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Chapter Text

“Last time I trusted someone else to shuffle, I lost a kidney.” - Melissa Schemmenti

It’s a perfectly normal Saturday night.

Standing barefoot in her kitchen, listening to an old Sam Cooke vinyl on her grandmother’s still-functioning record player, Barbara hums to herself as she cards her fingers through her recipe box, looking for her poppyseed chicken recipe. Taylor is coming over for dinner tomorrow evening with her new boyfriend—a young gentleman named Marcus, who apparently works on Wall Street.

Barbara hates that.

Just a little.

Thinks she knows the type from the books she’s read and the movies she’s seen. 

Tie-wearing, cocaine-snorting, fast-talking hooligans.  

Mm. 

When she told Gerald of her suspicions during one of their occasional calls a week or so ago, he only laughed and said that she should give the boul a chance. Her ex-husband had caught a glimpse of him once on a FaceTime chat with Taylor and said that he seemed nice enough. A little bit of an egghead, maybe, but that’s only to be expected from a broker. When she told Melissa the exact same thing in the teacher’s lounge the next day—(dissatisfied with that perfectly reasonable answer)—to her chagrin, her best friend only doubled over in laughter too, briefly holding on to her shoulder for support. 

“God, Barb,” she shook her head, her green eyes twinkling with amusement, “I do love the way you see the world, hon.”

So, with these humbling reactions in mind, she grudgingly supposes she’s going to give Mr. Marcus Wall Street a singular shot. 

He had better not waste it either.

She eventually finds the recipe, props it up against a half-empty bottle of Merlot, and starts rooting around her kitchen to ensure that she has everything. She’ll need to go to the store and grab the chicken, definitely… a box of Ritz Crackers for the crust too… and maybe a few other necessities besides. 

More TV dinners to neatly stack in her freezer. (It’s hard to cook for precisely one person.) Another half-pint of milk. (That she won’t be able to drink by herself anyway.) A fresh bottle of wine that she will slowly and methodically desiccate to its dregs throughout two weeks, allowing herself a singular half-glass when the home she has lived in for twenty-one years feels like a total stranger. 

(So quiet. It used to never be quiet in the Howard residence. Once filled with the pealing laughter of her two beautiful girls. Once filled with the ambient noise of Gerald flicking on the TV after a long day at work. Once filled with their shared laughter as they gossiped together about some neighbor or another. But this had been well before the disagreements had begun. They never had fights, her and Gerald. Just polite disagreements in slightly raised voices. And she’d go to school the next day, attempting to plaster on a beatific smile that would crumble as soon as Melissa saw her, clocking her on the spot, seeing her. Oh, how naked she was beneath that verdant gaze, so exposed, like the carefully layered outfits that she meticulously put together disguised absolutely nothing. And the younger teacher would rush to her in an instant, dropping everything, and in the embrace of her friend’s arms, Barbara would finally let the mask drop too—if only for a few seconds, a minute at most, her face buried against the crook of that warm neck like it was her own personal Bible.)

As Sam Cooke’s soulful voice continues to warble through her empty kitchen, she harmonizes with him as she makes her grocery list.

And idly pours herself a half-glass of Merlot.

It’s a perfectly normal Saturday night.

After she heats up a bowl of leftover tomato soup for herself, she settles in her favorite recliner in the living room and prepares to watch Jeopardy!, which’ll be on in about ten minutes.

She tries to call Melissa twice to see if she wants to get on the phone and watch it together—as they sometimes do these days—but to no avail. She gets hit by Melissa’s vaguely threatening voicemail twice.

“Melissa.” A slight pause, wary, like her dear friend thinks that even giving her first name might backfire on her. “Schemmenti. If ya need me, you know where to find me. If you’re tryin’ to sell me somethin’, don’t.”

She leaves a message on the second call, just a general no worries if you’re busy.

I’ll see you tomorrow.

And so, Barbara eats dinner in silence too, occasionally calling out the answers to clues. Hamlet. The Grand Canyon. Ghosts. Jennifer Coolidge, though the correct answer is actually Jennifer Hudson, which seems incorrect to Barbara but alright. 

She gets tired of doing that by Double Jeopardy, though, and sits the rest of the program in silence, idly stirring the dregs of her soup. The grandfather clock in the corner slowly drags her into seven, the toll echoing solemnly through the darkened room.

Melissa never calls her back.

And it’s fine, of course.

She’s well-aware her friend has a life of her own… but Barbara admittedly likes it—much more than she rationally should—when the two of them share their evenings together, even when it’s just over the phone.

Melissa’s been her saving grace in all of these endless months since the divorce, coming over on so many weekends—and now that school’s out for the summer, much more often than that. They’ve chatted and cut-up and talked about new art projects they want to try with their kids in the fall, shoulders lightly brushing, their curving hips, their thighs. Melissa has unfailingly cooked for her, always lamenting the deplorable state of Barbara’s fridge or else complaining about her depleted spice cabinet. 

Perpetually making sure that she has enough to eat.

She made the tomato soup that Barbara is currently picking at, having popped over for dinner just two nights ago with a foot-long baguette, a bunch of vegetables, and assorted spices that she dragged from her own kitchen.

“You gotta know I love you, hon,” Melissa had huffed as she dropped her haul onto the pristine island in Barbara’s kitchen. “I haven’t cooked for someone this much since Joe.”

At first, Barbara had easily smiled at the fact that she was loved by Melissa, warmth radiating through her chest and all the way down to her perfectly manicured fingertips, but then, she had been less pleased by the casual comparison to Melissa’s idiotic ex-husband, blinking in a manner that she hoped wasn’t too revealing.

“Joseph was hardly as good-looking as I am, though, right?” She had asked, trying to play it all off as a joke.

Of course it was a joke to her.

This jealousy that she was pretending to affect.

Melissa only chuckled, though, and lightly swatted her on the ass with a dish towel, which did something unpleasantly delightful to her insides too.

“Damn straight,” she winked, and Barbara hasn’t been able to let go of the moment since. She rubs the emptiness on her ring finger almost subconsciously, as though she can still feel where it had cuffed her.

(The inlaid diamonds had almost been as heavy as her guilt.)

She gets Final Jeopardy right.

Derrida.

It’s a perfectly normal Saturday night.

After taking her makeup off, showering, and slipping into her favorite silky pajama set, she finally crawls into the king-sized bed that she had once shared with Gerald and tries to settle her mind by reading. She and the ladies at her Bible Club have been making their way through a pretty hefty devotional lately—(in-between a little light gossiping about Brother Carlton Sanders’ possible mistress, of course)—and Barbara tries to stay on top of the weekly readings as much as she can with her busy schedule.

But tonight, the words of God are falling on glassy eyes. She can only get through a few pages before she’s distracted, disconcerted, discontent—staring at the empty space next to her, gently biting her tongue between her teeth.

It’s been eleven months since she and Gerald divorced, their thirty-seven year marriage ending as it had so beautifully begun—with a moment of quiet intimacy. They laced their hands together in their attorney’s office and both quietly shed tears at what they were about to do.

She almost changed her mind then, right as her shaking pen was poised above the dotted line with her name neatly printed beneath it.

Almost conceded to everything that would be required of her to not let him go.

Almost gave that crucial piece of herself away.

Here, take it—I can’t do this.

I don’t know how to be alone.

I don’t know how to be without you.

But Gerald, still holding her other hand, squeezed it and silently reminded her it was okay.

They had done everything right in a desperate attempt to preserve their marriage.

They had talked to their dear pastor first, Brother Hank, who told them that God knew the plans He had for them, plans for them to prosper and not be harmed, plans for them to have hope and a future.

“But that doesn’t necessarily mean that your future is together,” he had added kindly, peering between both of them with keen eyes. He had known them for well over twenty years now and had been their friend through most of them.

It was time, he implicitly said without ever saying the words, but neither Barbara nor Gerald had been ready to hear it then, both stubborn to the last.

They had gone to at least five months worth of couple’s counseling after that, Gerald an unstoppable force and Barbara an immovable object on the subject of her husband’s possible transfer. He was an excellent welder, and his company wanted to send him down to New Orleans to work on the cruise ships that docked and departed from the Big Easy. The pay was handsome—far more money than Barbara had ever seen in her entirety of a career as an public school educator—but the emotional toil was steep. 

Gerald wanted to move back to Louisiana—where she’d been raised and where they had initially met when he temporarily located there for a job. It clearly made more sense than him traveling back-and-forth between contracts, but Barbara had been adamant about staying in Philadelphia. She was too old to start anew at a different elementary school in a now foreign place. And she didn’t want to leave Abbott, having invested nearly half of her life there, with so much more left to give yet. 

Ava surely needed her. Though the once thoroughly incompetent principal had grown leaps and bounds over the past few years of her tenure, she still relied upon Barbara for some help with the budget and other administrative duties.

Her young mentees too—Janine, Jacob, and Gregory—all coming into their own as fine, young teachers, of course… but still, whenever they encountered some hard problem or another, they unfailingly continued to consult Barbara. They called her their work mom and she fondly (if a little exasperatedly) claimed them as her own.

And then there was the problem, the possibility, and the exquisite pain of surely losing Melissa Schemmenti.

Melissa—her dear, sweet Mel—independent and self-sufficient, bold and thoroughly capable and so full of life… probably didn’t need her.

But Barbara did.

Barbara needed her best friend.

She would never admit it aloud—not even to herself, much less to Gerald—but even the mere thought of parting with Melissa fueled an almost ungodly amount of her hesitation. She had been inseparable from the younger woman for nearly as long as she had been teaching at Abbott, then new to Philadelphia, lacking a community and a context beyond her nuclear family and the Baptist church they went to every Sunday.

But then there had been Melissa, whom she had instantly clicked with despite the thousands of differences between them: their ages, their upbringings, their overall demeanors and almost every last habit in-between. But before three months had passed since Mel had become a teacher at the school, the two of them had already claimed the round table closest to the fridge in the teacher’s lounge as their own.

A South Philly native, born and raised, Melissa took her under her wing and made her feel at ease in the city, something that even her husband hadn’t been able to accomplish. She would never forget this initial kindness, even though she has long since striven to repay it. 

She would always remember that Melissa had been the first person who made her feel at home.  

But there was something about this particular truth that felt like it was unsavory—a confession of sin weighing upon her otherwise stainless soul. 

So they argued about thousands of different things.

But never once about Melissa.

She wouldn’t dare probe that tender wound for Gerald to see, somehow finding it much more tenable to let it fester beneath her carefully buttoned shirt and become an abscess, a maw, dark and desolate, devouring her from the inside out.

It gnawed on her that her husband of three decades had to beg her to leave, but she innately knew that her friend of nearly the same amount of time didn’t have to so much as lift a finger to convince her to stay.

What was wrong with her?

How had her kind and loving marriage arrived at this terminal end?

(And what, pray tell, had her relationship with Melissa become in all the intervening years?)

(Friend was starting to feel insufficient, lacking the gravitas to encapsulate the fact that the two women had spent nearly thirty years together, teaching side-by-side in the unchanging hallways of Abbott Elementary. Partner felt closer—maybe comfortable even—but partner was dangerous too, laden with some of the same connotations that encircled the diamond encrusted band on her fourth finger.)

(So friend would have to fit. She would make it fit, damn it. She was Barbara Howard, by God, and if anyone could maneuver a square through a circular hole, it was surely her.)

“You could retire.” If Gerald had brought this suggestion up once, he had done it a hundred times. “My salary would finally be more than enough to support us, Barb, and you wouldn’t have to work anymore! You could finally have time for all the hobbies you’ve wanted to do!”

Barbara had intimately known that he was just trying to be considerate when he made remarks such as these, but it had simply devastated her, with each occasion, to know that he had thoroughly misunderstood her life’s project. She didn’t want to spend the rest of her life pursuing hobbies; she wanted to be in Classroom 1A, teaching the next generation how to read.

Their marital counselor, a kindly lady named Mrs. Russell, emphasized honest communication, encouraging them to voice their wants, needs, and fears to each other—something which they increasingly found they could only do with her in the room, and even then, in front of the counselor and God Himself, Barbara could not be completely vulnerable.

“We’ve raised our daughters here,” she once said, deflecting.

“And our daughters are grown now,” Gerald replied gently—always gentle, her Ger. She loved that about him. Sitting across from him in a hard-backed chair, she had never hated that trait of his more, how it cast the weakness of her protestations in clear and ungainly light.

“But what about your family?” She grasped at straws. “Your stepfather?”

“My brother can finally step up to the plate to help with him, and we can always come back to visit.”

“Taylor’s only an hour or so away from us now.”

“Taylor can fly out to see us anytime she wants to.”

“Gerald,” she had only pleaded at the end, during the last fifteen minutes of their final appointment with the marriage counselor. Their careful budgeting wouldn’t allow them another, not if they wanted to make next month’s mortgage payment on time. “I’m not finished yet.”

Finished.

Barbara Howard used all her words very carefully, and this particular verb was no different. On her desperate tongue, it implied an end, a conclusion, a vital depletion.

She’d be passively destroyed, hollowed out, chipped away piece-by-sordid-piece, weathered with the patina of time until nothing was left but the ruins of herself still standing miraculously tall. She’d be the pillar of salt, perpetually looking back at the homeland she had made for herself as she slowly eroded to the grains.

I’m not finished yet.  

And I’d be finished if I went to New Orleans.

If I retired in a city I was unfamiliar with.

A ghost well before my time.

She begged him with her eyes, with the tears that were traitorously starting to leak from them, to read between the lines, to understand the magnitude of what she was still incapable of fully saying.

Gerald digested it quietly, agony straining every weathered line in his face. He stared at the ground and sat like a man carved from stone for what felt like minutes, hours, days—forever in a microscopic moment.

“Me neither, Barb,” he eventually croaked, finally looking up at her, with desolation in the darks of his eyes, and she knew at once that he wasn’t talking about leaving Philadelphia.

His own ghosthood was staying in it.

“I’m not finished either.”

Together, they had arrived at an untenable conclusion.

The only one that remained.

It was time.

They had been married for thirty-seven years, in love for perhaps forty.

Even still.

It was over. 

Finished.

It was an amicable split, a no-fault divorce, and the two of them have done everything in their power to remain on good terms with each other since then—not just for their girls’ sakes, but very much for their own. Their one irreconcilable difference has done nothing to change the fact that they still care for each other deeply, that they will always have thirty-seven wonderful years between them, that they will always be family. They chat on the phone at least once a month and send texts even more often than that. She forwards him mail all the way in Louisiana. He sends her pictures of weird birds he sees when he’s out on a job. She usually smiles and responds, LOL.  

Barbara most definitely isn’t in love with him anymore—the entire year they had spent fighting and ten months of separation besides has firmly put the nail in that coffin—but admittedly, she does miss him from time-to-time all the same. 

The companionship he offered. 

The safety.

The peace.

She places her devotional on top of her blanket-covered lap and stares off into the middle distance for what feels like an hour, though when she checks her phone, it’s only been three minutes. Her lockscreen is a selfie of her and Melissa from when they had gone on a road trip together this past spring.

It’d been the younger woman’s unsubtle way of saying, Hon, I’m dragging your mopey ass outta the house if it kills me.

Melissa’s chin is nestled against Barbara’s shoulder in the unsteadily taken picture, the sun glinting off the scarlet vividness of her hair, and Barbara herself is smiling down at her friend, visible affection in her eyes.

Love.

She is smiling even now, at this very minute, always heartened by the reminder that she exists at the same time as Melissa Schemmenti.

Oh, how she adores this woman.

It vaguely bothers her, though, that Melissa hasn’t returned her call or even sent a text to show that she's received it. It’s a bit unusual for her; she’s always been fairly quick about replying to Barbara…

She supposes that she’s just being a little clingy, though. 

Mel had mentioned something about going out this weekend after all. She likes to frequent bars occasionally and shoot pool with strangers.

Sometimes, she even takes them home.

Barbara crinkles her nose at the thought, distantly irritated by the image of Melissa swapping spit with some man who always ends up resembling Joseph in her head or trading lipstick with some woman who is devastatingly beautiful.

The women Melissa dates are always devastatingly beautiful.

That crucial fact always makes Barbara feel some type of way. She can deal with the Joseph substitutes—the slobs, the drunkards, the sleazes. After all, using Joseph as the paradigm and the example, she knows they’ll never last.

She cannot say the same of her own gender.

Indeed, she cannot say anything at all about the way that she has to repress an inexplicable urge to compete with Melissa’s inamoratas for her attention.

Even though she knows she maybe shouldn’t, Barbara wings one last text her friend’s way.

Girlfriend, call me back in the morning!

Let’s grab brunch.

Perhaps they can go to Over Easy—that breakfast café up the road from Melissa’s house—and inappropriately sip mimosas at eleven in the morning and share a stack of waffles as they talk about their week. And perhaps, like the last time they did as much, Barbara will have the opportunity to reach over and thumb away the little bit of whipped cream that somehow gets on Melissa’s cherry-red nose…

It'd been so lovely, sharing that domestic intimacy with her.

It doesn't strike her as odd at all that she wants to do it all over again.

It’s a perfectly normal Saturday night.

And then, Barbara’s phone rings precisely six minutes after midnight, startling her upright in that big, empty bed. 

Groaning, moaning, fumbling a little in the coagulated darkness, she flicks the latch on her bedside lamp and snatches her phone up from where it had been laying facedown on her devotional.

Her first thought, seeing the unregistered number, is that it’s just another one of those damn robocalls, interrupting what had been a very good sleep, but the area code seems to suggest that it’s local.

She tentatively decides to answer—perhaps solely to chew the midnight caller out—pulling the phone up to her ear.

“Hello?” She asks crossly. 

“Hello, yes,” comes a tired voice—gruff but not necessarily unkind. Clinical, practiced even. This person is a professional. “Is this… Barbara Howard?”

He says her name like he’s reading it from a document, and sudden terror carves through her like a knife. 

“Yes, this is she,” Barbara grips her phone so tightly that her arthritic wrist starts to ache. “May I ask whom I’m speaking to?”

All of the sleepiness has been sieved from her in an instant, shed like a decaying skin. She palms her stomach, suddenly and completely nauseous. 

“My name is Dr. Alex McGill, and I’m in charge of the emergency room at St. Vincent’s tonight,” the voice identifies itself, nearly doing her in right then and there. St. Vincent’s. The hospital about twenty minutes away. She’d given birth to Gina there, and the association immediately makes her think of her girls, even though one is certainly in New York and the other is all the way in California. But then she comes to her senses—remembers that it’s highly likely that she’s still listed on Gerald's medical forms—and that terrifies her just as powerfully. “I’m calling to inform you about—”

“Who is it?” She interrupts sharply, incapable of enduring polite decorum, not now, not when every muscle in her body is clenched with unbearable anxiety. 

There is only one type of phone call that this can possibly be.

A short pause.

And in that infinitesimal moment, that tenth of a second before the entirety of her world is irrevocably shaken at its foundation, Barbara suddenly realizes the awful answer before Dr. Alex McGill ever articulates it.

“I’m calling because you’re listed as Melissa Schemmenti’s emergency contact,” he says, so gently, but even still, Barbara lets out a strangled cry that she barely registers as coming from herself. “A driver in a truck rear ended her around eleven this evening and caused her to skid off the road.”

The proclamation is simply ruinous.

And its hypotheticals violently assault her, seizing across her mind’s eye in a whirl of vicious colors.

Melissa in a pool of crimson blood.

Melissa slumped over against the wheel, turning blue.

Melissa, cold, laid out beneath a white sheet.

They force Barbara Howard on her knees, these horrible visions, these phantasmagorias; she feels the cold metal of their possibility against her goosebump knotted skin. She waits for the inevitable pull of the trigger.

Melissa! She wants to yell. She wants to scream. She wants to shake the world with her primal grief and tear it all asunder until someone, anyone, feels an ounce of the horror that is currently rearranging her central nervous system.

Melissa.

Please, God. Not now, not yet—not ever. 

“Is she—“ She can’t quite get out, choked and choking.

“She’s still alive,” Dr. McGill quickly assures her, his voice steady where hers is not. “She’s in surgery now with one of St. Vincent’s finest.”

And Barbara, holding the phone against her ear like it’s a lifeline, begins to weep with visceral relief.

She’s alive.

The doctor tries to console her further, she thinks—perhaps even giving her specifics—but she barely registers that he's speaking; her head only has room enough for one recurring refrain.

She's alive.

She's alive.

She's alive.

Chapter Text

In the hospital waiting room, Barbara paces the harshly-lit tiles back-and forth and then back again, likely driving the other two bleary-eyed occupants of the space insane. 

She is beyond caring about other people at this point, though, as selfish as it is, as uncharitable, and as unkind.

Melissa Ann Schemmenti might as well be the only person left in the world.

The wonderful surgeon, a maternal woman who insisted upon being called Njoki instead of Dr. Anyango, had already come out around an hour ago, sat next to Barbara in one of those dreadful hard-backed chairs, and explained it all very carefully to her. When the truck had hit Melissa’s comparatively tiny Civic, her seatbelt had thankfully done its duty and kept her in its seat when she careened into a shallow ditch… however, the external pressure exerted by the safeguard alone probably would have been enough to bruise a kidney. It was not an uncommon injury in a car wreck—a trade off even for not flying through the windshield. But then, on top of that, Melissa’s airbag didn’t deploy, and it appeared that she slammed forward into her steering wheel, which did quick work of lacerating what had likely already been a tender kidney.

Her only remaining one.

This was news to Barbara, who had assumed that she knew most everything there was to know about Melissa: her favorite color (lime green), the names of her fists (John and McClane), the significance behind the saints nigh perpetually suspended around her neck (a gift from her late nana, divine and holy protection). She even knew things that her friend hadn’t explicitly told her, such as the fact that she always had to face the door, hypervigilant against potential threats.

But she hadn’t known this.

“What do you mean she only has one kidney?” She had all but yelped, gathering the collar of her shirt in her clenched fist, rumpling it even further than it had been already. She’d barely given a thought to what clothes she had thrown on, half-pulling on garments at random. She wasn’t wearing a blessed stitch of makeup.

Njoki seemed surprised at Barbara’s surprise, raising a grayed brow, but she didn’t remark upon it.

“Her other kidney must have been surgically removed because there’s some old scar tissue there,” she said in a didactic voice, not dissimilar to the one that Barbara used when she was introducing shapes to her five-year olds for the first time. “But I didn’t see the operation on her medical records, so it may have been done a long time ago.”

Barbara hadn’t known what to do with this overwhelming information except to be distantly hurt that she had never been told about it. Granted, she supposed that there weren’t too many occasions when Melissa could have brought up the detail that she was missing a kidney in casual conversation… but just maybe, it could have been folded into the same discussion that they should have had about her apparently being Melissa’s emergency contact.

Because that was news to her too.

Not as surprising, she grudgingly reasoned.

Melissa probably had to put someone down after the divorce, and she didn’t trust any of her family as far as she could throw them.

But still.

Barbara would have liked to have known.

She would have liked to cherish the knowledge that Melissa trusted her so deeply… even though the very fact that it had remained a secret almost ran counterintuitive to that epiphany. 

Melissa had spent the entirety of their friendship taking care of her in so many ways, from making her feel at home in Philly at the very start to doing her damnedest to ensure that her house didn’t become an empty haunt in all the lonely months after the divorce.

But, in twenty-something years, she rarely—if ever—let Barbara extend those same sorts of extraordinary measures to her.

Not even when she had been married to Joseph, who was an overgrown manchild at best and a drunk buffoon at worst.

Not even when she had finally divorced his stupid ass and seemingly forgotten how to smile for years upon aching years, the gesture never entirely reaching her dark eyes. 

Not even when her nana passed away a few years after that, and she’d ended up falling out with her younger sister because of it too.

So much pain, year-in and year-out, and Barbara had tried to be present for her—bringing casseroles over to her house, embracing her in the teacher’s lounge, taking her out for lunches, telling corny jokes that never exactly succeeded in making her laugh, threading their hands together in unnoticed places, sometimes taking far too long to let go—but it never felt like enough. These gestures were all nice and good, and Melissa was audibly appreciative of each and every one of them, but Barbara, ever a model Christian, wanted to thoroughly save her friend.

Melissa once said she’d kill for Barbara—Barbara was family—but the inverse was precisely true for her.

She’d do anything to drag her friend back from the consumptive darkness, even if it killed her.

“I’m sorry… this is just a lot to process,” she had admitted to Njoki, by then delicately massaging her pounding temples with her fingertips. “Melissa can be”—(so damn stubborn, headstrong, prideful, cagey, self-deprecating, and maybe even self-loathing, quite possibly unconvinced that she deserves to be loved)—“protective about the particulars of her life sometimes.”

“Understandable,” Njoki smiled graciously and let the sticky moment pass.

“But her other kidney...” The only one she had. God, it sickened Barbara. How could she not have known? “Were you able to fix it?”

She dreaded the answer, already fearing the worst outcome, unable to prevent herself from catastrophizing when every nerve in her body was alive with adrenaline and panic and hurt.

She would be brave enough for Melissa not to look away from it—the answer, the future, whatever else this hellish event had in store.

She owed Melissa her bravery at the very least.

“Mhm… I was able to fix it with an emergency partial nephrectomy,” Njoki returned patiently, “which simply means that I removed the damaged tissue from the kidney and did other repairs to successfully restore it to full functionality…”

The surgeon bit her dark lower lip then, hesitating slightly for the first time since the conversation had begun, and the gesture wasn’t lost on Barbara.

“There’s a but in there, though,” she intuited, her mouth abominably dry. She stared at palms, which were slightly red from the way she had been worrying them together for three hours.

Because Melissa had been in surgery for that long of a time—if not longer given the fact that an hour had passed since the accident and when Dr. McGill actually called.

Three godforsaken hours.

And Barbara had endured every second like her own personal hell. They drove through her hands—those seconds, those minutes, those hours upon unfathomable hours. They wounded her tender skin—scourged it even—but she could not stop herself from participating in her own bitter annihilation. 

She could not stop herself from fearing a world where Melissa Schemmenti could suddenly stop existing.

“Yes,” Njoki agreed softly, lightly curling her hand around Barbara’s wrist. Her fingers were cool, and that felt good to her feverish skin, soothing even. “She only has one kidney, so recovery is going to be on the longer side. We’re giving her a hemofiltration treatment while she’s in the ICU to ease the stress on the organ as it starts to heal. But I’m also not necessarily happy with her oxygen output yet, so I’m going to wait to take her off the ventilator for another couple of hours until she’s stabilized.”

“She’s on a vent?” Barbara had inhaled sharply, incapable from keeping the terror and unholy fear from climbing up the rungs of her throat. What she knew of medical terminology wasn’t much. What she knew of ventilators was absolutely terrifying. “She can’t breathe on her own?”

Njoki’s grip on her wrist tightened.

Reassuring but firm.

And kind.

So kind.

“It’s less that she can’t, Mrs. Howard, and more that the ventilator is giving her some help at the moment, so her body doesn’t have to work so hard to do so for her,” she clarified. “We’ll have her off of it in no time—don’t you worry, hon.”

Barbara winced at the use of her surname—the very one she had consciously decided not to change—still attached to the history behind it, wanting to continue to share a name with her daughters, and not wanting to endure the legal hassle of reverting to her maiden name besides… but, at the same time, Howard was inherently a reminder of Gerald. And there was something about the invocation of her ex-husband when she was in the waiting room of a hospital nearly about to lose her mind over her dearest not-just-friend that knifed her between the ribs. 

They’d been divorced for nearly an entire year, and she still felt the need to apologize to him.

For what exactly?

She could not say—in the very same way that she’d been unable to tell him the real reason why she couldn’t leave Philadelphia.

There had only been one reason, really.

One name.

One inexcusable sin.

“I’m going to allow her another hour to rest,” Njoki continued, giving her one last squeeze before finally standing up from the rickety chair, “and then I’ll send someone to come and get you. Does that sound alright?”

“Yes, of course,” she had replied somewhat untruthfully. Every atom in her itched to be wherever Melissa was now, to lay eyes on her for herself, to embrace her, to empirically confirm that she was still breathing, but she forced the facade of Barbara Howard to arise and perform her due diligence.

She smiled at the doctor with all her pearly white teeth.

But when she was finally gone, when it was simply Barbara and the two faceless individuals in the waiting room who were studiously looking away—rightfully lost in their own torments and fears—the kindergarten teacher bowed her head and cried.

She cried because she had apparently almost lost Melissa Schemmenti, and there wouldn’t have been a damn thing she could have done about it. And she cried precisely because she didn’t lose her best friend. She was still on this Earth—alive, tangible so miraculously here—and the guttural relief cascaded through her broken body like a deluge, like a Biblical, almighty flood. She cried because she was so utterly exhausted. She had spent the last three hours in a state of hypervigilance, every microscopic detail that she perceived razor sharp and stinging in the clarity of trauma. She cried because everything hurt—it all did—down to the way that when she glanced at her phone—and it was Melissa’s twinkling eyes that greeted her!—she had to hold back a sob.

She cried because had this been the end—had Melissa gone and left her, had she died—then there would have forever remained an unspoken thing, a wordless specter that perpetually haunted the few inches that unfailingly remained between them.

In Melissa’s music-filled kitchen when they accidentally brushed hips, standing side-by-side in front of the stove.

On Barbara’s soft couch when their shoulders just touched as they coincidentally laughed at all the same parts of a stupid movie.

In the teacher’s lounge at the round table that they both loved, their ankles occasionally glancing beneath their chairs.

Barbara cried about all of these things, having never verbally articulated the importance of even just one of them, a hand carefully splayed over her mouth to keep the carnage from coming out.

It was a quiet affair, of course, because she was conscious of the others—(she was always conscious of the others and their perpetual surveillance)—but the tears leaked from the corners of her eyes and down the weathered planes of her face anyway, collecting calmly on the vertex of her chin.

She allowed herself those five minutes of nearly unadulterated grief.

She indulged the child inside of her who had no recourse except to fall apart, who could only physically manifest these big emotions in the total reckoning of her own body.

And then, just as quickly, with expert precision, she capably mothered herself.

She wiped her streaming eyes on the sleeve of her soft shirt, the mask settling back into its proper place again, and she became Barbara Howard once more, unable to sit with herself and all of her unwanted baggage for very long.

Quite literally.

Which is why she’s been pacing for almost the entire hour, only taking a few sitting breaks before inevitably getting up again, continuing to pace, and impatiently waiting for the moment when the double doors open and someone tells her that she can see Melissa.

When that finally happens—sometime around three—when a nurse appears in front of her and tells her that her wife is starting to wake up, she never fully registers that there is something inherently wrong with such a sentence in the first place.

She just nods—speechless, so grateful—and follows eagerly, every step forward illuminated by the harsh fluorescence above.

The ICU is a terrifying place, dimly lit, shadowy, claustrophobic, and frankly alive with ghastly noise. Curtained beds line each side of the unit like stalls from which the intense whirring of machines rises upwards into the air and crashes indelicately upon her ears, but even that electric undercurrent isn’t enough to disguise the moans that frequently surface through the hum like a keen sort of lowing. 

Her stomach clenches, the column of her throat, as she catches a glimpse of a patient on a ventilator—not Melissa, thank God—but she knows that her friend must look similar, spidered with so many crawling appendages.

The nurse, a young lady named Cecily, silently gestures for Barbara to follow her down the corridor of beds on the right.

Before they reach the very last unit there, which is also initially eclipsed by a floor length curtain, Cecily gently whispers prepare yourself as though this is something achievable when one’s best friend—(and partner, confidant, companion, family, sole reason for staying in Philadelphia, guilty pleasure, greatest what if)—is behind that curtain, vulnerable and so broken, picked over and picked apart. But she only nods, distantly aware that it’s just something that the nurse has to say to be polite.

And so, Barbara Howard takes a deep breath and rounds the corner.

And she nearly falls to pieces where she stands.

Because there is Melissa Ann Schemmenti—a woman who always insists on looking so damn alive —thoroughly diminished in a hospital bed, washed out in a paisley-studded hospital gown. She is crisscrossed and scissored and swallowed up by so many colorful wires and tubes. Lines ribbon her arms, snaking around them and plunging inwards, connected to at least four different IVs that are swinging gallows-like from a singular pole. A row of stitches, neatly taped, rakes her colorless cheek, and the bottom of an empty catheter bag just pokes out beneath the blankets on the left hand side of the bed.

All of this Barbara Howard might have been able to live with, rationalize, and capably endure as part of the minutiae of what it means to be in an intensive care unit, were it not for the big and ugly tube erupting from the side of Melissa’s mouth, leading to a dreadfully bulky machine.

The ventilator.

Every rise and fall of the second-grade teacher’s chest is too perfect, too controlled, too precise.

Mechanical.

“Melissa.” Her name, the lilting three syllables of it, comes out shattered on her tongue. Barbara is desperate, unhinged at all of her carefully articulated seams. She’s scrambling to her side, unkeeled, unraveled, and so utterly unmoored. “Oh, sweetheart."

She stops just short of reaching out and touching her, though, suddenly afraid to do so—unable to stomach the thought of hurting her even one iota more—but then Njoki, who has just arrived, moves to the opposite side of the bed and gently shakes her head, her hands primly tucked into the pockets of her lab coat.

“It’s okay, Mrs. Howard,” she says. (It takes everything in her not to visibly recoil at the innocuous usage of her full name again.) “You can go ahead. See? She’s looking at you…”

And so she is.

Melissa’s olive eyes are half-lidded with exhaustion and likely a slew of painkillers too, purple half-moons edging them like elongated shadows, but even still, she’s clearly staring at Barbara, something of distress in those dark depths, something of unmistakable fear.

The younger teacher has always hated doctors—distrusts them, suspects that some (if not most) of them are quacks, won’t even go to her yearly check-ups unless Barbara nags at her to do so. Remembering all of this with a pang, she reaches out and runs her fingers through the familiar mane of red hair splayed all around Melissa's face in dull and lifeless tangles, tucking a stray strand behind her ear... behind the ventilation tubing...

“I’m here, sweetheart,” she murmurs as a single tear lances down the side of her face, falling somewhere onto the whiteness of Melissa’s sheets. With her free hand, she grabs the other woman’s closest hand—so careful not to disturb the IV port—and squeezes lightly.

“I’m here. I’m here.”

Melissa, with what little strength she seems to possess, squeezes back. There is dried blood still crusted around her painted nails, and the sight disturbs Barbara. They’d gone to get mani-pedis together just last week, and Barbara had never laughed as hard as she did when the technician had scrubbed Melissa’s feet with a pumice stone, and she’d erupted into unreserved giggles, surprisingly ticklish.

Endearingly so.

“Ms. Schemmenti and I—” Njoki starts, but Barbara quickly interrupts.

“—Melissa,” she says gently, glancing back at her friend, who hasn’t pried her glazed eyes away from her yet. “She prefers to be called Melissa… and it’s perfectly fine if you call me Barbara...”

Mrs. Howard—though she has long served Barbara well—does not have a place in this hospital, not here, not in this fragile moment, not by Melissa Schemmenti's sickbed.

Njoki nods once, her eyes warm and commiserating.

“Melissa and I, then, have come up with a system for communication while she’s still intubated,” the doctor continues with a slight smile. “I don’t want her moving her head too much, so we’ll go by blinks in response to questions until we can get her off the vent. One blink for yes and two blinks for no—right, Melissa?"

For the first time, Melissa’s gaze darts over to Njoki, and she blinks once and rather slowly to indicate that she’s understood.

Easy enough. 

Maybe, when all of this is behind them, years and years and innumerable years down the road, they will both be able to laugh about how this is the least Melissa has ever talked in all her sixty-years.

(Maybe, though, that wound will always be too tender to ever jokingly prod, and Barbara will treat any reminder of it like a cardinal offense. This is the day, the hour, the night, when she almost lost her. That will never not hollow her out to her bones.)

“Are you hurting, sweetheart?” Barbara asks, slowly lowering herself into the chair next to Melissa’s bed. It’s as uncomfortable as the ones in the waiting room, so she leans forward a little and presses her elbows into the mattress of the hospital bed for support, still holding on to her friend’s hand, though, refusing to let go.

Not now.

Never again.

Melissa blinks once and then twice, but the agonized way that her brow is furrowed over her eyes easily tips Barbara off to an alternative and very distinct possibility.

“Are you lying to me, Melissa Ann Schemmenti?” She asks in her most serious teacher voice, the one she only uses when she catches her kindergarteners trying to stay awake during naptime. And when she receives a thorough eye roll and then an accompanying blink in response, she can’t help but hoarsely chuckle in such a way that it's clear that she’s rather close to crying.

“As inappropriate as ever, I see.”

Another blink, and the corner of Melissa's bloodless mouth nearly twitches, but there is a tube in the way.

There is a ventilator.

The smile slips away from Barbara’s own lips at the unpleasant reminder, and before she can stop it, another tear falls from her eye. She hastily swipes at it—doesn’t think it’s her right to be so damn emotional when she’s not the one lying in the hospital bed with one barely working kidney and a machine dispassionately breathing for her.

“I apologize,” she says thickly, and she leans down to impulsively press a kiss against the other woman’s bruised knuckles. “Silly me. I shouldn’t be so upset in front of you…”

Melissa blinks once.

And then twice.

And then three times, staring at her expectantly, but Barbara glances up at Njoki instead, her dark brow pinching somewhere in the middle.

“Three blinks?” She muses aloud. “What would that be…?”

Njoki seems confused herself, pulling a hand through her long braids as she thinks on it.

“Mmmm, could be analogous for maybe?” The surgeon suggests, at which point Melissa squeezes her hand again, this time a little more insistently than before.

Barbara looks back down again to see that she’s blinking thrice once more, the expression in her eyes impatient, frustrated at not being understood. She frowns sympathetically; it has to be an utterly alienating experience to be entombed in one's own body.

“I’m sorry, sweetheart,” she murmurs, now rubbing soothing circles into the other woman’s clammy hand with her thumb. “I’m not sure what you mean. You’ll have to tell me later...”

She receives a look that quite plainly says, What aren’t you getting?  

But nonetheless, slumping her shoulders resignedly, Melissa blinks once anyway, which she assumes is most closely translatable to an affectionate, Fine, dummy.

“So how long will she have to be on the vent again?” Barbara asks, now addressing the question to Njoki, who is adjusting a dial on the main IV pump. Whatever she does seems to produce an immediate and tangible effect on Melissa because she moans with audible relief.

“Just increased the dosage of morphine you’re receiving,” the doctor explains, briefly placing her hand on Melissa’s other arm. “Should help with any pain you’re feeling, hon… as for the ventilator”—she looks at Barbara again—“the team who does early morning rounds can reassess in a few hours while I’m in another surgery. If they’re satisfied that her vitals are stable, I’ll give them the go ahead to extubate her.”

Melissa tightly closes her bruised eyes at this, her nails suddenly digging into Barbara’s palm, sharp and terrified.

“I know,” Barbara interprets readily. “You don’t like that answer…”

It scares you to be so thoroughly dependent upon another.

Upon an unthinking, brutalist machine.

You’ve never known of a fight that you cannot handle with nothing but your own two fists.

You always think you have to survive the worst alone, Melissa.

Why is that?

Who taught you such a terrible way of existing in this world?

Barbara knows that even if Melissa wasn’t on a ventilator, she wouldn’t have been able to answer either of these questions aloud. They’re far too vulnerable, demanding the second grade teacher’s total honesty, and Barbara knows that it would be hypocritical to ask that of her when she can’t even fully offer it herself.

“But I’m not leaving you, you hear?” She goes on, her voice suddenly constricted, a hundred emotions thick. “I promise.”

Even though the effort looks a little painful, Melissa opens her eyes again to deliver one blink.

Two.

And then three… that same elusive response, and Barbara frowns, feeling guilty and lost. She knows Melissa so intimately, and yet, whatever she is attempting to convey with these microgestures is as baffling to her as some arcane language.

“Mhm,” she placates lamely. “Yes, of course. I see...”

But she still doesn’t get it, and Melissa isn’t stupid. 

She blinks twice in blatant admonition, and Barbara can almost hear what she would have said.

No, goddammit, she would have laughed. You definitely don't.

The critical care team extubates Melissa around six that morning after a weaning test is successful; her oxygen saturation has risen, and she’s been heavily struggling against the vent for a while, trying to breathe on her own. Barbara holds her hand through the entire process, whispering soothing words into her ear as she tries not to cry at the sight of Melissa coughing and coughing, her throat inflamed from the intrusive tubing. The resident in charge immediately replaces the life support apparatus with an oxygenated mask, and it’s a sign of the younger woman’s utter exhaustion that she doesn’t buck against yet another restrictive measure.

She just stares at Barbara from the depths of glassy eyes for what feels like an eternity before finally closing them, less falling asleep than succumbing to it. The kindergarten teacher kisses the side of her hand again and continues to temple it with her own, rocking back-and-forth in her deeply uncomfortable chair. She prays to God for at least another half-hour after that, asking Him for His mercy and His healing, for His continued hand of protection on Melissa; she pleads and pleads and so desperately pleads, hoping that the voice in her head scrapes against the infinite (and sometimes depressingly remote) heavens. 

When she has done all the prostrating herself before her Lord that her overtaxed mind can handle, she simply sits still and vainly fights against the fatigue that is threatening to overwhelm her own body, focusing on the rhythmic beeping of the intravenous fusion pump that is decorated with a nauseating number of IV bags—all playing a part to sustain her best friend’s life.

Beep.

Surely it’ll be okay if she closes her eyes for just a minute… she won’t fall asleep… she just needs a moment to collect herself, to recenter her shaken core…

Beep.

Nothing bad will happen if she allows herself a brief respite; thinking otherwise is just a byproduct of the remaining adrenaline that is slowly working its way out of her system.

Melissa is stable.

Melissa is (likely) going to make a full recovery.

Melissa is the strongest person she knows.

Beep.

Despite her best efforts, though, Barbara feels herself starting to drift off, and she is unable to drag herself back from the depths, her consciousness floating out to that vast and welcoming sea of darkness. The last productive thought she feels her brain entertaining has to do with her friend’s three blinks, which no one had been able to satisfactorily decipher. She doesn’t think it’s Morse code or some other professional equivalent, nor does she think it’s maybe like Njoki had suggested. Melissa has always hated the tepidness of that word, preferring a straightforward yes or no…

Blink.

Blink.

Blink.

I and love and you.

The epiphany—agonizingly simple though it is—suddenly breaks over Barbara's head like a cresting wave, nearly pulling her back to the waking world with a fierce and overwhelming  joy. She smiles in her twilight state, eyes still closed…  

“I love you too,” she murmurs sleepily, only dimly aware that Melissa can’t currently hear her.

Perhaps they’re constantly saying those three words to each other, her and Melissa...

... just always doing it when the other isn’t able to fully understand.

She wakes up to the sensation of someone gently pulling a thumb across her jaw—over and over again, tracing the outline of that sharp bone with a practiced touch. The action disorients her—reminds her so powerfully of her late mother who had once soothed her when she was sick in the exact same way, but then the clinical smell of the hospital hits her: sharp, astringent, acidic.

And it all comes rushing back to her in jagged fragments.

Oh, God.

Melissa.

The wreck.

Those untenable hours in the waiting room.

The ICU.

She bolts upright, limbs half-flailing, and is suddenly confronted with a sight that reconfigures her insides: Melissa, looking like death warmed over, but even still and all the same, smiling that damned crooked smile—the one that Barbara loves so well. While she was sleeping, they apparently replaced the oxygenated mask with cannulas that have been threaded into her nostrils and around her ears. But she’s still covered with as many lines and tubes as ever, and the presence of them unnerves her.

Barbara blinks a couple of times as her eyes adjust to the dim lighting.

“Melissa,” she simply says, relishing every phoneme of that holy name.

She’s so powerfully relieved that she will have every opportunity to continue saying it.

Melissa, Melissa, Melissa.

“Hey, Sleeping Beauty,” the younger woman rasps, her voice hoarse from the ventilator, barely audible, but it’s still the sweetest sound Barbara has ever heard. She will never forget the sight of her on that machine for as long as she lives; it will stain her vision like an anemic afterimage every time she so much as closes her eyes at night; she will nightmare the staccato beats of Melissa’s heart being measured out by a rhythmic monitor. 

And she will thank God every day that He spared her.

That He let her have this one good thing.

This miracle.

Melissa, Melissa, Melissa.

“Hello yourself,” Barbara chokes out, sudden emotion throttling the stem of her throat. “You gave me quite a scare there, you know.”

“Gotta liven things up a little every now and then,” Melissa tries to chuckle—as is one of her favorite defenses against any sort of uncomfortable sentiment—but the familiar gesture immediately costs her. She begins to cough, her pale face suddenly splotched with small patches of red, and the beeping on the heart monitor starts to pick up. Barbara, her own heart plummeting into her stomach, reacts swiftly, splaying a sturdy hand on the younger woman’s chest.

“Breathe,” she instructs in an almost calm voice, but the word breaks at the end, her facade slipping, her poise. She cannot stomach seeing Melissa Schemmenti so helpless; it is an untenable contradiction, an oxymoron that she cannot capably resolve. “Mhm… that’s it, sweetheart. Inhale. Exhale. In and out.”

And beneath the weight of her palm, she feels Melissa’s breathing begin to slowly even out, the rise and fall of her chest regulating itself again. Relief cascades through her, comorbid though it is with the heartache, and the interplay of these two polarized emotions settles inside her like a stomachache. When the beeping on the cardiac monitor finally returns to normal, she briefly dips her head against the railing on Melissa’s bed, grounding herself against its coolness and steadiness, closing her eyes against the rising nausea.

“Sorry,” Melissa apologizes, her voice indistinct. The exertion of the coughing spell has thoroughly depleted her; there is nothing left of rosiness in her cheeks; gone is that inappropriate twinkle in her eyes.

All that is left is apology and pain.

Barbara doesn’t know why the younger woman has always felt the need to apologize for something she didn’t do. She can conjecture, of course—can guess that it’s a side-effect of having been told that it was her fault all of her life. Joseph was especially bad in this regard, foisting the most egregious of his indiscretions onto his ex-wife’s overburdened shoulders.  

He has supposedly matured since then—has assumed total responsibility for what he so recklessly broke in the first place—and Melissa, being a good Christian, has generously forgiven him. She even calls him just to chat from time to time...

But Barbara hasn’t.

Forgiven Joseph, that is.

God forgive her for it.

“Nothing to apologize about,” she forces herself to lift her head from the railing and smile a wane smile; it feels stiff on her lips, tense and unnatural; it stretches her mask of a face into a new and unsustainable configuration. “You’ve had a long night.”

“So have you,” comes an immediate rebuttal, so tender and concerned. Indeed, the intensity of the other’s penetrating gaze makes Barbara suddenly realizes that her hand is still on Melissa’s chest, and blushing slightly, she withdraws it—idly smoothing her blankets instead.

Of course, the second-grade teacher quickly follows this charged moment with yet another quip: “You look like shit, Barb.”

“Me?” She snorts incredulously despite herself, despite knowing what Melissa is trying to do. “You’re the one who’s lying in a hospital bed looking like, like...“ But she stops short, faltering, stumbling on her next words.

The expression she had nearly been about to use was like you’re knocking on death’s door, but she finds, at the threshold of this teasing irreverence, she cannot follow through. She cannot be like Melissa and turn the severity of what happened tonight into just another throwaway joke.

“Like what?” Melissa prods quietly, sensitive to the change in the conversation.

Or, maybe more accurately still, sensitive to any changes in Barbara herself.

“Like… you nearly died,” she shudders, her voice folding in on itself, seismically collapsing. And there are unbidden tears in her eyes yet again.

There is the raw and visceral grief of having almost lost Melissa Schemmenti.

She withdraws both of her hands, using one to grip the fabric next to her stomach, using the other to swipe her forearm across her eyes, as though that will help, as though that will do anything but prolong the inevitable.

Which, granted, might be what the both of them do all of the time in their separate and intertwined personal lives.

Prolong the inevitable.

Familial heartbreaks.

Broken marriages.

This unspoken thing between them.

“You nearly died, Melissa,” she goes on, still shielding her leaking eyes away from the other woman, “and I don’t know what I would have done in light of that fact.”

The proclamation lands heavily in front of them both.

It is an ugly, pitiful thing.

And it whimpers.

It wails.

“It… would have been... hard,” Melissa swallows, her voice uncertain, as though she's just now realizing how close she had been to the end herself. Between being on the operating table, waking up on a ventilator, and trying to recover from the ordeal of both of these traumas, there probably hasn't been space enough for her to fully process the night's events—excluding the times she’s been consciously trying to repress them all with a laugh, of course. In the back of her mind, Barbara wonders if there’s some implicit faux pas she’s making by discussing the hypothetical of Melissa's death even when she's right in front of her, clearly and miraculously and so thankfully alive.

“Yes,” she replies anyway because they’ve gone all of their damn lives without ever once saying exactly what they mean.

And she can’t take it anymore—Melissa almost died and all of her nerves are so brutally exposed.

Melissa almost died, and things still haven't changed between them; there is still something dividing them, unbearable inches.

“But y’would have gone on, Barb," she valiantly replies. "Life would have gone on, even if—“

“No,” Barbara cuts across her ferociously, finally lowering her arm to see that Melissa is staring at her from wide and watery eyes too, her face still leached of all its exquisite color. She looks less like a person than she does a corpse, less like a corpse than she does a ghost: insubstantial and wispy, one exorcism away from total dissolution. “Don’t even suggest that, Melissa. I would have never been able to move on from you. I would have been so... so lost.”

And there would have been no coming back from that.

She knows herself entirely too well.

She would have wasted away in the absence of Melissa Schemmenti. She would have let it all, the sixty-seven years that she has spent meticulously constructing the mythology of Barbara Howard—mother, wife, woman of God, devoted teacher—crumble to dust and ashes, returned to mire and clay.

“And what does that matter, huh?” Melissa croaks, and the stubborn woman tries to prop herself up on her arm, but she’s stopped short by all the wires and tubes, and perhaps (hopefully), the withering glare that Barbara levels at her. “I’m still here, aren’t I? And according to the doc, I'm not leavin' anytime soon. You don’t have to imagine a world where I’m not in it.”

The other teacher attempts a smile that almost instantly falls flat on her chapped lips, but she extends her nearest hand all the same, palm facing upwards—an open invitation of platonic communion, yet another reification of their well-established status quo of just being friends—but Barbara wants more than that.

She wants more than the stolen glances and the almost touches and the secret words that languish on the tips of their guarded tongues.

She's nearly seventy-years old and she has only recently wondered what it means to be selfish in a glorious, unabashed, and unrepentant kind of way; she wants a whole  lifetime.

Barbara slowly stands up then, ignoring the dull ache in her arthritic knees, and simply stares at Melissa, the light wash from a nearby machine staining her face a sad and desolate blue—the same color as a mottled bruise.

"Barb, what are you—" Green eyes widen, the pupils in them entirely blown.

And as the tears that have been threatening to obscure her vision finally spill over her long and dark lashes, she leans down, with exquisite tenderness, and kisses Melissa Schemmenti's forehead. Eternity stretches between them, infinity wrapped in the moment that her lips meet the other's feverish skin, and she is the sole witness to the exact moment when Melissa's eyes glaze over too.

"I don't want to imagine a home without you in it anymore," Barbara whispers, drawing back. "I realized as much tonight."

Perhaps even well before she received that damned call.

Perhaps sometime or another over these last twenty-something years.

She just could not say the words aloud; they were impossible to think, much less articulate.

"I'm sorry, I'm so sorry"—and she bows her head, ashamed, verklempt, overwhelmed, and undone—"for having not said it sooner..."

She's been a coward, hiding behind the veneer of her wedding ring up until very recently, ultimately hurting herself and Gerald both.

(She's been a good, Christian woman.)

Melissa reaches upwards then, disturbing the nest of varicolored wires that spiral around her milk-white arm, and palms Barbara's cheek, her thumb gingerly resting against the side of her jaw.

"Always slow on the uptake," she chuckles as tears trickle down her scraped and battered face like a soft, April rain. Barbara tries to wipe some of them away, but they continue to fall anyway, as though the spillage is endless, a long drought finally ended.

Rejuvenation can only follow.

Spring.

"Forgive me, sweetheart," Barbara implores again, sniffing noisily, as Melissa lightly cradles her face.

"You keep acting like that's something only you've gotta apologize for."

"Isn't it?" She doesn't dare to be hopeful—doesn't dare to believe that Melissa feels the precise same way that she does about all of the missed opportunities and untaken roads and lost years—but even still, the relief prematurely leaks into her voice anyway.

"Nah," Melissa grins, the crooked gesture somehow both beautiful and tortured all at once, "we're both complicit here."

"Oh."

And then, whether Melissa is drawing her downwards, or Barbara is taking initiative and leaning in, regardless, they're suddenly brushing lips like everything about this moment is fragile and delicate, like the time they have been afforded is precious, like they are making up for all the times they have never kissed before, like they plan on kissing every day from now on—as long as they both shall live. It is slow and lovely, pained and more than a little sad; they're both hyperaware of Melissa's current physical limitations, careful not to exceed them. The rhythmic whirring of machinery, the hiss of the oxygen filtering into Melissa's nose, the lines that entangle their hands like so many dozens of snares, serve as perpetual reminders of where they are, and what it almost cost them to arrive to this bliss in the first place.

Barbara tastes the salt of their intermingled tears and suddenly dreams about how one day, when the younger woman has sufficiently recovered, she would like to take Melissa with her to the sea, where they can wade into the warm waters, chest deep beneath the moon, and bask in its silvery glow. She will drag her fingers through that damp, red hair and tell her that she is so lovely.

She is beloved.

But at least for now, they're confined to this oppressive hospital and to the fact that Melissa could have very well died last night; indeed, the weight of that particular knowledge presses upon them both like a shared and bloodied wound.

Oh, how they anoint each other's lips with their own, though, in jubilant defiance of this unspeakable grief, and in doing so, begin to heal.

Later that same day, when Njoki and the rest of Melissa’s care team are satisfied that she’s fairly stable and that her kidney function has mostly returned to normal, they move her from the ICU into a regular room on the second floor, where she'll stay for a couple of days for close monitoring. And upon Barbara’s polite, if a little embarrassed, request, kind orderlies obligingly shove two hospital beds together with the rail lowered between them.

And for the first time in both of their lives, Barbara and Melissa lie together in the same (kinda-sorta) bed.

But it will not be the last time—they're both damn sure of that.

And once Melissa is finally out of the hospital, the next time will be under far better circumstances.

For naturally, Barbara Howard plans on taking her home.

Until that eagerly anticipated moment, though, she just holds her, laying an arm across that soft, warm belly, careful not to disturb any of the many lines that are still attached to her companion, conscientious of every wire and every trickling tube.

And for her part, Melissa is astonishingly good at finally letting herself be held, perhaps too tired to fight the sensation, or perhaps realizing that it isn’t such a bad thing after all to be cared for so intimately by another. At one point, when Barbara is idly skimming her fingernails up and down the length of her arm, Melissa even admits that this is nice.

And so it is.

And so it shall always be.

The setting sun leans against the square window with a relieved sigh, amber and honeyed gold.

They talk a little about everything and nothing as they patiently wait for seven o’clock when they can finally watch Jeopardy! together on the boxy TV mounted in the corner of the room. Melissa recounts what she remembers of the accident; she’d thankfully reacted quickly enough to avoid swerving into a tree, but the alternative had been careening into the ditch—that was when she’d slammed into the steering wheel as the car violently tilted downwards.

“Damn piece of shit,” she pouts mutinously. “I outta sue Honda’s ass for that airbag not deploying.”

“Amen,” Barbara vehemently agrees, her chin nestled against the younger woman’s shoulder. “They owe you big time."

When Barbara tentatively asks how she’d lost her first kidney—(after spending at least ten minutes ranting and raving about having never been told that crucial fact in the first place)—Melissa only chuckles, which makes Barbara immediately suspect that this is yet another thoroughly traumatic event in Melissa Schemmenti’s sordid life that is about to be tragically underplayed.

Much to her chagrin, she is absolutely correct.

“Lost it in a game of cards.”

“A game of what?!” Barbara nearly cries, briefly forgetting the intimate geometry of their bodies.

“Dammit, Barb. My eardrum!”

“Sorry"—she lowers her voice—"but, girlfriend, what?"

“Listen,” Melissa shrugs casually as Barbara massages the skin beneath the other's ear in silent apology, “it was no big deal. Needed some money to pay off some student loans, and I was, uh, young and dumb, and that was a very high paying game. Fuckin’ Tony Artino, though, a stronzo if I've ever seen one, cheated when he was dealin’ the cards.

If Barbara could do so without disturbing the other woman, she'd be emphatically shaking her head in disapproval right about now.

Mm.

“Every time I hear a new detail of your younger years, I’m very much alarmed,” she says, thinking about how this is somehow even worse than the story of a twelve-year old Melissa having had to take all five of her younger siblings out to the woods one night because her paranoid father had thought the mob had come to call.

It had not, in fact, been the mob.

It turned out to be a very lost pizza delivery guy.

“Yeah, well, that’s why I don’t say most of this stuff aloud,” Melissa teases, glancing over her gowned shoulder at Barbara. “Don’t wanna upset your delicate constitution, hon.”

“Well, quit that,” Barbara immediately retorts, as studiously solemn as Melissa is facetious. “I don’t want to find out any more dark secrets from some doctor in a waiting room at three in the blessed morning, Melissa. I want to just know your truths—all of them.”

“Even the ones that involve me gettin’ into illicit organ gambling poker games?” Melissa arches a not entirely serious brow, though her tone has slightly shifted, raising itself into the form of an implicit, tentative question.

Do you really want all of me?

Even the ugly parts?

Even the parts that most people run away from?

And Barbara’s definite, resounding answer is,“Yes, even those. I want you in your entirety, Melissa Schemmenti.”

Ugly parts and all—anything and everything that makes you human.

That makes you my Melissa.

My lovely Mel.

"That makes you a masochist, I think," comes yet another quick witticism—(she should really start calling them Schemmenti-isms at this point)—but she can tell that Melissa is genuinely moved by the sentiment, the strange gravity in her voice betraying her, the tightness with which she squeezes Barbara's hand.

"No," Barbara murmurs, so softly, against the shell of Melissa's delicately formed ear. "I think that just means I plan on taking my role as your emergency contact very seriously. You've made it my business—nay!—my moral duty to worry about you... to care for you with everything in me, Melissa. Let me do that then. I want to do that."

She gently cards her fingers through that rich and vibrant hair as Melissa seems to formulate her response to this against the background noise of the steadily beeping heart monitor and the pneumatic hissing of the oxygen that is still being supplied to her. Barbara is supremely comfortable with the silence—quite patient with it now that she figures that she and Melissa have all the time in the world to finally get things right.

"Trust doesn't come easily to me," she finally says, and there's a hint of warning in her voice, as though she's alerting Barbara to this long-ingrained trait of hers for the first time, as though nearly three decades of friendships hasn't made her well-aware of the fact that the younger woman approaches the world like everyone she meets is doing a good job of hiding their knives.

Barbara gets it.

Sometimes, she absolutely feels the same.

"Me neither," she admits quietly, still playing with Melissa's hair, now twining a curl around one of her fingers, now just as idly letting it go. "I've always been terrified that my honesty to others would be used against me... or else, my candor would eventually backfire in some other karmic hand of fate."

"Yeah." It's just a monosyllabic reply, but even still, Barbara hears the weight of it.

Melissa knows precisely what she's talking about.

The lived experience of being vulnerable before another and agonizingly paying for it.

"But we'll just have to learn how to fully trust each other together," she insists, trying on the role of the idealist for once. She wonders after all these years of resisting the  very idea, if Janine hasn't been rubbing off on her anyway. "We already have an excellent foundation already; now we're just building up the walls, brick-by-carefully-placed-brick."

"Hah. You always know how to make it sound so damn achievable," Melissa chuckles tiredly, even as she leans further into Barbara's embrace, apparently growing comfortable within it.

Secure.

"Perhaps it is this time," she smiles softly against the crown of that scarlet head. "When the two of us put our mind to something, there is little that can be done to stop us, you know."

"Oh, I know," Melissa only says—still skeptical, perhaps—but nonetheless gentle and entirely fond. 

Jeopardy! comes and Jeopardy! goes, and between them joking about how Ken Jennings reminds them a little of Jacob and competing over who gets the most correct answers, Barbara has probably never had so much fun in a hospital in her life. Melissa wins—just barely—but that’s because Barbara is rubbish at anything to do with pop culture categories.

(Who in God's almighty name is Christine Baranski, for instance, and what exactly does she have to do with ABBA?)

When the show is over, though, both of them start to feel the weight of their exhaustions dragging at their aching bones—Melissa especially. After the night nurse comes in to administer some more pain medicine to her, she settles in Barbara’s arms, her breathing becoming heavier, her eyes starting to droop to a close despite her best efforts to stay up and also watch Wheel. When a long time passes without the younger woman saying something, Barbara assumes that she's asleep and decides to settle down herself, flicking the TV off, and tracing vague patterns into the back of Melissa's thin gown.

Even though she won't want to, she'll likely go home for a little while tomorrow... shower... make a soup for herself and Melissa... pack a proper night bag... and then come back to stay again. She'll also need to spend at least a few hours on the phone to placate each of her daughters, as well as so many other people besides. When she'd called Taylor earlier to tell her about why she had to cancel dinner plans, her eldest had immediately freaked out over the prospect of her Aunt Mel being hurt. And then Taylor had told Gina, and Gina had told her grandmother on her father's side, and Gerald's mother Hannah—Barbara's kind but notoriously interfering former mother-in-law—had seen fit to put it in on Facebook that Melissa needed prayers, tagging Barbara in the post, and now everyone at Abbott knows that Melissa is down and out for the count too. Janine has texted her at least five times that she's seen since she last picked up her phone.

So, yes, she'll have a busy day tomorrow trying to make sure no one barges in on an unsuspecting Melissa.

Or, well, the both of them together.

They'll tell their friends and family in their own time assuredly.

Soon even.

But she has a strong feeling that both of them would like to remain in their infinitesimal pocket of forever—just the two of them—for a little while longer.

It's nice here—safe.

Melissa has always felt like home.

As she turns these plans over in her tired mind, she's incredibly surprised when not even ten minutes later, Melissa unexpectedly breaks the silence again.

“Barb?” She asks, her voice comically thick with drowsiness.

“Yes, honey?”

“Did ya ever flippin' figure out what three blinks meant?”

Barbara can't help but laugh, pleasantly caught off guard by the question; she had passively wondered if Mel had been too zoned out and drugged up to remember those failed exchanges in the ICU but apparently not.

“It took me awhile," she confesses.

Hours. 

Months. 

Years upon lonely years. 

Decades even. 

Almost all the time that the two women have known each other and pretended that friendship was the only mutual language that they spoke. 

“But I made it there in the end,” she finishes, pressing a light kiss against the side of the other woman’s head.

Three blinks.

Three words.

"I love you," she utters it so easily, like she's been saying it for quite sometime now.

I love you and I love you and I love you.

Maybe, if she's lucky, she'll echo this refrain throughout eternity.