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Winter

Summary:

Winter has Demeter's name on it — a mother's clenched hand freezing the world. Because the underworld is the warm place now: hearth fire, a greening garden, and Spring asleep against the King of the Dead.

Word travels. The road into the Underworld carries gods who have never walked it before — old lovers, old friends — come to test what Hades has become.

Notes:

Who’s Who

Not everyone appears in the Winter Arc. The gods have the domains and aspects you’d expect, but I took liberties with the myths, and gender is irrelevant.

Hades - Aizawa Shōta.
Persephone - Midoriya Izuku, also referred to as Spring.
Demeter - Midoriya Inko

Ares - Bakugou Mitsuki, Goddess of War.
Enyalius - Bakugou Katsuki, son of Ares.

Zeus - Yagi Toshinori | All Might
Helios - Todoroki | Endeavor
Athena - Shino | Mandalay

Artemis - Tsutsumi Kaina | Lady Nagant.
Apollo - Yamada Hizashi
Aphrodite - Nemuri | Midnight
Hermes - Iida Tensei

Izuku’s Friend Group

Icelus - Shinsou Hitoshi. Domain: Dreams, nightmares, fear within dreams. Mortals call Icelus Phobetor because they remember the fear he represents more vividly than the comfort he provides.

Iris - Nejire Hado. Domain: Rainbows, possibility, connection, hope, messages between worlds

Pan - Tamaki Amajiki. Domain: Wild places, forests, hidden valleys, caves, animals, wilderness

Shōto Todoroki — he is Helios’ youngest son, but does not have a divine domain.

This will probably only make sense if you've read the first of the series (Garden Beneath the World).

Chapter 1: The Far Bank

Summary:

Winter has Demeter's name on it — a mother's clenched hand freezing the world. Because the underworld is the warm place now: hearth fire, a greening garden, and Spring asleep against the King of the Dead.

Notes:

(See the end of the chapter for notes.)

Chapter Text

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The cold had her name all over it.

Demeter had stood at the hinge of the year since before the first furrow was cut. The mortal realm slept. It closed its eyes and trusted the dark — every seed in the frozen ground believed in spring; that was the faith of her whole domain, the promise underneath all growing things. This cold did not sleep. It kept vigil.

She had tried, in the first weeks, to be gentle with the year. She had stood in the temple's inner court with her back straight and her breath slow, hands open at her sides the way the rites required, and willed the frost to be ordinary, the fallow ground to be the soil's rest between plantings, the way it had been before the changes — before the harvest terms, before the truce she had nodded through with her hands folded in her lap so the divine court would not see her fists shake. The frost thickened on the paving while she stood, white ferns climbing the hem of her chiton. She had stopped trying after that.

The weather was not a thing she sent. It was her grief coloring the days. And a hand cannot be argued into opening while it still believes the thing it holds will fall.

She kept count instead. She knew— to the hour —how long her child had been below, and listened closely for when the world would begin to cry out for him. The need gathered in the roots already. A wordless hunger. The long breath of the soil drawing in to call Spring out, and she counted the waiting like a pulse. That was the agreement. That had always been the agreement, even before this new change: Spring returns.

Now though, her child was not safely tucked away on Olympus — in her home, where she could tend him and ensure his health. Spring had walked away with Death. Now, the earth would get its god back, and for a few months of the year he would stand in the light where she could see him. Where nothing could reach him without coming through her first.

So she had planned that return the way she planned every season, in the ledgers kept in the chamber behind the sanctuary — tablets of the turning: which fields woke first, which orchards opened, which festivals would carry Persephone's name as if they were treats for her child to find.

She had written the spring out in full, day by day, a schedule of his season so complete it was almost like having him, like the plan was a room she could keep him in while the true room sat empty. She caught herself at it in the small hours, more than once: the stylus moving over the wax while the fire sank, assigning him orchards and fields as if he were acreage, as if the days were hers to give away. She knew what she was doing. She could not put the stylus down. The planning was the only hand she had left to hold him with. If she set it down, the room would be empty.

But no plan could keep him. That was the new arithmetic of the world, and it would not balance: the spring would bring him up, he would stand in the light, and then he would leave as he'd chosen. The choosing was the one column her ledgers could not add.

She paced the inner court until her path was worn smooth and the temple began to feel like the inside of her own fist. So at the deep of the year she walked out. She needed to stand in the world her child would wake, and remember. Imagine. Visualize again and again as if the dreaming of it could make it true.

It could not.

The fields lay under a thin blanket of snow, crusted over, waiting. The villages kept their fires low and their prayers quieter than they should have needed to be.

The whole cold world was praying to her. It came up against her like a tide against a wall — the villages naming their harvest goddess over and over, mothers asking for a gentler winter for their children's sake, farmers pleading for the soil to soften under the frost. She could not answer them. The mercy they begged for was not a blessing she could give — it was a fist she would have to open, and every time she reached, the fist closed harder. Some of the prayers named her child instead — Spring, beloved Persephone, the fields are waiting — and those were too painful to hear, so she turned away and walked on.

The farm surfaced out of the grey, or she surfaced at it — the echoes of power drawing her to a place her child had touched. She had told herself, setting out, that she was only walking. Her feet had known the way better than her pride admitted.

It was a small holding at the valley's edge, and she knew it before she knew why. She had noticed it in the famine. This little bit of acreage had yielded despite her scarcity, while the fields around it starved. All because her child had placed his hands in the soil and given it the strength to flourish.

She had wanted to be furious with it. She had come as close as she ever had to unmaking a field. The teary-eyed mother clasping her youngest to her breast, praying for mercy, had stayed her hand.

Now she stood at its edge once again in the deep of winter. The fury had gone out of her, because the farm was good — good the way he was good. Thriving without her. Thriving in spite of her. Fed by a generosity she had not taught him and could not claim. He had been good without her. That was the worst of it. A truth that sat in her the way the cold sat in the ground. Irrefutable. Unappealable.

Along the path to the house stood three pomegranate saplings, taller than a winter of neglect should have left them, wrapped against the cold in sacking, the cords retied recently by a hand that came back daily.

Before the middle one lay a flat stone, carved along its sides and swept clean. A shrine.

But not hers.

She had stood at the center of a hundred shrines built to her name, receiving the world's thanks like sunshine and rain. Her due — hers even when she paid it no mind.

But this little altar under a wrapped tree had not been built for her. It had been raised to her child by strangers who loved him freely. The sight of it lodged under her breastbone like a splinter she could not reach.

The mother came out of the house — the same woman Demeter had watched the season before. Demeter stood, half-ashamed of herself, and watched again. The other mother carried a shallow dish with a honey cake and knelt at the stone in the snow. She unwrapped the cake, set it on the stone, and bent her head, and her lips moved in a low murmur. Demeter wanted to refuse to listen. But she could not resist the temptation to know what they said to her child. What they wanted. Expected.

But the woman asked nothing. She was giving an account: the harvest gathered and stored, the children grown tall, the well still sweet through the winter — a blessing the family counted among the gifts granted.

At the end, her voice dropped, the way voices drop for the true part of a prayer, and she said: When the light turns, come back, if it suits you. Weeks. Months. Our arms, our hearts, our door will be open.

Demeter stood in the frost at the edge of the yard and heard a mortal offer her child the one thing she had refused him: the freedom to go.

The woman pressed her palm to the wrapped trunk of the middle sapling, as if it were a sleeping child's forehead, then rose, brushed the snow from her knees, and went back inside to the warm house to whatever tasks remained for the day. She did not wait for a sign. She did not check the saucer for a blessing. The giving had been the whole of the prayer.

Demeter stepped forward without thought. Drawn without needing will to move. The wanting came up through her like sap, unbidden: to lay her hand on the little tree and give it something. To give, as the woman had given, and walk away without asking for anything in return.

Her palm passed over the sacking.

Frost bloomed under it, white and instant, crawling into the cords, and she snatched her hand back as if the tree had burned her.

She stared at the bright rime she had left on the cloth — the small harm, the signature she could not stop writing. As the goddess of grain and health and birth, she had accepted the worship of nations on altars of stone and gold. Yet, this sapling was wounded at her touch.

She did not follow the woman to the door. She turned and walked back into the grey, and behind her, in the pale noon, the rime dried from the sacking and the cords softened, and the little tree stood unharmed. But she did not see that. She was already counting again, rehearsing the spring she would make so bright, so full, so necessary that her child would look at the light and choose it. Choose her. Stay.

Under the weight of the cold world, was her child warm? The thought arrived where the splinter sat, and it did not comfort. Was he warm down there, in the realms she had spent his childhood teaching him to fear — warm, and not missing her? The frost followed her home like a faithful animal and settled over the fields, and the count went on.

 

 

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The river ran between the worlds above and below. It did not move like water. It moved like something alive — aware, black to the bottom, lit only by the shades of the damned.

Katsuki had stood on this bank for the better part of the winter. He had found the place by pressing at the world until it gave up its sorest point — the place where the road went down into the realm everyone had suddenly started speaking of with soft voices. He had expected a gate, or a wall, or a guard: something he could fight. The river was worse.

The river ignored him and won.

The first day he had walked into it. The water came to his chest — a cold that had nothing to do with temperature, eating into his bones like a verdict — and he had walked until the far bank should have been under his feet. The cold threatened to devour him. It was that, finally, and not the far bank arriving, that made him look back. To his dismay, his own bank remained three steps behind him. He had not been thrown out. He had not been swept away. The river had simply refused him passage. The river did not fight him. It was simply declining him.

He had raged, after that. His palms had lit, and the river had swallowed the sparks and smoothed itself over, patient as stone. He had tried to leap the crossing the way gods leap between realms, and come down on the same stones, ankle-deep, the splash of his landing soaking his shins.

It was not impressed by his fire or fury. And on the day he stopped trying, he let himself see what he had known since the great hall: the river was the same refusal the necklace had given him in front of every god who mattered, the clasp sliding open in his fingers. He had told himself, for months, that the gift had been wrong, the timing wrong, the earth mistaken. Standing on a bank, denied again, he could no longer tell himself that. The clasp had not been broken. The gift had not been cursed. The only common part had been the hand — his hand, reaching for what he had been raised to believe was his to take.

A day later he was back on the shore. That was the part he couldn't explain, even to himself. He had stopped believing the crossing would happen for him — but the river was the only place where he could be honest in his wanting. Olympus had gone quiet around him, the careful not-looking, the pity dressed as respect, his mother's baffled fury that he could not simply take back what was owed. Down here, there was no one to perform for. The river did not pity him and did not hate him. It had no opinion at all, and that was what kept him standing on its bank, letting the lessons pile up around him like snow.

Icelus came out of the grey along the bank, strolling as easily as a man who had walked this way a thousand times before. Because he was. It was simply the road home, and his feet knew the way.

He saw Katsuki but did not slow. He bent his course by half a step, enough to pass within arm's reach, and the purple eyes went half-lidded — the look of a man considering the weight of the words before he drops them.

"Enyalius." The drawl took the name and made a greeting of it, and a question.

"How do you cross?" Katsuki heard the demand in his own voice and could not smooth it out. It was the only way he had ever known to want anything: loudly and with certainty.

Icelus looked at the water. Then at him. "I don't cross," he said, slow as syrup. "I go home."

He stepped into the river, and the black water came to his knees and stayed there, and the far bank came to meet his steps the way it had refused to meet Katsuki's. The crossing simply worked for him, the way a door works for the person who lives behind it. On the other side, he paused. His voice rolled across the water, considering, almost kind.

"It was never the water, Enyalius."

And he went on his way, and Katsuki stood alone with the river's patient denial.

The heat had come up into his palms without his permission — the old reflex, the fist before the thought, the answer to everything — and he stood there and made himself uncurl finger by finger. Putting down a weapon now that he was beginning to see what using it was costing him.

He was there the next morning, and the morning after. The ritual settled into him the way a garrison settles into a post: the walk through the frozen trees, the hour on the bank, the warm gleam of the dark mouth across the water. He had stopped telling himself he was waiting for the crossing to open. But he had not stopped coming.

On the evening the frost began to feel less like an enemy, and more like a familiar, Shouto came down the bank.

He walked out of the frozen trees dressed lightly, with his hands bare, because he was never cold: Helios's son, fire running under the skin like a second blood. The frost melting beneath each step. A line of dark wet earth followed him down to the water's edge.

Katsuki was standing in his path, between the trees and the river, and Shouto crossed past him — near enough that the frost let go of the ground at Katsuki's boots for a step, but no nearer. He did not slow. If his gaze found Katsuki at all, it held nothing. Contempt would have been an acknowledgment. Curiosity would have been a change. The fire god had nothing for him, and gave exactly that — the way the river gave it: no opinion, no hatred, no concern at all.

"You!" The word came out of Katsuki before he had chosen it, and the whole winter came out behind it. "Everyone around him — you, the forest thing, the nightmare, the rainbow girl — all of you just let him walk away with death."

The words arrived at Shouto's back, but he did not look back. He reached the water's edge without slowing, stepped into the river, and the black water held him. The far bank came to meet his feet.

He stopped at the threshold — the way any man pauses at a door before he goes in. When he spoke, his voice carried over the black water, flat and true. Certain.

"It's what he chose. What else were we supposed to do?"

The sentence went into Katsuki's chest like a blade, and he waited for the pain. He had heard the "choosing" line before — in the great hall, the refusal that had ended his world in the space of a breath. He had never heard it said like that: flat, without triumph. Shouto was not refusing him anything. He was stating what had happened, and then he was gone. The dark swallowed the last of his shape, and the water closed to stillness behind him. The bank held only Katsuki and the thaw-line at the water's edge already beginning to frost over again.

Shouto loved Izuku. Everyone knew that much; it was written in the way he stood beside him at every gathering that allowed it. But he had not stopped him, and the not-stopping had left the way open down into the dark realm. Not just welcomed, maybe expected. The realm Spring had chosen over Katsuki.

Katsuki had come to this bank ready to fight that love: to measure himself against it, to find it wanting the way the necklace had found him wanting. There was nothing to fight. Shouto had crossed the river, and the crossing had been the whole of it: no heat, no claim, no pause on this bank at all. Even the words had come from the far side — true, and finished, and already turning away. It was worse than a refusal, because a refusal admits you matter enough to reject.

He sat down. He had never chosen to sit on this bank — standing was for warriors, for the ready, for men who might need to move. Sitting was a sort of surrender, something he'd have raged against a season ago.

The frost came up through his clothes, and his heat answered it, and for a long while the two of them fought to a draw in the wool over his knees. Across the water the dark held its faint warmth, and behind it — he could not see it, he would never see it from this bank — someone was chosen. And someone was kept, the way he had never once thought to keep anything: by letting go.

He had told Spring once that they were supposed to stand together. He was beginning to understand that you cannot stand beside someone you are holding down.

He watched the light the way you watch a fire from out in the cold. It did not warm him, but he could not look away.

He came back the day after that. The river declined him gently, and he sat. And for the first time in his life, he was waiting for something he was not planning to take.

 

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Notes:

You cannot stand beside someone you are holding down" was probably my proudest line.