Actions

Work Header

Rating:
Archive Warning:
Category:
Fandom:
Relationship:
Additional Tags:
Language:
English
Series:
Part 60 of FEBRU-EERIE
Stats:
Published:
2026-02-08
Words:
976
Chapters:
1/1
Kudos:
19
Bookmarks:
2
Hits:
98

Unlike Hovitos

Summary:

Sheldon and Leonard ignore their friends in favor of celebrating their (sixth) anniversary

Work Text:

The air in the master bedroom of apartment 4A is thick with the scent of sandalwood soap and the cooling heat of two bodies recently entwined. It's November 11, 2010—a date Sheldon Cooper-Hofstadter appreciates for its palindromic potential and its prime-adjacent qualities, but mostly because it marks six years since he and Leonard exchanged vows. The rigidity of Sheldon’s youth has fermented into a potent, self-assured charisma. He doesn’t just occupy space; he claims it.

 

Currently, he's claiming Leonard.

 

Sheldon lies propped up against a mountain of high-thread-count pillows, his long, lean frame draped in a silk robe that is half-open. Leonard is tucked firmly into the crook of Sheldon's arm, his head resting on a chest that thrums with a steady, post-coital rhythm. The blue-white glow of the television illuminates the room, casting long shadows across the walls as the opening credits of Raiders of the Lost Ark flicker to life.

 

"You know," Sheldon murmurs, his voice a low vibration that Leonard feels in his own ribs, "the Paramount logo transitioning into the mountain peak in the Peruvian highlands remains one of the most effective visual metaphors in cinema. Though technically, the mountain used for filming was in Kauai. A geographical lie, yet I find myself forgiving Spielberg tonight. I’m in a forgiving mood."

 

Leonard smiles, his fingers idly tracing the line of Sheldon’s collarbone. The skin there is still slightly flushed. "Is that right? Only for Spielberg, or does that extend to the fact that I forgot to buy the 'anniversary' blend of Kona coffee this morning?"

 

Sheldon tilts Leonard’s chin up, his eyes sharp and filled with a playful, predatory heat that would have terrified the Sheldon of 2003. "Given your performance over the last hour, Leonard, you could have brought home generic supermarket grounds, and I would have merely issued a sternly worded memo. Your... extracurricular efforts have earned you a significant amount of social credit."

 

Leonard chuckles, settled and warm. "Happy anniversary, Sheldon."

 

"Happy anniversary, Leonard."

 

The moment of peace is punctured by a shrill, rhythmic chirping. On the nightstand, Leonard’s iPhone 4 vibrates with violent enthusiasm, the screen lighting up with a picture of Howard Wolowitz wearing an oversized belt buckle. A second later, Sheldon’s own phone joins in—a relentless sequence of text pings.

PuzzledPioneer (Howard): Where are you guys? The line for the midnight reshowing is around the block. Raj is wearing his 'Indy' fedora and people are laughing at him. Not the good kind of laughing.

Penny (4B): Hey! Amy is over here for the sleepover you suggested. She’s currently trying to calculate the surface area of my 'party' shoes. SEND HELP.

Bernie: Are you guys okay? Did Sheldon have a 'Zone' incident?

 

Sheldon glances at the phones, his expression one of mild disdain. He doesn't move to reach for them. Instead, he shifts his weight, pulling the duvet higher around Leonard, effectively anchoring him in place.

 

"The social collective is restless," Sheldon observes, his tone dry. "Apparently, Amy is struggling with the concept of a 'slumber party.' She messaged me earlier asking if 'Truth or Dare' required a notary. And Howard seems under the impression that we would trade this—" he gestures to the bed, the warmth, and the man in his arms, "—for the privilege of sitting in a sticky-floored theater with three hundred strangers who don't understand that Indy is technically irrelevant to the outcome of the film's plot."

 

"We're terrible friends," Leonard says, though he makes no move to get up. He watches as a text from Raj scrolls across his screen: 'I am lonely. Also, did you guys read Eat Pray Love yet? Penny says we have to discuss the pasta's spiritual journey. Please answer.'

 

"We are excellent husbands," Sheldon corrects. He reaches over, not to answer the phone, but to flip both devices face down on the mahogany wood. The silence that follows is heavy and luxurious. "The friends can wait. Raj’s obsession with Elizabeth Gilbert’s gluten-heavy epiphany is a problem for tomorrow-Leonard. Tonight-Leonard belongs to the man who actually appreciates the physics of his 'spiritual journey.'"

 

Sheldon leans down, pressing a lingering, authoritative kiss to the top of Leonard’s head. He tastes like salt and expensive shampoo. "Look at the screen, Leonard," Sheldon commands softly, his hand sliding down to rest possessively on Leonard’s hip. "Notice the lighting on the golden idol. The way the shadows fall suggests a light source that wouldn't exist in a sealed cavern, yet it highlights the craftsmanship perfectly. Much like how the lighting in this room currently highlights the fact that you’re blushing."

 

"I'm not blushing," Leonard lies, pressing closer to the heat of Sheldon's side.

 

"You are. It’s a physiological response to my proximity. Very efficient." Sheldon’s eyes return to the film, but his focus remains entirely on the man beside him. "Let the phones scream. Let Amy try to biopsy Penny’s social life. Let the world turn. We have a golden idol of our own right here, and unlike Hovitos, I have no intention of letting anyone steal it."

 

Leonard reaches up, clicking the 'Mute' button on his phone's side switch one last time before dropping his hand. He watches as Indiana Jones navigates the booby traps, feeling entirely safe in the private fortress they’ve built over six years.

 

"I love you, Sheldon."

 

"I know," Sheldon replies, his voice dropping an octave as he pulls Leonard even tighter. "And I love you. Now, pay attention. The boulder scene is coming up, and I want to discuss the terminal velocity of a fiberglass sphere versus the actual stone equivalent."

 

The phones continue to light up the dark room with ignored pleas for attention, but in the center of the bed, under the soft glow of a 1981 masterpiece, the only two people who mattered were exactly where they were supposed to be.

 

Series this work belongs to: