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Summary:

After losing Nicholas, Fuma struggles to move on while watching the person he once loved find happiness with someone else.

When a gentle coworker named Yudai enters his life, Fuma tries to move forward, only to realize he is still trapped in the past.

In the end, Fuma learns that surviving heartbreak and truly healing are not the same thing.

Notes:

I hope we all heal from whatever it is that left us wounded.

(See the end of the work for more notes.)

Work Text:


 

The first time Fuma sees Nicholas’s new boyfriend, it happens by accident.

 

A tiny collision of timelines, rainy evening, convenience store near the station, instant ramen aisle. Fuma is standing there comparing two brands he has bought hundreds of times before, pretending life can still be organized through small decisions, when he hears Nicholas laugh. Not the polite laugh, not the customer-service laugh. The real one, warm, loose and alive. Fuma looks up before he can stop himself.

 

Nicholas stands near the refrigerator section wearing a dark hoodie Fuma has never seen before, hair slightly longer now. Beside him is another guy. Taller. Calm-looking. The kind of person who probably remembers to charge portable batteries and reply to texts on time. The guy reaches over naturally and wipes rainwater from Nicholas’s sleeve like he has done it a hundred times and Nicholas doesn’t flinch away. That’s the part that hurts. Not the touching. Not the boyfriend. Just how natural it looks like love moved apartments quietly while Fuma was still trying to find the old address.

 

Fuma turns away immediately, staring so hard at cup noodles his vision blurs. He tells himself not to look again. He looks again anyway. Nicholas says something and laughs, head tilting back slightly, eyes disappearing into crescents exactly the same way they used to when Fuma made him happy. Used to. The word lodges in his throat like fishbone. Fuma leaves the store without buying anything.

 

After the breakup, everyone told him the same things: you’ll move on eventually, time heals, focus on yourself first. And he did. God, he did. Fuma worked overtime until midnight, Started going to the gym regularly again, learned how to cook more than survival food, stopped sleeping at 4 AM, stopped rereading old messages, stopped checking Nicholas’s social media, stopped listening to songs that sounded like apologies.

 

From the outside, he looked fine. A functioning person. A progressing person. But moving forward physically and moving on emotionally are two entirely different roads, and Fuma realizes too late that he has only been walking one of them. Because every day still somehow bends back toward Nicholas. Like a train trapped on circular tracks. Sometimes he catches himself opening their old chat room just to stare at the gray timestamp of the last conversation. Sometimes he types things and deletes them.

 

Did you eat yet?

I saw your favorite snack today.

Today I met a cute cat in the station.

I think I finally understand what you meant.

Sorry.

Sorry.

Sorry.

 

None of it gets sent.

 

Nicholas once told him, during a fight: “You always love me like you think I’ll still be there tomorrow.”

 

At the time, Fuma got defensive. Because wasn’t he trying? He stayed, didn’t he? He answered calls, he remembered birthdays, he held Nicholas when he cried, he listened. But Nicholas had looked exhausted that night. Like someone dying of thirst beside a person insisting the air should be enough.

 

“You don’t say things unless I drag them out of you,” Nicholas whispered back then. “Sometimes I feel like I’m dating your potential instead of you.”

 

Fuma remembers getting angry. Not because Nicholas was wrong. Because he was right, and being understood that completely felt unbearable. The breakup itself is painfully quiet: no screaming, no cheating, no dramatic betrayal. Just exhaustion. Two people loving each other incorrectly for too long. Nicholas cries first. Fuma cries after Nicholas leaves.

 

Few months later, Nicholas already has someone new. A year later, Fuma still instinctively reaches for his phone whenever something funny happens: cat sleeping inside a motorcycle helmet, a badly translated café menu, a song Nicholas would have loved. Every time, reality arrives half a second later like delayed lightning. There is no “send to Nicholas” anymore. Just silence wearing his name.

 

The worst part is not jealousy. Fuma discovers this slowly. Jealousy would have been easier. Cleaner. The worst part is replacement. The horrifying realization that the world did not collapse after losing him. Nicholas still laughs, still eats, still falls asleep beside someone, still lives. Fuma used to think love left permanent fingerprints, but maybe people are more washable than that.

 

One night, unable to sleep, Fuma accidentally scrolls too far through social media and finds a photo. Nicholas at the beach, his boyfriend stands beside him holding their sandals in one hand while the waves curl around their ankles. Nicholas smiles at the camera with that soft expression he only used when he felt safe.

 

With a caption: thank you for loving me gently.

 

Fuma stares at the words until sunrise. Gently. That was it, maybe. Nicholas never needed grand gestures. He just needed consistency, warmth, visible love, and Fuma had loved like a locked door with all the lights on inside. From outside, it only looked dark.

 

Weeks pass, months, then years. Winter melts into spring. Fuma keeps living because human bodies are terrifyingly good at surviving heartbreak. He wakes up, works, eats, sleeps, repeats. Some days are easier, Some days Nicholas appears in his head so suddenly it feels like being hit by a train. Once, while folding laundry, Fuma remembers how Nicholas used to steal hoodies and suddenly has to sit on the floor because breathing becomes difficult.

 

Another time he hears someone laugh similarly on the subway and spends the next station gripping the pole hard enough for his knuckles to pale. People talk about heartbreak like fire: sharp, violent, obvious. But this kind is erosion. Quiet. A coastline disappearing grain by grain while nobody notices until the map looks different.

 

Then one evening, more than a year after the breakup, Fuma runs into Nicholas alone, no boyfriend this time. Nicholas standing outside a clothing store holding an umbrella. For a moment neither of them speaks. The city moves around them noisily: cars, pedestrians, crosswalk sounds. Meanwhile Fuma feels suspended in amber. Nicholas looks healthy. Happy, maybe. Older in tiny invisible ways.

 

“You look tired,” Nicholas says softly.

 

Fuma almost laughs. Because of course that’s the first thing Nicholas notices.

 

“Work,” Fuma lies.

 

Nicholas nods. Silence again. It is unbearable how familiar this silence still feels. Fuma wonders if Nicholas can hear his heartbeat trying to claw its way out of his chest.

 

Then Nicholas asks carefully, “Are you doing okay?”

 

Such a simple question, such a cruel one. Because Fuma suddenly realizes he has spent more than a year trying to become someone who can answer yes honestly. But he still can’t. Not fully, not yet.

 

So instead he smiles a little and says, “I’m trying.”

 

Nicholas’s expression softens immediately. The same way it always used to. For one dangerous second, Fuma imagines reaching out. Holding him again. Asking if they can restart everything properly this time. But love is not built from almosts, and timing is a god that rarely forgives.

 

Nicholas glances at the streetlight changing colors. “I should go.”

 

“Yeah,” Fuma says. Neither moves immediately.

 

Then Nicholas says quietly: “For what it’s worth… you mattered a lot to me.”

 

The sentence slices through him beautifully. Because that was the thing Fuma had been mourning most, not just Nicholas. But the fear that he had been forgettable, replaceable, temporary. Nicholas looks at him one last time before stepping away, and Fuma finally understands something awful and freeing at the same time: being loved once does not guarantee being loved forever, but it also does not mean the love was fake. Some people are chapters, some are turning points, some are homes that only exist for a certain version of you.

 

Nicholas had loved him, Nicholas had left him. Both things were true.

 

The rain starts again lightly after Nicholas disappears into the crowd. Fuma stands there alone beneath neon reflections and wet pavement, breathing slowly. Still lonely, still hurting, still unfinished. But for the first time in a long while, the loop feels less like a prison and more like a road. And roads, unlike loops, can eventually lead somewhere new.

 

 


 

 

A few months after that encounter, someone new appears quietly in Fuma’s life. Not dramatically, not like lightning. More like warm coffee left beside a tired person. His name is Yudai. They work in the same office building, though different departments. At first, Fuma only knows him as the guy who always stays late and hums old songs while waiting for the elevator.

 

Then somehow Yudai starts appearing everywhere naturally. At the vending machine, in the convenience store downstairs, at the bus stop after overtime shifts. Yudai is gentle in the kind of way that feels almost dangerous. He notices small things. When Fuma forgets to eat, when he looks exhausted, when he stares too long out rainy windows.

 

One evening Yudai places a warm cup of coffee on Fuma’s desk and says lightly, “You always look like you’re carrying a storm nobody else can see.”

 

Fuma laughs quietly at that. Because it’s true, and because hearing someone notice still feels unfamiliar. Yudai never pressures him. Never demands explanations. Never asks about the shadows in his eyes. He simply stays, steady, patient. Like someone standing near a stray cat, waiting for it to approach on its own.

 

Eventually they start eating dinner together after work, making late convenience store runs, and taking long walks to the station after overtime. Sometimes Yudai picks Fuma up and drives him home whenever he brings his car. People around them begin assuming things naturally. Even Fuma starts wondering if maybe this is how moving on begins. Not with fireworks, but with softness returning little by little.

 

Then one night while they wait for the train, Yudai asks carefully, almost shyly, “Can I take you out properly sometime?”

 

Fuma’s chest tightens immediately. Because Yudai is good. So unbearably good. The kind of person younger Fuma once promised himself he would learn to love properly someday, and Fuma wants to say yes. He really does. But another voice inside him whispers something cruel: you’re only saying yes because you’re lonely. So instead of answering immediately, Fuma looks down at the train tracks below.

 

Yudai notices. Of course he notices. Still, he smiles gently and says, “You don’t have to answer now.”

 

After that, nothing officially changes between them. No labels, no confessions repeated. But Fuma also doesn’t pull away. And maybe that is its own kind of answer. He lets Yudai stay beside him. Lets him text good morning. Lets him wait outside the office with an extra umbrella. Lets him care. Sometimes Fuma even catches himself almost relaxing into it. Almost. But every time Yudai looks at him too fondly, guilt blooms inside Fuma like spilled ink. Because Yudai is slowly opening a door with both hands while Fuma stands behind it unable to step outside.

 

One winter evening they walk together through crowded streets glowing with storefront lights and passing headlights. Cold air curls between buildings while people hurry past wrapped in scarves and long coats. Snow gathers softly on Yudai’s earth tone coat. Yudai suddenly reaches for Fuma’s hand. Just instinctively, naturally. Fuma freezes. Not visibly. Not enough for strangers to notice. But enough. Yudai immediately loosens his grip, their hands separate quietly. The city keeps shining around them anyway. And in that moment Fuma finally understands something terrifying: he is trying to use another person as proof that he has healed. But healing built from desperation collapses the second weight gets placed on it.

 

Later that night, Yudai asks softly, “Do you still love him?”

 

Fuma cannot answer. Silence becomes answer enough. Yudai looks down for a long moment before laughing weakly to himself. Not angry. Not bitter. Just sad.

 

“I think,” he says carefully, “a part of you already left before I even arrived.”

 

The sentence destroys Fuma a little because it’s true, and because Yudai deserves someone capable of fully walking toward him instead of standing forever with one foot trapped in yesterday. So slowly, gently, Fuma begins pulling himself away. Not cruelly. He replies later, stops accepting dinner invitations, creates distance little by little like lowering someone safely from a dangerous height.

 

Yudai understands long before the final conversation happens. Maybe that is why it hurts less and more at the same time. When they finally sit together one last time in the convenience store eating instant ramen after overtime, neither cries.

 

Yudai stirs the noodles quietly before smiling. “You know,” he says, “I kept thinking if I stayed long enough, eventually you’d stop looking backward.”

 

Fuma lowers his eyes immediately. “I’m sorry.”

 

“I know.”

 

Outside, snow falls softly beneath the station lights. For a moment they simply sit there listening to microwaves beep and trains pass in the distance. Then Yudai stands first, pulling on his coat. Before leaving, he looks at Fuma one last time and says gently: “I hope one day you meet someone after you’re ready. Not while you’re still surviving somebody else.”

 

After he leaves, Fuma stays alone at the small table for a very long time. The seat across from him empty again. But strangely, the emptiness feels different this time. Less like abandonment. More like honesty.

Notes:

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