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English
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One Year Celebration
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Published:
2021-10-23
Words:
666
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1/1
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4
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belladonna

Summary:

and with your cherry lipstick-clad cigarettes and wine-stained dress,
would you go to him again?

(written for the Bethov One Year Celebration)

Notes:

First time writing poetry, needless to say. ♡

The line “head-to-head, eyes wide open, rooms apart” is partly inspired by the talented avon_leas’ Adjoin.

This is an entry for the "One Year Celebration," a collection of works to honour the first anniversary of The Queen's Gambit.

(See the end of the work for more notes.)

Work Text:

remember

the odor of dead roses and wilted honeysuckles, rosemary and pansies 

dust particles spiraling at a languid pace, this pleasant idleness

the muffled staccato of a piano upstairs, goosebumps on her skin

the soft thud-thud of her shoes as she walks along the shadowy halls

going to him in the throes of a phantasmagoria

as always

 

and yes, you do

remember that night

the moon was blue and radiant with energy, an artificial blue of sapphires

casting its beams through crystal droplets

and the tidal vibrations dispersed into a kaleidoscope of colors across the room

and everything existed with her,

                                              for her

just like you — yes, yes, you.

and tell me, is she not your whole world?

how long have you been here, stargazing at her, studying the precise flicker of her daggered eyes?

the chuckle she lets out is as bright as wind chimes in your ears,

you are weak, terribly weak before her

as usual, even now

 

Liza, you think, for she is the eternal grace; your beautiful, talented Liza

who reminds you of poetry and time-soft photographs; quaint, even nostalgic

born from the synthesis of antiquity and novelty,

breathing erratic, chest heavy

lusters of lapis lazuli undulating on her glossy face

 

for she’s stiff as a statue, you’re afraid you’ll break her skin;

there would be blood oozing from her cracked capillaries

dripping from the wilted blossoms you would leave

it would tarnish the mother-of-pearl of her cheeks

that’s why you never touch her

but still, you want to make sure she is really here, with you,

so, you take a step towards her, this vixen, this spitfire, but —

she just gets smaller and smaller, her body reduced into a pinprick

the hazy image of her arm reaching towards you

and she is nothing but a ghost in your memory,

and you know she’s threatening to haunt you forever

as she always did — surrender

 

(yes, she did)

 

tell me, you,

do you remember how you starved yourself at night, last year, in that room?

with damp sheets and a ceiling too low, too low

brocade draperies and a soft breeze, an unnatural kind of dark

head-to-head, eyes wide open, rooms apart

 

you, alone

and him, alone

you know you are here for him

and with your cherry lipstick-clad cigarettes and wine-stained dress,

would you go to him again?

crossing the battleground where you stand,

only to hold those hands of his; cruel, callous, soulless

and of course, you do

remember it, after all this time,

how can you not, when he catches you looking at him, and cuts your breath

cuts your skin too, with his cold bare hands

yet you want them placed between your lungs,

strangling you till you beg for life

robbing you of your breath of life

stealing a kiss

there you let go of a sigh, a starstruck flicker exchanged between your lips, giving in

frostbitten by his kiss, drugged with poppies

he catches it like a predator, for he needs you like air,

and your head is spinning in pure euphoria among cascades and whirlwinds

and he takes you as you plead into his mouth, 

                                                         Vasya, Vasya   

before he leaves you panting against the mirrored wall, as always

as usual

 

and you’re running in circles, wondering how,

how to make it last longer than you are fated to have

how to stretch this moment, this honey-measured ephemera, an incarnation of leitmotivs

and of course you do

know it,

of course you feel it

but still, tell me, you say, for you wonder 

                                                                when

when, when, when

 

it all seems like a farce now, in hindsight, one year past,

you want to tell her to go away,

to leave

to abandon the past you couldn’t have, the future you won’t have

and yet, you would do it again

love him again, this infernal, foreign man,

see him all over again, and be seen in return

until all left from you is a monochromatic board and thirty pieces.

Notes:

Yup, the word count is intentional.
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