, magnetically and helplessly, to Barney. Barney is dressed in his best brown tunic, looking small and sturdy and agonizingly out of reach. In the strobe-like flickering of the prehistoric torches, Barney looks like a god carved from amber.

 

Every time their eyes meet across the crowded floor, Fred feels a pang of starvation so acute it rivals his physical fatigue. He wants to lean into Barney’s space, to feel the rough, honest texture of his friend’s hand against his own, to escape the exhausting performance of the "happy husband." Being this close to him, yet forced to maintain the sanitized distance of a "best pal," is a special kind of prehistoric torture.

 

When they finally sit down to eat at a heavy stone booth, Fred’s head begins to loll toward his chest. The scent of roast mammoth ribs, dripping with honey-glaze, usually sets his mouth watering, but tonight the food just looks like more work he has to chew.

 

"Gee, Fred, you look like you’re about to go extinct right here at the table," Barney pipes up. His voice is higher than usual, full of a forced, nervous energy that Fred recognizes as a cover for his own anxiety. Barney leans over, his shoulder brushing Fred’s—a brief, electric contact that sends a jolt through Fred's tired nerves. "Here, have some of this cactus-blend coffee. It’s got a real kick! They say it can wake up a hibernating bear!"

 

Before Fred can protest, Barney is lifting the heavy stone mug. "Open up, big guy. Down the hatch! For me?"

 

Barney actually tips the mug, pouring the bitter, scorching liquid down Fred’s throat. Fred sputters, the heat of the drink and the sudden, intimate proximity of Barney’s hands making his heart hammer against his ribs. For a brief second, under the cover of the thick stone table, Barney’s knee presses firmly and intentionally against Fred’s thigh—a silent, desperate communication in a language they can never speak aloud. Stay awake for me, it seems to say. I’m right here. Don't leave me alone in this crowd.

 

But the caffeine is a pebble thrown against the mountain of his fatigue. By the time they arrive at the skating rink, Fred is walking like a wide-eyed zombie. He barely registers the cold snap of the evening air or the fact that a prehistoric attendant is lacing heavy stone-wheeled skates onto his feet. The world is turning into a series of disconnected still frames.

 

"Easy does it, Fred," Barney whispers, sliding a strong arm around Fred’s waist to steady him on the slick stone floor.

 

The warmth of Barney’s body is a lighthouse in a freezing fog. Fred leans into him, his head momentarily drooping onto Barney’s shoulder. He breathes in the scent of his lover—a mix of woodsmoke, old leather, and the mild, floral soap Betty buys. It’s the most wonderful feeling in the world, a secret sanctuary in the middle of a crowded rink, but Fred is too far gone to truly savor the rebellion of the moment. His knees buckle, the stone wheels sliding out from under him, and only Barney’s frantic, muscular grip keeps him from sprawling.

 

"I can't figure out what you're up to," Fred slurs, his tongue feeling like a thick piece of shag carpet. He looks at Wilma, then Betty, and then lingers on Barney with a gaze that is dangerously soft, almost pleading. "But I'm going home to bed. Now. Anybody want a ride? The feet-mobile is leaving the station, and I’m the only engine."

 

"Gee, Fred," Barney says, glancing quickly at the wives to ensure they haven't noticed the way he’s holding Fred’s waist. "We've been drinking that fermented grape juice all night. We shouldn't be driving. Let's just walk home. The fresh air'll do ya good! It’ll clear out the cobwebs!"

 

The walk back to the suburbs of Bedrock feels like a trek across the Great Crags during an ice age. The stars are out, shimmering like cold diamonds on black velvet, but Fred only sees the back of his own eyelids. Every step is a monumental effort of will. I need help, he thinks, his mind a slow-moving tar pit. I need Barney to carry me. I need to wake up in his arms, away from the stone walls and the expectations. When they finally reach the Flintstone residence, Fred stumbles through the door, his eyes already closed. He doesn't even make it to the bedroom. He collapses toward the nearest chair, but Wilma is ready.

 

She has been planning this "wake-up call" since the Pavilion. With a grim set to her jaw, she reaches up and pulls a dangling bone-chain. Attached to the ceiling is the house's plumbing fixture: a small, bright-red mammoth-like creature. It looks down at Fred with a sympathetic, droopy-eyed expression, its trunk poised. The mammoth takes a deep breath and then blasts a torrent of icy-cold well water directly onto Fred’s head.

 

"YEOW!" Fred screams, leaping nearly three feet into the air. He is dripping wet, his tunic heavy with water, and he shivers violently. "What was that for?! I’m soaked to the fossil! That mammoth’s got a cold nose and a colder trunk!"

 

It wakes him up, but the adrenaline is a thin, fragile veneer. Within seconds, his shoulders are sagging again, the water dripping off his nose and chin. Barney steps forward, his face etched with a guilt that Wilma mistakes for deep-seated friendship.

 

"You'll have to tell him what the trouble is, Wilma," Barney says, his voice trembling slightly with the weight of their shared lie. "It's the only way to save him. We can't let him go out like this."

 

Wilma sighs, holding up a piece of translucent, etched stone. "You're right. Fred, look at me. Focus! The doctor stopped by while you were at the quarry today. He showed me your X-ray. He says... he says if you fall asleep tonight, you're a goner! Your heart will just stop!"

 

"A goner!?" Fred’s eyes bulge. The sheer terror of the word cuts through the fog of exhaustion like a lightning bolt. "Oh, no! Do something! Barney, love, get me some coffee! Move! Get the whole pot! My X-ray... wait a minute." Fred freezes, his water-logged brain finally clicking into gear as he stares at the "love" he just accidentally voiced. He squinted at the X-ray Wilma is holding, his heart racing for an entirely different reason now. "Hold it! I never had an X-ray done! I haven't seen a doctor in three years, not since I got that stone tail-gate caught in the door!"

 

"Sure you did," Wilma says, thrusting the stone slab toward him with finality. "It was delivered today by the pterodactyl-courier. Look, it’s got your name right there on the label: Flintstone."

 

Fred snatches the stone, his wet hands trembling. He holds it up to the light of the flickering fireplace. He sees a ribcage, but there’s something undeniably wrong with the anatomy. There’s a long, skeletal tail curling at the bottom of the image, and the ribs are spaced for a quadruped.

 

"Wilma... Barney..." Fred says, his voice dropping to a flat, dangerous register that signals the end of the charade. "This is Dino’s X-ray! The vet must have dropped it off by mistake!"

 

A heavy, suffocating silence falls over the stone living room. Barney looks at his feet, his face turning a shade of crimson that rivals Fred's wet tunic.

 

"You mean..." Barney squeaks, his voice cracking, "We kept him awake all night... for nothing? All that coffee... the skating..."

 

Betty and Wilma exchange a look of pure, exhausted frustration. They’ve spent the entire evening "saving" a man who just needed a nap, and they’ve ended up just as tired as he is. Without another word, they turn on their heels, retreating toward the kitchen to find some peace.

 

"Fine," Wilma calls back over her shoulder. "Sleep on the floor for all I care! See if I pull the mammoth’s chain again!"

 

Fred doesn't need to be told twice. The relief of being "safe" from the imaginary germ is the final blow to his consciousness. He collapses right where he stands, his face hitting the rug with a muffled thud. He is instantly, deeply asleep, his breathing heavy and rhythmic. Barney stands over him for a long moment. The house is quiet now, the wives are busy in the other room, their voices a distant murmur. Barney kneels down, the stone floor hard against his knees. He reaches out, his hand trembling as he brushes a wet, limestone-dusted strand of hair from Fred’s forehead.

 

His heart aches with the sheer weight of the night—the genuine terror he felt when he thought Fred was truly ill, and the crushing, constant longing he feels every second they are forced to play-act their lives. He leans down, his lips inches from Fred’s ear, the heat from Fred's body rising up to meet him. He contemplates a single, soft kiss to say goodnight to the man he truly loves—the only man who makes this hard, stone world feel soft.

 

Suddenly, the swish of fabric sounds behind him. Betty and Wilma have turned back around, appearing in the doorway with forgotten sweaters draped over their arms. They freeze, staring at Barney, who is hovering precariously, intimately close to Fred’s prone form.

 

"Wait a minute," Betty says, her eyes narrowing as her mind sharpens. She replays the frantic events of the evening, the poured coffee, the skating rink, and that final, panicked outburst. "Barney... did Fred just call you 'love'?"

 

Barney freezes, his heart stopping in his chest. He looks from the suspicious eyes of the wives to the sleeping giant on the floor, the secret hanging by a single, exhausted, and terrifying thread.

 

Series this work belongs to: