3 Works by microcastles
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If people like Eleanor and Steve could be understood as sketches, filled out with blunt shapes, Jen is something closer to pointillism. With each of them, Judy believed that she earned their resentment, that she was obligated to take it inside of her and soften it so nobody else would have to. When she tries to summon the anger she should have at Jen, the coil of it goes slack. There is a Jen before and after Ted, before and after Judy’s confession, before and after Steve, and they are inextricable. Every piece of her informs the other.
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Judy knows without having seen Jen fight that her hooks will be vicious, but sloppy; she would throw all of her body into it, recovering too slowly to assume a defensive position. If Judy is going to land a strike, it has to be then. They circle each other, closing the distance now and then only to hop out of range. “C’mon, Jude,” Jen says. Judy throws a tentative jab that lands nearly a foot from Jen’s solar plexus, then scrambles backwards. “You can hit me.”
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or, jen and judy work out their respective emotional issues via contact sports.
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like ripples on a blank shore by microcastles
Fandoms: Dragon Age II, Dragon Age - All Media Types
22 Dec 2014
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Summary
Later, when Isabela leaves with the relic, the memory is what pulls her back.
An expansion on the scenes following "All That Remains."