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The Diamond Beyond Reach

Summary:

In "The Diamond Beyond Reach," Nathaniel Hawthorne reflects on the rare and untouchable nature of Margaret Mitchell, a woman whose value cannot be measured by conventional standards. Through a conversation with Mitchell, Hawthorne acknowledges her complexity, recognising that her true worth lies not in her beauty or achievements, but in the paradoxical combination of her humanity and her indomitable presence. She is not a prize to be possessed, but a unique creation whose brilliance shines beyond the grasp of the world, forever untarnished by time or ownership.

Notes:

happy birthdayyyy Margaret 😁😁!!!!!

Inspired by 'Diamonds' by petalxdance, you guys should ready, it's really good!!!

(See the end of the work for more notes.)

Work Text:

The room was quiet, except for the occasional creak of the old oak chair beneath Nathaniel Hawthorne’s weight. A solitary candle flickered on the desk, casting a dim, trembling light across the worn pages of the book he had been reading. It was the kind of stillness that allowed the mind to wander, a silence that wrapped itself around the thoughts like the comforting embrace of a familiar blanket. 

But tonight, the air was different.

In the corner of the room, on a faded chair draped with the remnants of another era’s elegant fabric, sat a woman, her presence barely disturbing the air. Margaret Mitchell, a name that would someday echo through the world, sat before him with an expression that seemed both distant and present, a perfect blend of contemplation and serenity.

Hawthorne, ever the observer, could not help but study her. Her manner was unlike any other woman he had met before. She was not just beautiful in the conventional sense, though her eyes, dark like the deep swells of the sea, and her hair, like midnight woven into silk, possessed a quiet allure. No, Margaret Mitchell was more than a mere picture of beauty—she was something ethereal, as though she had stepped out of a story yet to be told, a story that could only be written in the way a diamond could only be discovered, not created.

In the dim glow of the candlelight, Hawthorne leaned forward, the words slipping from his lips almost involuntarily. "You know, Margaret, you are like a diamond—one that could not be purchased in any store, nor for any price. That is how rare you are."

Margaret’s gaze shifted slightly, a soft smile curving the edges of her lips, though her eyes remained distant, filled with a complexity that neither time nor understanding could ever fully grasp. She said nothing, but the silence spoke volumes.

It was a statement that lingered in the air, settling around them like the weight of truth. Hawthorne was no stranger to the ways in which the world, in all its complexity, often failed to see the true value of something until it was lost. He had seen this in the world of art, in the fleeting lives of men and women who had lived their lives in quiet obscurity, only to be remembered long after they had passed. But Margaret Mitchell was different—there was no waiting for her value to be realised. She simply was.

But it was not just her external beauty that caught Hawthorne’s attention—it was the depth behind her eyes, the way she held herself, as if she had already lived a thousand lifetimes. Her presence was a contradiction, an enigma. It was impossible to fully understand her, as if the more one tried to approach, the further away she would drift.

The words that had come from Hawthorne’s lips had not been spoken lightly. He had heard them in his mind for some time now, but it was not until tonight that he felt compelled to voice them. "You see," he continued, his voice thick with thought, "diamonds can be bought and sold, possessed, owned. But you, Margaret, are not something that can be bartered for. You are a creation of the world itself, something that cannot be replicated by any human hand. A diamond’s brilliance can be dimmed, but yours… yours is a light that never fades."

Margaret tilted her head ever so slightly, the shadows deepening beneath her eyes as if the words had struck some unspoken chord within her. It was not that she was unused to flattery or praise, but the way Hawthorne spoke—there was an unshakable sincerity in it, a reverence that she had not known many to express.

"You speak of me as though I am something untouchable," she replied quietly, her voice like a breeze that swept through the room. "And yet, I am just a woman, Nathaniel. Like all others, I am made of flesh, of blood, of dreams. I have my own flaws, my own contradictions."

Hawthorne’s lips twitched into a subtle smile. "Perhaps that is the very reason I speak of you as I do. It is your imperfections, your humanity, that make you all the more precious. You are a paradox—a diamond, yes, but one that can neither be bought nor possessed, one that exists beyond the limits of what the world knows how to value."

The conversation fell into another silence, one that hung heavy with the weight of understanding. There was truth in his words, and Margaret knew it. She had lived a life not for the purpose of being admired or understood, but for something far deeper—something that was born of her own experiences, her struggles, and her triumphs. She was a creation of her own making, as much as she was shaped by the world around her.

And that, perhaps, was what made her so rare, so invaluable. It was not that she had been crafted to perfection, nor was it that she had the qualities the world deemed worthy of praise. It was that she was real—untouched by the hands of time, raw in her complexity, and unyielding in her pursuit of understanding.

In the years to come, the world would come to know her name through a novel that would stir hearts, challenge minds, and leave a mark on literature. But to Hawthorne, Margaret Mitchell was not just a name on a page. She was a living, breathing testament to the idea that some things were too pure, too rare, to ever be captured by any means.

She was a diamond, yes—one that would never fade, nor be dimmed, no matter how time would try to shape her. She was not to be possessed by the world, for she had already made her mark, not in jewels, but in the depths of the soul.

And as Hawthorne sat there, staring at her, he realised that this was what he had been trying to capture his entire life—a woman who was a paradox, a riddle, a diamond that would never be bought or sold, and whose value could never be truly understood by any hand that sought to claim it. She was a mystery, not to be solved, but to be admired from afar, as one admires the stars that shine in the sky, knowing they are beyond reach, but forever present.

In that moment, Nathaniel Hawthorne understood: Margaret Mitchell was a diamond not because of her beauty, but because she was not meant to be possessed. She was meant to be admired, respected, and, above all, left to shine in the way that only diamonds could.