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The painting is as good a place to start the conversation as anything. Bond looks at him, a glance at first, though Q doesn’t for a moment believe that glance isn’t enough to let Bond know a dozen different things about Q. Then Bond looks him over more carefully. There’s a moment of stillness, and then nothing really changes in Bond’s expression, but Q is suddenly sure Bond has made some kind of conclusion about him.
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"He’s just been kissed half senseless by someone he possibly somewhat admires. It’s the worst."
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