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all the stars we could not name (with hands still reaching)

Summary:

He wished to be safe. Or free. Or home—whatever that meant.

And the world, in a rare moment of mercy, answered.

One blink, and nine-year-old Gojo Satoru is no longer a weapon in training, but a boy curled up in the grass beside a river, blinking against sunlight, as a quiet voice asks if he’s okay. Suguru, his name is. A boy with kind hands and a gift he doesn’t yet dread. Together, they carve a summer out of borrowed time, full of wooden sandals on dirt roads, curses that don’t yet bite, and a closeness too big for language.

or: the one in which Satoru bends the world to escape it, and Suguru makes it soft enough to stay.

Notes:

hi! I just want to give a quick heads-up that my writing might feel a bit confusing or uneven at times — I’m still finding my style and working on improving. grammar isn’t really my strongest suit, and since english isn’t my first language, some sentences might come out a little awkward. I know, it’s a cliché excuse, but I hope you can bear with me. thank you so much for reading, and I truly hope you enjoy the story! :)

(See the end of the work for more notes.)

Chapter 1: prologue

Chapter Text

There’s a sky hovering above him.

Or at least he thinks there is. 

In truth, It’s hard to be certain anymore. The boundaries between what’s real and what’s suggested having thinned to transparency, delicate as breath on glass. The light overhead was soft and pallid, so unformed it scarcely seemed to touch him at all. It settled on his skin without warmth, something there, and yet not there at all. Overhead, the clouds stretched on and on, so faint they felt imagined – their pale shimmer reflecting the dim, opalescent light one might glimpse behind closed eyelids seconds before surrendering to sleep. It was a place that felt dreamed, though by whom, he couldn’t have said.

Around him, the world held its imitation of beauty. Trees stood in stillness, untouched by the wind. Grass stretched in seamless, scentless plains. Petals hung suspended in the air, arrested mid-fall, gravity forgotten or perhaps never conceived here. Even the air moved strangely, if it even moved at all, each breath dragging through the lungs like the pull of water over the drowned.

He could hear a chorus of voices, too. 

Not near, not far, neither inside nor outside his head.

The voices, distorted as they were, rose and fell like the tide. Not quite distinguishable at first, but rather, the memory of sound before it takes shape. The shuffle of papers, the clipped tap of heels against tile; names passed between mouths stripped of faces.

Try harder, Satoru—no, not like that—faster—listen—don’t drift—he’s not stable—better than anyone—again—focus—why can’t you—almost there—stop wasting time—yes, just like that, but sharper—Gojo-sensei, are you—did you hear?—this week's report—you’re not concentrating—the meeting at ten—don’t forget—again, again—eyes up, eyes open—he should know this by now—why won’t you—better, stronger—that’s not what we taught you—don’t lose him—keep up—stop slipping—can you hear?—quiet now—almost perfect—speak when spoken to—don’t speak—move faster—don’t stop—he’s not listening—he’s too young—he’s too much—too little—too slow—too fast—try harder—try harder—try harder—you’re the strongest, aren’t you?—Again—Again—Again. 

​​There was motion, too – faint and formless, rising and falling in a way that suggested neither purpose nor pattern. He didn’t move to answer them. He couldn’t, even if he wanted to. His body had been reduced to a mere suggestion, an afterthought. There's the sense of limbs, of a throat, of hands once capable of touching and grasping and striking. Except now, they felt distant, as if belonging to someone else entirely. Someone not him. 

And he is floating .

Or rather, he drifts, suspended in a strange, pale space where nothing tethers him down. The feeling isn’t numbness. It’s something more whole, more complete, like existing in the deepest part of a held breath. There, he lingers in a quiet so complete it feels less like silence and more like the absence of anything that could break it. A pause stretched thin between one heartbeat and the next, between one world and the other.

And strangely, it’s here, in the stillness, that his mind feels the most fluid it’s been in days.

Everything is soft. Everything is distant.

Light filters in from somewhere, dim and directionless, and he thinks, with a kind of detached curiosity, about the sun.

Not the pallid wash hovering over him now, if light even exists here, but the sun that once held him. The sun he remembers would never have settled for this. The sun he remembers pressed against skin until it branded itself there, until he could feel it long after it had slipped below the horizon. He can almost call it back: heat caught behind his ribs, the sharp taste of dust on his tongue, the fierce ribbons of gold that bloomed behind his eyelids if he closed them too long. For a moment, it feels close enough to swallow him, and he wishes it would.

But the illusion doesn’t hold.

Other things stir instead.

Not memories, no.  He’s almost certain of that. Memories have shape, a structure you can trace back to their origin. These were something else entirely – scattered, disjointed flashes that slip away before he can make sense of them. A smear of afternoon heat so thick it seems to slow his blood. The  ticklish slide of sweat along the groove of his spine, sticky and cool in the hollows between shoulder blades; the bitter kiss of salt caught in the curve of a smile. All of it familiar in the same way a half-healed bruise is familiar.

And then, like something surfacing through deep water, a shape coalesces. A boy stands just ahead, impossibly vivid. The rest of the world dimming and receding around that single point of focus, as if everything else has agreed to fall silent.

He is not a memory. Not yet. But Satoru feels, with a curious ache, that he will be.

He’s standing there as if he’s always been there, though Satoru is sure he would have noticed. Everything else pales in comparison. The boy is all contrast: hair so black it seems to drink the light, falling in loose strands that brush the tops of freckled shoulders. The darkness of it frames a face too striking to be called merely beautiful, all fine bones and unguarded softness that seem almost at odds. His skin is darkened by the sun, warm and alive in a way nothing else here is, and his eyes—Satoru cannot look away from his eyes. Pale purple, soft at the center, but ringed in a halo of amber bright as the first flare of dawn. They look like something the sun itself might have left behind.

For one suspended moment, Satoru is sure nothing in the world has ever been so bright. Not the real sun, not the molten gold behind his eyelids, not the imagined fragments pressing in from all sides. This boy, this impossible vision, eclipses everything.

He reaches out.

And in that breathless moment, the world tilts.

It starts subtly: the boy’s outline trembles, as if caught in heat shimmer. Light begins to warp around him, folds into itself, colors no longer settle where they belong. The amber of his eyes spills out like liquid fire, dripping into the soft lines of his face, pulling his features out of shape. His hair bleeds blacker than black, sliding off his shoulders like oil, like ink, like shadow loosed from form.

Then everything dissolves at once. 

The space itself convulses around him. Light floods the edges of his vision, too bright, too cold, scalding the backs of his eyes. He tries to turn away, but there is no away to turn to. Every direction is the same - blinding, searing, hungry.

Shapes boil up from the floor, dark coils writhing in the corners of his sight, suggestions of limbs and mouths and faces that appear and vanish before he can name them. He feels himself pulled apart, sense by sense: the high keen of that shattering noise splintering in his ears, the taste of iron flooding his tongue, the sick certainty that if he looks too closely he’ll see something he won’t come back from. 

He tries to remember how to breathe.

He tries to remember the boy’s face before it broke.

But the thought unspools, slips through his grasp.

And then he is falling—though there is no motion, no wind, no gravity. Only the sensation of being unmade, reduced to a thin thread of awareness stretching between nowhere and nothing.

When the world finally lurches back into shape, it does so all at once.

 

He is sitting again.

The dining hall yawns around him in its cavernous splendor, too vast to cradle anything human. In front of him, the lacquered table stretches on and on, an obsidian river, its surface so perfectly polished it seems less a thing made by hands than conjured by fevered dreaming. Reflections bleed and warp in it: the low sway of light, the pale curve of porcelain, the loose ghost of his own face, slack and unfamiliar. At its head, Satoru sits small, diminished, his hands useless and still in his lap. All the beauty in the world sprawls before him, and still, he has never felt so utterly, unbearably small.

Notes:

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