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Elasticity of Collagen and Muscle (1892)

Summary:

23 February 1892, Park Guell, Barcelona, Spain

Isaac goes incognito to perform. Zdeněk is also undercover, sitting at an outdoor cafe with the children—him, Alfonso, and Enriqueta at one table; Richard, Elsa, and Laura at the other—enjoying milkshakes as they watch the personal concert.

Notes:

sorry for how late I'm backdating. i'm going to be uploading days 21-29 today. they've been finished; i've just been dealing with hospital trips and clinic rehabilitation. i'm still in recovery, but i'm going to upload these while i can 🩻

Zdeněk is (b. December 21, 1850 in Všebořice, Bohemia); Isaac is (b. May 29, 1860 in Camprodon, Spain)

They've been married since 20 February 1873 and have five children together (three daughters, two sons):
- Richard (17; b. 21 Oct. 1874) is in his last year of public schooling and plans to either be a journalist or build automobile carriages.
- Elsa (17, b. 21 Oct. 1874) is in her last year of public schooling and had a children's book published last year under E.B. Albéniz-Fibich.
- Alfonso (7, b. 28 Feb. 1885) loves to play professional football (soccer).
- Enriqueta (5, b. 13 Feb. 1887) is a quiet girl who prefers to draw alone.
- Laura (2, b. 9 Jan. 1890) likes to listen to Icelandic lullabies and Elsa reading bedtime stories.

Work Text:

The guitar strings bite into Isaac’s calloused fingertips with a familiar, stinging hunger. He is a ghost in a wide-brimmed hat, his face half-hidden in the shifting shadows of Park Güell, playing for the wind and the scattered coins of strangers who do not realize they are witnessing a master. The music is a fever, a Spanish dance that vibrates in the hollow of his chest, sending a rhythmic heat surging through his veins. He plays with a raw, desperate intensity, the chords colliding like storms over the Mediterranean.

 

Across the cobblestone plaza, Zdeněk watches. He is draped in a linen coat that blends into the limestone, seated at a wrought-iron café table. He is the only one who recognizes the specific, arrogant tilt of Isaac’s wrist, the way the musician leans into the crescendo as if trying to break the air itself. A secret thrill, thick and heavy as molten wax, settles in Zdeněk’s gut.

 

Between them, the children are a chaotic blur of laughter and sugar. At one table, Zdeněk anchors the center, flanked by seven-year-old Alfonso, who is vibrating with the need to kick a ball, and five-year-old Enriqueta, her small fingers stained with charcoal as she sketches the musician’s silhouette in a notebook. At the adjacent table, seventeen-year-old twins Richard and Elsa share a conspiratorial glance over their milkshakes, while two-year-old Laura leans her head against Elsa’s shoulder, her eyes drooping.

 

Zdeněk feels the pull of his husband—a magnetic, visceral tension that transcends the distance. He remembers the way Isaac’s skin feels beneath his palms, the elasticity of collagen and muscle in a body honed by passion and discipline. The music swells, a visceral call and response, and as Isaac’s eyes lock onto Zdeněk’s through the crowd, the air between them ignites. The performance is for the public, but the heat is for them alone.