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The Name She Did Not Want

Summary:

Andrea Sachs is actually Andrea Elias-Sachs. She's living her life not bound by the family name until now. Years after Paris, Irv still trying to oust Miranda but Andy will not let that happen if she has anything to do with it.

Of course she does.

Notes:

(See the end of the work for notes.)

Chapter 1: The Girl Who Ran

Chapter Text


Andrea Sachs was born Andrea Elias-Sachs, though almost no one alive knew the middle name existed. Her mother had struck it from every school form, every doctor's file, every social introduction, the moment Andy was old enough to understand why.

The Elias name meant something in New York publishing circles — old money, older paper mills, a controlling family stake tucked three generations deep into what eventually became Elias-Clarke. Andy's great-grandfather, Warrick Elias, had been one of the founding financiers of the company back when it was still a scrappy print house instead of a media empire with Runway as its crown jewel. Andy's grandmother, Eleanor Elias, had married out of the public-facing side of the business and raised her children to stay quiet, invest wisely, and never, under any circumstance, let their name become a headline.

Andy's mother had broken that rule exactly once — by falling in love with a college professor from Ohio and refusing to give him up. The Elias family had not disowned her, not officially. They simply stopped mentioning her at dinners. Money still moved quietly in trusts and holding accounts, but affection did not travel with it.

Andy grew up seeing both sides. Summers in Cincinnati with her father's loud, warm, unpretentious family. Two weeks every August at her grandmother's estate in Connecticut, where she was taught which fork to use and how to shake hands like she meant it, where she watched cousins she barely knew jockey for approval like it was oxygen.

She hated it. Not the money — she was young enough not to fully understand money — but the performance of it. The sense that everyone around that table was auditioning for a role they'd been assigned at birth, and that she had been assigned one too, whether she wanted it or not.

She decided at fourteen, watching her grandmother coolly dissect a second cousin's "unsuitable" choice of college major, that she would build something that was entirely, unassailably hers. Something no inheritance could buy and no family name could claim credit for.

She chose journalism because it was the opposite of everything the Elias name represented. Journalism exposed things. It didn't hide behind boardroom doors. It didn't answer to shareholders. And — though she would only admit this to herself late at night, years later — it terrified her family exactly the way she wanted it to.

She used her father's surname on every byline. She told almost no one at Northwestern about her mother's maiden name. When she got the assistant job at Runway, Emily Charlton ran a background check thorough enough to know Andy's shoe size, and it turned up nothing more interesting than a mediocre GPA in the wrong major. Andy had made sure of that.

Miranda Priestly never asked where Andy came from. Miranda Priestly asked what Andy could do, and for a year, the answer was: whatever was required, badly, and then eventually, well.

Andy quit in Paris throwing her flip phone in her hand on a fountain, and she told herself it was about ethics — about Miranda throwing Nigel under the bus, about Emily's crushed face, about a version of success that asked her to disappear into someone else's reflection.

All of that was true. It just wasn't the whole truth.

What she didn't say out loud, not even to Nate before everything fell apart between them, was that Paris had also shown her exactly how easily she could become someone who let the ends justify anything. She had seen it in Miranda. She had felt the first cold edges of it in herself. And some old, stubborn, fourteen-year-old part of her — the one who'd sworn at that Connecticut dinner table that she'd never let ambition eat her whole — panicked.

She flew home with nothing but a portfolio of clips too glamorous for anywhere serious and too thin for anywhere real — and one thing she hadn't expected: a recommendation letter from Miranda Priestly herself, two sentences long, sent unprompted to an editor at The Mirror Andy had once mentioned, half-joking, that she'd wanted to write for since college. Andy never found out how Miranda even remembered that detail. She suspected Miranda simply remembered everything and discarded nothing that might later be useful, including kindness. The letter worked exactly as well as anything with Miranda's name on it worked. Andy was hired within two weeks as a junior reporter on the metro desk.

It should have felt like vindication. For a while, it did. She wrote real stories — small ones, city council corruption, a tenant-rights piece that got a slumlord fined — the kind of work she'd told herself, back in Connecticut, that she wanted her whole life to be. But something in her had come back from Paris scraped raw and directionless in a way she hadn't expected. She'd spent a year chasing Miranda's approval so completely that she'd lost the shape of her own ambition somewhere along the way, and The Mirror newsroom, for all its integrity, felt at times like just another room where she was performing a version of herself for an audience — editors this time, instead of a magazine — instead of actually knowing what she wanted from the work.

She lasted eleven months. She told her editor it was burnout, which was true, and that she needed time to figure out what kind of journalist she actually wanted to be, which was truer. She quit without another job lined up, which horrified everyone who knew her, and spent the following stretch of unemployment — nearly four months of it — genuinely lost in a way she hadn't allowed herself to be since she was fourteen years old at that dinner table in Connecticut, watching people perform lives instead of live them, and swearing she'd never do the same.

It was during that stretch — broke in spirit if not quite in fact, sorting through boxes she'd shipped home from an aborted Paris sublet, The Mirror's masthead still sitting unread in a drawer because she couldn't look at it yet — that a letter arrived. Cream stationery, a law firm in Zurich, addressed not to Andrea Sachs but to Ms. Andrea Elias-Sachs, regarding the estate and instruments of Warrick Elias.

Her grandmother wanted to see her.