kucing_oren
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"想描绘黑调或白调非常容易，但想在这两个极端之间制造灰调却很难，尤其是在必须尊重事实时，发现双方的颜色都不至于过深或浅。" ——《Max Havelaar》
一切都要从1596年的四艘船与一群迷失方向的水手说起……
Bookmarked by kucing_oren
27 Jan 2026
Bookmarker's Notes
Aku pasti dosa baca kek gini tapi emang ranneshi ga bisa aku lepasin sigh… yaudah lah emang namanya toxic yaoi,, bagus juga tulisanya mana bisa aku ga baca AHHH
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Philippines can’t wait for his debut, for the meanwhile, he turned to his close friend to ask him how to be eyecatching. He needed to be eyecatching to catch fans, after all.
Indonesia was, as always, swept away by his cheerful friend.
“How about we use our national flowers so we could be eyecatching?” Philippines said to Indonesia.
Or: My take on the two countries’ national flowers and why Philippines have two flowers on his chest in that teaser picture.
Bookmarked by kucing_oren
08 Jan 2026
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Japan and America go to a bar, talking about the future they would like to build together, and drunk and love sick, america slips up and confesses to japan.
Bookmarked by kucing_oren
01 Jan 2026
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Kiku visits Alfred in Prohibition-era New York, where a night of jazz and gin turns unexpectedly intimate when Alfred takes the piano. Beneath the cheerful tune, Kiku hears something achingly honest.
Series
- Part 4 of Historical Hetalia
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1920’s New York — prohibition, jazz, and chaos. Kiku Honda (Japan) finally visits Alfred F. Jones (America), expecting noise and trouble. What he doesn’t expect is to be swept into mob deals, speakeasies, rooftop chases, and the kind of night that changes everything.
Series
- Part 3 of Historical Hetalia