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Vegas Style (1958)

Summary:

April 2, 1958, Oasis Apartments, Las Vegas, Nevada

Bambi meets Sunshine's prim mother, Francie Akalino, who's seeking to take her daughter back to Wichita so that she can settle down and get married, much to Bambi's alarm. So, Bambi and their friends must scramble to prove the lie as factual.

Notes:

Bambi is 27 (b. Mar. 12, 1931); Sunshine is 24 (b. Oct. 31, 1933)

was in hospital from 10-16, currently in rehab facility, am now posting my missing fics in my september series

Work Text:

"The velvet curtain is actually a moth-eaten sheet draped over a rusted pipe," Emilio whispers, his voice a sandpaper rasp against the sudden, oppressive silence of the abandoned amphitheater.

 

He isn't looking at the 'stage' he’s cobbled together; he’s looking at Bambi with a predatory, amused glint in his eyes, knowing exactly how much is at stake. The air in the room is thick with the scent of old grease and igneous desert dust, tasting of metallic decay and desperation. The April heat is already beginning to claw at the city of Las Vegas, turning the interior of the building into a stifling kiln.

 

Sunshine stands in the center of the makeshift floor, her chest heaving. She is twenty-four, vibrating with a frantic, jagged energy. Beside her, her mother, Francie Akalino, stands like a pillar of frozen salt—prim, pressed, and smelling of lavender water and disappointment. Francie has come from Wichita to reclaim her daughter, to scrub the neon off her skin and marry her off to some sturdy, boring boy with a mortgage and a lawnmower.

 

"A classical studio," Emilio announces to Francie, his voice shifting instantly from a snarl to a honeyed, conservative drawl. He bows, the movement fluid and deceptive. "The most exclusive company in the valley. A sanctuary for the high arts."

 

Bambi feels a spike of genuine alarm. The thought of Sunshine being dragged back to the cornfields of Kansas is a physical blow to her stomach, a sudden nausea that makes her skin prickle. She looks at Sunshine—the wide-eyed terror in her gaze, the way her fingers tremble against the tulle of a borrowed, slightly frayed tutu. Sunshine has spent years lying to Francie, painting a portrait of a disciplined ballerina, while in reality, she spends her nights shedding sequins under the glare of a spotlight.

 

"And you," Francie says, her voice a thin blade, peering at Bambi. "You are the... artistic director?"

 

Bambi doesn't blink. She steps forward, her heels clicking sharply against the concrete, the sound echoing like a gunshot. She is twenty-seven, seasoned in the art of the performative lie. She smells of heavy musk and expensive powder, a stark contrast to the sterile air around Francine.

 

"The Chief Artistic Director," Bambi corrects, her voice a low, sultry purr.

 

The plan is a frantic scramble. Nancy, who is hovering in the wings with her cousin Richie’s wedding plans still swirling in her head, signals to Emilio. The 'orchestra'—a single, scratching gramophone tucked behind a pile of crates—begins to hiss out a strained Tchaikovsky. Sunshine begins to dance. It is technically proficient, but her heart isn't in it; she is dancing for her life, her movements stiff, her eyes darting toward the exit.

 

Francie’s expression remains skeptical, her lips pressed into a line of unwavering judgment. The illusion is crumbling. Bambi can see the moment the lie starts to fail. She sees the doubt flicker in Francie's eyes—the suspicion that this isn't high art, but a charade.

 

Bambi doesn't think; she reacts. She lunges into the space beside Sunshine, sliding into the routine with a sudden, violent burst of energy. She isn't a ballerina—not in the classical sense—but she is a master of the stage. She adapts her striptease choreography on the fly, translating the fluid, undulating curves of a burlesque routine into the vocabulary of a frantic, high-paced ballet.

 

She arches her back, her spine snapping like a whip, her movements visceral and raw. She uses the momentum of a faux-pirouette to pull Sunshine into a daring lift, their bodies colliding with a sudden, heated intensity. The friction of their skin—sweat-slicked and burning—creates a momentary spark of genuine electricity. Bambi’s muscles strain, her breath coming in sharp, jagged gasps that echo in the cavernous room. She pushes the pace, turning the routine into a whirlwind of tulle and desperation, her movements so aggressive and commanding that Francie is forced to step back, momentarily blinded by the sheer physicality of the performance.

 

As they spin, Bambi catches Sunshine’s eye. The fear in the younger girl’s expression melts into awe. They are dancing on the edge of a cliff, the heat of the room pressing in on them like a physical weight, their lungs burning with every gasp of dusty air. Bambi finishes the piece with a dramatic, sweeping dip, her chest heaving, her skin glowing with a fine sheen of perspiration. She holds the pose, her heart hammering against her ribs like a trapped bird.

 

Francie stands silent for a long moment, the scent of the warehouse fading beneath the overwhelming aura of Bambi’s confidence. "Such passion," Francie breathes, her resolve finally cracking. "I didn't realize the modern school was so... athletic."

 

"It's the Vegas style, Mrs. Akalino," Bambi says, her voice dripping with a triumphant, raw edge. "And Sunshine is the crown jewel of the company. You wouldn't want to stunt that growth, would you?"

 

Francie looks at her daughter, then back at the commanding woman before her. The lie is sealed. As Francie finally concedes, Emilio lets out a slow, jagged exhale, his face returning to its usual mask of cynical amusement, while Bambi and Sunshine share a secret, breathless laugh in the shimmering heat.