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Language:
English
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Published:
2026-07-06
Words:
1,171
Chapters:
1/1
Comments:
2
Kudos:
12
Bookmarks:
3
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112

Tell Me What You See

Summary:

John and Paul writing the deep cut off "Help!"

Notes:

Some lyric comparisons to other Beatles/ Wings songs:
"If I give my heart to you, I must be sure..." / "If you let me take your heart, I will prove to you..." ("If I Fell"/ "Tell Me What You See")

"Can't you try to see that I'm trying to get to you"/ "I don't know why you should want to hide, But I can't get through..." ("Tell Me What You See"/ "You Won't See Me")

"It is no surprise now, what you see is me"/ "I'm not surprised that your black eyes are gazing" ("Tell Me What You See"/"No Words")

(See the end of the work for more notes.)

Work Text:

Paul chewed the end of his pen. “We need some B-sides. Should we do a cover? Covers?”

John was sprawled out on a sofa chair next to the upright piano. “I’m spent.”

“You literally just got here.”

“God, this fuckin’ record,” John placed an open book over his face, muffling his voice. “We don't even know what we're after.”

“We just gotta do it. It’ll come to us.”

John groaned.

“C’mon. Anyway, this one I was thinking, the electric piano.”

“The electric piano…” John mumbled.

 

Paul was tired too. He stared down at the blank space that sat between sparse lyrics. It was deliberately mocking him. He impatiently tapped his pen on the spot, as if it were a magic wand that would reveal the answer. “I don't know what to put here.”

 

The book fell off John’s face. “How ‘bout... ‘Big and black the clouds may be, time will pass away!’” he replied in a sarcastic, dreamy tone and threw up jazz hands.

“Isn’t that- Mimi had that sign in Mendips?”

“Yeah.”

Paul started writing it down.

“You're not actually gonna use-”

“Why not?”

“I was kiddin’.”

“Well, maybe it can be a stand-in, like scrambled eggs.”

“Cheese is up your alley anyway. I have a better idea-”

“What's that?”

 

John threw on his baker boy hat and grabbed his near-empty Coke bottle as a microphone. “However blackpool tower maybe, In time they'll bassaway,” He spoke-sang in a posh accent like a TV advertisement. “Have faith and trumpand B B C – Griffs' light make bright your day!” He tipped his hat and broke into a little jig at the end.

Paul smiled and poked his stomach. “Should put that in yer new book, Lewis Carroll.”

“Aye, maybe I will.” John threw himself back onto the chair and finished off the soda.

 

Paul started playing what he had on piano. “The rest goes something like-“ He began to sing: “Can’t she see that he’s... trying to get through… nah nah nah nah nah…” He waved his hands off the keys dismissively.

“You do that a lot.”

“What?”

“Write in third person. Or take on a character. It’s like you have to distance yourself, like you’re afraid of being too…” He squinted, looking for the word. “Confessional.”

 

“Well, we would do that, no? Be more observational, make the audience feel, SHE loves YOU…”

“Yeah. But who are you- It’s like you're speaking to yourself. Like you hide.”

John jumped off the sofa chair, restlessly pacing back and forth. Paul sighed. Here he goes.

“You use words as a wall, but you can’t separate yourself from it. You gotta let others see you, you gotta be vulnerable.”

Paul scrunched his brows and scoffed. “I can be vulnerable!” His fingers made air quotes, and John let out a raucous laugh.

“What?” He was still laughing. “WHAT? I CAN!” His neck grew hot.

John threw his hands up. “Whatever you say, Paulie.”

Paul shot back, mocking John in a stupid, high-pitched voice- “Whatever you say, Paulie.”

John gave him a shit-eating grin- Really?

Weak ammo. Paul rolled his eyes. He turned back to the paper and slumped in his seat. Those damn pronouns. He sighed.

“It’s like storytelling. Some songs call for that, no?”

“Is this one of them?”

“I think so.”

“Sometimes you think instead of feel.”

“What is that supposed to mean?”

“Sometimes you speak in riddles. Cryptic, like.”

Paul scoffed. “You think you’re so literal? Give me a break!”

“Can’t crack me, eh?”

Paul scrunched his brows. “You just said I speak in riddles.”

John snorted. “Can’t tell where your head is at sometimes, is all."

 

Paul didn’t know what to say to that- he could hardly keep up with his own thoughts.

John clapped his hands together. “The personal in the universal… vice versa.”

“Fine, let’s do it your way then, eh?”

Paul set his fingers on the keys and sang: “Can't you try to see that I’m- trying to get to you?”

John broke out his Elvis impersonation: “Baby, tryin' to get to you- Feelin' nostalgic, Paulie?” He leaned in, hot breath shaping back into Elvis- “You know someone said that the world's a stage-”

“Oh sh- “ Paul shoved him. “Wrong song. And that was ONE TIME, okay?”

John giggled and crept up spider hands tickling Paul’s sides as Paul squirmed and elbowed him.

“Aw, piss off.”

He loved his dramatic love songs. But this was real, this album. The music called for it. No stage, no characters, no masks, no acting… He thought about the upcoming film. God, he couldn’t act.

 

John sat on the windowsill and stuck a cig in his mouth. He wiggled it up and down like a toothpick, lit it with his pinup lighter, and lounged back, arms crossed above his head. Paul glared at him. John cocked his head and flashed bug eyes at him- wha?

“Break time,” he mumbled through his lips.

“Gimme”

John threw the pack at him and took the cig out of his mouth.

“Needy”

“Shush”

 

John leaned over to light Paul’s cigarette and laid back down. He rested his head on the window frame and closed his eyes, taking in the sun streaming in. Paul’s gaze settled on John’s hands playing with the naughty lighter and quickly darted back to the scraps in front of him. Paul crossed out the lyrics, flipped some words around, and wrote them in first person. He stared at the page until the words blurred together.

Snap out of it. He wouldn’t get lost in thought- he was going to feel the song.

 

He fidgeted with his bracelet as his eyes traced rainbow light refracting from Jane’s crystal ashtray, landing on the corner of a Valentine sticking out of his journal. If I give my heart to you… He liked John’s ballads. He was a big softy at heart. He put his cig out on the ashtray and swallowed spit. He’ll figure out the opening later.

 

He realized how quiet it was. He turned to John, whose chest steadily rose and fell. Paul wondered if he had fallen asleep. The sun haloed his auburn hair.

“John love?” he whispered.

John grunted, “Jus’ relaxin my eyes. Go ahead.”

He sang it over. “Look into these eyes now, tell me what you see”

A grin crept up on John’s face, blinded by the light. “OK, Dylan”

“Don’t you realize now, what you see is me? Tell me what you see-” He broke into a dazzling piano riff.

“Ooo” John jolted up.

“Yeah? You like that?”

“Yeah,” John exhaled.

He felt lightheaded. Too much sun- they should draw the curtains.

“Listen to me one more time, how can I get through? Can't you try to see that I'm trying to get to you?” He turned to the window. “Open up your eyes now, tell me what you see-”

 

And as if on cue, John opened his eyes. “Already sounds better.”

Tsk- He hated that he was right.

Paul nibbled at a hangnail. “It’s just a filler, anyway.”

Notes:

Some more story context...

I enjoyed this comment on BeatlesBible: “I’ve always found the lyrics to this song to be deliciously creepy – it’s like someone dangerously, obsessively, wanting to be everything to another person, to be their every waking hour […] So having the protagonist borrowing this religious passage and seeing himself as almost Godlike (God’s light make bright your day/I’ll make bright your day) adds even more depth and interest to a song that many dismiss as a throwaway love song.” https://www.beatlesbible.com/songs/tell-me-what-you-see/

When I visited the Beatles Museum Mathew St, I recall seeing this awesome pin-up lighter that belonged to John (can’t find a photo but the model’s clothes came on and off when its clicked, so imagine John doing that haha).

From Wiki: “The song's second verse draws from a religious motto hung in Lennon's childhood home with his aunt Mimi Smith. Lennon himself would parody the lines in the story "Silly Norman" from his 1965 book A Spaniard in the Works” Author Kenneth Womack also suggests that the line "trying to get to you" was in reference to Elvis Presley's 1956 song "Tryin' to Get to You", which had also inspired McCartney's early composition "In Spite of All the Danger"”
https://en.wikipedia.org/wiki/Tell_Me_What_You_See

“It’s funny, the memories that come into your head. I think that was when I was doing ‘Are You Lonesome Tonight?’ In the middle of the record, Elvis delivers this little soliloquy – “They say the world’s a stage…” So I tried this at Litherland. I glanced at the rest of the band and they were peeing themselves. That was the last time I did that number! I think we were advertised in the Liverpool Echo as “Direct from Hamburg!” – so the kids in the audience thought we were Germans. We had our hair forward, our leather jackets on, we looked different… They were quite surprised when we started talking Liverpool English.” -Paul McCartney, Uncut, January 2021
https://www.beatlesbible.com/1960/12/27/live-litherland-town-hall-liverpool/

RANT:
Their relationship with sight is interesting- this translated into their music. I can go on + on, but among others…

“Living is easy with eyes closed, misunderstanding all you see” ("Strawberry Fields")/ "But now my eyes can see" ("I Know (I Know)")

“I like to fantasise, I'm something in your eyes, 'Cause that would mean the world to me, Just say the word and we can be, Together forever” (“As You Lie There”)

The media/public's constant surveillance + judgement:
"Everywhere people stare, Each and every day, I can see them laugh at me" ("You've Got To Hide Your Love Away")
^
This is ofc intertwined with secret codes + touch- ("Press", "Days We Left Behind", “I Wanna Hold Your Hand”, etc)

Sight in the evolution of Paul's relationship with Jane:
The love at first sight of "I've Just Seen a Face" (the man has a track record of falling at first sight lol- “Although we only met, One time, I can't forget, The feeling that came over me” [“As You Lie There”]) to the bitterness of "I'm looking through you, where did you go?" to the sadness + acceptance of “And in her eyes, you see nothing, No sign of love behind the tears, Cried For No One”.

And ofc one not-so-little contributing factor to their breakup- the third person who was a constant presence in their romance, haunting the space between them…

Back to McLennon-
Visions:
LSD trip ofc, + their shared dreams
Insert paul’s dissolving into each other’s eyes quote here

Insert his “It’s only me” quote here… lol

Ch 25: “Look At Me” from “John & Paul: A Love Story in Songs” stood out to me for this reason.
Small excerpt:
“Everyone who watches get back is struck by the intensity with which Lennon + McCartney hold each other’s gaze as they play through endless versions of "Two of Us". The two friends spend an unusual amount of their lives looking into each other's eyes. They watched the others reaction to a new idea, a song, a phrase, a lyric, a chord…
When John wasn't being looked at by Paul, he didn't know who he was supposed to be.”

Mirrors, indeed.

Thanks if u read all this x