Good Girls
(Open, Unmoderated, Unrevealed, Anonymous)
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Ever experienced that moment when you confidently hit 'next episode,' only to discover there's none left?
So at first, you put on your adulthood cape and convince yourself you can handle it. But reality kicks in...*dramatic music playing*
Faced with the inability to afford a year-long therapy to solve my obsession, here I am, crafting my own Season 5 juggling numerous characters, and striving to capture the show's essence of drama, humor, and a lingering slow burn. -
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“Ow! What the hell!” He screeched, instinctively flexing at the rope across his chest trying to rub his already bleeding nose. “You just said y—,”
“Yea, yea, that’s on me. I really thought I talked myself out of that one.” The blood was gushing out like a faucet and Rio’s grin was growing. “So we good here?”
OR Beth calls Rio and does something about Dean taking her kids away from her: an alternative ending to 2x09.
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“You don’t scare me,” she says, her voice a low scrape of sound.
He wants to touch her—she can feel the want radiating off him, can see the lines of his tendons as he clenches his fingers against his knees. But he doesn’t move. When it comes to—this, whatever the hell it is, he’s always let her take the lead.
She should leave, now. She should—
She can’t explain what makes her reach out, what makes her brush the tips of her fingers against his arm. His skin is smoother than she expects, the muscles of his forearm taut beneath her hand.
“Right,” he says, voice hoarse. His eyes are fixed on her. “Right, ‘cause you’re the boss, now.”
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She can tell Rio is very much considering this new offer. She leans forward, trying to guess Rio’s response from the thoughtful look on his face. She’s surprised when his gaze flits to her momentarily. Usually she’s just a background art piece to admire once business had been conducted.
“I’ll agree to those terms,” Rio says finally, some of the tension leaking from the atmosphere. “Under one condition.”
Andre leans back in his chair, his shoulders slumping slightly. “What’s that?”
“I get to spend a night with her.”
ORAU where Beth is the mistress of Toronto's most powerful drug lord. When the new King of Detroit comes to strike a deal, she unwillingly finds herself becoming one of the bargaining chips.
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This is 1700 words of pure Brio filth and there’s literally nothing else to say.