Actions

Work Header

I'm the Anomaly

Summary:

Skipper, Kowalski, Rico, Julien, Mason, and Phil are seniors in the same class. For an activity, their teacher, Miss Alice, had them take DNA swabs.
Today, they get their results, and Miss Alice is verbally confused by one set of results.

Work Text:

The fluorescent lights of the biology lab hum a low, persistent tune that does nothing to calm the restless energy of the senior class. Scattered across the black-topped lab benches, six boys who have spent the better part of four years tormenting and tolerating each other sit in a loose semicircle.

 

Skipper sits rigid, his dark trench coat draped over the back of his stool like a commander’s cloak, his sharp features set in an unreadable mask. Beside him, Kowalski adjusts his round glasses, nervously smoothing down the front of his pristine lab coat, while Rico sits cross-legged on his stool, tossing a small, blunt object into the air and catching it with a scarred, muscular arm. Across the aisle, Julien adjusts an overly flamboyant, stylized hat that violates at least three school dress code rules, leaning back with a smug grin. Mason, impeccably dressed in a crisp white shirt and black tie, rubs his temples, looking thoroughly exhausted by Phil, who sits beside him in a worn leather jacket and top hat, completely zoned out.

 

The previous week, an advanced genetics unit led by their fiercely pragmatic teacher, Miss Alice, had culminated in a mandatory genetic profiling activity. Each of them had taken cotton DNA swabs, scraped the insides of their cheeks, and sealed them away in sterile vials.

 

Today is the day the data packets return from the local university lab.

 

Miss Alice stands at the front of the room, her sensible shoes clicking sharply against the linoleum as she sorts through a stack of thick manila envelopes. Her brow furrows. She stops at one particular packet, her eyes scanning the printout once, twice, and then a third time. The usual sharp, no-nonsense demeanor she carries like armor cracks, replaced by a visible, verbal confusion.

 

"Wait, this... this makes absolutely no sense," Miss Alice mutters aloud, tapping her pen against the clipboard. She looks up, her gaze shifting between the lab results and the group of boys. "According to the sequencing algorithm for this station's batch... I am looking at a single biological profile that is registering as two males and a female. Simultaneously. That is a literal biological impossibility for a single cotton swab sample."

 

The room goes dead silent. Mason blinks behind his glasses, immediately looking over at Phil to see if his companion somehow contaminated the samples, while Phil merely shrugs. Before anyone can voice a joke or a critique, Skipper snaps into action. His military-hardened instincts flare up, a deeply ingrained need to protect his squad at all costs overriding any logical assessment of the situation. He slams his hands on the desk and leans forward, fixing Miss Alice with an intense, unwavering glare.

 

"It’s me, Alice," Skipper lies smoothly, his voice dropping into a gravelly, authoritative register. "I’m the anomaly. I'm trans. I was assigned female at birth, but I amended my records prior to enrollment to ensure operational security. The university database is clearly pulling from an unredacted historical mainframe. Disregard the discrepancy."

 

Kowalski turns his head slowly, staring at Skipper with a mixture of profound fondness and utter exasperation. He reaches out, placing a gentle, grounding hand on Skipper's stiff shoulder. "Skipper... man, that is literally not how genetic sequencing or administrative mainframes work," Kowalski says softly, his tone incredibly tender despite the scientific correction. He gives Skipper’s shoulder a reassuring squeeze. "But thank you. It’s okay. You don't have to cover for me."

 

Skipper blinks, his rigid posture deflating just a fraction. "Kowalski?"

 

Kowalski takes a deep breath, pushing his glasses up the bridge of his nose. He looks away for a second, a faint pink hue touching his cheekbones, before looking straight at Miss Alice. "The sample isn't corrupted, Miss Alice. And Skipper isn't lying to protect himself; he's trying to protect me. It’s my result. I’m intersex."

 

Miss Alice looks up from her clipboard, her eyes widening slightly, though her expression softens from confusion to a quiet, receptive curiosity.

 

"I was born with a reproductive anatomy and a chromosomal pattern that doesn't fit the rigid binary definitions of typical male or female biology," Kowalski explains, his voice steadying as he relies on the comfort of clinical terminology. "Which is exactly why your automated sequencing program is throwing an error code. It's trying to categorize a multi-faceted biological reality into a binary algorithm."

 

He pauses, his fingers tracing a pattern on the black lab desk. The classroom is entirely quiet, but it isn't a hostile silence; even Rico has stopped tossing his toy, watching his friend with wide, supportive blue eyes.

 

"And... honestly, it goes a bit beyond just the physical data," Kowalski continues, his voice dropping to a more personal, vulnerable volume. He struggles for a moment, searching his vast vocabulary for a precise label, but coming up empty for a singular word that defines the internal landscape of his identity. "Most days, I feel completely comfortable presenting the way I do, wearing this lab coat, being one of the guys. But there are other days where... where that label feels incredibly restrictive. Where I don't feel like a guy at all, or I feel like something entirely outside of it. It’s a fluid spectrum. I don't really have a specific name for it yet, but it’s just who I am."

 

Skipper watches him, a deep, fierce pride shining in his eyes. He nods once, a silent affirmation of absolute respect. Rico lets out a soft, encouraging grunt, giving Kowalski a thumbs-up.

 

Miss Alice swallows hard, the realization washing over her. She looks down at her paperwork, shuffling through the pages with a sudden, flustered urgency. "Oh. Oh, I see. My apologies, Kowalski. The system... well, the system generated a secondary, comprehensive breakdown packet specifically for anomalies, which I should have opened first." With slightly awkward movements, she pulls out a different sheet of paper—one clearly marked with a specialized medical codex that properly registers and validates an intersex profile without throwing a system error. She walks over and hands it to Kowalski, her expression apologetic. "Here. This belongs to you."

 

 

"Thank you," Kowalski murmurs, taking the paper.

 

His face flushes a deep crimson, the sudden rush of vulnerability leaving him feeling incredibly warm under his heavy layers. He stares down at the graph of his own DNA, a mix of relief and lingering self-consciousness swirling in his chest.

 

From across the room, a loud, dramatic sigh breaks the tension. "Oh, please, darling, do not stress yourself into a puddle over a silly little piece of paper," Julien proclaims, waving a dismissive hand in the air. He tilts his elaborate hat back, leaning over the desk with an expression of utter, casual nonchalance. "If we are airing out our biological laundries to Miss Alice today, then I shall also contribute to the conversation."

 

Julien points a manicured finger at his own chest, entirely unfazed by the gravity of the room. "I was also born a female, you know. Completely true! But as I grew older, I realized that being a girl was simply far too limiting for someone of my immense style and stature. Being a boy also felt a bit too mundane. So, I threw them both away! I am simply nonbinary. I am Julien, an entity entirely unto myself, and frankly, the binary could never handle all of this anyway."

 

Mason lets out a small, quiet laugh, shaking his head but smiling gently, while Phil nods along in absolute agreement. The tension in the lab dissolves into the warm hum of the afternoon sun. Kowalski looks around at his friends—at Skipper’s protective stance, Rico’s bright grin, and Julien’s ridiculous, beautiful confidence—and lets out a breath he feels like he’s been holding for years. Under the dim hum of the fluorescent lights, the results are perfectly clear.

 

Series this work belongs to: