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    Summary

    Elias rolls his eyes, thinking it best not to answer. He instead flicks through his copy of the leaflet, making the conscious decision to read it with his own eyes. The first page is a map of the museum, and the second contains white text laid over a self-portrait of Benjamin, painted sometime between their final meeting and his death in 1857.

    “... While his later life saw Earnest’s name become well-known in Victorian society, many of his works, along with his life, from the early 19th century have become something of a mystery- until now,” the leaflet proudly proclaims, “With the help of both his family and the family of Barnabas Bennett - a recurring character in Earnest’s earlier life and many of his paintings - the National Gallery are ecstatic to present these works, alongside long-lost letters and writings, that document the fascinating social circle that the painter became entangled with.” The words make Elias sick to his stomach.

    --

    In an art gallery, Elias comes face-to-face with people from his past and is forced to confront his own feelings - both in the past and the present.

    Language:
    English
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