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Summary
“Besides,” April says, lowering her voice to a whisper, seemingly ignoring how Sterling is deeply unwell, “Twelfth Night has a delightful amount of lesbian subtext. It can be fully viewed as Olivia realizing why the only man she ever loved was not, in fact, a man, and what that implies about the constrictions of the era-”
“I love you.”
April’s eyebrows shoot to her forehead. Sterling could die. Maybe she will. Maybe the linoleum floor will swallow her up right now. Anything would be preferable to accidentally blurting out that she loves (loves?!) someone who she spent a week making out with over a year ago, and has only been on speaking terms with for the past two weeks.
Series
- Part 2 of dumbasses in love 2020
