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Summary
In mid-summer, between the calls of the birds and the bloom in the trees, engine-song threatens the land—riding through the dark passes of broken time and stagnant yesterdays. You, stoic and peculiar, the phantom cowering in the brush and fumbling between the rows of trailers in Shady Springs Mobile Homes in Austin, Texas halt the unabating melancholia of Joel Miller’s desperate escape to the depths of a bottle of Jim Beam; the last threads of his morality challenged as he embarked on an endeavour that festered into ugly, disparaging affliction.
