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Summary
When he looks back on it later, Nina isn’t sure how it started. He knows it was the night of the finale taping, and Monet had been there dripping in sequins the color of champagne, lips painted dark purple like a bruise a few days after forming. When he really considers it, that’s exactly what Monet feels like now - a days old bruise that stings when you push on it, but is so damn tempting that you can’t stop.
Series
- Part 14 of blood and honey