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Summary
Ethan hates tape, he admits one day, showing her the scars on the backs of his knuckles. It's a necessary evil on a long climb, but it's the rock scraping and pinching his hands that makes him feel alive. Ilsa compares it to the Black Swan—the pas de deux and its famous turns, known for leaving dancers breathless.
Like her, the only way Ethan knows how to live in his body is to push it to the limit.