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What You Hear, I Hear

Summary:

A chaotic shift at Tower Records brings Ugetsu crashing into everyone's day, leaving emotional debris in his wake. Mafuyu walks out with a CD he doesn't fully understand, and Ritsuka walks out with a feeling he definitely doesn't. Later, alone in their separate rooms, they both listen for something they can't name yet — and the silence between them says more than words.

Notes:

(See the end of the work for notes.)

Work Text:

The escalators hummed steadily inside Tower Records Shibuya, carrying customers up through rows of bright yellow signs and towering stacks and sprawling displays of CDs. Music leaked from half a dozen listening stations at once.

Behind the counter, Ritsuka Uenoyama leaned on his elbows, staring at the register screen like it had personally offended him. The screen did nothing wrong, which only made him angrier.

Across the aisle, Haruki Nakayama carefully reorganized the jazz section that someone had already destroyed twice that morning. It was already losing the battle again as Haruki stooped down to pick up several Coltrane CDs that had spilled onto the floor.

Near the listening station, Mafuyu Sato quietly handed a customer a pair of headphones.

“This one is good,” he said softly.

The customer smiled and thanked him.

A moment later the front door chimed.

“Wow,” a familiar voice said lazily. “Uenoyama really does work here.”

Ritsuka didn’t look up.
“Go away, Hiiragi.”

Hiiragi Kashima ignored him and leaned on the counter anyway.
“Retail suits you.”

“It doesn’t.”

From the back aisle, Akihiko Kaji emerged carrying a box of new arrivals.
“We all work here,” he said. “Rehearsal space isn’t free.”

Hiiragi opened his mouth to respond—

—and another voice spoke from directly behind Akihiko.

“Well.”

Akihiko froze.

Slowly he turned around.

Standing there, examining a CD case with cool interest, was Ugetsu Murata, elegantly dressed in a burgundy turtleneck sweater and wearing a long black coat.

“You work here?” Ugetsu asked mildly.

Akihiko scratched the back of his neck.
“Part time.”

“How proletarian.”

Haruki snorted.

Ugetsu’s gaze drifted past Akihiko and settled on Haruki instead. He studied him for a long moment.

Haruki shifted.

Then Ugetsu said thoughtfully,
“You’re attractive, I suppose.”

Haruki nearly dropped the scanner. “I—sorry—what?”

“Relax,” Ugetsu said. “It was merely an observation.”

Akihiko groaned. “Don’t encourage him.”

At that moment Mafuyu approached the counter.

Ugetsu looked at him.

Then he paused. “Oh.”

His expression softened.
“You’re the boy who sings.”

Mafuyu nodded politely.
“Yes. I visited your apartment with Kaji-san.”

Ugetsu smiled. A knowing smile. “Of course Mafuyu, I remember you.”

Mafuyu gestured toward Ritsuka.
“This is Uenoyama. My boyfriend. I think I told you about him.”

Ugetsu turned his attention to him immediately. “You’re very handsome.”

Ritsuka turned bright red. A strangled sound escaped him before he could stop it. “I—what?”

Ugetsu waved the reaction away.
“Take care of Mafuyu,” he said calmly. “Don’t waste him.”

Ritsuka had no idea what to do with that information.

Ugetsu placed a CD on the counter.
Haruki picked it up to scan—then stopped.

Akihiko glanced over and immediately recognized the cover.

Ritsuka leaned closer and stared intently at the cover.
“Wait… is that…?”

The album was Ugetsu’s new recording of the Sibelius Violin Concerto in D minor, Op. 47.

The cover showed Ugetsu in mid‑performance, caught in one of those impossible moments where he looked both completely absorbed and effortlessly beautiful. His eyes were half‑closed, the bow suspended in a blur of motion, the stage lights catching the line of his jaw like they were conspiring with him.

Mafuyu stared at it first — not moving, not blinking — like the image had reached straight past his ribs and pressed on something he didn’t have a name for.

And even Ritsuka had to pause, just for a second, because of course Ugetsu would look like that while playing. Of course he would.

Ritsuka turned to Mafuyu.
“Since when do you listen to classical?”

Mafuyu tilted his head.
“I’m learning to like all music.” He thought about it. “Akihiko tells me things sometimes.”

Then he added, “And Ugetsu.”

Ugetsu made a small dismissive gesture.
“He asks better questions than most adults.”

The front door chimed again. Two high school boys stepped inside, glancing around uncertainly.

One of them approached the counter.
“Excuse me,” said Yoshikazu Miyano nervously. “Do you have the newest issue of Cheri+?”

Shunpei Sasaki stood just behind him.

Ritsuka blinked.
“The what?”

“It’s… a manga magazine,” Miyano explained quietly.

Hiiragi immediately leaned across the counter. “What kind of manga?”

Sasaki sighed. “He’s looking for a series called Candy Color Paradox.”

Miyano turned bright red.

Haruki quickly located the issue of Cheri+ on the rack and handed it over.

As Miyano paid, he glanced around the store. “There are a lot of handsome guys working here…” he murmured.

Sasaki grabbed his arm. “Don’t start.”
They hurried out.

Hiiragi watched them go. Then he wandered over to the magazine rack. A moment later he held up the same issue.

“BL? That’s… uh… something with bands, right?”

Ritsuka groaned. “I don’t know and I don’t care.”

From the counter, Ugetsu said calmly,
“Boys’ love.”

Everyone turned to stare at him.

Ugetsu shrugged. “What? I read.”

Haruki finished scanning the CD.
Ugetsu paid.

Then he turned and handed the case to Mafuyu. “For you.”

Mafuyu blinked.

“My newest recording,” Ugetsu said. He gestured lightly toward the cover. “Come see me and I’ll sign it for you.”

Mafuyu studied the album carefully. Then he nodded.

“Thank you.”

Hiiragi was still holding the BL magazine.

And Ugetsu walked out of the store like nothing unusual had happened, leaving everyone else to deal with the emotional debris.

---

Mafuyu turned the CD over in his hands, studying the cover like he was trying to understand something inside it. Beside him, Ritsuka crossed his arms, trying to look unimpressed.

“I mean… classical?” Ritsuka muttered. “It’s all violins and… feelings.”

Ritsuka was still staring at the cover. “How do you even know that guy…”

“Kaji-san introduced us… His roommate…”

Ritsuka looked suspicious. And perhaps a little jealous. That guy was too pretty. Effortlessly pretty like Mafuyu. And thus was a reminder that Mafuyu still had a life that Ritsuka was unfamiliar with.

Mafuyu looked up at him, eyes steady and warm in that quiet way that always disarmed him.

“That’s why,” he said.

Ritsuka frowned. “Why what?”

Mafuyu held the CD a little closer to his chest.

“I want to share this with you,” he said softly. “Even if you don’t like classical. I want you to hear what I hear.”

Ritsuka felt something loosen in his chest, the noise of the store fading around them.

“…Why me?” he asked, barely above a whisper.

Mafuyu didn’t hesitate. “Because it’s you.”

Ritsuka’s breath caught. “…Yeah,” he murmured. “Okay. I’ll listen.”

Mafuyu’s shoulders relaxed, just a little.
“Together,” he said.

---

They closed up late. The walk home was quiet, the kind of quiet that wasn’t empty. Mafuyu kept the CD tucked safely in his bag, and every so often Ritsuka glanced at it like it was a live wire.

At the corner where they usually split, Mafuyu paused.
“Good night,” he said.

Ritsuka nodded, hands shoved deep in his pockets. “Yeah. Text me when you… you know. Listen.”

Mafuyu’s lips curved, small and warm.
“I will.”

They parted.

And the moment Mafuyu was alone, the weight of the CD felt different — heavier, fuller, like something waiting to be opened.

---

The apartment was quiet when Mafuyu got home.

He set his bag down by the door, slipped off his shoes, and held the CD in both hands for a moment. The cover felt heavier now, like it carried something he wasn’t sure he was ready to open.

He crossed the room and sat on the floor beside the stereo. The lights were low. The air was still.

He slid the CD out of its case carefully, almost reverently, and placed it into the tray.

A soft mechanical click. A whir. Then silence.

Mafuyu drew his knees up and rested his arms on them.

The first note bloomed into the room — a single, clear tone from Ugetsu’s violin, thin as breath and sharp as light. It cut through the quiet like something alive.

Mafuyu closed his eyes.

He could hear it immediately — the ache in the bow, the tension in the vibrato, the way Ugetsu always sounded like he was reaching for something just out of his own grasp. Lonely. Beautiful. Hurting.

Mafuyu’s chest tightened.

He listened.

The music swelled, then thinned, then swelled again, like a tide that didn’t know whether to come in or pull away. Mafuyu felt it settle into him, familiar and unfamiliar at the same time.

He thought of the store. Of Ugetsu’s eyes when he said You’re the boy who sings. Softly affectionate. And the way Ritsuka had stood beside him, arms crossed, pretending not to care.

He opened his eyes.

The room felt different now — warmer, somehow. Like the music had changed the air.

His phone buzzed.

Listening now.

Ritsuka’s message.

Mafuyu stared at the screen for a long moment, thumb hovering — but the second movement unfurled, slow and aching, and the sound pulled him under.

He set the phone down gently beside him.

The violin dipped into a darker color — deeper, almost human — and something inside him shifted. Not a thought. Not even a feeling. More like a pull.

He didn’t understand it.

It wasn’t about Ugetsu, not really. It wasn’t about the man in the turtleneck who played like he was confessing something. It was something older than that. Something that lived in the sound itself.

Music.
And the people who carried it.

Yuki’s laughter in a practice room.
Hiiragi’s voice cracking on a high note.
Akihiko’s steady explanations.
Ugetsu’s aching vibrato.
Ritsuka’s hands on a guitar, warm and certain.

They all lived in the same place inside him — a place he didn’t have a name for, a place that tightened now as the violin climbed higher.

The music swelled, and Mafuyu’s breath caught. A single tear slipped down his cheek before he even noticed it.

He wiped it away quickly, almost startled.

His chest felt too full.

And when the phrase broke open into something bright and trembling, the first face that rose in his mind wasn’t Ugetsu’s.

It was Ritsuka’s.

The boy who didn’t understand classical music.
The boy who tried anyway.
The boy who asked him what it sounded like.

Mafuyu pressed a hand to his sternum, startled by the intensity of it — the way the music seemed to reach straight toward that one person, like a thread pulled taut between them.

He didn’t have words for any of this.
He didn’t even try.

He just held the phone a little closer, as if that might steady him.

The violin trembled on a high note — fragile, aching.

Mafuyu whispered, barely breathing:

“You’ll hear it too.”

He didn’t know what he meant.

But he knew who he meant it for.

He listened.

---

Ritsuka lay on his bed staring at the ceiling, one arm flung over his eyes. He’d tried homework. He’d tried scrolling his phone. He’d even tried practicing a few chords.

None of it stuck.

Every time he closed his eyes, he saw Mafuyu holding that CD like it meant something. Like he meant something.

Classical music. Of all things.

Ritsuka groaned into his pillow.

He wasn’t against it. He just… didn’t get it. It felt like a language he’d never learned.

But Mafuyu wanted to share it with him.
That part he understood perfectly.

His phone buzzed.

Listening now.

Ritsuka’s heart kicked hard against his ribs.

He stared at the screen for a long moment, thumb hovering, mind blank. Then he typed back, slowly, carefully:

Tell me what it sounds like to you.

He hit send before he could overthink it.

The room felt too quiet after that. Too still.

No typing bubble appeared. No reply came.

He waited anyway.

The silence wasn’t empty. It felt like something stretching between them — thin, fragile, warm.

Ritsuka exhaled, rolling onto his back, phone resting on his chest. Somewhere across the city, Mafuyu was listening to a violin that sounded like longing, and Ritsuka didn’t need a reply to know it was reaching him too.

He closed his eyes.

He could almost hear it.

Notes:

My new story started out as a joke about the boys all working at Tower Records part time. It blossomed from there. It grew into the best RitsuMafu fic I have ever written (in my opinion. Read it and judge for yourself.

We hear Ugetsu rehearsing just a fragment of the Sibelius concerto during the original series, one of my very pieces of music. And so I have decided that the Sibelius concerto is becoming one of Ugetsu’s specialities.

The second movement of the Sibelius concerto is incredible and we are seeing Mafuyu pretty thoroughly undone by Ugetsu’s performance.

I’ve included a link to a YouTube of the Sibelius concerto so you can hear more.
The clip in the series is in the first movement. The passage that overwhelms Mafuyu is just about the 18 minute mark.
It’s pretty much a regular feature of my Given stories that shares very deeply feelings with Ugetsu and with Hiiragi as well as Ritsuka. So it is here.