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Summary
After Martinaise, Harry is alone, but more importantly, Harry has questions. Who was he, before he lost his memory? Who was he, before he wanted to lose it? Harry tries to answer all these questions by can-opening himself, whilst the only trace of the man far away from him seems to be a small painting of a sinking ship with his initials signed neatly between the waves. When his leg starts failing him and his return to Precinct 41 keeps getting delayed, Harry finds a refuge in canvases and paints, and more importantly, in Kim's company as he visits him day after day to make sure that he is okay, a sense of duty to protect him still lingering over from Martinaise.
In which Harry paints as a coping mechanism, a way to pass the time, and a way to get closer to the ever-incredible Kim Kitsuragi.
