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In the Same Way a Clot Forms in a Wound (1887)

Summary:

18 May 1887, Opera-Comique, Paris, France

Georges and the children attend Emmanuel's inventive comic opera, "The King in Spite of Himself".

Notes:

Georges is 48 (b. October 25, 1838 in Paris, France); Emmanuel is 46 (b. January 18, 1841 in Ambert, France)
*They've been married since 3 Mar. 1875 and have three sons:
- Jacques Bizet (b. 25 September 1872) is 14, a writer, best friends with Marcel Proust.
- Marcel Chabrier (b. 11 March 1874) is 13, likes to write and draw.
- André Bizet-Chabrier (b. 22 September 1876) is 10, likes to farm.

was in hospital from 10-16, currently in rehab clinic, am now posting my missing fics in my september series

Work Text:

The ink is still wet on the margins, and yet it looks like a crime scene. Georges stares at the score resting on the conductor's podium, where a single, heavy droplet of sweat has fallen, blurring a sharp C-natural into a grey, spreading bruise. The air inside the Opera-Comique is a thick, suffocating soup of perfume and anticipation. The heat is an oppressive weight, pressing the starched collars of the audience into their throats. Georges feels the humidity clinging to his skin, a slick film that makes his velvet coat feel like a second, heavier skin.

 

Beside him, the boys are a restless, shifting mass of limbs. Jacques, fourteen and already possessed by the melancholic gravity of his friendship with Proust, leans in to whisper a critique of the set design. Marcel, thirteen, is tracing invisible patterns on his palm, his mind likely sketching the chaotic energy of the orchestra. Little André, ten, is fidgeting, his calloused fingertips—the mark of his love for the soil—picking at the gold embroidery of the theater seat.

 

Onstage, Emmanuel is a whirlwind of inventive madness. *Le Roi malgré lui* is unfolding, a comic opera that tastes of audacity and risk. Georges watches his husband, feeling a visceral, pulsing heat in his own chest that has nothing to do with the Parisian spring. He sees the way Emmanuel’s pulse thrums in the hollow of his throat, the raw intensity of a man pouring his soul into a score that defies convention.

 

As the music swells, a sudden, sharp crescendo hits. Georges feels a sympathetic vibration in his own marrow. He remembers the same intensity in their bed, the frantic, lubricated slide of skin against skin, the careful preparation of a body for a long-awaited union. He recalls the smell of cedar and salt, and the way Emmanuel’s breath hitches when Georges finds the exact point of tension.

 

In the same way a clot forms in a wound, turning liquid blood into a gelatinous mass to seal a breach, Georges feels his love for Emmanuel solidify in this moment—a heavy, dense thing that anchors him to the earth while the music attempts to lift the rest of the world away. The ink on the page may blur, but the heat between them is indelible.