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Summary
Rumi grows up to fight. A weapon before a person, a tool before an emotion, a destiny before a choice.
Before worldwide fame, before becoming a music icon, before having her girls, before being the hunter destined to turn the Honmoon golden… Rumi was a child.
Shaped by her fate and by Celine. By a life she never asked for and a weight that thrilled her as much as it tormented her. Rumi wanted only one thing: to be loved.
…“Celine? Do hunters kill all demons?”
Celine doesn’t hesitate. It’s automatic, like the pull of a trigger. “Yes.”—Or—
A story that traces Rumi’s childhood, Celine’s fractured identity, the events of the film… and what happens when love stops being a cage.
Pre-canon, partial canon retelling, and post-canon. Polytrix endgame. -
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Summary
Set after the first four episodes of Season 2.
In the midst of a vision, Wednesday sees more than she’s ready to face.
She could deal with chaos and unsolved crimes, but this scenario pulls her far from any experience she’s ever lived — and it is, unfortunately, a feeling as terrifying as it is beautiful.
“Wednesday doesn’t tremble, doesn’t fear, doesn’t flee. But she longs — longs in a disastrous way she shouldn’t. But Enid says nothing, and maybe it isn’t as big as she imagines. Maybe it’s just simple chaos, an inevitable equation, the natural outcome of the variables. Maybe this isn’t such an atrocious act of intimacy when she’s spent the past months begging for Enid — for her safety, her life, her happiness, for everything around her. Maybe she had already accepted it not as a premonition from her parents, but rather as the missing piece of her life’s puzzle. And Wednesday doesn’t leave things unfinished.”