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Summary
She remembered the Archivist to have been much the same: a stuck-up little man, all high and mighty and safe at the top of his ivory tower, who only had eyes for his paper files and that freaking tape recorder he insisted on using.
But that is not whom she saw sitting at the Archivist's desk.
"You look different," she commented brusquely.
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Or: Melanie's old channel is done for, but that doesn't mean she has to give up on ghost hunting. Just as her current investigation stalls, the Archivist calls her in an attempt to make amends. He's...changed, but she can't make up her mind on whether that's a good or a bad thing.
Starts a few days after Painter of Shame, and a few months after Private Image; Public Eye (but you can start with this one it doesn't matter).
Series
- Part 4 of With the Conductor's Blessing
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