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Summary
Michelangelo could be considered one antithesis to Rafael, in the way that he had rendered David standing not in peace but in calculating tension before battle, humanity’s unending struggle towards the divine. The forms of the tortured souls had writhed in their suffering at the last judgment, and Russia would always come to crave the sight of the same agony on China’s calm face.
(Or: Russia becomes obsessed with his abusive father's lover.)