Actions

Work Header

Rating:
Archive Warning:
Category:
Fandom:
Relationship:
Additional Tags:
Language:
English
Series:
Part 79 of Spooky 2 , Part 37 of Saladfingers' Must-Watch Collection
Stats:
Published:
2026-06-25
Words:
1,616
Chapters:
1/1
Kudos:
6
Hits:
56

Massages (1993)

Summary:

8:50 AM, October 11, 1993, Brett's apartment, 1525 N. Van Ness Avenue (at the corner of Harold Way), Hollywood, California

Vincent and Jules have the most random conversations on the way to pick up the briefcase

Work Text:

The stucco walls of the apartment complex stairwell are the color of old teeth, lit only by the occasional amber glare of a fluorescent fixture that hums a low, irritating B-flat. It is 8:47 AM on a Monday, and Hollywood is already sweating. Vincent Vega drags his feet up the concrete steps, the heavy black leather of his shoes scraping against the grit. His suit jacket feels stiff, a thick wool-blend armor that is entirely unsuited for the early morning humidity of October in Southern California. Beside him, Jules Winnfield moves with a more deliberate, rhythmic grace, though the curl of his Jheri curl bounces in tandem with a faint, irritated sigh.

 

"I’m telling you, Vince, we’re burning the candle at both ends and the middle’s starting to melt," Jules says, his voice a low rumble that echoes off the narrow, claustrophobic walls. He adjusts the lapels of his suit, his fingers tapping a restless beat against his thigh. "A man needs a period of reflection. A temporary cessation of hostile maneuvers. We deserve a vacation, plain and simple."

 

Vincent exhales a cloud of stale cigarette smoke, watching it curl toward the water-stained ceiling. "Europe, Jules. That's where it's at. You go over there, and it's like a whole different universe. Everything's just a little bit left of center."

 

"Europe?" Jules arches a perfectly sculpted eyebrow, turning his head as they hit the landing of the third floor. "What, you trying to get all cultured on me now? What's Europe got that a bucket of extra crispy and a comfortable recliner ain't got right here?"

 

"It’s the little differences," Vincent says, a genuine spark of enthusiasm cutting through his usual hazy demeanor. "I mean, you can walk into a movie theater in Amsterdam, right, and buy a beer. And I don't mean in a paper cup, either. They give it to you in a glass. And if you go into a McDonald's in Paris, you can buy a beer there, too. But you know what the funniest thing is?"

 

"What's that?"

 

"They don't call it a Quarter Pounder with Cheese." Vincent smirks, shaking his head at the sheer absurdity of the metric system. "They got the metric system there, they wouldn't know what the fuck a Quarter Pounder is. So they call it a *Royale with cheese*."

 

"A Royale with cheese," Jules repeats, testing the syllables on his tongue like a man trying out a foreign currency. "Look at that. What do they call a Big Mac?"

 

"A Big Mac's a Big Mac, but they call it *Le Big Mac*."

 

"Le Big Mac." Jules chuckles, a genuine, deep sound that vibrates in his chest. "What do they call a Whopper?"

 

"I dunno, I didn't go into a Burger King," Vincent admits, shrugging his shoulders as they continue their slow, upward march. "But it ain't just the food, Jules. It's the lifestyle. You go into these bars in Amsterdam, right? They got these chairs. Not just regular chairs, but these high-tech, occidental imports—massage chairs. You sit down, you put a guilder in the slot, and the thing just kneads your spine like dough while you sip a Heineken. It’s paradise, man. Pure paradise."

 

The mention of massages shifts the air between them, the casual travelogue suddenly veering into much heavier, more volatile territory. Jules’s face hardens slightly, his stride hitching for a fraction of a second as they reach the fourth-floor corridor. The carpet underfoot is an aggressive, geometric pattern of faded browns and oranges, smelling faintly of old cat food and carpet powder.

 

"Speaking of massages," Jules starts, his voice dropping into a register that is distinctly less academic and far more confrontational. "You hear about Antoine Roccamora?"

 

Vincent blinks, his heavy eyelids drooping slightly as he tries to fish the name out of his memory. "Who's Antoine Roccamora?"

 

"Half black, half Samoan. Used to call him Tony Rocky Horror."

 

Vincent’s face clears, a faint nod of recognition passing through his features. "Yeah, maybe. Fat, right?"

 

"I wouldn't go so far as to call the brother fat," Jules counters defensively, his hands coming up in a brief gesture of moderation. "I mean, he got a weight problem. What's the nigga gonna do? He's Samoan. But Marsellus went and threw the man out of a fourth-story window into a glass landing. Total wreckage. Permanently ruined his speech impediment."

 

Vincent stops dead in his tracks just a few feet from the door marked 1525. He looks at Jules, his blue eyes wide with a mixture of disbelief and morbid curiosity. "Why'd he do that?"

 

"Because Antoine gave Mia a foot massage."

 

Vincent stares at him, a slow, incredulous smile spreading across his face. "He threw him out of a window just for giving her a foot massage?"

 

"That’s what’s being whispered," Jules says, leaning his back against the wall, his eyes scanning the quiet hallway.

 

"Well, Jules, you gotta look at it from Marsellus's perspective," Vincent says, stepping closer, his voice dropping to a conspiratorial whisper. "Mia is his wife. And a foot massage... that’s an intimate thing. It ain't like shaking hands."

 

"It’s a foot massage, Vince! It’s nothing!" Jules scoffs, shaking his head. "I give my mother a foot massage. It don't mean I'm trying to crawl into her bed."

 

They start to quiet down as they realize they are standing directly outside Brett’s apartment door. Vincent checks his gold wristwatch. It reads 8:49 AM. They are precisely one minute ahead of schedule. Marsellus is a man who values dramatic timing; entering early ruins the theatricality of the intimidation. With a synchronized, silent understanding, they turn the corner into the adjacent corridor, their soft-soled shoes making no sound on the ugly carpet, continuing their debate in the shadows of the secondary hallway.

 

"Where are we going after Brett, anyway?" Vincent asks, leaning his shoulder against the peeling wallpaper, trying to shift the tension. "Wanna get Thai? There's that place on Sunset."

 

Jules doesn't answer immediately. He fixes Vincent with a look that is entirely too heavy for a Monday morning. "I'm getting a foot massage."

 

Vincent snorts, a sharp, dismissive sound that cuts through the quiet of the corridor. "Foot massage!? Tch, fucking pansy."

 

Jules steps into Vincent’s space, his towering frame casting a shadow over the shorter man. His expression is deadpan, his eyes boring into Vincent’s with a sudden, intense seriousness that hovers right on the edge of a dangerous intimacy.

 

"... We're married," Jules says softly, the words hanging between them like a challenge, a secret code dressed up as a joke.

 

Vincent doesn't flinch. He just rolls his eyes, though a faint, subtle shift in his posture betrays how easily Jules can pull his focus. "A foot massage!?"

 

"Now, look," Jules says, his hand coming up, index finger extended to punctuate his philosophy. "Maybe your method of massage differs from mine, but, you know, touching his wife's feet and sticking your tongue in the holiest of holies ain't the same fucking ballpark. It ain't the same league. It ain't even the same fucking sport. Look, a foot massage don't mean nothing. I do it all the time."

 

Vincent leans his head back against the wall, a smug, trap-setting grin spreading across his lips. He lets the silence stretch for a beat, watching the way Jules’s jaw tightens.

 

"Do you give a lot of foot massages?" Vincent asks, his tone dripping with mock innocence.

 

Jules squares his shoulders, puffing out his chest just a fraction. "I consider myself a master of giving foot massages."

 

Vincent leans in closer, his voice dropping into a flat, unyielding register, his eyes locked onto Jules’s. "Jules, have you *ever* given foot massages to another man?"

 

Jules freezes. The words sit in the air between them, sharp and irrefutable. Jules’s mouth opens slightly, then closes. The realization that he has completely painted himself into a corner washes over his face, replacing his righteous indignation with a look of profound annoyance.

 

"Fuck you," Jules mutters, turning his head away.

 

Vincent lets out a low, sultry chuckle, stepping fully into Jules's personal space until the fabric of their suit jackets brushes together. The air between them suddenly shifts from fraternal bickering to something thick, heated, and entirely private. Vincent lowers his eyelids, his voice a honeyed purr.

 

"Ooh, baby," Vincent murmurs, his eyes dropping to Jules’s lips for a split second before rising back up. "You wanna fuck me after we grab the briefcase? We should have time before the Bonnie shit."

 

Jules doesn't pull away. Instead, a slow, semi-flirty smirk tugs at the corner of his mustache. The hard-edged hitman melts away, replaced by the man who spends his nights sharing a bed with the heavy, heroin-dazed weight of Vincent Vega. He looks Vincent up and down, his eyes dark and full of promise.

 

"I'll give you a cock massage," Jules responds, his voice a low, gravelly promise that vibrates right through Vincent’s ribs.

 

Vincent’s smile turns sharp, satisfied, and entirely alive. He slaps Jules lightly on the chest, the briefest touch of affection before the masks have to go back on.

 

"Deal," Vincent says, his demeanor instantly snapping back to cool professionalism as he checks his watch one last time. It is exactly 8:50 AM. "Let's go."

 

They turn the corner back into the main hallway, their shoulders squared, their expressions freezing into identical, cold masks of impending doom. The casual banter evaporates, replaced by the deadly weight of their profession. They stop in front of door 1525. Jules reaches out, his hand hovering over the doorknob, taking one deep breath of the stale apartment air before he turns it, ready to get into character.