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"Odette cherishes these nights, pressing close to her heart the soft sounds of a vocalist warming down in the room at the end of the hall, so that the applause and the orchestra and the cheers of the crowd might never drown out what she craves most.
But there is one exception to tonight's routine apparently. The song coming from Vodyanitsa’s dressing room is not the repetitive la la la of vocal exercises. No, tonight the theatre’s principal soprano is quietly singing a tune all for herself.
'But Odette, oh Odette, Odette of Snezhnograd ♪~' "or;
What if Odette had heard the song said to be drifting from Vodyanitsa's room in Odette's drip marketing?
A character study/headcanon exploration of quiet yearning between two unlikely friends on the verge of more.