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Petrified Cecilia

Summary:

A petrified Cecilia flower, its pure white preserved with alchemy. It was once forced to wither, but now it’s bloomed again under gentler conditions.

Albedo performs an old Art of Khemia exercise in front of Lisa, and expects the same harsh treatment he received from Rhinedottir.

Notes:

I wrote the original version back in summer 2022, and have returned to give it a happy ending. Since Albedo is more subdued in the second half, I imagine this was when he first joined the knights and wasn’t very close with anyone yet.

(See the end of the work for more notes.)

Work Text:

This is a story from a long time ago
of a certain young homunculus…
and his cold master.

“For Khemia’s sake, [Redacted].
I just taught you this yesterday!
You should be ashamed that
you can’t even give rise to an organism
beyond the simple structure of a Cecilia!”

“I— I’m sorry, [Redacted]—”
He clutched the humble Cecilia in his small hands.

“How many times do I have to tell you
to refer to me as only ‘Master’?
I don’t care for your apologies.
I want results. Now.”

And the fragile flower was
harshly taken from his small hands.

“You will be like this flower.”
Being given a chance to blossom and—
Yet it was forced to quickly wither to its death
at the researcher’s touch.
“If you fail again.”

The young homunculus’ chest tightened at these words,
though he never understood the reason.
Even this, too, he thought was a sign of his incompetence.

His life was under her control.
Then, surely his death would hers to decide, too.
Though unstable, though harsh,
it was the only semblance of a family he had,
so when she suddenly disappeared—

~

Centuries later, a certain alchemist attempted the old exercise again in the Favonius Library. He held the withered stem in one hand, and a pure-white Cecilia bloomed from its tip within seconds. The librarian watched with fascination.

“When we were chatting about rejuvenation yesterday, I didn’t think you’d show me. You’re quite the talented young man.”

“I appreciate your words, but this is merely a simple demonstration.” The alchemist held the green stem gently and noted the tightness in his chest.

This is to be expected, of course. The pattern that repeated for centuries would not deviate now.

“May I have a closer look?”

Well, at his current level, he could easily bring it back to life should she make any adjustments to its makeup.

“Of course.”

He passed her the fresh flower.

The librarian smiled, and with a small gesture of her hand, the Cecilia elevated into the air like a dancer.

“Cecilias are perfect for bouquets and vases, don’t you think?” Her voice was soft like flowing water in a creek. “There are many beautiful flowers in Mondstadt, if you know where to look. Even in places with harsh winds.”

The flower twirled amidst the faint purple sparkles above Lisa’s hand. As the tightness in Albedo’s chest subsided a little, he traced his gaze over the petals’ elegant shapes.

“Yes, they are quite suitable for decorative displays,” he agreed quietly.

A sliver of worry graced Lisa’s features at his distant remark. She returned the Cecilia to Albedo like it was a precious gift for him. Then she guided him to a nearby bookshelf and picked out a thick book with gold text on the spine of its green hardcover.

Albedo was already well-versed in the flora of Teyvat, but he nonetheless appreciated the encyclopedia Lisa picked out. It’d be a good textbook for his students.

“I’d rather have some lovely afternoon tea here in the library, but if you get the chance, you should give Starsnatch Cliff a visit.” Lisa handed Albedo the book, her twinkling green eyes as fresh as the cool water and rustling trees in Springvale. “Bards have written many songs throughout Mondstadt history about the Cecilia in praise of its resilience and gentleness, you know.”

Bards…?

Albedo thanked Lisa for the recommendation and checked out the book at the front desk. As he looked down at the rather heavy volume, he noticed a windmill insignia on the deep green cover along with the names of some scholars. Lisa smiled knowingly.

The blackletter typeface above the insignia read: Anthology of Mondstadtian Songs 8th Edition: Decarabian Era to Post-Aristocracy.

Notes:

Thank you so much for reading! Here are some thought processes.

Title

  • “Petrified Cecilia” refers to both a Cecilia that’s converted to stone by process of ossification, which symbolizes Albedo’s Geo element, and a Cecilia that’s frozen in fear, which stands Albedo’s mental state in the first half.

Form and Tone

  • For the first half, it was vaguely inspired by the style of the Dragonspine Spear weapon description, but the idea of Albedo and Rhinedottir interacting with a flower comes from Albedo’s character details and character story 3.
  • The second half slowly went from Albedo’s perspective with detached epithets like “the alchemist” and “the librarian”, to Lisa’s perspective with more colourful descriptions and their proper names.

Rhinedottir vs Lisa

  • I wanted to compare and contrast Lisa with Rhinedottir. (Albedo’s and Lisa’s dynamic was somewhat inspired by an old snippet I wrote.)
  • Lisa twirling the flower with magic is from her idle animation, of course.
  • The second half mirrors the first half but also contrasts against it. Rhinedottir degrades Albedo, and doesn’t allow him freedom as she makes his cecilia wither. She also saw him as an experiment to purely ask for results from, as a researcher. Meanwhile, Lisa praises Albedo when he brings the Cecilia back to life by his own accord, and gives him freedom to consent to her examining his Cecilia. She also implicitly nudges him to explore his own identity by comparing him to the Cecilia and giving him an anthology on Mondstadian poetry. Maybe she hopes he’ll feel less lonely if he reads through poems written throughout Mondstadt’s history.

Albedo

  • Albedo expects Lisa to destroy his flower and considers Cecilias to be suitable for decorative display as a reflection of how he views himself. Lisa picks up on this and worries for him, so she gives him a poetry anthology, which poor Albedo assumes to be an encyclopedia he needs to study…

Anthology Cover Typeface

  • The blackletter typeface on the anthology’s cover refers to the Fraktur typeface that was popular in Germany. The typeface seen in Mondstadt is a “mirrored and broken up” version of it according to languages section of the wiki.

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