1 - 20 of 98 Works by Luthor
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Summary
In which Riley runs into a charismatic stranger just before her BOTB audition, and Blake Winter has never let anything go in her life (including, but not limited to, the cell phone number of her biggest competition).
'Text me some time, Blake had told her.
Well, so much for that.'
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Summary
In which Blake gives Riley unrestrained access to her Spotify account.
'“This is like looking at the inside of your brain, you know?” she says while scrolling, her gaze darting up just long enough to catch Blake’s expression of amused incredulity. “It is. It’s intimate, especially for us. It’s like reading a diary, kind of.”
“It’s nothing like that,” Blake says, but she sounds too much like she’s disagreeing just for the sake of it. “I put everything in a playlist, then I might not listen to it again for years. It’s not special.”
“You’re a filthy liar, Blake Winter. The evidence is quite literally in my hands. You’re anal as fuck about how you organise your music.”'
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Riley discovers the limits on her capacity to process the BOTB bullshit. Blake makes sure she doesn't bury them.
'“Yeah,” she says, and scratches at her nose. She looks about as uncomfortable as Riley feels, suddenly, but forces herself to hold her gaze. “I didn’t really want to leave you, while you were…”
Angry, Riley thinks she’s going to say.
“Upset,” Blake settles on.
Well.
That, too.'
Series
- Part 8 of I see you better in the dark
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Summary
In which Blake lets Riley brush her hair.
'Riley slides an arm around Blake’s shoulders and imagines the lifetime they could carve out for themselves, right here, in the space of just one night. There is something about their relationship that is best suited to the stars. Often, she wonders how long Blake will remain content with hiding it behind locked doors.'
Series
- Part 7 of I see you better in the dark
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Summary
Blake falls asleep in Riley's bed, and they're both a little stupid about it.
'They’re not allowed to have this. They don’t do sleepovers. They do quick fixes of each other when they won’t be missed—sometimes, even when they will—until they can put it out of their minds just long enough to focus on the competition. Until it gets bad, again. Until their gazes start to linger. Until all it takes is the briefest, barest brush of Blake’s fingertips ghosting over her knuckles to make her ache.'
Series
- Part 6 of I see you better in the dark
- Language:
- English
- Words:
- 1,342
- Chapters:
- 1/1
- Kudos:
- 5
- Hits:
- 46
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we made a home in this state of mind by Luthor
Fandoms: Infamous - Amy (Interactive Fiction)
12 Aug 2025
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Summary
In which Blake has a surprise for Riley, and Riley comes face to face with the mortifying extent of her feelings.
'As always, Blake’s mouth has to ruin the moment.
She wets her lips, grins, and tilts her chin up towards Riley until she captures her attention.
“Like what you see?”
“Yes,” Riley immediately answers, with a look of complete sincerity that stuns Blake almost as much as it charms her. “You’re beautiful.”'
Series
- Part 2 of very slowly, then all at once
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Summary
Riley and Blake share a meal (and a little history).
'“You need to take better care of yourself,” Blake says, surprising her, and rolls her eyes when she notices. “Take your breaks. They’re contractually obligated not to let you starve.”
“I don’t remember that being in my contract, actually.”
“Did you even read your contract?”
Riley blinks. “I’m sure Oriana did.”'
Series
- Part 5 of I see you better in the dark
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Summary
Blake surprises Riley with an impromptu visit to her hotel room.
It is early evening, mid-week, and they can’t be doing this.
Series
- Part 4 of I see you better in the dark
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Summary
Riley finds herself alone with Blake, backstage.
It doesn’t happen often.
'Bite, she wills her, even if the idea of Blake doing just that sends a shiver of fear through her body. If Blake wants to play shark, then Riley can make herself bait—can make herself prey. She sees the exact moment that Blake considers it, as the amusement slips from her face, lips parted, her gaze caught at Riley’s mouth. She cannot stop the smile that turns there, and ultimately that’s what drags Blake out of her tunnel vision.'
- Language:
- English
- Words:
- 1,554
- Chapters:
- 1/1
- Kudos:
- 5
- Hits:
- 37
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Summary
In which Riley plays guitar and Blake keeps her mouth shut (for once).
'“Why do you always do that?”
Blake is sitting on the bed, now, and about to stand when the question makes her pause. Riley feels her gaze on her, hot like something intending to brand flesh, and cannot resist the urge to meet it. Blake doesn’t look annoyed, exactly, but her expression is significantly more closed off than it had been moments prior.
“Do what?” she asks, and begins combing her hair over one shoulder.
Riley smiles at her, wry.
“Pull away just when things get interesting.”'
Series
- Part 3 of I see you better in the dark
- Language:
- English
- Words:
- 2,440
- Chapters:
- 1/1
- Kudos:
- 3
- Hits:
- 33
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Summary
Blake and Riley steal a night together, mid-tour.
'That makes Blake laugh, which makes Riley laugh, which makes her want to cry. She gulps the sudden well of emotion back, but Blake must see it in her face. Her own does the strangest thing—slackens, then softens, then smiles so gently that time bends in on itself, knots itself like rope, all while Riley stares.'
Series
- Part 2 of I see you better in the dark
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Summary
Towards the end of the BOTB competition, Riley and Blake have a conversation on a bus.
'“Are you…” She stops herself just in time, but Riley’s never claimed to be any good at self-preservation. “Are you worried about me?”
There it is, the mine.
Riley holds her breath and waits to see how her life will blow to pieces, this time.'
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Summary
In which the Infamous MC is my favourite co-dependent weirdo and Blake Winter is Blake Winter.
'Blake had laughed in her face, when she’d first seen what she was wearing.
Riley almost thought she’d close the door on her and make her trudge back to her own hotel room, tail between her legs. They’ve talked about this in the way that they talk about a lot of things—briefly, and so flippantly that Riley can never really tell if Blake is joking. But she’d been knuckles-deep inside of her when she’d brought up the idea, and Blake hadn’t tried to smother her reaction.
Besides, she isn’t laughing now.'
Series
- Part 1 of very slowly, then all at once
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Summary
Riley takes herself off somewhere quiet to write without distraction. Blake fixes that.
'The longer Riley stares at the words, the more she feels the threat of a blush creeping up her throat. Blake’s Song, that Riley is writing for her. There’s almost something intimate about it; her words in Blake’s mouth. She wonders how her lyrics will be shaped by Blake’s lips, how her tongue will curl around the vowels.
Confronting the mostly blank page in front of her quells the thought.
That’s right.
She’s got to write it, first.'
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Summary
In which Riley likes her too much to call it a hate-fuck, but Blake makes sure it’s not far off.
‘“You don’t have to pretend when it’s just the two of us, Riley. We both know what I am to you.”
When Riley does not immediately accept it, Blake scoffs, disbelieving.
“I’m a bottle, baby. I’m the best pill on the market.”’
- Language:
- English
- Words:
- 1,351
- Chapters:
- 1/1
- Kudos:
- 7
- Hits:
- 45
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Summary
Blake and Riley share an introspective moment mid-tour.
'There’s something different about Blake when it’s just the two of them.
Something Riley thinks even she’s not meant to see.
To call her ego a disguise would be disingenuous, but she’s seen how Blake wields it like it is, smug and satisfied, the smile that barely hides the solid contempt within her eyes. There’s a hardness to her, a pit in the centre of the woman, that Riley knows better than to bite her way down into for fear of breaking something.
It’s more obvious, on nights like these.
Blake doesn’t try to hide it in the dark.'
Series
- Part 1 of I see you better in the dark
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Summary
Being neighbours with Blake Winter has its benefits.
‘Riley feels like she’s looking at something she shouldn’t see, even as her eyes are drawn to it: the pink and soft of her.’
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Summary
Post-Final Movie: Claire and Alice learn how to live in the world as the cure sweeps through the dead.
'It’s because this is what Claire does. At the end of the world, after the apocalypse has run its course, this is what Claire does to remind herself that she’s still human—to remind herself why that even matters anymore, why it might matter all the more now than it ever has before. Claire cares because she wants to; because Alice lets her.'
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Summary
In which Carla and Lisa spend a girls' night away from home, and the laws of attraction, gravity, and shitty upstairs hotel neighbours come together to conspire against them.
'She imagines the unburdening of a secret.
Imagines it crawling out from between Lisa’s lips, organ-shaped, still beating, freshly wet and red with the inside of her. Imagines taking it into her own mouth, the warm squeeze of it sliding down her throat.
There is space inside her chest cavity for two.
(She imagines stealing it from her, before Lisa’s even ready.)'
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Summary
A continuation/re-writing of Wednesday's episode (18/12/2024) because I'm all up in my feelings about them and I wish just a little bit more had been discussed.
'“Alright, fine. I’m feeling put on the spot.”
Carla wets her lips. “Keep going.”
“Frustrated.”
“Why?”
“Because I’ve just watched you spend the last half hour with a man who couldn’t keep his hands off you.”'
Series
- Part 2 of tidal waves
