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Don’t You See Me? (I Think I’m Falling, I’m Falling For You)

Summary:

Yunah spent weeks wearing bright scarves, dropping origami cranes, and holding up charcoal sketches—desperate for a single glance from the quiet girl on the 6:15 bus. She thought she was being ignored, completely unaware that the girl was already falling for her in ways she couldn't see coming.

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(See the end of the work for notes.)

Work Text:

Failure did not arrive in Yunah’s life with a sudden, thunderous crash. It arrived in quiet, suffocating increments—in the slow, agonizing drying-up of client invoices; the silent, unresponsive inbox of the graphic design studio she had poured four years of her youth into building; the polite clearing of a landlord’s throat at the turn of a month; and the hollow, echoing space left in an apartment when love quietly packed its bags and walked out the door without looking back.

 

At only twenty-two, Yunah felt as though her life were a single line in a manuscript, written carefully only to be thoroughly crossed out in thick red ink.

 

She had left the capital on a rainy midnight bus, her worldly possessions stripped down to forty-two pounds of damp canvas jackets, second-hand art and history books, and sketchbooks filled with branding mockups no one had wanted to buy.

 

She didn’t choose the coastal area of Santa Clara for its beauty. She chose it because it was the absolute farthest destination her remaining cash could carry her without running directly into the Pacific Ocean.

 

Santa Clara was a provincial town tucked into the jagged, emerald-green crooks of northern cliffs. It smelled perpetually of wet salt, diesel exhaust, rotting cedar timber on the piers, and the bitter smoke of birch wood stoves. The coastal fog didn’t merely hover over the streets; it settled into them like an uninvited guest, clinging to the storefront glass and softening the sharp corners of every crumbling building.

 

Yunah managed to rent a room above Holloway’s Hardware, a small yet decent attic space with a sloping ceiling that smelled of linseed oil, rust, and old pine. The floorboards groaned whenever she took a step, and the single dormer window overlooked a dark alley where sea gulls screamed at the pale dawn.

 

Her sanctuary came in the form of The Anchor & Flour, a narrow, lopsided bakery and tea shop situated three blocks from the fishing docks. Its owner, Mrs. Santos—a woman whose hands were permanently dusted in white flour and whose knuckles were enlarged by fifty years of arthritis—had looked at Yunah’s pale, shadow-rimmed eyes on her second day in town and handed her a linen apron without asking for a resumé.

 

“You look like a stray dog that’s been kicked off three different porches,” Mrs. Santos had grunted, shoving a tin of lard and a heavy wooden rolling pin into Yunah’s hands. “Show up at five-thirty. Knead the rye until your shoulders ache. If you tear the puff pastry, I deduct the butter from your wages.”

 

Yunah proved to be a quiet, tireless worker. She took a strange, desperate comfort in the physical brutality of bakery labor—the heavy fifty-pound bags of flour lifted onto flour-dusted counters, the scalding steam from the deck ovens, the rhythmic, mindless thrum of pressing and folding dough until her forearms burned.

 

In the dough, there was no room for artistic ambition, failed startup pitches, or missed rent payments. There was only water, yeast, flour, and time.

 

Yet, despite the bone-deep tiredness that pulled at her limbs by evening, Yunah’s mind remained an unruly, anxious place.

 

At night, the quiet of her attic room was too loud. It echoed with everything she had lost, everything she had failed to become.

 

She needed something—anything—to anchor her to the present, to stop her from looking back over her shoulder at the wreckage of her former life.

 

She found it on the 6:15 AM coastal bus.

 


 

The municipal bus line ran along the windy ridge of the salt marshes before curving down into the harbor district.

 

At six in the morning, the old blue-and-yellow vehicle was a haven for quiet, weary souls: dock workers with cracked leather boots, market women balancing baskets of bitter greens, and tired high school students clinging to metal handrails as they drifted back to sleep.

 

Yunah boarded at the hardware store stop every morning, her usual brown canvas jacket still damp from the coastal drizzle, her fingers smelling faintly of cardamom, orange peel, and sweet butter.

 

On her seventh morning in town, she stepped up the rubber-tread stairs, swiped her transit pass, and glanced down the dim aisle.

 

Sitting three rows from the back, on the left side by the fogged window, was a girl.

 

She looked to be Yunah’s age—twenty-two, perhaps twenty-one or maybe even younger, twenty.

 

She sat tucked into the corner of the vinyl seat like a quiet secret, wrapped in an oversized, mustard-yellow knit cardigan whose long sleeves hung down past her knuckles. Her hair was dark, thick, and loosely pinned up with a tortoise-shell claw clip, leaving soft, curling tendrils to rest against the pale curve of her neck.

 

Her profile was striking: a delicate, slightly upturned nose, a fine jawline, and eyes that were dark, vast, and uncannily still. She wore thin, dark wire-rimmed glasses that sat gently on the bridge of her nose, shading her eyes from the harsh overhead fluorescent lights of the bus.

 

Yunah sat at the very back, two rows behind her on the right, her eyes fixated on the girl.

 

In a town where everything felt gray, heavy, and bruised, this girl seemed impossibly vivid. She didn’t scroll on a phone. She didn’t read a book. She didn’t grunt. She didn’t smile. She simply sat with her chin cradled in her palm, her gaze directed straight out the window toward the foggy salt marshes, perfectly motionless, as if posing for a portrait that no one was painting.

 

Yunah felt a sudden, terrifying tug in her chest. It was not a gentle curiosity; it was a desperate, aching pull.

 

In her broken state, Yunah had felt invisible, like a ghost drifting through a town that didn’t have the tiniest bit of desire to ask for her name.

 

Looking at this girl, Yunah felt an overwhelming urge to be seen.

 

Look at me, she thought, staring at the side of the girl’s face. Just turn around. Look at me.

 


 

By the following week, Yunah’s morning routine had reshaped itself entirely around the 6:15 bus.

 

She rose earlier. She brushed her dark hair with extra care. She stood in the freezing morning air, watching the yellow headlights of the bus slice through the coastal fog, her pulse quickening at the prospect of seeing the mustard-yellow cardigan.

 

She began her campaign to get the girl’s attention.

 

Being a visual artist from the capital, Yunah relied entirely on visual cues. She believed that to exist was to catch someone’s eye—to paint a picture so striking, so immediate, that another person couldn’t help but look then stare.

 


 

On Monday, Yunah chose a seat directly across the aisle from the girl. She wore her brightest, most vivid scarlet wool scarf. Whenever the bus hit a stop, she made a point of sitting up straight, turning her head toward the girl, and offering a warm, deliberate, lingering smile straight at her face.

 

The girl’s eyes remained fixed straight ahead, gazing through the air as if Yunah were made of thin, transparent glass. Her dark pupils didn’t shift, flutter, or track Yunah’s movement at all. She simply sat there, staring into the middle distance.

 

Yunah blinked, thoroughly baffled. Is she that stuck-up? Is she staring right through me on purpose?

 


 

On Wednesday, Yunah tried a different tactic.

 

She pulled out her sketchbook and sat in the row right in front of the girl, angling her body so her drawing pad was clearly visible in the girl’s line of sight.

 

Yunah drew quick, bold, exaggerated charcoal caricatures of the sleeping passengers, holding the pad up to the morning light, turning back slightly as if checking her work, giving the girl every opportunity to look at the art.

 

Nothing.

 

The girl’s gaze remained resting on empty air, her hands tucked neatly inside her oversized cardigan pockets, entirely unresponsive to the bold black charcoal lines floating inches away from her field of vision.

 


 

On Friday, Yunah went to absurd lengths.

 

As the bus rattled down the harbor slope, she stood up in the middle of the aisle directly in front of the girl, waving her hands in a cheerful, self-deprecating gesture as she pretended to search for something in her tote bag.

 

She dropped a brightly colored paper origami crane she had folded at the bakery, letting it flutter down right into the girl’s lap.

 

The paper bird landed quietly on the mustard wool of the cardigan.

 

The girl didn’t look down. She felt the tiny physical weight settle against her knee, reached down with her slender fingers, picked up the paper shape purely by feel, and set it gently on the empty seat beside her—all without her eyes shifting a single millimeter down toward her lap or toward Yunah.

 

Yunah slumped into her seat, utterly vanquished, her face burning hot.

 

She stared at the girl with a mixture of quiet hurt and deep frustration.

 

She’s impossible, Yunah thought, chewing her lower lip. She’s probably some cold, detached local who thinks she’s too good for anyone on this transit line. She looks right through me like I don’t even exist.

 

Yunah tucked her head down into her coat collar, resolving to leave the girl alone.

 

She was a failure, after all.

 

Why would a girl who looked like an untouchable oil painting ever want to look at a broke baker’s assistant covered in flour dust?

 


 

This one particular truth also did not shatter Yunah’s world in a single violent instant.

 

Instead, it unraveled slowly—a quiet accumulation of tiny, overlooked details that gradually forced Yunah to see what had been right in front of her all along.

 


 

The first clue came on a Tuesday morning in late November.

 

The bus was bouncing along the narrow cliff side road when a sudden break in the heavy coastal clouds allowed a beam of intense, blinding morning sunlight to slice directly through the left-side windows.

 

It struck the bus with laser-like brightness.

 

Across the aisle, passengers winced instantly. A sleeping fisherman groaned and shielded his face with a greasy cap; a woman near the front pulled down the yellow vinyl shade with a sharp SNAP; Yunah herself squinted, raising her hand to block the glare that made her eyes water.

 

Yunah glanced across the aisle at the girl.

 

The blinding shaft of sunlight was aimed straight at her face. It illuminated every fine strand of dark hair, every pale feature, and passed directly through the dark wire-rimmed glasses into her open eyes.

 

The girl didn’t blink. She didn’t squint. She didn’t wince, turn her head, or reach up to pull down the window shade. Her dark pupils remained wide, dilated, and completely static in the middle of the blinding glare, her face as tranquil as water.

 

Yunah stared at her, a strange, uneasy knot tightening in her stomach.

 

How can she look directly into the sun without even flinching? Her eyes didn’t even react.

 


 

The second clue arrived three days later, outside the realm of the 6:15 bus.

 

It was a Friday afternoon, and Yunah was walking back from the harbor market carrying a heavy brown paper sack of roasted walnuts for the bakery.

 

The town square was busy with weekend activity—delivery vans unloading crates of salted cod, children running across the cobblestones, and street vendors shouting prices.

 

Yunah spotted the mustard-yellow cardigan near the town fountain.

 

It was that same girl she had been focusing on. She was walking alone along the perimeter of the square.

 

Yunah stopped near a newspaper kiosk, her heart giving its familiar, traitorous thud. She watched as the girl carefully navigated the bustling square.

 

She walked with a very specific, deliberate cadence—her footsteps even, her posture erect. But as Yunah watched, she noticed something peculiar: the girl wasn’t looking at the crowd, the shops, or the slippery wet cobblestones beneath her boots. Her chin was held high, her head tilted slightly to the right, her dark wire-rimmed glasses catching the dull grey light of the sky.

 

A teenage boy on a skateboard came hurtling around the corner of the dry-goods store, moving at dangerous speed straight toward the girl's path.

 

“Watch out!” a fruit vendor yelled from across the street.

 

Yunah gasped, her hands tightening around the bag of walnuts, her body tensing to run forward.

 

The girl didn’t look at the skateboarder. She didn’t turn her head to see where the danger was coming from. Instead, her head tilted upward, her ears catching the loud, metallic rattle of the skateboard wheels against the stone.

 

At the very last second, guided purely by the direction of the sound, she stepped sharply to the left.

 

The skateboarder zoomed past her, missing her cardigan by inches. The girl didn’t look back at him with an angry glare. She simply paused, let out a quiet breath, reached her hand out until her fingertips found the cold, rough wrought-iron railing of the town park fence, and continued walking—her fingers lightly trailing along the iron pickets, counting them under her breath as she moved.

 

Yunah stood frozen on the sidewalk, her breath caught in her throat.

 

She didn’t dodge him because she saw him, Yunah realized, her mind racing, her chest tight. She dodged him because she heard the wheels.

 


 

The final revelation happened on a wet, dreary Monday morning back on the bus.

 

The rain was coming down in steady, rhythmic sheets, drumming against the roof of the bus like tin shot. Yunah sat across from her,  her eyes fixed on the girl with a new, quiet intensity that was no longer driven by ego, but by a rising, desperate need to understand.

 

The bus lurched violently as it rounded a sharp curve near the old timber mill.

 

The sudden movement jolted the passengers. The girl’s small and shiny shoulder bag, which had been resting on the seat beside her, slid off the slick vinyl and crashed onto the floorboards.

 

The zipper had caught on a single stray wire and in a whirl, the bag spilled its contents across the black rubber treads of the aisle.

 

Out rolled a sturdy Walkman, white tangled earphones, a tin of peppermint lozenges, and a long, metallic object that rattled loudly as it bounced against the seat legs.

 

Yunah immediately leaned down to help. “Oh, let me get that—”

 

She stopped dead.

 

The metallic object was a segmented aluminum rod—folded into four neat sections, coated in reflective white paint, with a rounded red rubber tip at the base.

 

A white cane.

 

A single line of fine black ink printed on it.

 

Iroha.

 

Yunah stared at the white cane lying on the dirty floor of the bus.

 

All the pieces of the puzzle—the unblinking stare into the blinding sunlight, the unmoving eyes, the ignored charcoal drawings, the dropped origami crane, the hand trailing along the park fence—snapped together in Yunah’s mind with the terrifying, deafening clarity of a lightning strike.

 

Yunah looked up from the floor.

 

Iroha had lowered herself to her knees in the narrow aisle. She wasn’t looking around her boots. She wasn’t scanning the floor with her eyes.

 

Instead, Iroha kept her head upright, her dark wire-rimmed glasses tilted toward the ceiling, while her long, slender hands dropped to the floorboards. Iroha began to sweep her palms across the rubber treads in wide, methodical, semicircular arcs—feeling through the dust and wet rain for her lost possessions.

 

Her fingers brushed the cold metal of her folded cane. She picked it up by feel, her hands moving with quiet, practiced familiarity as she checked its joints. 

 

A fellow passenger stepped abruptly, brushing over Iroha’s figure with a click of tongue and disappearing quickly beyond the bus’ stairs.

 

“I’m sorry,” Iroha whispered to the empty air in front of her, her voice soft, musical, and trembling slightly with embarrassment. “I’m sorry... I didn’t mean to block the aisle.”

 

Yunah felt as though all the oxygen had been violently pulled from her lungs.

 

The world seemed to tilt on its axis.

 

The bright scarlet scarf. The bold charcoal caricatures held up in the morning light. The origami crane. The lingering smiles across the aisle. The bitter thoughts of she thinks she’s too good for me.

 

Weeks of desperate, visual posturing—and not a single gesture had ever reached her. Not because Iroha was cold, not because she was arrogant, but because she lived in a world of absolute, unbroken darkness.

 

Yunah felt a wave of scalding, burning shame—a shame so deep it made her stomach turn. But right behind the shame came a wave of tender, aching understanding that made her eyes flood with hot unshed tears.

 

Yunah moved and dropped entirely on her knees on the dirty rubber floor of the bus, right across from Iroha.

 

She picked up the scattered portable cassette player, the clean wire of earphones, and the small tin. Gently, moving with extreme care so as not to startle her, Yunah set the items into Iroha’s searching, open palm.

 

“Here,” Yunah said softly, her voice thick with emotion, trembling in the quiet bus. “I’ve got them. I’ve got your things. You’re okay.”

 

Iroha’s hands froze the instant her skin brushed against Yunah’s fingers.

 

Iroha didn’t look down at their joined hands. Instead, she tilted her head slightly, her right ear turning precisely toward the sound of Yunah’s voice. Her dark eyes behind her wire-rimmed glasses were soft, wide, and entirely unfocused, but a look of quiet, profound relief washed over her features.

 

“Thank you,” Iroha whispered softly, her hands closing gently around her Walkman before hesitantly reaching out again. She paused, sniffing the air gently, her head tilting a fraction more. “Who are you?”

 

Yunah swallowed hard, a lump forming in her throat that felt almost painful. She gently guided Iroha’s hands back to her lap, away from the wet floor.

 

“Yunah. It's Yunah,” she said quietly, her voice ringing clear over the hum of the bus engine. “I’m... I’m the girl who sits near you every morning. I mean... you don’t know me.”

 

A soft, hesitant smile touched the corners of Iroha’s lips—a smile so sweet and genuine that Yunah felt her heart break and reassemble all at once.

 

“Don't I? I think I do. It’s new, but I know your smell,” Iroha said softly, her voice carrying a light, melodic lilt. “It's nice to finally meet you, Yunah. My name is Iroha.”

 


 

That night, in her tiny attic room above the hardware store, Yunah did not touch her sketchbooks.

 

She sat on the edge of her narrow bed, looking at her long hands in the dim yellow light of the hanging incandescent bulb.

 

She spent the hours completely dismantling the way she understood the world. She realized how intensely she had relied on sight—how she had judged, navigated, and attempted to love through visual surfaces alone. She had spent weeks trying to demand Iroha’s attention with bright colors and drawings, completely blind to the reality of the person sitting right across from her.

 

If she wanted to exist in Iroha’s world, she had to stop painting for eyes that couldn’t see. She needed to learn a whole new language—one built of sound, smell, texture, and touch.

 


 

The very next afternoon, Yunah began her quiet, deliberate preparations.

 

First, she walked down to the second-hand cobbler shop by the docks. She spent nearly an hour trying on different shoes, walking up and down the wooden floorboards, listening intently until she found what she was looking for: a pair of dark leather boots with solid, rounded wooden heels. They produced a distinct, warm, rhythmic thunk-thunk-thunk with every step—a sound that was impossible to mistake for anyone else’s.

 

Next, she traded a small bag of fresh cardamom buns to the apothecary owner for a tiny glass vial of sweet cedar oil and dried lavender. Before leaving her attic room each morning, she dabbed a small drop behind her ears and on her wrists, wanting her presence to feel like a gentle, familiar welcome.

 

She bought soft, brushed-wool sweaters that felt like clouds to the touch, discarding her stiff canvas jackets. At the bakery, she began wrapping pastries in a specific type of heavy wax paper that made a soft, crisp, rhythmic crinkle whenever it was opened.

 

When morning came, Yunah stood at the bus stop at 6:10 AM. The air was biting cold, turning her breath into pale white clouds.

 

When the 6:15 bus creaked to a halt, Yunah boarded.

 

She didn’t creep softly down the aisle. She stepped firmly, letting her new wooden heels play their clear, rhythmic thunk-thunk-thunk against the rubber treads.

 

Before she even reached the third row, Iroha’s head tilted sharply up from the window. Her ear turned toward the aisle, her face instantly breaking into a soft, knowing smile as her nostrils caught the faint scent of lavender and cedar mingling with warm yeast.

 

“You changed your shoes. You walk the same way, but it sounds… different,” Iroha murmured softly as Yunah approached, her voice filled with quiet delight. “Your shoes. They sound like a pendulum today.”

 

Yunah felt a warm spark catch in her chest. “It’s new. I just bought them. I… I wanted you to know I was coming,” she said, her voice warm, deliberate, and clear.

 

“I knew it was you three rows away,” Iroha smiled, her face radiant.

 

“Is it okay if I sit next to you today?” Yunah asked.

 

“It's more than okay,” Iroha said, shifting her weight slightly toward the window to make room on the bench.

 

Yunah sat down. The vinyl seat compressed under their weight, the soft wool of her sleeve brushing gently against Iroha’s cardigan.

 

Yunah reached into her pocket and pulled out a small package, letting the crisp wax paper crinkle rhythmically between her fingers.

 

“I brought you something,” Yunah said. “I work at The Anchor & Flour down by the piers.”

 

“I knew it,” Iroha smiled gently, her unseeing eyes crinkling at the corners behind her wire-rimmed glasses. “Every morning when you sit near me, the scent of fresh butter and warm spices fills the aisle. It’s my favorite part of the ride.”

 

Yunah’s heart swelled so large it felt painful. She reached out, gently guiding Iroha’s fingers to the top of the warm wax-paper bag.

 

“It’s an orange-blossom and almond pastry,” Yunah explained as Iroha’s fingers delicately explored the shape through the paper. “The crust is flaky and buttery, and the top has glazed sliced almonds.”

 

Iroha brought the package close to her face, taking a deep intake of air through her nose. “It smells heavenly,” she breathed. She broke off a small piece and brought it to her lips. As she tasted it, her eyes closed, a soft sigh of appreciation escaping her. “Oh... it’s warm. It tastes like… like sunshine.”

 

Yunah watched her, completely mesmerized.

 

“I used to think... I used to try to draw things for you,” Yunah confessed quietly, her voice full of raw vulnerability. “I held up caricatures. I wore a bright red scarf. I dropped an origami crane in your lap. I was so foolish.”

 

Iroha let out a soft, musical laugh—a sound that made the bleak interior of the bus feel suddenly warm. “You were waving at a girl who only sees shadows,” she said gently, without a trace of bitterness. “I can’t see colors, Yunah. But sound... sound has color to me. Your voice is very warm. It sounds like deep amber. Like brown sugar.”

 

Yunah swallowed the lump in her throat. She looked out the bus window at the heavy fog rolling over the salt marshes.

 

“May I? I want to tell you what it looks like outside today,” Yunah murmured, leaning in a little closer so her voice was a private thread between them.

 

“Please,” Iroha whispered, tilting her ear toward Yunah.

 

“The fog today isn’t gray,” Yunah began, choosing her words with slow, deliberate care, painting with sound instead of charcoal. “It’s a pale, bruised lavender. The salt marshes are heavy with morning dew, glowing like millions of tiny silver beads on dark green grass. And way off on the horizon, where the sea meets the sky, the sun is breaking through—it looks like golden honey spilling across dark glass.”

 

Iroha listened, her breath catching softly in her chest. Her hands rested still in her lap, her face tilted upward as if she could feel the light Yunah was painting with her words.

 

“You speak like an artist,” Iroha murmured softly.

 

“I used to be one,” Yunah admitted quietly. “Before I failed at it.”

 

Iroha reached out in the quiet space between them, her long fingers brushing against Yunah’s sleeve, sliding down until her hand found Yunah’s palm. She squeezed Yunah’s fingers gently.

 

“You haven’t failed. I don’t think so,” Iroha said firmly. “You just told me about the sky, the earth, and the sea. You have painted a world I’ve never seen, and yet, I saw it perfectly.”

 


 

Three days after their morning conversation on the bus, Yunah met Iroha at the harbor piers just as her bakery shift was wrapping up.

 

It was five in the afternoon, and the tide was rolling in, bringing a cold, damp wind off the northern sea. They walked together along the wooden boardwalk, Iroha’s white cane lightly tapping a steady, rhythmic pattern against the weather-beaten pine planks.

 

“Listen,” Iroha said suddenly, stopping near the edge of the pier. She turned her head toward the water, her glasses catching the dull grey reflection of the bay. “What do you hear?”

 

Yunah paused, listening. “I hear... waves?”

 

Iroha let out a soft, playful chuckle. “No, listen deeper. The pier speaks. The low, heavy groaning sound—that’s the cedar pilings beneath us, swelling as the high tide hits their bases. The sharp, metallic ringing coming from the right—that’s the small brass bell on the channel buoy, swinging two hundred yards out. And the quick, wet slap-slap-slap? That’s tiny waves hitting the hulls of the old wooden fishing skiffs moored at dock four.”

 

Yunah stood beside her, utterly enchanted. She closed her eyes for a moment, letting Iroha’s soft voice guide her ears, realizing that the gray harbor was actually alive with a dense, complex orchestra of sound.

 

Iroha stopped in her tracks, letting her take in this new sensation.

 

Yunah was so deep in her other senses, she hadn’t noticed the darkening of the clouds.

 

Without warning, the sky opened up.

 

A sudden, fierce coastal downpour hit the piers in a blinding sheet of torrential rain, driven by a cold gust of sea wind. Water rattled against the wooden planks like handfuls of gravel.

 

Iroha gasped, giggling as the rain instantly soaked through her hair. Her fingers had reached out, eager, welcoming it.

 

“Come on!” Yunah yelled over the roar of the storm. She pulled a single, small umbrella from her tote bag and popped it open.

 

The umbrella was barely wide enough for one person, let alone two. To keep Iroha dry, Yunah wrapped her arm firmly around Iroha’s waist, pulling Iroha flush against her side. Iroha’s arm instinctively wrapped around Yunah’s back, her face tucked into the warm crook of Yunah’s neck as they shuffled quickly across the slick, rain-soaked cobblestones.

 

The sound under the umbrella was deafening—a loud, hollow drumbeat of water pouring down around them, creating a tiny, private shelter where the rest of the world vanished.

 

“Where are we going?” Iroha laughed, her voice breathy, shivering slightly against Yunah’s shoulder as they ran.

 

“Somewhere warm!” Yunah called back, her heart hammering against her ribs—not from the running, but from the sudden, overwhelming closeness of Iroha’s body against hers.

 

Yunah steered them down the narrow alleyway behind The Anchor & Flour. She reached into her pocket, pulled out her brass key, and unlocked the heavy oak back door of the bakery.

 

They slipped inside, and Yunah slammed the door shut against the howling storm.

 

The sudden silence of the empty bakery was absolute. The room was dark, illuminated only by the faint orange glow of the embers lingering deep inside the massive stone deck ovens. The air was rich, warm, and comforting, smelling intensely of toasted grain, brown sugar, and dried yeast.

 

“Oh,” Iroha breathed softly, stepping into the dark room. Her body relaxed instantly as the oven heat wrapped around them. “It’s so quiet here. It feels... like standing inside a warm blanket.”

 

“It’s just us,” Yunah said gently, shaking the rain off her umbrella.

 

She brought a thick, clean linen flour-towel from the kitchen pantry and stepped up to Iroha. Gently, moving slowly so as not to startle her, Yunah draped the towel over Iroha’s damp hair and began to dry it with soft, careful pats.

 

Iroha stood perfectly still under Yunah’s care. Her head tilted up, her unseeing eyes behind her wet wire-rimmed glasses wide and gentle in the dim orange light. As Yunah dried her dark curls, her fingers accidentally brushed against the delicate shell of Iroha’s ear, then down along the soft curve of her neck.

 

Iroha’s breath caught in her throat. She didn’t pull away.

 

Yunah’s hands slowed, lingering at Iroha’s collarbone. The air between them suddenly felt thick, electric, and sweet.

 

To break the intense spell, Yunah took Iroha by the wrist. “Come here,” she murmured, her voice slightly rough. “I want to show you my world too.”

 

Yunah led Iroha deeper into the kitchen, stopping before a large, galvanized metal bin rested on the oak prep table. She lifted the heavy lid.

 

“Reach in,” Yunah whispered.

 

Iroha hesitated for a second, then reached her hand down into the bin. Her long fingers sank four inches into fifty pounds of unbleached bread flour.

 

A look of pure delight washed over Iroha’s face. “It’s... so soft,” she gasped, letting the fine powder sift through her fingers like liquid silk. “It feels like cold air made into liquid.”

 

“Now feel this,” Yunah said softly.

 

She stepped up directly behind Iroha, her chest pressing lightly against Iroha’s back, her chin resting right near Iroha’s ear. Yunah reached around Iroha’s waist, placing her hands over Iroha’s flour-covered fingers, and guided her hands down into a heavy stoneware bowl filled with warm, rising sourdough mass.

 

Together, their joined hands pressed into the dough.

 

It was warm, soft, springy, and alive—yielding under their palms, pushing gently back against their fingers as yeast bubbled within it.

 

“This is kneading,” Yunah whispered against Iroha’s temple, her heart pounding so hard she was certain Iroha could feel it through her back. “You press down with the heel of your hand, fold it over, and press again. You feel the gluten stretch. You feel when it’s ready.”

 

Iroha let out a soft, breathless sigh, letting Yunah guide her hands through the slow, rhythmic dance of pressing and folding. They moved together in the dark, warm kitchen, their hips touching, their breathing synchronized to the rhythm of the dough.

 

Iroha turned her head slightly, her lips inches away from Yunah’s cheek.

 

“I can feel your heart beating,” Iroha whispered softly into the quiet kitchen, her hands resting quietly under Yunah’s within the warm flour. “It’s very fast.”

 

“It’s always fast when I’m near you,” Yunah admitted, her voice barely a whisper.

 

Iroha smiled—a sweet, secretive, beautiful smile—and leaned her back more fully against Yunah’s chest, letting her head rest back against Yunah’s shoulder as the rain thundered softly against the high glass transom window above.

 


 

As the winter weeks deepened, Yunah’s world transformed completely. Her mornings were no longer marked by cold loneliness; they were defined by the shared warmth of the 6:15 bus.

 

Every afternoon after her shift ended at the bakery, Yunah walked up the winding stone path to the Santa Clara Botanical Conservatory—a series of Victorian glass greenhouses perched on the hills above the harbor.

 

That was where Iroha worked.

 

Iroha was an expert plant caretaker. Though she could not see the flowers, her hands knew the precise geography of every fern, orchid, and moss species in the conservatory. She navigated the humid glass corridors with fluid, practiced grace, her white cane lightly tapping the stone pathways, her fingertips brushing the leaves as she walked.

 

“Plants don’t mind that I’m blind,” Iroha told Yunah one afternoon as they sat together inside the tropical house, surrounded by towering emerald ferns and the damp warmth of misting machines. “They speak through texture, moisture, and fragrance. A healthy leaf feels firm like leather. A thirsty leaf feels soft like velvet.”

 

Yunah sat beside her on an old teak bench, watching Iroha trim dead leaves from a potted jasmine bush. Iroha’s hands moved with breathtaking confidence—fast, soft, and precise.

 

“How long have you been blind?” Yunah asked gently.

 

“Since I was born,” Iroha replied, her hands continuing their quiet work. “My optic nerves didn’t develop fully. I have very faint light perception in my left eye—I can tell if a room is bright or dark—but otherwise, it is complete darkness.”

 

“Does it scare you?”

 

Iroha paused, setting her shears down on the bench. She turned her head toward Yunah.

 

“Sometimes,” Iroha admitted softly. “The world is very loud and sudden when you can’t see what’s coming. People step into your space without warning. But... when I’m here, or when I’m with you, I don’t feel scared.”

 

Iroha reached out, her hands reaching toward Yunah’s face. “May I?” she asked quietly.

 

Yunah felt her breath hitch in her throat. “Yes. Please,” she whispered.

 

Iroha lifted her hands. Her long, cool fingers touched the sides of Yunah’s jawline.

 

Yunah closed her eyes, letting Iroha explore.

 

Iroha’s fingertips were impossibly soft and gentle. She traced the firm line of Yunah’s chin, moving up over the curve of her cheekbones, feeling the gentle slope of her nose, tracing the fine lines beside her eyes, feeling the soft texture of her lips. Her fingers moved with quiet reverence, memorizing every contour, every plane of Yunah’s face.

 

“You have strong cheekbones,” Iroha whispered, her hands lingering at Yunah’s temples. “And your jaw is very determined. But your skin is soft. Like a cloud. You feel... gentle.”

 

“I don’t feel gentle,” Yunah murmured, her voice trembling slightly under the touch. “I feel broken half the time.”

 

“You aren’t broken,” Iroha said softly. She slid her fingers into Yunah’s dark hair, cupping the back of her head. “You are the warmest thing that has ever touched my life.”

 

Yunah couldn’t hold back the sudden wave of emotion that washed over her. She leaned forward, resting her forehead against Iroha’s shoulder, letting out a long, shuddering breath.

 

Iroha wrapped her arms around her, pulling her close, resting her cheek against her hair.

 

Slowly, Yunah lifted her head. She reached up, gently touching Iroha’s cheek, bringing her face close.

 

“Iroha,” Yunah breathed.

 

Iroha tilted her head up, her breath catching.

 

Yunah leaned in and pressed her lips to Iroha’s.

 

The kiss was slow, deep, and sweet—tasting of sugar, cinnamon, and the damp jasmine air of the greenhouse. Iroha let out a tiny, soft sigh against Yunah’s lips, her arms tightening around Yunah’s neck, pulling her flush against her chest.

 

In the warm, fragrant darkness of the greenhouse, surrounded by green leaves and the distant, rhythmic roar of the sea, Yunah felt completely anchored for the first time in her life.

 


 

By late spring, Santa Clara had shed its dark winter coat. The sun shone bright over the blue waters of the bay, and wild yellow lilies bloomed along the coastal roads.

 

Yunah was happy. She had found a quiet peace in the town. Her illustrations were featured on the bakery’s new packaging, her relationship with Mrs. Santos had grown into deep mutual respect, and her heart belonged entirely to Iroha.

 

They spent every weekend together—walking along the harbor piers where Iroha loved the sound of halyards slapping against wooden masts, sitting on the porch of Iroha’s grandmother’s cottage listening to the salt wind, and lying together on Yunah’s narrow attic bed, listening to old jazz records on a second-hand turntable.

 

Then, at the beginning of May, Iroha vanished.

 


 

On Monday morning, Yunah stood at the bus stop, but Iroha was not on the 6:15 bus.

 

Yunah assumed she had taken a sick day. But when Tuesday and Wednesday passed with the third-row seat remaining empty, panic began to gnaw at her chest.

 


 

On Thursday afternoon, Yunah ran all the way up the hill to the conservatory, her apron flapping in the wind.

 

Mr. Henderson, the head gardener, was watering orchids near the glass entrance.

 

“Mr. Henderson!” Yunah called out, out of breath. “Where is Iroha? Is she okay?”

 

The old man turned, smiling reassuringly. “Ah, Yunah! Don’t worry, child. Iroha is fine. She had to leave for the capital on Sunday evening.”

 

Yunah stopped dead in her tracks. “The capital? Why?”

 

“A specialized clinical trial,” Mr. Henderson explained, setting his watering can down. “Her grandmother has been working with a research foundation for years. A breakthrough ocular trial went through at the university medical center—a specialized corneal and retinal neural-link procedure paired with a high-resolution visual processing device. An ‘eye tool,’ as Iroha called it. They are fitting her with a modern bio-optical aid system designed to restore functional sight to her optic pathway.”

 

Yunah stood frozen among the ferns, her head spinning.

 

Restoring her sight.

 

A complex, terrifying wave of emotions surged through Yunah.

 

She was thrilled for Iroha— overjoyed that Iroha might finally experience the light she had lived without for years and years. But right behind the joy lurked a dark, insecure ghost of fear that made Yunah’s throat tighten.

 

Yunah had fallen in love with Iroha in the dark. Their love had been built on descriptions, touch, voice, and smell.

 

What would happen when Iroha could see? What if she saw the real world and found it harsh? What if she looked at Yunah—at her plain face, her flour-stained clothes, her messy hair—and felt disappointed? What if the visual world overwhelmed the quiet love they had built in the shadows?

 


 

The next two weeks were an agonizing test of patience.

 

The 6:15 bus felt empty and cold. Yunah sat in their row, staring out at the salt marshes, describing the scenery out loud to the empty air just to keep her voice from cracking.

 

She waited, her heart suspended in the space between fear and hope.

 


 

It was a soft, rainy Friday afternoon in late May. The sky over Santa Clara was the color of pearl, and a gentle mist drifted through the streets, carrying the scent of sea salt and blooming lilacs.

 

It was 5:30 PM. The Anchor & Flour was closing for the day.

 

Yunah stood behind the oak counter, a damp cloth in her hand, mechanically wiping down the dark wood surface. Her heart felt heavy, her mind lingering in the capital, wondering if Iroha was coming home or if her life had moved beyond this quiet coastal town.

 

The brass bell above the front door chimed with a crisp, clear ring.

 

Yunah didn’t look up immediately. “We’re closed for the evening, but if you need a loaf of warm rye—”

 

She stopped.

 

The damp sea air drifted into the shop, carrying a familiar fragrance—sweet cardamom, fresh earth, and rain.

 

Yunah turned around.

 

Standing in the doorway was Iroha.

 

She wore her rust-red cardigan, her canvas tote bag slung over her shoulder. Her hair was slightly damp from the mist.

 

Her white cane was folded neatly and tucked inside her bag. She wasn’t holding it.

 

And resting over her eyes was a sleek, lightweight, beautifully designed optical visor—a high-tech pair of visual aid glasses with micro-lenses that rested comfortably against her temples, pulsing with a faint, soft blue indicator light. The visual device—her “eye tool.”

 

Iroha stood in the doorway, her head turning slowly.

 

For two decades, Iroha had experienced the bakery as a tapestry of smells and sounds. Slow, painful, dull. Now, her head tilted as her visual cortex processed shapes, light, depth, and color for the very first time. She looked at the warm yellow lamps, the dark wood of the counter, the glass display cases filled with pastries, the rain running down the windowpanes. She looked utterly overwhelmed, her hands trembling at her sides, tears sparkling along her lower eyelids beneath the sleek frame of the glasses.

 

Yunah dropped her cleaning rag to the floor.

 

Her heart stopped. She stood frozen behind the counter, terrified to move, terrified that if she spoke, the dream would shatter.

 

Iroha turned her head toward the counter. Her eyes, magnified and clear behind the lenses of her device, locked directly onto Yunah.

 

She didn’t track by sound. She tracked by sight.

 

Yunah felt a lump rise in her throat so big she could barely breathe. She took a single, trembling step forward, her voice shaking as she called out into the quiet bakery:

 

“Iroha.”

 

Iroha gasped—a sharp, sudden intake of air.

 

She looked at Yunah’s dark hair, her soft eyes, her flour-dusted apron, her strong jawline—matching the mental map her fingers had traced weeks ago in the greenhouse to the living, breathing, glowing person standing before her.

 

Iroha raised a shaking hand, pointing her finger toward the sleek optical device resting on her face—showing off her new eyes, her new world, her miracle.

 

“Yunah...” Iroha whispered, her voice cracking with pure emotion.

 

Tears spilled over Iroha’s cheeks, running down under the frame of her visual glasses, but her face opened into a smile so radiant, so breathtakingly happy, that it lit up the entire dim bakery.

 

She let out a soft, weeping laugh, took three rapid strides across the wooden floorboards, and threw her arms around Yunah’s neck.

 

Yunah caught her, wrapping her arms tightly around Iroha’s waist, pulling her flush against her chest, holding her as if she would never let her go.

 

“You can see,” Yunah sobbed into Iroha’s damp hair, laughing through her tears. “You can see me.”

 

Iroha pulled back slightly, her hands framing Yunah’s face—no longer exploring by touch alone, but staring directly into Yunah’s eyes with hungry, joyful wonder.

 

“You look...” Iroha whispered, her voice trembling with awe as her thumb wiped a tear from Yunah’s cheek, “...you look exactly like warmth. You are the most beautiful thing I have ever seen.”

 

Yunah cried softly, resting her forehead against Iroha’s. “I was so scared,” Yunah confessed, her voice breaking. “I was so scared you’d look at me and regret... regret everything.”

 

Iroha shook her head fiercely, weeping with a bright, beautiful smile. “I didn’t need eyes to fall in love with you, Yunah. But I am so glad I get to see your face.”

 

Iroha reached up, touching the frame of her optical device once more, then pressed her forehead gently against Yunah’s shoulder, taking a deep, happy breath of the bakery air.

 

“Tell me,” Iroha whispered softly against Yunah’s neck. “Please tell me what the sky looks like today.”

 

Yunah smiled through her tears, wrapping her arms tighter around Iroha, looking out the rain-streaked window at the soft evening light breaking over the coastal hills.

 

“The sky is pearl-gray,” Yunah murmured softly into Iroha’s ear. “And the rain is stopping. And the whole world is full of light.”

 

“And I can see you”, Iroha spoke, breathless.

 

Yunah smiled, her heart finally at rest.

 

“I see you too.”

 

“I see you clearly.”

Notes:

Fridays always come so slowly yet so fast, don't they?

I was so caught up with university that I almost forgot to publish this today.

I hope this one brings you comfort too.

Series this work belongs to: