agustofwind
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It’s the profound tragedy of Lando’s life, he thinks, to realise he’s in love with his teammate – just as Oscar Piastri makes a habit of standing one step higher on the podium, forcing Lando to crane his neck to look at him.
Oscar hates watching the light fade from Lando’s eyes with every victory he takes from him. He accepted the inconvenient truth long ago: he loves Lando. But he loves winning more.
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What begins as a character study of his seasoned, decorated new teammate quickly curdles into obsession when Lance Stroll starts untangling the chronology of Fernando Alonso’s life. It’s pathetic, really – how badly he wants to anchor himself to Fernando’s narrative, to become more than just another pit stop in his restless teammate’s career.
Despite the marriages and the parade of high-profile relationships, Fernando Alonso has never been in love. For a man who lives and breathes racing, both on and off the track, he’s always taken this as a feature, not a flaw. Yet there’s something disarmingly intimate about Lance’s insistence on combing through his life, as though the act itself could stitch him into it.
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Sie arbeiten so gut zusammen, weil sie in jeder Hinsicht unterschiedlich sind. Sie sind Brüder, Freunde, Komplizen und Feinde ihrer Destruktivität. Denn wer inmitten eines internationalen Drogensyndikat aufwächst, der lernt früh, dass vorbehaltloses Vertrauen mehr als nur Grundvoraussetzung ist. Sie wird zur Sicherheit, zum einzigen Anhaltspunkt in dieser verdorbenen Welt ㅡ bis sie so viel Bedeutung erlangt, dass man sich im anderen verliert.