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Modes of Attraction

Chapter 2

Notes:

Anddd Week 4 of CR Aspec Fest: Free Week!

As with anything so personal, there are as many ways to describe sexuality as there are people. Here are three. Consider the following as behind-the-scenes TS notes and sketches, basically the writer equivalent of a (very) tidied up sketchbook page :3

(See the end of the chapter for more notes.)

Chapter Text

Essek conceptualizes his sense of attraction in an experiential framework. He experiences different sensations as a result of his sense of attraction, which is centered upon himself, and largely acknowledges it as decoupled from other people. Another way his sense of attraction could be represented is with a hunger/appetite/craving model for each 'type' of attraction. Both of these are typical frameworks present in the Kryn Dynasty and are easily put to word in Kryn Undercommon.

A slideshow page reading:  Essek's POV on attraction  Underneath the text is a Venn diagram. One circle is labeled 'Mental', the second circle is labeled 'Physical', and the overlap is labeled 'Emotional'.

Figure 1: A representation of Essek’s sense of attraction

Due the frequent use of terms such as ‘romantic’ and ‘in love’ in Common conversation and literature*, as well as internalized propaganda regarding the reproductive habits of short-lived races (humans in particular), Essek has several preconceptions regarding how senses of attraction are conceptualized within the Dwendalian Empire. He assumes those of the Empire, including Caleb, experience their senses of attraction in a uniformly prescriptive and relational framework. This means their senses of attraction involve two or more people, the subject (that is, the one internally experiencing the attraction) and the object(s) of the attraction, and experiences of attraction conform themselves to the prescripted type of relationship the subject and object(s) inhabit.

A slideshow page reading:  Essek's POV on attraction translated into his assumption of Caleb's POV  Underneath the text are sixteen boxes in four rows of four. Each box is a different color for legibility.  Row 1 Box 1: Both Romantic and Non-romantic AND Both Sexual and Non-sexual Row 1 Box 2: Both Romantic and Non-romantic AND Non-sexual Row 1 Box 3: Both Romantic and Non-romantic AND Sexual Row 1 Box 4: Both Romantic and Non-romantic AND Neither Sexual nor Non-sexual  Row 2 Box 1: Non-romantic AND Both Sexual and Non-sexual Row 2 Box 2: Non-romantic AND Non-sexual Row 2 Box 3: Non-romantic AND Sexual Row 2 Box 4: Non-romantic AND Neither Sexual nor Non-sexual  Row 3 Box 1: Romantic AND Both Sexual and Non-sexual Row 3 Box 2: Romantic AND Non-sexual Row 3 Box 3: Romantic AND Sexual Row 3 Box 4: Romantic AND Neither Sexual nor Non-sexual  Row 4 Box 1: Neither Romantic nor Non-romantic AND Both Sexual and Non-sexual Row 4 Box 2: Neither Romantic nor Non-romantic AND Non-sexual Row 4 Box 3: Neither Romantic nor Non-romantic AND Sexual Row 4 Box 4: Neither Romantic nor Non-romantic AND Neither Sexual nor Non-sexual

Figure 2: A representation of Essek’s sense of attraction mapped onto the ‘default’ Common framework

Mapping Essek’s sense of attraction into this assumed Common framework proves quite tricky. Parts of it may even seem contradictory without further expansion.

Caleb’s actual sense of attraction falls in line with a presential, ambient framework.

A slideshow page reading:  Caleb's POV on attraction  Underneath the text is a black to grey to white gradient labeled 'No' on the darkest side, 'Maybe' in the middle of the grey, and 'Yes' on the lightest side.

Figure 3: A representation of Caleb’s sense of attraction

His sense of attraction is centered on himself and describes how (not what) he feels towards others, regardless of who happens to be physically around. Though this framework can readily conform into the dominant prescriptive framework of Common, it is more accurately described as a sliding scale between presence of attraction and absence of attraction, regardless the ‘type’ of attraction. If asked how he conceptualizes his sense of attraction, Caleb would likely default to describing it in the Common framework, albeit with a little difficulty regarding ‘maybe’ cases.

 

Notes:

*↑ For the purposes of Touching Sentiments, the dissection of English terms serves as a stand-in for the dissection of Common terms. Senses of attraction in the ‘culture’ of Common are described in a romantic/non-romantic dichotomy. This framework is considered the default to those whose first/only/primary language is Common.

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Fun fact: I made the second figure when playing around with how AO3 organizes relationship tags. I was trying to imagine what it would be like if the tagging system allowed for more relationship categories than [non-romantic and non-sexual] and [romantic and/or sexual] and tada- many boxes! I thought about trying to add a third aspect just for extra fun, but I think I’d need a 3D model for that xD

Notes:

I have just realized this is my 100th fic posted to AO3! 🎉🎉🎉

Here's to many more!

Thanks for reading! <3

Check out my tumblr @spottedenchants for wips and other shenanigans!

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