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In The Shadow Of The Pyre

Summary:

Tereza had learned her arts from her mother.

Notes:

Prompt from ezekiel13 - Witching AU

Title from a quote from Edward Bever's The Realities of Witchcraft and Popular Magic in Early Modern Europe: Culture, Cognition and Everyday Life - "The fact that these trials went on for three generations, so that a woman born in 1570, her daughter, and her granddaughter would have all have lived their adult lives in the shadow of the pyre, and a greatgranddaughter in the fourth generation would have grown up amidst widespread popular concern, frequent rumors, and occasional accusations, and she herself might have been caught up for a brief spell as a youngster because of a fantasy or a dream.”

Work Text:

Tereza had learned her arts from her mother. She and her sister had been taught what herbs did what, how to identify a person’s illness, what they needed to know. She had sat deathbed vigils and risen the next day to deliver a child.

There was freedom in being a woman like her, but there was also danger. Her sister had died to a band of men who thought her too confident, too self-assured, and too in tune with the old ways. They had told what they knew, and she had been killed for it.

So Tereza had learned to keep a secret. She refused to let the danger stop her from doing her work, but she built up allies. Good folks who would warn her when she might be in danger.

Walking one evening, she met a woman of her ilk, who gave no name in case it was used against her. Tereza called her Dusk, for the hour they had met. With Dusk, she felt some of that wild spirit she had once so greatly possessed return to her.

They danced, in the woods, and laughed with careless abandon. They met as lovers, under the cover of night and the moon’s caress, afraid of being caught but wanting this more than anything. Someday, they might have to flee. But they would have had this.

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