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Voicemail From the Field

Summary:

Flambae records long voice notes throught the work day. Sending each one to Robert, who listens to each and everyone, like his own personal audiobook

Work Text:

Robert’s morning shift started with a notification. Not the standard alert on his dispatch console, but a private, vibrating buzz from his personal phone, face-down on the desk. A voice message, forty-seven seconds long.

He plugged in his earpiece, one channel still open for official comms, and tapped play.

“Okay, so. Good morning. Or, I guess, good ‘you’re already at work and I’m still in my civvies’ morning. I’m on the bus. There’s a guy across from me eating what I think is a raw onion like an apple. Just… crunching. It’s horrifying. I’m making eye contact with him to establish dominance. He’s not backing down. This is a battle of wills now, Robbie. Also, I think I forgot to water my cactus. His name is Spiky. Do you think cacti hold grudges? He’s probably so thirsty. I’m a bad plant dad. Anyway, the bus smells like old rain and defeat. Talk later.”

A soft, almost imperceptible exhale escaped Robert. He saved the audio file into a folder simply labeled ‘N.’ He’d created it two weeks ago. It was getting full.

The dispatch work flowed around the private soundtrack. He coordinated a response to a malfunctioning weather-controlling seagull in Redondo Beach, his voice calm and dry in the official channel. In his other ear, Nasir’s world continued.

A new message, twenty-two seconds. The sound of wind rushing, the faint thud of boots landing on gravel. “Just got to the precinct to suit up. Prism is here, she’s doing her eyeliner in the reflection of a toaster. It’s working, somehow. She says hi. I said you probably just nodded. Was I right? Anyway, Blond Blazer says we’ve got a possible smash-and-grab on Hawthorne. Low priority but we’re closest. Should be boring. I’ll make it fun. For you, I mean. For the audio diary. Not for the criminals. Unless they’d appreciate—oh, we’re moving. Later.”

Robert did nod. He typed a quick, text response. >Nod confirmed. Stay safe. Make it boring.

The reply was another voice note, this one shorter, breathless. “Boring is a sin. You know this.”

An hour passed. Robert was deep in logistics, rerouting Golem around a fragile sewer line, when his phone buzzed again. A longer message, over a minute. He played it.

“So we’re on scene, right? It’s a pawn shop. The guy’s just… he’s just loading a tuba into a hatchback. Not even a nice tuba. A sad, dented tuba. And I’m like, ‘Sir, you have to pay for that.’ And he goes—” A sudden, sharp crash of glass and a distant, angry yell cut through Nasir’s narration. “—HEY! PUT THE TROMBONE DOWN! THAT IS NOT EVEN THE RIGHT INSTRUMENT, YOU PHILISTINE!” A loud, rushing whoosh filled the audio, followed by a startled yelp and the sound of a car alarm dying abruptly. A beat of silence, then Nasir’s voice returned, slightly closer to the mic, a little breathless. “I didn’t set them on fire. Even if the report says I did. Anyways, where was I? Oh, right. The acoustics of crime. So this guy, he tries to—”

Robert paused the audio, a full, quiet laugh shaking his shoulders. He could see it. The dramatic finger-pointing, the indignant correction about brass instruments, the precise, flashy use of a heat wave to short-circuit the car’s electronics. He let the rest of the message play, Nasir’s rant about the decline of musical education fading into the background as Robert authorized a clean-up crew for the pawn shop’s broken window.

The voice notes became his personal audiobook, chapters arriving between the pages of his workday. One arrived as he was eating a sad desk salad. Nasir was describing the weird graffiti in an alley, his voice dipping into a mix of English and Dari, the words flowing into one another.

“...and the tag here is all موج‌دار—sorry, uh, wavy, swoopy lines, but then it’s got this sharp, like, مجروح heart right in the middle? A wounded heart. It’s kind of beautiful. گذرا، موقت vibe, you know? Temporary. But it says something.”

Robert didn’t know the words. But he heard the reverence in Nasir’s tone, the softness that only appeared when he talked about art or home or the space where they overlapped. He heard the energy, not the dictionary definition. He texted back. 

>Send a pic of the wounded heart.

The photo came through, blurry and off-center. It was perfect.

The afternoon dragged. Paperwork piled up. A new voice note, this one while Nasir was apparently waiting for a forensics team. He was humming something tuneless, then sighing. “I’m bored. Tell me a fact. Any fact. What’s the airspeed velocity of an unladen swallow? What’s the capital of Bhutan? What’s… what’s that thing you said Beef does when he dreams?”

Robert stopped typing his incident report. He held the phone closer, his voice low as he recorded a quick ten-second reply. “11 meters per second, or 24 miles per hour, or 39 kilometers per hour. It’s Thimphu. And his back legs twitch. Like he’s running. Probably from the organic kibble.”

The laugh that came back in the next voice message was worth the slight breach of professional decorum. It was bright and startled, as if Robert had snuck up on him.

As Robert’s shift neared its end, a final message arrived. The quality was different—muffled, intimate. The sound of fabric rustling, a deep, tired sigh. Nasir must have been back at the precinct, in a locker room or a quiet corner.

“Long day. My shoulders are… ugh. Everything is. Prism wouldn’t stop talking about some influencer drama. Sonar kept doing that low-frequency hum that makes my fillings ache. I just… I wanted to hear your voice, but you’re working. So you get mine instead. Is that okay? I’m just gonna… talk for a minute. You don’t have to reply.”

A long pause. Robert could hear him breathing, steady and slow.

“I keep thinking about those gradient streamers. Pink to black. It’s a good idea. You’re good at ideas. The quiet, solid ones. My ideas are all… whoosh and spark. Yours are the tape that holds the spark to the wall. That’s a weird metaphor. I’m tired. My Dari is mixing with my English and my English is mixing with my tired. من تو را دوست دارم, Robbie. See you soon.”

The message ended. Robert sat in the dimming light of the dispatch booth, the console screens casting a blue glow on his face. He played the last thirty seconds again. Just the breathing, the rustle, the quiet, bilingual fatigue. He saved it. He labeled it ‘Tape.’

He was about to pack up when his phone buzzed one last time. A text.

>forgot one more thing. the guy with the tuba. his name was stanley. he cried. i felt bad. i helped him load it into the car. after we arrested him, i mean. proper procedure. just… with feeling.

Robert smiled. He typed his final dispatch of the day.

>Noted. Emotional support during arrest. Will adjust paperwork accordingly.

He shut down his console, the official channels going silent. In the new quiet, the memory of a voice, weaving through his day from bus to crime scene to tired locker room, lingered. It was better than any audiobook. It was a live feed to a heart that, for some reason, wanted its quiet, solid tape.

 

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