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Summary
Animatronics shouldn’t move when they’re turned off. When it’s night, and the floor is silent, and the music has stopped, there shouldn’t be anything moving. Not the eyes that moved and caught the camera, not the bodies that twisted and turned as if ready to come alive at any moment, and not the sounds, as if someone was singing who had never before heard singing. Animatronics should be dead when they were turned off.
It was Mike Schmidt’s sort of luck that the animatronics he was in charge of weren’t dead. Still, he had rent to pay, a job to do, and five nights to figure out just what the mystery was behind Freddy Fazbear’s Pizzaria.
Really, how bad could it be?